326:
get around this
Giocondo decides that Angelica should enter a convent, but she wants to get married, although she doesn't tell her brother that she has chosen Valerio as her husband. Ferramondo agrees to her marriage. Giocondo visits Dorval, a friend of Ferramondo and explains his financial difficulties, and his decision about Angelica becoming a nun. Ferramondo decides that if Angelica is keen to be married rather than enter the convent, Dorval can be her husband. Ferramondo agrees to meet the cost of the dowry and the three men agree the course of action. Angelica is naturally upset, then Ferramondo begins to suspect the place of Valerio with Angelique and is furious. Lucilla calms matters but the first act nonetheless ends in confusion.
34:
330:
without a dowry. Dorval tries present himself in a good light to
Angelica but realizes her feelings and agrees not to go ahead, thus infuriating Ferramondo even more. Giocondo admits to Ferramondo that Lucilla has run through their money, his sister's dowry is impossible, and eventually Ferramondo comes round to agreeing to help out, but not before Lucilla faints. Finally Ferramondo agrees that Lucilla can stay in the house, he will pay the dowry, and all ends happily.
568:
325:
Ferramondo, a rich, bad-tempered old man, lives in his grand home with his niece and nephew, Angelica (who has a lover, Valerio) and
Giocondo (married to Lucilla). Lucilla has spent most of Giocondo's money on jewelry and clothes, and cannot therefore provide a dowry for Angelica to wed Valerio. To
329:
In act 2 Ferramondo retains his suspicions of
Valerio and Angelica. Giocondo receives a letter about his debts, which leads Lucilla to understand that her profligancy has ruined them and prevented Angelica and Valerio's marriage. Valerio tells Angelica that as he has enough money, he can wed her
153:
582 in act 1 and "Vado, ma dove?" K. 583 in act 2, both for
Lucilla) were actually composed by Mozart, as MartĂn y Soler had left Vienna to work at the court of
462:
169:
495:
608:
382:
618:
136:
145:, and both operas enjoyed revivals at the Burgtheater three years later – each boasting two new arias for new leading ladies. The new arias for
603:
468:
361:
346:
488:
623:
427:
481:
593:
558:
504:
96:
25:
412:
588:
543:
181:
613:
535:
8:
154:
189:
141:
302:
287:
132:
173:
150:
104:
47:
139:
as Marina. The opera premiered in the same year and at the same house as Mozart's
598:
33:
92:
582:
527:
229:
185:
128:
112:
572:
177:
192:, a performance of which was videotaped live and released on DVD in 2009.
473:
165:
161:
124:
68:
127:
with a cast that included three well known
Viennese singers of the day:
436:
211:
410:
Battle, Laura. DVD review - Il burbero di buon cuore, MartĂn y Soler.
274:
239:
100:
224:
251:
89:
567:
160:
The opera received its first modern revival in 2007 at the
123:
The opera premiered on
January 4, 1786 in Vienna at the
556:
425:
580:
489:
184:(Valerio), Carlos Chausson (Ferramondo), and
503:
496:
482:
32:
469:International Music Score Library Project
383:"Back in the Spotlight: Martin y Soler's
609:Opera world premieres at the Burgtheater
375:
619:Operas based on works by Carlo Goldoni
581:
477:
419:
416:, July 2009, Vol.60, No.7, p883-884.
368:. L'Almanacco di Gherardo Casaglia
13:
176:(Lucilla), Cecilia DĂaz (Marina),
14:
635:
456:
202:Roles, voice types, premiere cast
604:Operas by Vicente MartĂn y Soler
566:
426:Matthew Gurewitsch (July 2009).
404:
354:
340:
107:is based on the French comedy
1:
333:
118:
624:Libretti by Lorenzo Da Ponte
149:("Chi sa, chi sa, qual sia"
7:
320:
86:The Good-Hearted Curmudgeon
10:
640:
440:. Vol. 74, no. 1
360:Casaglia, Gherardo (2005).
511:
53:
43:
31:
23:
18:
520:Il burbero di buon cuore
464:Il burbero di buon cuore
430:Il burbero di buon cuore
428:"Video: MartĂn y Soler:
364:Il burbero di buon cuore
348:Il burbero di buon cuore
195:
147:Il burbero di buon cuore
81:Il burbero di buon cuore
58:4 January 1786
19:Il burbero di buon cuore
594:Italian-language operas
544:La capricciosa corretta
385:The Kind-Hearted Grouch
505:Vicente MartĂn y Soler
188:(Dorval) conducted by
164:in Madrid directed by
157:in Saint Petersburg.
97:Vicente MartĂn y Soler
38:Vicente MartĂn y Soler
26:Vicente MartĂn y Soler
182:Juan Francisco Gatell
109:Le bourru bienfaisant
351:, mundoclasico.com]
204:
155:Catherine the Great
135:as Ferramondo, and
266:Louise Villeneuve
248:Cavalier Giocondo
200:
190:Christophe Rousset
170:Elena de la Merced
142:Le nozze di Figaro
554:
553:
536:L'arbore di Diana
318:
317:
303:Francesco Benucci
133:Francesco Benucci
77:
76:
631:
571:
570:
562:
498:
491:
484:
475:
474:
467:: Scores at the
450:
449:
447:
445:
423:
417:
408:
402:
401:
399:
397:
379:
373:
371:
358:
352:
344:
205:
203:
199:
105:Lorenzo Da Ponte
65:
63:
48:Lorenzo Da Ponte
36:
16:
15:
639:
638:
634:
633:
632:
630:
629:
628:
579:
578:
577:
565:
557:
555:
550:
507:
502:
459:
454:
453:
443:
441:
424:
420:
409:
405:
395:
393:
381:
380:
376:
369:
359:
355:
345:
341:
336:
323:
260:Madama Lucilla
201:
198:
121:
95:in two acts by
73:
72:
66:
61:
59:
39:
12:
11:
5:
637:
627:
626:
621:
616:
611:
606:
601:
596:
591:
589:Drammi giocosi
576:
575:
552:
551:
549:
548:
540:
532:
524:
515:
513:
509:
508:
501:
500:
493:
486:
478:
472:
471:
458:
457:External links
455:
452:
451:
418:
403:
391:World of Opera
374:
353:
338:
337:
335:
332:
322:
319:
316:
315:
313:
310:
306:
305:
300:
297:
293:
292:
290:
285:
281:
280:
279:Maria Mandini
277:
272:
268:
267:
264:
261:
257:
256:
254:
249:
245:
244:
242:
237:
233:
232:
227:
222:
218:
217:
216:Premiere cast
214:
209:
197:
194:
174:VĂ©ronique Gens
120:
117:
99:. The Italian
93:dramma giocoso
75:
74:
67:
57:
55:
51:
50:
45:
41:
40:
37:
29:
28:
21:
20:
9:
6:
4:
3:
2:
636:
625:
622:
620:
617:
615:
612:
610:
607:
605:
602:
600:
597:
595:
592:
590:
587:
586:
584:
574:
569:
564:
563:
560:
546:
545:
541:
538:
537:
533:
530:
529:
528:Una cosa rara
525:
522:
521:
517:
516:
514:
510:
506:
499:
494:
492:
487:
485:
480:
479:
476:
470:
466:
465:
461:
460:
439:
438:
433:
431:
422:
415:
414:
407:
392:
388:
386:
378:
367:
365:
357:
350:
349:
343:
339:
331:
327:
314:
311:
308:
307:
304:
301:
298:
295:
294:
291:
289:
286:
283:
282:
278:
276:
273:
270:
269:
265:
262:
259:
258:
255:
253:
250:
247:
246:
243:
241:
238:
235:
234:
231:
230:Nancy Storace
228:
226:
223:
220:
219:
215:
213:
210:
207:
206:
193:
191:
187:
186:Luca Pisaroni
183:
179:
175:
171:
167:
163:
158:
156:
152:
148:
144:
143:
138:
137:Maria Mandini
134:
131:as Angelica,
130:
129:Nancy Storace
126:
116:
114:
113:Carlo Goldoni
110:
106:
102:
98:
94:
91:
87:
83:
82:
70:
56:
52:
49:
46:
42:
35:
30:
27:
22:
17:
542:
534:
526:
519:
518:
463:
442:. Retrieved
435:
429:
421:
411:
406:
394:. Retrieved
390:
384:
377:
370:(in Italian)
363:
356:
347:
342:
328:
324:
180:(Giocondo),
178:Saimir Pirgu
172:(Angelica),
159:
146:
140:
122:
108:
85:
80:
79:
78:
614:1786 operas
296:Ferramondo
166:Irina Brook
162:Teatro Real
125:Burgtheater
69:Burgtheater
583:Categories
437:Opera News
334:References
212:Voice type
119:Background
62:1786-01-04
44:Librettist
275:contralto
236:Castagna
221:Angelica
24:Opera by
444:June 26,
396:July 27,
321:Synopsis
309:Valerio
263:soprano
240:baritone
101:libretto
88:) is an
71:, Vienna
54:Premiere
284:Dorval
271:Marina
225:soprano
168:, with
60: (
599:Operas
559:Portal
547:(1795)
539:(1787)
531:(1786)
523:(1786)
512:Operas
312:tenor
573:Opera
413:Opera
299:bass
252:tenor
208:Role
196:Roles
90:opera
446:2009
398:2014
288:bass
115:.
111:by
103:by
585::
434:.
389:.
151:K.
561::
497:e
490:t
483:v
448:.
432:"
400:.
387:"
372:.
366:"
362:"
84:(
64:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
