511:". According to Thiele's own account, this led to a screaming match; Newton then had to be locked out of the studio and he stood outside throughout the session, banging on the door and yelling to be let in. The single was released with little promotion from ABC and it sold relatively poorly in the U.S.. In Europe, it sold more than 1.5 million copies and went to #1 in the UK. Demand from ABC's European distributor
503:", which Thiele co-wrote and produced for ABC's pop division shortly before Armstrong's death. Although the musicians were apparently unaware of the drama, the recording session is reported to have been the scene of a clash between Thiele and Newton. When Newton arrived at the session he became upset when he discovered that Armstrong was recording a ballad rather than a '
211:
To market music from the successful TV show, ABC-Paramount established the Am-Par Record
Corporation and the ABC-Paramount label in early 1955, appointing Sam Clark, a Boston record distributor, as president, with Larry Newton as sales manager and Harry Levine the A&R director. The new recording
254:
The label's logo featured the
Impulse! name in a heavy, sans-serif, lower-cased font, followed by an exclamation mark that mirrors the lower-case "i" at the beginning. For most of the 1960s, Impulse!'s album covers featured the logo in orange letters in a white circle, with black-and-orange
32:
264:
Album covers often featured stylish, large-format photographs or paintings, usually in color, which were typically bled out to the edges of the cover and printed on glossy laminated stock. Many of the best-known
Impulse! covers were designed by art director
515:
for an album forced ABC to issue one, but they did not promote the album and it did not chart in the U.S. Twenty years later, it became the most successful recording of both
Armstrong's and Thiele's careers, thanks to its inclusion on the soundtrack
577:. By this time, pop-rock acts dominated the company's output, with Impulse! releases accounting for only 5 percent of total sales. It was also during this time that Impulse! became the first all-jazz label to release a rock album when it issued
466:
Aided by good promotion and ABC-Paramount's well-established distribution chain, Coltrane enjoyed the highest profile and the strongest and most consistent sales of any
Impulse! artist. In addition to its artistic influence, Coltrane's 1965 LP
251:(then known as Fran Scott), whom Taylor also credits with establishing the label's tradition of using cutting-edge photographers for its covers. The color scheme was chosen for its brightness and because no other label used this combination.
261:, which used the design in black and white. In 1968 the circular front-cover badge was replaced by a one-color design featuring a simplified Impulse! logo and the ABC Records logo side by side within a divided rectangular border.
301:) The sparse black-and-white back covers bore the slogan "The New Wave of Jazz is on IMPULSE!" Most Impulse! LPs were issued in a gatefold sleeve, with photographs, liner notes, and, in some cases, multi-page booklets.
231:. Taylor became producer and A&R manager. He chose the name "Pulse" but then learned there was already a label with that name, so he added a prefix. In the mid-1960s, the headquarters of Impulse! was moved to 1130
1579:
598:, and subsequently, that company's jazz recordings were incorporated into the Impulse! catalog. New recordings from the label ceased in the late 1970s, but ABC reissued titles until the company was sold to
429:, released in March 1962. Although unfamiliar with the "new jazz" movement, Thiele backed his artists, afforded them unprecedented freedom in their repertoire, and gave leading acts like Coltrane
606:, during which time the label started releasing important titles that had otherwise been unavailable and began signing new artists during the late 1990s. In 1999, Impulse! became part of
488:
Thiele severed his ties with
Impulse! in 1969, setting up a short-lived deal to provide independently produced recordings, before leaving the label entirely to establish his own imprint,
198:, the former head of Paramount Pictures, the company "sought to establish itself as a cross-media force in television, theaters and sound recordings". It enjoyed early success in TV with
266:
1407:
866:
861:
290:
147:
was among
Impulse!'s earliest signings. Thanks to consistent sales and positive critiques of his recordings, the label came to be known as "the house that Trane built".
1624:
212:
company enjoyed
Goldenson's full support. Sid Feller, a producer and arranger, was the first salaried employee on July 15, 1955. The label achieved early success in
1473:
1435:
1554:
481:
has stated that he listened to
Coltrane extensively in this period, and that Coltrane's saxophone playing influenced his 12-string guitar playing on the hit "
473:
became one of the most successful jazz albums ever released, selling over 100,000 copies on its first release. By 1970 it had sold more than half a million.
1881:
1866:
996:
1763:
1574:
986:
876:
1488:
370:. Nelson played an important role in the label's early years before relocating to Los Angeles, where he became an arranger for film and television.
1549:
1134:
828:
248:
531:
1876:
1871:
1861:
1263:
167:
actions against broadcasters and film studios who were forced to divest parts of their companies. In the early 1950s, ABC acquired the
1253:
747:
1248:
1243:
451:. In addition to avant-garde releases, Thiele also produced collaborations between Coltrane and two of their mutual heroes,
1831:
1589:
1192:
821:
323:
gave the label its first hit and became the fourth-highest charting album of his career. Other early successes included
1114:
714:
553:
In the early 1970s, ABC restructured its recording division, merging the ABC label with its other pop-rock subsidiary,
1886:
1851:
1846:
650:
187:
1841:
1640:
968:
792:
342:
1235:
748:"The House That Trane Built: The Story of Impulse Records - Various Artists | Songs, Reviews, Credits | AllMusic"
416:, whom he married. Despite resistance from Decca executives who were suspicious of rock and roll, Thiele signed
814:
294:
1856:
1564:
934:
924:
425:
160:
1569:
623:
534:, Thiele's successor, Impulse! continued to issue significant recordings, including the debut album by the
1836:
1607:
1349:
1645:
535:
270:
1619:
1440:
1425:
1273:
1258:
1109:
1225:
1663:
1281:
558:
1689:
991:
489:
1779:
1668:
1541:
1455:
1445:
1220:
1144:
1081:
500:
373:
Taylor left
Impulse! in the summer of 1961 after being approached by MGM to become the head of
319:
232:
1311:
1026:
956:
837:
607:
518:
200:
156:
42:
508:
550:
had recorded for his private label, making them more widely available for the first time.
159:, was established in 1955 as the recording division of the American Broadcasting Company (
8:
1731:
1709:
1301:
1119:
1049:
896:
405:
492:. Thiele's departure was in part precipitated by the breakdown of his relationship with
255:
exclamation marks above it, and the catalog number below it. One exception is the album
175:
and later merged with the newly independent Paramount Theaters chain, formerly owned by
1694:
1597:
1516:
1397:
1392:
1359:
1339:
1291:
1286:
1159:
1129:
1104:
1001:
976:
562:
176:
105:
1751:
1746:
1699:
1149:
1124:
1041:
929:
909:
690:
646:
397:
228:
195:
1736:
1526:
1430:
1210:
1172:
1091:
1031:
1011:
946:
579:
482:
314:
435:
in the studio. Impulse! during the Thiele years is recognized as a key outlet for
388:, Taylor's successor, produced most of the albums in the 1960s. He had worked for
243:
Impulse!'s albums are known for their visual appeal. The black, orange, and white
1704:
1531:
1508:
1483:
1463:
1415:
1387:
1372:
1344:
1319:
1296:
1177:
1099:
939:
919:
904:
602:
in 1979. The label lay dormant until it was resurrected in 1992 as part of MCA’s
570:
566:
554:
459:. Other notable performers who recorded for Impulse! during this period included
456:
440:
351:
325:
1803:
1602:
1559:
1521:
1498:
1377:
1334:
1167:
1059:
981:
856:
851:
702:
584:
469:
460:
452:
413:
274:
257:
1825:
1741:
1612:
1468:
1215:
1200:
1076:
1054:
1021:
611:
595:
539:
474:
393:
389:
374:
363:
347:
334:
286:
282:
183:
144:
77:
1205:
1139:
1016:
1006:
797:
591:
493:
444:
431:
409:
224:
191:
168:
140:
136:
67:
1726:
1721:
1478:
1420:
1367:
1329:
1324:
914:
881:
871:
603:
599:
574:
448:
417:
355:
310:
278:
806:
1716:
1493:
1182:
1064:
543:
385:
367:
359:
1787:
886:
504:
478:
436:
401:
330:
298:
217:
213:
164:
163:). In the 1940s and 1950s, ABC benefitted from the U.S. government's
132:(occasionally styled as "¡mpulse! Records" and "¡!") is an American
715:"The Impulse Records Story: The House That Trane Built - JazzTimes"
1762:
1795:
1771:
801:
31:
116:
1382:
951:
573:. Impulse! was moved to share headquarters with ABC-Dunhill in
547:
499:
One of Thiele's last productions was the Louis Armstrong song "
244:
205:
1673:
133:
87:
512:
172:
643:
The House That Trane Built: The Story of Impulse Records
223:
In 1960, Am-Par established a jazz subsidiary and hired
439:and the musical movement spearheaded by Coltrane,
423:Thiele's first Impulse! production was Coltrane's
297:, who was known for his early ’60s photographs of
1823:
269:and photographed by a small group that included
227:, a producer and arranger who had worked with
822:
546:. The company also acquired LP masters that
380:
1882:Labels distributed by Universal Music Group
1867:Companies based in Santa Monica, California
614:, where it has remained until the present.
538:, the first of four collaborations between
829:
815:
350:, who led an all-star group that featured
182:The new recording division was located at
1017:Mad Love and Friends Keep Secrets Records
836:
309:Taylor achieved early success by signing
400:, where his production credits included
313:, who had just ended his contract with
1824:
703:Birka Jazz - Impulse jazz album covers
340:Another significant early release was
810:
610:'s jazz holdings, under the aegis of
507:'-style number like his earlier hit "
1764:International third-party licensees
13:
14:
1898:
1877:1978 establishments in California
1872:Record labels established in 1978
1862:Record labels based in California
1775:(South Korea (JYP Entertainment))
969:Interscope Geffen A&M Records
786:
1641:Universal Music Publishing Group
496:, the president of ABC Records.
343:The Blues and the Abstract Truth
304:
30:
773:
764:
740:
731:
707:
696:
682:
673:
664:
655:
635:
617:
1:
1565:Universal Music Group Nigeria
925:Capitol Christian Music Group
628:
426:Live! at the Village Vanguard
273:, who shot covers for Verve,
1570:Universal Music South Africa
1527:Republic Records Philippines
624:Impulse! Records discography
525:
7:
1832:American jazz record labels
1799:(South Korea (HYBE Labels))
1608:Universal Music Enterprises
155:Impulse!'s parent company,
10:
1903:
1683:Non-UMG distributed labels
1646:Universal Production Music
621:
590:In 1974, ABC acquired the
536:Liberation Music Orchestra
194:. Under the leadership of
150:
1682:
1656:
1633:
1620:Universal Music Indonesia
1588:
1560:Def Jam Recordings Africa
1540:
1507:
1454:
1441:Universal Music Hong Kong
1406:
1398:Universal Music On Demand
1358:
1310:
1297:Mercury Records Australia
1272:
1259:Capitol Records Nashville
1249:Mercury Nashville Records
1234:
1191:
1158:
1110:Young Money Entertainment
1090:
1040:
967:
895:
844:
559:The Mamas & the Papas
381:The Thiele Years: 1961-69
238:
111:
101:
93:
83:
73:
63:
48:
38:
29:
24:
1887:Re-established companies
1852:Impulse! Records singles
1847:Impulse! Records artists
1664:Eagle Rock Entertainment
1625:Universal Music Malaysia
1575:Blue Note Records Africa
1282:Island Records Australia
688:Original liner notes to
594:labels and catalog from
557:, whose roster included
1842:Impulse! Records albums
1690:Big Machine Label Group
992:Aftermath Entertainment
587:, in the U.S. in 1970.
490:Flying Dutchman Records
204:, a joint venture with
171:of radio stations from
1669:PolyGram Entertainment
1542:Universal Music Africa
1446:Universal Music Taiwan
1431:Republic Records China
1426:PolyGram Records China
1226:Universal Music México
1221:Universal Music Latino
1193:UM Latin Entertainment
1145:Universal Arabic Music
1082:Verve Forecast Records
583:, the second album by
530:Under the guidance of
501:What a Wonderful World
233:Avenue of the Americas
1499:Virgin Records France
1474:Island Def Jam France
1436:Universal Music China
1416:Capitol Records China
1264:EMI Records Nashville
1027:Cinematic Music Group
957:Quality Control Music
838:Universal Music Group
612:the Verve Label Group
608:Universal Music Group
519:Good Morning, Vietnam
392:and its subsidiaries
333:. Taylor also signed
201:The Mickey Mouse Club
157:ABC-Paramount Records
43:Universal Music Group
16:American record label
1857:Verve Records labels
1555:Motown Gospel Africa
1469:Decca Records France
1464:Capitol Music France
1254:Lost Highway Records
320:Genius + Soul = Jazz
1732:Nickelodeon Records
1710:Walt Disney Records
1634:Publishing division
1580:Virgin Music Africa
1517:Def Jam Philippines
1302:EMI Music Australia
1120:Boominati Worldwide
1115:American Recordings
1050:Deutsche Grammophon
897:Capitol Music Group
661:Kahn, 2006, p.15-16
641:Ashley Kahn (2006)
406:the McGuire Sisters
1837:Jazz record labels
1695:Disney Music Group
1598:Def Jam Recordings
1522:Island Philippines
1350:Universal Classics
1340:Def Jam Recordings
1292:Modular Recordings
1287:Golden Era Records
1160:Virgin Music Group
1130:Casablanca Records
1105:Cash Money Records
1002:Dreamville Records
977:Interscope Records
177:Paramount Pictures
106:New York, New York
1819:
1818:
1815:
1814:
1752:Ed Banger Records
1747:London Recordings
1700:Hollywood Records
1125:Brushfire Records
1042:Verve Label Group
930:ForeFront Records
910:Blue Note Records
691:The October Suite
229:Bethlehem Records
196:Leonard Goldenson
188:Paramount Theatre
127:
126:
94:Country of origin
1894:
1808:
1800:
1792:
1784:
1776:
1760:
1759:
1737:Red Bull Records
1590:Other UMG labels
1408:UM Greater China
1211:Fonovisa Records
1173:Caroline Records
1092:Republic Records
1072:Impulse! Records
1032:Downtown Records
987:Interscope Films
947:Priority Records
877:Philippe Flageul
831:
824:
817:
808:
807:
798:Impulse! Records
793:Verve music site
780:
777:
771:
770:Kahn, 2006, p.63
768:
762:
761:
759:
758:
744:
738:
737:Kahn, 2006, p.35
735:
729:
728:
726:
725:
711:
705:
700:
694:
686:
680:
679:Kahn, 2006, p.16
677:
671:
670:Kahn, p. 16
668:
662:
659:
653:
639:
483:Eight Miles High
315:Atlantic Records
130:Impulse! Records
123:
120:
118:
112:Official website
59:
57:
34:
25:Impulse! Records
22:
21:
1902:
1901:
1897:
1896:
1895:
1893:
1892:
1891:
1822:
1821:
1820:
1811:
1806:
1798:
1790:
1782:
1774:
1758:
1705:S-Curve Records
1678:
1652:
1629:
1584:
1536:
1532:UMG Philippines
1503:
1489:Romance Musique
1450:
1402:
1388:Polydor Records
1354:
1320:Polydor Records
1306:
1268:
1230:
1187:
1178:Fontana Records
1154:
1100:Mercury Records
1086:
1036:
963:
940:Sparrow Records
920:Harvest Records
905:Capitol Records
891:
867:Manning Doherty
840:
835:
800:discography at
789:
784:
783:
779:Kahn, 2006, p.5
778:
774:
769:
765:
756:
754:
746:
745:
741:
736:
732:
723:
721:
713:
712:
708:
701:
697:
687:
683:
678:
674:
669:
665:
660:
656:
645:, W.W. Norton,
640:
636:
631:
626:
620:
571:The Grass Roots
567:Three Dog Night
555:Dunhill Records
528:
457:Coleman Hawkins
441:Freddie Hubbard
383:
352:Freddie Hubbard
326:Out of the Cool
307:
247:was devised by
241:
153:
139:established by
119:.impulserecords
115:
55:
53:
20:
17:
12:
11:
5:
1900:
1890:
1889:
1884:
1879:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1817:
1816:
1813:
1812:
1810:
1809:
1804:Musica Studios
1801:
1793:
1785:
1777:
1768:
1766:
1757:
1756:
1755:
1754:
1749:
1739:
1734:
1729:
1724:
1719:
1714:
1713:
1712:
1707:
1702:
1692:
1686:
1684:
1680:
1679:
1677:
1676:
1671:
1666:
1660:
1658:
1654:
1653:
1651:
1650:
1649:
1648:
1637:
1635:
1631:
1630:
1628:
1627:
1622:
1617:
1616:
1615:
1605:
1603:Island Records
1600:
1594:
1592:
1586:
1585:
1583:
1582:
1577:
1572:
1567:
1562:
1557:
1552:
1546:
1544:
1538:
1537:
1535:
1534:
1529:
1524:
1519:
1513:
1511:
1509:UM Philippines
1505:
1504:
1502:
1501:
1496:
1491:
1486:
1484:Polydor France
1481:
1476:
1471:
1466:
1460:
1458:
1452:
1451:
1449:
1448:
1443:
1438:
1433:
1428:
1423:
1418:
1412:
1410:
1404:
1403:
1401:
1400:
1395:
1390:
1385:
1380:
1375:
1370:
1364:
1362:
1356:
1355:
1353:
1352:
1347:
1342:
1337:
1332:
1327:
1322:
1316:
1314:
1308:
1307:
1305:
1304:
1299:
1294:
1289:
1284:
1278:
1276:
1270:
1269:
1267:
1266:
1261:
1256:
1251:
1246:
1240:
1238:
1232:
1231:
1229:
1228:
1223:
1218:
1213:
1208:
1203:
1197:
1195:
1189:
1188:
1186:
1185:
1180:
1175:
1170:
1168:Virgin Records
1164:
1162:
1156:
1155:
1153:
1152:
1147:
1142:
1137:
1132:
1127:
1122:
1117:
1112:
1107:
1102:
1096:
1094:
1088:
1087:
1085:
1084:
1079:
1074:
1069:
1068:
1067:
1062:
1060:Decca Classics
1052:
1046:
1044:
1038:
1037:
1035:
1034:
1029:
1024:
1019:
1014:
1009:
1004:
999:
994:
989:
984:
982:Geffen Records
979:
973:
971:
965:
964:
962:
961:
960:
959:
949:
944:
943:
942:
937:
932:
922:
917:
912:
907:
901:
899:
893:
892:
890:
889:
884:
879:
874:
869:
864:
862:James Mitchell
859:
857:Sherry Lansing
854:
852:Lucian Grainge
848:
846:
842:
841:
834:
833:
826:
819:
811:
805:
804:
795:
788:
787:External links
785:
782:
781:
772:
763:
739:
730:
706:
695:
681:
672:
663:
654:
633:
632:
630:
627:
622:Main article:
619:
616:
527:
524:
470:A Love Supreme
461:Charles Mingus
453:Duke Ellington
414:Theresa Brewer
382:
379:
306:
303:
258:A Love Supreme
240:
237:
152:
149:
125:
124:
113:
109:
108:
103:
99:
98:
95:
91:
90:
85:
81:
80:
75:
74:Distributor(s)
71:
70:
65:
61:
60:
50:
46:
45:
40:
39:Parent company
36:
35:
27:
26:
18:
15:
9:
6:
4:
3:
2:
1899:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1833:
1830:
1829:
1827:
1805:
1802:
1797:
1794:
1789:
1786:
1781:
1778:
1773:
1770:
1769:
1767:
1765:
1761:
1753:
1750:
1748:
1745:
1744:
1743:
1742:Because Music
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1711:
1708:
1706:
1703:
1701:
1698:
1697:
1696:
1693:
1691:
1688:
1687:
1685:
1681:
1675:
1672:
1670:
1667:
1665:
1662:
1661:
1659:
1657:Film/TV units
1655:
1647:
1644:
1643:
1642:
1639:
1638:
1636:
1632:
1626:
1623:
1621:
1618:
1614:
1613:Hip-O Records
1611:
1610:
1609:
1606:
1604:
1601:
1599:
1596:
1595:
1593:
1591:
1587:
1581:
1578:
1576:
1573:
1571:
1568:
1566:
1563:
1561:
1558:
1556:
1553:
1551:
1550:U-Live Africa
1548:
1547:
1545:
1543:
1539:
1533:
1530:
1528:
1525:
1523:
1520:
1518:
1515:
1514:
1512:
1510:
1506:
1500:
1497:
1495:
1492:
1490:
1487:
1485:
1482:
1480:
1477:
1475:
1472:
1470:
1467:
1465:
1462:
1461:
1459:
1457:
1453:
1447:
1444:
1442:
1439:
1437:
1434:
1432:
1429:
1427:
1424:
1422:
1419:
1417:
1414:
1413:
1411:
1409:
1405:
1399:
1396:
1394:
1391:
1389:
1386:
1384:
1381:
1379:
1376:
1374:
1371:
1369:
1366:
1365:
1363:
1361:
1357:
1351:
1348:
1346:
1345:Mercury Tokyo
1343:
1341:
1338:
1336:
1333:
1331:
1328:
1326:
1323:
1321:
1318:
1317:
1315:
1313:
1309:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1283:
1280:
1279:
1277:
1275:
1271:
1265:
1262:
1260:
1257:
1255:
1252:
1250:
1247:
1245:
1244:MCA Nashville
1242:
1241:
1239:
1237:
1236:UMG Nashville
1233:
1227:
1224:
1222:
1219:
1217:
1216:Machete Music
1214:
1212:
1209:
1207:
1204:
1202:
1201:Capitol Latin
1199:
1198:
1196:
1194:
1190:
1184:
1181:
1179:
1176:
1174:
1171:
1169:
1166:
1165:
1163:
1161:
1157:
1151:
1148:
1146:
1143:
1141:
1138:
1136:
1135:Federal Films
1133:
1131:
1128:
1126:
1123:
1121:
1118:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1097:
1095:
1093:
1089:
1083:
1080:
1078:
1077:Verve Records
1075:
1073:
1070:
1066:
1063:
1061:
1058:
1057:
1056:
1055:Decca Records
1053:
1051:
1048:
1047:
1045:
1043:
1039:
1033:
1030:
1028:
1025:
1023:
1022:Shady Records
1020:
1018:
1015:
1013:
1010:
1008:
1005:
1003:
1000:
998:
995:
993:
990:
988:
985:
983:
980:
978:
975:
974:
972:
970:
966:
958:
955:
954:
953:
950:
948:
945:
941:
938:
936:
935:Motown Gospel
933:
931:
928:
927:
926:
923:
921:
918:
916:
913:
911:
908:
906:
903:
902:
900:
898:
894:
888:
885:
883:
880:
878:
875:
873:
870:
868:
865:
863:
860:
858:
855:
853:
850:
849:
847:
843:
839:
832:
827:
825:
820:
818:
813:
812:
809:
803:
799:
796:
794:
791:
790:
776:
767:
753:
749:
743:
734:
720:
716:
710:
704:
699:
693:
692:
685:
676:
667:
658:
652:
651:0-393-05879-4
648:
644:
638:
634:
625:
615:
613:
609:
605:
601:
597:
593:
588:
586:
582:
581:
576:
572:
568:
564:
560:
556:
551:
549:
545:
541:
540:Charlie Haden
537:
533:
523:
521:
520:
514:
510:
506:
502:
497:
495:
491:
486:
484:
480:
476:
475:Roger McGuinn
472:
471:
464:
462:
458:
454:
450:
446:
442:
438:
434:
433:
432:carte blanche
428:
427:
421:
419:
415:
411:
407:
403:
399:
395:
391:
390:Decca Records
387:
378:
376:
375:Verve Records
371:
369:
365:
364:Paul Chambers
361:
357:
353:
349:
348:Oliver Nelson
345:
344:
338:
336:
335:John Coltrane
332:
328:
327:
322:
321:
316:
312:
305:Early success
302:
300:
296:
292:
288:
287:Arnold Newman
284:
283:Chuck Stewart
280:
276:
272:
268:
262:
260:
259:
252:
250:
246:
236:
234:
230:
226:
221:
219:
215:
209:
207:
203:
202:
197:
193:
189:
185:
184:1501 Broadway
180:
178:
174:
170:
166:
162:
158:
148:
146:
145:John Coltrane
142:
138:
135:
131:
122:
114:
110:
107:
104:
100:
96:
92:
89:
86:
82:
79:
78:Verve Records
76:
72:
69:
66:
62:
51:
47:
44:
41:
37:
33:
28:
23:
1393:0207 Def Jam
1335:Virgin Music
1274:UM Australia
1206:Disa Records
1140:Lava Records
1071:
1012:LVRN Records
1007:Kidinakorner
775:
766:
755:. Retrieved
751:
742:
733:
722:. Retrieved
718:
709:
698:
689:
684:
675:
666:
657:
642:
637:
596:Gulf+Western
592:Famous Music
589:
578:
552:
529:
517:
498:
494:Larry Newton
487:
468:
465:
445:Archie Shepp
430:
424:
422:
410:Pearl Bailey
384:
372:
341:
339:
324:
318:
317:. Charles's
308:
267:Robert Flynn
263:
256:
253:
249:Fran Attaway
242:
225:Creed Taylor
222:
210:
199:
192:Times Square
186:, above the
181:
169:Blue Network
154:
141:Creed Taylor
137:record label
129:
128:
68:Creed Taylor
19:Record label
1807:(Indonesia)
1791:(Caribbean)
1727:Dew Process
1722:ECM Records
1494:PIAS France
1368:EMI Records
1330:Universal D
1325:EMI Records
915:Astralwerks
882:Jody Gerson
872:Bill Ackman
618:Discography
604:GRP Records
600:MCA Records
575:Los Angeles
563:Steppenwolf
509:Hello Dolly
449:McCoy Tyner
418:Buddy Holly
356:Eric Dolphy
311:Ray Charles
291:Ted Russell
271:Pete Turner
1826:Categories
1717:Roc Nation
1479:MCA France
1373:Capitol UK
1183:V2 Records
1065:Mercury KX
757:2017-09-07
724:2017-09-07
629:References
544:Carla Bley
386:Bob Thiele
368:Roy Haynes
360:Bill Evans
1788:Tuff Gong
1456:UM France
1421:EMI China
1383:Motown UK
1378:Island UK
887:Boyd Muir
719:JazzTimes
532:Ed Michel
526:The 1970s
505:Dixieland
479:the Byrds
437:free jazz
420:in 1957.
402:Alan Dale
398:Brunswick
331:Gil Evans
299:Bob Dylan
295:Joe Alper
218:Paul Anka
214:pop music
165:antitrust
143:in 1960.
1783:(Israel)
1312:UM Japan
997:Darkroom
752:AllMusic
580:Trespass
102:Location
1796:YG Plus
1780:Helicon
1772:Dreamus
802:Discogs
585:Genesis
275:A&M
151:History
64:Founder
54: (
49:Founded
952:Motown
845:People
649:
569:, and
548:Sun Ra
447:, and
412:, and
366:, and
293:; and
277:, and
245:livery
239:Design
206:Disney
1360:UM UK
394:Coral
216:with
84:Genre
1674:Vevo
647:ISBN
542:and
455:and
396:and
134:jazz
121:.com
97:U.S.
88:Jazz
56:1960
52:1960
513:EMI
485:".
477:of
346:by
329:by
279:CTI
190:in
173:NBC
161:ABC
117:www
1828::
1150:XO
750:.
717:.
565:,
561:,
522:.
463:.
443:,
408:,
404:,
377:.
362:,
358:,
354:,
337:.
289:;
285:;
281:;
235:.
220:.
208:.
179:.
830:e
823:t
816:v
760:.
727:.
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
