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767:, Steve Ciabattoni wrote that "Cope skews out more of his cosmically conscious, organic orgasm rock," noting that although some songs may seem goofy on the surface, "don't doubt that it all makes perfect sense to Cope. Playing a sort of intergalactic court jester, he reads this psychic rock tunes with a straight face, even if he does sometimes have his
31:
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was Cope's final album for Echo, it marked the end of the musician as a traditionally signed music act; he released his subsequent material independently. It was also Cope's final major album under his own name to be released in the 1990s, as he prioritised other music projects and his archaeological
408:
Some ten other guests appear on the album, including drummer
Rooster Mark Cosby who turns in what critic Ned Raggett described as some of his best work, and "henchman" The Boy Anal, who was unaware his piano playing was being recorded for the end of "Dust". Other contributors included saxophonist and
817:
hailed the album as "another wiggy, involved collection of musical highs." He commented that Cope "sounds like a man on a mission, but determined to have fun as he goes", resulting in an "adventurous, fun romp, with the atmosphere often recalling such lush and beautiful Cope numbers as 'An
Elegant
809:
ranked the album at number 7 in their list of the top 50 albums of 1996, writing that "this joyous affair bears fitting testimony to the most prolific mind in
British pop. Ably assisted by loyal henchmen The Boy Anal, this is the sound of a man in charge of most things."
830:
hailed the "at times-luxuriously produced album", writing: "Thrust by Cope's boundless enthusiasm, the blend of wit, intelligence and unhinged nuttiness is irresistible, one of those experiences that's best accepted without much deliberation." In
2351:
400:
synthesisers, string arrangements, piano, "preened" vocals and the organ solo that concludes "Since I Lost My Head, It's Awl-Right." Cope himself, in addition to vocals, guitar and bass guitar, played Mark II and 400 mark
845:." He felt that the "very together album" would have been more commercially successful if Cope released "S.p.a.c.e.r.o.c.k. with Me" as the first single "instead of comparatively weaker numbers."
372:, which occurred over a three-month period in early 1996 when some 7,000 people demonstrated on the site of where approximately 360 acres (150 ha) of land including 120 acres (49 ha) of
781:
noises" and attempts at rapping to be flawed, he wrote that, "as always, there's no shortage of catchy melodies, nor of moments which recall the majesty of earlier classics such as
2278:
500:" as a "sterling astral ballad." "The Battle for the Trees" celebrates the organised protests against the Newbury bypass construction, while "Cheap New-Age Fix" is in a trashy
2363:
1266:, 10 January 1997. The total cost of £4.842 million (to December 1996) broke down as £4.16 million for Thames Valley Police and £0.682 million for Hampshire Constabulary.
2344:
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protest, the record features socially and environmentally-concerned lyrics. The musician worked with numerous guest musicians, including substantial contributions from
2566:
496:. "I've Got My TV and My Pills" was described as an attempt by Cope to debunk some of "the myths surrounding his eccentric persona." Music critic Sam Upton described "
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moon-opera," leading to what writer James
Delingpole called a "weird, futuristic netherworld of Cope's own devising." The lushly produced album is laden with
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Extracted from the "Julian Cope all purpose mythological mind map of the
Marlborough Downs & surrounding area" included as the album insert:
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409:
trumpeter
Raymond Lovesong, vocalist Doggen (TC Lethbridge), conductor Martin Schellard and vocal chanters O.K Simon and Merrick Godhaven.
1171:
884:, commenting: "I dig them drums. He's not afraid to go beyond the realms of human endurance for the sake of his art, and I like that."
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wrote that the "wild and woolly rock record" was one of Cope's strongest releases, finding its song titles to "read like manifestos."
2514:
853:
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481:. Writers have highlighted the album's witty lyrics and 'nuttiness'. The album's contents are split into "Phase 1" and "Phase 2".
392:, returned to help produce, arrange and musically contribute to the new Cope album; his contributions included heavy usage of the
603:(1993) similarly featured standing stones. The elaborate packaging features numerous social and political quotes and a foldout "
622:, debuting and peaking at number 39 before falling to number 93 the following week, making it his lowest charting album since
1971:
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341:, and the record received acclaim from music critics. It was Cope's final album before distributing his music independently.
628:(1988). Two singles from the album, "I Come from Another Planet Baby" and "Planetary Sit-In", both reached number 34 on the
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at number 60 in his list "The
Ultimate Psychedelic Rock Library: One-Hundred Eighty-Nine Albums You Can't Live Without."
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sites and experience in archaeology. It is not his first album cover to feature
Neolithic structures, as those used for
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488:" is among Cope's most upbeat and joyful songs, sung in an exaggerated "English" accent that drew comparison to
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were being cleared to make way for the new road. Cope used the album to tackle social and environmental issues.
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and electric guitars, and was compared by
Delingpole to early 1970s rock with its usage of Mellotrons, "early
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2222:
2002:
1104:– ARP & VCS3 synthesizers, string orchestrations, piano, preened vocals, organ solo at the end of track 4
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Craig J. Stratton, EOS Counsel, Jason Glover & Amanda
Tomlinson – string players on tracks 3, 4, 6 and 7
329:, becoming his lowest charting album since 1988 and final charting album overall. Nonetheless, the singles "
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Flinton Chalk a.k.a. Sid Mooneye (Spiritualized) – Lead guitars and vocals on tracks 2, 6, 8, 9 and 10.
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was largely inspired by the musician's participation in the protests against the construction of the
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was Cope's "most commercial solo effort to date", writing that it "crystallized the pop promise of
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research for the remainder of the decade. He would not release another "regular" album until
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793:. If you're not a fan, though, you'll probably find it insufferably twee." In their review,
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2016:
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The album was not a commercial success for Cope. It became his last album to reach the
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wrote that although the album is "patchy and sometimes infuriating," citing the "
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overtones. The record is split into two separate parts, "Phase 1" and "Phase 2".
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on its cover. The album was not a commercial success, reaching number 39 on the
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praised the single "I Come from Another Planet, Baby" in a singles column for
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2009:
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Raymond Lovesong – "drunken sax" on track 11, "high-note trumpets" on track 3
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style and attacks "wannabe poseurs" with only a superficial interest in
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Friends of the Earth Press Release, Anniversary of the Newbury Protest
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in October 1996. Particularly inspired by Cope's involvement with the
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album of the year released on an independent label. In his book
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saying "truth crushed to Earth will rise again" is used as a
516:. The surreal "S.p.a.c.e.r.o.c.k. with me" was influenced by
38:
1139:
Merrick Godhaven & O.K Simon – chanted vocals on track 9
613:
Julian Cope's Mythological Mind Map of the Marlborough Downs
521:
349:
2567:
Fire Escape in the Sky: The Godlike Genius of Scott Walker
1897:
Turn on Your Mind: Four Decades of Great Psychedelic Rock
862:
Turn on Your Mind: Four Decades of Great Psychedelic Rock
437:
overtones. While described by critics to be an album of
1869:"Shanachie, Sugar Hill Shine at the AFIM Indie Awards"
508:
subjects, as opposed to Cope's more intense focus on
1578:
1113:
Stee-Vroom Ferrera – drums on tracks 1, 3, 4, and 11
536:
in "Re-Directed Male". Some songs feature themes of
1900:. Wisconsin: Hal Leonard Corporation. p. 570.
1239:"Locus focus: JULIAN COPE'S NEOLITHIC ALBUM COVERS"
1110:Rooster Mark Cosby (Synus) – drummer and cymbalist
579:-style album cover depicts the standing stones of
268:, resulting in a sprawling album that extends the
1762:"Julian Cope To Release New Album And Go On Tour"
563:Advertised as a "psychic relief in the mid-90s",
2580:
2529:Everybody Wants to Shag... The Teardrop Explodes
1846:. Edinburgh: Canongate Books. pp. 240–241.
1610:"This Month's Guest Reviewer: The Divine Comedy"
1133:Jody Evans (Anal/E. Wrecked) – piano on track 12
571:in the United Kingdom, and on 22 August 1997 by
520:and features what Cope described as "outrageous
1636:"This Month's Guest Reviewers: The Boo Radleys"
1579:DeRogatis, Jim; Schinder, Scott; Robbins, Ira.
1489:
1487:
1485:
1483:
1481:
1437:: CS1 maint: others in cite AV media (notes) (
1351:: CS1 maint: others in cite AV media (notes) (
1319:: CS1 maint: others in cite AV media (notes) (
380:, who had previously collaborated with Cope on
1278:"Artist Biography by James Christopher Monger"
1130:Lynn Davis of CUMRY – "diva" vocals on track 8
356:contributes numerous instruments to the album.
1965:
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813:Among retrospective reviews, Ned Raggett of
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1683:How the Neolithics Influenced Rock 'n' Roll
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309:was packaged with a fold-out "mythological
2614:Alternative rock albums by English artists
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1821:. London, UK: Omnibus Press. p. 324.
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1262:Policing costs to December 1996 quoted in
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1875:. Vol. 110, no. 22. p. 95
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555:, Scotland, as depicted on the cover of
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1116:Doggen (TC Lethbridge) – vocals "like
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959:"Since I Lost My Head, It's Awl-Right"
1953:
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1500:. London: Rough Guides. p. 227.
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1170:Delingpole, James (26 October 1996).
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461:, anthemic guitar music and "novelty
278:(1995) while incorporating styles of
2389:The Greatness and Perfection of Love
1759:
18:1996 studio album by Julian Cope
2609:Glam rock albums by English artists
2123:An Audience with the Cope 2000/2001
1785:
1725:
1537:Ciabattoni, Steve (December 1997).
1384:
607:" of sites surrounding Cope in the
575:in the United States. The dramatic
567:was released on 14 October 1996 by
449:, the eclectic record incorporates
13:
1894:DeRogatis, Jim (1 December 2003).
1561:
1275:
1194:
587:, exemplifying Cope's interest in
14:
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1815:The Encyclopedia of Popular Music
1494:Hodgkins, Nig (30 October 2003).
854:Association for Independent Music
852:received an Indie Award from the
715:
708:The Encyclopedia of Popular Music
677:
2487:I Come from Another Planet, Baby
1608:Harrison, Ian (September 1996).
1387:"AllMusic Review by Ned Raggett"
1127:Mavis Grind – vocals on track 11
920:I Come from Another Planet, Baby
887:
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486:I Come from Another Planet, Baby
331:I Come from Another Planet, Baby
207:I Come from Another Planet, Baby
1979:
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1237:Roberts, Prog (17 April 2015).
933:"I've Got My TV & My Pills"
524:vocals" from guest contributor
2417:Eve's Volcano (Covered in Sin)
1327:
1295:
1269:
1256:
902:
746:The Essential Rock Discography
412:
1:
1867:Morris, Chris (30 May 1998).
1149:
344:
2248:John Balance Enters Valhalla
1634:Upton, Sam (November 1996).
1145:Martin Schellard – conductor
1122:Ambulence & Radio-Sit In
1086:
1003:"s.p.a.c.e.r.o.c.k. with Me"
7:
2144:Rome Wasn't Burned in a Day
1929:"Julian Cope - Interpreter"
1661:"Press advertisement, 1996"
1276:Monger, James Christopher.
429:is an adventurous, playful
225:Released: 23 September 1996
10:
2630:
2070:The Skellington Chronicles
1844:The Great Rock Discography
1842:Strong, Martin C. (2006).
1681:Johnstone, Andrew (2010).
981:"The Battle for the Trees"
893:All tracks are written by
837:, Nig Hodgkins wrote that
543:
360:Julian Cope's 20th album,
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2193:
2170:You Gotta Problem with Me
2114:
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1994:
1987:
1460:"Albums of the Year 1996"
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1057:
1025:"Maid of Constant Sorrow"
909:
906:
901:
799:referred to Cope as "the
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417:Extending the accessible
313:" depicting sites on the
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58:
50:
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28:
23:
1497:The Rough Guide to Rock
834:The Rough Guide to Rock
771:." James Delingpole of
244:is the thirteenth solo
2209:Psychedelic Revolution
2184:The Unruly Imagination
1812:Larkin, Colin (2011).
1423:(liner). Julian Cope.
1337:(liner). Julian Cope.
1305:(liner). Julian Cope.
1209:"Cope Springs Eternal"
560:
530:Martin Luther King Jr.
357:
212:Released: 15 July 1996
2599:The Echo Label albums
2505:The Teardrop Explodes
2473:Fear Loves This Place
2403:World Shut Your Mouth
2223:Revolutionary Suicide
2202:The Jehovahcoat Demos
2024:My Nation Underground
2003:World Shut Your Mouth
1707:"All the Jung Drudes"
1543:CMJ New Music Monthly
1118:Edward Van Gottsching
790:World Shut Your Mouth
764:CMJ New Music Monthly
625:My Nation Underground
551:
352:
2272:England Expectorates
856:(AFIM) for the best
652:Professional ratings
301:Exemplifying Cope's
2295:Donald Ross Skinner
1433:cite AV media notes
1347:cite AV media notes
1315:cite AV media notes
1182:on 26 February 2016
970:"Cheap New-Age Fix"
801:Andrew Lloyd Webber
653:
585:south west Sctoland
479:The Lightning Seeds
467:string arrangements
321:standing stones in
292:string arrangements
2594:Julian Cope albums
2431:Five O'Clock World
1988:Solo studio albums
1760:Kane, Jon (2005).
1466:: 92. January 1997
1014:"Re-Directed Male"
992:"Arthur Drugstore"
651:
647:Critical reception
561:
358:
317:, and depicts the
2604:Space rock albums
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2575:
2382:Sunshine Playroom
2288:
2287:
1692:978-1-4461-9138-5
1120:" throughout the
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878:The Divine Comedy
803:of garage rock."
755:
754:
609:Marlborough Downs
538:extra-terrestrial
315:Marlborough Downs
237:
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180:
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2539:Related articles
2494:Planetary Sit-In
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2352:Floored Genius 3
2345:Floored Genius 2
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1178:. Archived from
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946:Planetary Sit-In
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510:environmentalism
498:Planetary Sit-In
453:, idiosyncratic
335:Planetary Sit-In
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1076:UK Albums Chart
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769:tongue in cheek
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620:UK Albums Chart
577:science fiction
546:
447:Mott the Hoople
445:reminiscent of
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378:Thighpaulsandra
354:Thighpaulsandra
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327:UK Albums Chart
266:Thighpaulsandra
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54:14 October 1996
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2445:Beautiful Love
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1786:Raggett, Ned.
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1685:. p. 41.
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1385:Raggett, Ned.
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1213:The New Yorker
1193:
1172:"Rock Records"
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1036:"The Loveboat"
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821:The New Yorker
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640:Citizen Cain'd
545:
542:
528:. A sample of
484:Opening song "
459:orchestral pop
414:
411:
366:Newbury bypass
346:
343:
288:orchestral pop
262:Newbury bypass
256:, released by
235:
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2546:Crucial Three
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2230:Drunken Songs
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2130:Discover Odin
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2056:Peggy Suicide
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2019:
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2014:
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1853:1-84195-827-1
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1828:9780857125958
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1788:"Interpreter"
1782:
1767:
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1736:"Julian Cope"
1731:
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1585:Trouser Press
1582:
1581:"Julian Cope"
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1065:Chart (1996)
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888:Track listing
885:
883:
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867:
866:Jim DeRogatis
863:
859:
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851:
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827:Trouser Press
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774:The Telegraph
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657:Review scores
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573:Cooking Vinyl
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451:acoustic folk
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40:
36:
32:
27:
22:
16:
2565:
2527:
2520:
2513:
2364:Trip Advizer
2362:
2357:
2350:
2343:
2336:
2330:Compilations
2320:
2302:
2277:
2270:
2263:
2247:
2240:
2235:
2228:
2221:
2214:
2207:
2200:
2182:
2175:
2168:
2164:Rite Bastard
2163:
2156:
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2135:
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2103:
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2029:
2022:
2017:Saint Julian
2015:
2008:
2001:
1936:. Retrieved
1932:
1923:
1911:. Retrieved
1896:
1889:
1877:. Retrieved
1872:
1862:
1843:
1837:
1818:
1814:
1792:. Retrieved
1781:
1769:. Retrieved
1765:
1755:
1743:. Retrieved
1739:
1715:. Retrieved
1710:
1701:
1682:
1676:
1664:. Retrieved
1655:
1643:. Retrieved
1639:
1629:
1617:. Retrieved
1613:
1588:. Retrieved
1584:
1551:. Retrieved
1546:
1542:
1511:. Retrieved
1496:
1468:. Retrieved
1463:
1425:Echo Records
1420:
1394:. Retrieved
1390:
1339:Echo Records
1334:
1329:
1307:Echo Records
1302:
1297:
1285:. Retrieved
1281:
1271:
1258:
1246:. Retrieved
1243:Louder Sound
1242:
1217:. Retrieved
1212:
1184:. Retrieved
1180:the original
1175:
1121:
1090:
892:
881:
869:
861:
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623:
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569:Echo Records
564:
562:
556:
518:Amon Düül II
483:
471:synthesisers
426:
422:
416:
407:
387:
381:
361:
359:
306:
300:
273:
258:Echo Records
246:studio album
240:
239:
238:
194:Interpreter
193:
170:
162:
161:
152:
39:Studio album
15:
2589:1996 albums
2561:Black Sheep
2556:Brain Donor
2515:Kilimanjaro
2480:Try Try Try
2314:Live albums
2177:Black Sheep
2158:Dark Orgasm
2091:Interpreter
2063:Jehovahkill
2031:Skellington
1981:Julian Cope
1879:24 December
1771:24 December
1745:24 December
1717:24 December
1666:24 December
1645:24 December
1619:24 December
1590:24 December
1553:24 December
1470:24 December
1421:Interpreter
1396:24 December
1287:24 December
1248:24 December
1219:24 December
1186:24 December
895:Julian Cope
874:Neil Hannon
870:Interpreter
850:Interpreter
839:Interpreter
759:Interpreter
634:Interpreter
597:(1992) and
594:Jehovahkill
565:Interpreter
557:Interpreter
526:Lynn Davies
502:garage rock
490:David Bowie
433:album with
427:Interpreter
413:Composition
362:Interpreter
337:" made the
307:Interpreter
305:interests,
254:Julian Cope
241:Interpreter
163:Interpreter
141:Julian Cope
135:Julian Cope
44:Julian Cope
24:Interpreter
2583:Categories
2452:Safesurfer
2438:China Doll
2410:Trampolene
2279:Robin Hood
2236:Rite At Ya
2084:20 Mothers
2077:Autogeddon
1907:0634055488
1790:. Allmusic
1507:1843531054
1335:20 Mothers
1303:Autogeddon
1150:References
843:20 Mothers
757:Reviewing
514:heathenism
439:space rock
435:electronic
423:20 Mothers
403:Mellotrons
389:20 Mothers
383:Autogeddon
345:Background
296:electronic
284:space rock
275:20 Mothers
154:20 Mothers
143:chronology
78:space rock
1938:7 October
1873:Billboard
1817:(5th edn)
1794:7 October
1539:"Reviews"
1513:18 August
1087:Personnel
1070:position
864:, writer
848:In 1998,
818:Chaos'."
643:in 2005.
611:entitled
589:Neolithic
581:Cairnholy
553:Cairnholy
463:Krautrock
455:glam rock
421:sound of
398:EMS VCS 3
370:Berkshire
339:UK Top 40
319:Cairnholy
303:Neolithic
272:style of
252:musician
2396:Sunspots
2137:Rite Now
2049:Droolian
1391:AllMusic
1282:AllMusic
1124:sessions
1096:Julian H
815:AllMusic
671:Allmusic
605:mind map
540:travel.
443:glam pop
374:woodland
323:Scotland
311:mind map
280:glam pop
131:Producer
83:glam pop
51:Released
41: by
2374:Singles
1549:: 45–46
1427:. 1996.
1341:. 1995.
1309:. 1994.
868:ranked
544:Release
506:New Age
333:" and "
290:, with
190:Singles
176:(1997)
167:(1996)
158:(1995)
2522:Wilder
2507:albums
1904:
1850:
1825:
1713:. 2004
1689:
1640:Select
1614:Select
1504:
1464:Select
1215:. 2013
1058:Charts
1047:"Dust"
910:Length
882:Select
806:Select
665:Rating
662:Source
534:mantra
102:Length
2293:with
2257:2020s
2216:Woden
2194:2010s
2115:2000s
2098:Rite²
2041:1990s
2010:Fried
1995:1980s
1913:3 May
1711:Uncut
907:Title
784:Fried
779:Smurf
494:noise
192:from
172:Rite²
119:Label
60:Genre
2466:Head
2304:Rite
2105:Odin
1940:2012
1915:2017
1902:ISBN
1881:2019
1848:ISBN
1823:ISBN
1796:2012
1773:2019
1747:2019
1719:2019
1687:ISBN
1668:2019
1647:2019
1621:2019
1592:2019
1555:2019
1515:2017
1502:ISBN
1472:2019
1439:link
1398:2019
1353:link
1321:link
1289:2019
1250:2019
1221:2019
1188:2019
1068:Peak
1050:6:10
1039:2:45
1028:4:01
1017:4:16
1006:3:41
995:3:40
984:7:13
973:4:34
962:2:37
951:3:31
936:2:22
925:3:29
761:for
751:5/10
600:Rite
522:diva
512:and
475:Roxy
431:rock
396:and
386:and
294:and
250:rock
124:Echo
68:Rock
1080:39
1044:12.
1033:11.
1022:10.
903:No.
876:of
787:or
583:in
441:or
419:pop
394:ARP
368:in
270:pop
73:pop
2585::
1931:.
1871:.
1804:^
1764:.
1738:.
1727:^
1709:.
1638:.
1612:.
1600:^
1583:.
1563:^
1547:52
1545:.
1541:.
1523:^
1480:^
1462:.
1447:^
1435:}}
1431:{{
1406:^
1389:.
1361:^
1349:}}
1345:{{
1317:}}
1313:{{
1280:.
1241:.
1229:^
1211:.
1196:^
1174:.
1158:^
1011:9.
1000:8.
989:7.
978:6.
967:5.
956:4.
941:3.
930:2.
915:1.
615:.
469:,
457:,
425:,
405:.
286:,
282:,
111:20
107:48
2496:"
2492:"
2489:"
2485:"
2482:"
2478:"
2475:"
2471:"
2468:"
2464:"
2461:"
2457:"
2454:"
2450:"
2447:"
2443:"
2440:"
2436:"
2433:"
2429:"
2426:"
2422:"
2419:"
2415:"
2412:"
2408:"
2405:"
2401:"
2398:"
2394:"
2391:"
2387:"
2384:"
2380:"
1973:e
1966:t
1959:v
1942:.
1917:.
1883:.
1856:.
1831:.
1798:.
1775:.
1749:.
1721:.
1695:.
1670:.
1649:.
1623:.
1594:.
1557:.
1517:.
1474:.
1441:)
1400:.
1355:)
1323:)
1291:.
1252:.
1223:.
1190:.
948:"
944:"
922:"
918:"
796:Q
559:.
222:"
218:"
209:"
205:"
109::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
