Knowledge

Joris-Karl Huysmans

Source 📝

1229:, has more discussions of sound, smell and taste than any other work of literature we know of. For example, one chapter consists entirely of smell hallucinations so vivid that they exhaust the book's central character, Des Esseintes, a bizarre, depraved aristocrat. A student of the perfumer's art, Esseintes has developed several devices for titillating his jaded senses. Besides special instruments for re-creating any conceivable odour, he has constructed a special "mouth organ", designed to stimulate his palate rather than his ears. The organ's regular pipes have been replaced by rows of little barrels, each containing a different liqueur. In Esseintes's mind, the taste of each liqueur corresponded with the sound of a particular instrument. 1139: 1352: 2433: 1174:"Barbaric in its profusion, violent in its emphasis, wearying in its splendor, it is â€“ especially in regard to things seen â€“ extraordinarily expressive, with all the shades of a painter's palette. Elaborately and deliberately perverse, it is in its very perversity that Huysmans's work - so fascinating, so repellent, so instinctively artificial - comes to represent, as the work of no other writer can be said to do, the main tendencies, the chief results, of the Decadent movement in literature." ( 1150: 44: 172: 825: 739: 2472: 1083: 747: 1167:"It takes me two years to 'document' myself for a novel â€“ two years of hard work. That is the trouble with the naturalistic novel â€“ it requires so much documentary care. I never make, like Zola, a plan for a book. I know how it will begin and how it will end â€“ that's all. When I finally get to writing it, it goes along rather fast â€“ 677: 661:
by trade. His mother Malvina Badin Huysmans had been a schoolmistress. Huysmans's father died when he was eight years old. After his mother quickly remarried, Huysmans resented his stepfather, Jules Og, a Protestant who was part-owner of a Parisian book-bindery.
912:
he would have to choose between "the muzzle of a pistol and the foot of the Cross." Huysmans, who had received a secular education and abandoned his Catholic religion in childhood, returned to the Catholic Church eight years later.
1299:
By careful and persistent experimentation, Esseintes learned to "execute on his tongue a succession of voiceless melodies; noiseless funeral marches, solemn and stately; could hear in his mouth solos of crĂšme de menthe, duets of
1204:
published contemporaneously, in various journals or reviews, as Huysmans's novels came out over the years, in 1884, 1887, 1891, can be found, collected together and published 6 years after Huysmans's death, in book form, in
1211:"It is difficult to find a writer whose vocabulary is so extensive, so constantly surprising, so sharp and yet so exquisitely gamey in flavour, so constantly lucky in its chance finds and in its very inventiveness." ( 907:
was so pleased with the publicity his verse had received from the novel that he dedicated one of his most famous poems, "Prose pour des Esseintes", to its hero. Barbey d'Aurevilly told Huysmans that after writing
1029:, whom not one of us has failed to acknowledge as one of the most singular temperaments of our time, and one who has had a very great influence on modern art? I was extremely surprised by your articles on 2645: 774:
He used the name Joris-Karl Huysmans when he published his writing, as a way of honoring his father's ancestry. His first major publication was a collection of prose poems,
1047:, extensive vocabulary, detailed and sensuous descriptions, and biting, satirical wit. It also displays an encyclopaedic erudition, ranging from the catalogue of decadent 975:, intensely studying the cathedral and its symbolism. The commercial success of this book enabled Huysmans to retire from the civil service and live on his royalties. In 1748:
Eugene Thacker, "An Expiatory Pessimism," Transactions of the Flesh: An Homage to Joris-Karl Huysmans (edited by D.P. Watt & Peter Holman, Ex Occidente Press, 2014).
689:
For 32 years, Huysmans worked as a civil servant for the French Ministry of the Interior, a job he found tedious. The young Huysmans was called up to fight in the
1321:, is a literary scholar specializing in Huysmans and his work; Huysmans's relation to Catholicism serves as a foil for the book's treatment of Islam in France. 719: 630: 1654: 1033:. How can such astonishing vision, such phenomenal execution and such rare and extensive decorative feeling not have struck you back in 1870 ...?" 2508: 1775: 665:
During childhood, Huysmans turned away from the Roman Catholic Church. He was unhappy at school but completed his coursework and earned a
1301: 389:
was his most commercially successful work. Its profits enabled Huysmans to retire from his civil service job and live on his royalties.
833: 532: 1607: 2640: 2635: 2675: 623: 799:. His next works were similar: sombre, realistic and filled with detailed evocations of Paris, a city Huysmans knew intimately. 2680: 2670: 2665: 1620: 1597: 1635: 728:. Dulac died a few months before Huysmans completed his arrangements for the move to Ligugé, and he decided to stay in Paris. 547: 1983:
The Mirror of Divinity: The World and Creation in J.-K. Huysmans, Robert Ziegler, University of Delaware Press, 2004, p. 159
935:
in France in the late 1880s. He introduced the character Durtal, a thinly disguised self-portrait. The later Durtal novels,
1107: 1103:"Section is mainly a list of quotations with no unifying formatting, making the sources unclear for some of the material. 542: 616: 1339:
in 1892, for his work with the civil service. In 1905, his admirers persuaded the French government to promote him to
2501: 1329:
Huysmans never married or had children. He had a long-term, on-and-off relationship with Anna Meunier, a seamstress.
1125: 1994: 2650: 1185:"...Continually dragging Mother Image by the hair or the feet down the worm-eaten staircase of terrified Syntax." ( 2685: 872:" with a "cherry-lipped youth" was believed to have influenced other writers of the decadent movement, including 512: 2700: 2594: 1481: 1057: 967: 943: 724: 450: 445: 440: 435: 430: 359: 331: 153: 17: 1974:
Satanism, Magic and Mysticism in Fin-de-siĂšcle France, Robert Ziegler, Palgrave Macmillan, 2012, pp. 2, 7, 125
1767:
Das Leben ist eine mißliche Sache. Ich habe mir vorgesetzt, es damit hinzubringen, ĂŒber dasselbe nachzudenken.
2019: 1651: 425: 2352: 2307: 2177: 1863: 1138: 2695: 2655: 2494: 2334: 2372: 2198: 2690: 2660: 2393: 1925: 1143: 892: 2167: 1264:, at one and the same time sweet and poignant, whining and soft. Then to complete the orchestra, comes 896: 573: 420: 406: 710:
After his retirement from the Ministry in 1898, made possible by the commercial success of his novel,
1098: 703: 527: 522: 377:(1903), Durtal becomes an oblate in a monastery, as Huysmans himself was in the Benedictine Abbey at 2142: 289:, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of 2258: 2233: 1762: 1686: 922:, an unromantic account of a summer spent in the country, did not sell as well as its predecessor. 2247: 2212: 792: 731:
In 1905 Huysmans was diagnosed with cancer of the mouth. He died in 1907 and was interred in the
583: 517: 290: 107: 811:(1881) is an account of a writer's failed marriage. The climax of his early work is the novella 43: 2421:, website includes almost all of Huysmans's published work and contemporary material about him. 1696: 1676: 904: 399: 326: 1335: 1691: 954: 732: 537: 1351: 2630: 2625: 563: 314: 2189:
Beyond the Paradox of the Nostalgic Modernist: Temporality in the Works of J.-K. Huysmans.
1770: 1233: 1037: 782:. They attracted little attention but revealed flashes of the author's distinctive style. 8: 2107:
On Huysmans' Tomb: Critical reviews of J.-K. Huysmans and À Rebours, En Rade, and Là-Bas.
1758: 1681: 1645: 1514: 1406: 1066: 821:), the story of a downtrodden clerk, Monsieur Folantin, and his quest for a decent meal. 690: 306: 2538: 2109:
Portland, OR: Sunny Lou Publishing, 2021. Includes Jules Barbey d'Aurevilly's review of
1241: 801: 762: 1318: 1313: 578: 340: 1721: 1253: 1154: 2457: 2095:. Oxford: Clarendon Press (new edition revised by Brendan King, Dedalus Books, 2006). 1379: 1093: 983: 865: 864:, des Esseintes, and decisively broke from Naturalism. It was seen as an example of " 751: 604: 568: 481: 395: 368: 294: 112: 2578: 2554: 1650:, edited by Joseph Saint-George with notes by Smithbridge Sharpe, Ex Fontibus, 2016 1615: 1592: 1465: 1415: 927: 813: 347: 137: 2586: 2437: 1812: 1630: 1473: 1022: 937: 491: 353: 192: 186: 145: 1765:, "Life is an unpleasant business. I have resolved to spend it reflecting on it. ( 879:
Huysmans began to drift away from the Naturalists and found new friends among the
2428: 2424: 1726: 1658: 1639: 1624: 1601: 1044: 884: 286: 250: 226: 2486: 1026: 668: 278:). He supported himself by way of a 30-year career in the French civil service. 171: 2530: 2453: 2382: 2316: 2229: 2208: 2088: 2041: 1904: 1498: 1371: 1010: 787: 2194: 2045: 1149: 1069:. Later he returned to the Catholic Church, as he noted in his Durtal novels. 860:; 1884) became his most famous, or notorious. It featured the character of an 2619: 2477: 2361: 2243: 2163:. Charlottesville: The Bibliographical Society of the University of Virginia. 1175: 1006: 994: 869: 824: 599: 496: 486: 282: 231: 1612:, edited and introduced by Patrice Locmant, Paris, Éditions Bartillat, 2005. 1604:, edited and introduced by Patrice Locmant, Paris, Éditions Bartillat, 2006. 796: 466: 1627:, edited and introduced by Patrice Locmant, Paris, Éditions de Paris, 2005. 1518: 1212: 1030: 1014: 805:(1879), dedicated to Zola, deals with the lives of women in a bookbindery. 658: 2562: 2546: 2098: 1671: 1430: 1399: 1186: 900: 843: 807: 476: 265: 129: 2275: 1912: 1701: 1642:, edited and introduced by Patrice Locmant, Paris, HonorĂ© Champion, 2003. 980: 873: 322: 310: 2443: 2602: 1553: 1532: 1522: 949: 861: 828:
A caricature showing Huysmans as a somewhat eccentric sort of literary
779: 471: 373: 238: 210: 1025:, Pissarro wrote to him, "How is it that you don't say one word about 676: 1285: 1062: 987: 962: 880: 694: 302: 1788:
Keeler, Sister Jerome (1950). "J.–K. Huysmans, Benedictine Oblate,"
715: 378: 2466: 2462: 1257: 1237: 972: 932: 738: 718:. He intended to set up a community of Catholic artists, including 382: 371:
who eventually converts to Catholicism. In the novel that follows,
336: 234: 2067:
Addleshaw, S. (1931). "The French Novel and the Catholic Church,"
1055:
to the discussion of the iconography of Christian architecture in
657:, France, in 1848. His father Godfried Huysmans was Dutch, and a 2570: 2405:
The Mirror of Divinity: The World and Creation in J.-K. Huysmans.
1878:
Thurstan, Frederic (1928). "Huysmans' Excursion into Occultism,"
1439: 1281: 1269: 918: 364: 2219:
Boston and New York: Houghton Mifflin Company, pp. 158–211.
2152:
Brophy, Liam (1956). "J.–K. Huysmans, Aesthete Turned Ascetic,"
1289: 1277: 1265: 1249: 318: 1531:, translated from the French by Agnes Hastings (London, 1923, 746: 198: 2341:
New York and London: Harper & Brothers, pp. 135–153.
2161:
J.K. Huysmans in England and America: A Bibliographical Study
1261: 1048: 931:(1891) attracted considerable attention for its portrayal of 829: 654: 2418: 2387:
Transactions of the Flesh: An Homage to Joris-Karl Huysmans
2280:
The First Decadent: Being the Strange Life of J.K. Huysmans
2136:
J.-K. Huysmans and the Belle Époque: A Guided Tour of Paris
1293: 1245: 1061:. Huysmans expresses a disgust with modern life and a deep 1043:
Huysmans's work was known for his idiosyncratic use of the
791:(1876). The story of a young prostitute, it was closer to 2646:
Converts to Roman Catholicism from atheism or agnosticism
1305: 1273: 1218:"In short, he kicks the oedipal to the curb" (M. Quaine, 961:
depicts Durtal's spiritual struggle during his stay at a
993:
In addition to his novels, Huysmans was known for his
2285:
Lavrin, Janko (1929). "Huysmans and Strindberg." In:
2224:
The Autonomy of the Self from Richardson to Huysmans.
1280:, deafening the palate with their harsh outbursts of 213: 201: 195: 2400:
New York: E.P. Dutton & Company, pp. 80–96.
2265:
New York: Charles Scribner's Sons, pp. 111–120.
2254:
New York: Charles Scribner's Sons, pp. 167–207.
2076:
Reality and Illusion in the Novels of J.-K. Huysmans
309:. In later years, his novels reflected his study of 1411:(1881, written in collaboration with LĂ©on Hennique) 207: 204: 2296:. Paris: Bartillat (Goncourt Prize for Biography). 2240:New York: Oxford University Press, pp. 92–99. 2149:New York: The Macmillan Company, pp. 169–193. 2046:"The Genius of the Monastery: M. Huysmans at home" 680:Portray of Huysmans by Louis FĂ©lix Beschere (1886) 2516: 868:" literature. The description of des Esseintes' " 722:(1862-1898). He had praised the young painter in 281:Huysmans's work is considered remarkable for its 2617: 2389:Bucharest: Ex Occidente Press, pp. 132–143. 2379:London: Constable and Company, pp. 268–299. 2326:Olivero, F. (1929). "J.–K. Huysmans as a Poet," 953:(1903), explore Durtal/Huysmans's conversion to 701:" (Backpack) (later included in his collection, 2138:. Paris, Deja Vu, introduction by Colin Wilson. 1943:, Paris: Collection des CuriositĂ©s LittĂ©raires. 1909:Camille Pissarro: The Audacity of Impressionism 2289:London: Constable & Co., pp. 118–130. 2205:New York: Thomas Y. Crowell, pp. 351–402. 2105:. Paris: Collection of Literary Curiosities. ( 1891:Hanighan, F.C. (1931). "Huysmans Conversion," 1761:, who had a great influence on Huysmans, told 1142:Commemorative plaque in 31 rue Saint-Placide, 1065:. This had led him first to the philosophy of 714:, Huysmans planned to leave Paris and move to 697:. He used this experience in an early story, " 2502: 1776:Schopenhauer and the Wild Years of Philosophy 1292:, blaring with the overwhelming crash of the 624: 2270:J.-K. Huysmans: Novelist Poet and Art Critic 2226:Princeton, N.J.: Princeton University Press. 1428: 841: 666: 263: 2301:J.-K. Huysmans and the fin-de-siecle Novel. 2248:"The Pessimists' Progress: J.–K. Huysmans." 2509: 2495: 2425:Works by Joris-Karl Huysmans in eBook form 1810: 986:. He finally learns to accept the world's 778:(1874), which were strongly influenced by 631: 617: 42: 27:French novelist and art critic (1848–1907) 2353:"Joris Karl Huysmans: Egoist and Mystic," 1965:. New York: Alfred A. Knopf, pp. 404–405. 1801:The Cathedral, Introduction, Dedalus 1997 1126:Learn how and when to remove this message 305:, which had led him to the philosophy of 1995:"What Houellebecq Learned from Huysmans" 1845:Baldick, Robert (1959). Introduction to 1350: 1148: 1137: 823: 745: 737: 675: 2272:. Ann Arbor, Mich.: UMI Research Press. 1992: 684: 230:; 5 February 1848 – 12 May 1907) was a 14: 2618: 2385:(2014). "An Expiatory Pessimism." In: 2303:Edinburgh: Edinburgh University Press. 2040: 1839: 1505:La BiĂšvre; Les Gobelins; Saint-SĂ©verin 1072: 1036:Huysmans was a founding member of the 367:that feature Durtal, a character on a 2490: 2434:Works by or about Joris-Karl Huysmans 2407:Newark: University of Delaware Press. 2168:"The Trilogy of Joris Karl Huysmans," 1961:Sekuler, R., & Blake, R. (1985). 1826: 887:writers whose work he had praised in 785:Huysmans followed it with the novel, 249: 225: 1930:Chicago: Way & Williams, p. 114. 1804: 1193:). Critical reviews by LĂ©on Bloy of 1076: 1017:. But after Huysmans sent a copy of 795:and brought him to the attention of 2294:J.-K. Huysmans, le forçat de la vie 1832:Aurevilly, Jules Barbey d' (1884). 1547:Esquisse biographique sur Don Bosco 1495:La magie en Poitou. Gilles de Rais. 1180:The Decadent Movement in Literature 262:). He is most famous for the novel 24: 2060: 1993:Gollner, Adam (12 November 2015). 1813:"Huysmans, Joris-Karl (1848–1907)" 1757:Twenty–three year–old 25: 2712: 2412: 2259:"The Opinions of J.–K. Huysmans." 769: 2641:Officers of the Legion of Honour 2636:Burials at Montparnasse Cemetery 2470: 1853:. Harmondsworth: Penguin, p. 12. 1849:, his translation of Huysmans's 1579:Trois Églises et trois Primitifs 1324: 1081: 293:, he became associated with the 191: 170: 2319:(1897). "Joris Karl Huysmans," 2287:Studies in European Literature. 2034: 2012: 1986: 1977: 1968: 1955: 1946: 1933: 1918: 1898: 1885: 1872: 1343:for his literary achievements. 1341:Officier de la LĂ©gion d'honneur 1240:with its shrill, velvety note: 270:(1884, published in English as 2676:French people of Dutch descent 2203:Contemporary French Novelists. 2184:Vol. LXXXVI, pp. 177–188. 2176:Crawford, Virginia M. (1907). 1856: 1795: 1782: 1751: 1742: 1727:Merriam-Webster.com Dictionary 1714: 971:(1898), the protagonist is at 301:. His work expressed his deep 181:Charles-Marie-Georges Huysmans 63:Charles-Marie-Georges Huysmans 13: 1: 2681:French Roman Catholic writers 2671:20th-century French novelists 2666:19th-century French novelists 2377:Figures of Several Centuries. 2358:Vol. CXIII, pp. 452–464. 2323:Vol. LXVII, pp. 409–423. 2308:"Huysmans and the Boulevard," 2187:Donato, Elisabeth M. (2001). 2085:. London, UK: Reaktion Books. 1862:Rudwin, Maxmilian J. (1920). 1811:McClanahan, Clarence (2002). 1707: 1236:, for instance, was like the 1158: 1153:A caricature of Huysmans, by 1009:, he admired such artists as 1005:(1889). An early advocate of 755: 693:, but was invalided out with 648: 227:[ʃaʁlmaʁiʒɔʁʒɄismɑ̃s] 49: 2463:Works by Joris-Karl Huysmans 2454:Works by Joris-Karl Huysmans 2368:Vol. LVII, pp. 402–414. 2348:New York: Twayne Publishers. 2335:"The Evolution of a Mystic." 2282:. London: Faber & Faber. 2173:Vol. CXLI, pp. 255–271. 2156:Vol. LXXXVI, pp. 43–51. 2154:Irish Ecclesiastical Review, 2124:. London: Bowes & Bowes. 2120:Brandreth, H. R. T. (1963). 2030:(3903): 215. 16 August 1902. 1927:Hours with Famous Parisians. 1836:, "Á rebours", 28 July 1884. 1790:American Benedictine Review, 1594:Écrits sur l’art (1867-1905) 1189:, quoted in Robert Baldick, 788:Marthe, Histoire d'une fille 643: 7: 2469:(public domain audiobooks) 2398:Six Masters of Disillusion. 2351:Shuster, George N. (1921). 2344:Ridge, George Ross (1968). 2313:Vol. CIX, pp. 360–367. 2299:Lloyd, Christopher (1990). 2159:Cevasco, George A. (1961). 2117:28 July 1884, in appendix.) 2071:, Vol. 112, pp. 65–87. 1882:, Vol. XLVIII, pp. 227–236. 1864:"The Satanism of Huysmans," 1665: 1101:. The specific problem is: 819:Downstream or With the Flow 750:A portrait of Huysmans, by 241:who published his works as 10: 2717: 2364:(1892). "J.–K. Huysmans," 2330:Vol. XX, pp. 237–246. 2222:Garber, Frederick (1982). 2093:The Life of J.-K. Huysmans 1952:Huysman, 1884/1931, p. 132 1511:Sainte Lydwine de Schiedam 1489:La BiĂšvre et Saint-SĂ©verin 1191:The Life of J.-K. Huysmans 343:as the focus of the book. 254:, variably abbreviated as 2525: 2292:Locmant, Patrice (2007). 1529:Saint Lydwine of Schiedam 1513:(1901, France) (on Saint 1222:, 1932, Jowett / Arcana) 733:cimetiĂšre du Montparnasse 169: 164: 121: 100: 92: 78: 59: 41: 34: 2403:Ziegler, Robert (2004). 2166:Connolly, P. J. (1907). 2134:Banks, Brian R. (2017). 2127:Banks, Brian R. (1990). 2103:Sur la tombe de Huysmans 2074:Antosh, Ruth B. (1986). 1941:Sur la tombe de Huysmans 1869:Vol. XXXIV, pp. 240–251. 1687:Henri Antoine Jules-Bois 1346: 893:Jules Barbey d'Aurevilly 297:with his publication of 2651:Deaths from oral cancer 2392:Thorold, Algar (1909). 2371:Symons, Arthur (1916). 2366:The Fortnightly Review, 2333:Peck, Harry T. (1898). 2321:The Fortnightly Review, 2306:Mason, Redfern (1919). 2257:Huneker, James (1917). 2141:Blunt, Hugh F. (1921). 2069:Church Quarterly Review 1252:is sonorous and nasal; 916:Huysmans's next novel, 897:Villiers de L'Isle Adam 2686:Our Lady of La Salette 2394:"Joris–Karl Huysmans." 2373:"Joris–Karl Huysmans." 2339:The Personal Equation. 2268:Kahn, Annette (1987). 2129:The Image of Huysmans. 1924:Henry, Stuart (1897). 1895:Vol. XLV, pp. 474–481. 1697:Our Lady of La Salette 1677:Joseph-Antoine Boullan 1632:Le Drageoir aux Ă©pices 1567:Le Quartier Notre-Dame 1429: 1365:Le drageoir aux Ă©pices 1360: 1164: 1146: 842: 837: 776:Le drageoir aux Ă©pices 766: 743: 681: 667: 400:Francophone literature 327:Christian architecture 264: 2701:French male novelists 2482:Catholic Encyclopedia 2444:"Joris-Karl Huysmans" 2238:Talents and Geniuses. 2191:New York: Peter Lang. 2178:"Joris Karl Huysmans" 2081:Antosh, Ruth (2024). 1573:Les foules de Lourdes 1354: 1152: 1141: 827: 749: 741: 679: 653:Huysmans was born in 556:Countries and regions 2346:Joris Karl Huysmans. 2131:New York: AMS Press. 2078:. Amsterdam: Rodopi. 1617:Les Églises de Paris 1395:(1880, 2nd ed. 1886) 1332:Huysmans was made a 1108:improve this section 1097:to meet Knowledge's 704:Les SoirĂ©es de MĂ©dan 685:Civil service career 315:religious conversion 251:[ʒɔʁiskaʁl-] 2696:Benedictine oblates 2656:Decadent literature 2519:Joris-Karl Huysmans 2478:Joris-Karl Huysmans 2419:Joris Karl Huysmans 2356:The Catholic World, 2311:The Catholic World, 2182:The Catholic World, 2115:Le Constitutionnel, 1939:Bloy, LĂ©on (1913). 1682:Stanislas de Guaita 1515:Lydwine de Schiedam 1317:(2015), a novel by 1311:The protagonist of 1073:Style and influence 1067:Arthur Schopenhauer 979:, Durtal becomes a 720:Charles-Marie Dulac 691:Franco-Prussian War 543:Short story writers 518:Writers by category 321:. He discussed the 307:Arthur Schopenhauer 243:Joris-Karl Huysmans 36:Joris–Karl Huysmans 2691:Writers from Paris 2661:French art critics 2328:The Poetry Review, 2171:The Dublin Review, 2024:by J. K. Huysmans" 1834:Le Constitutionnel 1792:Vol. I, pp. 60–66. 1657:2016-10-11 at the 1652:(Alternative site) 1647:The Durtal Trilogy 1638:2006-12-05 at the 1623:2006-12-06 at the 1600:2008-11-14 at the 1361: 1319:Michel Houellebecq 1225:Huysmans's novel, 1207:On Huysmans' Tomb. 1165: 1147: 838: 767: 744: 682: 548:Children's writers 513:Chronological list 317:, and becoming an 2613: 2612: 2458:Project Gutenberg 2448:Books and Writers 2442:Petri Liukkonen. 2199:"J.–K. Huysmans." 2050:Black & White 1771:RĂŒdiger Safranski 1730:. Merriam-Webster 1408:Pierrot sceptique 1393:Croquis Parisiens 1380:Les Soeurs Vatard 1268:, blowing a wild 1227:Against the Grain 1136: 1135: 1128: 1099:quality standards 1090:This section may 1038:AcadĂ©mie Goncourt 955:Roman Catholicism 905:StĂ©phane MallarmĂ© 850:Against the Grain 840:Huysmans's novel 752:Jean-Louis Forain 641: 640: 369:spiritual journey 295:Decadent movement 272:Against the Grain 178: 177: 101:Literary movement 16:(Redirected from 2708: 2539:Les SƓurs Vatard 2511: 2504: 2497: 2488: 2487: 2474: 2473: 2438:Internet Archive 2147:Great Penitents. 2143:"J.K. Huysmans." 2054: 2053: 2044:(26 July 1902). 2038: 2032: 2031: 2016: 2010: 2009: 2007: 2005: 1990: 1984: 1981: 1975: 1972: 1966: 1959: 1953: 1950: 1944: 1937: 1931: 1922: 1916: 1902: 1896: 1889: 1883: 1876: 1870: 1860: 1854: 1843: 1837: 1830: 1824: 1823: 1821: 1819: 1808: 1802: 1799: 1793: 1786: 1780: 1755: 1749: 1746: 1740: 1739: 1737: 1735: 1718: 1692:JosĂ©phin PĂ©ladan 1586:Current editions 1434: 1336:LĂ©gion d'honneur 1334:Chevalier de la 1220:Heirs and Graces 1163: 1160: 1131: 1124: 1120: 1117: 1111: 1085: 1084: 1077: 1023:Camille Pissarro 870:alluring liaison 847: 802:Les SƓurs Vatard 760: 757: 742:Huysmans's grave 672: 633: 626: 619: 392: 391: 269: 253: 248: 229: 224: 220: 219: 216: 215: 212: 209: 206: 203: 200: 197: 190: 174: 85: 71: 69: 54: 51: 46: 32: 31: 21: 2716: 2715: 2711: 2710: 2709: 2707: 2706: 2705: 2616: 2615: 2614: 2609: 2521: 2515: 2471: 2429:Standard Ebooks 2415: 2410: 2383:Thacker, Eugene 2317:Mourey, Gabriel 2234:"The Decadent." 2230:Highet, Gilbert 2209:Ellis, Havelock 2089:Baldick, Robert 2063: 2061:Further reading 2058: 2057: 2042:Vivian, Herbert 2039: 2035: 2018: 2017: 2013: 2003: 2001: 1991: 1987: 1982: 1978: 1973: 1969: 1960: 1956: 1951: 1947: 1938: 1934: 1923: 1919: 1915:, 2023, p. 125. 1905:Muhlstein, Anka 1903: 1899: 1893:The Open Court, 1890: 1886: 1877: 1873: 1867:The Open Court, 1861: 1857: 1844: 1840: 1831: 1827: 1817: 1815: 1809: 1805: 1800: 1796: 1787: 1783: 1756: 1752: 1747: 1743: 1733: 1731: 1720: 1719: 1715: 1710: 1668: 1659:Wayback Machine 1640:Wayback Machine 1625:Wayback Machine 1602:Wayback Machine 1561:Trois Primitifs 1357:Trois Primitifs 1349: 1327: 1254:crĂšme de menthe 1161: 1155:FĂ©lix Vallotton 1132: 1121: 1115: 1112: 1105: 1086: 1082: 1075: 1045:French language 965:monastery. In 772: 758: 687: 651: 646: 637: 574:Franco-American 335:(1898), set at 287:French language 246: 222: 194: 185: 184: 160: 117: 87: 83: 73: 72:5 February 1848 67: 65: 64: 55: 52: 37: 28: 23: 22: 15: 12: 11: 5: 2714: 2704: 2703: 2698: 2693: 2688: 2683: 2678: 2673: 2668: 2663: 2658: 2653: 2648: 2643: 2638: 2633: 2628: 2611: 2610: 2608: 2607: 2599: 2591: 2583: 2575: 2567: 2559: 2551: 2543: 2535: 2526: 2523: 2522: 2514: 2513: 2506: 2499: 2491: 2485: 2484: 2475: 2460: 2451: 2440: 2431: 2422: 2414: 2413:External links 2411: 2409: 2408: 2401: 2390: 2380: 2369: 2362:Symons, Arthur 2359: 2349: 2342: 2331: 2324: 2314: 2304: 2297: 2290: 2283: 2273: 2266: 2255: 2244:Huneker, James 2241: 2227: 2220: 2206: 2192: 2185: 2174: 2164: 2157: 2150: 2139: 2132: 2125: 2118: 2096: 2086: 2083:J.-K. Huysmans 2079: 2072: 2064: 2062: 2059: 2056: 2055: 2033: 2011: 1999:The New Yorker 1985: 1976: 1967: 1954: 1945: 1932: 1917: 1897: 1884: 1871: 1855: 1847:Against Nature 1838: 1825: 1803: 1794: 1781: 1750: 1741: 1712: 1711: 1709: 1706: 1705: 1704: 1699: 1694: 1689: 1684: 1679: 1674: 1667: 1664: 1663: 1662: 1643: 1628: 1613: 1605: 1583: 1582: 1576: 1570: 1564: 1558: 1550: 1544: 1538: 1537: 1536: 1508: 1502: 1499:Gilles de Rais 1492: 1486: 1478: 1470: 1462: 1456: 1450: 1444: 1436: 1426: 1420: 1412: 1404: 1396: 1390: 1384: 1376: 1368: 1348: 1345: 1326: 1323: 1134: 1133: 1089: 1087: 1080: 1074: 1071: 1011:Gustave Moreau 891:They included 854:Against Nature 771: 770:Writing career 768: 686: 683: 650: 647: 645: 642: 639: 638: 636: 635: 628: 621: 613: 610: 609: 608: 607: 602: 594: 593: 589: 588: 587: 586: 581: 576: 571: 566: 558: 557: 553: 552: 551: 550: 545: 540: 535: 530: 525: 520: 515: 507: 506: 502: 501: 500: 499: 494: 489: 484: 479: 474: 469: 461: 460: 456: 455: 454: 453: 448: 443: 438: 433: 428: 423: 415: 414: 410: 409: 403: 402: 276:Against Nature 176: 175: 167: 166: 162: 161: 159: 158: 150: 142: 134: 125: 123: 119: 118: 116: 115: 110: 104: 102: 98: 97: 94: 90: 89: 86:(aged 59) 80: 76: 75: 61: 57: 56: 47: 39: 38: 35: 26: 18:J.-K. Huysmans 9: 6: 4: 3: 2: 2713: 2702: 2699: 2697: 2694: 2692: 2689: 2687: 2684: 2682: 2679: 2677: 2674: 2672: 2669: 2667: 2664: 2662: 2659: 2657: 2654: 2652: 2649: 2647: 2644: 2642: 2639: 2637: 2634: 2632: 2629: 2627: 2624: 2623: 2621: 2605: 2604: 2600: 2597: 2596: 2595:La cathĂ©drale 2592: 2589: 2588: 2584: 2581: 2580: 2576: 2573: 2572: 2568: 2565: 2564: 2560: 2557: 2556: 2552: 2549: 2548: 2544: 2541: 2540: 2536: 2533: 2532: 2528: 2527: 2524: 2520: 2512: 2507: 2505: 2500: 2498: 2493: 2492: 2489: 2483: 2479: 2476: 2468: 2464: 2461: 2459: 2455: 2452: 2449: 2445: 2441: 2439: 2435: 2432: 2430: 2426: 2423: 2420: 2417: 2416: 2406: 2402: 2399: 2395: 2391: 2388: 2384: 2381: 2378: 2374: 2370: 2367: 2363: 2360: 2357: 2354: 2350: 2347: 2343: 2340: 2336: 2332: 2329: 2325: 2322: 2318: 2315: 2312: 2309: 2305: 2302: 2298: 2295: 2291: 2288: 2284: 2281: 2277: 2274: 2271: 2267: 2264: 2260: 2256: 2253: 2249: 2245: 2242: 2239: 2235: 2231: 2228: 2225: 2221: 2218: 2217:Affirmations. 2214: 2210: 2207: 2204: 2200: 2196: 2193: 2190: 2186: 2183: 2179: 2175: 2172: 2169: 2165: 2162: 2158: 2155: 2151: 2148: 2144: 2140: 2137: 2133: 2130: 2126: 2123: 2119: 2116: 2112: 2108: 2104: 2100: 2097: 2094: 2090: 2087: 2084: 2080: 2077: 2073: 2070: 2066: 2065: 2051: 2047: 2043: 2037: 2029: 2025: 2023: 2015: 2000: 1996: 1989: 1980: 1971: 1964: 1958: 1949: 1942: 1936: 1929: 1928: 1921: 1914: 1910: 1906: 1901: 1894: 1888: 1881: 1880:Occult Review 1875: 1868: 1865: 1859: 1852: 1848: 1842: 1835: 1829: 1814: 1807: 1798: 1791: 1785: 1779:, Chapter 7). 1778: 1777: 1772: 1768: 1764: 1760: 1754: 1745: 1729: 1728: 1723: 1717: 1713: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1683: 1680: 1678: 1675: 1673: 1670: 1669: 1660: 1656: 1653: 1649: 1648: 1644: 1641: 1637: 1634: 1633: 1629: 1626: 1622: 1619: 1618: 1614: 1611: 1610: 1606: 1603: 1599: 1596: 1595: 1591: 1590: 1589: 1587: 1580: 1577: 1574: 1571: 1568: 1565: 1562: 1559: 1556: 1555: 1551: 1548: 1545: 1542: 1539: 1534: 1530: 1527: 1526: 1524: 1520: 1516: 1512: 1509: 1506: 1503: 1500: 1496: 1493: 1490: 1487: 1484: 1483: 1482:La cathĂ©drale 1479: 1476: 1475: 1471: 1468: 1467: 1463: 1460: 1457: 1454: 1451: 1448: 1445: 1442: 1441: 1437: 1433: 1432: 1427: 1424: 1423:L'art moderne 1421: 1418: 1417: 1413: 1410: 1409: 1405: 1402: 1401: 1397: 1394: 1391: 1388: 1385: 1382: 1381: 1377: 1374: 1373: 1369: 1366: 1363: 1362: 1358: 1353: 1344: 1342: 1338: 1337: 1330: 1325:Personal life 1322: 1320: 1316: 1315: 1309: 1307: 1303: 1297: 1295: 1291: 1287: 1283: 1279: 1275: 1271: 1267: 1263: 1259: 1255: 1251: 1247: 1243: 1239: 1235: 1230: 1228: 1223: 1221: 1216: 1214: 1209: 1208: 1203: 1199: 1196: 1192: 1188: 1183: 1181: 1177: 1176:Arthur Symons 1172: 1170: 1156: 1151: 1145: 1140: 1130: 1127: 1119: 1116:December 2018 1109: 1104: 1100: 1096: 1095: 1088: 1079: 1078: 1070: 1068: 1064: 1060: 1059: 1058:La cathĂ©drale 1054: 1050: 1046: 1041: 1039: 1034: 1032: 1028: 1024: 1020: 1019:L'Art Moderne 1016: 1012: 1008: 1007:Impressionism 1004: 1000: 999:L'Art Moderne 997:in his books 996: 995:art criticism 991: 989: 985: 982: 978: 974: 970: 969: 968:La cathĂ©drale 964: 960: 956: 952: 951: 946: 945: 944:La cathĂ©drale 940: 939: 934: 930: 929: 923: 921: 920: 914: 911: 906: 902: 898: 894: 890: 886: 882: 877: 875: 871: 867: 863: 859: 855: 851: 846: 845: 835: 831: 826: 822: 820: 816: 815: 810: 809: 804: 803: 798: 794: 790: 789: 783: 781: 777: 764: 763:MusĂ©e d'Orsay 753: 748: 740: 736: 734: 729: 727: 726: 725:La cathĂ©drale 721: 717: 713: 712:La cathĂ©drale 708: 706: 705: 700: 696: 692: 678: 674: 671: 670: 663: 660: 656: 634: 629: 627: 622: 620: 615: 614: 612: 611: 606: 603: 601: 598: 597: 596: 595: 591: 590: 585: 582: 580: 577: 575: 572: 570: 567: 565: 562: 561: 560: 559: 555: 554: 549: 546: 544: 541: 539: 536: 534: 531: 529: 526: 524: 521: 519: 516: 514: 511: 510: 509: 508: 504: 503: 498: 497:Nouveau roman 495: 493: 490: 488: 487:Parnassianism 485: 483: 480: 478: 475: 473: 470: 468: 465: 464: 463: 462: 458: 457: 452: 449: 447: 444: 442: 439: 437: 434: 432: 429: 427: 424: 422: 419: 418: 417: 416: 412: 411: 408: 405: 404: 401: 397: 394: 393: 390: 388: 387:La cathĂ©drale 384: 380: 376: 375: 370: 366: 363:(1898) are a 362: 361: 360:La cathĂ©drale 356: 355: 350: 349: 344: 342: 341:its cathedral 338: 334: 333: 332:La cathĂ©drale 329:at length in 328: 324: 320: 316: 312: 308: 304: 300: 296: 292: 288: 284: 283:idiosyncratic 279: 277: 273: 268: 267: 261: 257: 252: 244: 240: 236: 233: 228: 218: 188: 182: 173: 168: 163: 156: 155: 154:La cathĂ©drale 151: 148: 147: 143: 140: 139: 135: 132: 131: 127: 126: 124: 122:Notable works 120: 114: 111: 109: 106: 105: 103: 99: 95: 91: 88:Paris, France 81: 77: 74:Paris, France 62: 58: 45: 40: 33: 30: 19: 2601: 2593: 2585: 2577: 2569: 2561: 2553: 2545: 2537: 2529: 2518: 2481: 2447: 2404: 2397: 2386: 2376: 2365: 2355: 2345: 2338: 2327: 2320: 2310: 2300: 2293: 2286: 2279: 2276:Laver, James 2269: 2262: 2251: 2237: 2223: 2216: 2202: 2195:Doumic, RenĂ© 2188: 2181: 2170: 2160: 2153: 2146: 2135: 2128: 2121: 2114: 2110: 2106: 2102: 2092: 2082: 2075: 2068: 2049: 2036: 2028:The AthenĂŠum 2027: 2021: 2014: 2002:. Retrieved 1998: 1988: 1979: 1970: 1962: 1957: 1948: 1940: 1935: 1926: 1920: 1911:. New York: 1908: 1900: 1892: 1887: 1879: 1874: 1866: 1858: 1850: 1846: 1841: 1833: 1828: 1816:. Retrieved 1806: 1797: 1789: 1784: 1774: 1766: 1759:Schopenhauer 1753: 1744: 1732:. Retrieved 1725: 1716: 1646: 1631: 1616: 1608: 1593: 1585: 1584: 1578: 1572: 1566: 1560: 1552: 1546: 1540: 1528: 1519:Nihil Obstat 1510: 1504: 1497:(1899) (see 1494: 1488: 1480: 1472: 1464: 1458: 1452: 1446: 1438: 1422: 1414: 1407: 1398: 1392: 1386: 1378: 1370: 1364: 1356: 1340: 1333: 1331: 1328: 1312: 1310: 1298: 1231: 1226: 1224: 1219: 1217: 1213:Julien Gracq 1210: 1206: 1201: 1197: 1194: 1190: 1184: 1179: 1173: 1168: 1166: 1122: 1113: 1106:Please help 1102: 1091: 1056: 1052: 1042: 1035: 1018: 1015:Odilon Redon 1002: 998: 992: 976: 966: 958: 948: 942: 936: 926: 924: 917: 915: 909: 888: 878: 857: 853: 849: 839: 818: 812: 806: 800: 786: 784: 775: 773: 730: 723: 711: 709: 702: 698: 688: 669:baccalaurĂ©at 664: 659:lithographer 652: 584:Postcolonial 451:Contemporary 446:20th century 386: 372: 358: 352: 346: 345: 330: 298: 280: 275: 271: 259: 255: 242: 180: 179: 152: 144: 136: 128: 84:(1907-05-12) 29: 2631:1907 deaths 2626:1848 births 2555:À vau-l'eau 2213:"Huysmans." 2020:"Review of 2004:18 November 1913:Other Press 1702:Oscar Wilde 1416:À vau-l'eau 1169:assez vite. 1162: 1898 1110:if you can. 1051:authors in 1001:(1883) and 981:Benedictine 947:(1898) and 874:Oscar Wilde 814:À vau-l'eau 759: 1878 533:Playwrights 426:Renaissance 407:by category 385:, in 1901. 357:(1895) and 323:iconography 311:Catholicism 285:use of the 82:12 May 1907 53: 1895 2620:Categories 2517:Novels by 1963:Perception 1722:"Huysmans" 1708:References 1533:Kegan Paul 1523:Imprimatur 1447:Un Dilemme 1387:Sac au dos 1314:Submission 1195:À rebours, 910:À rebours, 889:À rebours. 797:Émile Zola 793:Naturalism 780:Baudelaire 699:Sac au dos 649:Early life 605:Literature 472:Classicism 467:PrĂ©cieuses 291:Naturalism 256:J. K. 239:art critic 108:Naturalist 93:Occupation 68:1848-02-05 48:Huysmans, 2563:À rebours 2547:En mĂ©nage 2263:Unicorns. 2111:À rebours 2099:LĂ©on Bloy 1851:Á rebours 1818:11 August 1734:13 August 1672:LĂ©on Bloy 1459:La biĂšvre 1431:À rebours 1400:En mĂ©nage 1355:Cover of 1302:vespertro 1288::liqueur 1286:trombones 1260:like the 1244:like the 1187:LĂ©on Bloy 1144:Paris, 6e 1063:pessimism 1053:À rebours 988:suffering 901:LĂ©on Bloy 881:Symbolist 858:Wrong Way 844:À rebours 808:En mĂ©nage 695:dysentery 644:Biography 528:Novelists 523:Essayists 492:Symbolism 459:Movements 339:and with 303:pessimism 299:À rebours 266:À rebours 165:Signature 130:À rebours 2587:En route 2467:LibriVox 2278:(1954). 2252:Egoists. 2246:(1909). 2232:(1957). 2211:(1915). 2197:(1899). 2122:Huysmans 2101:(1913). 2091:(1955). 1666:See also 1655:Archived 1636:Archived 1621:Archived 1598:Archived 1474:En route 1453:Certains 1258:anisette 1248:, whose 1238:clarinet 1198:En rade, 1092:require 1003:Certains 973:Chartres 963:Trappist 959:En route 941:(1895), 938:En route 933:Satanism 885:Catholic 866:decadent 862:aesthete 834:Coll-Toc 817:(1882) ( 735:, Paris. 482:Decadent 421:Medieval 383:Poitiers 354:En route 351:(1891), 337:Chartres 235:novelist 146:En route 113:Decadent 96:Novelist 2603:L'Oblat 2571:En rade 2436:at the 2022:De Tout 1763:Wieland 1609:À Paris 1554:L'Oblat 1541:De Tout 1440:En rade 1282:cornets 1272:blast; 1270:trumpet 1234:curaçao 1094:cleanup 1027:CĂ©zanne 977:L'Oblat 950:L'oblat 919:En rade 592:Portals 505:Writers 413:History 381:, near 374:L'Oblat 365:trilogy 274:and as 247:French: 223:French: 2606:(1903) 2598:(1898) 2590:(1895) 2582:(1891) 2579:LĂ -bas 2574:(1887) 2566:(1884) 2558:(1882) 2550:(1881) 2542:(1879) 2534:(1876) 2531:Marthe 1581:(1908) 1575:(1906) 1569:(1905) 1563:(1905) 1557:(1903) 1549:(1902) 1543:(1902) 1507:(1901) 1491:(1898) 1485:(1898) 1477:(1895) 1469:(1891) 1466:LĂ -bas 1461:(1890) 1455:(1889) 1449:(1887) 1443:(1887) 1435:(1884) 1425:(1883) 1419:(1882) 1403:(1881) 1389:(1880) 1383:(1879) 1375:(1876) 1372:Marthe 1367:(1874) 1359:(1905) 1290:brandy 1278:whisky 1266:kirsch 1250:timbre 1242:kĂŒmmel 1202:LĂ -bas 984:oblate 928:LĂ -bas 836:, 1885 716:LigugĂ© 600:France 569:Quebec 564:France 477:Rococo 396:French 379:LigugĂ© 348:LĂ -bas 319:oblate 232:French 157:(1898) 149:(1895) 141:(1891) 138:LĂ -bas 133:(1884) 2113:from 1347:Works 1294:tubas 1262:flute 1232:"Dry 1049:Latin 1031:Monet 832:, by 830:dandy 655:Paris 579:Haiti 538:Poets 260:J.-K. 2396:In: 2375:In: 2337:In: 2261:In: 2250:In: 2236:In: 2215:In: 2201:In: 2145:In: 2006:2015 1820:2007 1769:)" ( 1736:2019 1521:and 1304:and 1284:and 1276:and 1256:and 1246:oboe 1200:and 1013:and 925:His 899:and 883:and 441:19th 436:18th 431:17th 398:and 237:and 79:Died 60:Born 2465:at 2456:at 2427:at 1517:) ( 1308:." 1306:rum 1296:." 1274:gin 1021:to 856:or 852:or 707:). 325:of 258:or 2622:: 2480:, 2446:. 2180:, 2048:. 2026:. 1997:. 1907:, 1773:, 1724:. 1588:: 1525:) 1215:) 1182:) 1178:, 1171:" 1159:c. 1157:, 1040:. 990:. 957:. 903:. 895:, 876:. 756:c. 754:, 673:. 313:, 221:, 211:ɒ̃ 199:iː 189:: 187:US 50:c. 2510:e 2503:t 2496:v 2450:. 2052:. 2008:. 1822:. 1738:. 1661:. 1535:) 1501:) 1129:) 1123:( 1118:) 1114:( 848:( 765:) 761:( 632:e 625:t 618:v 245:( 217:/ 214:s 208:m 205:ˈ 202:s 196:w 193:/ 183:( 70:) 66:( 20:)

Index

J.-K. Huysmans
Huysmans, c. 1895
Naturalist
Decadent
À rebours
LĂ -bas
En route
La cathédrale

US
/wiːsˈmɒ̃s/
[ʃaʁlmaʁiʒɔʁʒɄismɑ̃s]
French
novelist
art critic
[ʒɔʁiskaʁl-]
À rebours
idiosyncratic
French language
Naturalism
Decadent movement
pessimism
Arthur Schopenhauer
Catholicism
religious conversion
oblate
iconography
Christian architecture
La cathédrale
Chartres

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑