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The play focuses on
Emperor Ibrahim and his rape of Morena. Sheker Para (Ibrahim's mistress) seeks revenge after being rejected by Amurat. She encourages Ibrahim to seduce Morena, a young woman who is engaged to Amurat. Morena rejects Ibrahim's advances so he orders her to be dragged to a chamber,
80:"has presented a victimized heroine who becomes, in her final hours, an emblem of the ravaged nation under an absolutist regime. ... The idea of passivity becoming active political commitment for those that survive the female victim is a significant development from
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describes how terribly Morena has been treated by
Ibrahim. The injured Morena takes poison and dies in Amurat's arms, but not before inspiring a revolution against Ibrahim.
84:' Anna , who advocates quietism and trusts Providence: Morena claims the necessity of a revolution that would vindicate her name and end Ibrahim's regime.
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The play was very successful when first performed in 1696, and was also performed several times in 1704. It was also revived in 1715.
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DomĂnguez, Pilar Cuder (2014). ""Look to Thy Self, and Guard Thy
Character": She-Tragedy and the Conflicts of Female Visibility".
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Genre in
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is regarded as the first emperor, and the disputed reign of his son
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The
Ravishing Restoration: Aphra Behn, Violence, and Comedy
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Paula de Pando suggests that in the figure of Morena, Pix:
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Staging the ottoman turk : british drama, 1656-1792
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depiction of the power-struggle between a sultan and a
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44:is counted as well. The play has been called a "
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61:where he violently rapes her. Afterwards, a
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182:. Susquehanna University Press. p. 58.
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108:A political biography of Delarivier Manley
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