609:
111:
68:
53:
36:
27:
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Recommendation for the
Safeguarding and Preservation of Moving Images, approved in Belgrade in 1980. In pursuit of the goals of the Recommendation, the Federation facilitates contacts between developing archives and older archives to make sure that experience is passed on. The Federation is a member
219:
Much of the work of FIAF takes the form of active cooperation between members on projects of mutual benefit or interest - for example, the careful restoration of a particular film, or the compilation of a national or international filmography. The more visible activities include the annual congress,
206:
FIAF's members are archives that are actively engaged in the activities and fully committed to the ideals described earlier. Current members reflect a wide range of non-profit institutions, including government archives, independent foundations and trusts, self-contained cinematheques, and museum or
248:
twice a year. A special office compiles and publishes the
International Index to Film Periodicals and the FIAF International FilmArchive Database. Publications also include an annual bibliography of members' publications, the proceedings of symposia or workshops, the results of surveys and reports,
166:
FIAF brings together the world's leading institutions in the field of moving picture heritage. Its affiliates describe themselves as "the defenders of the twentieth century's own art form". They are dedicated to the rescue, collection, preservation and screening of moving images, which are valued
226:
FIAF meets every year in a different country. The
Congress combines a General Assembly at which the formal business of the Federation is transacted with a programme of symposia and workshops on technical or legal aspects of film archive work and on aspects of film history and culture. The final
233:
The
Commissions are groups of individual experts from affiliated archives who meet regularly to pursue work programmes that promote and assist in the development and maintenance of standards at both the theoretical and the practical level. The three FIAF Commissions are the Cataloguing and
300:
Training of archive personnel takes place at FIAF Summer
Schools and Technical Symposia that have been held several times in various countries. Their aim is to introduce participants to the necessary skills of preservation, cataloguing, documentation and even administration.
210:
FIAF's
Associates are non-profit institutions that support the goals of the Federation but are not involved in film preservation per se. In this way, FIAF is joined by moving image museums, videotheques, documentation centres, and so on.
167:
both as works of art and culture and as historical documents. As of April 2021, it comprises 171 institutions in 79 countries - a reflection of the extent to which preservation of moving image heritage has become a world-wide concern.
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The FIAF Award celebrates a personality – external to the FIAF archival community – whose experience in the field of cinema underlines the objectives and goals of the
Federation.
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551:(Berkeley, Los Angeles: University of California Press, 2005); Christophe Dupin, "The origins and early development of the National Film Library: 1929-1936",
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81:
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560:
659:
644:
639:
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to ensure the permanent availability of material from the collections for study and research by the wider community
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Documentation
Commission, the Technical Commission, and the Programming and Access to Collections Commission.
140:
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FIAF has always had an active international profile. It was closely involved in the preparatory work for the
249:
manuals and discussion papers prepared by the specialist
Commissions and the results of other FIAF projects.
197:
to develop cooperation between members and "to ensure the international availability of films and documents".
555:, 7.3, 2006; Rolf Aurich, "Cinéaste, collector, National Socialist: Frank Hensel and the Reichsfilmarchiv",
244:
176:
to uphold a code of ethics for film preservation and practical standards for all areas of film archive work
619:
654:
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The FIAF Award was created in 2001, and has since then been presented to the following personalities:
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420:
358:
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to promote film culture and facilitate historical research on both a national and international level
52:
584:
67:
634:
270:
152:
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to encourage the collection and preservation of documents and materials relating to the cinema
486:
462:
253:
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to seek the improvement of the legal context within which film archives carry out their work
572:
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404:
156:
8:
608:
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388:
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144:
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346:
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35:
328:
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to foster training and expertise in preservation and other archive techniques
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to promote the creation of moving image archives in countries which lack them
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340:
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Museum movies: The Museum of Modern Art and the birth of art cinema
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148:
26:
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136:
46:
227:
congress of Fiaf was held in
Budapest on 24–29 April 2022.
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290:
Coordinating Council of Audiovisual Archives Associations
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publications and the work of the specialist commissions.
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Coordinating Council of Audiovisual Archives Association
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Association of European Film Archives and Cinematheques
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561:Christophe Dupin: The origins of FIAF, 1936-1938
129:Fédération internationale des archives du film
607:
279:Relations with international organisations
109:
66:
51:
34:
547:(Paris: Gallimard, 2006); Haidee Wasson,
121:International Federation of Film Archives
20:International Federation of Film Archives
615:International Index to Film Periodicals
261:International Index to Film Periodicals
627:
545:Histoire de la Cinémathèque française
484:
543:See, for example, Laurent Mannoni,
13:
478:
14:
671:
650:Organizations established in 1938
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487:"The Origins of FIAF, 1936-1938"
485:Dupin, Christophe (April 2013).
25:
237:
578:
566:
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1:
507:
304:
214:
201:
660:FIAF-affiliated institutions
645:Organizations based in Paris
640:Film organizations in France
557:Journal of Film Preservation
491:Journal of Film Preservation
295:
255:Journal of Film Preservation
245:Journal of Film Preservation
7:
451:
231:The Specialized Commissions
10:
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553:Journal of Media Practice
421:Apichatpong Weerasethakul
359:Nelson Pereira dos Santos
75:
60:
42:
33:
24:
207:university departments.
620:FIAF Congresses website
170:
153:British Film Institute
141:Cinémathèque Française
128:
97:48.856614°N 2.352222°E
463:List of film archives
585:About the FIAF Award
405:Jean-Pierre Dardenne
272:FIAF Bulletin Online
157:Museum of Modern Art
399:Angela Ricci Lucchi
242:FIAF publishes the
224:The Annual Congress
102:48.856614; 2.352222
93: /
21:
16:French Organization
559:, 64, April 2002;
323:Manoel de Oliveira
19:
655:Film preservation
415:Christopher Nolan
395:Yervant Gianikian
353:Peter Bogdanovich
335:Geraldine Chaplin
135:) was founded in
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603:Official website
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523:COURAGE Registry
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439:Amitabh Bachchan
145:Reichsfilmarchiv
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479:Further reading
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427:Jean-Luc Godard
347:Hou Hsiao-hsien
317:Martin Scorsese
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139:in 1938 by the
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595:External links
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573:FIAF's Mission
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389:Jan Ĺ vankmajer
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329:Ingmar Bergman
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635:Film archives
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502:FIAF Timeline
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445:Tilda Swinton
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433:Walter Salles
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161:New York City
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458:Cinematheque
409:Luc Dardenne
377:KyĹŤko Kagawa
311:
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238:Publications
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120:
118:
64:France
383:Agnès Varda
371:Liv Ullmann
100: /
76:Coordinates
629:Categories
508:References
365:Rithy Panh
341:Mike Leigh
305:FIAF Award
215:Activities
202:Affiliates
85:48°51′24″N
532:Q64784883
296:Education
292:(CCAAA).
88:2°21′08″E
528:Wikidata
497:: 43–58.
452:See also
155:and the
43:Location
288:of the
61:Country
530:
447:(2022)
441:(2021)
435:(2020)
429:(2019)
423:(2018)
417:(2017)
411:(2016)
401:(2015)
391:(2014)
385:(2013)
379:(2011)
373:(2010)
367:(2009)
361:(2008)
355:(2007)
349:(2006)
343:(2005)
337:(2004)
331:(2003)
325:(2002)
319:(2001)
285:UNESCO
151:, the
149:Berlin
143:, the
125:French
49:
137:Paris
47:Paris
407:and
397:and
171:Aims
133:FIAF
119:The
159:in
147:in
631::
526:,
495:88
493:.
489:.
163:.
131:,
127::
587:.
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563:.
123:(
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