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idea that a prologue, sung before the curtain by one of the humblest characters, would prove something of a novelty and by no means out of place. Being, as you know, my own librettist, I quickly wrote the words and sketched the music. My baritone was delighted, both with the notion and the result, and I am bound to add that it proved one the most striking features of the opera when I brought it out at the Dal Verme, Milan, just a year ago."
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comes from the tavern, where he has left Canio and Beppe drinking. He asks Nedda to elope with him after the performance and, though she is afraid, she agrees. Tonio, who has been eavesdropping, leaves to inform Canio so that he might catch Silvio and Nedda together. Canio and Tonio return and, as Silvio escapes, Nedda calls after him, "I will always be yours!"
58:
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but Tonio refrains and prevents Beppe from halting the action. Silvio begins to fight his way toward the stage. Canio, grabbing a knife from the table, stabs Nedda. As she dies, she calls: "Help! Silvio!" Silvio attacks Canio, but Canio kills him as well. The horrified audience then hears the celebrated final line:
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of the opera in the context of assignment of the final line, and concluded that the original assignment of the final line to Tonio is the most consistent and appropriate assignment. Wright says that Tonio shows more deliberate control in his manipulation of the other characters in order to obtain his
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Nedda, trying to continue the play, admits that she has been visited by the innocent "Arlecchino". Canio, furious and forgetting the play, demands the name of her lover. Nedda swears she will never tell him, and it becomes apparent that they are not acting. Side-stage, Beppe asks Tonio to intervene,
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The villagers suggest drinking at the tavern. Canio and Beppe accept, but Tonio stays behind. The villagers tease Canio that Tonio is planning an affair with Nedda. Canio warns everyone that while he may act the foolish husband in the play, in real life he will not tolerate other men making advances
299:
Towards the end of the prologue, singers often interpolate a high A♭ and a high G, although these do not appear in the original full score. In an
Australian newspaper article in December 1893, the baritone Guigliemo Caruson, who had already sung the part in Genoa earlier that year said that "whilst
776:
Canio chases Silvio, but does not catch him and does not see his face. He demands that Nedda tell him the name of her lover, but she refuses. He threatens her with a knife, but Beppe disarms him. Beppe insists that they prepare for the performance. Tonio tells Canio that her lover will give himself
657:
character Taddeo, pokes his head through the curtain, advances, and addresses the audience. ("Si può?... Si può?... Signore! Signori! ... Un nido di memorie"). He reminds the audience that actors have feelings too, and that the show is about real people. Tonio returns behind the curtain, which then
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on an incident from his childhood: the 1865 murder of a
Leoncavallo family servant, Gaetano Scavello, killed by Gaetano D'Alessandro, with brother Luigi acting as accomplice. The incident stemmed from a series of perceived romantic entanglements involving Scavello, Luigi D'Alessandro, and a village
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during his vist to London for the UK premiere in 1893: he wrote it "as an inducement to a clever, but rather egotistical baritone to sing the part of Tonio, who felt it wasn't important enough for an artist of his distinction. Perhaps he was right. Anyhow I thought the matter over and hit upon the
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Nedda is frightened by Canio's vehemence ("Qual fiamma avea nel guardo"), but the birdsong comforts her ("Stridono lassù"). Tonio returns and confesses his love for her, but she laughs. Enraged, Tonio grabs Nedda, but she takes a whip, strikes him and drives him off. Silvio, who is Nedda's lover,
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to use later, "so that when
Pagliaccio returns, she can drug him and elope with Arlecchino." Taddeo then bursts in, warning them that Pagliaccio is suspicious of his wife and is about to return. As Arlecchino escapes through the window, Colombina tells him, "I will always be yours!"
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revenge upon Nedda, after she has rejected him, and is more aware of the demarcation between life and art. By contrast, Canio is unaware of the behind-the-scenes manipulations and surrenders control of his perception of the difference between life and art as the opera proceeds.
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Travellers' Colloquial
Italian: A Handbook for English-speaking Travellers and Students. Idiomatic Italian Phrases with an Exact Pronunciation Represented on a New System Based Upon a Scientific Analysis of Italian Sounds, with Other General Information Useful to Travellers in
1034:
823:" – "Name of God! Those same words!" He tries to continue the play, but loses control and demands to know her lover's name. Nedda, hoping to keep to the performance, calls Canio by his stage name "Pagliaccio" to remind him of the audience's presence. He answers with his
300:
rehearsing under Signor
Leoncavallo's immediate direction, the composer gave his consent to the interpolation remarking that it was very effective, but that he would not add it to the score as he did not wish to force the note upon voices it did not suit."
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833:" – "I am not Pagliaccio!" He sings that if his face is pale, it is not from the stage makeup but from the shame she has brought him. The crowd is impressed by his emotional performance and cheers him, without realizing that it is real.
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as Canio and under
Leoncavallo's personal supervision. In 1931, it became the first complete opera to be filmed with sound, in a now-obscure version starring the tenor Fernando Bertini as Canio, in his only film, with the
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orchestras, references
Pagliacci in the lines, "I guess I'll have to play Pagliacci and get myself a clown's disguise/And learn to laugh like Pagliacci with tears in my eyes." The song was most notably covered by
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255:, which was structured as a play-within-the-play and featured a clown murdering his wife. Leoncavallo pleaded ignorance of Mendès's play. Later, there were counter-accusations that Mendès's play resembled Don
806:") from beneath her window. Taddeo returns and confesses his love, but she mocks him. She lets Arlecchino in through the window. He boxes Taddeo's ears and kicks him out of the room, and the audience laughs.
673:, an agricultural method of time-keeping that means the play will begin an hour before sunset. As Nedda steps down from the cart, Tonio offers his hand, but Canio pushes him aside and helps her down himself.
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At three o'clock in the afternoon, the commedia troupe enters the village to the cheering of the villagers. Canio describes the night's performance: the troubles of
Pagliaccio. He says the play will begin at
1446:, the synopsis indicates Canio as stating the final line, inconsistent with the presentation of the libretto in the booklet. The English title given to the opera in this recording is 'The Touring Company'.
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who resembles a clown with homicidal tendencies, often makes references to this opera. For instance, the character makes a reference to the lyrics in the story, "The Case of the Joker's Crime Circus" in
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267:
has suggested that
Leoncavallo had ample opportunity to be exposed to new French art and musical works while living in Paris from 1882 to 1888, including potentially Mendès's play, another version of
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1208:
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1266:" references Pagliacci in the lines "Just like Pagliacci did, I try to keep my sadness hid". An earlier song cowritten by Robinson, "My Smile Is Just a Frown Turned Upside," sung by
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In the present day, the assignment of the final line to Canio has continued to be standard. Several exceptions, where Tonio delivers the final line, include:
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was in use between the fourteenth and eighteenth centuries, but persisted in some isolated rural communities as here, till the mid nineteenth century (
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Literally "the twenty-third hour", but not 23:00 hours (11pm), as translated in some libretti. The term refers to when the hours were counted from one
390:. The two operas have since been frequently performed in this double-bill, a pairing referred to in the operatic world colloquially as "Cav and Pag".
1018:, percussion (triangle, cymbals, bass drum, glockenspiel, and tam-tam) and strings. Additionally, there is an onstage violin, oboe, trumpet, and
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862:", paralleling the prologue, also sung by Tonio. The appropriation of this final line by Canio dates back to 1895. John Wright has analysed the
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to Nedda. Shocked, a villager asks if Canio really suspects her. He says no, and sweetly kisses her on the forehead. As the church bells ring
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374:, with the same cast as the London premiere with Melba in the role of Nedda, De Lucia as Canio, and Ancona as Tonio. The Met again staged
1714:. This seems to have been in 1889, see However, the trio of impresarios didn't return to the 'Met' until 1891, and he probably meant the
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received mixed critical reviews after its world premiere, but was instantly successful with the public and has remained so ever since.
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The
Philips recording conducted by Muti (Philips 0289 434 1312), in conjunction with live performances in Philadelphia in February 1992
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premiered around 1890. After seeing Mascagni's success, Leoncavallo decided to write an opera in response: one act composed in the
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1906:
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after learning of the plot of Leoncavallo's libretto from an 1894 French translation. Mendès thought it resembled his 1887 play
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girl with whom both men were infatuated. Leoncavallo's father, a judge, presided as magistrate over the criminal investigation.
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Colombina's husband Pagliaccio has gone away until morning, and Taddeo is at the market. Alone, she anxiously awaits her lover
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232:). The baritone Victor Maurel, who was cast as the first Tonio, requested that Leoncavallo change the title from the singular
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theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance.
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away at the play. A heartbroken Canio is left alone to put on his costume and prepare to laugh ("
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291:"as an afterthought", as Leoncavallo said in a conversation with the critic and singing teacher
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1981:
Wright, John (Summer 1978). "'La Commedia è finita' – An Examination of Leoncavallo's
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As Pagliaccio enters, he hears Colombina speak this line and, now as Canio, exclaims "
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is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire.
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is the corresponding plural definite article, it is not used in the original title.
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Finger, Bill; Kane, Bob; Robinson, Jerry. "The Case of the Joker's Crime Circus".
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The title is sometimes incorrectly rendered in English with a definite article as
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Sansone, Matteo (1989). "The 'Verismo' of Ruggero Leoncavallo: A Source Study of
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was also recorded in English in 1997, and released commercially in 1998, for the
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as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio).
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57:
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was the first opera to be recorded in its entirety, with the Puerto Rican tenor
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The Belgian premiere (in a French translation) took place on 14 February 1895 (
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as Silvio. Soon after its Italian premiere, the opera played in London (with
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2231:
Leoncavallo: Pagliacci - Trailer [2019 - Maggio Musicale Fiorentino]
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Roles in the opera and in the commedia dell'arte, voice types, premiere cast
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1198:" where the Joker is disguised as the lead character of the opera, singing
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as Tonio, M. Bonnard (Beppe) and Richard Green (Silvio). The conductor was
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as a double-bill with the same cast and conductor, this time followed by
2092:"Review: Naxos DVD recording of live productions of February-March 2007"
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2565:, Concert Opera Boston, programme notes (accessed 8 February 2020)
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In the original manuscript, Tonio sang the opera's final line, "
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2498:"The Gramophone and the Collector: The Prologue to 'Pagliacci'"
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1279:, "The Opera", the characters attend a production of Pagliacci.
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1165:
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1064:. Franco Zeffirelli directed his 1981 La Scala production with
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2274:. Dover Music Scores (reprint ed.). Courier Corporation.
2025:. Northeastern University Press (Lebanon, New Hampshire, US),
1840:"Met Performance CID:11740 - Pagliacci, Cavalleria Rusticana"
1702:
NB In this article, Caruson claims to have sung at the 'old'
1385:, the original spelling of the character's name was "Peppe" (
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1935:
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915:, the finale of which segues directly into the first act of
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Arlecchino and Colombina dine, and he gives her a sleeping
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first staged the work on 11 December as a double-bill with
357:(Nedda), American tenor Agostino Montegriffo (Canio), and
135:. The opera tells the tale of Canio, actor and leader of a
1778:"Met Performance CID:11620 - Orfeo ed Euridice, Pagliacci"
1626:
1624:
900:
The 1998 English-language recording on Chandos (CHAN 3003)
681:, he and Beppe leave for the tavern, leaving Nedda alone.
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During the orchestral introduction, Tonio, dressed as his
2664:
recordings on operadis-opera-discography.org, as of 2009
1721:
1621:
1312:, Canio, also appears as a legendary joker card in the
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and illustrated by Galen Showman. Published in 1998 by
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in London on 19 May 1893, supervised by the composer.
3247:
2204:"Cav/Pag Miss/Hit in Met's Debut of McVicar Stagings"
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1758:
1657:
Born in Naples in 1863. For his singing career, see
2522:. (Reprint ed., Kalmus, n.d.) (in Italian). Milan:
2294:
2227:Gangi, Luigi; Giacomazzi, Ugo (February 12, 2020).
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62:
Cover of first piano/vocal score, published in 1892
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1111:into English for a comics adaptation, but died on
1959:
1947:
1907:"Review: Signs of Rebirth at New York City Opera"
1901:
1368:is the Italian plural for "clowns", and although
191:, a double bill known colloquially as "Cav/Pag".
3283:
2600:, New York: Doubleday & Company, Inc., 1959
1820:
1142:
2538:. Washington, D.C.: Washington National Opera.
2226:
1653:
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1816:. G. Schirmer's collection of opera librettos.
1505:Leoncavallo, R. (November 1902). "How I Wrote
1185:#4. In addition, the opera is featured in the
345:The US premiere followed a month later at the
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431:in 2016 on a double bill with Rachmaninoff's
322:, Covent Garden, under the management of Sir
199:Leoncavallo was a little-known composer when
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263:(1867). Mendès dropped his lawsuit. Scholar
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1941:
1929:
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1160:, the final line is "la commedia e finita!"
127:in a prologue and two acts, with music and
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2652:The Durbeck Archive, page on 1931 film of
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1410:or as in some libretti "at sundown". This
535:Pagliaccio's wife, in love with Arlecchino
56:
2637:International Music Score Library Project
1976:
1974:
1406:) to the next, and hence one hour before
789:As the crowd arrives, Nedda, costumed as
1107:student Michael Mould began translating
1029:
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224:Leoncavallo originally titled his story
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123:; literal translation, 'Clowns') is an
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1980:
1971:
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953:The 2024 Opera Holland Park production
929:The 2010 Opera Grand Rapids production
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147:in Milan on 21 May 1892, conducted by
3222:Arturo Toscanini: Hymn of the Nations
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2790:
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2492:
2447:
2430:
2146:"Audience savors Opera Grand Rapids'
1965:
1953:
1865:"Paillasse (traduction de E. Crosti)"
1630:
1080:nomination for Best Opera Recording.
884:A 1968 RAI-TV production directed by
349:in New York on 15 June, conducted by
287:The opening Prologue was written for
118:
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2569:
2552:
2346:Russell, P. Craig (April 22, 1998).
1826:
1415:
1270:in 1964, had included the same line.
1219:and popularized in 1939 by both the
874:The December 1959 production at the
2536:Washington National Opera 1956–2006
1209:(I'm Afraid) The Masquerade Is Over
24:
2590:
2251:"Image 358 of Title not available"
2144:Jeffrey Kaczmarczyk (2010-02-13).
2121:is a bold and vital slice of life"
1273:In the 49th episode of the sitcom
820:Nome di Dio! Quelle stesse parole!
752:Problems playing these files? See
690:
279:that was based on Ferrier's play.
25:
3348:
2624:
2478:. Plymouth, UK: Scarecrow Press.
1645:, p. 23, 1st bar; p. 24, 2nd bar.
1422:). In other operas it appears in
1139:is dedicated in memory of Mould.
3269:
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1466:Stewart, Henry (February 2016).
1156:, a tale of revenge referencing
1119:finished Mould's translation as
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2175:"Despite some pluses, SD Opera
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1660:"Caruson, Gugliemo: Cronologia"
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890:The HMV recording conducted by
419:'s November 1997 production by
216:Leoncavallo based the story of
2415:"The Chordettes – Mr. Sandman"
2295:John J O'Connor (1984-11-09).
1588:
1550:Ardoin, John (1985). "Apropos
1543:
1459:
1352:
1088:"Opera in English" label with
847:!" – "The comedy is finished!"
800:, who comes to serenade her ("
453:, creator of the role of Tonio
282:
13:
1:
3292:Operas by Ruggero Leoncavallo
2270:Ruggiero Leoncavallo (1892).
2208:Classical Voice North America
2202:David Shengold (2015-04-15).
1453:
1143:References in popular culture
1115:before he could complete it.
878:, Covent Garden, directed by
3216:Arturo Toscanini discography
2598:Conversations with Toscanini
1814:Pagliacci: Opera in Two Acts
1692:. 2 December 1893. p. 4
1686:"Musical and Dramatic Notes"
962:The orchestra consists of 2
852:Assignment of the final line
772:, one of his signature roles
723:, recorded on March 17, 1907
27:Opera by Ruggero Leoncavallo
7:
2613:Opera's irrestistible twins
2474:Leoncavallo: Life and Works
2183:The San Diego Union-Tribune
1844:Metropolitan Opera Archives
1782:Metropolitan Opera Archives
1716:Auditorium Theatre, Chicago
1324:
1247:and popularized in 1954 by
1172:and media adaptations, the
781:" – "Put on the costume").
658:rises for the main action.
648:
644:Time: between 1865 and 1870
624:
10:
3353:
3148:Overture to Colas Breugnon
2563:(sic) – Crimes of Passion"
2370:"Pagliacci in pop culture"
2297:"TV Weekend: Zeffirelli's
2173:James Chute (2014-01-25).
2125:Seattle Post-Intelligencer
2115:RM Campbell (2008-01-13).
2022:Jon Vickers: A Hero's Life
1044:
1026:Recordings and other media
948:Maggio Musicale Fiorentino
744:Performed by Enrico Caruso
481:Premiere cast, 21 May 1892
386:as Santuzza, conducted by
32:Pagliacci (disambiguation)
29:
3327:Operas adapted into films
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2524:it:Casa Musicale Sonzogno
2458:(in Italian) – via
2439:(in Italian) – via
1708:Abbey, Schoeffel and Grau
1690:The Sydney Morning Herald
858:
843:
829:
819:
802:
730:"No! Pagliaccio non son!"
617:
417:Washington National Opera
382:on 22 December 1893 with
83:
75:
67:
55:
44:
39:
3193:Wanda Toscanini Horowitz
2611:Weaver, William (1987).
2532:Phillips-Matz, Mary Jane
2336:. Retrieved 15 July 2015
1666:(in Italian and English)
1345:
784:
661:
440:
366:Metropolitan Opera House
3332:Fiction about uxoricide
3297:Italian-language operas
2374:Lyric: Opera of Chicago
2069:Philadelphia Daily News
1305:playing Enrico DiSalvo.
1062:San Carlo Opera Company
907:production directed by
830:No! Pagliaccio non son!
640:Feast of the Assumption
405:as Nedda, conducted by
275:, an opera composed by
3230:Toscanini: The Maestro
2301:from La Scala in 1982"
2090:Naxos Records (2007).
1741:"Pagliacci - Synopsis"
1706:under the impresarios
1364:
1262:and the Miracles hit "
1074:1982 television airing
1042:
1038:The 1907 recording of
773:
695:
669:
454:
415:was produced alone in
116:Italian pronunciation:
3046:La fanciulla del West
2873:Der Roland von Berlin
2570:Swan, Howard (1892).
2455:Enciclopedia Dantesca
1710:before performing in
1512:North American Review
1105:Kent State University
1047:Pagliacci discography
1037:
859:La Commedia è finita!
844:La commedia è finita!
764:
694:
448:
399:Theatre de la Monnaie
271:by Paul Ferrier, and
247:sued Leoncavallo for
181:is often staged with
88:21 May 1892
3079:Orchestral premieres
2617:Decca Record Company
2596:Haggin, Bernard H.,
2577:. London: David Nutt
2557:Cavalleria rusticana
2514:Leoncavallo, Ruggero
2051:Cavalleria rusticana
2049:"Review: Mascagni –
2033:(1999), pp. 100–101.
1812:G. Schirmer (1963).
1431:Un ballo in maschera
1400:avemmaria della sera
1264:The Tears of a Clown
913:Cavalleria rusticana
909:Giancarlo del Monaco
618:Chorus of villagers
380:Cavalleria rusticana
257:Manuel Tamayo y Baus
206:Cavalleria rusticana
184:Cavalleria rusticana
120:[paʎˈʎattʃi]
30:For other uses, see
3322:Operas set in Italy
3108:Essay for Orchestra
2818:Ruggero Leoncavallo
2700:Ruggero Leoncavallo
2647:Libretto in English
2642:Libretto in Italian
2256:Library of Congress
2072:(4 February 1992).
2019:Williams, Jeannie,
1633:, pp. 110–111.
1615:10.1093/ml/70.3.342
1602:Music & Letters
1557:The Opera Quarterly
1316:-themed video game
1308:The protagonist of
919:(Opus Arte OA0983D)
886:Herbert von Karajan
559:Colombina's servant
526:in love with Silvio
506:Colombina's husband
461:
425:New York City Opera
423:. The re-organised
395:St. Valentine's day
314:The UK premiere of
304:Performance history
269:La femme de Tabarin
253:La Femme de Tabarin
195:Origin and disputes
133:Ruggero Leoncavallo
71:Ruggero Leoncavallo
50:Ruggero Leoncavallo
3337:Works about clowns
3307:Commedia dell'arte
3233:(1985 documentary)
3101:Adagio for Strings
2997:Operatic premieres
2496:(September 1924).
2437:Vocabolario online
2376:. Opera of Chicago
2305:The New York Times
2154:Grand Rapids Press
1911:The New York Times
1890:Phillips-Matz 2006
1800:The New York Times
1704:Metropolitan Opera
1444:In the liner notes
1297:, the famous solo
1043:
941:Metropolitan Opera
894:(EMI CMS7 63650-2)
774:
696:
655:commedia dell'arte
493:head of the troupe
471:Commedia dell'arte
457:
455:
359:Giuseppe Campanari
318:took place at the
243:The French author
137:commedia dell'arte
3245:
3244:
3199:Vladimir Horowitz
3175:
3174:
2956:
2955:
2920:"Vesti la giubba"
2784:
2783:
2485:978-0-8108-5880-0
2356:Dark Horse Comics
2117:"Seattle Opera's
2031:978-1-55553-674-9
1944:, pp. 25–26.
1932:, pp. 12–13.
1903:Anthony Tommasini
1730:, pp. 39–40.
1570:10.1093/oq/3.3.68
1420:"Time" p. 40
1196:The Joker is Wild
1192:television series
1133:Dark Horse Comics
1035:
880:Franco Zeffirelli
876:Royal Opera House
739:
714:
702:"Vesti la giubba"
622:
621:
586:Colombina's lover
421:Franco Zeffirelli
401:, Brussels, with
371:Orfeo ed Euridice
347:Grand Opera House
332:Fernando de Lucia
330:sang Nedda, with
320:Royal Opera House
143:premiered at the
107:
106:
16:(Redirected from
3344:
3274:
3273:
3272:
3262:
3261:
3253:
3187:Walter Toscanini
3083:
3082:
2990:Arturo Toscanini
2983:
2976:
2969:
2960:
2959:
2946:
2936:
2935:
2811:
2804:
2797:
2788:
2787:
2693:
2686:
2679:
2670:
2669:
2635:: Scores at the
2620:
2586:
2584:
2582:
2566:
2549:
2527:
2509:
2489:
2477:
2463:
2444:
2419:
2418:
2411:
2405:
2404:
2392:
2386:
2385:
2383:
2381:
2366:
2360:
2359:
2343:
2337:
2321:
2315:
2314:
2312:
2311:
2292:
2286:
2285:
2267:
2261:
2260:
2247:
2241:
2240:
2224:
2218:
2217:
2215:
2214:
2199:
2193:
2192:
2190:
2189:
2170:
2164:
2163:
2161:
2160:
2141:
2135:
2134:
2132:
2131:
2112:
2106:
2105:
2103:
2102:
2087:
2081:
2065:
2059:
2053:; Leoncavallo –
2040:
2034:
2017:
2011:
2010:
1978:
1969:
1963:
1957:
1951:
1945:
1942:Leoncavallo 1892
1939:
1933:
1930:Leoncavallo 1892
1927:
1921:
1920:
1918:
1917:
1899:
1893:
1887:
1881:
1880:
1878:
1876:
1861:
1855:
1854:
1852:
1850:
1836:
1830:
1824:
1818:
1817:
1809:
1803:
1792:
1790:
1788:
1774:
1768:
1762:
1756:
1755:
1753:
1751:
1737:
1731:
1725:
1719:
1701:
1699:
1697:
1682:
1676:
1675:
1673:
1671:
1655:
1646:
1643:Leoncavallo 1892
1640:
1634:
1628:
1619:
1618:
1592:
1586:
1580:
1574:
1573:
1547:
1541:
1535:
1529:
1528:
1519:(552): 652–654.
1502:
1493:
1492:
1490:
1489:
1463:
1447:
1441:
1435:
1396:
1390:
1379:
1373:
1367:
1356:
1303:Rolando Villazón
1268:Carolyn Crawford
1129:P. Craig Russell
1113:USAir Flight 405
1036:
861:
860:
846:
845:
832:
831:
822:
821:
805:
804:
741:
740:
716:
715:
693:
672:
485:Arturo Toscanini
462:
460:
456:
449:French baritone
388:Enrico Bevignani
340:Luigi Mancinelli
149:Arturo Toscanini
145:Teatro Dal Verme
122:
117:
99:Teatro Dal Verme
95:
93:
60:
37:
36:
21:
3352:
3351:
3347:
3346:
3345:
3343:
3342:
3341:
3282:
3281:
3280:
3270:
3268:
3256:
3248:
3246:
3241:
3204:
3171:
3136:
3129:
3088:
3087:World premieres
3074:
2992:
2987:
2957:
2952:
2924:
2908:Arias and songs
2903:
2820:
2815:
2785:
2780:
2761:
2756:Vesti la giubba
2743:
2708:
2697:
2627:
2610:
2593:
2591:Further reading
2580:
2578:
2553:Sims, Michael.
2546:
2486:
2427:
2422:
2413:
2412:
2408:
2393:
2389:
2379:
2377:
2368:
2367:
2363:
2344:
2340:
2322:
2318:
2309:
2307:
2293:
2289:
2282:
2268:
2264:
2249:
2248:
2244:
2225:
2221:
2212:
2210:
2200:
2196:
2187:
2185:
2171:
2167:
2158:
2156:
2142:
2138:
2129:
2127:
2113:
2109:
2100:
2098:
2088:
2084:
2066:
2062:
2041:
2037:
2018:
2014:
1979:
1972:
1964:
1960:
1952:
1948:
1940:
1936:
1928:
1924:
1915:
1913:
1900:
1896:
1888:
1884:
1874:
1872:
1863:
1862:
1858:
1848:
1846:
1838:
1837:
1833:
1825:
1821:
1810:
1806:
1795:W. J. Henderson
1793:with review by
1786:
1784:
1776:
1775:
1771:
1763:
1759:
1749:
1747:
1745:Music With Ease
1739:
1738:
1734:
1726:
1722:
1695:
1693:
1684:
1683:
1679:
1669:
1667:
1658:
1656:
1649:
1641:
1637:
1629:
1622:
1593:
1589:
1581:
1577:
1548:
1544:
1536:
1532:
1503:
1496:
1487:
1485:
1464:
1460:
1456:
1451:
1450:
1442:
1438:
1397:
1393:
1380:
1376:
1357:
1353:
1348:
1327:
1299:Vesti La Giubba
1260:Smokey Robinson
1201:Vesti la giubba
1150:Agatha Christie
1145:
1066:Plácido Domingo
1049:
1030:
1028:
960:
934:San Diego Opera
854:
787:
779:Vesti la giubba
759:
758:
750:
748:
747:
746:
745:
742:
735:
732:
726:
725:
724:
717:
707:
704:
697:
691:
664:
651:
627:
594:Francesco Daddi
575:Beppe (Peppe),
525:
516:Fiorello Giraud
482:
458:
443:
403:Cecile Simonnet
351:Gustav Hinrichs
324:Augustus Harris
306:
285:
201:Pietro Mascagni
197:
189:Pietro Mascagni
157:Fiorello Giraud
115:
103:
102:
96:
91:
89:
63:
35:
28:
23:
22:
15:
12:
11:
5:
3350:
3340:
3339:
3334:
3329:
3324:
3319:
3314:
3309:
3304:
3302:Verismo operas
3299:
3294:
3279:
3278:
3266:
3243:
3242:
3240:
3239:
3237:Guido Cantelli
3234:
3226:
3218:
3212:
3210:
3206:
3205:
3203:
3202:
3196:
3190:
3183:
3181:
3177:
3176:
3173:
3172:
3170:
3169:
3168:
3167:
3165:Symphony No. 7
3157:
3156:
3155:
3153:Symphony No. 2
3150:
3139:
3137:
3134:
3131:
3130:
3128:
3127:
3126:
3125:
3113:
3112:
3111:
3104:
3091:
3089:
3086:
3080:
3076:
3075:
3073:
3072:
3071:
3070:
3058:
3057:
3056:
3049:
3042:
3030:
3029:
3028:
3016:
3015:
3014:
3013:(as a cellist)
3000:
2998:
2994:
2993:
2986:
2985:
2978:
2971:
2963:
2954:
2953:
2951:
2950:
2940:
2929:
2926:
2925:
2923:
2922:
2917:
2911:
2909:
2905:
2904:
2902:
2901:
2893:
2889:Are You There?
2885:
2877:
2869:
2861:
2853:
2845:
2837:
2828:
2826:
2822:
2821:
2814:
2813:
2806:
2799:
2791:
2782:
2781:
2779:
2778:
2769:
2767:
2763:
2762:
2760:
2759:
2751:
2749:
2745:
2744:
2742:
2741:
2733:
2725:
2716:
2714:
2710:
2709:
2696:
2695:
2688:
2681:
2673:
2667:
2666:
2657:
2649:
2644:
2639:
2626:
2625:External links
2623:
2622:
2621:
2608:
2592:
2589:
2588:
2587:
2567:
2550:
2544:
2528:
2510:
2502:The Gramophone
2490:
2484:
2468:Dryden, Konrad
2464:
2448:Anon. (1970).
2445:
2433:"ventiquattro"
2431:Anon. (n.d.).
2426:
2423:
2421:
2420:
2406:
2387:
2361:
2338:
2330:"Leoncavallo:
2316:
2287:
2280:
2262:
2242:
2219:
2194:
2165:
2136:
2107:
2082:
2074:"The Story of
2060:
2047:(March 1991).
2035:
2012:
1999:10.2307/478969
1993:(2): 167–178.
1970:
1958:
1946:
1934:
1922:
1905:(2016-09-09).
1894:
1892:, p. 196.
1882:
1856:
1831:
1819:
1804:
1769:
1757:
1732:
1720:
1677:
1664:La Voce Antica
1647:
1635:
1620:
1609:(3): 342–362.
1587:
1575:
1542:
1530:
1494:
1457:
1455:
1452:
1449:
1448:
1436:
1391:
1389:, p. 38).
1374:
1350:
1349:
1347:
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1335:
1326:
1323:
1322:
1321:
1306:
1289:
1285:Shock Corridor
1280:
1271:
1256:
1249:The Chordettes
1243:", written by
1237:
1234:Motown Records
1211:", written by
1205:
1161:
1144:
1141:
1096:as Tonio, and
1090:Dennis O'Neill
1070:Teresa Stratas
1045:Main article:
1027:
1024:
959:
956:
955:
954:
951:
944:
937:
930:
927:
920:
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898:
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545:Adelina Stehle
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479:
474:
466:
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439:
305:
302:
284:
281:
265:Matteo Sansone
261:Un Drama Nuevo
245:Catulle Mendès
236:to the plural
196:
193:
163:as Tonio, and
153:Adelina Stehle
105:
104:
97:
87:
85:
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2606:9780818012198
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2558:
2551:
2547:
2545:0-9777037-0-3
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2533:
2529:
2525:
2521:
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2503:
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2494:Klein, Herman
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2342:
2335:
2334:(in English)"
2333:
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2281:9780486273631
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2016:
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1841:
1835:
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1815:
1808:
1802:
1801:
1796:
1783:
1779:
1773:
1767:, p. 61.
1766:
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1742:
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1598:
1591:
1585:, p. 37.
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1468:"Operapedia:
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1383:Konrad Dryden
1381:According to
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1218:
1217:Herb Magidson
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1117:Marc Andreyko
1114:
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1057:Antonio Paoli
1054:
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1016:tubular bells
1013:
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985:
984:bass clarinet
981:
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965:
958:Orchestration
952:
949:
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925:
924:Seattle Opera
921:
918:
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892:Riccardo Muti
889:
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766:Enrico Caruso
763:
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721:Enrico Caruso
719:Performed by
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602:Nedda's lover
599:
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569:Victor Maurel
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289:Victor Maurel
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277:Émile Pessard
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234:Il pagliaccio
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3160:Shostakovich
3135:US premieres
3122:Feste romane
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2597:
2579:. Retrieved
2572:
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2425:Bibliography
2409:
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2378:. Retrieved
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2308:. Retrieved
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2207:
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2186:. Retrieved
2182:
2179:disappoints"
2176:
2168:
2157:. Retrieved
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2099:. Retrieved
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2015:
1990:
1986:
1982:
1961:
1949:
1937:
1925:
1914:. Retrieved
1910:
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1873:. Retrieved
1869:lamonnaie.be
1868:
1859:
1847:. Retrieved
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1663:
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1540:, p. 5.
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1506:
1486:. Retrieved
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1412:Italian time
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1274:
1232:in 1961 for
1225:Jimmy Dorsey
1213:Allie Wrubel
1199:
1186:
1182:
1178:supervillain
1176:, an insane
1164:
1153:
1152:short story
1136:
1120:
1108:
1102:
1098:Rosa Mannion
1081:
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769:
768:as Canio in
751:
683:
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670:ventitré ore
665:
652:
612:Mario Ancona
601:
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336:Mario Ancona
328:Nellie Melba
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182:
178:
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169:Nellie Melba
165:Mario Ancona
140:
110:
109:
108:
3312:1892 operas
3225:(1944 film)
3019:Leoncavallo
2915:"Mattinata"
2776:discography
2561:I Pagliacci
2380:25 November
2076:I Pagliacci
1871:(in French)
1765:Dryden 2007
1728:Dryden 2007
1583:Dryden 2007
1538:Dryden 2007
1387:Dryden 2007
1360:I pagliacci
1301:is sung by
1245:Pat Ballard
1241:Mr. Sandman
1230:Marvin Gaye
1170:comic books
1127:written by
976:cor anglais
950:production.
905:Teatro Real
803:O Colombina
483:Conductor:
283:Composition
238:I Pagliacci
18:I Pagliacci
3286:Categories
3195:(daughter)
3143:Kabalevsky
2833:Chatterton
2450:"ventitrè"
2350:The Clowns
2325:Gramophone
2310:2015-06-13
2213:2021-01-09
2188:2015-06-30
2159:2015-06-30
2130:2015-06-30
2101:2020-01-03
2044:Gramophone
1954:Anon. 1970
1916:2017-02-19
1631:Klein 1924
1488:2017-02-19
1477:Opera News
1454:References
1239:The song "
1207:The song "
1194:episode, "
1137:The Clowns
1121:The Clowns
1100:as Nedda.
1092:as Canio,
943:production
936:production
926:production
864:dramaturgy
798:Arlecchino
754:media help
582:Arlecchino
498:Pagliaccio
477:Voice type
427:presented
384:Emma Calvé
364:The 'old'
361:(Tonio).
249:plagiarism
159:as Canio,
155:as Nedda,
92:1892-05-21
68:Librettist
3039:La bohème
3025:Pagliacci
2857:La bohème
2841:Pagliacci
2774:Pagliacci
2737:Pagliacci
2729:Pagliacci
2721:Pagliacci
2705:Pagliacci
2662:Pagliacci
2654:Pagliacci
2632:Pagliacci
2519:Pagliacci
2516:(n.d.) .
2508:(4): 110.
2332:Pagliacci
2299:Pagliacci
2272:Pagliacci
2177:Pagliacci
2148:Pagliacci
2119:Pagliacci
2055:Pagliacci
1983:Pagliacci
1966:Anon. n.d
1827:Sims 2007
1712:Guatemala
1597:Pagliacci
1564:(3): 68.
1507:Pagliacci
1470:Pagliacci
1425:Rigoletto
1416:Swan 1892
1408:avemmaria
1402:(evening
1365:Pagliacci
1310:Pagliacci
1258:The 1970
1154:Swan Song
1109:Pagliacci
1103:In 1991,
1094:Alan Opie
1082:Pagliacci
1053:Pagliacci
1051:In 1907,
1040:Pagliacci
1020:bass drum
1000:trombones
980:clarinets
946:The 2019
939:The 2015
932:The 2014
922:The 2008
917:Pagliacci
903:The 2007
791:Colombina
770:Pagliacci
638:, on the
608:baritone
531:Colombina
429:Pagliacci
413:Pagliacci
397:) at the
376:Pagliacci
316:Pagliacci
309:Pagliacci
230:The Clown
218:Pagliacci
179:Pagliacci
173:Pagliacci
141:Pagliacci
111:Pagliacci
40:Pagliacci
3116:Respighi
3053:Turandot
2938:Category
2897:Edipo re
2849:I Medici
2660:List of
2581:26 April
2534:(2006).
2470:(2007).
2460:Treccani
2441:Treccani
1525:25119331
1325:See also
1276:Seinfeld
1253:Liberace
1125:one-shot
996:trumpets
988:bassoons
649:Prologue
636:Montalto
632:Calabria
625:Synopsis
600:Silvio,
564:baritone
557:Taddeo,
553:the fool
468:Role in
129:libretto
84:Premiere
76:Language
3250:Portals
3209:Related
3033:Puccini
2881:Zingari
2766:Related
2237:YouTube
2080:, p. 28
1987:Italica
1875:20 June
1849:20 June
1787:20 June
1750:20 June
1696:20 June
1670:20 June
1552:Wozzeck
1404:angelus
1339:Delilah
1318:Balatro
1294:Cabrini
1148:In the
1086:Chandos
1012:timpani
968:piccolo
825:arietta
679:vespers
634:, near
630:Place:
551:Tonio,
540:soprano
522:Nedda,
502:Pierrot
491:Canio,
353:, with
273:Tabarin
213:style.
211:verismo
151:, with
101:, Milan
90: (
79:Italian
3317:Operas
3180:Family
3095:Barber
3067:Nerone
3010:Otello
2900:(1920)
2892:(1913)
2884:(1912)
2876:(1904)
2868:(1900)
2860:(1897)
2852:(1893)
2844:(1892)
2836:(1876)
2825:Operas
2740:(1982)
2732:(1948)
2724:(1936)
2604:
2542:
2482:
2397:Batman
2278:
2029:
2007:478969
2005:
1523:
1332:Carmen
1188:Batman
1183:Batman
1166:Batman
1078:Grammy
1072:for a
964:flutes
811:potion
590:tenor
3276:Italy
3264:Opera
3189:(son)
3061:Boito
3004:Verdi
2948:Audio
2748:Music
2713:Films
2574:Italy
2096:Naxos
2003:JSTOR
1521:JSTOR
1346:Notes
1314:Poker
1174:Joker
1158:Tosca
1008:harps
992:horns
972:oboes
785:Act 2
662:Act 1
577:actor
511:tenor
465:Role
441:Roles
434:Aleko
46:Opera
2865:Zazà
2602:ISBN
2583:2015
2559:and
2540:ISBN
2480:ISBN
2403:(4).
2382:2023
2276:ISBN
2027:ISBN
1877:2024
1851:2024
1789:2024
1752:2024
1698:2024
1672:2024
1428:and
1223:and
1215:and
1123:, a
1068:and
1006:, 2
1004:tuba
1002:, 1
998:, 3
994:, 3
990:, 4
986:, 3
982:, 1
978:, 2
974:, 1
970:, 2
966:, 1
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1995:doi
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1797:in
1611:doi
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1566:doi
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1282:In
1163:In
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