62:
194:
182:
330:
1134:
1006:
506:
1086:
1217:
221:
469:
490:
4471:
822:
1094:
1060:
397:
1029:") is within an italicised thought process and therefore this title is non-italicised. It is followed by the main narrative that is outside both. It is also non-italicised and therefore not obviously separated from the former. The reader must find additional criteria to distinguish between these. Here, apart from using the attribute of italic–non-italic styles, the title also employs the attribute of capitalization.
348:, most popular in Italy, which Vervliet describes as being based on "a more deliberate and formal handwriting longer ascenders and descenders, sometimes with curved or bulbous terminals, and only available in the bigger sizes." Chancery italics were introduced around 1524 by Arrighi, a calligrapher and author of a calligraphy textbook who began a career as a printer in Rome, and also by
356:
Italic capitals with a slope were introduced in the sixteenth century. The first printer known to have used them was Johann or
Johannes Singriener in Vienna in 1524, and the practice spread to Germany, France and Belgium. Particularly influential in the switch to sloped capitals as a general practice
137:
version (generally called "italic" though often not true italics). In this usage, italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of
1144:
Since italic styles clearly look different from regular (roman) styles, it is possible to have 'upright italic' designs that have a cursive style but remain upright. In Latin-script countries, upright italics are rare but are sometimes used in mathematics or in complex texts where a section of text
991:
being common examples of this. In addition, computer programmes may generate an 'italic' style by simply slanting the regular style if they cannot find an italic or oblique style, though this may look awkward with serif fonts for which an italic is expected. Professional designers normally do not
864:
typefaces use oblique designs (sometimes called "sloped roman" styles) instead of italic ones; some have both italic and oblique variants. Type designers have described oblique type as less organic and calligraphic than italics, which in some situations may be preferred. Contemporary type designer
352:
of Venice, with imitations rapidly appearing in France by 1528. Chancery italics faded as a style over the course of the sixteenth century, although revivals were made beginning in the twentieth century. Chancery italics may have backward-pointing serifs or round terminals pointing forwards on the
364:
The evolution of use of italic to show emphasis happened in the sixteenth century and was a clear norm by the seventeenth. The trend of presenting types as matching in typefounders' specimens developed also over this period. Italics developed stylistically over the following centuries, tracking
243:
Manutius intended his italic type to be used not for emphasis but for the text of small, easily carried editions of popular books (often poetry), replicating the style of handwritten manuscripts of the period. The choice of using italic type, rather than the
964:, that in developing Perpetua's italic "we did not give enough slope to it. When we added more slope, it seemed that the font required a little more cursive to it." A few other type designers replicated his approach for a time: Van Krimpen's Romulus and
1980:
A type cut by an unknown punchcutter whose matrix is numbered MA174 in an inventory of
Plantin Moretus Museum…is not completely italic but has traces of blackletter, which must be rare in the history of type although there are many roman types like
1931:
If Aldus hoped, as it is commonly said that he did, but he never said, that cursive letterforms would save space, he must have been disappointed by the result: a Roman type on the same body gets in just as much. It is a beautiful and legible
992:
simply tilt fonts to generate obliques but make subtle corrections to correct the distorted curves this introduces. Many sans-serif families have oblique fonts labelled as italic, whether or not they include "true italic" characteristics.
917:. With a partly oblique lower case, it also makes the italic capitals inline in the style of blackletter capitals in the larger sizes of the metal type. It was developed by Rudolph Koch, a type designer who had previously specialised in
149:
may be used instead. The difference between true italics and oblique type is that true italics have some letterforms different from the roman type, but in oblique type letters are just slanted without changing the roman type form.
1527:, which has longer ascenders and descenders than Romulus does. Digital period type designer James Puckett describes the obliques on both Romulus and Electra as "spectacular failures pretty much killed the idea for serifed types."
361:, a prolific and extremely precise French punchcutter particularly renowned for his skill in cutting italics. Vervliet comments that among punchcutters in France "the main name associated with the change is Granjon's."
325:
dates the first production of italics in Paris to 1512. Some printers of
Northern Europe used home-made supplements to add characters not used in Italian, or mated it to alternative capitals, including Gothic ones.
290:, shorter than the ascending lower-case italic letters, and were used at the start of each line followed by a clear space before the first lower-case letter. While modern italics are often more condensed than
908:
offered serif typefaces with oblique rather than italic designs, especially display typefaces but these designs (such as
Genzsch Antiqua) have mostly disappeared. An exception is American Type Founders'
1071:
foundry of London. The typeface is an example of the increasingly attention-grabbing, bold and dramatic fonts becoming popular in
British display typography in the early nineteenth century.
2598:
1405:
element, because it conveys that the content is to be emphasised, even if it cannot be displayed in italics. Conversely, if the italics are purely ornamental rather than meaningful, then
2394:
One of the distinctive things about French calligraphy of is that the lead-in stroke of letters like i, m, n and so on have flat, rather 'roman', serifs, making them look a bit like a
932:
was for a time in the inter-war period interested in the oblique type style, which he felt stood out in text less than a true italic and should supersede it. He argued in his article
282:
Manutius' italic was different in some ways from modern italics, being conceived for the specific use of replicating the layout of contemporary calligraphers like
Pomponio Leto and
1874:
1109:, Roemisch, Topografische Zahlentafel, include left leaning fonts and letters designed for German cartographic map production, even though they do not support Arabic characters.
1252:, to avoid problems such as overlapping and unequally spaced characters. An exception to this rule applies when only one end of the parenthetical is italicised (in which case
2657:
31-0:1992 and 31-11:1992, but notes "Currently ISO 31 is being revised . The revised joint standards ISO/IEC 80000-1—ISO/IEC 80000-15 will supersede ISO 31-0:1992—ISO 31-13".
2591:
801:
809:
61:
2653:. 2008 Edition, by Ambler Thompson and Barry N. Taylor. National Institute of Standards and Technology, Gaithersburg, MD, US. March 2008. 76 pages. This cites the
1476:
It has been suggested that his choice to publish such small, cheap editions was the result of a recession beginning in 1500, the result of war with the
Ottoman Empire.
365:
changing tastes in calligraphy and type design. One major development that slowly became popular from the end of the seventeenth century was a switch to an open form
1105:
fonts (e.g.: Adobe Arabic, Boutros Ads), the italic font has the top of the letter leaning to the left, instead of leaning to the right. Some font families, such as
560:". Works that appear within larger works, such as short stories, poems, newspaper articles, songs, and television episodes are not italicised, but merely set off in
2774:
1445:
block includes Latin and Greek letters in italics and boldface. However, Unicode expressly recommends against using these characters in general text in place of
2605:. *Refer to Chemistry International. Volume 36, Issue 5, Pages 23–24, ISSN (Online) 1365-2192, ISSN (Print) 0193-6484, DOI: 10.1515/ci-2014-0529, September 2014
1079:, where they are mostly used for the occasional attention-grabbing effect. They were once more common, however, being used for example in legal documents.
913:, offered in some releases with the oblique of its metal type version. An unusual example of an oblique font from the inter-war period is the display face
4056:
2398:…Fournier used it fifty years later in his 'new style' italics, and later so did Firmin Didot. And that French flat serif also turns up in…the italic to
948:
with a sloped roman rather than an italic, but came to find the style unattractive; Perpetua's italic when finally issued had the conventional italic
248:
in general use at the time, was apparently made to suggest informality in editions designed for leisure reading. Manutius' italic type was cut by his
1691:
3105:
564:. When italics are unavailable, such as on a typewriter or websites that do not support formatting, an underscore or quotes are often used instead.
255:(who later, following a dispute with Manutius, claimed to have conceived it). It replicated handwriting of the period following from the style of
900:
Almost all modern serif fonts have true italic designs. In the late nineteenth and early twentieth centuries, a number of type foundries such as
2595:
2346:
4430:
2671:
646:
Introducing or defining terms, especially technical terms or those used in an unusual or different way: "Freudian psychology is based on the
278:
in a very small format, so that they may more conveniently be held in the hand and learned by heart (not to speak of being read) by everyone.
122:
shapes from roman type are usually used – another influence from calligraphy – and upper-case letters may have
805:
2753:
1519:
Electra was later reissued–although not in
Britain–with a true italic, which is the only form most digitisations include. An exception is
983:
Some serif designs primarily intended for headings rather than body text are not provided with an italic, Engravers and some releases of
298:
describes
Manutius' italic as about the same width as roman type. To replicate handwriting, Griffo cut at least sixty-five tied letters (
1882:
2783:
Specimens of type, borders, ornaments, brass rules and cuts, etc. : catalogue of printing machinery and materials, wood goods, etc
2618:
976:
typeface has a very traditional true italic in the style of the late eighteenth century, which he later wryly commented owed "more to
3078:
302:) in the Aldine Dante and Virgil of 1501. Italic typefaces of the following century used varying but reduced numbers of ligatures.
313:, but it was widely counterfeited as early as 1502. Griffo, who had left Venice in a business dispute, cut a version for printer
2138:
3259:
852:(or slanted roman, sloped roman) is type that is slanted, but lacking cursive letterforms, with features like a non-descending
1188:
has been sold with two italics: one reasonably straightforward design that is commonly used today, and an alternative upright
1153:
has an alternate upright italic as an alternative to its standard italic, since its intended use is mathematical typesetting.
3383:
3218:
2951:
2329:
2050:
2009:
1924:
1806:
1779:
1670:
1586:
2484:
1523:'s Aluminia revival, which includes both. Romulus was issued on Morison's plan with an oblique a script typeface companion,
3500:
2642:
2170:
1051:). An alternative option is to switch to an 'upright italic' style if the typeface used has one; this is discussed below.
1013:
If something within a run of italics needs to be italicised itself, the type is normally switched back to non-italicized (
1546:
837:'italic', like many designs of the period. Gothic Italic no. 124, an 1890s grotesque, has a crisp true italic resembling
2892:
1730:
793:
1718:
Manutius dated his edition...as 15 September 1500, but included in the volume is a letter...with date of
September 19.
2530:
1704:
1442:
1265:
680:
words "that have no equivalent in the original text but that are necessary in English": "And God saw the light, that
440:
3378:(1st U.S. ed.). Westerham, Kent: Published by Eva Svensson, and printed by the Westerham Press. pp. 51–8.
1370:
feature tag to substitute a character to italic form with single font. In addition, the OpenType Font Variation has
422:
1838:
225:
2552:
2377:
940:
where a more decorative form was preferred. He made an attempt to promote the idea by commissioning the typeface
3182:
2565:
1510:
Spelling modernised to avoid confusion–Morison wrote 'fount', the usual spelling in British English at the time.
407:
1033:
in which book titles are italicised differ on how to deal with a book title within a book title; for example,
173:(both between the 15th and 16th centuries) were the main type designers involved in this process at the time.
4425:
2967:
1322:
It was *absolutely* horrible. (Commonly interpreted as bold. This and the previous example signify italic in
321:. The Italians called the character Aldino, while others called it Italic. Italics spread rapidly; historian
104:
4310:
4272:
3371:
526:
2858:
1273:
are not historically correct, the upright versions should always be used, while paying close attention to
4456:
3525:
3112:
1319:
I had _nothing_ to do with it. (Commonly interpreted as underlining, which is an alternative to italics.)
1232:
1039:
615:
2466:
4036:
3449:
3403:
2522:
1208:
also revived the original italic system of italic lower-case only from the nineteenth century onwards.
349:
295:
893:
has described obliques as more appropriate to the aesthetic of sans-serifs than italics. In contrast,
532:
The titles of works that stand by themselves, such as books (including those within a larger series),
3682:
2354:
329:
314:
17:
1401:) text. When the author wants to indicate emphasised text, modern Web standards recommend using the
383:
of sixteenth- and seventeenth-century italics, and sometimes simplification of the entrance stroke.
256:
186:
4440:
4257:
3928:
3865:
3570:
3493:
3238:
2862:
2071:
1604:"Designing Italics: Approaches to the design of contemporary secondary text typefaces (PhD thesis)"
1554:
1201:
965:
905:
42:
936:
that serif book typefaces should have as the default sloped form an oblique and as a complement a
133:, but they have come to be used in conjunction—most fonts now come with a roman type and an
3422:
2809:
2490:
1192:
design, far more calligraphic, as a more eccentric alternative. This italic face was designed by
418:
193:
46:
1916:
509:
A common view of when to use italics and bold text. An additional option for emphasis is to use
3885:
3608:
2912:
1410:
901:
453:
True italic styles are traditionally somewhat narrower than roman fonts. Here is an example of
266:
dedicated to Italy, although it had been briefly used in the frontispiece of a 1500 edition of
2787:
2516:
2319:
1771:
The Palaeotypography of the French Renaissance: Selected Papers on Sixteenth-century Typefaces
1769:
1686:
1576:
752:
In older English usage, writers italicised words much more freely, for emphasis, for instance
208:
in September 1500: illustrated table in which appear the first words ever printed in italics:
4360:
3860:
3855:
3768:
3755:
3588:
3462:
3208:
2941:
2233:
1997:
1796:
1611:
1118:
797:
702:
575:
553:
518:
345:
287:
2615:
4152:
3793:
3647:
3468:
The Uses of Italic: A Primer of Information Regarding the Origin and Uses of Italic Letters
2042:
299:
3314:
1603:
690:
symbols (constants and variables) are conventionally typeset in italics: "The solution is
8:
4495:
4474:
4435:
4348:
4242:
4097:
4075:
4065:
3933:
3540:
3530:
3486:
3082:
2714:
1303:
1181:
1046:
941:
838:
3234:
3129:
1326:, where bolding uses **double asterisks**, and underlining uses __double underscores__.)
305:
Italic type rapidly became very popular and was widely (and inaccurately) imitated. The
181:
4398:
4325:
4305:
4295:
4267:
4237:
4197:
3824:
3687:
3672:
3613:
3603:
3133:
2758:
1909:
1498:
1494:
1490:
1197:
969:
910:
886:
742:
673:
283:
275:
267:
197:
123:
4320:
1868:
1866:
1864:
1862:
1860:
1173:
723:
4343:
4262:
4217:
4147:
3618:
3472:
3379:
3214:
2947:
2888:
2781:
2526:
2415:
2325:
2262:
2226:
2145:
2067:
2046:
2005:
1920:
1802:
1775:
1700:
1666:
1582:
1165:
698:
414:
344:
Besides imitations of Griffo's italic and its derivatives, a second wave appeared of
322:
3350:
3263:
2640:
More on Printing and Using Symbols and Numbers in Scientific and Technical Documents
1285:
In media where italicization is not possible, alternatives are used as substitutes:
614:
Mentioning a word as an example of a word rather than for its semantic content (see
4229:
4182:
4021:
3968:
3829:
3639:
3364:
3024:
2300:
2270:
2177:
2036:
1857:
1640:
1636:
1632:
1125:, a back-slanted italic form to go with the right-to-left direction of the script.
1106:
977:
882:
878:
845:, a modern humanist family, has a more informal italic in the style of handwriting.
601:
252:
170:
2692:
2667:
2660:
2274:
745:, captions, words from other languages, and text rendered inside certain types of
142:"; in other words, underscore in a manuscript directs a typesetter to use italic.
129:
Historically, italics were a distinct style of type used entirely separately from
4365:
4252:
4247:
4167:
4135:
4026:
3763:
3565:
3310:
3156:
3060:
2739:
2646:
2622:
2602:
2494:
2441:
2399:
2120:
2032:
1821:
1446:
1193:
1157:
1150:
1137:
1102:
1068:
1005:
973:
961:
937:
929:
890:
830:
607:
561:
545:
333:
306:
2685:
2639:
2304:
4370:
4315:
4192:
3995:
3819:
3773:
3707:
3677:
3545:
3399:
2198:
1345:
1332:
1331:
Where the italics do not indicate emphasis, but are marking a title or where a
1177:
866:
746:
722:) are written in italics whereas protein names are written in roman type (e.g.
541:
510:
358:
233:
166:
65:
53:
3443:
2095:
1960:
1189:
749:(such as thought balloons). Bolded words are commonly also rendered in italic.
505:
309:
gave Aldus exclusive right to its use, a patent confirmed by three successive
4489:
4162:
4130:
4120:
4000:
2908:
2835:
2654:
2626:
1520:
1406:
1302:
communication, italicised words are often indicated by surrounding them with
1237:
1169:
925:
described his design as "uninhibited by the traditions of roman and italic".
894:
375:
162:
31:
3285:
2650:
2338:
1961:"Reviving Unknown 16th-century Dutch Type: Shotaro Nakano, ATypI 2023 Paris"
1133:
1085:
4420:
4300:
4187:
4172:
4142:
4102:
4085:
3839:
3809:
3783:
3692:
3535:
3517:
2395:
2288:
1398:
1394:
1349:
1245:
1216:
1146:
1093:
1076:
984:
922:
914:
849:
834:
494:
482:
237:
205:
161:, to replace documents traditionally written in a handwriting style called
146:
134:
2998:
2587:
1798:
Aldo Manuzio (Aldus Manutius): Oxford Bibliographies Online Research Guide
1030:
220:
4415:
4410:
4403:
4393:
4207:
4157:
4112:
4052:
4016:
3987:
3975:
3955:
3730:
3598:
1291:
1224:
1220:
988:
918:
826:
486:
text, the same type is used as in normal type, but slanted to the right:
249:
111:
96:
92:
1731:"Type to Print: The Book & The Type Specimen Book - Saint Catherine"
1145:
already in italics needs a 'double italic' style to add emphasis to it.
897:
has argued that obliques do not contrast enough from the regular style.
889:
have described obliques as more "keen and insistent" than true italics.
468:
4388:
4202:
4092:
3945:
3938:
3915:
3870:
3834:
3788:
3745:
3740:
3735:
3720:
3560:
3555:
3550:
3509:
1253:
1014:
861:
753:
717:
592:
580:
489:
473:
456:
291:
245:
130:
100:
77:
2381:
2255:
2002:
Selected essays on the history of letter-forms in manuscript and print
1418:
3880:
3875:
3652:
3580:
3467:
1663:
Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation
1307:
1270:
1205:
1161:
1034:
945:
821:
596:
139:
1059:
425:. Statements consisting only of original research should be removed.
4353:
4212:
4031:
3904:
3890:
3715:
3667:
2592:
Guidelines For Drafting IUPAC Technical Reports And Recommendations
2567:
On the use of italic and roman fonts for symbols in scientific text
1458:
1363:
1323:
1064:
738:
537:
154:
3206:
2975:
1341:
The term "even number" refers to a number that is a multiple of 2.
1156:
Font families with an upright or near-upright italic only include
4177:
3963:
3814:
3725:
3657:
3593:
3322:
2281:
1438:
1274:
1241:
1089:
4 shapes of Adobe Arabic font (Normal, Italic, Bold, Bold-Italic)
842:
687:
85:
2901:
1374:
axis for the transition between italic and non-italic forms and
741:
may opt to use italic text for a variety of situations, such as
665:
Sometimes in novels to indicate a character's thought process: "
4080:
3697:
1299:
1227:
quite faithfully, with a variable slant on the italic capitals.
1009:
Straight italic type within normal italics (Latin and Cyrillic)
734:
549:
263:
69:
30:
This article is about printing. For the handwriting style, see
72:. Italic is only used for the lower case and not for capitals.
3923:
3662:
3630:
3478:
3453:
3122:
2574:
1968:
1902:
1900:
1486:
1185:
639:
on the rankings, she finally had proof that she was the best.
533:
318:
158:
119:
3227:
286:. The capital letters were upright capitals on the model of
138:
English usage described italics as "the print equivalent of
4279:
4125:
4070:
2651:
Guide for the Use of the International System of Units (SI)
1387:
713:
340:, a twentieth-century revival of the chancery italic style.
310:
88:
3157:"Draughtsman's Alphabets published by Keuffel & Esser"
2649:". Chapter 10 of NIST Special Publication 811 (SP 811):
1897:
1223:'s italic replicates the work of 17th-century punchcutter
1097:
4 shapes of Farsi font (Normal, Iranic, Bold, Bold-Iranic)
3309:
2163:
2131:
2004:. Cambridge: Cambridge University Press. pp. 30–45.
1539:
262:
The first use in a complete volume was a 1501 edition of
2217:
52:"Italicization" redirects here. Not to be confused with
3053:
2762:. p. 6. Listing, Numbering and Annotations of Acts
1794:
1625:
270:'s letters. In 1501, Aldus wrote to his friend Scipio:
153:
The name comes from the fact that calligraphy-inspired
3038:
1767:
525:
guilty party, it's true". This often corresponds with
2577:
Interdivisional Committee on Nomenclature and Symbols
379:
type of the 1690s, replacing the folded, closed-form
2668:"The NCBI Style Guide: Style Points and Conventions"
1879:
Department of Typography & Graphic Communication
1843:
Type to Print: The Book & The Type Specimen Book
2369:
1991:
1989:
1244:surrounding text that begins and ends in italic or
816:
27:
Font style with cursive typeface and slanted design
3278:
3174:
2693:"Guidelines for Formatting Gene and Protein Names"
2265:(1930). "The Evolution of the Modern-Face Roman".
2225:
2041:. Cambridge: Cambridge University Press. pp.
1908:
1687:"False Information in the Colophons of Incunabula"
763:, intire of it selfe; every man is a peece of the
2564:Mills, I. M.; Metanomski, W. V. (December 1999),
1875:"The design and spread of Froben's early Italics"
1692:Proceedings of the American Philosophical Society
578:in the taxonomy of living organisms: "A splendid
189:cursive script, which developed into Italic type.
103:, it served as one of the major typefaces in the
4487:
2887:(2nd ed.). Walter de Gruyter. p. 260.
2786:. American Type Founders Company. 1897. p.
2625:, NIST, January 1998. This cites the family of
2247:Lane, John (1983). "The Types of Nicholas Kis".
2025:
1986:
1826:The origin and development of humanistic script,
1801:. Oxford University Press, USA. pp. 10–11.
1788:
1735:Columbia University Libraries Online Exhibitions
114:, italics normally slant slightly to the right,
3200:
2616:Typefaces for Symbols in Scientific Manuscripts
2563:
2059:
1595:
1037:specifies a switch back to roman type, whereas
37:"Italics" redirects here. For the similar word
3430:. Mountain View, CA: Unicode, Inc. March 2020.
3376:The Letter Forms and Type Designs of Eric Gill
2856:
2347:"Type Designs of the Past and Present, Part 3"
1995:
1763:
1761:
1759:
1757:
1755:
1753:
1751:
1678:
1043:(14.94) specifies the use of quotation marks (
1025:, thought Mary." In this example, the title ("
709:, is approximately equal to 3.00Ă—10 m/s."
625:Using a letter or number mentioned as itself:
4431:Intellectual property protection of typefaces
3494:
3207:William E. Ryan; Theodore E. Conover (2004).
2672:National Center for Biotechnology Information
2291:(1950). "The Baskerville Punches 1750–1950".
960:. Morison wrote to his friend, type designer
928:The printing historian and artistic director
274:We have printed, and are now publishing, the
126:, flourishes inspired by ornate calligraphy.
3973:
3461:
2939:
2935:
2933:
2317:
1574:
972:were both released with obliques. Morison's
796:within a given year (prior to 1963, a given
317:, and other copies appeared in Italy and in
2754:"Introduction to Private and Personal Acts"
2467:"Formatting Book Titles in the Digital Age"
2311:
1998:"3: The Chancery Types of Italy and France"
1946:Printing Types: Their History, Form and Use
1748:
1269:, however, it is argued that, since Italic
3501:
3487:
2249:Journal of the Printing Historical Society
1996:Morison, Stanley; Johnson, Alfred (2009).
1568:
1378:axis for the oblique angle of characters.
921:font design (which does not use italics);
228:, showing early "chancery italic" typeface
4457:Punctuation and other typographic symbols
2930:
2518:A Textual History of the King James Bible
2240:
1000:
869:stated that he had avoided a true italic
628:John was annoyed; they had forgotten the
441:Learn how and when to remove this message
145:In fonts which do not have true italics,
91:based on a stylised form of calligraphic
3315:"FarsiTeX and the Iranian TeX Community"
2943:Letters of Credit: A View of Type Design
2882:
2857:Frere-Jones, Tobias; Hoefler, Jonathan.
2115:
2113:
1872:
1298:In plain-text computer files, including
1215:
1132:
1092:
1084:
1058:
1004:
820:
504:
488:
467:
328:
219:
212:, inside the heart in the left hand and
192:
180:
60:
3370:
3154:
3148:
2850:
2344:
2321:The Golden Thread: A History of Writing
2287:
2261:
2191:
2090:
2088:
2031:
1881:. University of Reading. Archived from
1795:Oxford University Press (1 June 2010).
1665:, New York: Gotham Books, p. 146,
1578:The Golden Thread: The Story of Writing
1082:They are more common in Arabic script.
1054:
662:number is one that is a multiple of 2."
14:
4488:
2907:
2801:
2514:
2324:. Counterpoint LLC. pp. 205–210.
1943:
1937:
1906:
1684:
1409:would dictate that the author use the
1335:, quotation marks may be substituted:
1067:typeface, made for display use by the
881:due to finding them "too soft", while
3482:
3398:
3392:
2827:
2439:
2413:
2223:
2110:
1660:
1075:Left-leaning italics are now rare in
995:
804:have italic Arabic numerals, whereas
3103:
3022:
2715:"Comic Book Grammar & Tradition"
2486:University of Minnesota Style Manual
2246:
2085:
2000:. In McKitterick, David John (ed.).
1601:
1417:along with an appropriate, semantic
1289:In typewritten or handwritten text,
1196:and named "Bembo Condensed Italic",
1112:
390:
204:("Letters"), published in Venice by
3452:, Victor Gaultney (presentation to
3180:
3155:Puckett, James (22 November 2016).
3059:
2996:
2833:
2596:3rd edition of the IUPAC Green Book
2065:
1631:
605:, and my favorite newspaper is the
574:Foreign words, including the Latin
24:
3424:The Unicode Standard, Version 13.0
3348:
3313:; Roozbeh Pournader (March 2002).
2807:
2375:
1958:
1873:Kaufmann, Ueli (11 October 2015).
1581:. Atlantic Books. pp. 104–6.
1316:They >completely< forgot me!
1128:
216:inside the book in the right hand.
25:
4507:
3437:
3351:"Bembo Condensed Italic specimen"
3044:
2318:Ewan Clayton (11 February 2014).
1575:Ewan Clayton (5 September 2013).
1443:Mathematical Alphanumeric Symbols
1266:The Elements of Typographic Style
635:When she saw her name beside the
4470:
4469:
3213:. Cengage Learning. p. 98.
2590:* and full text included in the
817:Oblique type compared to italics
513:for a word or name to stand out.
395:
226:Ludovico Vicentino degli Arrighi
3414:
3342:
3303:
3260:"Reverse italics at StudioType"
3252:
3130:"Recasting Electra as Aluminia"
3097:
3071:
3016:
2990:
2960:
2883:Frutiger, Adrian (8 May 2014).
2876:
2746:
2732:
2707:
2632:
2608:
2557:
2546:
2508:
2477:
2459:
2433:
2407:
1952:
1845:. Columbia University Libraries
1831:
1815:
1768:Hendrik D. L. Vervliet (2008).
1513:
1504:
1479:
1258:as on the right of this example
860:, unlike "true italics". Many
808:have plain Arabic numerals and
733:Italics are frequently used in
259:, possibly even Manutius' own.
68:' italic, in a 1501 edition of
3508:
3235:"Nitro & Turbo - Overview"
2946:. D.R. Godine. pp. 61–4.
2493:, 18 July 2007, archived from
2378:"Comments on Typophile thread"
1723:
1654:
1470:
1397:is used to produce italic (or
1280:
1211:
841:serif families of the period.
812:have lowercase Roman numerals.
783:is the lesse, as well as if a
276:Satires of Juvenal and Persius
232:Italic type was first used by
13:
1:
4426:History of Western typography
2940:Walter Tracy (January 2003).
2885:Typefaces: The Complete Works
2232:. New York, Praeger. p.
1533:
1338:The word "the" is an article.
1204:-influenced printers such as
493:The same example text set in
105:history of Western typography
4273:traditional point-size names
3210:Graphic Communications Today
3079:"Monotype Imaging: Perpetua"
1915:. Clarendon Press. pp.
1381:
1184:. The popular book typeface
373:, a development seen in the
110:Owing to the influence from
7:
3526:Canons of page construction
3421:"22.2 Letterlike Symbols".
2913:"My Type Design Philosophy"
2838:. Jeremy Tankard Typography
2275:10.1093/library/s4-XI.3.353
2139:"Fairbanks Italic specimen"
1774:. BRILL. pp. 287–319.
1452:
1358:
1233:The Chicago Manual of Style
1040:The Chicago Manual of Style
599:: "My favorite magazine is
421:the claims made and adding
386:
10:
4512:
2523:Cambridge University Press
2144:. Monotype. Archived from
1911:A View of Early Typography
1432:
1248:should also be italicised
825:Three sans-serif italics.
556:: "He wrote his thesis on
350:Giovanni Antonio Tagliente
315:Girolamo "Gershom" Soncino
224:A page from La Operina by
176:
51:
36:
29:
4465:
4449:
4381:
4334:
4288:
4228:
4111:
4051:
4009:
3986:
3954:
3914:
3903:
3848:
3802:
3754:
3706:
3683:Subscript and superscript
3638:
3629:
3579:
3516:
3239:Hoefler & Frere-Jones
2863:Hoefler & Frere-Jones
2621:19 September 2018 at the
2601:19 September 2018 at the
2345:Morison, Stanley (1937).
2305:10.1093/library/s5-V.1.26
2072:Hoefler & Frere-Jones
1491:Centaur Italic or Arrighi
1485:Notable revivals include
1407:semantic markup practices
1140:'s 'upright italic' font.
567:The names of ships: "The
472:Example text set in both
4441:Vox-ATypI classification
3571:Intentionally blank page
2719:Blambot Comic Book Fonts
2629:31-0:1992 to 31-13:1992.
2588:slightly revised in 2007
2228:A Chronology of Printing
1555:University of Manchester
1464:
1202:Arts and Crafts movement
1023:had a chapter about that
966:William Addison Dwiggins
672:Italics are used in the
500:
43:Italian (disambiguation)
3065:Towards an Ideal Italic
3003:Type Design Information
2491:University of Minnesota
2353:: 17–81. Archived from
1333:word is being mentioned
1313:I was /really/ annoyed.
1063:A 'backslanted' italic
934:Towards an Ideal Italic
775:bee washed away by the
705:: "The speed of light,
667:This can't be happening
632:in his name once again.
616:use–mention distinction
157:were first designed in
47:Italic (disambiguation)
3974:
3463:Hamilton, Frederick W.
3404:"The 'Garamond' Types"
3106:"Serial Type Families"
2968:"Typophile discussion"
2515:Norton, David (2005).
2269:. s4-XI (3): 353–377.
1907:Carter, Harry (1969).
1525:Cancelleresca Bastarda
1411:Cascading Style Sheets
1228:
1141:
1098:
1090:
1072:
1045:A Key to Whitehead's "
1010:
1001:Italics within italics
902:American Type Founders
846:
703:mathematical constants
514:
497:
477:
341:
338:Cancelleresca Bastarda
280:
229:
217:
190:
73:
45:. For other uses, see
3104:Lo Celso, Alejandro.
2810:"Inclined to be dull"
2586:. This document was
2224:Clair, Colin (1969).
1944:Updike, D.B. (1927),
1822:Berthold Louis Ullman
1685:BĂĽhler, Curt (1970).
1661:Truss, Lynne (2004),
1612:University of Reading
1447:presentational markup
1219:
1136:
1119:Gholamhossein Mosahab
1096:
1088:
1062:
1008:
989:Baskerville Old Style
824:
794:UK Acts of Parliament
576:binomial nomenclature
508:
492:
471:
332:
288:Roman square capitals
272:
223:
214:iesu dolce iesu amore
196:
184:
64:
4311:Typographic features
3445:The Essential Italic
3183:"Changing the Times"
2911:(29 November 2004).
2695:. BioScience Writers
2645:29 June 2007 at the
2471:dailywritingtips.com
2446:Practical Typography
2440:Butterick, Matthew.
2420:Practical Typography
2414:Butterick, Matthew.
1948:, Harvard University
1250:(as in this example)
1055:Left-leaning italics
716:names (for example,
521:: "Smith wasn't the
4436:Technical lettering
4335:Typography in other
4076:Hanging punctuation
3349:Bixler, M & W.
3136:. 11 September 2017
3118:on 8 November 2014.
2357:on 4 September 2017
2066:Hoefler, Jonathan.
1487:Bembo Narrow Italic
1415:font-style: italic;
1198:Monotype series 294
1047:Process and Reality
906:Genzsch & Heyse
806:public general acts
743:internal monologues
699:physical quantities
571:sailed last night."
257:Niccolò de' Niccoli
4399:Handwriting script
4326:Desktop publishing
4296:Character encoding
4289:Digital typography
3803:Horizontal aspects
3756:Visual distinction
3614:Widows and orphans
3181:Morison, Stanley.
3134:Letterform Archive
3085:on 10 January 2012
2978:on 8 November 2014
2759:legislation.gov.uk
2416:"Bold or italics?"
2263:Johnson, Alfred F.
1885:on 2 November 2016
1637:"Italics Examined"
1602:Gaultney, Victor.
1295:is typically used.
1229:
1190:'Condensed Italic'
1142:
1099:
1091:
1073:
1027:The Scarlet Letter
1021:The Scarlet Letter
1011:
996:More complex usage
877:in his sans-serif
856:and double-storey
847:
674:King James Version
558:The Scarlet Letter
515:
498:
478:
406:possibly contains
346:"chancery" italics
342:
284:Bartolomeo Sanvito
268:Catherine of Siena
230:
218:
198:Catherine of Siena
191:
74:
4483:
4482:
4230:Typographic units
4148:For position only
4047:
4046:
3899:
3898:
3473:Project Gutenberg
3385:978-0-903696-04-3
3220:978-0-7668-2075-3
3161:dailytypespecimen
3049:. pp. 162–3.
3047:Letters of Credit
2999:"Friedrich Bauer"
2953:978-1-56792-240-0
2834:Tankard, Jeremy.
2331:978-1-61902-242-3
2171:"Alfred Fairbank"
2052:978-0-521-09786-4
2011:978-0-521-18316-1
1959:Nakano, Shotaro.
1926:978-0-19-818137-8
1839:"Roman vs Italic"
1828:Rome, 1960, p. 77
1808:978-0-19-980945-5
1781:978-90-04-16982-1
1672:978-1-59240-087-4
1641:Hoefler & Co.
1633:Hoefler, Jonathan
1588:978-1-78239-034-3
1551:Pioneers of Print
1348:" was written by
1306:or other matched
1221:Monotype Garamond
1123:Iranic font style
1113:Iranic font style
451:
450:
443:
408:original research
323:H. D. L. Vervliet
16:(Redirected from
4503:
4473:
4472:
4450:Related template
4382:Related articles
4183:Phototypesetting
4037:reverse-contrast
4022:Display typeface
3979:
3956:Blackletter type
3912:
3911:
3849:Vertical aspects
3830:Sentence spacing
3640:Typeface anatomy
3636:
3635:
3503:
3496:
3489:
3480:
3479:
3475:
3446:
3432:
3431:
3429:
3418:
3412:
3411:
3396:
3390:
3389:
3368:
3362:
3361:
3359:
3357:
3346:
3340:
3339:
3337:
3335:
3319:
3311:Esfahbod, Behdad
3307:
3301:
3300:
3298:
3296:
3282:
3276:
3275:
3273:
3271:
3262:. Archived from
3256:
3250:
3249:
3247:
3245:
3231:
3225:
3224:
3204:
3198:
3197:
3195:
3193:
3178:
3172:
3171:
3169:
3167:
3152:
3146:
3145:
3143:
3141:
3126:
3120:
3119:
3117:
3111:. Archived from
3110:
3101:
3095:
3094:
3092:
3090:
3081:. Archived from
3075:
3069:
3068:
3061:Morison, Stanley
3057:
3051:
3050:
3042:
3036:
3035:
3033:
3031:
3023:Simonson, Mark.
3020:
3014:
3013:
3011:
3009:
2994:
2988:
2987:
2985:
2983:
2974:. Archived from
2964:
2958:
2957:
2937:
2928:
2927:
2925:
2923:
2905:
2899:
2898:
2880:
2874:
2873:
2871:
2869:
2854:
2848:
2847:
2845:
2843:
2831:
2825:
2824:
2822:
2820:
2808:Majoor, Martin.
2805:
2799:
2798:
2796:
2794:
2778:
2772:
2771:
2769:
2767:
2750:
2744:
2736:
2730:
2729:
2727:
2725:
2711:
2705:
2704:
2702:
2700:
2689:
2683:
2682:
2680:
2678:
2664:
2658:
2636:
2630:
2612:
2606:
2594:and also in the
2585:
2584:
2582:
2572:
2561:
2555:
2550:
2544:
2543:
2541:
2539:
2512:
2506:
2505:
2504:
2502:
2497:on 24 March 2010
2481:
2475:
2474:
2463:
2457:
2456:
2454:
2452:
2437:
2431:
2430:
2428:
2426:
2411:
2405:
2404:
2391:
2389:
2384:on 27 March 2017
2380:. Archived from
2373:
2367:
2366:
2364:
2362:
2342:
2336:
2335:
2315:
2309:
2308:
2285:
2279:
2278:
2259:
2253:
2252:
2244:
2238:
2237:
2231:
2221:
2215:
2214:
2212:
2210:
2195:
2189:
2188:
2186:
2184:
2178:Klingspor Museum
2175:
2167:
2161:
2160:
2158:
2156:
2150:
2143:
2135:
2129:
2128:
2117:
2108:
2107:
2105:
2103:
2092:
2083:
2082:
2080:
2078:
2063:
2057:
2056:
2038:A Tally of Types
2033:Morison, Stanley
2029:
2023:
2022:
2020:
2018:
1993:
1984:
1983:
1977:
1975:
1956:
1950:
1949:
1941:
1935:
1934:
1914:
1904:
1895:
1894:
1892:
1890:
1870:
1855:
1854:
1852:
1850:
1835:
1829:
1819:
1813:
1812:
1792:
1786:
1785:
1765:
1746:
1745:
1743:
1741:
1727:
1721:
1720:
1715:
1713:
1682:
1676:
1675:
1658:
1652:
1651:
1649:
1647:
1629:
1623:
1622:
1620:
1618:
1599:
1593:
1592:
1572:
1566:
1565:
1563:
1561:
1547:"Aldus Manutius"
1543:
1528:
1517:
1511:
1508:
1502:
1483:
1477:
1474:
1428:
1424:
1416:
1404:
1393:
1377:
1373:
1369:
767:, a part of the
730:gene codes for).
694: = 2."
669:, thought Mary."
622:is an article".
602:Psychology Today
546:television shows
446:
439:
435:
432:
426:
423:inline citations
399:
398:
391:
253:Francesco Griffo
171:Ludovico Arrighi
21:
4511:
4510:
4506:
4505:
4504:
4502:
4501:
4500:
4486:
4485:
4484:
4479:
4461:
4445:
4377:
4337:writing systems
4336:
4330:
4284:
4224:
4168:Microtypography
4107:
4043:
4005:
3982:
3950:
3907:classifications
3906:
3895:
3844:
3798:
3764:Blackboard bold
3750:
3702:
3625:
3575:
3566:Recto and verso
3512:
3507:
3444:
3440:
3435:
3427:
3420:
3419:
3415:
3400:Warde, Beatrice
3397:
3393:
3386:
3372:Harling, Robert
3369:
3365:
3355:
3353:
3347:
3343:
3333:
3331:
3317:
3308:
3304:
3294:
3292:
3284:
3283:
3279:
3269:
3267:
3266:on 19 July 2021
3258:
3257:
3253:
3243:
3241:
3233:
3232:
3228:
3221:
3205:
3201:
3191:
3189:
3179:
3175:
3165:
3163:
3153:
3149:
3139:
3137:
3128:
3127:
3123:
3115:
3108:
3102:
3098:
3088:
3086:
3077:
3076:
3072:
3058:
3054:
3045:Tracy, Walter.
3043:
3039:
3029:
3027:
3021:
3017:
3007:
3005:
2995:
2991:
2981:
2979:
2966:
2965:
2961:
2954:
2938:
2931:
2921:
2919:
2906:
2902:
2895:
2881:
2877:
2867:
2865:
2855:
2851:
2841:
2839:
2832:
2828:
2818:
2816:
2806:
2802:
2792:
2790:
2780:
2779:
2775:
2765:
2763:
2752:
2751:
2747:
2740:Meditation XVII
2737:
2733:
2723:
2721:
2713:
2712:
2708:
2698:
2696:
2691:
2690:
2686:
2676:
2674:
2666:
2665:
2661:
2647:Wayback Machine
2637:
2633:
2623:Wayback Machine
2613:
2609:
2603:Wayback Machine
2580:
2578:
2570:
2562:
2558:
2551:
2547:
2537:
2535:
2533:
2525:. p. 162.
2513:
2509:
2500:
2498:
2483:
2482:
2478:
2465:
2464:
2460:
2450:
2448:
2438:
2434:
2424:
2422:
2412:
2408:
2400:Times New Roman
2387:
2385:
2376:Mosley, James.
2374:
2370:
2360:
2358:
2343:
2339:
2332:
2316:
2312:
2286:
2282:
2260:
2256:
2245:
2241:
2222:
2218:
2208:
2206:
2205:. Adobe Systems
2197:
2196:
2192:
2182:
2180:
2173:
2169:
2168:
2164:
2154:
2152:
2151:on 11 June 2016
2148:
2141:
2137:
2136:
2132:
2119:
2118:
2111:
2101:
2099:
2094:
2093:
2086:
2076:
2074:
2064:
2060:
2053:
2030:
2026:
2016:
2014:
2012:
1994:
1987:
1973:
1971:
1957:
1953:
1942:
1938:
1927:
1905:
1898:
1888:
1886:
1871:
1858:
1848:
1846:
1837:
1836:
1832:
1820:
1816:
1809:
1793:
1789:
1782:
1766:
1749:
1739:
1737:
1729:
1728:
1724:
1711:
1709:
1707:
1683:
1679:
1673:
1659:
1655:
1645:
1643:
1630:
1626:
1616:
1614:
1608:Victor Gaultney
1600:
1596:
1589:
1573:
1569:
1559:
1557:
1545:
1544:
1540:
1536:
1531:
1518:
1514:
1509:
1505:
1484:
1480:
1475:
1471:
1467:
1455:
1435:
1426:
1422:
1414:
1402:
1391:
1384:
1375:
1371:
1367:
1361:
1310:. For example:
1283:
1214:
1194:Alfred Fairbank
1158:Jan van Krimpen
1151:Computer Modern
1138:Computer Modern
1131:
1129:Upright italics
1115:
1057:
1031:Citation styles
1003:
998:
974:Times New Roman
962:Jan van Krimpen
938:script typeface
930:Stanley Morison
891:Adrian Frutiger
833:design, has an
819:
747:speech balloons
724:β-galactosidase
608:Chicago Tribune
562:quotation marks
503:
476:and italic type
447:
436:
430:
427:
412:
400:
396:
389:
334:Jan van Krimpen
307:Venetian Senate
238:press in Venice
179:
57:
50:
35:
28:
23:
22:
15:
12:
11:
5:
4509:
4499:
4498:
4481:
4480:
4478:
4477:
4466:
4463:
4462:
4460:
4459:
4453:
4451:
4447:
4446:
4444:
4443:
4438:
4433:
4428:
4423:
4418:
4413:
4408:
4407:
4406:
4401:
4396:
4385:
4383:
4379:
4378:
4376:
4375:
4374:
4373:
4371:National Fonts
4363:
4358:
4357:
4356:
4346:
4340:
4338:
4332:
4331:
4329:
4328:
4323:
4318:
4316:Web typography
4313:
4308:
4303:
4298:
4292:
4290:
4286:
4285:
4283:
4282:
4277:
4276:
4275:
4265:
4260:
4255:
4250:
4245:
4240:
4234:
4232:
4226:
4225:
4223:
4222:
4221:
4220:
4210:
4205:
4200:
4195:
4193:Reversing type
4190:
4185:
4180:
4175:
4170:
4165:
4160:
4155:
4150:
4145:
4140:
4139:
4138:
4133:
4123:
4117:
4115:
4109:
4108:
4106:
4105:
4100:
4095:
4090:
4089:
4088:
4078:
4073:
4068:
4062:
4060:
4049:
4048:
4045:
4044:
4042:
4041:
4040:
4039:
4034:
4029:
4019:
4013:
4011:
4007:
4006:
4004:
4003:
3998:
3992:
3990:
3984:
3983:
3981:
3980:
3971:
3966:
3960:
3958:
3952:
3951:
3949:
3948:
3943:
3942:
3941:
3936:
3931:
3920:
3918:
3909:
3901:
3900:
3897:
3896:
3894:
3893:
3888:
3883:
3878:
3873:
3868:
3863:
3858:
3852:
3850:
3846:
3845:
3843:
3842:
3837:
3832:
3827:
3822:
3820:Letter-spacing
3817:
3812:
3806:
3804:
3800:
3799:
3797:
3796:
3791:
3786:
3781:
3776:
3774:Color printing
3771:
3766:
3760:
3758:
3752:
3751:
3749:
3748:
3743:
3738:
3733:
3728:
3723:
3718:
3712:
3710:
3708:Capitalization
3704:
3703:
3701:
3700:
3695:
3690:
3685:
3680:
3675:
3670:
3665:
3660:
3655:
3650:
3644:
3642:
3633:
3627:
3626:
3624:
3623:
3622:
3621:
3611:
3606:
3601:
3596:
3591:
3585:
3583:
3577:
3576:
3574:
3573:
3568:
3563:
3558:
3553:
3548:
3546:Page numbering
3543:
3538:
3533:
3528:
3522:
3520:
3514:
3513:
3506:
3505:
3498:
3491:
3483:
3477:
3476:
3458:
3457:
3439:
3438:External links
3436:
3434:
3433:
3413:
3391:
3384:
3363:
3341:
3302:
3277:
3251:
3226:
3219:
3199:
3173:
3147:
3121:
3096:
3070:
3052:
3037:
3015:
2997:Devroye, Luc.
2989:
2959:
2952:
2929:
2909:Majoor, Martin
2900:
2894:978-3038212607
2893:
2875:
2849:
2826:
2800:
2773:
2745:
2731:
2706:
2684:
2659:
2631:
2607:
2556:
2545:
2531:
2507:
2476:
2458:
2432:
2406:
2396:'sloped roman'
2368:
2337:
2330:
2310:
2280:
2254:
2239:
2216:
2190:
2162:
2130:
2109:
2084:
2058:
2051:
2024:
2010:
1985:
1951:
1936:
1925:
1896:
1856:
1830:
1814:
1807:
1787:
1780:
1747:
1722:
1705:
1677:
1671:
1653:
1624:
1594:
1587:
1567:
1537:
1535:
1532:
1530:
1529:
1512:
1503:
1478:
1468:
1466:
1463:
1462:
1461:
1454:
1451:
1434:
1431:
1421:instead of an
1383:
1380:
1360:
1357:
1356:
1355:
1354:
1353:
1346:Fahrenheit 451
1342:
1339:
1329:
1328:
1327:
1320:
1317:
1314:
1296:
1282:
1279:
1256:is preferred,
1236:suggests that
1213:
1210:
1178:Frederic Goudy
1130:
1127:
1117:In the 1950s,
1114:
1111:
1056:
1053:
1002:
999:
997:
994:
867:Jeremy Tankard
818:
815:
814:
813:
790:
789:
788:
750:
731:
710:
695:
685:
679:
670:
663:
644:
643:
642:
641:
640:
633:
612:
589:
584:was served"; "
572:
565:
530:
524:
511:small capitals
502:
499:
449:
448:
403:
401:
394:
388:
385:
359:Robert Granjon
234:Aldus Manutius
178:
175:
167:Aldus Manutius
66:Aldus Manutius
54:Italianization
26:
9:
6:
4:
3:
2:
4508:
4497:
4494:
4493:
4491:
4476:
4468:
4467:
4464:
4458:
4455:
4454:
4452:
4448:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4419:
4417:
4414:
4412:
4409:
4405:
4402:
4400:
4397:
4395:
4392:
4391:
4390:
4387:
4386:
4384:
4380:
4372:
4369:
4368:
4367:
4364:
4362:
4359:
4355:
4352:
4351:
4350:
4347:
4345:
4342:
4341:
4339:
4333:
4327:
4324:
4322:
4321:BĂ©zier curves
4319:
4317:
4314:
4312:
4309:
4307:
4306:Rasterization
4304:
4302:
4299:
4297:
4294:
4293:
4291:
4287:
4281:
4278:
4274:
4271:
4270:
4269:
4266:
4264:
4261:
4259:
4256:
4254:
4251:
4249:
4246:
4244:
4241:
4239:
4236:
4235:
4233:
4231:
4227:
4219:
4216:
4215:
4214:
4211:
4209:
4206:
4204:
4201:
4199:
4196:
4194:
4191:
4189:
4186:
4184:
4181:
4179:
4176:
4174:
4171:
4169:
4166:
4164:
4163:Microprinting
4161:
4159:
4156:
4154:
4151:
4149:
4146:
4144:
4141:
4137:
4134:
4132:
4129:
4128:
4127:
4124:
4122:
4121:Etaoin shrdlu
4119:
4118:
4116:
4114:
4110:
4104:
4101:
4099:
4096:
4094:
4091:
4087:
4084:
4083:
4082:
4079:
4077:
4074:
4072:
4069:
4067:
4064:
4063:
4061:
4058:
4054:
4050:
4038:
4035:
4033:
4030:
4028:
4025:
4024:
4023:
4020:
4018:
4015:
4014:
4012:
4008:
4002:
3999:
3997:
3994:
3993:
3991:
3989:
3985:
3978:
3977:
3972:
3970:
3967:
3965:
3962:
3961:
3959:
3957:
3953:
3947:
3944:
3940:
3937:
3935:
3932:
3930:
3927:
3926:
3925:
3922:
3921:
3919:
3917:
3913:
3910:
3908:
3902:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
3853:
3851:
3847:
3841:
3838:
3836:
3833:
3831:
3828:
3826:
3823:
3821:
3818:
3816:
3813:
3811:
3808:
3807:
3805:
3801:
3795:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3761:
3759:
3757:
3753:
3747:
3744:
3742:
3739:
3737:
3734:
3732:
3729:
3727:
3724:
3722:
3719:
3717:
3714:
3713:
3711:
3709:
3705:
3699:
3696:
3694:
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3654:
3651:
3649:
3646:
3645:
3643:
3641:
3637:
3634:
3632:
3628:
3620:
3617:
3616:
3615:
3612:
3610:
3607:
3605:
3602:
3600:
3597:
3595:
3592:
3590:
3587:
3586:
3584:
3582:
3578:
3572:
3569:
3567:
3564:
3562:
3559:
3557:
3554:
3552:
3549:
3547:
3544:
3542:
3539:
3537:
3534:
3532:
3529:
3527:
3524:
3523:
3521:
3519:
3515:
3511:
3504:
3499:
3497:
3492:
3490:
3485:
3484:
3481:
3474:
3470:
3469:
3465: (1918).
3464:
3460:
3459:
3455:
3451:
3447:
3442:
3441:
3426:
3425:
3417:
3409:
3405:
3401:
3395:
3387:
3381:
3377:
3373:
3367:
3352:
3345:
3329:
3325:
3324:
3316:
3312:
3306:
3291:
3287:
3281:
3265:
3261:
3255:
3240:
3236:
3230:
3222:
3216:
3212:
3211:
3203:
3188:
3184:
3177:
3162:
3158:
3151:
3135:
3131:
3125:
3114:
3107:
3100:
3084:
3080:
3074:
3066:
3062:
3056:
3048:
3041:
3026:
3019:
3004:
3000:
2993:
2977:
2973:
2969:
2963:
2955:
2949:
2945:
2944:
2936:
2934:
2918:
2914:
2910:
2904:
2896:
2890:
2886:
2879:
2864:
2860:
2853:
2837:
2830:
2815:
2811:
2804:
2789:
2785:
2784:
2777:
2761:
2760:
2755:
2749:
2742:
2741:
2735:
2720:
2716:
2710:
2694:
2688:
2673:
2669:
2663:
2656:
2655:ISO standards
2652:
2648:
2644:
2641:
2635:
2628:
2627:ISO standards
2624:
2620:
2617:
2611:
2604:
2600:
2597:
2593:
2589:
2576:
2569:
2568:
2560:
2554:
2549:
2534:
2532:9780521771009
2528:
2524:
2520:
2519:
2511:
2496:
2492:
2488:
2487:
2480:
2472:
2468:
2462:
2447:
2443:
2436:
2421:
2417:
2410:
2403:
2401:
2397:
2383:
2379:
2372:
2356:
2352:
2348:
2341:
2333:
2327:
2323:
2322:
2314:
2306:
2302:
2298:
2294:
2290:
2289:Dreyfus, John
2284:
2276:
2272:
2268:
2264:
2258:
2250:
2243:
2235:
2230:
2229:
2220:
2204:
2200:
2194:
2179:
2172:
2166:
2147:
2140:
2134:
2126:
2122:
2116:
2114:
2097:
2091:
2089:
2073:
2069:
2062:
2054:
2048:
2044:
2040:
2039:
2034:
2028:
2013:
2007:
2003:
1999:
1992:
1990:
1982:
1970:
1966:
1962:
1955:
1947:
1940:
1933:
1928:
1922:
1918:
1913:
1912:
1903:
1901:
1884:
1880:
1876:
1869:
1867:
1865:
1863:
1861:
1844:
1840:
1834:
1827:
1823:
1818:
1810:
1804:
1800:
1799:
1791:
1783:
1777:
1773:
1772:
1764:
1762:
1760:
1758:
1756:
1754:
1752:
1736:
1732:
1726:
1719:
1708:
1706:9781422371374
1702:
1698:
1694:
1693:
1688:
1681:
1674:
1668:
1664:
1657:
1642:
1638:
1634:
1628:
1613:
1609:
1605:
1598:
1590:
1584:
1580:
1579:
1571:
1556:
1552:
1548:
1542:
1538:
1526:
1522:
1521:Jim Parkinson
1516:
1507:
1500:
1496:
1492:
1488:
1482:
1473:
1469:
1460:
1457:
1456:
1450:
1448:
1444:
1440:
1430:
1420:
1412:
1408:
1400:
1396:
1389:
1379:
1365:
1351:
1347:
1343:
1340:
1337:
1336:
1334:
1330:
1325:
1321:
1318:
1315:
1312:
1311:
1309:
1305:
1301:
1297:
1294:
1293:
1288:
1287:
1286:
1278:
1276:
1272:
1268:
1267:
1261:
1259:
1255:
1251:
1247:
1243:
1239:
1235:
1234:
1226:
1222:
1218:
1209:
1207:
1203:
1199:
1195:
1191:
1187:
1183:
1179:
1175:
1171:
1170:Martin Majoor
1167:
1163:
1159:
1154:
1152:
1148:
1139:
1135:
1126:
1124:
1121:invented the
1120:
1110:
1108:
1104:
1095:
1087:
1083:
1080:
1078:
1070:
1066:
1061:
1052:
1050:
1048:
1042:
1041:
1036:
1032:
1028:
1024:
1020:
1016:
1007:
993:
990:
986:
981:
980:than dogma".
979:
975:
971:
967:
963:
959:
955:
951:
947:
943:
939:
935:
931:
926:
924:
920:
916:
912:
907:
903:
898:
896:
895:Martin Majoor
892:
888:
884:
880:
876:
872:
868:
863:
859:
855:
851:
844:
840:
836:
832:
828:
823:
811:
807:
803:
802:personal acts
799:
795:
792:In numbering
791:
786:
782:
778:
774:
770:
766:
762:
759:No man is an
758:
757:
755:
751:
748:
744:
740:
736:
732:
729:
725:
721:
720:
715:
711:
708:
704:
700:
696:
693:
689:
686:
683:
677:
675:
671:
668:
664:
661:
657:
653:
649:
645:
638:
634:
631:
627:
626:
624:
623:
621:
618:): "The word
617:
613:
610:
609:
604:
603:
598:
594:
591:The names of
590:
587:
583:
582:
577:
573:
570:
566:
563:
559:
555:
551:
547:
543:
539:
535:
531:
528:
522:
520:
517:
516:
512:
507:
496:
491:
487:
485:
484:
475:
470:
466:
464:
460:
458:
445:
442:
434:
431:December 2017
424:
420:
416:
410:
409:
404:This section
402:
393:
392:
384:
382:
378:
377:
376:Romain du roi
372:
369:matching the
368:
362:
360:
354:
351:
347:
339:
335:
331:
327:
324:
320:
316:
312:
308:
303:
301:
297:
293:
289:
285:
279:
277:
271:
269:
265:
260:
258:
254:
251:
247:
241:
239:
235:
227:
222:
215:
211:
207:
203:
199:
195:
188:
183:
174:
172:
168:
164:
163:chancery hand
160:
156:
151:
148:
143:
141:
136:
132:
127:
125:
121:
117:
113:
108:
106:
102:
98:
95:. Along with
94:
90:
87:
83:
79:
71:
67:
63:
59:
55:
48:
44:
40:
33:
32:Italic script
19:
4421:Type foundry
4258:Metric units
4188:Punchcutting
4173:Movable type
4143:Font catalog
4103:Vertical bar
3840:Word spacing
3810:Figure space
3778:
3693:Text figures
3536:Even working
3466:
3423:
3416:
3407:
3394:
3375:
3366:
3354:. Retrieved
3344:
3332:. Retrieved
3327:
3321:
3305:
3293:. Retrieved
3290:Fonts in Use
3289:
3280:
3268:. Retrieved
3264:the original
3254:
3242:. Retrieved
3229:
3209:
3202:
3190:. Retrieved
3186:
3176:
3164:. Retrieved
3160:
3150:
3138:. Retrieved
3124:
3113:the original
3099:
3087:. Retrieved
3083:the original
3073:
3064:
3055:
3046:
3040:
3030:23 September
3028:. Retrieved
3018:
3006:. Retrieved
3002:
2992:
2980:. Retrieved
2976:the original
2971:
2962:
2942:
2920:. Retrieved
2916:
2903:
2884:
2878:
2866:. Retrieved
2852:
2840:. Retrieved
2829:
2817:. Retrieved
2814:Eye magazine
2813:
2803:
2791:. Retrieved
2782:
2776:
2764:. Retrieved
2757:
2748:
2738:
2734:
2722:. Retrieved
2718:
2709:
2697:. Retrieved
2687:
2675:. Retrieved
2662:
2634:
2610:
2579:, retrieved
2566:
2559:
2548:
2536:. Retrieved
2517:
2510:
2499:, retrieved
2495:the original
2485:
2479:
2470:
2461:
2449:. Retrieved
2445:
2442:"Small caps"
2435:
2423:. Retrieved
2419:
2409:
2393:
2386:. Retrieved
2382:the original
2371:
2359:. Retrieved
2355:the original
2350:
2340:
2320:
2313:
2299:(1): 26–48.
2296:
2292:
2283:
2266:
2257:
2248:
2242:
2227:
2219:
2207:. Retrieved
2202:
2193:
2181:. Retrieved
2165:
2153:. Retrieved
2146:the original
2133:
2124:
2100:. Retrieved
2075:. Retrieved
2061:
2037:
2027:
2015:. Retrieved
2001:
1979:
1972:. Retrieved
1964:
1954:
1945:
1939:
1930:
1910:
1887:. Retrieved
1883:the original
1878:
1847:. Retrieved
1842:
1833:
1825:
1817:
1797:
1790:
1770:
1738:. Retrieved
1734:
1725:
1717:
1710:. Retrieved
1696:
1690:
1680:
1662:
1656:
1627:
1617:30 September
1615:. Retrieved
1607:
1597:
1577:
1570:
1558:. Retrieved
1550:
1541:
1524:
1515:
1506:
1481:
1472:
1436:
1413:declaration
1385:
1362:
1350:Ray Bradbury
1290:
1284:
1264:
1262:
1257:
1249:
1246:oblique type
1231:
1230:
1160:'s Romanée,
1155:
1147:Donald Knuth
1143:
1122:
1116:
1100:
1081:
1077:Latin script
1074:
1044:
1038:
1026:
1022:
1018:
1012:
985:Cooper Black
982:
957:
953:
949:
933:
927:
923:Walter Tracy
915:Koch Antiqua
899:
874:
870:
857:
853:
850:Oblique type
848:
784:
780:
776:
772:
768:
764:
760:
727:
726:, which the
718:
712:In biology,
706:
697:Symbols for
691:
681:
678:de-emphasise
666:
659:
655:
651:
647:
636:
629:
619:
606:
600:
586:Homo sapiens
585:
579:
568:
557:
495:oblique type
481:
479:
463:true italics
462:
454:
452:
437:
428:
405:
380:
374:
370:
366:
363:
355:
343:
337:
304:
296:Harry Carter
294:, historian
281:
273:
261:
242:
231:
213:
209:
206:Aldo Manuzio
201:
152:
147:oblique type
144:
128:
118:. Different
115:
109:
81:
75:
58:
38:
4416:Type design
4411:Style guide
4404:Calligraphy
4394:Handwriting
4208:Type design
4158:Lorem ipsum
4153:Letterpress
4113:Typesetting
4053:Punctuation
4017:Record type
3988:Gaelic type
3976:Schwabacher
3866:Body height
3731:Letter case
3599:Line length
3408:The Fleuron
3244:29 February
3166:10 November
3140:10 November
3025:"Bookmania"
2922:12 November
2868:16 December
2842:16 December
2553:Genesis 1:4
2293:The Library
2267:The Library
2127:. Monotype.
2017:28 December
1740:18 December
1646:10 February
1344:The novel "
1292:underlining
1281:Substitutes
1238:parentheses
1225:Jean Jannon
1212:Parentheses
1101:In certain
919:blackletter
887:Frere-Jones
827:News Gothic
785:Promontorie
554:periodicals
353:ascenders.
292:roman types
250:punchcutter
140:underlining
112:calligraphy
97:blackletter
93:handwriting
82:italic type
4496:Typography
4389:Penmanship
4361:East Asian
4203:Type color
4136:monospaced
4093:Interpunct
4086:minus sign
4010:Specialist
3946:Sans-serif
3939:slab serif
3916:Roman type
3871:Cap height
3835:Thin space
3794:Whitespace
3746:Title case
3741:Snake case
3736:Small caps
3721:Camel case
3653:Diacritics
3561:Pull quote
3556:Pagination
3551:Paper size
3510:Typography
3410:: 131–179.
3330:(1): 41–45
3295:13 January
3089:8 November
3008:8 November
2982:8 November
2917:Typotheque
2581:9 November
2538:18 October
2501:22 October
2121:"Fairbank"
2098:. Monotype
2096:"Fairbank"
1974:11 January
1849:27 October
1699:(5): 405.
1644:Retrieved
1534:References
1427:<em>
1419:class name
1403:<em>
1308:delimiters
1271:delimiters
1254:roman type
862:sans-serif
810:local acts
754:John Donne
654:, and the
593:newspapers
581:coq au vin
569:Queen Mary
529:in speech.
415:improve it
246:roman type
185:Sample of
131:roman type
101:roman type
78:typography
3886:Overshoot
3881:Mean line
3876:Descender
3789:Underline
3631:Character
3609:Runaround
3589:Alignment
3581:Paragraph
3334:3 January
3270:4 October
2972:Typophile
2859:"Whitney"
2793:17 August
2614:See also
2199:"Poetica"
2068:"Requiem"
1932:typeface.
1429:element.
1423:<i>
1392:<i>
1382:Web pages
1162:Eric Gill
1035:MLA style
1017:) type: "
946:Eric Gill
831:grotesque
829:, a 1908
765:Continent
688:Algebraic
652:super-ego
597:magazines
538:paintings
419:verifying
300:ligatures
240:in 1500.
187:Niccoli's
155:typefaces
18:Italicize
4490:Category
4475:Category
4354:PT Fonts
4349:Cyrillic
4213:Typeface
4131:computer
4032:fat face
3905:Typeface
3891:x-height
3861:Baseline
3856:Ascender
3716:All caps
3678:Rotation
3673:Ligature
3668:Ink trap
3402:(1926).
3374:(1975).
2724:14 March
2699:28 April
2677:28 April
2643:Archived
2619:Archived
2599:Archived
2388:27 March
2251:: 47–75.
2035:(1973).
1459:Boldface
1453:See also
1366:has the
1364:OpenType
1359:OpenType
1324:Markdown
1242:brackets
1182:Deepdene
1174:FF Seria
1065:fat face
1019:I think
942:Perpetua
787:were ...
739:letterer
658:."; "An
519:Emphasis
455:normal (
387:Examples
236:and his
202:Epistole
4301:Hinting
4178:Pangram
3996:Insular
3969:Rotunda
3964:Fraktur
3929:Antiqua
3815:Kerning
3784:Oblique
3779:Italics
3726:Initial
3658:Dingbat
3648:Counter
3594:Leading
3450:YouTube
3356:30 June
3323:TUGboat
3286:"Venus"
3192:28 July
2836:"Bliss"
2819:20 June
2766:22 July
2451:29 July
2425:29 July
2209:6 April
2203:MyFonts
2125:MyFonts
2102:30 June
2077:6 April
1965:YouTube
1917:117–126
1889:5 April
1560:6 April
1499:Requiem
1495:Poetica
1439:Unicode
1433:Unicode
1399:oblique
1395:element
1304:slashes
1275:kerning
1200:. Some
1069:Figgins
970:Electra
911:Bookman
883:Hoefler
843:Seravek
835:oblique
798:session
771:; if a
483:oblique
413:Please
177:History
135:oblique
124:swashes
116:like so
86:cursive
39:Italian
4344:Arabic
4243:Cicero
4081:Hyphen
4066:Bullet
4027:script
4001:Uncial
3934:Didone
3698:Tittle
3541:Margin
3531:Column
3382:
3217:
2950:
2891:
2743:(1624)
2529:
2361:4 June
2328:
2183:14 May
2155:14 May
2049:
2008:
1923:
1805:
1778:
1712:8 June
1703:
1669:
1585:
1441:, the
1390:, the
1300:e-mail
1166:Joanna
1103:Arabic
839:Didone
781:Europe
735:comics
684:good".
682:it was
650:, the
552:, and
550:movies
534:albums
527:stress
465:text:
264:Virgil
70:Virgil
41:, see
4268:Point
4238:Agate
4098:Space
3924:Serif
3825:Pitch
3688:Swash
3663:Glyph
3604:River
3454:ATypI
3428:(PDF)
3318:(PDF)
3116:(PDF)
3109:(PDF)
2575:IUPAC
2571:(PDF)
2174:(PDF)
2149:(PDF)
2142:(PDF)
2043:41–60
1981:that.
1969:ATypI
1465:Notes
1186:Bembo
1107:Venus
1015:roman
978:Didot
944:from
879:Bliss
769:maine
761:Iland
542:plays
501:Usage
474:roman
457:roman
319:Lyons
311:Popes
210:iesus
159:Italy
120:glyph
84:is a
4366:Thai
4280:Twip
4263:Pica
4218:list
4198:Sort
4126:Font
4071:Dash
4057:List
3769:Bold
3619:runt
3518:Page
3380:ISBN
3358:2015
3336:2013
3297:2017
3272:2020
3246:2016
3215:ISBN
3194:2015
3168:2017
3142:2017
3091:2014
3032:2014
3010:2014
2984:2014
2948:ISBN
2924:2015
2889:ISBN
2870:2016
2844:2016
2821:2015
2795:2015
2768:2024
2726:2022
2701:2016
2679:2016
2583:2012
2540:2016
2527:ISBN
2503:2009
2453:2015
2427:2015
2390:2017
2363:2017
2326:ISBN
2297:s5-V
2211:2017
2185:2016
2157:2016
2104:2015
2079:2017
2047:ISBN
2019:2015
2006:ISBN
1976:2024
1921:ISBN
1891:2017
1851:2014
1803:ISBN
1776:ISBN
1742:2018
1714:2020
1701:ISBN
1667:ISBN
1648:2017
1619:2021
1583:ISBN
1562:2017
1497:and
1388:HTML
1376:slnt
1372:ital
1368:ital
1240:and
1206:Gill
1176:and
987:and
956:and
904:and
885:and
873:and
773:Clod
737:. A
728:lacZ
719:lacZ
714:gene
701:and
660:even
595:and
523:only
461:and
357:was
169:and
99:and
89:font
3471:at
3448:on
3187:Eye
2788:340
2301:doi
2271:doi
1697:114
1437:In
1425:or
1386:In
1263:In
1260:).
1180:'s
1172:'s
1164:'s
1149:'s
800:),
777:Sea
676:to
648:ego
620:the
480:In
417:by
336:'s
76:In
4492::
4253:En
4248:Em
3406:.
3328:23
3326:.
3320:.
3288:.
3237:.
3185:.
3159:.
3132:.
3063:.
3001:.
2970:.
2932:^
2915:.
2861:.
2812:.
2756:.
2717:.
2670:.
2573:,
2521:.
2489:,
2469:.
2444:.
2418:.
2392:.
2351:PM
2349:.
2295:.
2234:43
2201:.
2176:.
2123:.
2112:^
2087:^
2070:.
2045:.
1988:^
1978:.
1967:.
1963:.
1929:.
1919:.
1899:^
1877:.
1859:^
1841:.
1824:,
1750:^
1733:.
1716:.
1695:.
1689:.
1639:.
1635:.
1610:.
1606:.
1553:.
1549:.
1493:,
1489:,
1449:.
1277:.
1168:,
968:'
952:,
779:,
756::
656:id
611:."
588:".
548:,
544:,
540:,
536:,
200:,
165:.
107:.
80:,
4059:)
4055:(
3502:e
3495:t
3488:v
3456:)
3388:.
3360:.
3338:.
3299:.
3274:.
3248:.
3223:.
3196:.
3170:.
3144:.
3093:.
3067:.
3034:.
3012:.
2986:.
2956:.
2926:.
2897:.
2872:.
2846:.
2823:.
2797:.
2770:.
2728:.
2703:.
2681:.
2638:"
2542:.
2473:.
2455:.
2429:.
2402:.
2365:.
2334:.
2307:.
2303::
2277:.
2273::
2236:.
2213:.
2187:.
2159:.
2106:.
2081:.
2055:.
2021:.
1893:.
1853:.
1811:.
1784:.
1744:.
1650:.
1621:.
1591:.
1564:.
1501:.
1352:.
1049:"
958:f
954:e
950:a
875:e
871:a
858:a
854:f
707:c
692:n
637:1
630:h
459:)
444:)
438:(
433:)
429:(
411:.
381:h
371:n
367:h
56:.
49:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
