Ian Carmichael - Knowledge

782: 1121: 49: 531: 893: 305: 1570:, even though he tired of playing the role so often. One of the attractions for the public was that he played his parts to get the audience's sympathy for the character, but with a measure of dignity that viewers could relate to. During Carmichael's semi-retirement, the Boulting brothers told him that they had not shown the range of his talents, and that "perhaps they should not virtually have confined him to the playing of 1556:

effortless light touch "was built on a hugely disciplined and virtuosic technique". Carmichael's choice of comedy was character-, rather than situation-based and when the film or play generated its atmosphere from normal, recognisable aspects of life. He selected his work projects carefully and became involved in the development and production side as closely as possible, or initiated the project himself.

1083:, the BBC's Head of Light Entertainment for Television, recorded in an internal memo that Carmichael had given "great difficulty" during negotiations, and concluded that "his head seems to have been a little turned by his success". Some actors had to point out to him that he was "doing a Carmichael" whenever he tried to improve his billing, or upstage his fellow actors, including 437:. After the play's second performance its run was ended, as RADA shut down in anticipation that war was about to be declared; the following day the UK joined the war. Carmichael returned to his familial home and completed the forms to join the Officer Cadet Reserve, hoping to be commissioned as an officer. He helped gather the harvest in a nearby farm until 2 October, when he was 701:, he said "I'm afraid that managers and directors may think of me only as a revue artist, and much as I enjoy acting in sketches I feel there must be a limit to the number of characters one is able to create. What I would like now is to be offered a part in light comedy or a farce". Between November 1954 and May 1955 he appeared as David Prentice in the stage production of 1112:, instructed Carmichael to take at least two week's holiday to rest, and he paid for Carmichael and his wife to have a holiday in Switzerland. He returned to the show on 23 December, but he lost his voice during the Boxing Day show and could only complete Act 1. He returned to the show after a few days, but left permanently on 28 January 1962 on his doctor's orders. 329:

pampered existence"; his parents employed maids and a cook. His infant education included one term at the local Froebel House School when he was four, but this was curtailed after his parents were shocked at the "alarmingly foul language he began bringing home", according to Alex Jennings, Carmichael's biographer in the

847:. The film historian Alan Boulton observed "Reviews were decidedly mixed and the critical response did not match the popular enthusiasm for the film"; it was either the second or third most popular film at the British box office that year. Carmichael received praise for his role, however, including from 1555:

acknowledges the effort and discipline needed by Carmichael to achieve a polished feel to his act, describing how Carmichael would "slave for hours to perfect one stumble on a stairway and, having got it, ... make it seem effortless thereafter". Jennings considers much of Carmichael's seemingly

570:(ENSA); Carmichael did not often appear on stage with them, but worked as the producer of twenty shows. In April 1946 Stone was promoted and was transferred to the UK; Carmichael was promoted to major and took control of the theatrical company. His leadership of the company was short-lived, as he was 1245:

is also a triumph of casting, for Ian Carmichael and Dennis Price are perfect impersonators of two characters who are by no means lay-figures ... They are a priceless pair." A different reviewer pointed out one drawback of the 44-year-old Carmichael's performance: "If we have thought of Bertie

1207:

in February 1965, but the run ended after 23 performances, as the farce was not to the taste of New York audiences. Carmichael was delighted by the early close, as he hated his time in the US and said "I found New York a disturbing, violent city and I disliked it instantly". As soon as he heard the

1293:

stories for television. He first had the idea of appearing as Wimsey in 1966, but various factors—including financing, Carmichael's association with Bertie Wooster in the public's eye and difficulty obtaining the rights—delayed the project. By January 1971, however, they were able to start filming

328:

Gillett) and her husband Arthur Denholm Carmichael, an optician on the premises of his family's firm of jewellers. Carmichael had two younger sisters, the twins Mary and Margaret, who were born in December 1923. Robert Fairclough, his biographer, describes Carmichael's upbringing as a "privileged,

1178:

drama came to the fore. One of the effects of the new movement was a downturn in the number of films that wanted a character like those normally played by Carmichael. He was still being offered some film roles, but all, he said, "were variations on the same old bumbling, accident-prone clot" with

400:

A period of unconfined joy, occasioned by my finally shaking off the shackles of school discipline and being able to mix daily with young men and young women who shared my interests and enthusiasms. This joy was, nevertheless, being tempered by the worsening European situation. The fear that now,

1486:

In late March 1941, when Carmichael's regiment was posted to Whitby he met "Pym"—Jean Pyman Maclean—who he described as "blonde, just eighteen, five feet six, sensationally pretty and a beautiful dancer"; he thought her personality was "warm ... genuine. There was an innocence about her, an

857:

thought Carmichael acted "with an unfailing tact and sympathy—he even manages to make a drunken scene seem rich in comedy". The film introduced American audiences to Carmichael, and his screen presence in the US was warmly received by reviewers. The reviewer Margaret Hinxman, writing in

503:

when it slammed down, cutting off the top of a finger on his left hand. The surgery was botched and caused him pain for several months; he had a second operation several months later. He described it as "dashed unfortunate" and "my one and only war-wound, albeit a self-inflicted one".

1277:, a sitcom loosely based on the true story of a single man who fostered twelve children. There were two series—one in 1970, one the following year—and a total of 22 episodes; he negotiated a salary of £1,500 per episode, making him the best-paid actor at the BBC. The media historian 1338:, described Carmichael as "an extremely clever actor", and thought he was "turning in one of those thespian efforts which seem easy at the time but which in retrospect are found to have been the ideal embodiment of the written character". Carmichael went on to play Wimsey on 1544:

helped when he worked in a dramatic play; his experience in getting a character across to an audience quickly in a short sketch showed him that "it is very important to establish a comedy character as soon as possible. Your whole performance may depend on this being done".

395:

Carmichael enjoyed his time at RADA, including the fact that women outnumbered men on his course, which he described as "heady stuff" after his boys-only boarding school. He remembered the time at RADA in the late 1930s fondly in his autobiography, describing it as:

1540:. Carmichael acknowledged the credit for his development as a light comic actor went "in its entirety to the training, coaxing and encouragement of ... Franklyn", who "showed me how to time my laughs and how to play an audience". Carmichael's experience in 1246:

Wooster as eternally 22, not far in time from enjoyably wasted university days, Mr. Ian Carmichael opposes our view with a Bertie who is older but hopefully fixed in an inescapable mental youth." The best review, as far as Carmichael and the producer

377:. He soon concluded that "the new curriculum was not arduous", which gave him the opportunity for focus on matters that were of more interest for him: acting, popular music and cricket. In the late 1930s Carmichael decided to go to the 1559:

The image he portrayed in many of his works was summarised by one obituarist as "the affable, archetypal silly ass Englishman" with a "wide-eyed boyish grin, bemused courtesy and hapless, trusting manner". He became somewhat

1508:

cricket charity from 1956 until October 1976, and would relax on film sets playing a casual game with other members of the cast and crew, a practice he was introduced to by the Boulting brothers. He was also a member of the

1487:

unsophistication that disarmed even the most worldly". The couple became engaged in May 1942 and married on 6 October 1943; they had two daughters, Lee (born in 1946) and Sally (born in 1949). Pym died of cancer in 1983.

557:

in charge of the unit as Richard Stone, an actor who had been a contemporary at RADA; Carmichael was taken into the company and assisted Stone with auditioning other members. One of the comedians who auditioned was

4585: 1281:

thought that the programme, "although ostensibly a middle-of-the-road family sitcom of no great ambition, came over as a polished and professional piece of work that pleased audiences over two extended series".

381:(RADA) in London. His parents would have preferred he went into the family jewellery business, but accepted their son's decision and supported him financially when he left Yorkshire for London in January 1939. 696:

Carmichael spent the next three years appearing in stage revues and small roles in films. Although he enjoyed working in revues, he was concerned about being stuck in a career rut. In a 1954 interview in

419:, East London. He recalled the experience as "a dull play performed in a cold and uninspiring theatre and my particular contribution required absolutely no acting talent whatsoever". He then appeared as 1079:

was Carmichael's tenth film in five years. Fairclough observes that during the late 1950s and early 1960s, Carmichael began to get a reputation among his colleagues as being difficult to work with.

273:

Much of Carmichael's success came through a disciplined approach to training and rehearsing for a role. He learned much about the craft and technique of humour while appearing with the comic actor

240:; he received critical and popular praise for the role, including from the American market. In many of his roles he played a likeable, often accident-prone, innocent. In the mid-1960s he played 1234: 877:, which was directed by Roy Boulting; others in the cast included Attenborough and Terry-Thomas. When the film was released in March 1957 Carmichael received positive reviews, including from 571: 212: 1328:

thought Carmichael was "an inspired piece of casting. ... he has exactly the right outward touch of aristocratic frivolity but more than the ability to suggest the steel underneath".

1258:

Thank you all for the perfectly wonderful performances. I am simply delighted with it. Bertie and Jeeves are just as I have always imagined them, and every part is played just right.

1237:, and the programme ran for three series, broadcast between May 1965 and November 1967, comprising twenty episodes in total. Reviews for Carmichael were positive, with a reviewer in 1616:

Over the course of the late 1950s and early 1960s the Boultings made films that took "sharp, but generally good-tempered swipes at such social bastions" in Britain. These included

1025:

also reprised their roles: Price (as Bertram Tracepurcel); Attenborough (as Sidney De Vere Cox) and Terry-Thomas (as Major Hitchcock). A new character was introduced in the film,

1399:. The journalist Patrick Humphries, while describing the film as "lamentable", thought that only Carmichael and Lowe "emerge with any credibility". Carmichael was interviewed on 959:

reviewer considered " Jim, complete with North-Country accent and the ability to pull comic faces, might so easily have been the author's creation brought to life off the page."

1268:

Wodehouse later reconsidered his opinion and thought Carmichael overacted in the role. Only one of the episodes remains: the others were wiped to reuse the expensive videotape.

562:, whom Carmichael thought "very gauche ... too undisciplined and not very funny either. Very much the amateur". Stone disagreed and signed the comic up to perform in a 401:

just as I was standing on the threshold of a future that I had dreamed about for years, the whole thing might be snuffed out like a candle was too unbearable to contemplate.

362:

used for even minor infringements of the rules; ablutions in the morning and evening were conducted with cold water—which often had a film of ice on the top during winter.

4817: 4458: 990:. The journalist R. B. Marriott described it as a "slightly crazy, wonderfully ridiculous comedy", and it had a five-week tour around the UK which preceded a run at 2829: 1415:, which marked what Fairclough calls his "semi-retirement" in Yorkshire. He continued to work periodically, including providing the voice for Rat in the 1983 film 4565: 291:, wrote that he "could play fool parts in a way that did not cut the characters completely off from human sympathy: a certain dignity was always maintained". 4822: 4797: 4520: 3941:

Wells, Paul (2000). "Comments, Custard Pies and Comic Cuts: The Boulting Brothers at Play, 1955–65". In Burton, Alan; O'Sullivan, Tim; Wells, Paul (eds.).

4767: 1170: 4827: 4772: 281:

as the affable but bumbling upper-class Englishman, his craft ensured that while audiences laughed at his antics, he retained their affection;

4802: 4807: 3622:

Burton, Alan (2012). "From Adolescence into Maturity: the Film Comedy of the Boulting Brothers". In Hunter, I. Q.; Porter, Laraine (eds.).

1037: 545:

and an initial post-war challenge in Germany was the welfare of the occupying forces. The corps' commanding officer was Lieutenant-General

1450:, a BBC family drama set in 1950 broadcast on Sunday evenings. He undertook his last stage role in June 1995, playing Sir Peter Teazle in 596:— a hotel receptionist and a BBC reporter. The production went on a twelve-week tour round Britain from October 1946, and then ran at the 1230: 567: 2695: 1564:

with the character, but audiences liked him in the role, and "he polished this persona with great care", according to his obituarist in

1108:

during the day. The mental and physical toll on him was too much, and he collapsed in the middle of a performance. The show's producer,

515:, Carmichael and his armoured reconnaissance troop landed in France. He fought through to Germany with the regiment and by the time of 448:, RADA reassessed its closure, and decided to reopen. Carmichael returned to London and shared lodgings with two fellow RADA students, 2766: 438: 2551: 390: 192: 4038: 2835: 1208:

production was to close, he sent a telegram to the BBC to note his availability to play Wooster. Carmichael negotiated a fee of 500

825:

for five films in all; the final contract was for a total of six films. The Boultings' first work with Carmichael was the 1956 film

1823: 1164: 520: 4792: 331: 4366: 4067: 3513: 3511: 3509: 3507: 4812: 2710: 1302: 2656: 3952: 3931: 3910: 3888: 3864: 3840: 3819: 3798: 3777: 3753: 3713: 3694: 3673: 3652: 3633: 3504: 2419: 1795: 1791: 1778: 1774: 1498:. They were married in July 1992. Carmichael enjoyed playing and watching cricket, and listed it as one of this interests in 945:. Fairclough notes that while the film was not well received by the critics, Carmichael's performance received great praise. 2218: 2216: 2214: 1680: 511:

Carmichael began producing revues and productions as part of his brigade's entertainment. On 16 June 1944, ten days after

4832: 2211: 1422: 1417: 1273: 1093:. Despite the criticism, Carmichael described the period as "I think the happiest five or six years of my whole career". 343: 3096: 4787: 4782: 632: 4777: 4498: 4478: 4438: 4241:

Strachan, Alan (8 February 2010). "Ian Carmichael; Actor who Played Likeable Toffs in Golden Age of British Comedy".

3269: 3267: 1736: 1425:

between 1984 and 1990. He revisited the works of Wodehouse in the late 1980s and early 1990s, providing the voice of

1052: 919: 4154:"Ian Carmichael; Unassuming Star of 1950s Light Comedies who Found Fresh Fame on Television as Wooster and Wimsey". 2578: 1044:. Although Sellers received most of the plaudits for the film, Carmichael was given good reviews for his role, with 885:, who concluded that Carmichael "confirms his placing in my form book as our best light comedian". The reviewer for 4742: 1247: 1041: 473: 456:; Carmichael and Macnee became lifelong friends. Between June and August 1940 Carmichael was on a ten-week tour of 4030:(8 February 2010). "Obituary: Ian Carmichael: Actor Known for his Roles as the Archetypal Blithering Englishman". 3264: 4837: 3342: 2781: 441:

into the army; he was told he would have to wait until he was twenty—on 18 June 1940—before he started training.

20: 3054: 258:, for which he received mostly positive reviews, including from Wodehouse. In the early 1970s he played another 1777:

measure of inflation, 500 guineas in 1965 is approximately £12,840 in 2023, according to calculations based on

1600: 1152: 994:, London, between December 1957 and August 1958. During the run, in April 1958, Carmichael was interviewed for 370: 3111: 1050:

saying he was "in excellent fooling" and "delicious both at work and at play". In 1960 Carmichael appeared in

1870: 1359: 592: 378: 204: 3327: 739:

thought Carmichael "comes near to stealing the film from both of them". In 1955 Carmichael also appeared in

537:, whom Carmichael auditioned and thought "very gauche ... too undisciplined and not very funny either". 1186:—described by Fairclough as "the misadventuring, 1920s upper-class loafer"—for adaptations of the works of 425: 2593: 1794:

measure of inflation, £1,500 in 1970 is approximately £29,310 in 2023, according to calculations based on

3850: 1517: 1461: 1158: 1046: 187: 38: 4183: 3724: 2701: 2527: 889:

thought Carmichael was "irrepressibly funny in his well-bred, well-intentioned, bewildered ineptitude".

781: 1865: 1640: 1494:. They began a relationship and she left the BBC in 1985 and moved in with him in the Esk Valley, near 542: 4417: 4131: 2772: 4401: 4385: 4047: 3303: 3273: 2787: 2557: 2232: 1851: 1451: 986: 607:

Between 1947 and 1951 Carmichael appeared on stage in both plays and revues —the latter often at the

102: 1147: 765:

was Carmichael's ninth film role and he had, Fairclough notes, risen to sixth in the credits behind

3225: 1714: 1574:". When he took the role of Wimsey—the intelligent, cultured and effective investigator—the critic 1490:

In 1984 Carmichael recorded a series of short stories for the BBC; the programmes were produced by

991: 563: 319: 200: 83: 4703: 3315: 1182:

In August 1964 the BBC approached Carmichael to discuss the possibility of his taking the role of

1036:

Fred Kite. The film was the highest-grossing at the British box office in 1960 and earned Sellers

1710: 1578:

wrote that "it was high time that Ian Carmichael was given the opportunity to look intelligent".

1510: 849: 813: 524: 4675: 1072:. The reviews for the film were not positive, but the actors were praised for their work in it. 324: 4231: 3453: 2716: 1724: 1698: 1622: 1456: 1388: 1380: 873: 654: 554: 477: 230:, who cast him in five of their films as one of the major players. The first was the 1956 film 4284: 4005: 3978: 2662: 2350: 2330: 4249: 3527: 2425: 2252: 2181: 1634: 1628: 1320: 1308: 1017: 929: 913: 907: 901: 827: 791: 582:

In July 1946 Carmichael signed with Stone, who had also been demobilised and had set up as a

516: 232: 4689: 4437: 4153: 3830: 3809: 3517: 2533: 2392: 4762: 4757: 4627: 4606: 4546: 4324: 1688: 1437: 1225: 1199: 1130: 836: 508: 489: 250: 355: 8: 4345: 4130: 2222: 1728: 1566: 1505: 1343: 996: 955: 822: 725:; she asked Carmichael to repeat his role, while Browne and Culver's roles were taken by 682: 608: 359: 339: 4733: 4477: 4210: 3309: 3102: 949:

considered that Carmichael, "although in many ways excellent, has fewer chances than in

746: 405:

During his second term Carmichael had his first professional acting role: as a robot in

4708: 4694: 4680: 3942: 3921: 3854: 3767: 3684: 3663: 3623: 1833: 1702: 1521: 1426: 964: 758: 637: 601: 469: 434: 315: 196: 79: 953:

to delight us with those studies in agonised embarrassment in which he excels", while

48: 4728: 4497: 4015: 3948: 3927: 3906: 3884: 3878: 3860: 3836: 3815: 3794: 3773: 3749: 3743: 3730: 3709: 3690: 3669: 3648: 3629: 3321: 1828: 1818: 1655: 1575: 1376: 1296: 1290: 1286: 1098: 1089: 969: 800: 741: 550: 481: 366: 308: 267: 263: 227: 54: 4201: 3788: 2584: 1548:

Carmichael polished his performances through extensive rehearsals and training. The

351: 4525: 1856: 1465: 1391:, two cricket-obsessed English gentlemen; the roles were played in the original by 1372: 1314: 1191: 1139: 1005: 818: 659: 649: 583: 449: 430: 208: 4537: 1011:

Carmichael once again appeared as Stanley Windrush, the character he portrayed in

4648: 3874: 1431: 1368: 1187: 1109: 718: 714: 668: 612: 465: 347: 245: 4529: 4457: 4283: 4193:

Marriott, R. B. (27 December 1957). "Ian Carmichael Only Wants to Play Comedy".

3348: 3060: 350:, which he attended between the ages of seven and thirteen. He did not like the 4367:"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)" 1650: 1645: 1183: 1125: 1080: 1057: 981: 750: 616: 597: 559: 546: 534: 500: 453: 374: 255: 241: 3996: 3117: 1120: 530: 406: 4751: 4027: 3763: 3734: 1883: 1732: 1396: 1392: 1364: 1347: 1278: 1209: 1175: 1069: 1026: 973: 942: 934: 899:(shown in 1961); he and Carmichael appeared together in six films, including 706: 686: 553:

to be formed for entertainment. When Carmichael auditioned he recognised the

485: 420: 282: 220: 4402: 4386: 4370: 4268:

Weber, Bruce (10 February 2010). "Ian Carmichael, 89, Comic British Actor".

1285:

Carmichael was one of the driving forces behind the BBC's decision to adapt

4564: 4220: 3333: 1860: 1842: 1838: 1808: 1706: 1693: 1684: 1604: 1571: 1549: 1537: 1536:

he undertook in the late 1940s, where he appeared opposite the comic actor

1500: 1334: 1217: 1212:(£525) per half-hour episode, and assisted in finding the right person for 1204: 1065: 1061: 1033: 977: 896: 878: 844: 840: 832: 808: 770: 754: 710: 657:. He spent much of 1949 in a thirty-week tour of Britain with the operetta 643: 287: 274: 237: 207:, but his studies—and the early stages of his career—were curtailed by the 4502: 4482: 4442: 4258: 2599: 984:. Carmichael spent much of the end of 1957 and most of 1958 on stage with 4163: 1878: 1813: 1676: 1491: 1446: 1384: 1339: 1329: 1143: 1104: 1084: 1030: 1001: 927:

In September 1957 Carmichael appeared in a third Boulting brothers film,

860: 853:, which thought he "fulfils his promise as a comedian"; the reviewer for 730: 726: 628: 259: 152: 354:

and authoritarian regime at the school. He described the discipline as "

4724: 4418: 1846: 1672: 786: 766: 722: 690: 499:, North Yorkshire, Carmichael was struggling to close the hatch of his 445: 1918: 1532:

Carmichael learned much of his technique from the thirty-week tour of

871:

From June to September 1956 Carmichael was involved in the filming of

663:. According to Jennings, Carmichael's "first conspicuous success" was 4304: 4101: 4089: 1719: 1552: 1470: 1464:. From 2003 he took his final role: that of T. J. Middleditch in the 1096:

In December 1961 Carmichael was appearing in the comedy mystery play

938: 892: 735: 689:, "Bank Holiday", which involved him undressing on the beach under a 677: 468:. After the tour Carmichael reported for training on 12 September at 3923:

P.G. Wodehouse and Hollywood: Screenwriting, Satires and Adaptations

3492: 1250:

were concerned, was from Wodehouse, who sent a telegram to the BBC:

304: 3898: 3381: 3177: 2991: 1561: 1138:

Tastes in film changed in the late 1950s and early 1960s, with the

675:

in 1952. He received a positive review in the industry publication

624: 416: 278: 4584: 3231: 3150: 2754: 1300:, which was broadcast in 1972 in five parts. This was followed by 868:

Carmichael had become "one of Britain's choicest screen exports".

4737: 4175:

Last, Richard (6 April 1972). "Sayers Wimsey Thriller Triumphs".

4113:

Fiddick, Peter (24 December 1983). "Bright lights at Toad Hall".

3723:

Hubbard, Linda S.; O'Donnell, Owen; Steen, Sara J., eds. (1989).

566:

concert party. The corps' company was also joined by actors from

3969:

Hinxman, Margaret (2 March 1957). "Britain's Conquering Clown".

3832:

British Film Character Actors: Great Names and Memorable Moments

2475: 2473: 2201: 2199: 1324:

between February 1973 and August 1975. Richard Last, writing in

590:

in mid-1946 before he appeared in two small roles in the comedy

3274:"BBC Radio 4 – Desert Island Discs: Ian Carmichael (1979)". BBC 2788:"BBC Radio 4 – Desert Island Discs: Ian Carmichael (1958)". BBC 2049: 1495: 1213: 1064:" series of books. Appearing alongside him were Terry-Thomas, 1021:, which was released in August 1959. Several other actors from 496: 411: 191:(18 June 1920 – 5 February 2010) was an English actor who 4518:

Jennings, Alex (2014). "Carmichael, Ian Gillett (1920–2010)".

4303: 3977: 3944:

The Family Way: the Boulting Brothers and British Film Culture

3480: 3459: 3405: 3189: 2895: 2356: 1444:

In 1992 and 1993 he played Sir James Menzies in two series of

962:

Carmichael then appeared in a fourth film with the Boultings,

4702: 4688: 3027: 3003: 2967: 2931: 2856: 2620: 2470: 2318: 2282: 2258: 2196: 2187: 1541: 1351: 1195: 512: 461: 216: 4674: 4121: 3547: 3545: 3533: 3086: 3084: 2398: 1691:"; The London Palladium Orchestra, playing a selection from 799:

In 1955 Carmichael was contacted by the filmmaker twins the

4057:

Bullock, George (18 February 1954). "Going up the Ladder".

4039:"Boultings on Top Form: Satirical 'I'm All Right, Jack!'". 2955: 2836:"Boultings on top form: Satirical 'I'm All Right, Jack!'". 2566: 2515: 2434: 2272: 2270: 2145: 2133: 2121: 2085: 2061: 1603:

in the UK is a fee-paying institution, associated with the

835:. The film opened in February 1956 and starred Carmichael, 803:. They wanted him to appear in two film versions of novels— 653:(both 1949); these early roles were minor parts and he was 586:. Carmichael obtained his first post-war role in the revue 4712:(Supplement). No. 37213. 7 August 1945. p. 4045. 4403:"BBC Radio 4 – Desert Island Discs: Ian Carmichael (1979)" 4387:"BBC Radio 4 – Desert Island Discs: Ian Carmichael (1958)" 3593: 3581: 3441: 3429: 3369: 3357: 3279: 3167: 3165: 2013: 2001: 1977: 667:

in 1951; the production transferred to The Globe (now the

476:

to become an officer cadet. He completed his training and

384: 3722: 3708:(fifteenth ed.). London: Sir Isaac Pitman and Sons. 3542: 3417: 3081: 2979: 2907: 2883: 2294: 2157: 1924: 495:

At the end of training manoeuvres in November 1941, near

3393: 3240: 2919: 2744: 2742: 2740: 2725: 2683: 2632: 2539: 2505: 2503: 2458: 2446: 2382: 2380: 2306: 2267: 2169: 2109: 2097: 2073: 2037: 635:. From 1948 he also began appearing in films, including 472:. After ten weeks' basic training, he was posted to the 365:

In 1933 Carmichael left Scarborough College and entered

4684:(Supplement). No. 56963. 14 June 2003. p. 10. 3947:. Trowbridge, Wiltshire: Flicks Books. pp. 48–68. 3557: 3468: 3162: 2490: 2488: 2365: 1989: 1965: 1955: 1953: 1520:

for services to drama. He died on 5 February 2010 of a

3252: 2873: 2871: 2793: 2671: 2534:"Filmography: Carmichael, Ian". British Film Institute 1951: 1949: 1947: 1945: 1943: 1941: 1939: 1937: 1935: 1933: 1908: 1906: 1904: 215:

he returned to acting and found success, initially in

3856:

Quinlan's Illustrated Directory of Film Comedy Actors

3686:

British Cinema of the 1950s: The Decline of Deference

3291: 2737: 2608: 2500: 2407: 2377: 2025: 1607:

and upper echelons of banking, business and industry.

226:

In 1955 Carmichael was noticed by the film producers

4048:"British Films Made Most Money: Box-Office Survey". 3628:. Abingdon, Oxfordshire: Routledge. pp. 77–88. 3213: 3138: 3126: 3044: 3042: 3015: 2817: 2485: 1739:". His luxury items were writing materials and beer. 4551:

Reference Guide to British and Irish Film Directors

4066:Brooks, Richard; Woods, Richard (7 February 2010). 3726:

Contemporary Theatre, Film and Television. Volume 6

3201: 3069: 2943: 2868: 2805: 1930: 1901: 1190:. He turned it down, as he had agreed to appear on 749:, and spent much of his screen time appearing with 577: 314:Ian Gillett Carmichael was born on 18 June 1920 in 266:, the amateur but talented investigator created by 4818:Graduates of the Royal Military College, Sandhurst 4104:(5 September 1959). "Half-Asleep and Wide-Awake". 3569: 3310:"Ghost at Mole End (1984)". British Film Institute 2844: 2644: 2558:British Films Made Most Money: Box-Office Survey. 1271:In September 1970 Carmichael was the lead role in 757:in the film, with what Fairclough describes as a " 433:. The opening night was 1 September 1939, the day 4068:"Ian Carmichael: The Dapper Lord of Light Comedy" 3926:. Jefferson, North Carolina: McFarland & Co. 3039: 615:, Charing Cross. He made his debut appearance on 4749: 3985:. No. 1243. BBC. 8 August 1947. p. 32. 1254:To the producer and cast of the Jeeves sketches. 1115: 933:in which he appeared alongside Terry-Thomas and 195:in a career that spanned seventy years. Born in 3322:"Happy Birthday (1990)". British Film Institute 1527: 1411:In 1979 Carmichael published his autobiography 4698:. No. 35121. 28 March 1941. p. 1885. 4690:"Regular Army. Emergency Commissions (Cadets)" 2773:"Desert Island Discs: Ian Carmichael (1958)". 1421:and as the narrator for the television series 444:As the early months of the war were marked by 193:worked prolifically on stage, screen and radio 4291:. British Academy of Film and Television Arts 3665:This Charming Man: The Life of Ian Carmichael 1406: 4524:(online ed.). Oxford University Press. 4223:(28 February 1957). "Laughter in Question". 4166:(4 February 1973). "Redeeming Appearances". 3903:Mr Strangelove; A Biography of Peter Sellers 3835:. Newton Abbot, Devon: David & Charles. 3682: 2961: 2572: 2521: 776: 745:. He played Robin Cartwright, an officer in 4823:Alumni of the Royal Academy of Dramatic Art 4798:Officers of the Order of the British Empire 4065: 4014: 3599: 3399: 1231:Guild of Television Producers and Directors 972:released in March 1958 which also included 568:Entertainments National Service Association 19:For other people named Ian Carmichael, see 4768:Military personnel from Kingston upon Hull 4625: 4604: 4250:"Television's Ideal Married Couple Date". 4092:(1 March 1957). "Papa Gielgud Shows How". 3661: 3642: 3587: 3551: 3498: 3486: 3447: 3435: 3423: 3411: 3387: 3375: 3363: 3285: 3195: 3183: 3156: 3090: 3033: 3009: 2997: 2985: 2973: 2937: 2913: 2901: 2889: 2862: 2799: 2760: 2731: 2689: 2677: 2638: 2626: 2545: 2479: 2464: 2452: 2440: 2426:"Television's Ideal Married Couple Date". 2340: 2336: 2324: 2312: 2300: 2288: 2276: 2242: 2238: 2205: 2175: 2163: 2151: 2139: 2127: 2115: 2103: 2091: 2079: 2067: 2055: 2043: 2019: 2007: 1995: 1983: 1971: 1887:and his luxury item was paper and pencils. 1179:which he was becoming increasingly bored. 1171:The Loneliness of the Long Distance Runner 47: 4544: 4211:"New Lease of Life for the Short Story". 3962: 3828: 3807: 3741: 3246: 3103:"New Lease of Life for the Short Story". 2925: 2509: 2371: 1194:, taking the lead in a production of the 391:Ian Carmichael on stage, screen and radio 4517: 4501:. British Film Institute. Archived from 4481:. British Film Institute. Archived from 4441:. British Film Institute. Archived from 4240: 4192: 3762: 3563: 3171: 2748: 1959: 1119: 1015:, in his fifth film with the Boultings, 891: 780: 529: 303: 4646: 4521:Oxford Dictionary of National Biography 4343: 4322: 4112: 4056: 3968: 3873: 3849: 3786: 3703: 3474: 3297: 3258: 3075: 2949: 2877: 2614: 2413: 2386: 2344: 2031: 1831:, Adagio of Spartacus and Phrygia from 1790:According to calculations based on the 1773:According to calculations based on the 1581: 385:Early career and war service, 1939–1946 332:Oxford Dictionary of National Biography 142: 1943; died 1983) 4828:People educated at Scarborough College 4773:British Army personnel of World War II 4750: 4026: 3621: 2494: 2246: 1912: 1303:The Unpleasantness at the Bellona Club 1142:moving away from plots centred on the 4419:"Desert Island Discs: Ian Carmichael" 4364: 4267: 4219: 4162: 4018:(6 April 1972). "Clouds of Witness". 3940: 3919: 3897: 3683:Harper, Sue; Porter, Vincent (2003). 3219: 3144: 3132: 3048: 3021: 2823: 2811: 2650: 1863:, the duet of Guy and Madeleine from 1638:(1959; trade unions and management), 1413:Will the Real Ian Carmichael ... 1235:best comedy series production of 1965 753:; the two men provided an element of 519:in May 1945, he had been promoted to 323: 277:. Although Carmichael tired of being 4803:People educated at Bromsgrove School 4743:BBC Humber feature on Ian Carmichael 4174: 4100: 4088: 3729:. Detroit, Michigan: Gale Research. 3575: 3207: 2850: 4808:Male actors from Kingston upon Hull 4184:"'Lucky Jim' as a British Comedy". 3689:. Oxford: Oxford University Press. 2702:"'Lucky Jim' as a British Comedy". 1925:Hubbard, O'Donnell & Steen 1989 685:" for his comic performance in one 415:at the People's Palace theatre, in 322:. He was the eldest child of Kate ( 13: 3811:An Autobiography of British Cinema 1658:). Carmichael appeared in all but 1342:, recording nine adaptations with 541:Carmichael's regiment was part of 14: 4849: 4718: 4668: 4346:"World of Wooster, The (1965-67)" 4006:"An Outstanding British Comedy". 2663:"An Outstanding British Comedy". 1516:In 2003 Carmichael was appointed 1165:Saturday Night and Sunday Morning 4369:. MeasuringWorth. Archived from 1801: 1784: 1481: 1403:for a second time in June 1979. 1042:13th British Academy Film Awards 1038:the award for Best British Actor 578:Early post-war career, 1946–1955 474:Royal Military Academy Sandhurst 4254:. 24 November 1955. p. 14. 3997:"A Jeeves to Fit the Picture". 3880:The Changing Anatomy of Britain 3118:"A Jeeves to Fit the Picture". 1767: 1742: 1665: 1610: 1593: 1357:In 1979 Carmichael appeared in 1087:in 1962, during the filming of 338:In 1928 Carmichael was sent to 244:in adaptations of the works of 161: 139: 21:Ian Carmichael (disambiguation) 4793:English male television actors 4439:"Filmography: Carmichael, Ian" 4325:"School for Scoundrels (1959)" 4263:. 20 February 1956. p. 7. 4232:"Satire Gone in 'Lucky Jim'". 4206:. 18 February 1956. p. 5. 4158:. 8 February 2010. p. 31. 4052:. 28 December 1956. p. 3. 3769:Radio Times Guide to TV Comedy 3645:Will the Real Ian Carmichael.. 3061:"Best Comedy Series in 1965". 2717:"Satire Gone in 'Lucky Jim'". 1737:I've Got the World on a String 1626:(1957; the legal profession), 285:, in Carmichael's obituary in 1: 4813:Royal Armoured Corps officers 4704:"War Office, 9th August 1945" 4215:. 15 January 1966. p. 5. 3745:The Films of Alfred Hitchcock 2241:, pp. 145–146, 160–179; 1894: 1871:Count Basie and His Orchestra 1116:Wooster and Wimsey, 1962–1979 717:, London. The following year 623:, a revue that also included 593:She Wanted a Cream Front Door 379:Royal Academy of Dramatic Art 299: 205:Royal Academy of Dramatic Art 4538:UK public library membership 4285:"Best Comedy Series in 1965" 4236:. 19 August 1957. p. 8. 4188:. 20 August 1957. p. 5. 4043:. 15 August 1959. p. 3. 3748:. New York: Portland House. 1824:Murder on the Orient Express 1528:Screen persona and technique 1474:. He continued filming with 507:In between training for the 294: 7: 4607:"I'm All Right Jack (1959)" 4277: 4259:"The Army as a Film Joke". 4106:The Illustrated London News 3829:Pettigrew, Terence (1982). 3742:Humphries, Patrick (1986). 3662:Fairclough, Robert (2011). 2600:"The Army as a Film Joke". 1462:Chichester Festival Theatre 1429:for two radio productions, 1371:; the film was a remake of 1047:The Illustrated London News 604:, London, for four months. 10: 4854: 4833:Male actors from Yorkshire 4479:"Ghost at Mole End (1984)" 4126:. 17 July 1952. p. 9. 4010:. 2 March 1957. p. 5. 4001:. 31 May 1965. p. 14. 3883:. New York: Random House. 3704:Herbert, Ian, ed. (1972). 3609: 1866:The Umbrellas of Cherbourg 1849:, the theme from the film 1641:Carlton-Browne of the F.O. 1407:Semi-retirement, 1979–2009 1377:1938 film of the same name 1102:every evening and filming 681:, which reported that he " 388: 18: 4788:English male stage actors 4783:English male radio actors 4626:Whitehead, Tony (2014b). 4605:Whitehead, Tony (2014a). 4560:– via Screenonline. 4545:McFarlane, Brian (2014). 4344:Brooke, Michael (2014b). 4323:Brooke, Michael (2014a). 3808:McFarlane, Brian (1997). 3793:. London: B.T. Batsford. 3772:. London: BBC Worldwide. 3501:, pp. 282, 319, 330. 3000:, pp. 180, 189, 196. 2223:"Ian Carmichael: Actor". 1713:"; Waltz from Act one of 1504:. He was a member of the 1452:Richard Brinsley Sheridan 1379:. Carmichael appeared as 1140:new wave of British films 777:Screen success, 1955–1962 426:A Midsummer Night's Dream 172: 118: 110: 103:Grosmont, North Yorkshire 91: 61: 46: 32: 16:English actor (1920–2010) 4778:English male film actors 4655:. British Film Institute 4634:. British Film Institute 4613:. British Film Institute 4352:. British Film Institute 4331:. British Film Institute 3859:. New York: Henry Holt. 3787:Maxford, Howard (2002). 3706:Who's Who in the Theatre 3643:Carmichael, Ian (1979). 3615: 3390:, pp. 300, 305–307. 3349:"Galahad at Blandings". 3186:, pp. 236, 238–256. 3159:, pp. 214, 220–223. 2962:Harper & Porter 2003 2763:, pp. 107–108, 114. 2573:Harper & Porter 2003 2522:Harper & Porter 2003 1715:Pyotr Ilyich Tchaikovsky 1586: 864:, considered that after 564:Royal Army Service Corps 320:East Riding of Yorkshire 201:East Riding of Yorkshire 84:East Riding of Yorkshire 4530:10.1093/ref:odnb/102581 4499:"Happy Birthday (1990)" 4365:Clark, Gregory (2023). 4204:The Manchester Guardian 4202:"New Films in London". 4186:The Manchester Guardian 4149:(subscription required) 4132:"Ian Carmichael: Actor" 4084:(subscription required) 4050:The Manchester Guardian 4041:The Manchester Guardian 4008:The Manchester Guardian 3990: 3400:Brooks & Woods 2010 2838:The Manchester Guardian 2704:The Manchester Guardian 2665:The Manchester Guardian 2587:The Manchester Guardian 2585:"New Films in London". 2560:The Manchester Guardian 1511:Marylebone Cricket Club 1418:The Wind in the Willows 1216:, eventually selecting 947:The Manchester Guardian 887:The Manchester Guardian 850:The Manchester Guardian 525:mentioned in despatches 446:limited military action 4838:22nd Dragoons officers 4647:Wickham, Phil (2014). 4459:"Galahad at Blandings" 3963:Journals and magazines 3905:. New York: Hyperion. 3668:. London: Arum Press. 1877:. His book choice was 1725:Philharmonia Orchestra 1711:How Deep Is the Ocean? 1699:Glenn Miller Orchestra 1689:Let's Kiss and Make Up 1468:hospital drama series 1457:The School for Scandal 1266: 1135: 924: 796: 538: 403: 311: 183:Ian Gillett Carmichael 66:Ian Gillett Carmichael 53:Carmichael in 1972 as 3920:Taves, Brian (2006). 3647:. London: Macmillan. 3625:British Comedy Cinema 2058:, pp. 48, 55–59. 1798:measure of inflation. 1781:measure of inflation. 1321:The Five Red Herrings 1309:Murder Must Advertise 1294:the first programme, 1252: 1203:. He appeared at the 1134:between 1965 and 1967 1123: 1077:School for Scoundrels 1053:School for Scoundrels 992:Her Majesty's Theatre 920:School for Scoundrels 895: 784: 533: 517:Victory in Europe Day 435:Hitler invaded Poland 398: 307: 228:John and Roy Boulting 3790:The A-Z of Hitchcock 2904:, pp. 102, 142. 2339:, pp. 197–199; 1841:and his orchestra, " 1796:Consumer Price Index 1792:Consumer Price Index 1779:Consumer Price Index 1775:Consumer Price Index 1582:Notes and references 1438:Galahad at Blandings 1243:The World of Wooster 1226:The World of Wooster 1223:The first series of 1131:The World of Wooster 937:in an adaptation of 883:The Evening Standard 881:, the reviewer from 837:Richard Attenborough 509:liberation of France 490:Royal Armoured Corps 262:literary character, 251:The World of Wooster 203:, he trained at the 4547:"Boulting Brothers" 4234:The Daily Telegraph 4177:The Daily Telegraph 4156:The Daily Telegraph 3814:. London: Methuen. 3520:The Daily Telegraph 3489:, pp. 212–214. 3414:, pp. 118–119. 3334:"Pigs Have Wings". 3198:, pp. 379–382. 3036:, pp. 199–200. 3012:, pp. 335–337. 2976:, pp. 170–172. 2940:, pp. 313–316. 2865:, pp. 129–130. 2719:The Daily Telegraph 2629:, pp. 285–286. 2482:, pp. 279–280. 2327:, pp. 190–191. 2291:, pp. 182–184. 2208:, pp. 127–129. 1875:Doin' Basie's Thing 1817:; Orchestra of the 1729:Herbert von Karajan 1567:The Daily Telegraph 1401:Desert Island Discs 1326:The Daily Telegraph 1150:, to works such as 997:Desert Island Discs 980:, Terry-Thomas and 956:The Daily Telegraph 733:. The reviewer for 683:hits the bull's-eye 480:in March 1941 as a 360:corporal punishment 340:Scarborough College 4709:The London Gazette 4695:The London Gazette 4681:The London Gazette 4649:"British New Wave" 4628:"Lucky Jim (1957)" 4570:BBC Genome Project 4463:BBC Genome Project 4423:BBC Genome Project 4270:The New York Times 4016:Banks-Smith, Nancy 3535:The London Gazette 3518:"Ian Carmichael". 3351:BBC Genome Project 3336:BBC Genome Project 3232:"Search: Wimsey". 2775:BBC Genome Project 2343:, pp. 44–45; 2260:The London Gazette 2245:, pp. 36–40; 2189:The London Gazette 1807:His selection was 1703:Moonlight Serenade 1671:His selection was 1635:I'm All Right Jack 1632:(1957; academia), 1620:(1956; the army), 1618:Private's Progress 1522:pulmonary embolism 1427:Galahad Threepwood 1153:Look Back in Anger 1136: 1124:Carmichael played 1023:Private's Progress 1018:I'm All Right Jack 1013:Private's Progress 987:The Tunnel of Love 965:Happy Is the Bride 925: 914:I'm All Right Jack 902:Private's Progress 866:Private's Progress 831:, a satire on the 828:Private's Progress 805:Private's Progress 797: 792:Private's Progress 759:Flanagan and Allen 602:Shaftesbury Avenue 539: 470:Catterick Garrison 316:Kingston upon Hull 312: 236:, a satire on the 233:Private's Progress 197:Kingston upon Hull 129:Jean Pyman Maclean 80:Kingston upon Hull 4566:"Pigs Have Wings" 4536:(Subscription or 4505:on 4 October 2015 4485:on 5 October 2015 4138:. 8 February 2010 3973:. pp. 12–13. 3954:978-0-9489-1159-0 3933:978-0-7864-2288-3 3912:978-1-4013-9895-8 3890:978-0-3945-3143-4 3866:978-0-8050-2394-7 3842:978-0-7153-8270-7 3821:978-0-413-70520-4 3800:978-0-7134-8738-1 3779:978-0-5633-6977-6 3755:978-0-5176-0470-0 3715:978-0-2733-1528-5 3696:978-0-1981-5934-6 3675:978-1-8451-3664-2 3654:978-0-333-25476-9 3635:978-0-4156-6665-7 3522:. 8 February 2010 2443:, pp. 70–71. 2227:. 8 February 2010 2154:, pp. 29–31. 2142:, pp. 27–28. 2130:, pp. 77–78. 2094:, pp. 74–75. 2070:, pp. 22–23. 2022:, pp. 32–33. 2010:, pp. 13–15. 1986:, pp. 5, 11. 1829:Aram Khachaturian 1821:, the theme from 1819:Royal Opera House 1656:Church of England 1576:Nancy Banks-Smith 1360:The Lady Vanishes 1297:Clouds of Witness 1291:Lord Peter Wimsey 1287:Dorothy L. Sayers 1148:the establishment 1090:The Amorous Prawn 970:comedy of manners 801:Boulting brothers 763:The Colditz Story 742:The Colditz Story 588:Between Ourselves 551:repertory company 482:second lieutenant 367:Bromsgrove School 309:Bromsgrove School 268:Dorothy L. Sayers 264:Lord Peter Wimsey 180: 179: 55:Lord Peter Wimsey 4845: 4713: 4699: 4685: 4664: 4662: 4660: 4653:BFI Screenonline 4643: 4641: 4639: 4632:BFI Screenonline 4622: 4620: 4618: 4611:BFI Screenonline 4601: 4599: 4597: 4586:"Search: Wimsey" 4581: 4579: 4577: 4561: 4559: 4557: 4541: 4533: 4514: 4512: 4510: 4494: 4492: 4490: 4474: 4472: 4470: 4454: 4452: 4450: 4445:on 4 August 2012 4434: 4432: 4430: 4414: 4412: 4410: 4398: 4396: 4394: 4382: 4380: 4378: 4361: 4359: 4357: 4350:BFI Screenonline 4340: 4338: 4336: 4329:BFI Screenonline 4319: 4317: 4315: 4300: 4298: 4296: 4273: 4264: 4255: 4246: 4237: 4228: 4225:Evening Standard 4216: 4207: 4198: 4189: 4180: 4171: 4159: 4150: 4147: 4145: 4143: 4127: 4118: 4109: 4097: 4085: 4082: 4080: 4078: 4072:The Sunday Times 4062: 4053: 4044: 4035: 4023: 4011: 4002: 3986: 3974: 3958: 3937: 3916: 3894: 3875:Sampson, Anthony 3870: 3846: 3825: 3804: 3783: 3759: 3738: 3719: 3700: 3679: 3658: 3639: 3603: 3600:Banks-Smith 1972 3597: 3591: 3585: 3579: 3573: 3567: 3561: 3555: 3549: 3540: 3531: 3525: 3515: 3502: 3496: 3490: 3484: 3478: 3472: 3466: 3457: 3451: 3445: 3439: 3433: 3427: 3421: 3415: 3409: 3403: 3397: 3391: 3385: 3379: 3373: 3367: 3361: 3355: 3346: 3340: 3331: 3325: 3319: 3313: 3307: 3301: 3295: 3289: 3283: 3277: 3271: 3262: 3256: 3250: 3244: 3238: 3229: 3223: 3217: 3211: 3205: 3199: 3193: 3187: 3181: 3175: 3169: 3160: 3154: 3148: 3142: 3136: 3130: 3124: 3115: 3109: 3100: 3094: 3088: 3079: 3073: 3067: 3058: 3052: 3046: 3037: 3031: 3025: 3019: 3013: 3007: 3001: 2995: 2989: 2983: 2977: 2971: 2965: 2959: 2953: 2947: 2941: 2935: 2929: 2923: 2917: 2911: 2905: 2899: 2893: 2887: 2881: 2875: 2866: 2860: 2854: 2848: 2842: 2833: 2827: 2821: 2815: 2809: 2803: 2797: 2791: 2785: 2779: 2770: 2764: 2758: 2752: 2746: 2735: 2729: 2723: 2714: 2708: 2699: 2693: 2687: 2681: 2675: 2669: 2660: 2654: 2648: 2642: 2636: 2630: 2624: 2618: 2612: 2606: 2597: 2591: 2582: 2576: 2570: 2564: 2555: 2549: 2543: 2537: 2531: 2525: 2519: 2513: 2507: 2498: 2492: 2483: 2477: 2468: 2462: 2456: 2450: 2444: 2438: 2432: 2423: 2417: 2411: 2405: 2396: 2390: 2384: 2375: 2369: 2363: 2354: 2348: 2334: 2328: 2322: 2316: 2310: 2304: 2298: 2292: 2286: 2280: 2274: 2265: 2256: 2250: 2236: 2230: 2220: 2209: 2203: 2194: 2185: 2179: 2173: 2167: 2161: 2155: 2149: 2143: 2137: 2131: 2125: 2119: 2113: 2107: 2101: 2095: 2089: 2083: 2077: 2071: 2065: 2059: 2053: 2047: 2041: 2035: 2029: 2023: 2017: 2011: 2005: 1999: 1993: 1987: 1981: 1975: 1969: 1963: 1957: 1928: 1922: 1916: 1910: 1888: 1857:Nino Castelnuovo 1805: 1799: 1788: 1782: 1771: 1765: 1746: 1740: 1681:Prisoner of Love 1669: 1663: 1614: 1608: 1597: 1534:The Lilac Domino 1506:Lord's Taverners 1423:of the same name 1373:Alfred Hitchcock 1363:, which starred 1332:, reviewing for 1315:The Nine Tailors 1006:BBC Home Service 968:, a lightweight 721:was directed by 660:The Lilac Domino 650:Dear Mr. Prohack 609:Players' Theatre 584:theatrical agent 549:, who ordered a 450:Geoffrey Hibbert 431:Vanbrugh Theatre 327: 209:Second World War 190: 165: 163: 143: 141: 98: 75: 73: 51: 41: 30: 29: 4853: 4852: 4848: 4847: 4846: 4844: 4843: 4842: 4748: 4747: 4736:discography at 4721: 4716: 4671: 4658: 4656: 4637: 4635: 4616: 4614: 4595: 4593: 4575: 4573: 4555: 4553: 4535: 4508: 4506: 4488: 4486: 4468: 4466: 4448: 4446: 4428: 4426: 4408: 4406: 4392: 4390: 4376: 4374: 4373:on 1 April 2023 4355: 4353: 4334: 4332: 4313: 4311: 4294: 4292: 4280: 4243:The Independent 4148: 4141: 4139: 4083: 4076: 4074: 3993: 3965: 3955: 3934: 3913: 3891: 3867: 3843: 3822: 3801: 3780: 3756: 3716: 3697: 3676: 3655: 3636: 3618: 3612: 3607: 3606: 3598: 3594: 3588:Fairclough 2011 3586: 3582: 3574: 3570: 3562: 3558: 3552:Fairclough 2011 3550: 3543: 3532: 3528: 3516: 3505: 3499:Carmichael 1979 3497: 3493: 3487:Fairclough 2011 3485: 3481: 3473: 3469: 3458: 3454: 3448:Fairclough 2011 3446: 3442: 3436:Fairclough 2011 3434: 3430: 3424:Fairclough 2011 3422: 3418: 3412:Carmichael 1979 3410: 3406: 3398: 3394: 3388:Fairclough 2011 3386: 3382: 3376:Fairclough 2011 3374: 3370: 3364:Fairclough 2011 3362: 3358: 3347: 3343: 3332: 3328: 3320: 3316: 3308: 3304: 3296: 3292: 3286:Fairclough 2011 3284: 3280: 3272: 3265: 3257: 3253: 3245: 3241: 3230: 3226: 3218: 3214: 3206: 3202: 3196:Carmichael 1979 3194: 3190: 3184:Fairclough 2011 3182: 3178: 3170: 3163: 3157:Fairclough 2011 3155: 3151: 3143: 3139: 3131: 3127: 3116: 3112: 3101: 3097: 3091:Fairclough 2011 3089: 3082: 3074: 3070: 3059: 3055: 3047: 3040: 3034:Fairclough 2011 3032: 3028: 3020: 3016: 3010:Carmichael 1979 3008: 3004: 2998:Fairclough 2011 2996: 2992: 2986:Carmichael 1979 2984: 2980: 2974:Fairclough 2011 2972: 2968: 2960: 2956: 2948: 2944: 2938:Fairclough 2011 2936: 2932: 2924: 2920: 2914:Fairclough 2011 2912: 2908: 2902:Fairclough 2011 2900: 2896: 2890:Fairclough 2011 2888: 2884: 2876: 2869: 2863:Fairclough 2011 2861: 2857: 2849: 2845: 2834: 2830: 2822: 2818: 2810: 2806: 2800:Whitehead 2014a 2798: 2794: 2786: 2782: 2771: 2767: 2761:Fairclough 2011 2759: 2755: 2747: 2738: 2732:Fairclough 2011 2730: 2726: 2715: 2711: 2700: 2696: 2690:Fairclough 2011 2688: 2684: 2678:Whitehead 2014b 2676: 2672: 2661: 2657: 2649: 2645: 2639:Fairclough 2011 2637: 2633: 2627:Carmichael 1979 2625: 2621: 2613: 2609: 2598: 2594: 2583: 2579: 2571: 2567: 2556: 2552: 2546:Fairclough 2011 2544: 2540: 2532: 2528: 2520: 2516: 2508: 2501: 2493: 2486: 2480:Carmichael 1979 2478: 2471: 2465:Fairclough 2011 2463: 2459: 2453:Fairclough 2011 2451: 2447: 2441:Fairclough 2011 2439: 2435: 2424: 2420: 2412: 2408: 2397: 2393: 2385: 2378: 2370: 2366: 2355: 2351: 2341:Fairclough 2011 2337:Carmichael 1979 2335: 2331: 2325:Carmichael 1979 2323: 2319: 2313:Fairclough 2011 2311: 2307: 2301:Carmichael 1979 2299: 2295: 2289:Carmichael 1979 2287: 2283: 2277:Fairclough 2011 2275: 2268: 2262:. 7 August 1945 2257: 2253: 2243:Fairclough 2011 2239:Carmichael 1979 2237: 2233: 2221: 2212: 2206:Carmichael 1979 2204: 2197: 2191:. 28 March 1941 2186: 2182: 2176:Fairclough 2011 2174: 2170: 2164:Carmichael 1979 2162: 2158: 2152:Fairclough 2011 2150: 2146: 2140:Fairclough 2011 2138: 2134: 2128:Carmichael 1979 2126: 2122: 2116:Fairclough 2011 2114: 2110: 2104:Carmichael 1979 2102: 2098: 2092:Carmichael 1979 2090: 2086: 2080:Carmichael 1979 2078: 2074: 2068:Fairclough 2011 2066: 2062: 2056:Carmichael 1979 2054: 2050: 2044:Carmichael 1979 2042: 2038: 2030: 2026: 2020:Carmichael 1979 2018: 2014: 2008:Fairclough 2011 2006: 2002: 1996:Carmichael 1979 1994: 1990: 1984:Fairclough 2011 1982: 1978: 1972:Fairclough 2011 1970: 1966: 1958: 1931: 1923: 1919: 1911: 1902: 1897: 1892: 1891: 1806: 1802: 1789: 1785: 1772: 1768: 1747: 1743: 1675:, "Les Girls"; 1670: 1666: 1623:Brothers in Law 1615: 1611: 1598: 1594: 1589: 1584: 1530: 1484: 1432:Pigs Have Wings 1409: 1369:Cybill Shepherd 1274:Bachelor Father 1264:P. G. Wodehouse 1261: 1259: 1255: 1188:P. G. Wodehouse 1159:Room at the Top 1118: 1110:Harold Fielding 1075:The release of 951:Brothers-in-Law 874:Brothers in Law 814:Brothers in Law 785:Carmichael and 779: 703:Simon and Laura 673:The Globe Revue 669:Gielgud Theatre 665:The Lyric Revue 633:Charles Hawtrey 613:Villiers Street 580: 466:Herbert Farjeon 393: 387: 348:North Yorkshire 302: 297: 246:P. G. Wodehouse 186: 168: 167: 164: 1992) 159: 155: 145: 137: 133: 130: 106: 100: 96: 95:5 February 2010 87: 77: 71: 69: 68: 67: 57: 42: 37: 35: 24: 17: 12: 11: 5: 4851: 4841: 4840: 4835: 4830: 4825: 4820: 4815: 4810: 4805: 4800: 4795: 4790: 4785: 4780: 4775: 4770: 4765: 4760: 4746: 4745: 4740: 4734:Ian Carmichael 4731: 4725:Ian Carmichael 4720: 4719:External links 4717: 4715: 4714: 4700: 4686: 4670: 4669:London Gazette 4667: 4666: 4665: 4644: 4623: 4602: 4582: 4562: 4542: 4515: 4495: 4475: 4455: 4435: 4415: 4399: 4383: 4362: 4341: 4320: 4301: 4279: 4276: 4275: 4274: 4272:. p. B17. 4265: 4256: 4247: 4238: 4229: 4217: 4208: 4199: 4190: 4181: 4172: 4160: 4151: 4128: 4119: 4110: 4098: 4094:News Chronicle 4086: 4063: 4054: 4045: 4036: 4028:Barker, Dennis 4024: 4012: 4003: 3992: 3989: 3988: 3987: 3975: 3964: 3961: 3960: 3959: 3953: 3938: 3932: 3917: 3911: 3895: 3889: 3871: 3865: 3851:Quinlan, David 3847: 3841: 3826: 3820: 3805: 3799: 3784: 3778: 3764:Lewisohn, Mark 3760: 3754: 3739: 3720: 3714: 3701: 3695: 3680: 3674: 3659: 3653: 3640: 3634: 3617: 3614: 3613: 3611: 3608: 3605: 3604: 3592: 3590:, p. 176. 3580: 3568: 3556: 3541: 3537:. 14 June 2003 3526: 3503: 3491: 3479: 3477:, p. 609. 3467: 3452: 3450:, p. 286. 3440: 3438:, p. 269. 3428: 3416: 3404: 3392: 3380: 3378:, p. 292. 3368: 3366:, p. 277. 3356: 3341: 3326: 3314: 3302: 3290: 3288:, p. 263. 3278: 3263: 3251: 3247:Humphries 1986 3239: 3224: 3212: 3200: 3188: 3176: 3161: 3149: 3147:, p. 117. 3137: 3135:, p. 114. 3125: 3110: 3095: 3093:, p. 204. 3080: 3068: 3053: 3038: 3026: 3024:, p. B17. 3014: 3002: 2990: 2988:, p. 323. 2978: 2966: 2964:, p. 267. 2954: 2942: 2930: 2928:, p. 115. 2926:McFarlane 1997 2918: 2916:, p. 103. 2906: 2894: 2892:, p. 142. 2882: 2867: 2855: 2843: 2828: 2826:, p. 130. 2816: 2804: 2792: 2780: 2765: 2753: 2736: 2724: 2709: 2694: 2682: 2670: 2655: 2643: 2631: 2619: 2607: 2592: 2577: 2575:, p. 249. 2565: 2550: 2538: 2526: 2524:, p. 108. 2514: 2510:McFarlane 2014 2499: 2484: 2469: 2457: 2445: 2433: 2418: 2406: 2391: 2376: 2372:Pettigrew 1982 2364: 2349: 2347:, p. 609. 2329: 2317: 2305: 2303:, p. 184. 2293: 2281: 2266: 2251: 2231: 2210: 2195: 2180: 2168: 2166:, p. 108. 2156: 2144: 2132: 2120: 2108: 2096: 2084: 2072: 2060: 2048: 2036: 2034:, p. 124. 2024: 2012: 2000: 1988: 1976: 1964: 1929: 1917: 1899: 1898: 1896: 1893: 1890: 1889: 1852:Boeing, Boeing 1800: 1783: 1766: 1748:The books are 1741: 1664: 1660:Carlton Browne 1651:Heavens Above! 1646:Foreign Office 1609: 1591: 1590: 1588: 1585: 1583: 1580: 1529: 1526: 1483: 1480: 1408: 1405: 1184:Bertie Wooster 1174:(1962), where 1126:Bertie Wooster 1117: 1114: 1081:Eric Maschwitz 1058:Stephen Potter 982:Joyce Grenfell 778: 775: 761:tribute act". 751:Richard Wattis 719:a film version 715:Strand Theatre 617:BBC television 598:Apollo Theatre 579: 576: 560:Frankie Howerd 547:Brian Horrocks 535:Frankie Howerd 501:Valentine tank 488:, part of the 454:Patrick Macnee 389:Main article: 386: 383: 375:Worcestershire 301: 298: 296: 293: 256:BBC Television 242:Bertie Wooster 213:demobilisation 178: 177: 174: 170: 169: 157: 151: 150: 149: 148: 135: 131: 128: 127: 126: 125: 122: 120: 116: 115: 112: 108: 107: 101: 99:(aged 89) 93: 89: 88: 78: 65: 63: 59: 58: 52: 44: 43: 36: 34:Ian Carmichael 33: 15: 9: 6: 4: 3: 2: 4850: 4839: 4836: 4834: 4831: 4829: 4826: 4824: 4821: 4819: 4816: 4814: 4811: 4809: 4806: 4804: 4801: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4769: 4766: 4764: 4761: 4759: 4756: 4755: 4753: 4744: 4741: 4739: 4735: 4732: 4730: 4726: 4723: 4722: 4711: 4710: 4705: 4701: 4697: 4696: 4691: 4687: 4683: 4682: 4677: 4673: 4672: 4654: 4650: 4645: 4633: 4629: 4624: 4612: 4608: 4603: 4591: 4587: 4583: 4571: 4567: 4563: 4552: 4548: 4543: 4539: 4531: 4527: 4523: 4522: 4516: 4504: 4500: 4496: 4484: 4480: 4476: 4464: 4460: 4456: 4444: 4440: 4436: 4424: 4420: 4416: 4404: 4400: 4388: 4384: 4372: 4368: 4363: 4351: 4347: 4342: 4330: 4326: 4321: 4310: 4306: 4302: 4290: 4286: 4282: 4281: 4271: 4266: 4262: 4257: 4253: 4248: 4245:. p. 34. 4244: 4239: 4235: 4230: 4226: 4222: 4221:Oakes, Philip 4218: 4214: 4209: 4205: 4200: 4196: 4191: 4187: 4182: 4179:. p. 12. 4178: 4173: 4170:. p. 34. 4169: 4165: 4161: 4157: 4152: 4137: 4133: 4129: 4125: 4122:"The Globe". 4120: 4116: 4111: 4108:. p. 50. 4107: 4103: 4099: 4095: 4091: 4087: 4073: 4069: 4064: 4061:. p. 10. 4060: 4055: 4051: 4046: 4042: 4037: 4034:. p. 35. 4033: 4029: 4025: 4022:. p. 10. 4021: 4017: 4013: 4009: 4004: 4000: 3995: 3994: 3984: 3980: 3976: 3972: 3967: 3966: 3956: 3950: 3946: 3945: 3939: 3935: 3929: 3925: 3924: 3918: 3914: 3908: 3904: 3900: 3896: 3892: 3886: 3882: 3881: 3876: 3872: 3868: 3862: 3858: 3857: 3852: 3848: 3844: 3838: 3834: 3833: 3827: 3823: 3817: 3813: 3812: 3806: 3802: 3796: 3792: 3791: 3785: 3781: 3775: 3771: 3770: 3765: 3761: 3757: 3751: 3747: 3746: 3740: 3736: 3732: 3728: 3727: 3721: 3717: 3711: 3707: 3702: 3698: 3692: 3688: 3687: 3681: 3677: 3671: 3667: 3666: 3660: 3656: 3650: 3646: 3641: 3637: 3631: 3627: 3626: 3620: 3619: 3602:, p. 10. 3601: 3596: 3589: 3584: 3577: 3572: 3566:, p. 34. 3565: 3564:Strachan 2010 3560: 3554:, p. 53. 3553: 3548: 3546: 3538: 3536: 3530: 3523: 3521: 3514: 3512: 3510: 3508: 3500: 3495: 3488: 3483: 3476: 3471: 3464: 3463: 3460:"Biography". 3456: 3449: 3444: 3437: 3432: 3426:, p. 36. 3425: 3420: 3413: 3408: 3401: 3396: 3389: 3384: 3377: 3372: 3365: 3360: 3353: 3352: 3345: 3338: 3337: 3330: 3323: 3318: 3311: 3306: 3299: 3294: 3287: 3282: 3275: 3270: 3268: 3261:, p. 59. 3260: 3255: 3249:, p. 52. 3248: 3243: 3236: 3235: 3228: 3222:, p. 34. 3221: 3216: 3210:, p. 12. 3209: 3204: 3197: 3192: 3185: 3180: 3174:, p. 53. 3173: 3172:Lewisohn 1998 3168: 3166: 3158: 3153: 3146: 3141: 3134: 3129: 3122: 3121: 3114: 3107: 3106: 3099: 3092: 3087: 3085: 3077: 3072: 3065: 3064: 3057: 3050: 3045: 3043: 3035: 3030: 3023: 3018: 3011: 3006: 2999: 2994: 2987: 2982: 2975: 2970: 2963: 2958: 2951: 2946: 2939: 2934: 2927: 2922: 2915: 2910: 2903: 2898: 2891: 2886: 2879: 2874: 2872: 2864: 2859: 2853:, p. 50. 2852: 2847: 2840: 2839: 2832: 2825: 2820: 2814:, p. 61. 2813: 2808: 2801: 2796: 2789: 2784: 2777: 2776: 2769: 2762: 2757: 2750: 2749:Marriott 1957 2745: 2743: 2741: 2734:, p. 98. 2733: 2728: 2721: 2720: 2713: 2706: 2705: 2698: 2692:, p. 96. 2691: 2686: 2679: 2674: 2667: 2666: 2659: 2652: 2647: 2641:, p. 91. 2640: 2635: 2628: 2623: 2617:, p. 12. 2616: 2611: 2604: 2603: 2596: 2589: 2588: 2581: 2574: 2569: 2562: 2561: 2554: 2548:, p. 79. 2547: 2542: 2535: 2530: 2523: 2518: 2511: 2506: 2504: 2497:, p. 81. 2496: 2491: 2489: 2481: 2476: 2474: 2467:, p. 77. 2466: 2461: 2455:, p. 71. 2454: 2449: 2442: 2437: 2430: 2429: 2422: 2416:, p. 10. 2415: 2410: 2403: 2402: 2399:"The Globe". 2395: 2389:, p. 52. 2388: 2383: 2381: 2374:, p. 30. 2373: 2368: 2361: 2360: 2357:"New Faces". 2353: 2346: 2342: 2338: 2333: 2326: 2321: 2315:, p. 42. 2314: 2309: 2302: 2297: 2290: 2285: 2279:, p. 41. 2278: 2273: 2271: 2263: 2261: 2255: 2249:, p. 35. 2248: 2244: 2240: 2235: 2228: 2226: 2219: 2217: 2215: 2207: 2202: 2200: 2192: 2190: 2184: 2178:, p. 33. 2177: 2172: 2165: 2160: 2153: 2148: 2141: 2136: 2129: 2124: 2118:, p. 27. 2117: 2112: 2106:, p. 72. 2105: 2100: 2093: 2088: 2082:, p. 69. 2081: 2076: 2069: 2064: 2057: 2052: 2046:, p. 48. 2045: 2040: 2033: 2028: 2021: 2016: 2009: 2004: 1998:, p. 29. 1997: 1992: 1985: 1980: 1974:, p. 11. 1973: 1968: 1961: 1960:Jennings 2014 1956: 1954: 1952: 1950: 1948: 1946: 1944: 1942: 1940: 1938: 1936: 1934: 1927:, p. 63. 1926: 1921: 1915:, p. 35. 1914: 1909: 1907: 1905: 1900: 1886: 1885: 1884:War and Peace 1880: 1876: 1872: 1868: 1867: 1862: 1858: 1854: 1853: 1848: 1844: 1840: 1836: 1835: 1830: 1826: 1825: 1820: 1816: 1815: 1810: 1804: 1797: 1793: 1787: 1780: 1776: 1770: 1763: 1759: 1755: 1751: 1745: 1738: 1734: 1733:Frank Sinatra 1730: 1726: 1722: 1721: 1716: 1712: 1708: 1704: 1700: 1696: 1695: 1690: 1686: 1682: 1678: 1674: 1668: 1661: 1657: 1653: 1652: 1647: 1643: 1642: 1637: 1636: 1631: 1630: 1625: 1624: 1619: 1613: 1606: 1602: 1601:public school 1596: 1592: 1579: 1577: 1573: 1569: 1568: 1563: 1557: 1554: 1551: 1546: 1543: 1539: 1535: 1525: 1523: 1519: 1514: 1512: 1507: 1503: 1502: 1497: 1493: 1488: 1482:Personal life 1479: 1477: 1473: 1472: 1467: 1463: 1459: 1458: 1453: 1449: 1448: 1442: 1440: 1439: 1434: 1433: 1428: 1424: 1420: 1419: 1414: 1404: 1402: 1398: 1397:Basil Radford 1394: 1393:Naunton Wayne 1390: 1387:'s character 1386: 1382: 1378: 1374: 1370: 1366: 1365:Elliott Gould 1362: 1361: 1355: 1353: 1349: 1348:Mervyn Bunter 1345: 1341: 1337: 1336: 1331: 1327: 1323: 1322: 1317: 1316: 1311: 1310: 1305: 1304: 1299: 1298: 1292: 1288: 1283: 1280: 1279:Mark Lewisohn 1276: 1275: 1269: 1265: 1262: 1256: 1251: 1249: 1248:Michael Mills 1244: 1240: 1236: 1232: 1229:received the 1228: 1227: 1221: 1219: 1215: 1211: 1206: 1202: 1201: 1200:Boeing-Boeing 1197: 1193: 1189: 1185: 1180: 1177: 1176:working class 1173: 1172: 1167: 1166: 1162:(both 1959), 1161: 1160: 1155: 1154: 1149: 1145: 1144:upper classes 1141: 1133: 1132: 1127: 1122: 1113: 1111: 1107: 1106: 1101: 1100: 1094: 1092: 1091: 1086: 1082: 1078: 1073: 1071: 1070:Janette Scott 1067: 1063: 1059: 1055: 1054: 1049: 1048: 1043: 1039: 1035: 1032: 1028: 1027:Peter Sellers 1024: 1020: 1019: 1014: 1009: 1007: 1003: 999: 998: 993: 989: 988: 983: 979: 975: 974:Janette Scott 971: 967: 966: 960: 958: 957: 952: 948: 944: 943:Kingsley Amis 940: 936: 935:Hugh Griffith 932: 931: 922: 921: 916: 915: 910: 909: 904: 903: 898: 894: 890: 888: 884: 880: 876: 875: 869: 867: 863: 862: 856: 852: 851: 846: 842: 838: 834: 830: 829: 824: 820: 816: 815: 810: 806: 802: 794: 793: 788: 783: 774: 772: 768: 764: 760: 756: 752: 748: 744: 743: 738: 737: 732: 728: 724: 720: 716: 712: 708: 707:Roland Culver 704: 700: 694: 692: 688: 684: 680: 679: 674: 670: 666: 662: 661: 656: 652: 651: 646: 645: 640: 639: 634: 630: 626: 622: 618: 614: 610: 605: 603: 599: 595: 594: 589: 585: 575: 573: 569: 565: 561: 556: 552: 548: 544: 536: 532: 528: 526: 522: 518: 514: 510: 505: 502: 498: 493: 491: 487: 486:22nd Dragoons 483: 479: 475: 471: 467: 464:developed by 463: 459: 455: 451: 447: 442: 440: 436: 432: 428: 427: 422: 418: 414: 413: 408: 402: 397: 392: 382: 380: 376: 372: 371:public school 368: 363: 361: 357: 353: 349: 345: 341: 336: 334: 333: 326: 321: 317: 310: 306: 292: 290: 289: 284: 283:Dennis Barker 280: 276: 271: 269: 265: 261: 257: 253: 252: 247: 243: 239: 235: 234: 229: 224: 223:productions. 222: 218: 214: 210: 206: 202: 198: 194: 189: 184: 175: 171: 154: 147: 146: 124: 123: 121: 117: 113: 109: 104: 94: 90: 85: 81: 64: 60: 56: 50: 45: 40: 31: 28: 26: 22: 4707: 4693: 4679: 4657:. Retrieved 4652: 4636:. Retrieved 4631: 4615:. Retrieved 4610: 4594:. Retrieved 4589: 4574:. Retrieved 4569: 4554:. Retrieved 4550: 4519: 4507:. Retrieved 4503:the original 4487:. Retrieved 4483:the original 4467:. Retrieved 4462: 4447:. Retrieved 4443:the original 4427:. Retrieved 4422: 4407:. Retrieved 4391:. Retrieved 4375:. Retrieved 4371:the original 4354:. Retrieved 4349: 4333:. Retrieved 4328: 4312:. Retrieved 4308: 4293:. Retrieved 4289:BAFTA Awards 4288: 4269: 4260: 4251: 4242: 4233: 4227:. p. 8. 4224: 4212: 4203: 4197:. p. 8. 4194: 4185: 4176: 4168:The Observer 4167: 4164:James, Clive 4155: 4140:. Retrieved 4135: 4123: 4117:. p. 2. 4115:The Guardian 4114: 4105: 4096:. p. 6. 4093: 4075:. Retrieved 4071: 4058: 4049: 4040: 4032:The Guardian 4031: 4020:The Guardian 4019: 4007: 3998: 3982: 3970: 3943: 3922: 3902: 3879: 3855: 3831: 3810: 3789: 3768: 3744: 3725: 3705: 3685: 3664: 3644: 3624: 3595: 3583: 3578:, p. 6. 3571: 3559: 3534: 3529: 3519: 3494: 3482: 3475:Herbert 1972 3470: 3461: 3455: 3443: 3431: 3419: 3407: 3395: 3383: 3371: 3359: 3350: 3344: 3335: 3329: 3317: 3305: 3300:, p. 2. 3298:Fiddick 1983 3293: 3281: 3259:Maxford 2002 3254: 3242: 3233: 3227: 3215: 3203: 3191: 3179: 3152: 3140: 3128: 3119: 3113: 3104: 3098: 3076:Brooke 2014b 3071: 3063:BAFTA Awards 3062: 3056: 3029: 3017: 3005: 2993: 2981: 2969: 2957: 2950:Wickham 2014 2945: 2933: 2921: 2909: 2897: 2885: 2878:Brooke 2014a 2858: 2846: 2837: 2831: 2819: 2807: 2795: 2783: 2774: 2768: 2756: 2751:, p. 8. 2727: 2718: 2712: 2703: 2697: 2685: 2673: 2664: 2658: 2653:, p. 8. 2646: 2634: 2622: 2615:Hinxman 1957 2610: 2601: 2595: 2586: 2580: 2568: 2559: 2553: 2541: 2529: 2517: 2460: 2448: 2436: 2427: 2421: 2414:Bullock 1954 2409: 2400: 2394: 2387:Quinlan 1992 2367: 2358: 2352: 2345:Herbert 1972 2332: 2320: 2308: 2296: 2284: 2259: 2254: 2234: 2224: 2188: 2183: 2171: 2159: 2147: 2135: 2123: 2111: 2099: 2087: 2075: 2063: 2051: 2039: 2032:Sampson 1982 2027: 2015: 2003: 1991: 1979: 1967: 1920: 1882: 1874: 1864: 1861:Ellen Farner 1850: 1843:On the Alamo 1839:Jimmy Dorsey 1832: 1822: 1812: 1809:Gustav Holst 1803: 1786: 1769: 1762:Supermanship 1761: 1758:Oneupmanship 1757: 1753: 1750:Gamesmanship 1749: 1744: 1731:conducting; 1718: 1707:Kay Thompson 1694:Lilac Domino 1692: 1685:Fred Astaire 1667: 1659: 1649: 1639: 1633: 1627: 1621: 1617: 1612: 1605:ruling class 1595: 1565: 1558: 1550:screenwriter 1547: 1538:Leo Franklyn 1533: 1531: 1515: 1499: 1489: 1485: 1478:until 2009. 1475: 1469: 1455: 1445: 1443: 1436: 1430: 1416: 1412: 1410: 1400: 1358: 1356: 1335:The Observer 1333: 1325: 1319: 1313: 1307: 1301: 1295: 1284: 1272: 1270: 1267: 1263: 1257: 1253: 1242: 1238: 1224: 1222: 1218:Dennis Price 1205:Cort Theatre 1198: 1181: 1169: 1163: 1157: 1151: 1137: 1129: 1103: 1097: 1095: 1088: 1076: 1074: 1066:Alastair Sim 1062:gamesmanship 1051: 1045: 1034:shop steward 1022: 1016: 1012: 1010: 995: 985: 978:Cecil Parker 963: 961: 954: 950: 946: 939:a 1954 novel 928: 926: 918: 912: 906: 900: 897:Terry-Thomas 886: 882: 879:Philip Oakes 872: 870: 865: 859: 854: 848: 845:Terry-Thomas 841:Dennis Price 833:British Army 826: 812: 809:Alan Hackney 804: 798: 790: 771:Eric Portman 762: 755:comic relief 740: 734: 711:Coral Browne 702: 698: 695: 676: 672: 664: 658: 648: 644:Trottie True 642: 636: 620: 606: 591: 587: 581: 540: 506: 494: 457: 443: 424: 410: 404: 399: 394: 364: 337: 330: 313: 288:The Guardian 286: 275:Leo Franklyn 272: 249: 238:British Army 231: 225: 211:. After his 182: 181: 97:(2010-02-05) 76:18 June 1920 27: 25: 4763:2010 deaths 4758:1920 births 4659:13 December 4638:10 December 4617:10 December 4596:16 December 4576:18 December 4556:27 November 4509:18 December 4489:18 December 4469:18 December 4449:18 December 4429:11 December 4409:14 November 4393:14 November 4377:22 February 4356:14 December 4335:11 December 4314:16 December 4309:Kate Fenton 4305:"Biography" 4295:14 December 4142:14 November 4077:14 November 3983:Radio Times 3979:"New Faces" 3971:Picturegoer 3462:Kate Fenton 2495:Burton 2012 2359:Radio Times 2247:Barker 2010 1913:Barker 2010 1879:Leo Tolstoy 1814:The Planets 1760:(1952) and 1754:Lifemanship 1677:Bing Crosby 1654:(1963; the 1644:(1959; the 1492:Kate Fenton 1447:Strathblair 1385:Arthur Lowe 1350:, Wimsey's 1344:Peter Jones 1340:BBC Radio 4 1330:Clive James 1241:declaring " 1168:(1960) and 1105:Double Bunk 1085:Derek Nimmo 1056:, based on 1031:trade union 1002:Roy Plomley 917:(1959) and 861:Picturegoer 819:Henry Cecil 731:Peter Finch 727:Kay Kendall 638:Bond Street 629:Bill Fraser 619:in 1947 in 574:that July. 572:demobilised 407:Karel Čapek 344:prep school 260:upper-class 153:Kate Fenton 4752:Categories 4590:BBC Genome 4540:required.) 4102:Dent, Alan 4090:Dehn, Paul 3234:BBC Genome 3220:James 1973 3145:Taves 2006 3133:Taves 2006 3049:Clark 2023 3022:Weber 2010 2824:Sikov 2002 2812:Wells 2000 2651:Oakes 1957 1895:References 1847:Neal Hefti 1673:Gene Kelly 1383:alongside 1260:Bless you! 1233:award for 1099:The Gazebo 787:Jill Adams 767:John Mills 747:the Guards 723:Muriel Box 705:alongside 691:mackintosh 655:uncredited 478:passed out 458:Nine Sharp 429:at RADA's 356:Dickensian 300:Early life 111:Occupation 72:1920-06-18 4261:The Times 4252:The Times 4213:The Times 4195:The Stage 4136:The Times 4124:The Stage 4059:The Stage 3999:The Times 3899:Sikov, Ed 3735:0749-064X 3576:Dehn 1957 3208:Last 1972 3120:The Times 3105:The Times 2851:Dent 1959 2602:The Times 2428:The Times 2401:The Stage 2225:The Times 1834:Spartacus 1720:Swan Lake 1629:Lucky Jim 1553:Paul Dehn 1501:Who's Who 1476:The Royal 1471:The Royal 1381:Caldicott 1239:The Times 930:Lucky Jim 908:Lucky Jim 855:The Times 821:—with an 736:The Times 699:The Stage 678:The Stage 621:New Faces 318:, in the 295:Biography 199:, in the 105:, England 86:, England 4278:Websites 3901:(2002). 3877:(1982). 3853:(1992). 3766:(1998). 1756:(1950), 1752:(1947), 1562:typecast 1389:Charters 1192:Broadway 911:(1957), 905:(1956), 641:(1948), 625:Zoe Gail 543:30 Corps 439:attested 417:Mile End 358:", with 279:typecast 173:Children 4738:Discogs 3610:Sources 1764:(1958). 1727:, with 1460:at the 1210:guineas 1040:at the 1029:as the 1004:on the 923:(1960). 713:at the 521:captain 484:in the 352:spartan 166: 158: 144: 136: 132: 119:Spouses 4534: 3951: 3930: 3909: 3887: 3863: 3839: 3818: 3797: 3776: 3752: 3733: 3712: 3693: 3672: 3651: 3632: 1869:; and 1648:) and 1572:twerps 1496:Whitby 1214:Jeeves 823:option 795:(1956) 687:sketch 497:Whitby 412:R.U.R. 221:sketch 4676:"OBE" 4592:. BBC 4572:. BBC 4465:. BBC 4425:. BBC 4405:. BBC 4389:. BBC 3616:Books 1587:Notes 1542:revue 1352:valet 1318:and 1196:farce 671:) as 555:major 513:D-Day 462:revue 421:Flute 217:revue 160:( 156: 138:( 134: 114:Actor 4729:IMDb 4661:2023 4640:2023 4619:2023 4598:2023 4578:2023 4558:2023 4511:2023 4491:2023 4471:2023 4451:2023 4431:2023 4411:2023 4395:2023 4379:2023 4358:2023 4337:2023 4316:2023 4297:2023 4144:2023 4079:2023 3991:News 3949:ISBN 3928:ISBN 3907:ISBN 3885:ISBN 3861:ISBN 3837:ISBN 3816:ISBN 3795:ISBN 3774:ISBN 3750:ISBN 3731:ISSN 3710:ISBN 3691:ISBN 3670:ISBN 3649:ISBN 3630:ISBN 1859:and 1435:and 1395:and 1367:and 1146:and 1068:and 1060:'s " 843:and 811:and 769:and 729:and 709:and 647:and 631:and 523:and 460:, a 452:and 369:, a 342:, a 254:for 219:and 92:Died 62:Born 4727:at 4526:doi 1881:'s 1845:"; 1735:, " 1717:'s 1709:, " 1705:"; 1701:, " 1687:, " 1683:"; 1679:, " 1518:OBE 1466:ITV 1454:'s 1375:'s 1346:as 1289:'s 1128:in 1000:by 941:by 817:by 807:by 789:in 611:in 600:in 423:in 409:'s 373:in 346:in 325:née 248:in 188:OBE 39:OBE 4754:: 4706:. 4692:. 4678:. 4651:. 4630:. 4609:. 4588:. 4568:. 4549:. 4461:. 4421:. 4348:. 4327:. 4307:. 4287:. 4134:. 4070:. 3981:. 3544:^ 3506:^ 3266:^ 3164:^ 3083:^ 3041:^ 2870:^ 2739:^ 2502:^ 2487:^ 2472:^ 2379:^ 2269:^ 2213:^ 2198:^ 1932:^ 1903:^ 1873:, 1855:; 1837:; 1827:; 1811:, 1723:; 1697:; 1599:A 1524:. 1513:. 1441:. 1354:. 1312:, 1306:, 1220:. 1156:, 1008:. 976:, 839:, 773:. 693:. 627:, 527:. 492:. 335:. 270:. 185:, 162:m. 140:m. 82:, 4663:. 4642:. 4621:. 4600:. 4580:. 4532:. 4528:: 4513:. 4493:. 4473:. 4453:. 4433:. 4413:. 4397:. 4381:. 4360:. 4339:. 4318:. 4299:. 4146:. 4081:. 3957:. 3936:. 3915:. 3893:. 3869:. 3845:. 3824:. 3803:. 3782:. 3758:. 3737:. 3718:. 3699:. 3678:. 3657:. 3638:. 3539:. 3524:. 3465:. 3402:. 3354:. 3339:. 3324:. 3312:. 3276:. 3237:. 3123:. 3108:. 3078:. 3066:. 3051:. 2952:. 2880:. 2841:. 2802:. 2790:. 2778:. 2722:. 2707:. 2680:. 2668:. 2605:. 2590:. 2563:. 2536:. 2512:. 2431:. 2404:. 2362:. 2264:. 2229:. 2193:. 1962:. 1662:. 176:2 74:) 70:( 23:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.