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requirement to quarter soldiers in his home. Almaviva pretends to be too drunk and belligerent to understand, and dares
Bartolo to brawl. While Bartolo searches his cluttered desk for the official document which would prove his exemption, Almaviva whispers to Rosina that he is Lindoro in disguise, and passes a love-letter to her. Bartolo suspiciously demands to know what is in the piece of paper in Rosina's hands, but she fools him by handing over her laundry list. Bartolo and the Count argue loudly. Basilio enters; then Figaro, who warns that the noise of the argument is rousing the whole neighborhood. Finally, the noise attracts the attention of the Officer of the Watch and his troops, who crowd into the room. Bartolo demands that the Officer arrest the "drunken soldier". The Officer starts to do so, but Almaviva quietly reveals his true identity to the Officer, and he (the Officer) backs off. Bartolo and Basilio are astonished and mystified; Figaro laughs quietly at them. (Finale: "Fredda ed immobile, come una statua"; "Cold and still, just like a statue"). The confusion intensifies and causes everyone to suffer headaches and auditory hallucinations ("Mi par d'esser con la testa in un'orrida fucina; dell'incudini sonore l'importuno strepitar"; "My head seems to be in a fiery forge: the sound of the anvils deafens the ear").
62:
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and the two reconcile. While
Almaviva and Rosina are enraptured by one another, Figaro keeps urging them to leave. Two people are heard approaching the front door. They are Basilio and the notary. The Count, Rosina, and Figaro attempt to leave by way of the ladder, but discover it has been removed. Using bribes and threats, Almaviva coerces the notary into marrying him to Rosina, with Basilio and Figaro as the legally required witnesses. Bartolo barges in, accompanied by the Officer and the men of the watch, but too late; the marriage is already complete. The befuddled Bartolo is pacified by being allowed to retain Rosina's dowry. The opera concludes with an anthem to love ("Amor e fede eterna, si vegga in noi regnar!"; "May love and faith eternally be seen to reign in us").
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of Count
Almaviva who has dishonorable intentions towards Rosina. While Almaviva pretends to give Rosina her singing lesson ("Contro un cor"; "Against a heart"), Figaro arrives to shave Bartolo. Not wanting to leave Rosina alone with the singing teacher, Bartolo insists Figaro shave him right there in the music room. Basilio suddenly appears for his scheduled music lesson, but he is bribed by a full purse from Almaviva and persuaded to leave again, with much discussion of how ill he looks. (Quintet: "Don Basilio! – Cosa veggo!"; "Don Basilio! – What do I see?"). Bartolo overhears the lovers conspiring, and angrily drives everybody away. Berta vents about the crazy household ("Il vecchiotto cerca moglie").
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908:"; "There, laughing in the sky"). Lindoro, who is really the young Count Almaviva in disguise, hopes to make the beautiful Rosina love him for himself – not his money. Almaviva pays off the musicians who then depart, leaving him to brood alone. Rosina is the young ward of the grumpy, elderly Bartolo and she is allowed very little freedom because Bartolo plans to marry her once she is of age and thus appropriate her considerable dowry.
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During an instrumental interlude, the music creates a thunder storm to indicate the passage of time. Almaviva and Figaro climb up a ladder to the balcony and enter Rosina's room through a window. Rosina accuses
Almaviva, whom she believes to be Lindoro, of betraying her. Almaviva reveals his identity
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Count
Almaviva, disguised as a soldier and pretending to be drunk, enters the house and demands to be quartered there. In fear of the drunken man, Berta the housekeeper rushes to Bartolo for protection. Bartolo tells the "soldier" that he (Bartolo) has an official exemption which excuses him from the
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When the two have gone, Rosina and Figaro enter. Figaro asks Rosina to write a few encouraging words to
Lindoro, which she has actually already written. (Duet: "Dunque io son...tu non m'inganni?"; "Then I'm the one...you're not fooling me?"). Although surprised by Bartolo, Rosina manages to fool him,
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Bartolo orders
Basilio to have the notary ready to marry him to Rosina that evening. Basilio leaves and Rosina arrives. Bartolo shows Rosina the letter she wrote to "Lindoro" and persuades her that this is proof that Lindoro is merely a flunky of Almaviva and is toying with her at Almaviva's behest.
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of the city"). Since Figaro used to be a servant of the Count, the Count asks him for assistance in helping him meet Rosina, offering him money should he be successful in arranging this (duet: "All'idea di quel metallo"; "At the idea of that metal"). Figaro advises the Count to disguise himself as a
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Count
Almaviva again appears at the doctor's house, this time disguised as Don Alonso, a priest and singing tutor who is substituting for the supposedly ailing Basilio. To gain Bartolo's trust, Don Alonso tells him he has intercepted a note from Lindoro to Rosina, and says that Lindoro is a servant
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Knowing the Count only as
Lindoro, Rosina writes to him because she is interested in getting to know him better. As she is leaving the room, Bartolo enters with the music teacher Basilio. Bartolo is suspicious of the Count, and Basilio advises that he be put out of the way by creating false rumours
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371:(1842–1877) premiered an opera based on the same libretto as Rossini's work, bearing a dedication to Rossini. The premiere was not a failure, but critics condemned the "audacity" of the young composer and the work is now forgotten.
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in 1816. Though the work of
Paisiello triumphed for a time, only Rossini's version has stood the test of time and continues to be a mainstay of operatic repertoire. On 11 November 1868, two days before Rossini's death, the composer
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Once after Patti had sung a particularly florid rendition of the opera's legitimate aria, "Una voce poco fa", Rossini is reported to have asked her: "Very nice, my dear, and who wrote the piece you have just performed?"
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of the role of Rosina, turning her from a lustrous alto into a pert soprano." However, it has also been noted that Rossini, who frequently altered his music for specific singers, wrote a new aria for the second act for
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in Rome on 20 February 1816 was a disaster: the audience hissed and jeered throughout, and several on-stage accidents occurred. Furthermore, many of the audience were supporters of one of Rossini's rivals, the veteran
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Rossini was well known for being remarkably productive, completing an average of two operas per year for 19 years, and in some years writing as many as four. Musicologists believe that, true to form, the music for
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in New Orleans on 4 March 1823, and became the first opera ever to be performed in Italian in New York, when Manuel Garcia (who played Almaviva) and his Italian troupe opened their first season there with
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is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work.
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1020:
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on 29 November 1825 at the Park Theatre. The cast of eight had three other members of his family, including the 17-year-old Maria-Felicia, later known as
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506:, "it is important to record the degree to which singers have sometimes distorted Rossini's intentions. The most serious distortion has been the upward
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In a public square outside Bartolo's house a band of musicians and a poor student named Lindoro are serenading, to no avail, the window of Rosina ("
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The piece is a staple of the operatic repertoire Because of a scarcity of true contraltos, the role of Rosina has most frequently been sung by a
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drunken soldier, ordered to be billeted with Bartolo, so as to gain entrance to the house. For this suggestion, Figaro is richly rewarded.
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585:(with or without pitch alterations, depending on the singer), and has in the past, and occasionally in more recent times, been sung by
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and took Rossini's new version to be an affront to his version. In particular, Paisiello and his followers were opposed to the use of
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2180:
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1603:, p. 311. Contemporary printed scores tend to list Rosina as a mezzo-soprano role, and the role is listed as mezzo-soprano by
302:
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17:
1904:
31:
2137:
2066:
1969:
1922:
1804:
1665:, p. 667. In modern performance the role of Berta is also sung by mezzo-sopranos, and it is listed as mezzo-soprano by
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1582:, p. 37 ), except for Figaro. Although the program book lists Figaro as a bass, all other sources cited here have baritone.
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The very elderly servant yawns aloud a few times, and speaks one or two words expressing his desire to sleep.
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about him (this aria, "La calunnia è un venticello" – "Calumny is a little breeze" – is almost always sung a
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The aria is included as an appendix to the critical edition of the opera edited by Patricia Brauner. See
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468:. It was first performed in America on 3 May 1819 in English (probably the Covent Garden version) at the
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by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named
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977:, "Una voce poco fa" ("A voice a little while ago"). (This aria was originally written in the key of
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515:, a soprano who had sung Rosina in the 1818 London premiere, and sang the new aria c. 1820 at the
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but he remains suspicious. (Aria: "A un dottor della mia sorte"; "To a doctor of my class").
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1980:
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The voice types given here refer to the original cast as listed in a 2010 program book from
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449:, had a similar story: poorly received at first, only to become a favorite within a week.
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to provoke the rest of the audience to dislike the opera. Paisiello had already composed
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109:
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1994:
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of the Beaumarchais trilogy. The first Beaumarchais play was originally conceived as an
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Almaviva o sia L'inutile precauzione ... Con Musica del Maestro Gioacchino Rossini
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The singing lesson in act 2 has often been turned into "a show-stopping cabaret".
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1985:. Translated by Richard Salinger. Garden City, New York: Garden City Publishing.
1900:
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2019:
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445:. The second performance, however, was successful. The original French play,
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1936:
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1964:(third, revised ed.). Totowa, New Jersey: Rowman and Littlefield.
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to perform, giving them the chance to sing extra, almost traditional,
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752:
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1156:(Opera Classics Library Series). Grand Rapids: Opera Journeys, 2005.
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followed suit, accompanying herself on the piano in the final song.
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The Birth of an Opera: Fifteen Masterpieces from Poppea to Wozzeck
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The opera was first performed in England on 10 March 1818 at the
164:[ilbarˈbjɛːredisiˈviʎʎaosˈsiːaliˈnuːtileprekautˈtsjoːne]
718:
337:
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1851:
2009 lecture "Ornamenting an Early Nineteenth-Century Opera"
379:
was composed in just under three weeks, although the famous
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He has only one solo line, but it's a very significant one.
328:. The play as it is now known was premiered in 1775 by the
1758:
456:
in London in Italian, soon followed on 13 October at the
195:(1775). The première of Rossini's opera (under the title
2200:
Il barbiere di Siviglia: online opera guide and synopsis
297:
Rossini's opera recounts the events of the first of the
1996:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
1795:
Foil, David; Berger, William (2006). Text accompanying
1199:
1171:
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Rosina believes the story and agrees to marry Bartolo.
383:
was actually recycled from two earlier Rossini operas,
2815:
L'occasione fa il ladro, ossia Il cambio della valigia
1159:
951:
Aurelia Dobrovolskaya (lyric coloratura soprano), 1914
343:
Other operas based on the first play were composed by
3424:
1406:
3066:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
2902:
Il barbiere di Siviglia, ossia L'inutile precauzione
159:
Il barbiere di Siviglia, ossia L'inutile precauzione
79:
Il barbiere di Siviglia, ossia L'inutile precauzione
3339:
Conservatorio Statale di Musica "Gioachino Rossini"
2089:. Vol. 3. London: Macmillan. pp. 585–592.
1945:(in German) (fourth ed.). Munich: K. G. Saur.
1883:
Music in New Orleans: The Formative Years 1791–1841
1513:"Sweet and Low: The case of the vanishing contralto
395:and thus contains none of the thematic material in
316:composed 30 years earlier in 1786, is based on the
3027:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
2190:, Article with photos of a 2009 production at the
1394:
2159:, libretto in Italian. Rome: Crispino Puccinelli.
1885:. Baton Rouge: Louisiana State University Press.
3448:
2823:Il signor Bruschino, ossia Il figlio per azzardo
2791:Ciro in Babilonia, ossia La caduta di Baldassare
1591:Originally written for contralto according to a
1216:
1214:
492:The role of Rosina was originally written for a
149:The Barber of Seville, or The Useless Precaution
3082:Moïse et Pharaon, ou Le passage de la mer rouge
2955:Adelaide di Borgogna, ossia Ottone, re d'Italia
2631: Opera
2593: Opera
1376:by Sofia Laursen and Ioanna Salmanidis, p. 11,
1818:
1710:
1654:
1637:
1608:
1427:
1425:
1423:
1421:
633:. Famous recent mezzo-soprano Rosinas include
3011:Bianca e Falliero, ossia Il consiglio dei tre
2915:La gazzetta, ossia Il matrimonio per concorso
2703:
2220:
1931:
1452:
1447:, min. 19–25, on the new critical edition of
1211:
570:sang a shortened version of "Contro un cor",
77:
3512:Operas based on The Barber of Seville (play)
1451:; see also "Fodor-Mainvielle, Joséphine" in
1220:
1418:
1316:, pp. 130–131. W. W. Norton & Company.
2750:
2710:
2696:
2227:
2213:
2119:: CS1 maint: location missing publisher (
2056:
2013:
1989:
1959:
1794:
1764:
1702:
1698:
1666:
1658:
1633:
1629:
1616:
1604:
1600:
1431:
1388:
1332:
1261:
1244:(in Italian). 17 November 1868. p. 2.
1221:D'Arcais, F. (1869). "Rassegna Musicale".
1177:
997:, sometimes reaching high Ds or even Fs.)
60:
2931:La Cenerentola, ossia La bontà in trionfo
2181:International Music Score Library Project
2093:
2049:10.1093/gmo/9781561592630.article.O900429
1787:Bibliographie des oeuvres de Beaumarchais
1257:
1255:
1253:
1251:
1205:
1165:
1085:with a grille looking out onto the square
969:A room in Bartolo's house with four doors
418:. The premiere of Rossini's opera at the
199:) took place on 20 February 1816 at the
2460:The Crazy Day or The Marriage of Figaro
2132:. Reprint (1987): New York: Limelight.
1848:
1799:. New York: Black Dog & Leventhal.
1780:
1444:
1189:
681:who made her stage debut in that role.
530:'s "Il bacio", the Bolero from Verdi's
14:
3449:
2075:
1978:
1741:
1574:Fondazione Teatro La Fenice di Venezia
1493:from the original on 17 September 2011
1412:
1248:
1073:A room in Bartolo's house with a piano
900:The square in front of Bartolo's house
562:'s "Nightingale". In a recording of a
402:
217:
66:1830 lithograph by Alexandre Fragonard
32:The Barber of Seville (disambiguation)
2717:
2691:
2630:
2592:
2208:
1899:
1740:The plot synopsis is partly based on
1709:, p. 667. Listed as baritone by
1706:
1662:
1641:
1612:
732:doctor of medicine, Rosina's guardian
197:Almaviva, o sia L'inutile precauzione
162:
1880:
1400:
1304:
1289:et al., a Long-Overdue Introduction"
870:Officers, soldiers, street-musicians
460:by an English version translated by
2348:Adventures of the Barber of Seville
1999:. Portland, Oregon: Amadeus Press.
1139:. L'Almanacco di Gherardo Casaglia
981:, but it is sometimes transposed a
677:. Famous contralto Rosinas include
536:, the Shadow Song from Meyerbeer's
24:
2028:. Vol. 1. London: Macmillan.
1002:
925:
911:Figaro approaches singing (Aria: "
519:in Paris, where it was published.
324:, but was rejected as such by the
288:Problems playing these files? See
224:
25:
3523:
2971:Adina, ossia Il califfo di Bagdad
2400:The Cat Above and the Mouse Below
2144:
2086:The New Grove Dictionary of Opera
2025:The New Grove Dictionary of Opera
1917:. New York: G. P. Putnam's Sons.
1552:Roles are listed as given in the
1105:The Barber of Seville discography
691:Roles, voice types, premiere cast
503:The New Grove Dictionary of Opera
3434:
3409:
3408:
3102:
2923:Otello, ossia Il Moro di Venezia
2906:
2886:Elisabetta, regina d'Inghilterra
2561:Fantasy on Themes from Mozart's
2493:Sull'aria...che soave zeffiretto
1038:Problems playing this file? See
1018:
959:Problems playing this file? See
941:
915:della città"; "Make way for the
807:old governess in Bartolo's house
558:began the practice of inserting
476:. It was given in French at the
262:
243:
2554: Related
1982:The Opera Goer's Complete Guide
1734:
1725:
1716:
1691:
1647:
1622:
1585:
1566:
1546:
1531:
1505:
1475:
1458:
1437:
1363:
1342:
1278:
1223:Direzione della Nuova Antologia
973:The scene begins with Rosina's
705:Premiere cast, 20 February 1816
27:1816 opera by Gioachino Rossini
1797:Rossini: The Barber of Seville
1233:
1146:
1121:
13:
1:
1822:; Brauner, Patricia (2001). "
1684:(performance archives of the
1109:
1098:
1014:"La calunnia è un venticello"
748:rich pupil in Bartolo's house
1834:. New York: Penguin Putnam.
1563:(Rome: Crispino Puccinelli).
848:Police Sergeant ("Officer")
500:Richard Osborne, writing in
185:. The libretto was based on
7:
3462:Operas by Gioachino Rossini
2061:. Oxford University Press.
2059:Rossini: His Life and Works
1960:Loewenberg, Alfred (1978).
1832:The New Penguin Opera Guide
877:
392:Elizabeth, Queen of England
305:, the barber of the title.
10:
3528:
2014:Osborne, Richard (1992). "
1914:The New Kobbé's Opera Book
1774:
1711:Gossett & Brauner 2001
1655:Gossett & Brauner 2001
1653:Also listed as soprano by
1638:Gossett & Brauner 2001
1609:Gossett & Brauner 2001
1127:Casaglia, Gherardo (2005).
1102:
513:Joséphine Fodor-Mainvielle
126:20 February 1816
29:
3507:Operas adapted into films
3404:
3377:Duetto buffo di due gatti
3362:
3331:
3296:
3277:
3228:
3193:
3154:
3125:
3057:
2853:
2767:La cambiale di matrimonio
2743:
2725:
2655:Figaro läßt sich scheiden
2623:
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2553:
2510:
2470:
2443:
2432:
2410:
2358:
2307:
2281:
2254:
2243:
2057:Osborne, Richard (2007).
1962:Annals of Opera 1597–1940
1669:, p. 311. See also,
1453:Kutsch & Riemens 2003
1082:A room in Bartolo's house
867:
273:Performed in 1929 by the
121:
105:
97:
87:
71:
59:
48:
41:
3316:(1991 biographical film)
3308:(1942 biographical film)
2609:The Ghosts of Versailles
2379:(Woody Woodpecker, 1944)
2369:Our Gang Follies of 1938
2169:English/Italian libretto
1114:
1067:
1052:lower than the original
894:
758:Geltrude Righetti-Giorgi
684:
583:coloratura mezzo-soprano
203:, Rome, with designs by
173:in two acts composed by
3472:Italian-language operas
3218:Petite messe solennelle
2663:The Abduction of Figaro
2266:(Paisiello, 1782 opera)
2263:Il barbiere di Siviglia
2187:Der Barbier von Sevilla
2151:Sterbini Romano, Cesare
2079:(1992). "New York". In
2052:(subscription required)
1881:Kmen, Henry A. (1966).
1868:Il barbiere di Siviglia
1697:Also listed as bass by
1671:Il barbiere di Siviglia
1579:Il barbiere di Siviglia
1449:Il barbiere di Siviglia
1131:Il barbiere di Siviglia
647:Lucia Valentini Terrani
607:Victoria de los Ángeles
397:Il barbiere di Siviglia
377:Il barbiere di Siviglia
362:Constantino Dall'Argine
42:Il barbiere di Siviglia
18:Il Barbiere di Siviglia
3497:Fictional hairdressers
3349:Rossini Opera Festival
3163:Ecco, ridente in cielo
2807:La pietra del paragone
2775:L'equivoco stravagante
2543:The Marriage of Figaro
2535:The Marriage of Figaro
2519:The Marriage of Figaro
2500:The Marriage of Figaro
2452:The Marriage of Figaro
2435:The Marriage of Figaro
1628:Listed as baritone by
1617:Foil & Berger 2006
1310:Rose, Michael (2013).
1007:
930:
906:Ecco, ridente in cielo
784:Rosina's music teacher
741:Bartolomeo Botticelli
312:The Marriage of Figaro
229:
157:
78:
3502:Operas based on plays
3487:Operas set in Seville
3457:The Barber of Seville
3371:La boutique fantasque
3286:The Barber of Seville
2671:Figaro Gets a Divorce
2403:(Tom and Jerry, 1964)
2376:The Barber of Seville
2340:Le Barbier de Séville
2332:The Barber of Seville
2324:The Barber of Seville
2316:The Barber of Seville
2297:The Barber of Seville
2274:(Rossini, 1816 opera)
2271:The Barber of Seville
2246:The Barber of Seville
2176:The Barber of Seville
2016:The Barber of Seville
1873:25 March 2016 at the
1864:University of Chicago
1824:The Barber of Seville
1751:10 March 2017 at the
1559:10 March 2017 at the
1455:, pp. 1500–1501.
1374:– Education Resource"
1372:The Barber of Secille
1350:The Barber of Seville
1154:The Barber of Seville
1006:
929:
566:performance in 1956,
526:was known to include
458:Covent Garden Theatre
447:Le Barbier de Séville
441:, which is common in
434:The Barber of Seville
355:in 1796, and then by
334:Théâtre des Tuileries
275:New York Philharmonic
228:
192:The Barber of Seville
115:Le Barbier de Séville
44:The Barber of Seville
3267:Péchés de vieillesse
3074:Le siège de Corinthe
2862:Aureliano in Palmira
2839:L'italiana in Algeri
2730:List of compositions
2455:(Mozart, 1786 opera)
2099:Rossini: A Biography
1979:Melitz, Leo (1921).
1942:Großes Sängerlexikon
1905:The Earl of Harewood
1790:. Paris: A. Quantin.
1680:3 March 2016 at the
1518:18 July 2011 at the
1467:by Richard Osborne,
1360:at musicwithease.com
1356:14 July 2011 at the
1271:17 June 2014 at the
816:Elisabetta Loyselet
710:: Gioachino Rossini
412:Elisabetta Gafforini
386:Aureliano in Palmira
30:For other uses, see
3492:Operas set in Spain
3383:Matinées musicales
3297:Cultural depictions
3251:La regata veneziana
2979:Ricciardo e Zoraide
2894:Torvaldo e Dorliska
2236:Pierre Beaumarchais
2101:. New York: Knopf.
1640:, p. 776; and
1611:, p. 776; and
1298:The Washington Post
1242:Gazzetta Piemontese
1152:Fisher, Burton D.,
991:coloratura sopranos
693:
643:Frederica von Stade
587:coloratura sopranos
403:Performance history
357:Francesco Morlacchi
218:Composition history
187:Pierre Beaumarchais
110:Pierre Beaumarchais
3354:Rossini in Wildbad
3236:Six string sonatas
2995:Eduardo e Cristina
2870:Il turco in Italia
2759:Demetrio e Polibio
2650:(Mercadante, 1835)
2612:(Corigliano, 1991)
2387:(Bugs Bunny, 1950)
2192:Zürich Opera House
2095:Weinstock, Herbert
2042:Grove Music Online
1705:, p. 52; and
1686:Metropolitan Opera
1661:, p. 52; and
1483:"Opera Statistics"
1391:, columns 643–646.
1008:
937:"Una voce poco fa"
931:
890:Time: 17th century
823:Almaviva's servant
689:
675:Vesselina Kasarova
560:Alexander Alyabyev
533:I vespri siciliani
425:Giovanni Paisiello
345:Giovanni Paisiello
230:
3422:
3421:
3389:Messa per Rossini
3332:Named for Rossini
3313:Rossini! Rossini!
3270:(1857–1868)
3170:Largo al factotum
3121:
3120:
3053:
3052:
3003:La donna del lago
2849:
2848:
2719:Gioachino Rossini
2685:
2684:
2681:
2680:
2666:(Schickele, 1984)
2619:
2618:
2584:The Guilty Mother
2577:
2576:
2428:
2427:
2384:Rabbit of Seville
2290:Largo al factotum
2238:'s Figaro Trilogy
2138:978-0-87910-071-1
2068:978-0-19-518129-6
1971:978-0-87471-851-5
1924:978-0-399-14332-8
1805:978-1-57912-618-6
1675:MetOpera Database
1593:2010 program book
1542:Royal Opera House
1137:20 February 1816"
1023:
946:
913:Largo al factotum
875:
874:
837:Bartolo's servant
792:Zenobio Vitarelli
591:Marcella Sembrich
574:up a tone, in E.
548:Home! Sweet Home!
478:Théâtre d'Orléans
416:Geltrude Righetti
330:Comédie-Française
326:Comédie-Italienne
268:
249:
212:Barber of Seville
189:'s French comedy
175:Gioachino Rossini
145:
144:
54:Gioachino Rossini
16:(Redirected from
3519:
3439:
3438:
3430:
3412:
3411:
3363:Related articles
3278:Film adaptations
3184:Una voce poco fa
3111:Ugo, re d'Italia
3106:
3055:
3054:
2910:
2851:
2850:
2799:La scala di seta
2783:L'inganno felice
2748:
2747:
2712:
2705:
2698:
2689:
2688:
2628:
2627:
2601:La mère coupable
2590:
2589:
2441:
2440:
2252:
2251:
2229:
2222:
2215:
2206:
2205:
2196:
2179:: Scores at the
2163:Italian libretto
2124:
2118:
2110:
2090:
2077:Sommer, Susan T.
2072:
2053:
2039:
2010:
1991:Osborne, Charles
1986:
1975:
1956:
1928:
1896:
1877:
1852:
1845:
1815:
1791:
1768:
1762:
1756:
1738:
1732:
1729:
1723:
1720:
1714:
1695:
1689:
1651:
1645:
1626:
1620:
1589:
1583:
1570:
1564:
1550:
1544:
1535:
1529:
1528:, December 1996.
1509:
1503:
1502:
1500:
1498:
1479:
1473:
1462:
1456:
1441:
1435:
1429:
1416:
1410:
1404:
1398:
1392:
1386:
1380:
1367:
1361:
1346:
1340:
1330:
1324:
1308:
1302:
1282:
1276:
1259:
1246:
1245:
1237:
1231:
1230:
1218:
1209:
1203:
1197:
1187:
1181:
1175:
1169:
1163:
1157:
1150:
1144:
1142:
1136:
1125:
1029:Feodor Chaliapin
1025:
1024:
1005:
948:
947:
928:
800:
694:
692:
688:
663:Jennifer Larmore
427:, who played on
420:Teatro Argentina
370:
279:Arturo Toscanini
270:
269:
251:
250:
227:
201:Teatro Argentina
177:with an Italian
166:
137:Teatro Argentina
133:
131:
81:
64:
39:
38:
21:
3527:
3526:
3522:
3521:
3520:
3518:
3517:
3516:
3447:
3446:
3445:
3433:
3425:
3423:
3418:
3400:
3358:
3327:
3321:Rossini's Ghost
3292:
3273:
3224:
3202:Messa di Gloria
3189:
3150:
3117:
3049:
2845:
2739:
2721:
2716:
2686:
2677:
2615:
2604:(Milhaud, 1966)
2573:
2549:
2506:
2479:Se vuol ballare
2466:
2424:
2406:
2392:Magical Maestro
2360:
2354:
2303:
2277:
2239:
2233:
2194:
2171:at murashev.com
2165:at stanford.edu
2147:
2112:
2111:
2069:
2051:
2036:
2007:
1972:
1953:
1952:9-783-598115981
1925:
1893:
1875:Wayback Machine
1850:
1842:
1820:Gossett, Philip
1777:
1772:
1771:
1765:R. Osborne 1992
1763:
1759:
1753:Wayback Machine
1739:
1735:
1730:
1726:
1721:
1717:
1703:C. Osborne 1994
1701:, p. 311;
1699:R. Osborne 1992
1696:
1692:
1682:Wayback Machine
1667:R. Osborne 1992
1659:C. Osborne 1994
1657:, p. 776;
1652:
1648:
1634:C. Osborne 1994
1632:, p. 311;
1630:R. Osborne 1992
1627:
1623:
1605:C. Osborne 1994
1601:R. Osborne 1992
1590:
1586:
1571:
1567:
1561:Wayback Machine
1551:
1547:
1536:
1532:
1520:Wayback Machine
1510:
1506:
1496:
1494:
1481:
1480:
1476:
1463:
1459:
1442:
1438:
1432:R. Osborne 1992
1430:
1419:
1411:
1407:
1399:
1395:
1389:Loewenberg 1978
1387:
1383:
1378:Victorian Opera
1368:
1364:
1358:Wayback Machine
1347:
1343:
1333:C. Osborne 1994
1331:
1327:
1309:
1305:
1283:
1279:
1273:Wayback Machine
1262:R. Osborne 2007
1260:
1249:
1239:
1238:
1234:
1229:. Firenze: 404.
1219:
1212:
1204:
1200:
1188:
1184:
1178:C. Osborne 1994
1176:
1172:
1164:
1160:
1151:
1147:
1140:
1134:
1126:
1122:
1117:
1112:
1107:
1101:
1070:
1045:
1044:
1036:
1034:
1033:
1032:
1031:
1026:
1019:
1016:
1009:
1003:
966:
965:
957:
955:
954:
953:
952:
949:
942:
939:
932:
926:
897:
880:
830:Paolo Biagelli
794:
715:Count Almaviva
706:
690:
687:
655:Cecilia Bartoli
639:Teresa Berganza
627:Kathleen Battle
623:Edita Gruberová
603:Gianna D'Angelo
556:Pauline Viardot
517:Théâtre-Italien
496:. According to
405:
364:
353:Nicolas Isouard
295:
294:
286:
284:
283:
282:
281:
271:
263:
260:
254:
253:
252:
244:
241:
235:
231:
225:
220:
183:Cesare Sterbini
141:
140:
134:
129:
127:
92:Cesare Sterbini
83:
67:
43:
35:
28:
23:
22:
15:
12:
11:
5:
3525:
3515:
3514:
3509:
3504:
3499:
3494:
3489:
3484:
3479:
3474:
3469:
3464:
3459:
3444:
3443:
3420:
3419:
3417:
3416:
3405:
3402:
3401:
3399:
3398:
3391:
3386:
3379:
3374:
3366:
3364:
3360:
3359:
3357:
3356:
3351:
3346:
3341:
3335:
3333:
3329:
3328:
3326:
3325:
3317:
3309:
3300:
3298:
3294:
3293:
3291:
3290:
3281:
3279:
3275:
3274:
3272:
3271:
3263:
3255:
3247:
3243:Edipo a Colono
3239:
3232:
3230:
3226:
3225:
3223:
3222:
3214:
3206:
3197:
3195:
3191:
3190:
3188:
3187:
3180:
3173:
3166:
3158:
3156:
3152:
3151:
3149:
3148:
3140:
3131:
3129:
3123:
3122:
3119:
3118:
3116:
3115:
3107:
3098:Guillaume Tell
3094:
3086:
3078:
3070:
3061:
3059:
3051:
3050:
3048:
3047:
3039:
3031:
3023:
3015:
3007:
2999:
2991:
2983:
2975:
2967:
2963:Mosè in Egitto
2959:
2951:
2943:
2939:La gazza ladra
2935:
2927:
2919:
2911:
2898:
2890:
2882:
2874:
2866:
2857:
2855:
2847:
2846:
2844:
2843:
2835:
2827:
2819:
2811:
2803:
2795:
2787:
2779:
2771:
2763:
2754:
2752:
2745:
2741:
2740:
2738:
2737:
2735:List of operas
2732:
2726:
2723:
2722:
2715:
2714:
2707:
2700:
2692:
2683:
2682:
2679:
2678:
2676:
2675:
2674:(Langer, 2016)
2667:
2659:
2651:
2643:
2642:(Carafa, 1820)
2634:
2632:
2625:
2621:
2620:
2617:
2616:
2614:
2613:
2605:
2596:
2594:
2587:
2579:
2578:
2575:
2574:
2572:
2571:
2557:
2555:
2551:
2550:
2548:
2547:
2539:
2531:
2523:
2514:
2512:
2508:
2507:
2505:
2504:
2496:
2489:
2486:Non più andrai
2482:
2474:
2472:
2468:
2467:
2465:
2464:
2463:(2004 musical)
2456:
2447:
2445:
2438:
2430:
2429:
2426:
2425:
2423:
2422:
2414:
2412:
2408:
2407:
2405:
2404:
2396:
2388:
2380:
2372:
2364:
2362:
2356:
2355:
2353:
2352:
2344:
2336:
2328:
2320:
2311:
2309:
2305:
2304:
2302:
2301:
2293:
2285:
2283:
2279:
2278:
2276:
2275:
2267:
2258:
2256:
2249:
2241:
2240:
2232:
2231:
2224:
2217:
2209:
2203:
2202:
2197:
2183:
2172:
2166:
2160:
2146:
2145:External links
2143:
2142:
2141:
2091:
2073:
2067:
2054:
2034:
2011:
2005:
1987:
1976:
1970:
1957:
1951:
1929:
1923:
1909:Antony Peattie
1897:
1891:
1878:
1860:Philip Gossett
1846:
1840:
1828:Holden, Amanda
1816:
1792:
1782:Cordier, Henri
1776:
1773:
1770:
1769:
1767:, p. 309.
1757:
1733:
1724:
1715:
1713:, p. 776.
1690:
1646:
1644:, p. 310.
1636:, p. 52;
1621:
1607:, p. 52;
1584:
1565:
1545:
1530:
1504:
1474:
1457:
1436:
1417:
1415:, p. 586.
1405:
1393:
1381:
1362:
1341:
1325:
1303:
1277:
1247:
1232:
1225:(in Italian).
1210:
1208:, p. 366.
1206:Weinstock 1968
1198:
1182:
1170:
1166:Weinstock 1968
1158:
1145:
1119:
1118:
1116:
1113:
1111:
1108:
1103:Main article:
1100:
1097:
1069:
1066:
1035:
1027:
1017:
1012:
1011:
1010:
1001:
1000:
999:
956:
950:
940:
935:
934:
933:
924:
923:
922:
896:
893:
892:
891:
888:
879:
876:
873:
872:
865:
864:
862:
859:
855:
854:
852:
849:
845:
844:
842:
839:
832:
831:
828:
825:
818:
817:
814:
809:
802:
801:
789:
786:
779:
778:
773:
768:
761:
760:
755:
750:
743:
742:
739:
734:
727:
726:
721:
716:
712:
711:
703:
698:
686:
683:
671:Isabel Leonard
659:Joyce DiDonato
651:Susanne Marsee
599:Roberta Peters
487:Maria Malibran
454:King's Theatre
404:
401:
285:
272:
261:
256:
255:
242:
237:
236:
233:
232:
223:
222:
221:
219:
216:
205:Angelo Toselli
143:
142:
135:
125:
123:
119:
118:
107:
103:
102:
99:
95:
94:
89:
85:
84:
75:
73:
69:
68:
65:
57:
56:
46:
45:
26:
9:
6:
4:
3:
2:
3524:
3513:
3510:
3508:
3505:
3503:
3500:
3498:
3495:
3493:
3490:
3488:
3485:
3483:
3480:
3478:
3475:
3473:
3470:
3468:
3465:
3463:
3460:
3458:
3455:
3454:
3452:
3442:
3437:
3432:
3431:
3428:
3415:
3407:
3406:
3403:
3397:
3396:
3392:
3390:
3387:
3385:
3384:
3380:
3378:
3375:
3373:
3372:
3368:
3367:
3365:
3361:
3355:
3352:
3350:
3347:
3345:
3342:
3340:
3337:
3336:
3334:
3330:
3323:
3322:
3318:
3315:
3314:
3310:
3307:
3306:
3302:
3301:
3299:
3295:
3289:
3287:
3283:
3282:
3280:
3276:
3269:
3268:
3264:
3261:
3260:
3256:
3253:
3252:
3248:
3245:
3244:
3240:
3237:
3234:
3233:
3231:
3227:
3220:
3219:
3215:
3212:
3211:
3207:
3204:
3203:
3199:
3198:
3196:
3192:
3185:
3181:
3178:
3174:
3171:
3167:
3164:
3160:
3159:
3157:
3153:
3146:
3145:
3141:
3138:
3137:
3133:
3132:
3130:
3128:
3124:
3113:
3112:
3108:
3105:
3100:
3099:
3095:
3092:
3091:
3087:
3084:
3083:
3079:
3076:
3075:
3071:
3068:
3067:
3063:
3062:
3060:
3056:
3045:
3044:
3040:
3037:
3036:
3032:
3029:
3028:
3024:
3021:
3020:
3016:
3013:
3012:
3008:
3005:
3004:
3000:
2997:
2996:
2992:
2989:
2988:
2984:
2981:
2980:
2976:
2973:
2972:
2968:
2965:
2964:
2960:
2957:
2956:
2952:
2949:
2948:
2944:
2941:
2940:
2936:
2933:
2932:
2928:
2925:
2924:
2920:
2917:
2916:
2912:
2909:
2904:
2903:
2899:
2896:
2895:
2891:
2888:
2887:
2883:
2880:
2879:
2875:
2872:
2871:
2867:
2864:
2863:
2859:
2858:
2856:
2852:
2841:
2840:
2836:
2833:
2832:
2828:
2825:
2824:
2820:
2817:
2816:
2812:
2809:
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2108:
2104:
2100:
2096:
2092:
2088:
2087:
2082:
2081:Stanley Sadie
2078:
2074:
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2055:
2050:
2046:
2043:
2037:
2035:1-56159-228-5
2031:
2027:
2026:
2021:
2020:Stanley Sadie
2017:
2012:
2008:
2006:0-931340-71-3
2002:
1998:
1997:
1992:
1988:
1984:
1983:
1977:
1973:
1967:
1963:
1958:
1954:
1948:
1944:
1943:
1938:
1934:
1933:Kutsch, K. J.
1930:
1926:
1920:
1916:
1915:
1910:
1906:
1902:
1901:Kobbé, Gustav
1898:
1894:
1892:9780807105481
1888:
1884:
1879:
1876:
1872:
1869:
1865:
1861:
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1841:0-14-029312-4
1837:
1833:
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1606:
1602:
1599:, as well as
1598:
1594:
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1558:
1555:
1554:1816 libretto
1549:
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1539:
1534:
1527:
1526:
1521:
1517:
1514:
1511:Myers, Eric,
1508:
1492:
1488:
1484:
1478:
1472:
1471:
1466:
1461:
1454:
1450:
1446:
1440:
1434:, p. 311
1433:
1428:
1426:
1424:
1422:
1414:
1409:
1403:, p. 97.
1402:
1397:
1390:
1385:
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1366:
1359:
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1307:
1301:, 11 May 2003
1300:
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1217:
1215:
1207:
1202:
1195:
1191:
1186:
1180:, p. 57.
1179:
1174:
1168:, p. 54.
1167:
1162:
1155:
1149:
1138:
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787:
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781:
780:
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776:Luigi Zamboni
774:
772:
769:
767:
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762:
759:
756:
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751:
749:
745:
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738:
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724:Manuel Garcia
722:
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714:
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682:
680:
676:
672:
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667:Elīna Garanča
664:
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635:Marilyn Horne
632:
631:Luciana Serra
628:
624:
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611:Beverly Sills
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541:
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535:
534:
529:
525:
524:Adelina Patti
520:
518:
514:
509:
508:transposition
505:
504:
499:
495:
490:
488:
484:
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450:
448:
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430:
429:mob mentality
426:
421:
417:
413:
409:
408:Luigi Zamboni
400:
398:
394:
393:
388:
387:
382:
378:
372:
368:
363:
358:
354:
350:
346:
341:
339:
335:
331:
327:
323:
322:opéra comique
319:
315:
313:
308:
304:
300:
293:
291:
280:
277:conducted by
276:
259:
258:Part 2 (4:01)
240:
239:Part 1 (3:41)
215:
213:
208:
206:
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70:
63:
58:
55:
51:
47:
40:
37:
33:
19:
3393:
3381:
3369:
3344:Prix Rossini
3319:
3311:
3303:
3285:
3265:
3257:
3249:
3241:
3221:(1864, 1867)
3216:
3213:(1831, 1841)
3210:Stabat mater
3208:
3200:
3194:Sacred music
3177:Sombre forêt
3144:Robert Bruce
3142:
3134:
3114:(unfinished)
3109:
3096:
3090:Le comte Ory
3088:
3080:
3072:
3064:
3041:
3033:
3025:
3017:
3009:
3001:
2993:
2985:
2977:
2969:
2961:
2953:
2945:
2937:
2929:
2921:
2913:
2901:
2900:
2892:
2884:
2876:
2868:
2860:
2837:
2829:
2821:
2813:
2805:
2797:
2789:
2781:
2773:
2765:
2757:
2669:
2661:
2653:
2647:I due Figaro
2645:
2639:I due Figaro
2637:
2607:
2599:
2582:
2567:Don Giovanni
2566:
2562:
2541:
2533:
2525:
2517:
2499:
2458:
2450:
2433:
2398:
2390:
2382:
2374:
2367:
2346:
2338:
2330:
2322:
2314:
2296:
2270:
2269:
2261:
2244:
2186:
2175:
2155:
2098:
2084:
2058:
2023:
2015:
1995:
1981:
1961:
1940:
1937:Riemens, Leo
1913:
1882:
1867:
1831:
1823:
1796:
1786:
1760:
1736:
1727:
1718:
1693:
1670:
1649:
1624:
1587:
1578:
1568:
1548:
1538:"Ewa Podleś"
1533:
1523:
1507:
1495:. Retrieved
1477:
1468:
1460:
1448:
1445:Gossett 2009
1439:
1408:
1396:
1384:
1371:
1365:
1349:
1344:
1328:
1312:
1306:
1296:
1286:
1280:
1241:
1235:
1226:
1222:
1201:
1190:Cordier 1883
1185:
1173:
1161:
1153:
1148:
1141:(in Italian)
1130:
1123:
1093:
1089:
1084:
1081:
1080:
1076:
1072:
1071:
1062:
1058:
1046:
1037:
972:
968:
967:
958:
910:
903:
899:
898:
869:
836:
822:
806:
783:
765:
747:
731:
619:Diana Damrau
595:Maria Callas
580:
576:
568:Maria Callas
552:Nellie Melba
544:Henry Bishop
537:
531:
528:Luigi Arditi
521:
501:
498:music critic
491:
482:
470:Park Theatre
466:Daniel Terry
462:John Fawcett
451:
446:
432:
406:
396:
390:
384:
376:
373:
342:
310:
296:
287:
211:
209:
196:
190:
168:
158:
148:
147:
146:
113:
76:
72:Native title
36:
3477:1816 operas
3467:Opera buffa
3324:(1996 film)
3288:(1947 film)
3229:Other works
3058:Later works
3019:Maometto II
2751:Early works
2502:discography
2299:discography
2195:(in German)
1744:, pp.
1742:Melitz 1921
1413:Sommer 1992
1264:, pp.
795: [
483:Il barbiere
443:comic opera
439:basso buffo
365: [
318:second part
299:three plays
170:opera buffa
50:Opera buffa
3451:Categories
3395:Rossiniana
3043:Semiramide
2878:Sigismondo
2419:The Barber
2359:Shorts and
1707:Kobbé 1997
1663:Kobbé 1997
1642:Kobbé 1997
1613:Kobbé 1997
1525:Opera News
1470:Gramophone
1335:, p.
1322:0393089657
1287:Elisabetta
1192:, p.
1110:References
1099:Recordings
1040:media help
961:media help
835:Ambrogio,
821:Fiorello,
701:Voice type
679:Ewa Podleś
572:transposed
290:media help
210:Rossini's
130:1816-02-20
112:'s comedy
88:Librettist
3127:Pastiches
2361:animation
2130:250474431
2115:cite book
1813:840078233
1597:La Fenice
1487:Operabase
1401:Kmen 1966
858:A notary
782:Basilio,
753:contralto
730:Bartolo,
708:Conductor
615:Lily Pons
494:contralto
309:'s opera
3414:Category
3259:La Danza
2854:Maturity
2831:Tancredi
2421:" (1993)
2153:(1816).
2097:(1968).
2040:Also at
1993:(1994).
1939:(2003).
1911:(eds.).
1903:(1997).
1871:Archived
1784:(1883).
1749:Archived
1678:Archived
1557:Archived
1516:Archived
1491:Archived
1465:"Review"
1354:Archived
1293:Tim Page
1269:Archived
995:cadenzas
985:up into
983:semitone
975:cavatina
917:factotum
878:Synopsis
868:Chorus:
771:baritone
764:Figaro,
746:Rosina,
589:such as
564:La Scala
474:New York
399:itself.
381:overture
234:Overture
179:libretto
167:) is an
122:Premiere
106:Based on
98:Language
3305:Rossini
3136:Ivanhoé
3101:(1829)
3035:Zelmira
2987:Ermione
2905:(1816)
2624:Related
2570:(Liszt)
2411:Related
2083:(ed.).
2022:(ed.).
1862:of the
1856:YouTube
1830:(ed.).
1775:Sources
1673:on the
1054:D major
987:F major
979:E major
887:, Spain
885:Seville
883:Place:
861:silent
812:soprano
805:Berta,
539:Dinorah
349:in 1782
332:at the
154:Italian
128: (
101:Italian
3482:Operas
3427:Portal
3262:(1835)
3254:(1835)
3246:(1817)
3238:(1804)
3205:(1820)
3147:(1846)
3139:(1826)
3093:(1828)
3085:(1827)
3077:(1826)
3069:(1825)
3046:(1823)
3038:(1822)
3030:(1821)
3022:(1820)
3014:(1819)
3006:(1819)
2998:(1819)
2990:(1819)
2982:(1818)
2974:(1826)
2966:(1818)
2958:(1817)
2950:(1817)
2947:Armida
2942:(1817)
2934:(1817)
2926:(1816)
2918:(1816)
2897:(1815)
2889:(1815)
2881:(1814)
2873:(1814)
2865:(1813)
2842:(1813)
2834:(1813)
2826:(1813)
2818:(1812)
2810:(1812)
2802:(1812)
2794:(1812)
2786:(1812)
2778:(1811)
2770:(1810)
2762:(1812)
2744:Operas
2563:Figaro
2546:(1960)
2538:(1949)
2530:(1929)
2527:Figaro
2522:(1920)
2395:(1952)
2351:(1954)
2343:(1948)
2335:(1947)
2327:(1938)
2319:(1904)
2136:
2128:
2107:192614
2105:
2065:
2032:
2018:". In
2003:
1968:
1949:
1921:
1889:
1838:
1826:". In
1811:
1803:
1320:
1135:
766:barber
542:, and
351:), by
307:Mozart
303:Figaro
139:, Rome
3441:Opera
3155:Arias
2471:Music
2444:Stage
2282:Music
2255:Stage
1858:, by
1746:29–31
1595:from
1576:(see
1497:8 May
1285:"For
1266:38–41
1115:Notes
1068:Act 2
895:Act 1
851:bass
841:bass
827:bass
799:]
788:bass
719:tenor
697:Role
685:Roles
369:]
338:Paris
2565:and
2511:Film
2308:Film
2134:ISBN
2126:OCLC
2121:link
2103:OCLC
2063:ISBN
2030:ISBN
2001:ISBN
1966:ISBN
1947:ISBN
1919:ISBN
1887:ISBN
1836:ISBN
1809:OCLC
1801:ISBN
1499:2011
1318:ISBN
1240:"".
1050:tone
989:for
737:bass
673:and
629:and
546:'s "
464:and
389:and
2045:doi
1854:on
1291:by
1087:.
1056:).
550:".
472:in
336:in
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2113:{{
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