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I've Seen All I Need to See

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relies on a more stripped-down production that departs from the orchestral arrangements, operatic vocals, and contemporary pop and chopped-and-screwed hip-hop production of their past releases. The production employs drums, vocals, and violently overdriven guitars, deriving its sound from
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s Grayson Haver Currin said that the album embraces the "bluntly fatalistic" sound of the duo by being "mercilessly distilled and efficient, reminding us there's no time to waste." Similarly, Sam Shepherd of
211:(2018). Recorded in 2019, the album was engineered by the duo's frequent collaborator, Seth Manchester, and mastered by Matt Colton. It features contributions from Chrissy Wolpert and vocalist Ben Eberle. 245:. Described by the band "as an exploration of the extremes and micro-tonality of distortion" the album lyrically addresses themes of death and despondence. The record opens with a reading of Scottish poet 491:, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 80 based on 7 reviews, indicating "generally favourable reviews". 215:
I think that's just a fancy way of saying that we tried to focus more on the distortion and reverb, which is how we sound live we just tried to recreate that to the best of our ability.
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writer Max Heilman praised the stripped-down concept and impenetrable execution of the album and summarized it as "the purest summation of the Body's artistry."
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called it "a brutal album", writing that "somehow, there's an odd clarity to be found amongst all the noise, distortion and decay." Paul Simpson of
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lauded the duo's "piercing vocals" and regarded the album as "undeniably some of their most direct and punishing work."
967: 1012: 922: 1074: 800: 1079: 998: 861: 827: 765: 28: 249:'s "The Kaleidoscope", that was written by him after the early death of his wife, Lesley Dunn, in 1981. 893: 242: 92: 960: 1069: 1004: 8: 1032: 1018: 866: 495: 386: 953: 923:"The Body Harness the Heart of Darkness on Pulverizing 'I've Seen All I Need to See'" 991: 449: 238: 87: 976: 733: 182: 139: 129: 41: 181:
is the eighth full-length studio album by the American experimental metal band
1063: 186: 122: 729:"The Body Announce New Album 'I've Seen All I Need to See', Share New Song" 246: 117: 831: 221: 202: 201:. The opening track, "A Lament" was served simultaneously as the album's 80: 897: 488: 276: 927: 805: 770: 656: 515: 510: 505: 348: 336: 299: 197:
On October 13, 2020, the Body announced the release of the album,
205:. It marks the duo's first non-collaborative studio album since 36: 945: 766:"I've Seen All I Need to See | Songs, Reviews, Credits" 185:. The album was released on January 29, 2021, through 1041:I Have Fought Against It, but I Can't Any Longer. 208:I Have Fought Against It, but I Can't Any Longer. 1061: 722: 720: 687:Seth Manchester – drums, programming, keyboard 455: 354: 304: 961: 392: 859: 717: 855: 853: 851: 849: 968: 954: 759: 757: 755: 753: 751: 27: 916: 914: 860:Currin Haver, Grayson (8 February 2021). 820: 700:Seth Manchester – engineering, production 192: 862:"The Body – I've Seen All I Need to See" 846: 828:"I've Seen All I Need to See – The Body" 801:"The Body – I've Seen All I Need To See" 798: 727:Pappis, Konstantinos (13 October 2020). 920: 763: 748: 1062: 911: 726: 949: 794: 792: 790: 788: 706:Alexander Barton – art design, layout 637: 626: 615: 604: 593: 582: 571: 560: 549: 285: 262: 252: 888: 886: 884: 1027:Ascending a Mountain of Heavy Light 457: 356: 306: 13: 1085:Albums produced by Seth Manchester 785: 394: 14: 1096: 1013:One Day You Will Ache Like I Ache 881: 799:Shepherd, Sam (30 January 2021). 764:Simpson, Paul (27 January 2021). 921:Heilman, Max (27 January 2021). 522: 476: 471: 466: 461: 456: 438: 433: 428: 423: 418: 413: 408: 403: 398: 393: 375: 370: 365: 360: 355: 325: 320: 315: 310: 305: 690:Chrissy Wolpert – piano, vocals 537: 228: 1: 999:You, Whom I Have Always Hated 710: 975: 650: 7: 1048:I've Seen All I Need to See 575:"Eschatological Imperative" 530:I've Seen All I Need to See 234:I’ve Seen All I Need to See 199:I've Seen All I Need to See 178:I've Seen All I Need to See 160:I've Seen All I Need to See 22:I've Seen All I Need to See 10: 1101: 671:Chip King – guitar, vocals 668:Lee Buford – drums, vocals 52:January 29, 2021 983: 655:Credits are adapted from 544: 541: 536: 293: 290: 270: 267: 220:Lee Buford on the album, 152:Mental Wounds Not Healing 146: 138: 128: 116: 100: 79: 71: 63: 48: 35: 26: 21: 619:"The Handle / the Blade" 703:Matt Colton – mastering 564:"Tied Up and Locked in" 1075:The Body (band) albums 226: 193:Background and release 16:2021 album by the Body 597:"The City is Shelled" 213: 75:Machines with Magnets 1080:Thrill Jockey albums 681:Max Goldman – vocals 676:Additional musicians 258:Professional ratings 894:"Metacritic Review" 684:Ben Eberle – vocals 586:"A Pain of Knowing" 533: 259: 528: 257: 253:Critical reception 1057: 1056: 1036: 1022: 1008: 834:. 29 January 2021 647: 646: 630:"Path of Failure" 608:"They are Coming" 485: 484: 243:power electronics 174: 173: 170: 169: 93:power electronics 1092: 1030: 1016: 1002: 992:I Shall Die Here 970: 963: 956: 947: 946: 940: 939: 937: 935: 918: 909: 908: 906: 904: 890: 879: 878: 876: 874: 857: 844: 843: 841: 839: 824: 818: 817: 815: 813: 796: 783: 782: 780: 778: 761: 746: 745: 743: 741: 724: 640: 539: 534: 527: 501: 481: 480: 479: 475: 474: 470: 469: 465: 464: 460: 459: 443: 442: 441: 437: 436: 432: 431: 427: 426: 422: 421: 417: 416: 412: 411: 407: 406: 402: 401: 397: 396: 380: 379: 378: 374: 373: 369: 368: 364: 363: 359: 358: 330: 329: 328: 324: 323: 319: 318: 314: 313: 309: 308: 263:Aggregate scores 260: 256: 239:death industrial 224: 148: 147: 112: 111: 107: 88:Death industrial 59: 57: 31: 19: 18: 1100: 1099: 1095: 1094: 1093: 1091: 1090: 1089: 1060: 1059: 1058: 1053: 979: 974: 944: 943: 933: 931: 919: 912: 902: 900: 892: 891: 882: 872: 870: 858: 847: 837: 835: 826: 825: 821: 811: 809: 797: 786: 776: 774: 762: 749: 739: 737: 734:Our Culture Mag 725: 718: 713: 653: 648: 638: 525: 499: 477: 472: 467: 462: 439: 434: 429: 424: 419: 414: 409: 404: 399: 376: 371: 366: 361: 326: 321: 316: 311: 255: 231: 225: 219: 195: 163: 154: 134:Seth Manchester 109: 105: 104: 55: 53: 44: 17: 12: 11: 5: 1098: 1088: 1087: 1082: 1077: 1072: 1055: 1054: 1052: 1051: 1044: 1037: 1023: 1009: 995: 987: 985: 981: 980: 973: 972: 965: 958: 950: 942: 941: 910: 880: 845: 819: 784: 747: 715: 714: 712: 709: 708: 707: 704: 701: 697: 696: 692: 691: 688: 685: 682: 678: 677: 673: 672: 669: 665: 664: 652: 649: 645: 644: 641: 635: 634: 631: 628: 624: 623: 620: 617: 613: 612: 609: 606: 602: 601: 598: 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Index


Studio album
the Body
Genre
Death industrial
power electronics
Label
Thrill Jockey
Producer
The Body
the Body
Thrill Jockey
lead single
I Have Fought Against It, but I Can't Any Longer.
Apple Music
death industrial
power electronics
Douglas Dunn
Metacritic
AllMusic
Exclaim!
musicOMH
Pitchfork
Uncut
Metacritic
Pitchfork
musicOMH
AllMusic
Exclaim!
AllMusic

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