Ink wash painting - Knowledge

2727: 3502: 2366: 4955: 2263: 5060: 2240: 2201: 1939: 1021: 1867: 2759: 989: 4080: 2672: 1894: 5105: 531: 1076: 2147: 3518: 3373: 1991: 2790: 3291: 4919: 4115: 1096: 2743: 3459: 2085: 4974: 2325: 2170: 2112: 1112: 5040: 1836: 1150: 2298: 448: 4999: 4029: 3428: 3330: 881: 4002: 2835: 2059: 3808:; 19 July 1895 – 26 September 1953), also known as "Ju Péon", was a Chinese painter. He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique. He was one of the four pioneers of Chinese modern art who earned the title of " 1138: 5082: 2039: 1005: 3553: 595:(1857–1922) wrote this about ink wash painting: "The painter... put upon the paper the fewest possible lines and tones; just enough to cause form, texture and effect to be felt. Every brush-touch must be full-charged with meaning, and useless detail eliminated. Put together all the good points in such a method, and you have the qualities of the highest art". Dow's fascination with ink wash painting not only shaped his own approach to art but also helped free many American modernists of the era, including his student 4154: 608:

movement and ink flow. These skills are closely related to those needed for basic writing in East Asian characters, and then for calligraphy, which essentially use the same ink and brushes. In the hand of a master, a single stroke can produce considerable variations in tonality, from deep black to silvery gray. Thus, in its original context, shading means more than just dark-light arrangement: It is the basis for the nuance in tonality found in East Asian ink wash painting and brush-and-ink calligraphy.

5125: 1064: 5166: 4053: 5015: 46: 3975: 1041: 495: 2758: 5293: 1938: 2671: 2365: 388:. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions. 1893: 2726: 4954: 703:. They included Wu Yunhui, Feng Yingke, Lu Wenbao, Zhang Tianxi, and others. Huzhou has been the center of Chinese brush making since the Qing dynasty. At the same time, many famous brushes were produced in other places, such as the Ruyang Liu brush in Henan province, the Li Dinghe brush in Shanghai, and the Wu Yunhui in Jiangxi province. 3002:; 1483–1544) are the main painters of the bold and unconstrained style of literati painting, and their ink wash painting is characterized by the incisive and fluent ink and wash. Their ink wash painting style is considered to have the typical characteristics of the Historical Oriental art. Xu Wei, other department "Qingteng Shanren" ( 1095: 2146: 3290: 1020: 3501: 6198: 2262: 5059: 2200: 4918: 4500:. Sesson Shukei was one of the main representatives of Japanese ink wash painting, a learned and prolific Zen monk painter. He studied a wide range of early Chinese ink wash painting styles and played an important role in the development of Japanese Zen ink wash painting. Colleagues of Chinese ink painter 4504:(active in 13th century) first brought Muxi painting to Japan in the late 13th century. Japanese Zen monks follow and learn the gibbon pictures painted by Chinese monk painter Muqi. By the late 15th century, the animal image of Muqi style had become a hot topic in large-scale Japanese painting projects. 793:

that are more flexible. If one uses traditional paper, the idea of an "ink wash" refers to a wet-on-wet technique, applying black ink to paper where a lighter ink has already been applied, or by quickly manipulating watery diluted ink once it has been applied to the paper by using a very large brush.

2789: 757:

Different brushes have different qualities. A small wolf-hair brush that is tapered to a fine point can deliver an even thin line of ink (much like a pen). A large wool brush (one variation called the 'big cloud') can hold a large volume of water and ink. When the big cloud brush rains down upon the

899:

features great tensile strength, smooth surface, pure and clean texture as well as a clean stroke; it has great resistance to crease, corrosion, moth, and mold. Xuan paper has a special ink penetration effect, which is not readily available in paper made in Western countries. It was first mentioned

792:

do not lend themselves readily to a smooth wash the way watercolor paper does. Each brush stroke is visible, so any "wash" in the sense of Western style painting requires partially sized paper. Paper manufacturers today understand artists' demands for more versatile papers and work to produce kinds

415:

format tended to be associated with professional coloured painting, but was also used for literati painting. In both formats paintings were generally kept rolled up, and brought out for the owner to admire, often with a small group of friends. Chinese collectors liked to stamp paintings with their

1111: 607:

Ink wash painting uses tonality and shading achieved by varying the ink density, both by differential grinding of the ink stick in water and by varying the ink load and pressure within a single brushstroke. Ink wash painting artists spend years practicing basic brush strokes to refine their brush

3372: 567:

East Asian writing on aesthetics is generally consistent in saying that the goal of ink and wash painting is not simply to reproduce the appearance of the subject, but to capture its spirit. To paint a horse the ink-wash painting artist must understand its temperament better than its muscles and

1304:

Western scholars have written that before the Song dynasty, ink wash was primarily used for representation painting, while in the Yuan dynasty, expressive painting predominated. Chinese historical views have traditionally found it more appropriate to divide the general artistic features of this

1075: 3517: 891:) was first developed in China in the first decade of 100 AD. Previous to its invention, bamboo slips and silks were used for writing material. Several methods of paper production developed over the centuries in China. However, the paper which was considered of highest value was that of the 4114: 1990: 3110:

in ink wash painting. His theoretical system has a great influence on the painting concept and practice of East Asian countries, including Japan and Korea. Four Wangs were four Chinese landscape painters in the 17th century, all called Wang (surname Wang). They are best known for their

7489: 839:. An artist puts a few drops of water on an inkstone and grinds the inkstick in a circular motion until a smooth, black ink of the desired concentration is made. Prepared liquid inks vary in viscosity, solubility, concentration, etc., but are in general more suitable for practicing 3254:

in early Qing dynasty (1644–1912). Eight Eccentrics of Yangzhou is the name for a group of eight Chinese painters active in the 18th century, who were known in the Qing dynasty for rejecting the orthodox ideas about painting in favor of a style deemed expressive and individualist.

6178: 2239: 4355:

was the leader of Kano school, laid the foundation for the school's dominant position in Japanese mainstream painting for centuries. He was mainly influenced by Xia Gui (active in 1195–1225), a Chinese court painter of the Southern Song dynasty. He was the chief painter of the

2324: 403:

In practice a talented painter often had an advantage in climbing the bureaucratic ladder. In Korea, painters were less segregated, and more willing to paint in two techniques, such as mixing areas of colour with monochrome ink, for example in painting the faces of figures.

1866: 391:

In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and

4852:

of Korea. He was together a pillar of the establishment and a key figure of the new trends of his time, the 'true view painting'. Gim Hong-do was an exceptional artist in every field of traditional painting. His ink wash paintings of figures are deeply influenced by the

3675:) was a Chinese landscape painter and calligrapher during the Qing dynasty. His style name was 'Zuo Ying'. Pu painted landscapes and ink bamboo in an unconventional style of free and easy brush strokes. He is one of the important representatives of the Shanghai School. 695:

in the eastern Han dynasty. Third, the special form of "hairpin white pen" appeared. Officials in the Han dynasty often sharpened the end of the brush and stuck it in their hair or hat for their convenience. Worshipers also often put pen on their heads to show respect.

3826:; 16 March 1896 – 7 August 1994) was a prominent 20th century Chinese painter and a noted art educator. He excelled in Chinese painting and oil painting. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents". 2169: 4028: 1425:, 8th century. Wang Wei is the most important representative of early Chinese ink wash painting. He believed that in all forms of painting, ink wash painting is the most advanced. Zhang Zao was a Chinese painter, painting theorist and politician during the 4666:

or court academy was very important, and most major painters came from it, although the emphasis of the academy was on realistic decorative works and official portraits, so something of a break from this was required. However the high official and painter

4079: 3329: 3458: 599:, from what he called a "story-telling" approach. Dow strived for harmonic compositions through three elements: line, shading, and color. He advocated practicing with East Asian brushes and ink to develop aesthetic acuity with line and shading. 7485: 2111: 2607:) school, one of the most important of the period. Although Xia was popular during his lifetime, his reputation suffered after his death, together with that of all Southern Song academy painters. Nevertheless, a few artists, including the 1835: 4238:(1420–1506) were monks, although Sesshū eventually left the clergy, and spent a year or so in China in 1468–69. By the end of the period the style had been adopted by several professional or commercial artists, especially from the large 5104: 6904: 4642:) genre. The majority of his works reflected his passion for classical Chinese culture and painting techniques, though he also incorporated revolutionary and modern techniques into his otherwise very traditional paintings. As a 2058: 954:

The production of Xuan paper is about an eighteen-step process – taken in detail over a hundred steps may be counted. Some paper makers keep their process strictly secret. The process includes cooking and bleaching the bark of

988: 7433: 2593:), was a Chinese landscape painter of the Song dynasty. Very little is known about his life, and only a few of his works survive, but he is generally considered one of China's greatest artists. He continued the tradition of 1604:; 8 January 1037 – 24 August 1101), courtesy name Zizhan (Chinese: 子瞻), art name Dongpo (Chinese: 東坡), was a Chinese poet, writer, politician, calligrapher, painter, pharmacologist, and gastronome of the Song dynasty. 4909:(1742), as well as numerous "true-view" landscape paintings on the subject of Korea and the history of its culture. He is counted among the most famous Korean painters. His style is realistic rather than abstract. 2834: 2638:) was a Chinese painter of the Southern Song dynasty. He was also known as "Madman Liang" because of his very informal pictures. His ink wash painting style has a huge influence on East Asia, especially Japan. 6139: 5039: 3552: 2084: 3427: 3644:), was a prominent painter, calligrapher and seal artist of the late Qing period. He is the leader of the Shanghai School. Wu Changshuo's style of painting has profoundly impacted the paintings in Japan. 7570: 568:

bones. To paint a flower there is no need to perfectly match its petals and colors, but it is essential to convey its liveliness and fragrance. It has been compared to the later Western movement of

882: 4250:

was also very important. In the Japanese way, the most promising pupils married daughters of the family, and changed their names to Kanō. The school continued to paint in the traditional Japanese

2297: 939:, is used as the main material for the production of rice paper in this area. Rice and several other materials were later added to the recipe in the Song and Yuan Dynasties. In those dynasties 668:. This primitive version of an ink brush found had a wooden stalk and a bamboo tube securing the bundle of hair to the stalk. Legend wrongly credits the invention of the ink brush to the later 2159:, Southern Song (Chinese), 13th century, set of three hanging scrolls, ink and color on silk, height: 173.9–174.2 cm (68.5–68.6 in), collected in Daitokuji, Kyoto, Japan. Designated 5081: 1137: 611:

Once a stroke is painted it cannot be changed or erased. As a result, ink and wash painting is a technically demanding art form requiring great skill, concentration, and years of training.

4998: 2038: 6900: 4471:". This painting was drawn the landscape of Song dynasty in China. He painted the natural landscape of winter. The feature of this painting is the thick line that represents the cliff. 2662:); was a late 13th century Chinese painter who lived during the Southern Song and early Yuan dynasties. Yan Hui's style of painting has also profoundly impacted the painters in Japan. 687:. First, the decorative craft of engraving and inlaying on the pen-holder appeared. Second, some writings on the production of writing brush have also survived. For example, the first 6272: 979:. In addition to stones, inkstones can be made of clay, bronze, iron and porcelain. This device evolved from the friction tool used to rub dyes about six to seven thousand years ago. 1798:), which was concerned more with individual expression and learning than with outward representation and immediate visual appeal. Other notable painters from the Yuan period include 7425: 6435:

Hearn, Maxwell K. Cultivated Landscapes: Chinese Paintings from the Collection of Marie-Hélène and Guy Weill. New York: The Metropolitan Museum of Art, Yale University Press, 2002.

1587:(or "Literati Painting", the part of the Southern School), painters such as Su Shi, Mi Fu and Mi Youren, especially Muqi, had a decisive influence on East Asian ink wash painting. 3094:) of the Qing dynasty are representative painters of retro-style ink wash paintings that imitated the painting style before the Yuan dynasty. Dong Qichang was a Chinese painter, 8231: 439:

style of mountain landscapes are by far the most common, often evoking particular areas traditionally famous for their beauty, from which the artist may have been very distant.

6228:

Bio dates: Ch'en and Bullock, 49 and 53; Stimson, 22; Watson, 10 and 170; and Wu, 225. Note, however, other sources, such as Chang, 58, and Davis, x, give his years as 701–761

2742: 3893:(traditionalist) painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. In addition, he is regarded as one of the most gifted master 5124: 4973: 4001: 6309: 5891: 4683:

of everyday life, and there was a tradition of more realistic landscapes of real locations, as well as mountains as fantastical as any Chinese paintings, for which the

4654:, literati, man of letters), Ike was close to many of the prominent social and artistic circles in Kyoto, and in other parts of the country, throughout his lifetime. 1421:) are important representatives of early Chinese ink wash painting of the Southern School. Wang Wei was a Chinese poet, musician, painter, and politician during the 1149: 3919:). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. 7330: 1670:

are regarded as essential Chan paintings. Muqi's style of painting has also profoundly impacted painters from later periods to follow, especially monk painters in

8021: 4893:) (1676–1759) was a Korean landscape painter, also known by his pen name "Kyomjae" ("humble study"). His works include ink and oriental water paintings, such as 4052: 4195:) who immigrated to Japan from China has been called the "Father of Japanese ink painting". East Asian styles have mainly developed from the painting styles of 1360:

of painting. Representing painters are Wang Wei, Dong Yuan, and so on. The Southern School has had a profound impact on Japanese and Southeast Asian paintings.

1101:

Fragment of ancient Chinese paper map with features in black ink, found on the chest of the occupant of Tomb 5 of Fangmatan, Gansu in China in 1986, from early

4153: 3974: 3319:), Ming dynasty, 1467 (明成化丁亥), Medium: Hanging scroll, ink and colors on Xuan paper, Dimensions: 193.8 × 98.1 cm (height × width), China. Collected by 420:

and usually in red inkpad; sometimes they would add poems or notes of appreciation. Some old and famous paintings have become very disfigured by this; the

1004: 5970: 3281:, 1824–1896) was a Chinese monk painter and poet during the Qing dynasty. His ink wash paintings give the audience a sense of abstraction and illusion. 559:. Ink on Xuan paper. Height: 156.8 cm (61.7 in); width: 356 cm (140 in). 16th century, Japan. The painting has been designated as a 400:

or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment.

7827: 7256: 7188: 3780:

Important painters who have absorbed Western sketching methods to improve Chinese ink wash painting include Gao Jianfu, Xu Beihong and Liu Haisu, etc.

1584: 7849: 7636: 4967:, ink and light lolor on silk, 67 in. × 12 ft. 6 in. (170.2 × 381 cm), mid-16th century, Japan. Collected by the Metropolitan Museum of Art. 8093: 2511:) and Xia Gui's ink wash painting modeling and techniques have a profound influence on Japanese and Korean ink wash paintings. Li Tang was a Chinese 7900: 5014: 3867:. Later he created his own ink wash painting style and built the foundation of Chinese traditional painting education. He was persecuted during the 4778: 4706: 5690: 4571: 7766: 8221: 7617: 5850: 5165: 7931: 2547:. He perfected the technique of "axe-cut" brush-strokes. Ma Yuan was a Chinese painter of the Song dynasty. His works, together with that of 6264: 3829:

Pan Tianshou, Zhang Daqian and Fu Baoshi are important ink wash painters who stick to the tradition of Chinese classical Literati Painting.

3214:) are the innovative masters of ink wash painting in the late Ming and early Qing dynasties. Bada Shanren, other department "Bada Shanren" ( 2720:, 1124, ink and color on silk, 188.7 cm (74.2 in); Width: 139.8 cm (55 in), collected by National Palace Museum, Taipei. 7675: 7210: 6453: 5526: 5482: 5426: 4187:

Since the Tang dynasty, Japan, Korea, and East Asian countries have extensively studied Chinese painting and ink wash painting. Josetsu (

1627: 7788: 7705: 7295: 6099: 6055: 6009: 5378: 4777:(1392–1910). Byeon is famous for his precise depictions of animals and people in detailed brushwork. Byeon was deeply influenced by the 2424:

and the rise of the Song. Representing painters are Ma Yuan, Xia Gui, and so on. The style stands in opposition to the Southern School (

6492: 3885:; 10 May 1899 – 2 April 1983) was one of the best-known and most prodigious Chinese artists of the 20th century. Originally known as a 3731:

1 January 1864 – 16 September 1957) was a Chinese painter noted for the whimsical, often playful style of his ink wash painting works.

4810:

The Korean painters influenced by the Northern School in the Song dynasty include Gang Hui-an, Kim Hong-do, Jang Seung-eop and so on.

1980:), ink and slight color on silk, dimensions of 6.75 ft × 2.5 ft (2.06 m × 0.76 m). 11th century, China. 7975: 6184: 1040: 6852: 2416:) was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the 1634:, 1074–1153) was a Chinese painter, poet, and calligrapher born in Taiyuan during the Song dynasty. He was the eldest son of Mi Fu. 7593: 7019: 6878: 526:), medium ink and light color on silk, dimensions 106.5 x 38.7 cm. 1447, Korea. Collected by Tenri University Central Library. 7399: 6989: 5075:, ink on Xuan paper, 62 in. x 11 ft. 5 in. (157.5 x 348 cm), 1570, Japan. Collected by the Metropolitan Museum of Art. 7109: 2386:), medium: hanging scroll; ink on Xuan paper, dimensions: 38 5/8 × 27 1/8 in. (98.1 × 68.9 cm), 1339, China. Collected by 1928:), ink and light color on silk. 111.76 cm × 55.88 cm (44.00 in × 22.00 in). 11th century, China. 1434: 530: 2557:) school of painting, and are considered among the finest from the period. His works has inspired both Chinese artists of the 8189: 8109: 7139: 7045: 6949: 6743: 6659: 6486: 6390: 6093: 6049: 5888: 5520: 5476: 5420: 5372: 4364:

of painting. Kano Masanobu specialized in Zen paintings as well as elaborate paintings of Buddhist deities and Bodhisattvas.

17: 7515: 7071: 6955: 6396: 6295: 5464: 2779:, Hanging scroll, ink and color on silk, 117.6 cm × 51.9 cm (46.3 in × 20.4 in), collected by 1063: 6688: 6242: 5867: 6575: 6128:"Chinese Painters in Nagasaki: Style and Artistic Contaminatio during the Tokugawa Period (1603–1868) (Ming Qing Studies)" 3777:. He is considered one of the last innovators in the literati style of painting and is noted for his freehand landscapes. 1429:, 8th century. He created the method of using fingers instead of brush to draw ink wash painting. Dong Yuan was a Chinese 7318: 6805: 3366:, hanging scroll, ink on silk, 166.3 x 64.5 cm (height x width). Painting is located in the Palace Museum, Beijing. 1657:(1127–1279). Today, he is considered to be one of the greatest Chan painters in history. His ink paintings, such as the 7289: 4338:, a Japanese ink wash painting genre, was born under the significant influence of Chinese Taoism and Buddhist culture. 2968:). They were approximate contemporaries, with Shen Zhou the teacher of Wen Zhengming, while the other two studied with 7356: 2355:), ink on Xuan paper mounted on hanging scroll, dimensions: W 33.3 cm, H 61.9 cm, 1345, China. Collected by 1089:) detailing how pine is burned in a furnace at one end and its soot collected at the other for making inkstick, China. 676:. Traces of a writing brush, however, were discovered on the Shang jades, and were suggested to be the grounds of the 580:, which emphasizes "spontaneity and harmony with nature," especially when compared with the less spiritually-oriented 8143: 8054: 8033: 8015: 7983: 7887: 6785: 6606: 6192: 5633: 5332: 3809: 1117:

An image of a Ming dynasty woodcut describing five major steps in ancient Chinese papermaking process as outlined by

5560:

The Period and Content of Chinese Painting-Collection of Essays from the International Symposium on Chinese Painting

3124: 3037: 2892: 1677: 5303: 2028:, signed and dated 1072, ink and light lolor on silk. 11th century, China. Hanging scroll, ink and color on silk. 929:

The materials used in Xuan paper are closely related to the geographical environment of Jingxian. The bark of the

7853: 3957:, poet and calligrapher. He based his pseudonym on two artists who greatly influenced him, the landscape painter 8171: 8126: 8101: 7997: 5826: 5794: 4188: 4167: 4136: 4124: 4101: 4089: 4066: 4039: 4015: 3988: 3790:, pronounced "Gou Gim Fu" in Cantonese) was a Chinese painter and social activist. He is known for leading the 3586: 3527: 3414: 3359: 3312: 3300: 2954: 2942: 2926: 2914: 2817: 2713: 2477: 2379: 2348: 2334: 2307: 2284: 2272: 2222: 2210: 2183: 2133: 2094: 1723: 1711: 1699: 1143:

A Duan Inkstone of the Song dynasty-In for making Chinese ink using water and an inkstick, 10th century, China.

971:

is not only a traditional Chinese stationery device, but also an important tool of ink painting. It is a stone

486:) (detail), ink and light color on silk, dimensions are 46.0 x 298.0 cm, 10th century China. Collected by 479: 323: 205: 95: 66: 54: 5962: 5596: 5465:

The Editorial Committee of Chinese Civilization: A Source Book, City University of Hong Kong (1 April 2007).

4929: 4722:) for Prince Anpyeong in 1447 which is currently stored at Tenri University. He was deeply influenced by the 315: 111: 7823: 7371: 7242: 4705:. He entered royal service as a member of the Dohwaseo, the official painters of the Joseon court, and drew 8281: 8083: 7633: 7178: 6553: 5733: 5580: 5251: 4854: 4711: 3860: 3535: 3197: 4332:. A Chinese immigrant, he was naturalised in 1470 and is known as the "Father of Japanese ink painting". 3228:

painter of ink wash painting and a calligrapher. He was of royal descent, being a direct offspring of the

7908: 5782: 2597:, further simplifying the earlier Song style to achieve a more immediate, striking effect. Together with 1929: 6024:

originally appeared as "Analysis of modern Chinese paper and treatment of a Chinese woodblock print" in

8271: 8216: 8064: 5662: 5246: 5115: 4702: 4551: 4262: 3607: 2825: 2387: 1884: 487: 3511:, ink and light color on paper, 17th century, China. The collection of the Metropolitan Museum of Art. 8261: 7728: 4518: 2824:, ink and light colors on silk, 23.9 × 25.1 cm (9.4 × 9.8 in), 13th century China. Collected by 1030:, circa 1800 (late Edo), Medium: bronze, Dimensions: 18 cm (7 in), Japan. Collected By the 560: 8076: 7614: 7564: 6337: 1557:

of the Song dynasty. He has a profound impact on Japanese and Korean paintings. Guoxi was a Chinese

8276: 7941: 7701: 7429: 6449: 5310: 5198: 4440: 4386: 3016:

Chinese painter, poet, writer and dramatist famed for his artistic expressiveness. Chen Chun was a

2343: 1357: 1310: 1206: 754:

hair. The brush hairs are tapered to a fine point, a feature vital to the style of wash paintings.

4948:, ink on paper, 111.5 cm × 75.8 cm (43.9 in × 29.8 in), 1415, Japan. 8266: 8177: 5095: 3128: 2140:, ink on Xuan paper, 13th century, Southern Song (Chinese). Collected in Daitokuji, Kyoto, Japan. 2024: 1361: 1190: 931: 922:(Xuanzhou), hence the name Xuan paper. During the Tang dynasty, the paper was often a mixture of 832: 447: 6927:

Landscapes, Tradition, and the Seventeenth-Century Art Market: A Different Side of Bada Shanren.

4601:

and his son had a profound influence on Japanese ink painters, and Ike no Taiga is one of them.

2190:), ink and color on Xuan paper mounted on hanging scroll, 13th century, China. Collected by the 7671: 7545: 7542: 6728:

Little, Stephen; Eichman, Shawn; Shipper, Kristofer; Ebrey, Patricia Buckley (1 January 2000).

6645:

Little, Stephen; Eichman, Shawn; Shipper, Kristofer; Ebrey, Patricia Buckley (1 January 2000).

5563: 3758: 3320: 2230: 2029: 1981: 1857: 1759: 587:

East Asian ink wash painting has long inspired modern artists in the West. In his classic book

353: 78: 7697: 7214: 6777: 6770: 6445: 5510: 5466: 5410: 8044: 7798: 7733: 7381: 7279: 6083: 6039: 6000: 5362: 4829: 4432: 3017: 2876: 2780: 2558: 1654: 651: 638:

or literati class, which are also indispensable tools and materials for East Asian painting.

219: 6735: 6652: 6476: 5817:

Chinese brushwork in calligraphy and painting : its history, aesthetics, and techniques

5208: 3699:), was a prominent businessman and celebrated modern Chinese artist of the Shanghai School. 3240:. Art historians have named him as a brilliant painter of the period. Shitao, born into the 8256: 4804: 4562: 4279: 3856: 2905:) are a traditional grouping in Chinese art history of four famous Chinese painters of the 545: 431:

the scenes depicted are typically imaginary or very loose adaptations of actual views. The

286: 4679:

painting in the Chinese sensibility. Many painters made both Chinese-style landscapes and

173: 118: 102: 8: 6848: 4842:, born 1745, died 1806?–1814?), also known as "Kim Hong-do", most often styled "Danwon" ( 3868: 3769:

province. He was the grandson of artist Huang Fengliu. He would later be associated with

2268: 1731: 840: 596: 7589: 7015: 6874: 5020: 4824:. He was good at poetry, calligraphy, and painting. He entered royal service by passing 4408: 4235: 3040:. Chén Chún later broke with Wen to favor a more freestyle method of ink wash painting. 2612: 2566: 848: 8155:, Pelican History of Art, Penguin (now Yale History of Art), 3rd ed 1971. LOC 70-125675 8043:

Hawkins, Shelley Drake (2010). King, Richard; Zheng, Sheng Tian; Watson, Scott (eds.).

7758: 6325: 5844: 5682: 5622:

New Literature-Reconstructing the Framework of a Poetic Art Theory and Its Significance

5236: 5050: 4749: 4578:, attributed to him and his son (also National Treasures). He was deeply influenced by 4365: 4357: 4321: 4224: 3954: 3916: 3251: 2562: 2536: 2512: 1899: 1554: 1445: 1031: 915: 892: 677: 455: 428: 345: 8090:(with a Preface for Collectors by W. W. Winkworth), 1935, Sidgwick & Jackson, Ltd. 7404: 6993: 4512: 4496:

mainly imitated the ink wash painting styles of the Chinese Song dynasty monk painter

3794:'s effort to modernize Chinese traditional ink wash painting as a "new national art." 758:

paper, it delivers a graded swath of ink encompassing myriad shades of gray to black.

535: 8185: 8167: 8139: 8122: 8105: 8050: 8029: 8011: 7993: 7979: 7883: 7794: 7762: 7750: 7285: 7248: 6945: 6781: 6739: 6655: 6612: 6602: 6482: 6386: 6301: 6188: 6089: 6045: 5832: 5822: 5815: 5790: 5629: 5516: 5472: 5416: 5368: 5229: 4684: 4458: 4412: 3852: 3762: 3606:

Modern and contemporary Chinese freehand ink wash painting is the most famous of the

3021: 2840: 2677: 2639: 2598: 2594: 2544: 2485: 2441: 2303: 2160: 1787: 1707: 1229: 972: 843:

than executing paintings. Inksticks themselves are sometimes ornately decorated with

592: 372:

brushwork and conveying the perceived "spirit" or "essence" of a subject over direct

7511: 7105: 4046:, ink on Xuan paper, 266 × 100 cm (104.7 × 39.3 in), 1946, Modern times, China. 1356:), is a term used to denote art and artists which stand in opposition to the formal 8148: 7742: 5674: 4800: 4782: 4759: 4745: 4727: 4579: 4454: 4436: 4400: 4382: 4317: 4212: 3437: 3382: 3047: 2681: 2445: 1538: 1339: 1182: 1174: 906: 635: 451: 417: 397: 385: 136: 7131: 7041: 6729: 6646: 6379:

Schirokauer, Conrad; Brown, Miranda; Lurie, David; Gay, Suzanne (1 January 2012).

4960: 4879:. He was one of the few painters to hold a position of rank in the Joseon court. 4339: 4247: 4243: 2291:), ink on Xuan paper, 141x42,2 cm, 1366, China. Collected by Shanghai Museum. 1105:, 2nd century BC, 5.6 cm × 2.6 cm (2.2 in × 1.0 in). 7936: 7640: 7621: 7574: 7067: 6939: 6380: 5895: 5871: 5275: 5261: 5256: 5193: 5140: 4901: 4886: 4763: 4723: 4615: 4547: 4540: 4508: 4313: 4200: 4196: 3847:; 1897–1971) was a Chinese painter and art educator. Pan was born in Guanzhuang, 3492: 3449: 3107: 3103: 2615:, continued Xia's tradition for hundreds of years, until the early 17th century. 2435: 2403: 2356: 1546: 1325: 1306: 1245: 739: 735: 507: 7426:"Retracting a Diagnosis of Madness: A Reconsideration of Japanese Eccentric Art" 6684: 6238: 5864: 5309:

The references used may be made clearer with a different or consistent style of

2736:, handscroll, ink and color on silk, collected by the Metropolitan Museum of Art 710:

are similar to the brushes used for calligraphy and are traditionally made from

252: 8286: 8131: 8003: 6571: 5314: 5213: 5171: 4895: 4862: 4858: 4849: 4821: 4774: 4694: 4680: 4530: 4273: 4223:, a painter who immigrated from China and taught the first major early painter 4144: 3912: 3848: 3791: 3543: 3400: 3065: 2699: 2463: 2417: 2245: 2206: 1880: 1853: 1695: 1666: 1619: 1123: 1027: 408: 361: 6305: 4861:(1843–1897) (commonly known by his pen name "Owon") was a painter of the late 4361: 4335: 4239: 8250: 7754: 7278:

King, Richard; Croizier, Ralph; Zheng, Shentian; Watson, Scott, eds. (2010).

7179:"Five major works of Xu Beihong that shouldn't be missed – Chinadaily.com.cn" 6801: 6616: 5241: 5049:, Mountain landscapes are by far the most common scenes depicted in ink wash 4668: 4474: 4431:; 1420 – 26 August 1506) was the most prominent Japanese master of 4058: 3746: 3732: 3033: 2922: 2473: 2434:) of Chinese painting. Northern School has a profound impact on Japanese and 2253: 2191: 2049: 1741: 1647: 1566: 1558: 1507: 1465: 995: 844: 699:

During the Yuan and Ming dynasties, a group of pen making experts emerged in

569: 7252: 7211:"Singapore Art Museum (SAM) opens 'Xu Beihong in Nanyang' a Solo Exhibition" 5836: 4325: 1343: 691:

on the selection, production and function of a writing brush was written by

380:

in China (960–1279) onwards, as well as in Japan after it was introduced by

8163: 7552: 7352: 5087: 4876: 4871: 4602: 4583: 4378: 4310: 4216: 4085: 3980: 3872: 3864: 3830: 3611: 3378: 3241: 3229: 3138: 3099: 3095: 3043: 3013: 2906: 2866: 2524: 2421: 2069: 1779: 1775: 1438: 1426: 1422: 1314: 1202: 1198: 1186: 911: 581: 381: 377: 357: 143: 45: 7240: 4529:("literati") style or school ran from the 18th century until the death of 4284:

of about 1595 is a famous example; only some 15% of the paper is painted.

4276:, often produced in sets so that they ran all round even large rooms. The 3542:, ink on Xuan paper, 18th century, Qing dynasty, China, collection of the 7183: 5658: 5130: 4833: 4811: 4638: 4575: 3915:

painter. He also taught in the Art Department of Central University (now

3894: 3676: 3225: 3132: 3120: 3029: 1823: 1753: 1510:"Zhongli" and "Zhongzheng", better known by his pseudonym "Fan Kuan" and 1405: 1102: 1054: 836: 684: 669: 647: 393: 6265:"Chinese painting – Five Dynasties (907–960) and Ten Kingdoms (902–978)" 1537:) had a great influence on East Asian ink wash painting. Li Cheng was a 8211: 7746: 7160: 5686: 5617: 4882: 4627: 4623: 4159: 4120: 3795: 3781: 3523: 3075: 2175: 1799: 1658: 948: 896: 783: 767: 655: 412: 365: 74: 7247:. Nanjing: Jiangsu Fine Arts Publishing House（江苏美术出版社）. pp. 6–7. 4265:(1568–1600) was to use the monochrome style on a much larger scale in 2875:), ink and light color on silk, 13th century, Yuan dynasty (Chinese). 2783:. File:Ma Yuan - Dancing and Singing- Peasants Returning from Work.jpg 1596: 1593: 1569:

dynasty. One text entitled "The Lofty Message of Forest and Streams" (

576:, which emphasizes "simplicity, spontaneity and self-expression", and 8114: 5625: 5555: 5268: 4979: 4587: 4007: 3898: 3813: 3700: 3624:

12 September 1844 – 29 November 1927, also romanised as Wu Changshi,

3296: 3114: 2995: 2969: 2934: 2910: 2764: 2618: 1872: 1841: 1793: 1385: 1369: 1194: 1178: 919: 751: 747: 743: 723: 707: 688: 673: 434: 349: 341: 50: 6944:. Hong Kong: City University of Hong Kong Press. 2007. p. 761. 6127: 5678: 2048:(窠石平遠圖), 1078, ink and light lolor on silk, China. Collected by the 1168: 7167:. San Francisco: San Francisco Museum of Modern Art, 1998, page 26. 6173: 5592: 4690: 4663: 4543: 4253: 4211:

In Japan, the style was introduced in the 14th century, during the

3774: 3770: 3754: 3237: 3233: 2950: 2938: 2532: 2520: 1944: 1783: 1661: 1542: 1480: 1430: 1046: 1011: 968: 944: 801: 797: 692: 665: 499: 421: 369: 261: 7136:

The Lingnan School of Painting: Art and Revolution in Modern China

5945:

The Art of Sumi-e: Beautiful ink painting using Japanese Brushwork

4556: 4268: 4036:

Eagle Standing on Pine Tree, Four-character Couplet in Seal Script

1155:

East Asian painting-calligraphy's ink stone, ink stick, and usage.

5741: 4924: 4767: 4462: 4404: 4305: 4287: 4220: 2809: 2795: 2584: 2570: 2548: 2540: 2516: 1822:; 1248–1310), also a poet, and was known for his landscapes, and 1653:

and painter who lived in the 13th century, around the end of the

1623: 1550: 1121:

in 105 AD. The image is from the 17th-century technical document

1118: 715: 646:

The earliest intact ink brush was found in 1954 in the tomb of a

615: 373: 8206: 6557: 5114:, between 1723 and 1776, ink on Xuan paper, Japan. Collected by 796:

In ink wash paintings, as in calligraphy, artists usually grind

494: 8241: 8096:; Eichman, Shawn; Shipper, Kristofer; Ebrey, Patricia Buckley, 5220: 5203: 4927:(A Chinese immigrant, "Father of Japanese ink wash painting"), 4825: 4790: 4753: 4735: 4698: 4687:

along the eastern side of Korea offered plenty of inspiration.

4674: 3962: 3958: 3922: 3888: 3750: 3689:; 1867–1938), commonly known by his courtesy name Wang Yiting ( 3645: 3610:, and the most representative ones are the following painters. 3464: 3433: 3421:, 1597, hanging scroll, ink on Xuan paper, Ming dynasty, China. 3390: 3335: 3159: 3055: 3025: 2975: 2689: 2528: 2453: 2371: 2330: 2090: 1996: 1719: 1588: 1511: 940: 775: 731: 719: 711: 700: 577: 331: 166: 82: 6929:

Master's Thesis, University of California, Davis., June, 2008.

5736:(2006). "Meaning and Function of Chinese Landscape Painting". 926:(the first fiber used for paper in China) and mulberry fiber. 7969: 6174: 6002:

Technology, treatment, and care of a chinese wood block print

5998: 5778: 5776: 5774: 5772: 5770: 5768: 5766: 5150: 4866: 4771: 4619: 4598: 4350: 4329: 3766: 3558: 3258: 2608: 2318:, 1335, ink on silk, collected by Metropolitan Museum of Art. 1691: 1671: 1605: 1562: 1437:(10th century). His ink wash painting style is considered by 771: 517: 242: 182: 8226: 7170: 6478:

Poetry and Painting in Song China: The Subtle Art of Dissent

823:

in Japanese) are also available. Most inksticks are made of

683:

The writing brush entered a new stage of development in the

6597:

Lachman, Charles (2005). "Art". In Lopez, Donald S. (ed.).

4591: 4501: 4497: 2152: 2117: 1650: 1635: 1050: 923: 828: 824: 779: 727: 8236: 8232:

Hasegawa Tohaku's Pine Trees at the Tokyo National Museum

7729:"Euigwe and the Documentation of Joseon Court Ritual Life" 5763: 4869:. His life was dramatized in the award-winning 2002 film 3098:, politician, and art theorist of the later period of the 1618:, also given as Mi Fei, 1051–1107) was a Chinese painter, 782:

is also used in some forms of ink painting. Many types of

8049:. Hong Kong: Hong Kong University Press. pp. 58–90. 7419: 7417: 7415: 6758:

Barnhart, "Three Thousand Years of Chinese Painting", 96.

6727: 6718:

Barnhart, "Three Thousand Years of Chinese Painting", 93.

6644: 5094:, ink and light color on silk, 1747, Japan. Collected by 2252:, 1341, ink and light lolor on silk, China. Collected by 1642:; Japanese: Mokkei; 1210?–1269?), also known as Fachang ( 976: 936: 805: 632:

The four jewels of the study: Brush, Ink, Paper, Inkstone

573: 7284:. University of British Columbia Press. pp. 97–98. 7281:

Art in Turmoil: The Chinese Cultural Revolution, 1966–76

6378: 6085:

Gardner's Art through the Ages: Non-Western Perspectives

5994: 5992: 5990: 5988: 4143:, ink and color on Xuan paper, 1930s, 166 x 92 cm. 3491:, ink on Xuan paper, 1675, China. The collection of the 3448:, ink on Xuan paper, 17th century, Qing dynasty, China, 1026:

Murata Seimin (1761–1837), Brush rest in the shape of a

774:(Japanese paper) both of which are highly absorbent and 7277: 6417:

Barnhart: Page 372. Guo Xi's style name was Chunfu (淳夫)

5415:. Enrich Professional Publishing Limited. p. 178. 4533:(1837–1924) who was widely regarded as the last of the 4465:. After studying landscape painting in China, he drew " 3855:, and graduated from Zhejiang First Normal School (now 3593:, ink on Xuan paper, 19th century, Qing dynasty, China. 1205:

would identify two distinct styles: a clearer, grander

368:, using only shades of black, with a great emphasis on 7992:, ed. Gabriele Fahr-Becker, Könemann, Volume 2, 1998. 7412: 6941:

China: five thousand years of history and civilization

6601:. Chicago: University of Chicago Press. pp. 4~5. 6556:. Taipei: National Palace Museum. 2006. Archived from 5963:"Introduction to the Xuan Paper Making in Anhui China" 5468:

China: Five Thousand Years of History and Civilization

5227: 5218: 5028: 4643: 4631: 4534: 4524: 4516: 4277: 4266: 4251: 2484:); c. 1050 – 1130) of the Northern School, especially 1291: 1275: 1269: 1239: 1233: 994:

Ink brush with golden dragon design, used by the Ming

787: 291: 6382:

A Brief History of Chinese and Japanese Civilizations

5985: 5266: 3965:. He created two different ink wash painting styles. 3886: 3112: 2864: 1791: 1570: 1468: 1409: 659: 432: 356:, in different concentrations. It emerged during the 148: 6372: 5808: 5806: 5804: 5802: 5412:

The History and Spirit of Chinese Art (2-Volume Set)

5134: 4672: 4550:. He is considered one of the great painters of the 4515:(1539–1610), and lasted until the 18th century. The 1189:(618–907), and its early development is credited to 224: 210: 7241:Zhang Shaoxia and Li Xiaoshan（张少侠 and 李小山） (1986). 7095:(Zhongguo meishu jia renming cidian) on p. 131 4820:, was a prominent scholar and painter of the early 4108:, ink and color on Xuan paper, Modern times, China. 2527:. He forms a link between earlier painters such as 2420:that occupied the time between the collapse of the 1690:) is a name used to collectively describe the four 8026:Shitao: Painting and Modernity in Early Qing China 7403: 7244:History of Contemporary Chinese Painting (中国现代绘画史） 6769: 5814: 5583:(1990). "Methodology of Chinese Painting History" 4574:), or the paintings in walls and sliding doors at 4320:(15th century). He was probably also a teacher of 1852:), ink and light color on silk, 10th century, the 7423: 5799: 5008:, ink on silk, Gosagwansudo, 15th century. Korea. 2229:, ink on Xuan paper, 1348 and 1351, collected by 1879:, ink and light color on silk, 10th century, the 1549:. Li Cheng has a profound impact on Japanese and 1441:to be the most typical style of Southern School. 1169:Chinese painters and their influence on East Asia 602: 360:of China (618–907), and overturned earlier, more 8248: 8046:Summoning Confucius: Inside Shi Lu's Imagination 6513:Barnhart: 373. His courtesy name was Yuanzhang ( 5916:Cambridge History of Ancient China, 1999:108–112 4073:, ink on Xuan paper, 1950s, Modern times, China. 3745:; 1865–1955) was a Chinese literati painter and 2066:Clearing Autumn Skies over Mountains and Valleys 1299: 8184:. Oxford University Press, USA. p. 32600. 6554:"米芾的書畫世界 The Calligraphic World of Mi Fu's Art" 5471:. City University of HK Press. pp. 732–5. 4941: 4360:and is generally considered the founder of the 4182: 4022:, ink on Xuan paper, 1947, Modern times, China. 2972:. Their styles and subject matter were varied. 2561:, as well as the great early Japanese painters 2398: 2068:, ink and light lolor on silk, China. Northern 1320: 1081:Image from the 17th-century technical document 1069:Commemorative Chinese inksticks for collectors. 809: 543: 7690: 6820: 6481:. Harvard University Asia Center. p. 31. 6077: 6075: 6073: 5628:: Elephant Publisher House. pp. 184–202. 5066: 4935: 4649: 4607: 4489: 4479: 4466: 4370: 4344: 4292: 4147:of Painting in Guangzhou Museum of Art, China. 3995:, ink on Xuan paper, 1918，Modern times, China. 816: 572:. It is also particularly associated with the 552: 266: 247: 7882:(하룻밤에 읽는 한국사) p299, Paper Road, Seoul, 2007. 7592:. New York: The Metropolitain Museum of Art. 7488:. New York: The Metropolitain Museum of Art. 6901:"Thirty-six Peaks of Mount Huang Recollected" 6538: 6532: 6526: 6520: 6514: 5957: 5955: 5953: 5575: 5573: 5504: 5502: 5500: 4507:The smaller, more purist and less flamboyant 3785: 3245: 2602: 2588: 2552: 1975: 1923: 1762: 1747: 1735: 1575: 1474: 1379: 1373: 872: 863: 625: 619: 116: 100: 7901:"Gyeomjae Jeong seon Memorial Museum, Korea" 7624:Encyclopædia Britannica Online. 10 Dec. 2009 6349: 6347: 5912: 5910: 5908: 5612: 5610: 5608: 5606: 5404: 5402: 5400: 5398: 5396: 5159:), ink and color on Xuan paper, 1776, Korea. 5154: 5144: 4987: 4843: 4837: 4815: 4717: 2551:, formed the basis of the so-called Ma-Xia ( 1181:" expected to be learnt by China's class of 521: 511: 411:was the classic format; the long horizontal 187: 171: 7530: 6776:. New York: Harry N. Abrams, Inc. pp. 6070: 5748: 5728: 5726: 5550: 5548: 5546: 5544: 6734:. University of California Press. p. 6651:. University of California Press. p. 6125: 6044:. Cambridge University Press. p. 43. 5950: 5849:: CS1 maint: location missing publisher ( 5570: 5512:Encyclopedia of China: History and Culture 5497: 5460: 5458: 5456: 5454: 5452: 5450: 5448: 5446: 5444: 5364:A Cultural History of the Chinese Language 4671:and others championed amateur literati or 4554:(1573–1603), and he is best known for his 2887: 2752:, collected by the Palace Museum, Beijing. 2376:Enjoying the Wilderness in an Autumn Grove 1778:(1271–1368). They were revered during the 1541:of the Song dynasty. He was influenced by 44: 7976:Shanghai Lexicographical Publishing House 7608: 7394: 7392: 7390: 6344: 6185:Shanghai Lexicographical Publishing House 5905: 5603: 5393: 5333:Learn how and when to remove this message 5178:, ink on Xuan paper, 19th century, Korea. 4770:Byeon clan during the late period of the 4174:, ink on Xuan paper, Modern times, China. 3074:; 1555–1636) of the Ming dynasty and the 2105:, ink on Xuan paper, 11th century, China. 975:used for the grinding and containment of 77:, 12th century, Southern Song (Chinese), 8138:, British Museum Press, 2007 (2nd edn). 8028:. New York: Cambridge University Press. 8010:, British Museum Press, 2007 (2nd edn). 7932:"Jeong Seon's Paintings Brought to Life" 7929: 7627: 7236: 7234: 7232: 6834: 6832: 6599:Critical terms for the study of Buddhism 6507: 6420: 6365: 6363: 6169: 6167: 6165: 6163: 6161: 6159: 6157: 6121: 6119: 6117: 5723: 5541: 5356: 5354: 5352: 5350: 1185:. Ink wash painting appeared during the 658:) located in an archaeological dig site 529: 493: 446: 376:. Ink wash painting flourished from the 8042: 7923: 7797:Korean-Hanja Dictionary. Archived from 7726: 7643:Mibura-Dera Temple Website. 10 Dec 2009 7377: 7319:"Zhang Daqian: A World-renowned Artist" 7271: 7124: 6596: 6438: 6081: 5616: 5508: 5441: 3881: 3804: 3695: 3685: 3664: 3577: 3483: 3405: 3350: 3277: 3178: 3090: 3070: 2990: 2859: 2804: 2704: 2658: 2579: 2500: 2468: 2011: 1959: 1914: 1818: 1526: 1495: 1460: 1400: 504:Dream Journey to the Peach Blossom Land 470: 14: 8249: 8176: 8136:The British Museum Book of Chinese Art 8008:The British Museum Book of Chinese Art 7866: 7387: 6355:Cambridge Illustrated History of China 6177:Editorial Committee (辭海編輯委員會) (1979). 6008:, Smithsonian Institution, p. 4, 5857: 5732: 5653: 5651: 5649: 5647: 5645: 5579: 5408: 2773:Shakyamuni Emerging from the Mountains 1972:Travellers among Mountains and Streams 1163: 918:, which was under the jurisdiction of 614:The Four Treasures is summarized in a 27:Chinese painting style using black ink 7967:Cihai Editorial Committee (辭海編輯委員會), 7930:Ah-young, Chung (15 September 2009). 7824:"Humanism in Gang Hui-an's Paintings" 7813: 7584: 7582: 7518:from the original on 19 December 2017 7480: 7478: 7359:from the original on 20 December 2020 7333:from the original on 27 February 2021 7323:China and the World Cultural Exchange 7229: 6829: 6474: 6360: 6154: 6114: 5999:Fei Wen Tsai; Dianne van der Reyden, 5881: 5554: 5509:Perkins, Dorothy (19 November 2013). 5347: 4419:; Oda Tōyō since 1431, also known as 3102:. He is the founder of the theory of 1920:A Solitary Temple Amid Clearing Peaks 766:Ink wash painting is usually done on 7860: 7402:. Britannica article. Archived from 7213:. Art Knowledge News. Archived from 7142:from the original on 10 January 2015 7048:from the original on 20 October 2020 6767: 6761: 6519:) with several sobriquets: Nangong ( 6495:from the original on 10 January 2017 6312:from the original on 5 November 2019 6293: 6275:from the original on 20 January 2021 6142:from the original on 6 December 2016 6037: 5973:from the original on 1 February 2021 5947:, Search Press, Kent UK, 2015, p. 16 5657: 5286: 4992:), ink on silk, 15th century. Korea. 2734:Duke Wen of Jin Recovering His State 2710:Wind in Pines Among a Myriad Valleys 1280:), also called "Literati Painting" ( 1014:'s (1711–1799) writing table, China. 910:. It was originally produced in the 851:and some are highlighted with gold. 476:Luxuriant Forest among Distant Peaks 8020: 7880:Reading Korean history in one night 7557: 7536:Nussbaum, Louis-Frédéric. (2005). " 7316: 7203: 7154: 6976: 6970: 6958:from the original on 14 August 2020 6629: 6456:from the original on 11 August 2020 6126:Meccarelli, Marco (December 2015). 6082:Kleiner, Fred S. (5 January 2009). 5812: 5754: 5642: 5006:Scholar gazing at the running river 4258:and other coloured styles as well. 2601:, he founded the so-called Ma-Xia ( 424:Emperor was a particular offender. 24: 7852:. 엠파스홈 (in Korean). Archived from 7579: 7475: 7310: 7191:from the original on 17 April 2021 7018:. The Metropolitan Museum of Art. 6903:. The Metropolitan Museum of Art. 6877:. The Metropolitan Museum of Art. 6808:from the original on 21 April 2015 6590: 6245:from the original on 21 April 2015 6102:from the original on 5 August 2021 5663:"Why Chinese Painting Is History?" 5529:from the original on 5 August 2021 5381:from the original on 5 August 2021 5360: 4848:), was a full-time painter of the 4439:. He was deeply influenced by the 4385:. He was deeply influenced by the 3939:; 1919–1982), born "Feng Yaheng" ( 3236:who had a feudal establishment in 2281:Dwelling in the Qingbian Mountains 2078:, detail from a horizontal scroll. 1444:Chinese ink wash painters such as 1305:historical stage by the theory of 626: 25: 8298: 8200: 8153:The Art and Architecture of China 8151:, in: Sickman L. & Soper A., 7830:from the original on 4 March 2016 7769:from the original on 3 March 2016 7708:from the original on 21 June 2021 7678:from the original on 11 June 2008 7596:from the original on 22 July 2021 7492:from the original on 22 July 2021 7436:from the original on 21 July 2021 7022:from the original on 21 July 2021 6907:from the original on 21 July 2021 6881:from the original on 21 July 2021 6691:from the original on 26 June 2015 6632:Ink painting in medieval kamakura 6578:from the original on 16 June 2020 6399:from the original on 26 June 2020 6385:. Cengage Learning. p. 223. 6058:from the original on 26 July 2021 5485:from the original on 29 July 2021 5429:from the original on 29 July 2021 4618:painter and calligrapher born in 4523:(meaning "Southern painting") or 3810:The Four Great Academy Presidents 2250:Stone Cliff at the Pond of Heaven 1553:painters. Fan Kuan was a Chinese 1177:, brush painting was one of the " 959:and adding various fruit juices. 8088:A Background to Chinese Painting 7298:from the original on 13 May 2016 7259:from the original on 9 July 2021 7112:from the original on 9 July 2021 7074:from the original on 9 July 2021 6855:from the original on 9 July 2021 6201:from the original on 9 July 2021 6088:. Cengage Learning. p. 81. 6015:from the original on 2 July 2021 5821:(Dover ed.). Mineola, N.Y. 5693:from the original on 9 July 2021 5361:Gu, Sharron (22 December 2011). 5291: 5164: 5123: 5103: 5080: 5058: 5038: 5013: 4997: 4972: 4953: 4917: 4828:in 1441 under the reign of king 4152: 4113: 4078: 4051: 4027: 4000: 3973: 3551: 3516: 3500: 3457: 3426: 3371: 3328: 3289: 3038:Four Masters of the Ming dynasty 3020:. Born into a wealthy family of 2893:Four Masters of the Ming dynasty 2833: 2788: 2757: 2741: 2725: 2670: 2587:1195–1225), courtesy name Yuyu ( 2364: 2323: 2296: 2261: 2238: 2219:Dwelling in the Fuchun Mountains 2199: 2168: 2145: 2110: 2083: 2057: 2037: 1989: 1937: 1892: 1865: 1834: 1678:Four Masters of the Yuan dynasty 1244:), and a freer, more expressive 1193:(active in the 8th century) and 1148: 1136: 1110: 1094: 1074: 1062: 1039: 1019: 1003: 987: 8242:Sumi-e Society of America, Inc. 8121:, Oxford: Phaidon Press, 1980. 7893: 7872: 7842: 7781: 7720: 7664: 7655: 7646: 7504: 7466: 7457: 7448: 7345: 7098: 7093:Encyclopedia of Chinese Artists 7086: 7060: 7034: 7008: 6982: 6932: 6919: 6893: 6867: 6841: 6794: 6752: 6721: 6712: 6703: 6677: 6668: 6638: 6623: 6564: 6546: 6468: 6429: 6411: 6287: 6257: 6231: 6222: 6213: 6031: 5937: 5928: 5919: 5714: 5566:. pp. 186–192 and 285–297. 5409:Yilong, Lu (30 December 2015). 4539:artists. Hasegawa Tōhaku was a 4219:monasteries, and in particular 4133:Fire on the Eastern Battlefield 3601: 627:wénfáng sìbǎo: bǐ, mò, zhǐ, yàn 591:, American artist and educator 396:. It was often produced by the 8102:University of California Press 7472:Stanley-Baker, 132–134, 148–50 7353:"Fu Baoshi-Biography-Artworks" 7176: 7106:"Qi Baishi-Biography-Artworks" 7016:"Squirrel on an Autumn Branch" 6038:Chen, Tingyou (3 March 2011). 5705: 5367:. McFarland. pp. 99–100. 5155: 5145: 5067: 4795: 4740: 4650: 4568:Pine Tree and Flowering Plants 4467: 4449: 4395: 4192: 4171: 4140: 4128: 4105: 4093: 4070: 4043: 4019: 3992: 3949: 3944: 3940: 3935: 3930: 3926: 3907: 3902: 3876: 3843: 3838: 3834: 3822: 3817: 3799: 3741: 3736: 3727: 3722: 3718: 3713: 3708: 3704: 3658: 3653: 3649: 3640: 3630: 3620: 3590: 3571: 3566: 3562: 3531: 3477: 3472: 3468: 3418: 3395: 3363: 3344: 3316: 3304: 3271: 3266: 3262: 3220: 3210: 3205: 3201: 3192: 3187: 3182:; other department "Yuan Ji" ( 3172: 3167: 3163: 3147: 3084: 3060: 3008: 2999: 2984: 2958: 2946: 2930: 2918: 2901: 2872: 2853: 2848: 2844: 2821: 2776: 2768: 2717: 2694: 2652: 2647: 2643: 2627: 2494: 2481: 2458: 2430: 2412: 2383: 2352: 2338: 2311: 2288: 2276: 2226: 2214: 2187: 2137: 2125: 2103:Withered Tree and Strange Rock 2098: 2005: 1953: 1908: 1849: 1812: 1807: 1803: 1774:), who were active during the 1727: 1715: 1703: 1686: 1639: 1631: 1614: 1609: 1601: 1592: 1520: 1489: 1454: 1394: 1365: 1352: 1334: 1286: 1281: 1264: 1258: 1253: 1249: 1224: 1218: 1213: 1209: 1128: 1086: 902:Notes of Past Famous Paintings 873: 864: 620: 603:Technique, materials and tools 522: 512: 483: 464: 336: 327: 319: 292: 225: 211: 149: 117: 101: 70: 58: 13: 1: 7960: 7793:[Guksu] (in Korean). 7132:"The Lingnan School Painting" 6294:Fu, Mi; Ji, Zhao; Jing, Cai. 5597:Zhejiang Academy of Fine Arts 4930:Catching catfish with a gourd 4814:(1417?–1464), pen name Injae 4261:A Japanese innovation of the 4228: 3669: 3244:imperial clan as "Zhu Ruoji" 3152: 2962: 2632: 2505: 2072: 2016: 1964: 1768: 1531: 1500: 1415: 1300:Tang, Song and Yuan dynasties 1049:; carbon-based and made from 854: 442: 8098:Taoism and the Arts of China 7512:"Metropolitan Museum of Art" 7068:"Pu Hua-Artworks, Biography" 6731:Taoism and the Arts of China 6648:Taoism and the Arts of China 5813:Kwo, Da-Wei (October 1990). 5252:Modern European Ink Painting 5247:Cantonese school of painting 4855:Eight Eccentrics of Yangzhou 4183:Other countries in East Asia 3861:Chinese traditional painting 3536:Eight Eccentrics of Yangzhou 3198:Eight Eccentrics of Yangzhou 2399:Northern School and painters 1321:Southern School and painters 947:began to be used to produce 808:, but prepared liquid inks ( 574:Chán or Zen sect of Buddhism 364:techniques. It is typically 7: 8119:The Great Painters of China 7634:HASEGAWA Tohaku (1539–1610) 7165:Inside Out: New Chinese Art 5789:, 1974, Penguin, p. 86-88, 5755:Dow, Arthur Wesley (1899). 5267: 5228: 5219: 5186: 5135: 5029: 4942: 4693:was a painter of the early 4673: 4644: 4632: 4535: 4525: 4517: 4349:, 1434? – August 2, 1530?, 4278: 4267: 4252: 3887: 3489:Pine Pavilion Near a Spring 3113: 2865: 2157:Guanyin, Crane, and Gibbons 1930:Nelson-Atkins Museum of Art 1792: 1782:and later periods as major 1622:, and calligrapher born in 1571: 1469: 1410: 1292: 1276: 1270: 1240: 1234: 962: 810: 788: 761: 660: 544: 433: 10: 8303: 7486:"The Four Accomplishments" 6772:The Shanghai Museum of Art 5787:Style in the Arts of China 5515:. Routledge. p. 232. 5116:Metropolitan Museum of Art 4703:South Chungcheong Province 4597:The ink wash paintings of 3953:), was a Chinese painter, 3583:High Mountains and Streams 2933:, 1470–1559), both of the 2826:Boston Museum of Fine Arts 2539:and later artists such as 2388:Metropolitan Museum of Art 1885:Liaoning Provincial Museum 1010:Reconstruction of Emperor 488:Liaoning Provincial Museum 8237:Sumi-e Beppe Mokuza, Inc. 7563:Appert, Georges. (1888). 6539: 6533: 6527: 6521: 6515: 4988: 4936: 4890: 4844: 4838: 4816: 4786: 4731: 4718: 4608: 4560:folding screens, such as 4490: 4480: 4444: 4416: 4390: 4371: 4345: 4293: 4234:). Both he and his pupil 3871:until his death in 1971. 3786: 3690: 3680: 3635: 3625: 3615: 3540:Fisherman and Fisherwoman 3534:, 1687–1772) (one of the 3441: 3386: 3339: 3246: 3215: 3183: 3142: 3079: 3051: 3003: 2979: 2896: 2799: 2685: 2622: 2603: 2589: 2574: 2553: 2489: 2449: 2425: 2407: 2121: 2000: 1976: 1948: 1924: 1903: 1763: 1748: 1736: 1681: 1643: 1626:during the Song dynasty. 1576: 1515: 1484: 1475: 1449: 1389: 1380: 1374: 1347: 1329: 900:in ancient Chinese books 817: 553: 459: 305: 285: 280: 276: 267: 260: 248: 241: 236: 218: 204: 199: 195: 188: 181: 172: 165: 160: 142: 135: 130: 126: 110: 94: 89: 43: 39: 34: 7789: 7702:University of Washington 7590:"Gibbons in a Landscape" 7430:University of Washington 6674:Farrer, 115–116; 339–340 6450:University of Washington 5902:Retrieved on 2010-11-27. 5878:Retrieved on 2010-11-27. 5584: 5282: 5199:Bird-and-flower painting 4965:The Four Accomplishments 4697:. He was born in Jigok, 4657: 4381:monk and painter of the 4206: 1580:) is attributed to him. 641: 340:); is a type of Chinese 96:Traditional Chinese 8182:Grove Dictionary of Art 7424:Stephen Francis Salel. 6990:"Xū Gǔ Brief Biography" 6875:"Birds in a Lotus Pond" 6475:Murck, Alfreda (2000). 6269:Encyclopedia Britannica 5096:Cleveland Museum of Art 4494:, 1539 – 19 March 1610) 3509:Searching for Immortals 2888:Ming and Qing dynasties 1197:, among others. In the 957:Pteroceltis tatarinowii 932:Pteroceltis tatarinowii 352:, such as that used in 112:Simplified Chinese 8217:National Palace Museum 8162:, Thames and Hudson, 7463:Stanley-Baker, 126–129 7454:Stanley-Baker, 118–124 6537:), and Haiyue Waishi ( 5967:China Culture Tour.com 5744:: Guangxi Art College. 5564:National Palace Museum 5073:Gibbons in a Landscape 5033:), ink on silk, Japan. 4552:Azuchi–Momoyama period 4263:Azuchi–Momoyama period 3321:National Palace Museum 2231:National Palace Museum 2030:National Palace Museum 1982:National Palace Museum 1858:National Palace Museum 1846:Dongtian Mountain Hall 1583:As representatives of 935:, a common variety of 564: 527: 491: 354:East Asian calligraphy 79:National Palace Museum 8158:Stanley-Baker, Joan, 7878:Choi Yongbeom (최용범), 7734:Archives of Asian Art 7163:, and Norman Bryson. 6560:on 23 September 2013. 6531:), Xiangyang Manshi ( 6026:The Paper Conservator 5894:21 March 2012 at the 5887:Big5.xinhuanet.com. " 5092:Fishing in Springtime 4433:ink and wash painting 4303:was one of the first 4246:(1434–1530); his son 3897:of the 20th century. 3411:Wanluan Thatched Hall 2877:Tokyo National Museum 2814:Sailboat in Rainstorm 2781:Tokyo National Museum 2750:Boy and water buffalo 2509: 1160–65 – 1225 2418:Five Dynasties period 1786:of the tradition of " 1655:Southern Song dynasty 1565:who lived during the 1317:in the Ming dynasty. 652:Warring States period 542:, Right panel of the 533: 497: 450: 18:Ink and wash painting 7990:The Art of East Asia 7727:Sŏng-mi, Yi (2008). 7317:Zhu, Haoyun (2012). 6768:Shen, Zhiyu (1981). 6446:"Scholar's Painting" 5870:16 June 2011 at the 4215:(1333–1573) through 3911:; 1904–1965), was a 3857:Hangzhou High School 3634:), born Wu Junqing ( 1877:Jiangnan Summer View 344:painting which uses 206:Revised Romanization 8282:Painting techniques 7944:on 22 December 2014 7911:on 22 December 2014 7573:13 May 2021 at the 6996:on 8 September 2008 6630:Rio, Aaron (2015). 6297:Xuan He HuaPu(宣和画谱) 6138:. Aracne: 175–236. 6041:Chinese Calligraphy 5863:Chinesetoday.com. " 5051:landscape paintings 4832:(1397–1418–1450). 4630:, he perfected the 4546:and founder of the 4486:and Hasegawa Tōhaku 3869:Cultural Revolution 3119:painting.They were 3111:accomplishments in 3018:Ming dynasty artist 1164:History and artists 998:(1563–1620), China. 895:in Anhui Province. 841:Chinese calligraphy 324:traditional Chinese 8166:, 2000 (2nd edn). 7747:10.1353/aaa.0.0003 7639:2009-12-08 at the 7620:5 May 2015 at the 7546:Japan Encyclopedia 6851:. British Museum. 6634:. pp. 67~113. 5889:Big5.xinhuanet.com 5237:Ink-wash animation 5209:Dhyāna in Buddhism 4572:National Treasures 4375:, died c. 1444–50) 4358:Ashikaga shogunate 4098:Ganoderma and Rock 3955:wood block printer 3917:Nanjing University 3250:, was one Chinese 3196:), 1642–1707) and 2949:, 1470–1523), and 1730:; 1301–1374), and 1032:Walters Art Museum 706:Ink wash painting 678:oracle bone script 565: 528: 492: 429:landscape painting 316:simplified Chinese 8272:Japanese painting 8212:The Palace Museum 8207:Transcultural Ink 8191:978-0-1951-7068-9 8149:Sickman, Laurence 8110:978-0-520-22785-9 8065:cite encyclopedia 8002:Farrer, Anne, in 7978:(上海辭書出版社), 1979. 7850:"Brief biography" 6951:978-962-937-140-1 6745:978-0-520-22785-9 6661:978-0-520-22785-9 6488:978-0-674-00782-6 6392:978-0-495-91322-1 6095:978-0-495-57367-8 6051:978-0-521-18645-2 6028:, 1997, pp. 48–62 5522:978-1-135-93562-7 5478:978-962-937-140-1 5422:978-1-62320-130-2 5374:978-0-7864-8827-8 5343: 5342: 5335: 5230:Higashiyama Bunka 4685:Taebaek Mountains 4570:(both registered 4309:(ink wash) style 3853:Zhejiang Province 3252:landscape painter 3151:, born "Zhu Da"; 3022:scholar-officials 2994:, 1521–1593) and 2515:who practised at 2513:landscape painter 2161:National Treasure 1788:literati painting 1646:), was a Chinese 1555:landscape painter 1313:, as promulgated 1183:scholar-officials 650:citizen from the 616:four-word couplet 593:Arthur Wesley Dow 561:National Treasure 540:Pine Trees screen 312:Ink wash painting 309: 308: 301: 300: 232: 231: 220:McCune–Reischauer 156: 155: 137:Standard Mandarin 63:Drunken Celestial 35:Ink wash painting 16:(Redirected from 8294: 8262:Chinese painting 8195: 8080: 8074: 8070: 8068: 8060: 8039: 7954: 7953: 7951: 7949: 7940:. Archived from 7927: 7921: 7920: 7918: 7916: 7907:. Archived from 7897: 7891: 7876: 7870: 7869:, p. (18)53 7864: 7858: 7857: 7846: 7840: 7839: 7837: 7835: 7821: 7817: 7811: 7810: 7808: 7806: 7785: 7779: 7778: 7776: 7774: 7724: 7718: 7717: 7715: 7713: 7698:"Court Painting" 7694: 7688: 7687: 7685: 7683: 7668: 7662: 7659: 7653: 7650: 7644: 7631: 7625: 7612: 7606: 7605: 7603: 7601: 7586: 7577: 7561: 7555: 7534: 7528: 7527: 7525: 7523: 7508: 7502: 7501: 7499: 7497: 7482: 7473: 7470: 7464: 7461: 7455: 7452: 7446: 7445: 7443: 7441: 7421: 7410: 7409: 7407: 7396: 7385: 7375: 7369: 7368: 7366: 7364: 7349: 7343: 7342: 7340: 7338: 7314: 7308: 7307: 7305: 7303: 7275: 7269: 7268: 7266: 7264: 7238: 7227: 7226: 7224: 7222: 7207: 7201: 7200: 7198: 7196: 7174: 7168: 7158: 7152: 7151: 7149: 7147: 7128: 7122: 7121: 7119: 7117: 7102: 7096: 7090: 7084: 7083: 7081: 7079: 7064: 7058: 7057: 7055: 7053: 7038: 7032: 7031: 7029: 7027: 7012: 7006: 7005: 7003: 7001: 6992:. Archived from 6986: 6980: 6979:, pp. 1, 84 6974: 6968: 6967: 6965: 6963: 6936: 6930: 6923: 6917: 6916: 6914: 6912: 6897: 6891: 6890: 6888: 6886: 6871: 6865: 6864: 6862: 6860: 6845: 6839: 6838:Cihai: Page 802. 6836: 6827: 6824: 6818: 6817: 6815: 6813: 6798: 6792: 6791: 6775: 6765: 6759: 6756: 6750: 6749: 6725: 6719: 6716: 6710: 6709:Sickman, 219–220 6707: 6701: 6700: 6698: 6696: 6681: 6675: 6672: 6666: 6665: 6642: 6636: 6635: 6627: 6621: 6620: 6594: 6588: 6587: 6585: 6583: 6568: 6562: 6561: 6550: 6544: 6542: 6541: 6536: 6535: 6530: 6529: 6525:), Lumen Jushi ( 6524: 6523: 6518: 6517: 6511: 6505: 6504: 6502: 6500: 6472: 6466: 6465: 6463: 6461: 6442: 6436: 6433: 6427: 6426:Ci hai: Page 452 6424: 6418: 6415: 6409: 6408: 6406: 6404: 6376: 6370: 6367: 6358: 6351: 6342: 6341: 6335: 6331: 6329: 6321: 6319: 6317: 6291: 6285: 6284: 6282: 6280: 6261: 6255: 6254: 6252: 6250: 6235: 6229: 6226: 6220: 6217: 6211: 6210: 6208: 6206: 6171: 6152: 6151: 6149: 6147: 6123: 6112: 6111: 6109: 6107: 6079: 6068: 6067: 6065: 6063: 6035: 6029: 6023: 6022: 6020: 6014: 6007: 5996: 5983: 5982: 5980: 5978: 5959: 5948: 5941: 5935: 5932: 5926: 5923: 5917: 5914: 5903: 5885: 5879: 5865:Chinesetoday.com 5861: 5855: 5854: 5848: 5840: 5820: 5810: 5797: 5780: 5761: 5760: 5752: 5746: 5745: 5738:Arts Exploration 5730: 5721: 5718: 5712: 5709: 5703: 5702: 5700: 5698: 5667:The Art Bulletin 5655: 5640: 5639: 5614: 5601: 5600: 5577: 5568: 5567: 5552: 5539: 5538: 5536: 5534: 5506: 5495: 5494: 5492: 5490: 5462: 5439: 5438: 5436: 5434: 5406: 5391: 5390: 5388: 5386: 5358: 5338: 5331: 5327: 5324: 5318: 5295: 5294: 5287: 5272: 5233: 5224: 5168: 5158: 5157: 5148: 5147: 5138: 5127: 5107: 5084: 5070: 5069: 5062: 5042: 5032: 5025:Autumn Landscape 5017: 5001: 4991: 4990: 4976: 4957: 4947: 4945: 4939: 4938: 4921: 4892: 4847: 4846: 4841: 4840: 4819: 4818: 4801:Chinese painting 4797: 4788: 4760:Byeon Sang-byeok 4746:Chinese painting 4742: 4733: 4721: 4720: 4715: 4678: 4653: 4652: 4647: 4635: 4626:. Together with 4613: 4611: 4610: 4580:Chinese painting 4538: 4528: 4522: 4495: 4493: 4492: 4485: 4483: 4482: 4470: 4469: 4455:Chinese painting 4451: 4446: 4437:Muromachi period 4435:from the middle 4418: 4401:Chinese painting 4397: 4392: 4383:Muromachi period 4376: 4374: 4373: 4354: 4348: 4347: 4318:Muromachi period 4316:painters in the 4302: 4296: 4295: 4283: 4272: 4257: 4233: 4230: 4213:Muromachi period 4194: 4173: 4156: 4142: 4130: 4117: 4107: 4095: 4082: 4072: 4055: 4045: 4031: 4021: 4004: 3994: 3985:Ink Plum Blossom 3977: 3951: 3946: 3942: 3937: 3932: 3928: 3909: 3904: 3892: 3883: 3878: 3845: 3840: 3836: 3824: 3819: 3806: 3801: 3789: 3788: 3743: 3738: 3729: 3724: 3720: 3715: 3710: 3706: 3697: 3692: 3687: 3682: 3674: 3673: 1834–1911 3671: 3666: 3660: 3655: 3651: 3642: 3637: 3632: 3627: 3622: 3617: 3592: 3579: 3573: 3568: 3564: 3555: 3533: 3520: 3504: 3485: 3479: 3474: 3470: 3461: 3443: 3430: 3420: 3407: 3406:Tung Ch'i-ch'ang 3397: 3388: 3375: 3365: 3352: 3346: 3341: 3332: 3318: 3306: 3293: 3279: 3273: 3268: 3264: 3249: 3248: 3222: 3217: 3212: 3211:Yángzhoū Bā Guài 3207: 3203: 3194: 3189: 3185: 3180: 3174: 3169: 3165: 3157: 3156: 1626–1705 3154: 3149: 3144: 3131:(1632–1717) and 3118: 3092: 3086: 3081: 3072: 3071:Tung Ch'i-ch'ang 3062: 3053: 3010: 3009:Qīngténg Shānrén 3005: 3001: 2992: 2986: 2981: 2967: 2966: 1494–1552 2964: 2960: 2948: 2932: 2920: 2909:. The group are 2903: 2898: 2874: 2870: 2861: 2855: 2850: 2846: 2837: 2823: 2806: 2801: 2792: 2778: 2770: 2761: 2745: 2729: 2719: 2708:, 1050 – 1130), 2706: 2696: 2687: 2674: 2660: 2654: 2649: 2645: 2637: 2636: 1140–1210 2634: 2629: 2624: 2606: 2605: 2592: 2591: 2581: 2576: 2556: 2555: 2510: 2507: 2502: 2496: 2491: 2483: 2470: 2460: 2451: 2432: 2427: 2414: 2409: 2385: 2368: 2354: 2340: 2327: 2313: 2300: 2290: 2278: 2265: 2242: 2228: 2216: 2203: 2189: 2172: 2149: 2139: 2128:, 1210?–1269?), 2127: 2123: 2114: 2101:, 1037 – 1101), 2100: 2087: 2077: 2074: 2061: 2041: 2021: 2020: 1020–1090 2018: 2013: 2007: 2002: 1993: 1979: 1978: 1969: 1966: 1961: 1955: 1950: 1941: 1927: 1926: 1916: 1910: 1905: 1896: 1869: 1851: 1838: 1820: 1814: 1809: 1805: 1797: 1773: 1772: 1308–1385 1770: 1766: 1765: 1751: 1750: 1739: 1738: 1729: 1717: 1705: 1688: 1683: 1645: 1641: 1633: 1616: 1611: 1603: 1599: 1585:scholar painting 1579: 1578: 1574: 1536: 1535: 1020–1090 1533: 1528: 1522: 1517: 1505: 1502: 1497: 1491: 1486: 1478: 1477: 1472: 1462: 1456: 1451: 1420: 1417: 1413: 1402: 1396: 1391: 1383: 1382: 1377: 1376: 1367: 1354: 1349: 1342:, often called " 1340:Chinese painting 1336: 1331: 1295: 1288: 1283: 1279: 1273: 1266: 1260: 1255: 1251: 1243: 1237: 1226: 1220: 1215: 1211: 1175:Chinese painting 1152: 1140: 1130: 1114: 1098: 1088: 1078: 1066: 1043: 1023: 1007: 991: 907:New Book of Tang 889: 888: 887: 885: 876: 875: 867: 866: 859:Paper (Chinese: 822: 820: 819: 813: 804:to obtain black 791: 663: 661:Zuo Gong Shan 15 636:scholar-official 629: 623: 622: 597:Georgia O'Keeffe 558: 556: 555: 549: 525: 524: 515: 514: 485: 472: 466: 461: 438: 398:scholar-official 338: 329: 321: 297: 296: 278: 277: 272: 271: 256: 255: 228: 227: 214: 213: 197: 196: 191: 190: 177: 176: 152: 151: 128: 127: 122: 121: 106: 105: 72: 60: 48: 32: 31: 21: 8302: 8301: 8297: 8296: 8295: 8293: 8292: 8291: 8277:Korean painting 8247: 8246: 8222:Shanghai Museum 8203: 8198: 8192: 8132:Rawson, Jessica 8094:Little, Stephen 8072: 8071: 8062: 8061: 8057: 8036: 8004:Rawson, Jessica 7988:Dunn, Michael, 7963: 7958: 7957: 7947: 7945: 7937:The Korea Times 7928: 7924: 7914: 7912: 7899: 7898: 7894: 7877: 7873: 7865: 7861: 7848: 7847: 7843: 7833: 7831: 7826:. ARTne. 2002. 7822: 7819: 7818: 7814: 7804: 7802: 7801:on 14 July 2011 7791: 7787: 7786: 7782: 7772: 7770: 7725: 7721: 7711: 7709: 7696: 7695: 7691: 7681: 7679: 7670: 7669: 7665: 7660: 7656: 7651: 7647: 7641:Wayback Machine 7632: 7628: 7622:Wayback Machine 7613: 7609: 7599: 7597: 7588: 7587: 7580: 7575:Wayback Machine 7562: 7558: 7535: 7531: 7521: 7519: 7510: 7509: 7505: 7495: 7493: 7484: 7483: 7476: 7471: 7467: 7462: 7458: 7453: 7449: 7439: 7437: 7422: 7413: 7408:on 16 May 2005. 7400:"Taiko Josetsu" 7398: 7397: 7388: 7376: 7372: 7362: 7360: 7351: 7350: 7346: 7336: 7334: 7315: 7311: 7301: 7299: 7292: 7276: 7272: 7262: 7260: 7239: 7230: 7220: 7218: 7217:on 28 June 2018 7209: 7208: 7204: 7194: 7192: 7175: 7171: 7159: 7155: 7145: 7143: 7130: 7129: 7125: 7115: 7113: 7104: 7103: 7099: 7091: 7087: 7077: 7075: 7066: 7065: 7061: 7051: 7049: 7040: 7039: 7035: 7025: 7023: 7014: 7013: 7009: 6999: 6997: 6988: 6987: 6983: 6975: 6971: 6961: 6959: 6952: 6938: 6937: 6933: 6924: 6920: 6910: 6908: 6899: 6898: 6894: 6884: 6882: 6873: 6872: 6868: 6858: 6856: 6847: 6846: 6842: 6837: 6830: 6825: 6821: 6811: 6809: 6800: 6799: 6795: 6788: 6766: 6762: 6757: 6753: 6746: 6726: 6722: 6717: 6713: 6708: 6704: 6694: 6692: 6683: 6682: 6678: 6673: 6669: 6662: 6643: 6639: 6628: 6624: 6609: 6595: 6591: 6581: 6579: 6570: 6569: 6565: 6552: 6551: 6547: 6512: 6508: 6498: 6496: 6489: 6473: 6469: 6459: 6457: 6444: 6443: 6439: 6434: 6430: 6425: 6421: 6416: 6412: 6402: 6400: 6393: 6377: 6373: 6368: 6361: 6352: 6345: 6333: 6332: 6323: 6322: 6315: 6313: 6292: 6288: 6278: 6276: 6263: 6262: 6258: 6248: 6246: 6237: 6236: 6232: 6227: 6223: 6218: 6214: 6204: 6202: 6195: 6172: 6155: 6145: 6143: 6124: 6115: 6105: 6103: 6096: 6080: 6071: 6061: 6059: 6052: 6036: 6032: 6018: 6016: 6012: 6005: 5997: 5986: 5976: 5974: 5961: 5960: 5951: 5943:Okamoto, Naomi 5942: 5938: 5933: 5929: 5925:Jenyns, 120–122 5924: 5920: 5915: 5906: 5896:Wayback Machine 5886: 5882: 5872:Wayback Machine 5862: 5858: 5842: 5841: 5829: 5811: 5800: 5783:Watson, William 5781: 5764: 5753: 5749: 5731: 5724: 5720:Jenyns, 152–158 5719: 5715: 5711:Jenyns, 177-118 5710: 5706: 5696: 5694: 5679:10.2307/3177344 5656: 5643: 5636: 5615: 5604: 5586: 5578: 5571: 5553: 5542: 5532: 5530: 5523: 5507: 5498: 5488: 5486: 5479: 5463: 5442: 5432: 5430: 5423: 5407: 5394: 5384: 5382: 5375: 5359: 5348: 5339: 5328: 5322: 5319: 5308: 5302:has an unclear 5296: 5292: 5285: 5280: 5276:Southern School 5262:Shanghai School 5257:Northern School 5194:Hasegawa school 5189: 5184: 5183: 5182: 5179: 5169: 5160: 5128: 5119: 5108: 5099: 5085: 5076: 5065:Sesson Shūkei ( 5063: 5054: 5043: 5034: 5018: 5009: 5002: 4993: 4977: 4968: 4958: 4949: 4933: 4922: 4902:Geumgang jeondo 4724:Southern School 4709: 4681:genre paintings 4660: 4605: 4548:Hasegawa school 4513:Hasegawa Tōhaku 4511:was founded by 4509:Hasegawa school 4487: 4477: 4441:Northern School 4387:Northern School 4377:was a Japanese 4368: 4342: 4290: 4280:Shōrin-zu byōbu 4274:folding screens 4231: 4209: 4201:Northern School 4197:Southern School 4185: 4180: 4179: 4178: 4175: 4164:Galloping Horse 4157: 4148: 4118: 4109: 4083: 4074: 4056: 4047: 4032: 4023: 4005: 3996: 3978: 3882:Chang Ta-ch'ien 3672: 3608:Shanghai School 3604: 3599: 3598: 3597: 3594: 3556: 3547: 3521: 3512: 3505: 3496: 3493:Shanghai Museum 3462: 3453: 3450:Shanghai Museum 3446:Lotus and Birds 3431: 3422: 3376: 3367: 3333: 3324: 3294: 3155: 3108:Northern School 3104:Southern School 2965: 2890: 2885: 2884: 2883: 2880: 2838: 2829: 2793: 2784: 2762: 2753: 2746: 2737: 2730: 2721: 2675: 2635: 2508: 2436:Southeast Asian 2404:Northern School 2401: 2396: 2395: 2394: 2391: 2369: 2360: 2357:Shanghai Museum 2328: 2319: 2301: 2292: 2266: 2257: 2243: 2234: 2204: 2195: 2173: 2164: 2150: 2141: 2115: 2106: 2088: 2079: 2075: 2062: 2053: 2042: 2033: 2019: 1994: 1985: 1968: 960–1030 1967: 1942: 1933: 1897: 1888: 1870: 1861: 1839: 1771: 1539:Chinese painter 1534: 1504: 960–1030 1503: 1418: 1358:Northern School 1326:Southern School 1323: 1311:Northern School 1307:Southern School 1302: 1246:Southern School 1207:Northern School 1171: 1166: 1161: 1160: 1159: 1156: 1153: 1144: 1141: 1132: 1115: 1106: 1099: 1090: 1079: 1070: 1067: 1058: 1044: 1035: 1024: 1015: 1008: 999: 992: 965: 920:Xuan Prefecture 883: 880: 879: 857: 814: 764: 644: 605: 550: 546:Shōrin-zu byōbu 536:Hasegawa Tōhaku 445: 294: 287:Revised Hepburn 269: 250: 85: 28: 23: 22: 15: 12: 11: 5: 8300: 8290: 8289: 8284: 8279: 8274: 8269: 8267:East Asian art 8264: 8259: 8245: 8244: 8239: 8234: 8229: 8224: 8219: 8214: 8209: 8202: 8201:External links 8199: 8197: 8196: 8190: 8174: 8156: 8146: 8129: 8112: 8104:, 2000-01-01. 8091: 8081: 8055: 8040: 8034: 8018: 8000: 7986: 7964: 7962: 7959: 7956: 7955: 7922: 7892: 7871: 7859: 7856:on 4 May 2007. 7841: 7812: 7780: 7719: 7689: 7663: 7654: 7645: 7626: 7607: 7578: 7556: 7551:, p. 8890, at 7529: 7503: 7474: 7465: 7456: 7447: 7411: 7386: 7378:Hawkins (2010) 7370: 7344: 7309: 7291:978-0774815437 7290: 7270: 7228: 7202: 7169: 7153: 7123: 7097: 7085: 7059: 7044:. Boya Renwu. 7042:"Wu Changshuo" 7033: 7007: 6981: 6969: 6950: 6931: 6918: 6892: 6866: 6840: 6828: 6826:Rawson, p. 340 6819: 6804:. Boya Renwu. 6793: 6786: 6760: 6751: 6744: 6720: 6711: 6702: 6687:. Boya Renwu. 6676: 6667: 6660: 6637: 6622: 6607: 6589: 6574:. Boya Renwu. 6563: 6545: 6506: 6487: 6467: 6437: 6428: 6419: 6410: 6391: 6371: 6359: 6343: 6286: 6256: 6241:. Boya Renwu. 6230: 6221: 6212: 6193: 6153: 6132:Asia Orientale 6113: 6094: 6069: 6050: 6030: 5984: 5949: 5936: 5927: 5918: 5904: 5880: 5856: 5827: 5798: 5762: 5747: 5722: 5713: 5704: 5673:(2): 258–280. 5641: 5634: 5602: 5569: 5540: 5521: 5496: 5477: 5440: 5421: 5392: 5373: 5345: 5344: 5341: 5340: 5304:citation style 5299: 5297: 5290: 5284: 5281: 5279: 5278: 5273: 5264: 5259: 5254: 5249: 5244: 5239: 5234: 5225: 5216: 5214:Four Gentlemen 5211: 5206: 5201: 5196: 5190: 5188: 5185: 5181: 5180: 5172:Jang Seung-eop 5170: 5163: 5161: 5129: 5122: 5120: 5110:Ike no Taiga, 5109: 5102: 5100: 5086: 5079: 5077: 5064: 5057: 5055: 5044: 5037: 5035: 5019: 5012: 5010: 5003: 4996: 4994: 4978: 4971: 4969: 4959: 4952: 4950: 4923: 4916: 4913: 4912: 4911: 4896:Inwangjesaekdo 4863:Joseon dynasty 4859:Jang Seung-eop 4779:Court Painting 4775:Joseon dynasty 4764:Korean painter 4707:Mongyu dowondo 4662:In Korea, the 4659: 4656: 4531:Tomioka Tessai 4208: 4205: 4184: 4181: 4177: 4176: 4158: 4151: 4149: 4145:Lingnan School 4131:, 1879–1951), 4119: 4112: 4110: 4096:, 1876–1923), 4084: 4077: 4075: 4057: 4050: 4048: 4033: 4026: 4024: 4006: 3999: 3997: 3979: 3972: 3969: 3968: 3967: 3859:). He studied 3849:Ninghai County 3792:Lingnan School 3759:ancestral home 3757:province. His 3603: 3600: 3596: 3595: 3581:, 1824–1896), 3557: 3550: 3548: 3544:Nanjing Museum 3522: 3515: 3513: 3506: 3499: 3497: 3487:, 1642–1707), 3463: 3456: 3454: 3444:, 1626–1705), 3432: 3425: 3423: 3409:; 1555–1636), 3377: 3370: 3368: 3354:, 1521–1593), 3334: 3327: 3325: 3309:Lofty Mount Lu 3307:, 1427–1509), 3295: 3288: 3285: 3284: 3283: 3221:bā dà shān rén 2921:, 1427–1509), 2889: 2886: 2882: 2881: 2839: 2832: 2830: 2794: 2787: 2785: 2771:, 1140–1210), 2763: 2756: 2754: 2747: 2740: 2738: 2731: 2724: 2722: 2676: 2669: 2666: 2665: 2664: 2400: 2397: 2393: 2392: 2370: 2363: 2361: 2341:; 1301–1374), 2329: 2322: 2320: 2314:, 1280–1354), 2302: 2295: 2293: 2279:, 1271–1368), 2267: 2260: 2258: 2246:Huang Gongwang 2244: 2237: 2235: 2217:, 1269－1354), 2207:Huang Gongwang 2205: 2198: 2196: 2180:Evening Clouds 2174: 2167: 2165: 2151: 2144: 2142: 2130:Six Persimmons 2116: 2109: 2107: 2089: 2082: 2080: 2063: 2056: 2054: 2043: 2036: 2034: 1995: 1988: 1986: 1943: 1936: 1934: 1898: 1891: 1889: 1881:Five Dynasties 1871: 1864: 1862: 1854:Five Dynasties 1840: 1833: 1830: 1829: 1828: 1718:, 1280–1354), 1706:, 1269–1354), 1696:Huang Gongwang 1667:Six Persimmons 1572:Linquan Gaozhi 1563:Henan Province 1435:Five Dynasties 1419: 934–962 1322: 1319: 1301: 1298: 1170: 1167: 1165: 1162: 1158: 1157: 1154: 1147: 1145: 1142: 1135: 1133: 1124:Tiangong Kaiwu 1116: 1109: 1107: 1100: 1093: 1091: 1083:Tiangong Kaiwu 1080: 1073: 1071: 1068: 1061: 1059: 1045: 1038: 1036: 1028:praying mantis 1025: 1018: 1016: 1009: 1002: 1000: 993: 986: 983: 982: 981: 964: 961: 856: 853: 847:or flowers in 835:combined with 763: 760: 680:inscriptions. 643: 640: 604: 601: 444: 441: 409:hanging scroll 307: 306: 303: 302: 299: 298: 289: 283: 282: 281:Transcriptions 274: 273: 264: 258: 257: 245: 239: 238: 234: 233: 230: 229: 222: 216: 215: 208: 202: 201: 200:Transcriptions 193: 192: 185: 179: 178: 169: 163: 162: 158: 157: 154: 153: 146: 140: 139: 133: 132: 131:Transcriptions 124: 123: 114: 108: 107: 98: 92: 91: 87: 86: 61:, 1140–1210), 49: 41: 40: 37: 36: 26: 9: 6: 4: 3: 2: 8299: 8288: 8285: 8283: 8280: 8278: 8275: 8273: 8270: 8268: 8265: 8263: 8260: 8258: 8255: 8254: 8252: 8243: 8240: 8238: 8235: 8233: 8230: 8228: 8225: 8223: 8220: 8218: 8215: 8213: 8210: 8208: 8205: 8204: 8193: 8187: 8183: 8179: 8175: 8173: 8169: 8165: 8161: 8157: 8154: 8150: 8147: 8145: 8144:9780714124469 8141: 8137: 8133: 8130: 8128: 8124: 8120: 8116: 8113: 8111: 8107: 8103: 8099: 8095: 8092: 8089: 8085: 8084:Jenyns, Soame 8082: 8078: 8066: 8058: 8056:9789888028641 8052: 8048: 8047: 8041: 8037: 8035:9780521393423 8031: 8027: 8023: 8022:Hay, Jonathan 8019: 8017: 8016:9780714124469 8013: 8009: 8005: 8001: 7999: 7995: 7991: 7987: 7985: 7984:9787532600618 7981: 7977: 7973: 7971: 7966: 7965: 7943: 7939: 7938: 7933: 7926: 7910: 7906: 7902: 7896: 7889: 7888:89-958266-3-0 7885: 7881: 7875: 7868: 7863: 7855: 7851: 7845: 7829: 7825: 7816: 7800: 7796: 7792: 7784: 7768: 7764: 7760: 7756: 7752: 7748: 7744: 7740: 7737:(in Korean). 7736: 7735: 7730: 7723: 7707: 7703: 7699: 7693: 7677: 7673: 7667: 7661:Dunn, 367–368 7658: 7652:Dunn, 361–363 7649: 7642: 7638: 7635: 7630: 7623: 7619: 7616: 7615:"Suiboku-ga." 7611: 7595: 7591: 7585: 7583: 7576: 7572: 7569: 7567: 7566:Ancien Japon, 7560: 7554: 7550: 7549: 7544: 7543: 7539: 7533: 7517: 7513: 7507: 7491: 7487: 7481: 7479: 7469: 7460: 7451: 7435: 7431: 7427: 7420: 7418: 7416: 7406: 7401: 7395: 7393: 7391: 7383: 7379: 7374: 7358: 7354: 7348: 7332: 7328: 7324: 7320: 7313: 7297: 7293: 7287: 7283: 7282: 7274: 7258: 7254: 7250: 7246: 7245: 7237: 7235: 7233: 7216: 7212: 7206: 7190: 7186: 7185: 7180: 7173: 7166: 7162: 7157: 7141: 7137: 7133: 7127: 7111: 7107: 7101: 7094: 7089: 7073: 7069: 7063: 7047: 7043: 7037: 7021: 7017: 7011: 6995: 6991: 6985: 6978: 6973: 6957: 6953: 6947: 6943: 6942: 6935: 6928: 6925:Glaze, Anna. 6922: 6906: 6902: 6896: 6880: 6876: 6870: 6854: 6850: 6844: 6835: 6833: 6823: 6807: 6803: 6797: 6789: 6787:0-8109-1646-0 6783: 6779: 6774: 6773: 6764: 6755: 6747: 6741: 6737: 6733: 6732: 6724: 6715: 6706: 6690: 6686: 6680: 6671: 6663: 6657: 6653: 6650: 6649: 6641: 6633: 6626: 6618: 6614: 6610: 6608:9780226493237 6604: 6600: 6593: 6577: 6573: 6567: 6559: 6555: 6549: 6510: 6494: 6490: 6484: 6480: 6479: 6471: 6455: 6451: 6447: 6441: 6432: 6423: 6414: 6398: 6394: 6388: 6384: 6383: 6375: 6366: 6364: 6356: 6350: 6348: 6339: 6327: 6311: 6307: 6303: 6299: 6298: 6290: 6274: 6270: 6266: 6260: 6244: 6240: 6234: 6225: 6216: 6200: 6196: 6194:9787532600618 6190: 6186: 6182: 6181: 6176: 6170: 6168: 6166: 6164: 6162: 6160: 6158: 6141: 6137: 6133: 6129: 6122: 6120: 6118: 6101: 6097: 6091: 6087: 6086: 6078: 6076: 6074: 6057: 6053: 6047: 6043: 6042: 6034: 6027: 6011: 6004: 6003: 5995: 5993: 5991: 5989: 5972: 5968: 5964: 5958: 5956: 5954: 5946: 5940: 5931: 5922: 5913: 5911: 5909: 5901: 5897: 5893: 5890: 5884: 5877: 5873: 5869: 5866: 5860: 5852: 5846: 5838: 5834: 5830: 5824: 5819: 5818: 5809: 5807: 5805: 5803: 5796: 5792: 5788: 5784: 5779: 5777: 5775: 5773: 5771: 5769: 5767: 5758: 5751: 5743: 5739: 5735: 5734:Cahill, James 5729: 5727: 5717: 5708: 5692: 5688: 5684: 5680: 5676: 5672: 5668: 5664: 5660: 5654: 5652: 5650: 5648: 5646: 5637: 5635:9787534747816 5631: 5627: 5623: 5619: 5613: 5611: 5609: 5607: 5598: 5594: 5590: 5582: 5581:Cahill, James 5576: 5574: 5565: 5561: 5557: 5551: 5549: 5547: 5545: 5528: 5524: 5518: 5514: 5513: 5505: 5503: 5501: 5484: 5480: 5474: 5470: 5469: 5461: 5459: 5457: 5455: 5453: 5451: 5449: 5447: 5445: 5428: 5424: 5418: 5414: 5413: 5405: 5403: 5401: 5399: 5397: 5380: 5376: 5370: 5366: 5365: 5357: 5355: 5353: 5351: 5346: 5337: 5334: 5326: 5316: 5312: 5306: 5305: 5300:This article 5298: 5289: 5288: 5277: 5274: 5271: 5270: 5265: 5263: 5260: 5258: 5255: 5253: 5250: 5248: 5245: 5243: 5240: 5238: 5235: 5232: 5231: 5226: 5223: 5222: 5217: 5215: 5212: 5210: 5207: 5205: 5202: 5200: 5197: 5195: 5192: 5191: 5177: 5173: 5167: 5162: 5152: 5142: 5137: 5132: 5126: 5121: 5117: 5113: 5106: 5101: 5097: 5093: 5089: 5083: 5078: 5074: 5061: 5056: 5052: 5048: 5041: 5036: 5031: 5030:Shūkei-sansui 5026: 5023:(1420–1506), 5022: 5016: 5011: 5007: 5004:Gang Hui-an, 5000: 4995: 4985: 4981: 4975: 4970: 4966: 4962: 4961:Kanō Masanobu 4956: 4951: 4944: 4932: 4931: 4926: 4920: 4915: 4914: 4910: 4908: 4904: 4903: 4898: 4897: 4888: 4884: 4880: 4878: 4874: 4873: 4868: 4864: 4860: 4856: 4851: 4850:Joseon period 4835: 4831: 4827: 4823: 4822:Joseon period 4813: 4808: 4806: 4803:, especially 4802: 4798: 4792: 4784: 4780: 4776: 4773: 4769: 4765: 4761: 4757: 4755: 4751: 4748:, especially 4747: 4743: 4737: 4729: 4725: 4713: 4708: 4704: 4700: 4696: 4695:Joseon period 4692: 4688: 4686: 4682: 4677: 4676: 4670: 4669:Gang Se-hwang 4665: 4655: 4646: 4641: 4640: 4634: 4629: 4625: 4621: 4617: 4604: 4600: 4595: 4593: 4589: 4586:, especially 4585: 4581: 4577: 4573: 4569: 4565: 4564: 4559: 4558: 4553: 4549: 4545: 4542: 4537: 4532: 4527: 4521: 4520: 4514: 4510: 4505: 4503: 4499: 4476: 4475:Sesson Shukei 4472: 4464: 4460: 4457:, especially 4456: 4452: 4442: 4438: 4434: 4430: 4426: 4422: 4414: 4410: 4406: 4402: 4398: 4388: 4384: 4380: 4367: 4366:Tenshō Shūbun 4363: 4359: 4352: 4341: 4340:Kanō Masanobu 4337: 4333: 4331: 4328:monastery in 4327: 4323: 4322:Tenshō Shūbun 4319: 4315: 4312: 4308: 4307: 4300: 4289: 4285: 4282: 4281: 4275: 4271: 4270: 4264: 4259: 4256: 4255: 4249: 4248:Kanō Motonobu 4245: 4244:Kanō Masanobu 4241: 4237: 4226: 4225:Tenshō Shūbun 4222: 4218: 4214: 4204: 4202: 4198: 4190: 4169: 4165: 4161: 4155: 4150: 4146: 4138: 4134: 4126: 4122: 4116: 4111: 4103: 4099: 4091: 4087: 4081: 4076: 4068: 4064: 4063:Time and Tide 4060: 4059:Huang Binhong 4054: 4049: 4041: 4037: 4030: 4025: 4017: 4013: 4009: 4003: 3998: 3990: 3986: 3982: 3976: 3971: 3970: 3966: 3964: 3960: 3956: 3952: 3938: 3924: 3920: 3918: 3914: 3910: 3900: 3896: 3891: 3890: 3884: 3874: 3870: 3866: 3862: 3858: 3854: 3850: 3846: 3832: 3827: 3825: 3815: 3811: 3807: 3797: 3793: 3783: 3778: 3776: 3772: 3768: 3764: 3760: 3756: 3752: 3748: 3747:art historian 3744: 3742:Huáng Bīnhóng 3734: 3733:Huang Binhong 3730: 3716: 3702: 3698: 3688: 3678: 3667: 3661: 3647: 3643: 3633: 3623: 3613: 3609: 3588: 3584: 3580: 3574: 3560: 3554: 3549: 3545: 3541: 3537: 3529: 3525: 3519: 3514: 3510: 3503: 3498: 3494: 3490: 3486: 3480: 3466: 3460: 3455: 3451: 3447: 3439: 3435: 3429: 3424: 3416: 3412: 3408: 3402: 3398: 3392: 3384: 3380: 3374: 3369: 3361: 3357: 3353: 3347: 3337: 3331: 3326: 3322: 3314: 3310: 3302: 3298: 3292: 3287: 3286: 3282: 3280: 3274: 3260: 3256: 3253: 3243: 3239: 3235: 3231: 3227: 3223: 3213: 3199: 3195: 3181: 3175: 3161: 3150: 3140: 3136: 3135:(1642–1715). 3134: 3130: 3127:(1598–1677), 3126: 3123:(1592–1680), 3122: 3117: 3116: 3109: 3105: 3101: 3097: 3093: 3087: 3077: 3073: 3067: 3063: 3057: 3049: 3045: 3041: 3039: 3036:, one of the 3035: 3034:Wen Zhengming 3031: 3028:, he learned 3027: 3023: 3019: 3015: 3011: 2997: 2993: 2987: 2977: 2973: 2971: 2956: 2952: 2944: 2940: 2936: 2928: 2924: 2923:Wen Zhengming 2916: 2912: 2908: 2904: 2894: 2878: 2869: 2868: 2862: 2856: 2842: 2836: 2831: 2827: 2819: 2815: 2811: 2807: 2797: 2791: 2786: 2782: 2774: 2766: 2760: 2755: 2751: 2744: 2739: 2735: 2728: 2723: 2715: 2711: 2707: 2701: 2697: 2691: 2683: 2679: 2673: 2668: 2667: 2663: 2661: 2655: 2641: 2630: 2620: 2616: 2614: 2610: 2600: 2596: 2586: 2582: 2572: 2568: 2564: 2560: 2550: 2546: 2542: 2538: 2534: 2530: 2526: 2522: 2518: 2514: 2503: 2497: 2487: 2479: 2475: 2474:courtesy name 2471: 2465: 2461: 2455: 2447: 2443: 2439: 2437: 2433: 2423: 2419: 2415: 2405: 2389: 2381: 2377: 2373: 2367: 2362: 2358: 2350: 2346: 2345: 2344:Six Gentlemen 2336: 2332: 2326: 2321: 2317: 2309: 2305: 2299: 2294: 2286: 2282: 2274: 2270: 2264: 2259: 2255: 2254:Palace Museum 2251: 2247: 2241: 2236: 2232: 2224: 2220: 2212: 2208: 2202: 2197: 2193: 2192:Palace Museum 2185: 2181: 2178:(1248–1310), 2177: 2171: 2166: 2162: 2158: 2154: 2148: 2143: 2135: 2131: 2119: 2113: 2108: 2104: 2096: 2092: 2086: 2081: 2071: 2067: 2060: 2055: 2051: 2050:Palace Museum 2047: 2040: 2035: 2031: 2027: 2026: 2014: 2008: 1998: 1992: 1987: 1983: 1973: 1962: 1956: 1946: 1940: 1935: 1931: 1921: 1917: 1911: 1901: 1895: 1890: 1886: 1882: 1878: 1874: 1868: 1863: 1859: 1855: 1847: 1843: 1837: 1832: 1831: 1827: 1825: 1821: 1815: 1801: 1796: 1795: 1789: 1785: 1781: 1777: 1761: 1758:: Xiāngguāng 1757: 1756: 1745: 1744: 1740:, Wáng Méng; 1733: 1725: 1721: 1713: 1709: 1701: 1697: 1693: 1689: 1679: 1675: 1673: 1669: 1668: 1663: 1660: 1656: 1652: 1649: 1648:Chan Buddhist 1637: 1629: 1625: 1621: 1617: 1607: 1598: 1595: 1590: 1586: 1581: 1573: 1568: 1567:Northern Song 1564: 1561:painter from 1560: 1556: 1552: 1548: 1544: 1540: 1529: 1523: 1513: 1509: 1508:courtesy name 1498: 1492: 1482: 1471: 1467: 1466:Courtesy name 1463: 1457: 1447: 1442: 1440: 1436: 1432: 1428: 1424: 1412: 1407: 1403: 1397: 1387: 1371: 1363: 1359: 1355: 1345: 1341: 1337: 1327: 1318: 1316: 1312: 1308: 1297: 1294: 1289: 1278: 1272: 1267: 1261: 1247: 1242: 1236: 1231: 1227: 1221: 1208: 1204: 1200: 1196: 1192: 1188: 1184: 1180: 1176: 1151: 1146: 1139: 1134: 1126: 1125: 1120: 1113: 1108: 1104: 1097: 1092: 1084: 1077: 1072: 1065: 1060: 1056: 1052: 1048: 1042: 1037: 1033: 1029: 1022: 1017: 1013: 1006: 1001: 997: 996:Wanli Emperor 990: 985: 984: 980: 978: 974: 970: 960: 958: 952: 950: 946: 942: 938: 934: 933: 927: 925: 921: 917: 913: 909: 908: 903: 898: 894: 890: 886: 871: 862: 852: 850: 846: 842: 838: 834: 830: 826: 812: 807: 803: 799: 794: 790: 785: 781: 777: 773: 770:(Chinese) or 769: 759: 755: 753: 749: 745: 741: 737: 733: 729: 725: 721: 717: 713: 709: 704: 702: 697: 694: 690: 686: 681: 679: 675: 671: 667: 662: 657: 653: 649: 639: 637: 634:" by Chinese 633: 628: 621:文房四寶: 筆、墨、紙、硯 617: 612: 609: 600: 598: 594: 590: 585: 583: 579: 575: 571: 570:Impressionism 562: 548: 547: 541: 538:(1539–1610), 537: 532: 519: 509: 505: 501: 496: 489: 481: 477: 473: 467: 457: 453: 449: 440: 437: 436: 430: 425: 423: 419: 414: 410: 407:The vertical 405: 401: 399: 395: 389: 387: 384:monks in the 383: 379: 375: 371: 367: 363: 359: 355: 351: 347: 343: 339: 333: 325: 317: 313: 304: 290: 288: 284: 279: 275: 265: 263: 259: 254: 246: 244: 240: 237:Japanese name 235: 223: 221: 217: 209: 207: 203: 198: 194: 186: 184: 180: 175: 170: 168: 164: 159: 147: 145: 141: 138: 134: 129: 125: 120: 115: 113: 109: 104: 99: 97: 93: 88: 84: 80: 76: 68: 64: 56: 52: 47: 42: 38: 33: 30: 19: 8227:James Cahill 8181: 8178:Turner, Jane 8164:World of Art 8160:Japanese Art 8159: 8152: 8135: 8118: 8097: 8087: 8045: 8025: 8007: 7989: 7974:, Shanghai: 7968: 7946:. Retrieved 7942:the original 7935: 7925: 7913:. Retrieved 7909:the original 7904: 7895: 7879: 7874: 7862: 7854:the original 7844: 7832:. Retrieved 7815: 7803:. Retrieved 7799:the original 7783: 7771:. Retrieved 7738: 7732: 7722: 7710:. Retrieved 7692: 7680:. Retrieved 7674:. Towooart. 7666: 7657: 7648: 7629: 7610: 7598:. Retrieved 7565: 7559: 7553:Google Books 7547: 7541: 7537: 7532: 7520:. Retrieved 7506: 7494:. Retrieved 7468: 7459: 7450: 7438:. Retrieved 7405:the original 7373: 7361:. Retrieved 7347: 7335:. Retrieved 7326: 7322: 7312: 7300:. Retrieved 7280: 7273: 7261:. Retrieved 7243: 7219:. Retrieved 7215:the original 7205: 7193:. Retrieved 7182: 7172: 7164: 7156: 7144:. Retrieved 7135: 7126: 7114:. Retrieved 7100: 7092: 7088: 7076:. Retrieved 7062: 7050:. Retrieved 7036: 7024:. Retrieved 7010: 6998:. Retrieved 6994:the original 6984: 6972: 6960:. Retrieved 6940: 6934: 6926: 6921: 6909:. Retrieved 6895: 6883:. Retrieved 6869: 6857:. Retrieved 6843: 6822: 6810:. Retrieved 6796: 6771: 6763: 6754: 6730: 6723: 6714: 6705: 6693:. Retrieved 6685:"Gao Kegong" 6679: 6670: 6647: 6640: 6631: 6625: 6598: 6592: 6580:. Retrieved 6566: 6558:the original 6548: 6509: 6497:. Retrieved 6477: 6470: 6458:. Retrieved 6440: 6431: 6422: 6413: 6401:. Retrieved 6381: 6374: 6354: 6314:. Retrieved 6296: 6289: 6277:. Retrieved 6268: 6259: 6247:. Retrieved 6233: 6224: 6219:Sickman, 334 6215: 6203:. Retrieved 6183:. Shanghai: 6179: 6144:. Retrieved 6135: 6131: 6104:. Retrieved 6084: 6060:. Retrieved 6040: 6033: 6025: 6017:, retrieved 6001: 5975:. Retrieved 5966: 5944: 5939: 5930: 5921: 5899: 5883: 5875: 5859: 5816: 5786: 5756: 5750: 5737: 5716: 5707: 5695:. Retrieved 5670: 5666: 5659:Fong, Wen C. 5621: 5588: 5559: 5531:. Retrieved 5511: 5487:. Retrieved 5467: 5431:. Retrieved 5411: 5383:. Retrieved 5363: 5329: 5320: 5301: 5176:Double Eagle 5175: 5111: 5091: 5088:Ike no Taiga 5072: 5046: 5024: 5005: 4983: 4964: 4928: 4907:Ingokjeongsa 4906: 4905:(1734), and 4900: 4894: 4881: 4877:Im Kwon-taek 4875:directed by 4872:Chi-hwa-seon 4870: 4809: 4794: 4758: 4741:nán zōng huà 4739: 4689: 4661: 4637: 4612:, 1723–1776) 4603:Ike no Taiga 4596: 4584:Song dynasty 4567: 4561: 4555: 4506: 4484:, 1504–1589) 4473: 4450:běi zōng huà 4448: 4428: 4424: 4420: 4396:běi zōng huà 4394: 4379:Zen Buddhist 4334: 4304: 4298: 4286: 4260: 4217:Zen Buddhist 4210: 4186: 4163: 4132: 4097: 4086:Chen Shizeng 4062: 4035: 4011: 3984: 3981:Wu Changshuo 3948: 3934: 3921: 3906: 3880: 3873:Zhang Daqian 3865:Wu Changshuo 3844:Pān Tiānshòu 3842: 3831:Pan Tianshou 3828: 3821: 3805:Hsü Pei-hung 3803: 3784:(1879–1951; 3779: 3773:and finally 3740: 3726: 3712: 3696:Wang I-t'ing 3694: 3684: 3663: 3657: 3639: 3629: 3621:Wú Chāngshuò 3619: 3612:Wu Changshuo 3605: 3602:Modern times 3582: 3576: 3570: 3539: 3508: 3488: 3482: 3476: 3445: 3410: 3404: 3396:Dǒng Qíchāng 3394: 3379:Dong Qichang 3355: 3349: 3343: 3308: 3276: 3270: 3257: 3242:Ming dynasty 3230:Ming dynasty 3219: 3209: 3191: 3177: 3171: 3146: 3139:Bada Shanren 3137: 3100:Ming dynasty 3096:calligrapher 3089: 3083: 3069: 3061:Dǒng Qíchāng 3059: 3044:Dong Qichang 3042: 3014:Ming dynasty 3007: 2989: 2983: 2974: 2907:Ming dynasty 2900: 2891: 2858: 2852: 2813: 2812:1195–1225), 2803: 2772: 2749: 2733: 2709: 2703: 2693: 2657: 2651: 2626: 2617: 2578: 2525:Song dynasty 2499: 2493: 2467: 2457: 2440: 2431:nán zōng huà 2429: 2422:Tang dynasty 2413:běi zōng huà 2411: 2402: 2375: 2342: 2316:Crooked Pine 2315: 2280: 2249: 2218: 2179: 2156: 2129: 2102: 2070:Song dynasty 2065: 2046:Ping Yuan Tu 2045: 2025:Early Spring 2023: 2010: 2004: 1971: 1958: 1952: 1919: 1918:; 919–967), 1913: 1907: 1876: 1845: 1819:Kao K'o-kung 1817: 1811: 1780:Ming dynasty 1776:Yuan dynasty 1754: 1742: 1685: 1676: 1665: 1613: 1582: 1525: 1519: 1494: 1488: 1464:; 919–967), 1459: 1453: 1443: 1439:Dong Qichang 1427:Tang dynasty 1423:Tang dynasty 1411:dung3 ngion4 1399: 1393: 1368:; 699–759), 1351: 1335:nán zōng huà 1333: 1324: 1315:Dong Qichang 1303: 1290:, Japanese: 1285: 1268:, Japanese: 1263: 1257: 1223: 1217: 1203:Dong Qichang 1199:Ming dynasty 1187:Tang dynasty 1172: 1122: 1082: 966: 956: 953: 930: 928: 912:Tang dynasty 905: 901: 878: 869: 860: 858: 795: 765: 756: 705: 698: 682: 645: 631: 624:," (Pinyin: 613: 610: 606: 588: 586: 582:Confucianism 566: 539: 503: 475: 474:; 919–967), 469: 463: 426: 406: 402: 390: 386:14th century 382:Zen Buddhist 378:Song dynasty 358:Tang dynasty 335: 311: 310: 293:1. suibokuga 144:Hanyu Pinyin 90:Chinese name 62: 29: 8257:Chinese art 8073:|work= 7948:22 December 7915:22 December 7867:Turner 2003 7834:12 December 7820:(in Korean) 7805:14 November 7773:14 November 7741:: 113–133. 7337:10 December 7302:10 December 7195:20 November 7184:China Daily 6849:"CHEN CHUN" 6572:"Mi Youren" 6403:12 December 6334:|work= 6239:"Zhang Zao" 6187:(上海辭書出版社). 5977:17 December 5934:Jenyns, 123 5757:Composition 5618:Zhiying, Hu 5153:: 5143:: 5131:Kim Hong-do 5021:Sesshū Tōyō 4984:Late Winter 4834:Kim Hong-do 4812:Gang Hui-an 4796:Yuàn Tǐ Huà 4710: [ 4622:during the 4576:Chishaku-in 4409:Sesshū Tōyō 4362:Kanō school 4336:Kanō school 4242:founded by 4240:Kanō school 4236:Sesshū Tōyō 4232: 1450 4044:松柏高立圖·篆書四言聯 3961:and writer 3950:Féng Yàhéng 3631:Wú Chāngshí 3226:Han Chinese 3133:Wang Yuanqi 3121:Wang Shimin 3030:calligraphy 2902:Míng Sì Jiā 2523:during the 2438:paintings. 2076: 1070 1856:(Chinese). 1824:Fang Congyi 1687:Yuán Sì Jiā 1433:during the 1353:wén rén huà 1346:painting" ( 1103:Western Han 1055:animal glue 916:Jing County 861:traditional 837:animal glue 685:Han dynasty 589:Composition 520:: 510:: 394:calligraphy 161:Korean name 8251:Categories 8172:0500203261 8127:0714820083 8115:Loehr, Max 7998:3829017456 7961:References 7672:"An Gyeon" 7380:, p. 7355:. Artnet. 7161:Gao Minglu 7146:27 January 7108:. Artnet. 7070:. Artnet. 7052:8 December 6962:22 January 6812:8 December 6695:8 December 6582:8 December 6306:1122878721 6249:8 December 6146:3 December 6106:22 January 5828:0486264815 5795:0140218637 5562:. Taipei: 5556:Loehr, Max 5533:22 January 5489:22 January 5433:22 January 5385:22 January 5315:footnoting 4883:Jeong Seon 4805:Huang Quan 4628:Yosa Buson 4624:Edo period 4563:Pine Trees 4326:Shōkoku-ji 4301:1405–1496) 4160:Xu Beihong 4121:Gao Jianfu 4034:QiBaishi, 4012:Ink Shrimp 3796:Xu Beihong 3782:Gao Jianfu 3763:She County 3714:qí bái shí 3641:Wú Jùnqīng 3524:Huang Shen 3401:Wade–Giles 3076:Four Wangs 3066:Wade–Giles 2700:Wade–Giles 2559:Zhe School 2464:Wade–Giles 2256:, Beijing. 2194:, Beijing. 2176:Gao Kegong 2052:, Beijing. 1844:(934–962) 1813:Gaō Kègōng 1800:Gao Kegong 1746:: Shūmíng 1659:Daitoku-ji 1259:Nanzonghua 1219:Beizonghua 1087:天工開物-松烟制墨法 949:rice paper 897:Xuan paper 877:; Pinyin: 870:simplified 855:Xuan paper 849:bas-relief 845:landscapes 784:Xuan paper 768:rice paper 534:Japanese: 443:Philosophy 413:handscroll 366:monochrome 75:Xuan paper 73:), ink on 8075:ignored ( 7763:201782649 7755:1944-6497 7329:: 18–23. 6802:"Yan Hui" 6617:270606633 6336:ignored ( 6326:cite book 6180:Cihai(辭海) 5876:趣談「文房四寶」. 5845:cite book 5626:Zhengzhou 5323:June 2023 5269:Shan shui 5136:Gunseondo 5047:Landscape 4980:Ahn Gyeon 4943:Hyōnen-zu 4588:Liang Kai 4008:Qi Baishi 3908:Fù Bàoshí 3899:Fu Baoshi 3823:Liú Hǎisù 3814:Liu Haisu 3701:Qi Baishi 3686:Wang Chen 3677:Wang Zhen 3484:Shih-t'ao 3297:Shen Zhou 3224:), was a 3179:Shih-t'ao 3125:Wang Jian 3115:shan shui 3012:), was a 2996:Chen Chun 2970:Zhou Chen 2935:Wu School 2911:Shen Zhou 2765:Liang Kai 2748:Li Tang, 2732:Li Tang, 2628:Liáng Kǎi 2619:Liang Kai 2269:Wang Meng 2233:, Taipei. 2032:, Taipei. 1960:Fan K'uan 1915:Li Ch'eng 1883:, China. 1873:Dong Yuan 1860:, Taipei. 1842:Dong Yuan 1794:wenrenhua 1784:exponents 1732:Wang Meng 1694:painters 1628:Mi Youren 1559:landscape 1496:Fan K'uan 1461:Li Ch'eng 1401:Tung Yüan 1395:Dǒng Yuán 1386:Dong Yuan 1370:Zhang Zao 1287:Wenrenhua 1235:Hokushūga 1195:Zhang Zao 1179:four arts 1131:), China. 1129:天工開物-覆簾壓紙 951:as well. 689:monograph 674:Meng Tian 654:(475–221 471:Li Ch'eng 435:shan shui 374:imitation 362:realistic 350:black ink 342:ink brush 337:shuǐmòhuà 150:shuǐmòhuà 51:Liang Kai 8180:(2003). 8024:(2001). 7828:Archived 7767:Archived 7706:Archived 7676:Archived 7637:Archived 7618:Archived 7594:Archived 7571:Archived 7548:, p. 889 7516:Archived 7496:5 August 7490:Archived 7434:Archived 7357:Archived 7331:Archived 7296:Archived 7257:Archived 7253:23317610 7189:Archived 7140:Archived 7138:. 2014. 7110:Archived 7072:Archived 7046:Archived 7020:Archived 6977:Hay 2001 6956:Archived 6911:5 August 6905:Archived 6879:Archived 6853:Archived 6806:Archived 6689:Archived 6576:Archived 6493:Archived 6454:Archived 6397:Archived 6369:Liu, 50. 6310:Archived 6273:Archived 6243:Archived 6199:Archived 6140:Archived 6100:Archived 6056:Archived 6010:archived 5971:Archived 5969:. 2019. 5892:Archived 5868:Archived 5837:21875564 5691:Archived 5661:(2003). 5620:(2007). 5593:Hangzhou 5589:New Arts 5585:中國繪畫史方法論 5558:(1970). 5527:Archived 5483:Archived 5427:Archived 5379:Archived 5311:citation 5187:See also 5053:, Japan. 5045:Sesshū, 4899:(1751), 4750:Li Cheng 4691:An Gyeon 4664:Dohwaseo 4633:bunjinga 4616:Japanese 4541:Japanese 4526:bunjinga 4429:Bikeisai 4413:Japanese 4314:Japanese 4254:yamato-e 3775:Hangzhou 3771:Shanghai 3755:Zhejiang 3749:born in 3728:qí huáng 3507:Shitao, 3238:Nanchang 3234:Zhu Quan 3129:Wang Hui 3091:Ssŭ Wang 2951:Qiu Ying 2939:Tang Yin 2805:Hsia Kui 2800:夏圭 or 夏珪 2705:Li T'ang 2609:Japanese 2580:Hsia Kui 2575:夏圭 or 夏珪 2537:Li Cheng 2533:Fan Kuan 2521:Hangzhou 2469:Li T'ang 2064:Guo Xi, 2044:Guo Xi, 1984:, Taipei 1954:Fàn Kuān 1945:Fan Kuan 1909:Lǐ Chéng 1900:Li Cheng 1662:triptych 1610:米芾 or 米黻 1543:Jing Hao 1490:Fàn Kuān 1481:Fan Kuan 1455:Lǐ Chéng 1446:Li Cheng 1362:Wang Wei 1344:literati 1293:Bunjinga 1271:Nanshūga 1230:Japanese 1191:Wang Wei 1057:, China. 1047:Inkstick 1012:Qianlong 969:inkstone 963:Inkstone 945:mulberry 893:Jingxian 802:inkstone 800:over an 798:inkstick 762:Inkstick 693:Cai Yong 672:general 666:Changsha 500:An Gyeon 498:Korean: 465:Lǐ Chéng 456:Li Cheng 422:Qianlong 370:virtuoso 295:2. sumie 268:1. すいぼくが 262:Hiragana 226:sumukhwa 212:sumukhwa 7712:21 July 7600:21 July 7522:21 July 7440:21 July 7221:18 June 7026:21 July 7000:17 July 6885:21 July 6778:223–224 6460:21 July 6353:Ebrey, 6062:26 July 6019:26 July 5900:走近文房四寶. 5742:Nanning 5687:3177344 5112:Orchids 4925:Josetsu 4783:Chinese 4768:Miryang 4766:of the 4728:Chinese 4582:of the 4544:painter 4463:Xia Gui 4459:Ma Yuan 4405:Josetsu 4324:at the 4306:suiboku 4288:Josetsu 4221:Josetsu 4189:Chinese 4168:Chinese 4137:Chinese 4125:Chinese 4102:Chinese 4090:Chinese 4067:Chinese 4040:Chinese 4016:Chinese 3989:Chinese 3913:Chinese 3895:forgers 3665:P'u Hua 3587:Chinese 3528:Chinese 3478:Shí Tāo 3438:Chinese 3415:Chinese 3383:Chinese 3360:Chinese 3351:Hsü Wei 3313:Chinese 3301:Chinese 3232:prince 3193:Yuán Jì 3173:Shí Tāo 3085:Sì Wáng 3048:Chinese 2991:Hsü Wei 2955:Chinese 2943:Chinese 2927:Chinese 2915:Chinese 2860:Yen Hui 2854:Yán Huī 2841:Yan Hui 2818:Chinese 2796:Xia Gui 2714:Chinese 2695:Lǐ Táng 2682:Chinese 2678:Li Tang 2659:Yen Hui 2653:Yán Huī 2640:Yan Hui 2611:master 2599:Ma Yuan 2595:Li Tang 2571:Xia Gui 2549:Xia Gui 2545:Ma Yuan 2541:Xia Gui 2517:Kaifeng 2501:Ma Yüan 2495:Mǎ Yuǎn 2486:Ma Yuan 2478:Chinese 2459:Lǐ Táng 2446:Chinese 2442:Li Tang 2380:Chinese 2349:Chinese 2335:Chinese 2308:Chinese 2304:Wu Zhen 2285:Chinese 2273:Chinese 2223:Chinese 2211:Chinese 2184:Chinese 2134:Chinese 2095:Chinese 2012:Kuo Hsi 1724:Chinese 1712:Chinese 1708:Wu Zhen 1700:Chinese 1692:Chinese 1624:Taiyuan 1527:Kuo Hsi 1431:painter 1119:Cai Lun 776:unsized 708:brushes 480:Chinese 452:Chinese 67:Chinese 55:Chinese 8188: 8170: 8142: 8134:(ed). 8125: 8108: 8053: 8032: 8014: 8006:(ed). 7996: 7982: 7905:asemus 7886: 7761: 7753: 7682:7 July 7568:p. 80. 7538:Shūbun 7363:7 July 7288: 7263:7 July 7251: 7116:7 July 7078:7 July 6948: 6859:7 July 6784: 6742: 6658: 6615: 6605: 6499:7 July 6485: 6389: 6357:, 162. 6316:25 May 6304: 6279:25 May 6205:7 July 6191: 6092: 6048: 5835: 5825: 5793: 5740:(20). 5697:8 July 5685: 5632: 5519: 5475: 5419: 5371: 5221:Haboku 5204:Daoism 5149:; 5141:Korean 4887:Korean 4830:Sejong 4826:gwageo 4793:: 4791:pinyin 4785:: 4772:Korean 4762:was a 4754:Guo Xi 4738:: 4736:pinyin 4730:: 4699:Seosan 4675:seonbi 4645:bunjin 4614:was a 4491:長谷川等伯 4425:Unkoku 4191:: 4170:: 4141:東戰場的烈焰 4139:: 4127:: 4104:: 4092:: 4069:: 4042:: 4018:: 3991:: 3963:Lu Xun 3959:Shitao 3936:Shí Lǔ 3923:Shi Lu 3889:guohua 3751:Jinhua 3659:Pú Huá 3646:Pu Hua 3589:: 3578:Hsü Ku 3530:: 3465:Shitao 3440:: 3434:Zhu Da 3417:: 3403:: 3393:: 3391:pinyin 3385:: 3362:: 3356:Grapes 3345:Xú Wèi 3336:Xu Wei 3315:: 3303:: 3278:Hsü Ku 3160:Shitao 3148:zhū dā 3068:: 3058:: 3056:pinyin 3050:: 3026:Suzhou 2985:Xú Wèi 2976:Xu Wei 2957:: 2945:: 2929:: 2917:: 2867:Shi De 2820:: 2716:: 2702:: 2692:: 2690:pinyin 2684:: 2613:Sesshū 2567:Sesshū 2563:Shūbun 2529:Guo Xi 2480:: 2476:Xigu ( 2466:: 2456:: 2454:pinyin 2448:: 2382:: 2372:Ni Zan 2351:: 2337:: 2331:Ni Zan 2310:: 2287:: 2275:: 2225:: 2213:: 2186:: 2136:: 2097:: 2091:Su Shi 2006:Guō Xī 1997:Guo Xi 1726:: 1720:Ni Zan 1714:: 1702:: 1589:Su Shi 1551:Korean 1521:Guō Xī 1512:Guo Xi 1470:Xiánxī 1384:) and 1265:Nanhua 1241:Hokuga 1225:Beihua 973:mortar 941:bamboo 811:bokuju 740:badger 736:marten 732:rabbit 720:cattle 712:bamboo 701:Huzhou 578:Daoism 554:松林図屏風 516:; 508:Korean 482:: 346:washes 334:: 332:pinyin 326:: 318:: 270:2. すみえ 249:1. 水墨画 167:Hangul 83:Taipei 69:: 57:: 8287:Zenga 7970:Cihai 7759:S2CID 7540:" in 6175:Cihai 6013:(PDF) 6006:(PDF) 5683:JSTOR 5591:(1). 5283:Notes 5151:Hanja 5068:雪村周継 4867:Korea 4799:) of 4744:) of 4719:몽유도원도 4714:] 4658:Korea 4639:nanga 4620:Kyoto 4599:Mi Fu 4557:byōbu 4536:nanga 4519:nanga 4481:雪村周継 4468:秋冬山水図 4453:) of 4427:, or 4417:雪舟等楊 4399:) of 4372:天章周文 4351:Kyoto 4346:狩野元信 4330:Kyoto 4269:byōbu 4207:Japan 4071:歲月勞奔圖 3863:with 3767:Anhui 3591:溪山高遠圖 3572:Xū Gǔ 3559:Xu Gu 3419:婉孌草堂圖 3272:Xū Gǔ 3259:Xu Gu 3247:(朱若極) 3032:from 2822:風雨行舟圖 2777:出山釋迦圖 2718:萬壑松風圖 2384:秋林野興圖 2289:青卞隱居圖 2227:富春山居圖 2188:秋山暮靄圖 1977:谿山行旅圖 1850:洞天山堂圖 1760:Jūshì 1672:Japan 1615:Mǐ Fú 1606:Mi Fu 1547:Juran 1338:) of 1277:Nanga 827:from 789:washi 772:washi 728:sheep 724:horse 714:with 664:near 642:Brush 523:夢遊桃源圖 518:Hanja 513:몽유도원도 484:茂林遠岫圖 418:seals 243:Kanji 183:Hanja 8186:ISBN 8168:ISBN 8140:ISBN 8123:ISBN 8106:ISBN 8077:help 8051:ISBN 8030:ISBN 8012:ISBN 7994:ISBN 7980:ISBN 7950:2014 7917:2014 7884:ISBN 7836:2020 7807:2009 7795:Nate 7775:2009 7751:ISSN 7714:2021 7684:2021 7602:2021 7524:2021 7498:2021 7442:2021 7365:2021 7339:2020 7304:2020 7286:ISBN 7265:2021 7249:OCLC 7223:2008 7197:2019 7177:毕楠. 7148:2015 7118:2021 7080:2021 7054:2020 7028:2021 7002:2008 6964:2019 6946:ISBN 6913:2021 6887:2021 6861:2021 6814:2020 6782:ISBN 6740:ISBN 6697:2020 6656:ISBN 6613:OCLC 6603:ISBN 6584:2020 6540:海岳外史 6534:襄陽漫士 6528:鹿門居士 6501:2021 6483:ISBN 6462:2021 6405:2020 6387:ISBN 6338:help 6318:2017 6302:OCLC 6281:2017 6251:2020 6207:2021 6189:ISBN 6148:2017 6108:2019 6090:ISBN 6064:2021 6046:ISBN 6021:2021 5979:2019 5851:link 5833:OCLC 5823:ISBN 5791:ISBN 5699:2021 5630:ISBN 5535:2019 5517:ISBN 5491:2019 5473:ISBN 5435:2019 5417:ISBN 5387:2019 5369:ISBN 5313:and 5242:Jizi 4752:and 4636:(or 4592:Muqi 4590:and 4566:and 4502:Muqi 4498:Muqi 4461:and 4421:Tōyō 4403:and 4227:(d. 4199:and 3761:was 3364:墨葡萄圖 3216:八大山人 3206:揚州八怪 3202:扬州八怪 3106:and 3004:青藤山人 2565:and 2543:and 2535:and 2519:and 2353:六君子圖 2153:Muqi 2118:Muqi 1925:晴峦萧寺 1764:香光居士 1664:and 1651:monk 1636:Muqi 1620:poet 1577:林泉高致 1309:and 1053:and 1051:soot 967:The 943:and 924:hemp 904:and 829:pine 825:soot 786:and 780:Silk 752:wolf 750:and 748:boar 744:deer 716:goat 71:潑墨仙人 7743:doi 6736:160 5898:." 5874:." 5675:doi 5156:群仙圖 5146:군선도 5071:), 4937:瓢鮎図 4865:in 4839:김홍도 4787:院體畫 4732:南宗画 4609:池大雅 4445:北宗画 4391:北宗画 4311:Zen 4299:fl. 4172:奔馬圖 4129:高劍父 4106:芝石圖 4094:陳師曾 4020:墨蝦圖 3993:墨梅圖 3945:馮亞珩 3941:冯亚珩 3903:傅抱石 3877:張大千 3839:潘天壽 3835:潘天寿 3818:刘海粟 3812:". 3800:徐悲鴻 3787:高剑父 3737:黃賓虹 3709:齊白石 3705:齐白石 3691:王一亭 3636:吳俊卿 3626:吳昌石 3616:吳昌碩 3538:), 3387:董其昌 3317:廬山高 3158:), 3052:董其昌 3024:in 2931:文徵明 2897:明四家 2863:), 2810:fl. 2585:fl. 2426:南宗画 2408:北宗画 2215:黄公望 2138:六柿圖 2022:), 2015:) ( 1970:), 1808:髙克恭 1804:高克恭 1790:" ( 1767:) ( 1755:Hao 1704:黄公望 1682:元四家 1632:米友仁 1530:) ( 1506:), 1479:), 1406:Gan 1378:or 1348:文人画 1330:南宗画 1296:). 1282:文人画 1274:or 1262:or 1252:or 1250:南宗画 1238:or 1222:or 1212:or 1210:北宗画 1173:In 977:ink 937:elm 914:in 884:zhǐ 833:oil 831:or 806:ink 670:Qin 656:BCE 648:Chu 630:) " 618:: " 427:In 348:of 328:水墨畫 320:水墨画 251:2. 189:水墨畵 174:수묵화 119:水墨画 103:水墨畫 8253:: 8117:, 8100:, 8086:, 8069:: 8067:}} 8063:{{ 7972:, 7934:. 7903:. 7790:國手 7765:. 7757:. 7749:. 7739:58 7731:. 7704:. 7700:. 7581:^ 7514:. 7477:^ 7432:. 7428:. 7414:^ 7389:^ 7382:62 7327:12 7325:. 7321:. 7294:. 7255:. 7231:^ 7187:. 7181:. 7134:. 6954:. 6831:^ 6780:. 6738:. 6654:. 6611:. 6522:南宮 6516:元章 6491:. 6452:. 6448:. 6395:. 6362:^ 6346:^ 6330:: 6328:}} 6324:{{ 6308:. 6300:. 6271:. 6267:. 6197:. 6156:^ 6136:18 6134:. 6130:. 6116:^ 6098:. 6072:^ 6054:. 5987:^ 5965:. 5952:^ 5907:^ 5847:}} 5843:{{ 5831:. 5801:^ 5785:, 5765:^ 5725:^ 5689:. 5681:. 5671:85 5669:. 5665:. 5644:^ 5624:. 5605:^ 5595:: 5587:. 5572:^ 5543:^ 5525:. 5499:^ 5481:. 5443:^ 5425:. 5395:^ 5377:. 5349:^ 5174:, 5133:, 5090:, 4989:만동 4982:, 4963:, 4940:, 4891:정선 4889:: 4857:. 4845:단원 4817:인재 4807:. 4789:; 4756:. 4734:; 4712:ko 4701:, 4651:文人 4594:. 4447:; 4423:, 4415:: 4407:. 4393:; 4297:, 4294:如拙 4229:c. 4203:. 4193:如拙 4166:, 4162:, 4135:, 4100:, 4065:, 4061:, 4038:, 4014:, 4010:, 3987:, 3983:, 3947:; 3943:; 3933:; 3931:石魯 3929:; 3927:石鲁 3905:; 3879:; 3851:, 3841:; 3837:; 3820:; 3802:; 3765:, 3753:, 3739:; 3725:; 3723:齊璜 3721:; 3719:齐璜 3717:, 3711:; 3707:; 3693:; 3683:; 3681:王震 3670:c. 3668:; 3662:; 3656:; 3654:蒲華 3652:; 3650:蒲华 3638:; 3628:; 3618:; 3585:, 3575:; 3569:; 3567:虛谷 3565:; 3563:虚谷 3532:黃慎 3481:; 3475:; 3473:石濤 3471:; 3469:石涛 3442:朱耷 3413:, 3399:; 3389:; 3358:, 3348:; 3342:; 3340:徐渭 3305:沈周 3275:; 3269:; 3267:虛谷 3265:; 3263:虚谷 3218:; 3208:; 3204:; 3190:; 3188:原济 3186:; 3184:原濟 3176:; 3170:; 3168:石濤 3166:; 3164:石涛 3153:c. 3145:; 3143:朱耷 3088:; 3082:; 3080:四王 3064:; 3054:; 3006:; 3000:陳淳 2988:; 2982:; 2980:徐渭 2963:c. 2961:, 2959:仇英 2947:唐寅 2937:, 2919:沈周 2899:; 2873:拾得 2857:; 2851:; 2849:顏輝 2847:; 2845:颜辉 2816:, 2808:; 2802:; 2775:, 2769:梁楷 2712:, 2698:; 2688:; 2686:李唐 2656:; 2650:; 2648:顏輝 2646:; 2644:颜辉 2633:c. 2631:; 2625:; 2623:梁楷 2604:馬夏 2590:禹玉 2583:; 2577:; 2569:. 2554:馬夏 2531:, 2506:c. 2504:; 2498:; 2492:; 2490:馬遠 2482:晞古 2472:, 2462:; 2452:; 2450:李唐 2428:; 2410:; 2374:, 2339:倪瓚 2312:吳鎮 2277:王蒙 2248:, 2221:, 2155:, 2132:, 2126:牧谿 2124:; 2122:法常 2073:c. 2017:c. 2009:; 2003:; 2001:郭熙 1965:c. 1963:, 1957:; 1951:; 1949:范寬 1912:; 1906:; 1904:李成 1875:, 1826:. 1816:; 1810:; 1806:; 1769:c. 1752:, 1749:叔明 1743:Zi 1737:王蒙 1728:倪瓚 1716:吳鎮 1684:; 1674:. 1644:法常 1640:牧谿 1612:; 1602:苏轼 1600:; 1545:, 1532:c. 1524:; 1518:; 1516:郭熙 1501:c. 1499:, 1493:; 1487:; 1485:范寬 1476:咸熙 1458:; 1452:; 1450:李成 1416:c. 1414:; 1408:: 1404:, 1398:; 1392:; 1390:董源 1381:张藻 1375:张璪 1366:王維 1350:; 1332:; 1284:; 1256:; 1254:南画 1232:: 1228:, 1216:; 1214:北画 1201:, 868:, 818:墨汁 778:. 746:, 742:, 738:, 734:, 730:, 726:, 722:, 718:, 584:. 502:, 468:; 462:; 460:李成 454:: 330:; 322:; 253:墨絵 81:, 59:梁楷 8194:. 8079:) 8059:. 8038:. 7952:. 7919:. 7890:. 7838:. 7809:. 7777:. 7745:: 7716:. 7686:. 7604:. 7526:. 7500:. 7444:. 7384:. 7367:. 7341:. 7306:. 7267:. 7225:. 7199:. 7150:. 7120:. 7082:. 7056:. 7030:. 7004:. 6966:. 6915:. 6889:. 6863:. 6816:. 6790:. 6748:. 6699:. 6664:. 6619:. 6586:. 6543:) 6503:. 6464:. 6407:. 6340:) 6320:. 6283:. 6253:. 6209:. 6150:. 6110:. 6066:. 5981:. 5853:) 5839:. 5759:. 5701:. 5677:: 5638:. 5599:. 5537:. 5493:. 5437:. 5389:. 5336:) 5330:( 5325:) 5321:( 5317:. 5307:. 5139:( 5118:. 5098:. 5027:( 4986:( 4946:) 4934:( 4885:( 4836:( 4781:( 4726:( 4716:( 4648:( 4606:( 4488:( 4478:( 4443:( 4411:( 4389:( 4369:( 4353:) 4343:( 4291:( 4123:( 4088:( 3925:( 3901:( 3875:( 3833:( 3816:( 3798:( 3735:( 3703:( 3679:( 3648:( 3614:( 3561:( 3546:. 3526:( 3495:. 3467:( 3452:. 3436:( 3381:( 3338:( 3323:. 3311:( 3299:( 3261:( 3200:( 3162:( 3141:( 3078:( 3046:( 2998:( 2978:( 2953:( 2941:( 2925:( 2913:( 2895:( 2879:. 2871:( 2843:( 2828:. 2798:( 2767:( 2680:( 2642:( 2621:( 2573:( 2488:( 2444:( 2406:( 2390:. 2378:( 2359:. 2347:( 2333:( 2306:( 2283:( 2271:( 2209:( 2182:( 2163:. 2120:( 2099:蘇 2093:( 1999:( 1974:( 1947:( 1932:. 1922:( 1902:( 1887:. 1848:( 1802:( 1734:( 1722:( 1710:( 1698:( 1680:( 1638:( 1630:( 1608:( 1597:軾 1594:蘇 1591:( 1514:( 1483:( 1473:( 1448:( 1388:( 1372:( 1364:( 1328:( 1248:( 1127:( 1085:( 1034:. 874:纸 865:紙 821:) 815:( 563:. 557:) 551:( 506:( 490:. 478:( 458:( 314:( 65:( 53:( 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index