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Ilium/Olympos

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157:, specifically Mahnmut the Europan and Orphu of Io. The novels are written in first-person, present-tense when centered on Hockenberry's character, but features third-person, past-tense narrative in all other instances. Much like Simmons' Hyperion where the characters' stories are told over the course of the novels and the actual events serve as a frame, the three groups of characters' stories are told over the course of the novels and their stories do not begin to converge until the end. 879:: short for "equatorial ring" or "polar ring" respectively. The rings described are not solid, but rather similar to the rings around Jupiter or Saturn: hundreds of thousands of large individual solid elements, built and occupied by the post-humans before Caliban and Prospero were stranded there and Caliban began murdering the post-humans. The rings are visible from the Earth's surface, but the old-style humans do not know exactly what they are. 513:. Simmons chooses not to portray Caliban as the "oppressed but noble native soul straining under the yoke of capitalist-colonial-imperialism" that current interpretations employ to portray him, which he views as "a weak, pale, politically correct shadow of the slithery monstrosity that made audiences shiver in Shakespeare's day ... Shakespeare and his audiences understood that Caliban was a 945:: created by the Global Caliphate and released with the intention of exterminating those of Jewish descent. It had the reverse effect, killing eleven billion people (ninety-seven percent of the world's population), but Israeli scientists were able to develop an inoculation against the virus and inoculate their own people's DNA, but did not have the time to save the rest of humanity. 977:(previously used to investigate the Voynich Manuscript and which resulted in the destruction of Paris), the Global Caliphate sent the voynix forward in time to 4600 A.D. Upon their arrival they begin to replicate rapidly in the Mediterranean Basin. As the post-human operations there were put at risk, Prospero and Sycorax created the 220:. At the start of Ilium he is a pudgy, immature man-child who wishes to have sex with his cousin (as incest taboos have all but ceased to exist in his society), Ada (whom he had a brief relationship with when she was a teenager), but by the end of the tale he is a mature leader who is very fit and strong. His mother's name is Marina. 666:, from the Demogorgon's speeches and the words of Prospero) said to incarnate himself in different forms all across the universe. He is Setebos' nemesis, which could create a kind of God-Against-the Devil picture as Setebos is the background antagonist and Prospero and Ariel, servants of The Quiet, are the background protagonists. 911:: short for "infirmary". A room in the e-ring that the humans of Earth fax to every Twenty (every twentieth birthday) for physical rejuvenation, or when hurt or killed in order to be healed. If they were killed, the firmary removes all memory of their death in order to lessen the psychological impact of the event. 591:: former humans who enhanced themselves far beyond the normal bounds of humanity and dwelt in orbital rings above the Earth until Prospero turned some into Olympian gods. The others were slaughtered by Caliban. They had no need of bodies, but when they took on human form they only took on the shape of women. 557:: former post-humans who were transformed into gods by Prospero's technology. They do not remember the science behind their technology, save for Zeus and Hephaestus, and they are described both as preliterate and post-literate, for which reason they enlist the services of Thomas Hockenberry and other 968:
universe before 3000 A.D. The Global Caliphate somehow gained access to these proto-voynix and after replicating three million of them, battled the New European Union around 3000 A.D. In 3200 A.D., the Global Caliphate upgraded the voynix and programmed them to kill Jews. Using
899:, of the original. (Unlike most science-fiction transporter technology, it is revealed late in the story that the matter is not "changed into energy" or "sent" anywhere; a traveler's body is completely destroyed, and re-created from scratch at the destination.) 173:
The "old-style" humans of Earth exist at what the post-humans claimed would be a stable, minimum herd population of one million. In reality, their numbers are much smaller than that, around 300,000, because each woman is allowed to have only one child. Their
917:: an empire that, among other things, attempts to destroy the Jewish population of Earth. They released the Rubicon virus to kill all Jews on Earth as well as programmed the voynix to kill any remaining Jews who escaped the infection. 1083:, shown by Daeman's intent to seduce his cousin. Simmons also includes references to Nabokov's fondness for butterflies, such as the butterfly genetics incorporated in the old-style humans and Daeman's enthusiasm as a lepidopterist. 198:
in that the firmary, which controls the fertilization, protects against a child of close relatives being born. The old style humans never appear any older than about 40 since every twenty years they are physically rejuvenated.
951:: a cloth used by the people of Earth that, when draped over the eyes, allows them to view the events of the Trojan War, which they believe is just a drama being created for their entertainment. Named after the 905:: the 9,113 Jews of Savi's time to live through the Rubicon virus are suspended in a fax beam by Prospero and Ariel with the understanding that once the two get the Earth back into order, they will be released. 1032:", among others. As well as referencing these works and figures, he uses others more extensively, shaping his novel by the examples he chooses, such as 9/11 and its effects on the Earth and its nations. 153:
The series centers on three main character groups: that of the scholic Hockenberry, Helen and Greek and Trojan warriors from the Iliad; Daeman, Harman, Ada and the other humans of Earth; and the
895:
works, the faxnode system takes a living organism, maps out its structure, breaks down its atoms and assembles a copy at the faxport at the intended destination. This copy is a facsimile, or
825: – Other than flechette rifles scavenged from caches, crossbows are the main form of weapon as old style humans have forgotten almost everything and can only build crossbows. 730:
As much of the action derives from fiction involving gods and wizards, Simmons rationalises most of this through his use of far-future technology and science, including:
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to fend off the voynix, and eventually Prospero reprogrammed them into inactivation. After the final fax, they were reprogrammed to serve the new old-style humans.
1052:, a work which is also referenced several times in Simmons' work. One of the most notable references is when the old woman Savi calls the current people of Earth 1156:
Orphu of Io is more interested in Proust than Mahnmut's Shakespeare, as he considers Proust "perhaps the ultimate explorer of time, memory, and perception."
107:
is based on a literary approach similar to most of Bradbury's work, but describes larger segments of society and broader historical events. As in Le Guin's
935:' immortality (in that Thetis set the quantum probability for his death to zero for all other means of death other than by Paris' bow), teleportation, and 459:. Using locks of Harman's hair, Daeman's hair, and her own hair, Savi makes a deal with Ariel in order that they might pass without being attacked by the 1109:
s presence in the characters of Prospero, Ariel and Caliban. There are also multiple references to other Shakespeare works and characters such as
1705: 246:. The only old-style human not gathered up in the final fax 1,400 years earlier. She has survived the years by spending most of them sleeping in 1735: 795:, set the quantum probability for his death to zero for all means of death other than by Paris' bow) to teleportation and shapeshifting powers. 1740: 119:
is different from any of the works of Bradbury and Le Guin in its exploration of the very far future of humanity, and in the extra human or
964:. The voynix are biomechanical, self-replicating, programmable robots. They originated in an alternate universe, and were brought into the 1172:
teaching his disciples. Odysseus is even addressed as "Teacher" by one of his listeners in a way reminiscent of Jesus being addressed as "
1710: 517: – and a really monstrous monster, ready to rape and impregnate Prospero's lovely daughter at the slightest opportunity." 1760: 132: 626:" in reference to "Caliban upon Setebos" by Robert Browning and is described by Prospero as being an "arbitrary god of great power, a 1202:
is described as an "epic tale that spans 5,000 years and sweeps across the entire solar system, including themes and characters from
1765: 206:: the owner of Ardis Hall and Harman's lover. She is just past her first twenty. She hosts Odysseus/Noman for his time on Earth. 1058:, using the word as an expression of her disgust of their self-indulgent society, lack of culture and ignorance of their past. 1321: 127:
where technological change starts to occur beyond the ability of humanity to presently predict or comprehend. The first book,
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Dead scholars from previous centuries that were rebuilt by the Olympian gods from their DNA. Their duties are to observe the
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Mahnmut of Europa is identified as a Shakespearean scholar as in the first chapter he is introduced where he analyzes
1076:, a parallel of our Earth circa 19th century, which features a society in which there exists a lack of repression and 1745: 921: 780: 72: 58: 1695: 1042:, peopled as it is with post-humans of the far future. It therefore continues to explore the theme pioneered by 747:
provides the gods' immortality and powers, and many of the cybernetic functions possessed by some of the humans.
501:, weaker clones of himself. Caliban speaks in strange speech patterns, with much of his dialogue taken from the 1610: 1134:
Proustian memory investigations had a heavy hand in the novel's making, which helps explain why Simmons chose
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on an alternate Earth. Though the events of the Trojan War are being recreated with the knowledge of Homer's
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Simmons' portrayal of Odysseus speaking to the old-style humans at Ardis Hall is also reminiscent of the
837: – Weapons of mass destruction including the Device, ship-based weapons, kinetic missiles. 120: 115:
in a vast and complex universe made of relatively plausible technological and scientific elements. Yet
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in order to send it to his correspondent, Orphu of Io, and it is here that Shakespeare's influence on
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and measuring six meters in length, Orphu works in the sulfur-torus of Io, and is a Proust enthusiast.
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techniques to resurrect long-dead and prehistoric animals. Simmons borrows this term from his
692:, which is a scientific or technical institute staffed with prisoners. The prisoners of these 1617: 1553: 566: 680:-based lifeform that comes from the Earth of an alternate universe. Their name comes from a 1492: 1428: 1025: 506: 363:
and a Homeric scholar. Died of cancer in 2006 and is resurrected by the Olympian Gods as a
92: 8: 991: 759: 738: 653: 440: 412:: the heroes and minor characters are drawn from Homer's epics, as well as the works of 1631: 1210: 961: 751: 609: 502: 275: 187: 1624: 1578: 488: 390: 360: 293: 100: 551:), meaning "no man" or "nobody". He is a different entity than the Odysseus on Mars. 1539: 1325: 1114: 1048: 700:. (This description of the origin of the term is a mistake of the author. Not only 685: 673: 404: 271: 67: 282:
and study Lost Age culture, including literature, television programs and movies.
236:: Ada's lover. 99 years old. Only human with the ability to read, other than Savi. 1603: 1571: 1521: 1461: 952: 927: 865: 860: 834: 802: 784: 510: 433: 154: 148: 41: 37: 25: 1299: 194:
method causes many children not to know their father, as well as helps to break
1195: 1021: 1017: 744: 531:, he adopts the name Noman, which is a reference to the name Odysseus gives to 386: 1186:
In January 2004, it was announced that the screenplay he wrote for his novels
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Simmons references such historical figures, fictional characters and works as
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is used to explain how 'mythical' characters have entered the "real" world.
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and are more adapted for combat and hostile environments than the moravecs.
267: 263: 195: 191: 96: 708:, it is a common term for all Gulag camp prisoners, derived from the word 1546: 1452: 1243: 1228: 1043: 995: 970: 677: 49: 29: 1148:
was written in such a structure as to mimic someone recalling their own
1420: 1235: 1087: 1072:. The society that the old-style humans live in also resembles that of 774: 623: 622:: Sycorax and Caliban's god. The god is described as "many-handed as a 605: 532: 480: 453: 341: 279: 260: 247: 212:: a pudgy man approaching his second twenty. Both a ladies' man and a 1203: 1140: 1128: 1073: 891: 755: 631: 613: 527:, ten years older than the Odysseus who fights in the Trojan War. In 456: 449: 429: 425: 356: 305: 227: 1149: 1110: 1080: 932: 788: 771: 763: 602: 476: 217: 40:, it is a form of "literary science fiction"; it relies heavily on 1198:
and Barnet Bain Films, with Simmons acting as executive producer.
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What follows is a definition of terms that are either used within
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or are related to its science, technology and fictional history:
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and spending only a few months awake at a time every few decades.
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by humans during the Lost Age. Most moravecs are self-described
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and report the discrepancies that occur between it and Homer's
310: 1174: 1169: 1161: 1124: 1005: 831: – Tasers, energy shields and titanium lances. 681: 649: 645: 641: 546: 541: 226:: Ada's younger friend. Both inventor and artist. Develops a 183: 45: 787:
are also used to account for a number of other things, from
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is made to explain the origins of powerful entities such as
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As with most of his science fiction and in particular with
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over something more well-understood of Nabokov's, such as
931:: used to account for a number of other things, including 805:
techniques to resurrect long-dead and prehistoric animals.
123:
themes associated with this. It deals with the concept of
32:. The events are set in motion by beings who appear to be 663: 318: 175: 1373: 327:: a subgroup of the moravecs, the rockvecs live on the 770:
machines, and the latter of whom derives from a post-
1123:. Shakespeare himself even makes an appearance in a 186:-storage and the choice of father-sperm years after 1322:"Science Fiction Weekly Interview with Dan Simmons" 1319: 985: 859:: short for "recombinant RNA artists". ARNists use 766:, the former arising from a network of datalogging 385:. (The real Nightenhelser was Simmons' roommate at 585:as Zeus has forbidden the other gods from knowing. 1677: 266:, they are autonomous, sentient, self-evolving 1178:," which is commonly translated as "Teacher". 1152:, a subject which Proust explores in his work 737:: interdimensional transport is conducted via 160: 1436: 1374:Marc Graser; Jonathan Bing (8 January 2004). 577:, the only ones who know its outcome are the 1289: 722: 718:is a regular labor camp, not a sharashka.) 381:: Hockenberry's oldest friend and a fellow 1443: 1429: 1261: 1259: 601:who is the avatar of the self-aware, post- 133:Locus Award for Best Science Fiction novel 1219: 1450: 91:demonstrates that Simmons writes in the 1393: 1256: 1094:begins. Mahnmut's submersible is named 1064:also includes allusions to the work of 1706:Classical mythology in popular culture 1678: 1736:Biological weapons in popular culture 1424: 1376:"'Ilium,' 'Olympos' optioned for pic" 569:in order to get to the recreation of 16:Science fiction novels by Dan Simmons 1741:Self-replicating machines in fiction 1348:A Day in the Life of Ivan Denisovich 715:A Day in the Life of Ivan Denisovich 712:, inmate. The camp described in the 644:and Caliban's mother. Also known as 313:moravec that is shaped not unlike a 309:: a heavily armored, 1,200-year-old 138: 36:. Like Simmons' earlier series, the 1401:"2006 Award Winners & Nominees" 1267:"2004 Award Winners & Nominees" 1181: 300:. An amateur Shakespearean scholar. 168: 13: 1711:Greek and Roman deities in fiction 1320:Shindler, Dorman T. (2003-08-18). 292:: explorer of Europa's oceans and 274:. They were seeded throughout the 14: 1777: 1761:Modern adaptations of the Odyssey 662:: an unknown entity (presumably, 1136:Ada or Ardor: A Family Chronicle 1070:Ada or Ardor: A Family Chronicle 986:Literary and cultural influences 841: 389:and is currently a professor at 73:Ada or Ardor: A Family Chronicle 1766:Modern adaptations of the Iliad 111:, Simmons places the action of 1367: 1354: 1339: 1313: 1283: 1154:À la recherche du temps perdu. 1038:is thematically influenced by 539:on their encounter, in Greek, 497:." He is cloned to create the 483:describes as "a cross between 1: 1249: 1194:would be made into a film by 1098:, an allusion to a figure in 973:technology acquired from the 371:. He is the oldest surviving 59:À la recherche du temps perdu 1716:Fiction about nanotechnology 1102:. There is also, of course, 270:organisms that dwell on the 190:has actually occurred. This 7: 1756:Novels based on the Odyssey 1731:Fiction about teleportation 1686:Science fiction book series 1127:to Mahnmut and quotes from 791:' immortality (his mother, 335: 254: 10: 1782: 1726:Fiction about resurrection 1292:"Excessive Candour: Arena 1290:Clute, John (2003-06-16). 815: 547: 142: 52:as well as references to 1751:Novels based on the Iliad 1655: 1588: 1563: 1531: 1502: 1459: 1345:Solzhenitsyn, Aleksandr. 397: 125:technological singularity 1746:Novels about time travel 1664:Prayers to Broken Stones 696:labor camps were called 1656:Short story collections 379:Dr. Keith Nightenhelser 1696:Science fantasy novels 1220:Awards and recognition 704:prisoners were called 448:and the avatar of the 353:Dr. Thomas Hockenberry 182:genetics which allows 64:In Search of Lost Time 1100:Shakespeare's sonnets 809:Pantheistic solipsism 567:quantum teleportation 523:: Odysseus after his 1691:Works by Dan Simmons 1493:The Rise of Endymion 1479:The Fall of Hyperion 1026:William Butler Yeats 684:term related to the 507:Caliban upon Setebos 471:: a monster, son of 296:of the submersible, 216:. Also terrified of 93:soft science fiction 44:, in this case with 992:Christopher Marlowe 597:: a character from 444:: a character from 24:is a series of two 1701:Novels set on Mars 1405:Worlds Without End 1271:Worlds Without End 1242: – 1227: – 962:Voynich manuscript 960:: named after the 752:Vladimir Vernadsky 610:Vladimir Vernadsky 503:dramatic monologue 276:outer Solar System 188:sexual intercourse 34:ancient Greek gods 1673: 1672: 1625:The Crook Factory 1579:A Winter Haunting 1030:The Second Coming 608:, a reference to 391:DePauw University 361:classical studies 317:. Weighing eight 228:romantic interest 139:Plot introduction 101:Ursula K. Le Guin 1773: 1564:Elm Haven novels 1532:Joe Kurtz novels 1445: 1438: 1431: 1422: 1421: 1415: 1414: 1412: 1411: 1397: 1391: 1390: 1388: 1386: 1371: 1365: 1358: 1352: 1343: 1337: 1336: 1334: 1333: 1324:. Archived from 1317: 1311: 1310: 1308: 1307: 1298:. 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They dwell on 550: 549: 432:, and classical 259:Named after the 169:Old-style humans 68:Vladimir Nabokov 1781: 1780: 1776: 1775: 1774: 1772: 1771: 1770: 1721:Quantum fiction 1676: 1675: 1674: 1669: 1651: 1604:Carrion Comfort 1584: 1572:Summer of Night 1559: 1527: 1498: 1462:Hyperion Cantos 1455: 1449: 1419: 1418: 1409: 1407: 1399: 1398: 1394: 1384: 1382: 1372: 1368: 1359: 1355: 1344: 1340: 1331: 1329: 1318: 1314: 1305: 1303: 1288: 1284: 1275: 1273: 1265: 1264: 1257: 1252: 1222: 1184: 1165: 1106: 988: 953:Shroud of Turin 928:quantum gravity 866:Hyperion Cantos 861:recombinant DNA 844: 818: 803:recombinant DNA 785:Quantum Gravity 754:'s idea of the 728: 612:'s idea of the 511:Robert Browning 475:and servant of 434:Greek mythology 400: 338: 257: 171: 166: 151: 149:Olympos (novel) 143:Main articles: 141: 131:, received the 42:intertextuality 38:Hyperion Cantos 26:science fiction 17: 12: 11: 5: 1779: 1769: 1768: 1763: 1758: 1753: 1748: 1743: 1738: 1733: 1728: 1723: 1718: 1713: 1708: 1703: 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A 599:The Tempest 589:post-humans 446:The Tempest 50:Shakespeare 30:Dan Simmons 1680:Categories 1632:The Terror 1410:2009-07-16 1332:2006-12-22 1306:2006-12-22 1276:2009-07-16 1250:References 1236:Hugo Award 1088:Sonnet 116 1016:character 821:Old style 775:logosphere 624:cuttlefish 606:logosphere 533:Polyphemus 481:John Clute 454:self-aware 342:Trojan War 261:roboticist 121:post-human 28:novels by 1451:Works by 1364:, p. 626. 1206:The Iliad 1141:Pale Fire 1129:Sonnet 31 1078:Christian 1074:Antiterra 903:Final fax 892:Star Trek 756:noosphere 702:sharashka 690:sharashka 660:The Quiet 632:Auschwitz 614:noosphere 457:biosphere 430:Euripides 426:Aeschylus 304:Orphu of 280:humanists 218:dinosaurs 135:in 2004. 70:'s novel 1540:Hardcase 1486:Endymion 1472:Hyperion 1385:29 April 1204:Homer's 1150:memories 1111:Falstaff 1081:morality 979:calibani 933:Achilles 883:Faxnodes 835:Moravecs 789:Achilles 772:Internet 764:Prospero 630:god, an 603:Internet 595:Prospero 579:scholics 559:scholics 521:Odysseus 499:calibani 487:and the 477:Prospero 461:calibani 405:Achaeans 336:Scholics 325:rockvecs 311:hard-vac 255:Moravecs 155:moravecs 82:Hyperion 1522:Olympos 1380:Variety 1362:Olympos 1240:Olympos 1192:Olympos 1066:Nabokov 1001:Dracula 939:powers. 909:Firmary 856:ARNists 816:Weapons 799:ARNists 686:Russian 654:Calypso 638:Sycorax 620:Setebos 537:Cyclops 529:Olympos 525:Odyssey 515:monster 479:, whom 473:Sycorax 468:Caliban 450:evolved 418:Proclus 409:Trojans 383:scholic 373:scholic 365:scholic 294:skipper 289:Europan 1232:winner 1024:, and 1014:Disney 1012:, the 1010:Gollum 975:French 958:Voynix 877:P-ring 873:E-ring 823:humans 793:Thetis 741:Holes. 694:Soviet 672:: the 485:Gollum 422:Pindar 414:Virgil 398:Others 242:: the 234:Harman 224:Hannah 210:Daeman 66:) and 1646:Drood 1515:Ilium 1294:Iliad 1225:Ilium 1200:Ilium 1188:Ilium 1175:Rabbi 1170:Jesus 1166:' 1162:Bible 1125:dream 1107:' 1092:Ilium 1062:Ilium 1036:Ilium 1018:Pluto 1006:Plato 966:Ilium 848:Ilium 760:Ariel 739:Brane 688:word 682:slang 650:Demyx 646:Circe 642:witch 634:god." 575:Iliad 548:Οὖτις 542:Outis 509:" by 494:Alien 489:alien 441:Ariel 357:Ph.D. 346:Iliad 184:sperm 129:Ilium 117:Ilium 113:Ilium 105:Ilium 88:Ilium 46:Homer 1387:2019 1209:and 1190:and 1117:and 1055:eloi 925:and 829:Gods 801:use 783:and 768:mote 762:and 706:zeks 698:zeks 670:zeks 640:: a 583:Zeus 581:and 571:Troy 535:the 407:and 319:tons 315:crab 240:Savi 180:moth 147:and 99:and 62:(or 48:and 1216:." 1046:in 1028:' " 998:'s 897:fax 889:of 664:God 652:or 648:or 491:of 359:in 204:Ada 176:DNA 56:'s 1682:: 1403:. 1378:. 1269:. 1258:^ 1234:, 1168:s 1144:. 1131:. 1113:, 1020:, 1008:, 1004:, 994:, 452:, 428:, 424:, 420:, 416:, 393:.) 355:: 348:. 306:Io 103:. 85:, 76:. 1444:e 1437:t 1430:v 1413:. 1389:. 1351:. 1335:. 1309:. 1296:" 1279:. 875:/ 869:. 777:. 656:. 616:. 545:( 505:" 463:. 436:. 375:.

Index

science fiction
Dan Simmons
ancient Greek gods
Hyperion Cantos
intertextuality
Homer
Shakespeare
Marcel Proust
À la recherche du temps perdu
Vladimir Nabokov
Ada or Ardor: A Family Chronicle
Hyperion
Ilium
soft science fiction
Ray Bradbury
Ursula K. Le Guin
Hainish series
post-human
technological singularity
Locus Award for Best Science Fiction novel
Ilium (novel)
Olympos (novel)
moravecs
DNA
moth
sperm
sexual intercourse
reproductive
incest taboos
lepidopterist

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