383:, and when he moved into features he was associated with comedies. Lemmon, too, had been in a long string of comedies, and it's easy to assume that both filmmakers were using the opportunity to "stretch". Unfortunately, Edwards, who is kind of a combination of George Stevens (comedy director turned prestige filmmaker) and Vincente Minnelli (excitable content with no distinctive visual style), tilted the original material towards schmaltz, from the comically lush theme-song by Henry Mancini to the exaggerated binge scenes. According to one Lemmon biography, the actor felt a little bad about the fact that his friend Cliff Robertson, who had appeared in the TV production, wasn't invited to be in the movie, but the studio insisted on a certified star for the film... What's missing is the calm plausibility of the original TV broadcast, revived briefly on cable TV in the 1990s.
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tremens—the flighty dancing around the room, her weakness of character and moments of anxiety and her charm when she was sober—was a superlative accomplishment. Miss Laurie is moving into the forefront of our most gifted young actresses. Mr. Robertson achieved first-rate contrast between the sober man fighting to hold on and the hopeless drunk whose only courage came from the bottle. His scene in the greenhouse, where he tried to find the bottle that he had hidden in the flower pot, was particularly good... John
Frankenheimer's direction was magnificent. His every touch implemented the emotional suspense but he never let the proceedings get out of hand or merely become sensational.
509:, among others), who was also a friend of Miller's; but he only received by-line credit on the book's first iteration, a movie tie-in edition featuring cover stills from the film. The book proved hugely popular, though, and the story had become so iconic that its publisher Bantam Books (and one supposes the authors, by mutual arrangement) took Westheimer's name off the book to move it into the "literature" category and keep it in print (which they did, for decades). Subsequent printings were branded only "JP Miller's Days of Wine and Roses" without an explicit by-line for the novel itself. This novelization was followed by another in 1970, adapting the screenplay for
513:, published by Dell Books. And once again, no author is given direct attribution for the prose; the cover says, "JP Miller's penetrating story of teenagers on drugs and parents on trial"; and the title page says only that the book is "based on the original story by JP Miller," with his name positioned to imply authorship. As the writing style is much the same, it's probably safe to assume that Westheimer (at Miller's invitation) was the novelizer here too.
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After his first marriage to Ayers
Elizabeth Fite, Miller married Juanita Marie Currie. On November 24, 1965, he married Liane Nicolaus. His children are James P. Miller, Jr. (from his first marriage); John R. and Montgomery A. (second marriage); and journalist Lia Marie, Anthony Milo and Sophie Jetta
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about a man who blackmailed restaurants by injecting a foul-smelling substance into eggs. When an egg was cracked, customers fled, and the villain demanded cash to prevent future incidents. When this drama was televised, Miller immediately quit his job as a salesman to write full-time. In 1954 he had
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synopsized the drama: "While on vacation, a father and son set a rabbit trap. They are to return the next day to free the rabbit, a prospective pet for the boy. But the family is forced to return to the city after a rush call from the father's demanding boss." Back home, the boy points out that the
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It was a brilliant and compelling work... Mr. Miller's dialogue was especially fine, natural, vivid and understated. Miss Laurie's performance was enough to make the flesh crawl, yet it also always elicited deep sympathy. Her interpretation of the young wife just a shade this side of delirium
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379:. With the advent of Lemmon's participation, little remained of the founding teleplay, except for actor Charles Bickford reprising his role. Edwards had started out in television, too, first as a writer then after that mostly noted for the series
520:, where he lived for the next 36 years. He developed a routine of writing seven days a week for four hours in the morning, playing tennis in the afternoons, relaxing with his tennis pals at the Swan Hotel in
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and then went to
Houston, where he sold real estate and Coleman furnaces. Moving to New York, he sold York refrigerators and air conditioners while spending off hours at theaters, television studios and
293:. It became a movie four years later, but Miller preferred the earlier teleplay, commenting, "Of course, the television version was closer to my heart, because it was closer to my original image."
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to London in the 1960s, reworking it to focus on a young couple just arrived from
Belfast. That stage version had a West End premiere at the Donmar Warehouse in a
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rabbit will die in the trap. As Miller put it, "The guy finally realizes that the rabbit in the trap is him, and he takes his family and goes back to
Vermont."
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about a man who works in Long Island City at a construction firm where he is bullied by his boss. He takes his family to
Vermont for a two-week vacation.
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received favorable critical attention and was nominated for an Emmy in the category "Best
Writing of a Single Dramatic Program – One Hour or Longer."
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484:(Warner Books, 1984), about a spelunker confronting a cave creature who may or may not be from his own imagination. In what was the first use of a
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returned to the United States with 13 battle stars, and a
Presidential Unit Citation. Miller came back with a Purple Heart and Bronze Star. After
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Miller was the son of construction engineer
Rolland James Miller and touring actress Rose Jetta Smith Miller. At the age of 17, living in
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producer Martin
Manulis decided the material would be ideal as a motion picture, but some critics observed that the film, directed by
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600:, would never have been written." Her play premiered at Philadelphia's Lantern Theater in 1999. The playwright
194:(minus periods after the initials) after receiving orders in that format by U.S. Navy addressing machines. The
474:(Donald I. Fine, 1995) concerns a young boy named Dub Johnson in Depression-era Houston. His other novels are
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meetings (which were something of a mystery in the early 1950s). The drama was telecast October 2, 1958, on
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began as a Fox project, but ended up at Warner Bros. when the Fox studio started going down the Nile with
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subsidiary. Warner Books paid $ 6000 for the hologram elements, part of a $ 50,000 publicity campaign.
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in the South Pacific, primarily as a gunnery officer, seeing combat first aboard the heavy cruiser
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was telecast, Jack Gould wrote a rave review with much praise for the writer, director and cast:
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on a book cover, the Skook was sketched by Miller and then sculpted by Eidetic Images, Inc., an
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is usually credited to Miller, but he did not, in fact, write it. The prose adaptation was by
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Miller's first script for television was "The Polecat Shakedown", a 30-minute drama for
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when the movie adaptation was released that year. His TV movies include
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Rice University: Guide to the James Pinckney Miller Papers, 1955–1972
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In addition to poetry and short stories, Miller wrote four novels.
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Primetime Emmy Award for Outstanding Writing for a Drama Series
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Von Dobeneck, Monica. "JP Miller: The man behind the Skook,"
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in the late 1930s, he became a part-time reporter for the
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Joel Oliansky for "To Taste of Death But Once" (1971)
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In 1994–1995, Miller taught a playwriting workshop.
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956:for "The Thanksgiving Story" (1974)
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418:(1964). In 1970, Dell published
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972:for "John Adams: Lawyer" (1976)
940:for "Death Lends a Hand" (1972)
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101:Golden Age of Television
1401:Smoke Gets in Your Eyes
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1569:Nobody Is Ever Missing
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518:Stockton, New Jersey
511:The People Next Door
495:The novelization of
420:The People Next Door
287:Alcoholics Anonymous
272:The People Next Door
1454:for "Always" (2011)
1182:Three Men and Adena
1123:Marshall Herskovitz
1111:Terry Louise Fisher
1031:Hill Street Station
692:Craic: JP Miller's
443:"How to Be Noticed"
415:Behold a Pale Horse
258:Producers' Showcase
852:for "Blacklist" /
840:Robert Thom &
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712:The New York Times
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490:American Bank Note
449:. Lawrence, Kansas
319:The New York Times
111:John Frankenheimer
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478:(Dial, 1973) and
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224:Man Against Crime
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1377:Members Only
1285:Aaron Sorkin
1210:Darin Morgan
1190:Ann Biderman
1166:Diane Frolov
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1660:2001 deaths
1655:1919 births
1528:D. B. Weiss
1512:D. B. Weiss
1468:Gideon Raff
1385:David Chase
1361:David Shore
1337:Robin Green
1333:David Chase
1313:Joel Surnow
1301:Robin Green
1258:David Chase
1238:David Milch
1222:David Milch
1178:Tom Fontana
1119:Paul Haggis
1095:John Masius
1091:Tom Fontana
1075:Tom Fontana
1071:John Masius
1059:David Milch
962:Howard Fast
854:Rod Serling
813:Rod Serling
799:Rod Serling
663:DVD Journal
598:Opening Act
594:Judi Barton
430:Edgar Award
412:(1962) and
365:Jack Lemmon
264:(1956) and
170:Mexico City
1649:Categories
1632:Will Smith
1500:Ozymandias
1460:Alex Gansa
1246:Bill Clark
1099:Joe Tinker
1043:Jeff Lewis
954:Joanna Lee
862:David Karp
654:Holm, D.K.
612:References
578:Peter Gill
574:Sam Mendes
568:relocated
381:Peter Gunn
353:D. K. Holm
218:Television
84:Occupation
49:1919-12-18
1472:"Pilot" (
1436:Erin Levy
1341:Whitecaps
994:Holocaust
894:JP Miller
719:JP Miller
588:Influence
481:The Skook
377:Cleopatra
335:Miller's
214:classes.
192:JP Miller
185:USS
178:USS
131:Biography
25:JP Miller
1626:" (2023)
1614:" (2022)
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1474:Homeland
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1033:" (1981)
996:" (1978)
923:" (1970)
625:TV Guide
549:Revivals
486:hologram
453:April 6,
436:Articles
396:(1959),
363:, actor
278:(1968).
260:(1955),
238:TV Guide
1488:Q&A
1262:College
351:critic
180:Chester
1544:Offred
1526:&
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782:(1955)
660:review
462:Novels
274:, for
87:Writer
78:, U.S.
59:, U.S.
1622:for "
1610:for "
1590:for "
1580:2020s
1567:for "
1557:START
1555:for "
1542:for "
1530:for "
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1498:for "
1486:for "
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1428:2010s
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1260:for "
1212:for "
1200:for "
1180:for "
1142:1990s
1029:for "
1010:1980s
992:for "
919:for "
905:1970s
791:1960s
766:1950s
388:Films
373:Roses
196:Cabot
187:Cabot
94:James
1470:for
1315:and
1256:and
1244:and
1228:and
829:for
815:for
801:for
776:for
455:2019
250:and
204:Yale
174:Navy
113:for
65:Died
43:Born
721:at
476:Liv
406:),
298:CBS
168:in
1651::
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47:(
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