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159:, however, claimed that the poem's original manuscript was still in his father's possession, and that the one displayed at the Bibliothèque nationale was a later copy. The poem was in fact dedicated to his mother Geneviève, according to whom Aragon made a second manuscript after the war when the original dedication provoked a quarrel with Triolet. A facsimile of the Tavernier manuscript was published in 2010 in the review
208:, took offense to this as well as to the abridgment of the poem's conclusion. In his estimation, this change altered the entire meaning of his work, which was intended as a poem of the Resistance and not simply a love song. Despite Aragon's objections, the adaptation proved popular and would go on to be covered by such prominent artists as
71:. The poem reflects on the inherent contradiction between love and the pain that it inevitably brings to those who experience it. An underlying meaning, made explicit in the final stanza, applies this theme to the
144:, Aragon explained that at the time he wrote the poem, Triolet intended to leave him due to a Resistance rule that a couple active in the movement could not live together, as this would pose an
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Winter, Jean-Pierre (2019-04-25). "« Et quand il croit serrer son bonheur, il le broie »" ["And when he believes he embraces his happiness, he crushes it"].
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Entretiens avec
Francis Crémieux: Le fou d'Elsa, l'écoulement du temps, la ponctuation, l'équivoque, le réalisme, le roman, Elsa, et autres sujets
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Beaudiquez, M., Massuard, A., Avril, M., Bibliothèque nationale (1972).
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The work has since been performed by many other artists, including:
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583:. Cinégraphiques (in French). Paris: Édilig. pp. 75–76.
476:"Louis Aragon (6/10) : Il y aurait des amours heureuses"
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released a recording that reincorporated the final verse.
418:"Bertrand Tavernier habitait au 4, rue Chambovet, Ă Lyon"
502:]. Paris: Gallimard. 1964. p. 98. BNF 37449108.
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Plaque commemorating the site where the poem was written
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Pages displaying short descriptions of redirect targets
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780:"Marc Ogeret - Il n'y a pas d'amour heureux (Aragon)"
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189:, who later reused the same melody for another poem,
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Le cinéma dans le sang: Entretiens avec Noël
Simsolo
115:. The former location of the house, now occupied by
547:. Bibliothèque nationale. p. 16. BNF 35367007.
389:Cinema in the Blood: Interviews with Noël Simsolo
151:The poem's manuscript was displayed in 1972 at a
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612:]. Ramsay poche cinéma (in French). Paris:
442:"Confluences, Tavernier, Aragon et les autres"
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760:"Il N'y A Pas D'amour Heureux (1953)"
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606:Bertrand Tavernier: Cinéaste insurgé
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521:]. Paris: Ramsay. p. 312.
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647:(May 2010). "La leçon d'Aragon".
558:Guichoux, Marie (12 March 1999).
462:"Louis Aragon : 6ème partie"
103:, at the home of Aragon's friend
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464:[Louis Aragon: Part 6].
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181:Adaptations of the 1950s
95:, a neighborhood in the
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39:There Is no Happy Love
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204:. Aragon, a lifelong
200:, by Catholic writer
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353:Le Temps des cerises
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16:Poem by Louis Aragon
732:You Said Enjoyment?
474:. Can be viewed at
468:. Entretiens avec.
377:Tavernier, Bertrand
54:, and published in
766:. 23 January 2011.
414:Ferenczi, Aurélien
344:Hedgehog's Dilemma
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87:Louis Aragon, 1936
57:La Diane Française
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416:(July 18, 2008).
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220:Other Adaptations
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212:. In 1955,
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176:Adaptations
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46:written by
822:1943 poems
806:Categories
745:2022-01-02
565:Libération
479:Ă€ voix nue
447:Le Progrès
360:References
109:Occupation
581:Tavernier
466:Inathèque
266:Keren Ann
206:Communist
191:La prière
423:Télérama
383:(2011).
338:See also
157:Bertrand
93:Montchat
298:8 Women
241:Barbara
79:History
42:) is a
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323:(1961)
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69:1944
44:poem
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