I've Just Seen a Face

1313: 897: 372: 31: 1714: 756: 748: 740: 732: 724: 716: 1177:, Tom Ewing pairs the song with "Yesterday", describing both as a "personal breakthrough for McCartney", with each achieving a "deceptive lightness that would become trademark and millstone for their writer". He recognises "I've Just Seen a Face" as "a folksy country song the gift for pastiche that would help give the rest of the Beatles' career such convincing variety". Music critic 1822:, credited under its original working title, "Auntie Gin's Theme". In a review of the album for AllMusic, Bruce Eder describes Martin's recordings as "tasteful but otherwise largely undistinguished". He credits the release of tracks under their working titles as one of the album's unique selling points, being "details that Beatles fanatics of the time simply devoured". The 1759:. Unterberger calls it "a respectable version" which "completed move from bluegrass into folk-country-rock", while Turner describes it as "relaxed in tempo and wistful", writing that its use of a pedal steel guitar is "a clear salute to the flourishing folk-rock scene". Kruth suggests that the finished recording influenced bands like the Byrds, 1349:... So I just decided in the end, this isn't such a big deal, I'll do them." In a retrospective assessment, Riley lauds McCartney for performing the song during the tour as though he were "sitting around on a porch harmonizing to a good old rural favorite". Live versions of the song from the tour were later included on the 1976 triple live album 654:. Sung without pauses for breath or punctuation, the song conveys an adrenaline rush the singer experiences that makes him both enthusiastic and inarticulate. Author Jonathan Gould groups "I've Just Seen a Face" with several of McCartney's 1965 compositions that deal with face-to-face encounters, including " 418:-inflected piece. After he played it on the piano at a family gathering, his aunt Gin enjoyed the tune, prompting him to give it the working title "Auntie Gin's Theme". He added fast-paced lyrics which may have been inspired by his relationship with Asher, turning the song into a cheerful love ballad. 2075:

Recorded a day after "I've Just Seen a Face", the song "It's Only Love" sometimes employs similar phrasing patterns. Everett hypothesises that Lennon composed "It's Only Love" in an attempt to match the rhyming effect of "I've Just Seen a Face", but ultimately finds it "Lennon's most forced effort at

552:

By this point had been freely borrowing and blending various stylistic elements of pop, rock, folk, blues, and still other styles for quite a while. Still, this otherwise sweetly simple "folk rock" song really pushes the envelope in terms of the sheer number of diverse styles juggled simultaneously

541:

on the first syllable of "calling" gives the refrain section a blues sound. Structurally, the song includes three different verses, an instrumental break and a reprise of the first verse. After the second verse, each section is separated from the other by a chorus. Like other Beatles songs, a triple

1777:, recalled being uninterested in rock music before the mid-1960s, but found that "I've Just Seen a Face" allowed him to "relate to the Beatles for the first time", agreeing with a characterisation of it as "bluegrass without a banjo". New Grass Revival subsequently covered the song with musician 1256:

sequencing of "I've Just Seen a Face" and "Norwegian Wood (This Bird Has Flown)" as a "magnificent one-two punch" which results in "the only case where the shamefully butchered U.S. LP might top the U.K. original". He judges the song the "most romantic ", while managing to be "almost as funny as

1728:

Besides the Charles River Valley Boys, numerous bluegrass groups have covered the song. Doggett writes the tempo and chord changes of "I've Just Seen a Face" " out for a banjo and mandolin", and Turner argues it has been "key in stimulating a relationship between bluegrass and the music of the

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album had also focused on Lennon compositions. In MacDonald's view, given McCartney's absorption in his relationship with Asher and the contrasting depth and originality of Lennon's writing since 1964, McCartney was motivated by the need to apply a renewed focus in his writing on

1621:... additionally, the lyrics could easily be (and in fact became) bluegrass lyrics." With their usual setlist made up of old and new bluegrass and country songs, the band added an arrangement of "I've Just Seen a Face" to their set, along with the country-inflected Beatles song " 1016:

LP on 6 August 1965. "I've Just Seen a Face" appeared on side two along with six other tracks not in the film, sequenced between "Tell Me What You See" and "Yesterday". McCartney was pleased with the finished recording and it became one of his favourite Beatles songs.

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Among Beatles authors, Gould and John C. Winn each say that Harrison played the solo. Jean-Michael Guesdon & Philippe Margotin write McCartney played it with his Epiphone Texan, but express general uncertainty over what guitar parts McCartney and Harrison

1660:– a typical feature of bluegrass music, where each musician is allowed the chance to solo – as well as repeating the chorus an extra time, which musicologist Laura Turner writes serves to emphasise the "quintessential bluegrass technique" of close three-part 542:

repeat of the chorus signals the end of the song, though Pollack writes "he repeat here of an entire eight bar chorus is rather unprecedented." The outro finishes by repeating a phrase from the end of the intro to provide a feeling of symmetry.

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after "Yesterday". Riley, Carlin and Everett each praise the song's lyricism, MacDonald commenting that its internal rhyming and fast-paced delivery "complements the music perfectly". In MacDonald's opinion the song elevates the second side of

1700:

describes it as "like a lost bluegrass standard". When the Boston Bluegrass Union awarded the CRVB the Heritage Award in 2013, "I've Just Seen a Face" was among the songs the band performed during the award ceremony at the city's annual

2065:

Everett writes the song is in cut time. Pollack writes that the song can be counted in either 2/2 or 4/4 (common time), but that if counted in the former, the listener can "more easily grasp the extent to which the underlying tempo is

431:, most of the songs for which were recorded in February 1965. He presented it to the band in mid-June, soon after returning from holidaying in Portugal with Asher. During the holiday, he also wrote the lyrics to his ballad " 314:

advanced the album's identity as a folk rock work, although some commentators view this change as masking the band's late-1965 creative developments. It was among the first Beatles songs McCartney played live with his group

662:", "We Can Work It Out" and "I'm Looking Through You". Musicologist Naphtali Wagner instead categorises it with later McCartney compositions that "explore ambiguous, elusive and altered states of consciousness", such as " 915: 1344:

writes that their inclusion "electrified audiences", and Rodriguez similarly describes the Beatles section of the setlist as the "emotional highlight for most attendees". McCartney reflected at the time, "They're great

1928:

magazine of the 50 best Beatles covers placed it at 46, writing that she transforms the song into a "sing-along hoe-down". Kruth designates "I'll Just Bleed Your Face" as the song's "most bizarre" cover, recorded by

3789: 1601:, a collection of Lennon–McCartney compositions played as bluegrass and sung in a high lonesome style. James Field of the group later recalled hearing the song on the radio in the lead up to the US release of 1915:) at a bowling alley in what Kruth terms a "somewhat bizarre love-fantasy scene". Reviewing the soundtrack for AllMusic, Erlewine writes that Sturgess does "a credible job" on the song's "rockabilly revamp". 1268:

Unterberger describes "I've Just Seen a Face" as "probably the most bluegrass-soaked rock song of the 1960s". John Kruth says its influence can be heard on "Go and Say Goodbye", the original opening track of

1152:

contributions as filler – in particular, "Another Girl" and "Tell Me What You See" – but describes "I've Just Seen a Face" as the album's "one genuine overlooked gem". He sees it as "an English inversion of

305:

Several reviewers have described "I've Just Seen a Face" in favourable terms, highlighting its rhyming lyricism and McCartney's vocal delivery, and described it as an overlooked song. Its replacement of

1115:

more conceptual unity, which reinforced perceptions of it as a folk or folk rock centred LP, at the cost of distorting the band's late-1965 creative developments and their original artistic intentions.

1110:

was dominated by acoustic-based songs. Many North American listeners therefore erroneously assumed that the Beatles had focused on folk music for an entire LP. Opening with "I've Just Seen a Face" gave

630:

tracks that display the influence of folk rock on the Beatles. By contrast, O'Grady writes that the song's country-influenced vocals are sung over an instrumental accompaniment "devoid of any specific

1202:

ranked "I've Just Seen a Face" at number 58 in a list of the Beatles' 100 greatest songs, and a 2014 readers' poll conducted by the magazine ranked it as the tenth best Beatles song from the pre-

4080: 962:'countrified', rhythmically flat rendering", and O'Grady writes it "approximates Bluegrass style in rhythmic regularity". "I've Just Seen a Face" features no bass guitar part. Music critic 804:" before breaking for dinner and returning to begin work on "Yesterday". The three songs of divergent styles reflected the range of McCartney's compositional abilities; author and musician 913: 777:

on 11 May 1965, the Beatles recorded "I've Just Seen a Face" during the first of three sessions dedicated to filling out the album with songs not in the film. The session took place in

2089:

describes the day as "a memorable high-water mark in musical history", while Sheffield and McCartney each comment that it provides a sense of the Beatles' quick recording practices.

1826:

performed the song in concert on 11 June 1969 in San Francisco, playing pseudonymously as Bobby Ace and the Cards from the Bottom of the Deck, and former Grateful Dead keyboardist

1687:

in November 1966. "I've Just Seen a Face" was the LP's opening track, and Field later characterised the song as the foundation piece of the entire album. A contemporary review in

697:... pulling you to the next line". Rhyming every two beats, the lyrics use a series of cascading rhymes ("I have never known/The like of this/I've been alone/And I have missed"). 914: 1277:. Kruth argues that both songs helped acquaint rock fans with small doses of country music, setting up the turn from folk rock to country by the Byrds with their 1968 album 1210:

calls the song one of McCartney's most overlooked Beatles contributions, yet also one of his best, and Riley similarly counts it as McCartney's second best contribution to

1702: 1041:" as the opening tracks of side one and side two, respectively. Capitol's approach was motivated by the popularity of folk rock in the United States, with singles such as 4232: 1265:

admires its "thigh-slapping beat, sing-along melody, and cheerful, isn't-love-great lyrics"; he deems it "the musical equivalent of an armful of freshly picked daisies".

599:". O'Grady similarly highlights the song's folk-styled guitar contribution with underlying hints of bluegrass, comparing it to another of McCartney's 1965 compositions, " 3781: 443:" in early 1964, McCartney had fallen behind Lennon in output, Lennon being the primary writer of the Beatles' next four singles. Most of the sessions for the band's 4493: 4206: 1037:, Capitol again altered the track listing; in addition to omitting four songs they deemed "electric", the company selected "I've Just Seen a Face" and Lennon's " 2856: 1617:. You get a nice, bouncy roll, and you can make it ring." Banjoist Bob Siggins stated: "I think the instantaneous 'feel' of the song was the tipoff for me 4526: 1741:; they had hoped to issue the song in the US before the Beatles, though the recording went unreleased. They later recorded a cover for their 1968 album 966:

suggests the instrument's absence, together with the guitar solo being played on the low-end of the guitar, keeps the song rooted in the country genre.

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occasionally sings the song during live shows. Though Kruth disparages Carlile's version as " particularly different or innovative", a 2010 ranking by

3138: 1189:

sessions that were a stylistic break from the rest of the album, their "sophistication, spirit and complexity of texture" having more in common with

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sessions, another guitar plays simultaneously during the guitar solo to provide a contrasting sound. Gould writes that, in shifting from cut time to

402:

each identified "I've Just Seen a Face" as having been written entirely by McCartney. McCartney recalled writing it in the basement music room at 57

259:-style piano piece, originally titled "Auntie Gin's Theme". McCartney then added lyrics that may have been inspired by his relationship with actress 3369: 1136:

describes "I've Just Seen a Face" as "an irresistible folk-rock gem" that is much better than two of McCartney's other contributions to the album, "

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The song has remained a favourite of McCartney's in his post-Beatles career and is one of the few Beatles songs he played with his later band,

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describes the "almost pure country" song as a continuation on the band's country-influenced work from the previous year, such as their album

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that are slower than the rest of the song to create a sense of acceleration, reinforced by a shortened third phrase which quickens the first

2586: 3311: 2147: 1392: 2974: 1336:. Beatles author Robert Rodriguez calls the pick unexpected, and McCartney explained contemporaneously that he picked the songs "at random 3102: 6990: 6907: 678: 2133:

Guesdon and Margotin state the song is the first by the Beatles to not feature a bass guitar. Everett writes the previous year's "

6561: 2113: 981:, including "I've Just Seen a Face". The two mixes of the song are nearly identical to one another. As was typical for their pre- 606:

Author Chris Ingham writes "I've Just Seen a Face" indicates the Beatles' continued interest in country music, and music critic

4224: 3676: 2017:

Virginia "Gin" Harris was the younger sister of McCartney's father, Jim McCartney. McCartney later referenced her in the song "

1300:

views the song's folk styling as exemplifying the Beatles' musical fluency and ability to master genres far removed from their

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magazine counts the cover as one of the five best tracks on the album, and a retrospective assessment by John Paul of the

1605:

and thinking "it instantly felt like bluegrass". In particular, the I–vi–IV–V progression and the chorus beginning on the

1380:. He has played the song live on several other occasions, including it in the setlist of his 2004 Summer Tour and 2011–12 575:, as does MacDonald, though Pollack characterises parts of the song differently, describing the first two verses as "pure 414:, where McCartney lodged from November 1963. Working on a piano, he composed the melody first, beginning it as an uptempo 5102: 579:", the changes between verse and refrain in the second half as "folksy" and the triplet refrain in the outro as like an " 533:. The latter progression simulates descent (suggested by the lyrics: " falling, yes I am falling, and she keeps calling 1328:. An acoustic rendition of "I've Just Seen a Face" was among the five Beatles songs McCartney played during the 1975–76 6808: 4960: 2169:

The album was a commercial success and, according to Gould, served to attract folk-music enthusiasts towards pop music.

6242:

Wagner, Naphtali (2008). "The Beatles' psycheclassical synthesis: psychedelic classicism and classical psychedelia in

4485: 4193: 6638: 6232: 6209: 6028: 5988: 5923: 5796: 5714: 5591: 5476: 5323: 5241: 4968: 4813: 4727: 4637: 4612: 503:" in leaving its harmonic grounding ambiguous until the end of the intro. Following the intro, the song speeds up in 1613:, and if you listen to many bluegrass standards, a lot of them are in that range. Why? Because it's perfect for the 6975: 1376: 4623: 1904: 603:". He writes that both songs " a split personality" through joining pop-rock with either folk or country-western. 6980: 5010: 1785:, a version Turner calls "hard driving" and "erratic". Bush later covered the song as a solo artist for the 2013 1285: 1609:

had "a drive perfectly suited for a straight-ahead bluegrass trio". He added: "The tempo (for us) is about 115

1225: 793: 4516: 2120:", "The Night Before", "Help!", "It's Only Love" and "Ticket to Ride", where Harrison's opening twelve-string 1261:". Describing the song as "fetching, vintage McCartney" and a "warm, cheerful folk-rock treasure", journalist 6872: 6741: 4880: 1960: 1672:, in particular the "incessant, 'walking' upright bass line that provides energetic drive, sparking mandolin 622: 584: 252:

while conveying an adrenaline rush the singer experiences that makes him both enthusiastic and inarticulate.

862:

new parts onto take six. McCartney played a higher section in the intro with his Epiphone Texan and added a

6813: 5126: 2037: 1386: 3128: 2154:

CD retained Martin's 1987 remix. The original stereo mix was included as a bonus on the companion release

6834: 6554: 4459: 3361: 2023: 1816: 1724:

in 2012, who described "I've Just Seen a Face" as the first song by the Beatles to which he could relate.

1622: 1381: 1274: 663: 7000: 6534: 6519: 6508: 6493: 6482: 6471: 6460: 6445: 6389: 6357: 6321: 5461: 5347: 4382: 1899: 1575: 1364:

McCartney performed "I've Just Seen a Face" in a 25 January 1991 set, played on acoustic and filmed by

1241: 701:

are used throughout for rhymes to line-up, such as "face" and "place" in the song's intro. The ends of

600: 200: 6312: 5338: 1031:, replacing them with several orchestral pieces from the film's soundtrack. On the band's next album, 6624: 5638: 2183: 1592: 1425: 1329: 1317: 1312: 1054: 530: 336: 320: 595:-tinged ballad", suggesting it anticipates the "simple folk style" of McCartney's 1968 composition " 6928: 6900: 6759: 5831: 5170: 2187: 1588: 1325: 1078: 963: 668: 432: 316: 272: 5488: 5384:

Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter

2807: 1637: 1477: 6829: 6610: 5813: 4985: 4925: 4897: 4862: 3357: 2582: 2109: 1644:. The CRVB's cover of "I've Just Seen a Face" changes the composition in several ways, including 1279: 1137: 1133: 1066: 5771: 3307: 6790: 6547: 5626: 5583: 2970: 2134: 1947: 1104: 1082: 634:

gesture", and concludes it is the Beatles' "first authentically country-western (as opposed to

596: 230:, except in North America, where it appeared as the opening track on the December 1965 release 6003: 3098: 6645: 6168: 6163: 6121: 5980: 5725: 5434: 5042: 4944: 2045: 1645: 1320:, 1976. He included "I've Just Seen a Face" during an acoustic section of the tour's setlist. 6068: 846:. The second includes a lead vocal from McCartney and Lennon playing rhythm guitar with his 567:

The composition fuses several different styles and is difficult to categorise. Musicologist

6914: 6684: 6677: 5525: 5378: 5285: 1986: 1641: 1532: 1074: 1070: 824: 812: 655: 440: 391: 241: 164: 8: 6965: 6920: 6773: 6102: 6020: 4692: 3735: 2156: 1270: 1235: 1182: 1173: 1093: 879: 659: 651: 617: 518: 307: 249: 1088:" all representative of the style in 1965. "I've Just Seen a Face" thereby replaced the 275:". The recording fuses country and western with several other musical genres, including 6411: 6289: 6256: 6193: 6137: 6095: 5935: 5903: 5882: 5740: 5689: 5631: 5576: 5518: 5495: 5468: 5463:

The Complete Beatles Chronicle: The Only Definitive Guide to the Beatles' Entire Career

5226: 5203: 5151: 5077: 4825: 4712: 4685: 4201: 2795: 1995: 1756: 1689: 1351: 1341: 1219:

with its "quickfire freshness" and he describes it as a "pop parallel" to several 1965

978: 955: 782: 709:

like "lie-die-die-dat-'n'-die" that echo the descent of the song's instrumental intro (

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work, the Beatles participated minimally in the album's mixing process. In 1987, for

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Written in a conversational style, the lyrics of "I've Just Seen a Face" describe a

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Are You Ready for the Country: Elvis, Dylan, Parsons and the Roots of Country Rock

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in Kruth's opinion, the song's "deep wooden timbre" can be heard in the music of

1262: 1145: 1042: 1021: 922: 816: 790: 592: 568: 559: 487:'s arrival. McCartney used the effect of slow triplets again later that year in " 480: 288: 172: 6430: 6145: 4127:, p. 85: normal setlist, added "I've Just Seen a Face" and "What Goes On"; 6379: 6347: 6307: 6129: 5788: 5333: 4948: 4737: 4454: 3133: 1967: 1934: 1919: 1894: 1883: 1827: 1812: 1597: 1434: 1293: 1046: 828: 710: 693:. McCartney later described them as insistent in quality, "dragging you forward 407: 403: 399: 379: 375: 360: 237: 36: 6524: 6513: 6498: 6487: 6476: 6465: 6450: 6435: 6397: 5308: 1569: 194: 6959: 6663: 6175: 6075: 6063: 6045: 5998: 5843: 5838:

Tell Me Why: The Beatles: Album by Album, Song by Song, the Sixties and After

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Jim Sturgess – I've Just Seen A Face (From "Across The Universe" Soundtrack)

6264: 5748: 2137:" does not feature the instrument, while Pollack identifies a bass on "Sun". 1664:. She describes the biggest differences between versions as their different 890:

on the choruses, while Harrison added a twelve-string acoustic guitar solo.

6631: 6603: 6581: 6375: 5968: 5553: 5303: 5258: 4981:

The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"

4957:

Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four

4945:"Painting Their Room in a Colorful Way: The Beatles' Exploration of Timbre" 3517:, p. 181: replacement as opening track to make album sound folk-rock; 2179: 2049: 1908: 1778: 1730: 1513: 1289: 1178: 1141: 1089: 1020:

In keeping with the company's policy of reconfiguring the Beatles' albums,

993: 867: 698: 690: 686: 635: 500: 427: 348: 340: 145: 5178: 5050: 4651:: rhythm, timbre, and tempo in rock drumming". In Reising, Russell (ed.). 950:

during the solo, Harrison's playing is reminiscent of both jazz guitarist

871: 6893: 6727: 6504:, including Paul McCartney and Paul Simon playing "I've Just Seen a Face" 5975:

All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono

5964: 5780: 5571: 4600: 3210:, p. 299: higher section with nylon-string acoustic, descant vocal; 3170:, pp. 299, 346: instrumentation and personnel on first basic track; 3124: 2086: 2041: 1991: 1976: 1878: 1839: 1795:. The group Bluegrass Association recorded the song for their 1974 album 1677: 1595:(CRVB) recorded a cover of "I've Just Seen a Face" for their 1966 album, 1485: 1033: 947: 859: 835: 801: 538: 476: 422: 395: 268: 232: 221: 109: 49: 6097:

The American Book of the Dead: The Definitive Grateful Dead Encyclopedia

1160:

much-noted Dylan influence", existing partway between the folk sound of

382:, central London (pictured in 2018), the family home of his girlfriend, 6935: 6285:

Way Beyond Compare: The Beatles' Recorded Legacy, Volume One, 1957–1965

5543: 5411:

This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On

5405: 1930: 1864: 1526: 1397: 1301: 1009: 934: 883: 839: 805: 796:. During the same afternoon session, the band recorded McCartney's new 639: 588: 507:

to what music scholar Terence J. O'Grady calls "an undanceable speed".

472: 411: 383: 356: 295: 280: 260: 217: 158: 150: 5693: 5657: 5339:"'An abstraction, like Christmas': the Beatles for sale and for keeps" 5155: 5121: 1811:

George Martin recorded an orchestral version of the song for his 1965

1803:, basing their arrangement on the Charles River Valley Boys' version. 1296:. Reflecting in 2006 on the Beatles' legacy and influence, journalist 1024:

removed "I've Just Seen a Face" and the other non-film songs from the

996:

release, Martin remixed the song for stereo, adding a small amount of

421:

McCartney completed "I've Just Seen a Face" too late for inclusion in

335:. The song has been covered by several bluegrass bands, including the 6734: 6223:

Eight Miles High: Folk-Rock's Flight from Haight-Ashbury to Woodstock

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as well as the effortlessly seamless manner in which they are fused.

276: 114: 6041:

Dreaming the Beatles: The Love Story of One Band and the Whole World

2414: 1713: 371: 6526:

Leon Russell and New Grass Revival – I've Just Seen a Face (Live /

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All Together Now: The First Complete Beatles Discography, 1961–1975

3852: 2803: 2121: 1770: 1751:

and modern country music, their version includes high harmonies, a

1721: 1653: 1357: 1333: 1297: 1129: 576: 331: 284: 122: 1652:. Structurally, the CRVB add extra instrumental breaks for banjo, 874:

country and western tone, similar to his backing vocal on another

626:. At the same time, Unterberger counts the song as one of several 5038: 4605:

Beatles Gear: All the Fab Four's Instruments from Stage to Studio

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Artificial Paradise: The Dark Side of the Beatles' Utopian Dream

4073:"Paul McCartney, Miley Cyrus, Paul Simon Captivate at 'SNL 40'" 1999: 1903:

features a cover of the song, later included on its associated

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New Critical Perspectives on the Beatles: Things We Said Today

5166:

Just Around Midnight: Rock and Roll and the Racial Imagination

3338: 2367: 2056:", released as a single in the United States in February 1965. 1144:", a sentiment author Andrew Grant Jackson echoes. Journalist 907:

Harrison's guitar solo from "I've Just Seen a Face", June 1965

6886: 6571: 4087: 2490: 1752: 1614: 1610: 1332:, being the first time he included Beatles songs in his live 925:'s twelve-string guitar solo to provide a contrasting effect. 526: 504: 454:, to regain his equal status in the songwriting partnership. 445: 291:. With no bass guitar, it features three acoustic guitars, a 226: 58: 5520:

Revolution in the Head: The Beatles' Records and the Sixties

4607:(Second (revised) ed.). San Francisco: Backbeat Books. 4225:"Bargain Bin: The Charles River Valley Boys: Beatle Country" 3986: 3984: 1733:

recorded a cover of the song between the British release of

1340:... I didn't want to get too precious about it". Journalist 4405: 4290: 3864: 3840: 2947: 2725: 1860: 1843: 1421: 997: 410:. The house was the family home of his girlfriend, actress 45: 3708: 3706: 2918: 2822: 2672: 2670: 2668: 2220: 2218: 2216: 2214: 2212: 2210: 6431:

Full lyrics for the song at the Beatles' official website

6170:

A Hard Day's Write: The Stories Behind Every Beatles Song

4314: 4170: 3981: 3969: 3037: 3035: 2847:"100 Greatest Beatles Songs: 58. 'I've Just Seen a Face'" 2761: 2749: 2630: 2628: 2626: 2624: 2622: 2620: 1365: 815:, the song consists of two backing tracks. On the first, 778: 6539: 5809:

British Invasion: The Crosscurrents of Musical Influence

5228:

A Day in the Life: The Music and Artistry of the Beatles

4625:

The Beatles Diary Volume 2: After The Break-Up 1970–2001

4268: 4266: 4146: 4108: 4106: 4104: 4102: 3828: 3764: 3762: 3480: 3274: 3272: 2713: 6378:(2021). "On the Record! (Dis)Covering the Beatles". In 5937:

Fab Four FAQ: Everything Left to Know About the Beatles

4432: 4430: 4428: 4426: 4424: 4422: 4420: 4278: 4251: 3899: 3897: 3895: 3893: 3891: 3703: 3001: 2937: 2935: 2933: 2884: 2882: 2703: 2701: 2665: 2655: 2653: 2651: 2649: 2647: 2645: 2643: 2246: 2207: 1374:. The performance was later included on his 1991 album 4338: 4326: 4302: 4131:, p. 117: "What Goes On" being country inflected. 4036: 4024: 3691: 3326: 3284: 3032: 3022: 3020: 3018: 3016: 2989: 2737: 2686: 2617: 1119: 5730:

and the diverging aesthetics of Lennon and McCartney"

5098:

All the Songs: The Story Behind Every Beatles Release

4263: 4239: 4188: 4158: 4134: 4099: 3796: 3759: 3747: 3269: 3217: 2301: 2299: 2297: 2291:, p. 200: uptempo country and western-inflected. 263:. The Beatles completed the track on 14 June 1965 at 5863:

Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980

5072:

Can't Buy Me Love: The Beatles, Britain, and America

4417: 3888: 3876: 3648: 2930: 2906: 2894: 2879: 2773: 2698: 2640: 969:

On 18 June, Martin and Smith mixed several songs on

514:

total; the twelve-measure verses use the common pop

5884:

Revolver: How the Beatles Re-Imagined Rock 'n' Roll

3909: 3492: 3013: 6311: 6220: 6197: 6167: 6094: 6067: 6002: 5972: 5934: 5907: 5881: 5835: 5770: 5702: 5630: 5575: 5517: 5490:The Beatles – All These Years, Volume One: Tune In 5487: 5460: 5433: 5377: 5337: 5307: 5277: 5225: 5199:Bluegrass, Newgrass, Old-Time, and Americana Music 5069: 4854: 4824: 4797: 4711: 4684: 3452: 2294: 1632:and co-produced by Peter K. Siegel, recording for 1181:groups it with "Yesterday", "It's Only Love" and " 942:Employing a technique used extensively during the 5095:Guesdon, Jean-Michel; Margotin, Philippe (2013). 4918:The Beatles as Musicians: The Quarry Men through 4709: 4488:Across the Universe [Original Soundtrack] 4356: 3530: 3390: 2508: 2480: 1850:-inspired version of the song for his 1976 album 1773:, mandolinist for the progressive bluegrass band 363:are among the other artists who have covered it. 6957: 6200:Turn! Turn! Turn!: The '60s Folk-Rock Revolution 1792:Let Us in Americana: The Music of Paul McCartney 808:calls it "McCartney's famous marathon session". 479:intro. Split into three phrases, the intro uses 378:wrote the song in the basement music room of 57 224:. It was released in August 1965 on their album 6452:Paul McCartney – I've Just Seen a Face (Live / 6437:Paul McCartney – I've Just Seen A Face (Live / 5094: 4579: 4559: 3211: 3179: 3077: 2400: 2380: 1881:, the version reached number seven on Canada's 4710:Castleman, Harry; Podrazik, Walter J. (1976). 2790: 2788: 1676:, rolling banjo figures, and intricate, often 685:The lyrics are constructed using an irregular 6555: 6353:The Beatles Encyclopedia: Everything Fab Four 6252:and the Beatles: It was Forty Years Ago Today 5932: 5737:and the Beatles: It was Forty Years Ago Today 5604:The Beatles Diary Volume 1: The Beatles Years 4479: 4477: 3081: 2361: 2325: 2268: 858:The band taped the basic track in six takes, 366: 6502:Saturday Night Live 40th Anniversary Special 1970: – lead and harmony vocals, 1408: 1393:Saturday Night Live 40th Anniversary Special 6218: 6192: 5842:(Revised and Updated ed.). Cambridge: 5785:The Beatles: Ten Years that Shook the World 5723: 5700: 5655: 4363:, p. 213: orchestral, easy listening; 4296: 3870: 3598: 3594: 3578: 3242:, p. 79: twelve-string acoustic solo; 2828: 2785: 2767: 2755: 2680: 2676: 2573: 2571: 2569: 2567: 2565: 2563: 2561: 2559: 2557: 882:". Adding texture normally achieved with a 6562: 6548: 5280:1965: The Most Revolutionary Year in Music 5220: 4474: 3858: 3073: 2555: 2553: 2551: 2549: 2547: 2545: 2543: 2541: 2539: 2537: 2411:, p. 320: Asher possible inspiration. 2396: 1680:fiddle motifs that permeate the texture." 1307: 6986:Song recordings produced by George Martin 6037: 5997: 5902: 5879: 5860: 5512: 4575: 4555: 4360: 4006: 4002: 3990: 3975: 3963: 3959: 3931: 3846: 3834: 3660: 3590: 3550: 3486: 3470: 3430: 3350: 3171: 3151: 2869: 2719: 2611: 2524: 2496: 2392: 2224: 1979: – acoustic rhythm guitar 1907:. In the film, the lead character, Jude ( 1729:Beatles". The progressive bluegrass band 1096:" and was followed by the acoustic song " 853: 467:"I've Just Seen a Face" is in the key of 267:in London on the same day they recorded " 244:partnership. The song is a cheerful love 6126:: A Bluegrass 'Concept Album' from 1966" 5933:Shea, Stuart; Rodriguez, Robert (2007). 5765: 5485: 5458: 5428: 5162: 5002: 4849: 4736: 4517:"The 50 Best Beatles Covers of All Time" 4284: 4128: 4070: 3712: 3622: 3614: 3554: 3426: 3406: 3332: 3087: 3069: 3057: 3053: 3041: 3007: 2959: 2432: 2395:, p. 155: fast-paced lyrics added; 2345: 2124:contrasts with three overdubbed guitars. 1712: 1311: 1185:" as songs recorded near the end of the 370: 6070:Fab: An Intimate Life of Paul McCartney 5436:The Complete Beatles Recording Sessions 5275: 5027: 4977: 4942: 4914: 4879: 4822: 4792: 4658:and the Transformation of Rock and Roll 4514: 4364: 4257: 3822: 3697: 3638: 3514: 3414: 3344: 3302: 3290: 3278: 3239: 3235: 3207: 3191: 3174:, p. 155: Starr on brushed snare; 3167: 3093: 2995: 2965: 2953: 2924: 2794: 2743: 2731: 2692: 2634: 2607: 2577: 2534: 2528: 2420: 2284: 2108:The effect appears on their covers of " 1945:and the Beatles – for their 2009 album 6958: 6374: 6346: 6318:The Cambridge Companion to the Beatles 6306: 6241: 6174:(New and Updated ed.). New York: 6162: 6119: 6092: 6062: 5625: 5344:The Cambridge Companion to the Beatles 5332: 5302: 5250: 5195: 5119: 4764: 4679: 4621: 4599: 4539: 4529:from the original on 25 February 2021. 4411: 4369:George Martin & His Orchestra Play 4344: 4332: 4320: 4308: 4272: 4245: 4176: 4164: 4152: 4140: 4124: 4112: 4058: 4054: 4042: 4030: 4018: 3947: 3943: 3927: 3818: 3802: 3768: 3753: 3743:from the original on 25 February 2021. 3574: 3558: 3546: 3534: 3521:, p. 83: before "Norwegian Wood". 3518: 3510: 3446: 3394: 3195: 3175: 3155: 3123: 2912: 2779: 2707: 2512: 2484: 2464: 2408: 2404: 2357: 2341: 2337: 2321: 2317: 2280: 1818:George Martin & His Orchestra Play 1400:played an impromptu duet of the song. 1384:, and it was included on the 2005 DVD 958:. Pollack characterises the solo as a 6908:Sgt. Pepper's Lonely Hearts Club Band 6543: 6478:Hank Crawford – I've Just Seen a Face 5963: 5830: 5805: 5600: 5570: 5542: 5404: 5122:"Bluegrass Records: A Review Article" 5067: 4857:Desperados: The Roots of Country Rock 4654:'Every Sound There Is': The Beatles' 4563: 4543: 4436: 4383:"George Martin & His Orchestra – 4374: 4235:from the original on 4 February 2017. 4093: 3903: 3882: 3814: 3724: 3654: 3642: 3634: 3618: 3602: 3570: 3498: 3474: 3458: 3442: 3410: 3259: 3247: 3105:from the original on 30 November 2020 2941: 2900: 2888: 2873: 2841: 2839: 2837: 2800:"The Beatles – I've Just Seen a Face" 2659: 2468: 2452: 2448: 2436: 2399:, p. 132: cheerful love ballad; 2305: 2288: 2264: 2252: 2240: 2236: 921:Another acoustic guitar plays during 679:Sgt. Pepper's Lonely Hearts Club Band 390:Although the song is credited to the 6467:The Dillards – I've Just Seen a Face 6281: 5103:Black Dog & Leventhal Publishers 4646: 4583: 4483: 4222: 4212:from the original on 4 January 2022. 3666: 3372:from the original on 19 October 2021 3356: 3314:from the original on 19 October 2021 3263: 3243: 3223: 3026: 2977:from the original on 20 October 2021 1887:Top Singles Chart in November 1997. 1867:covered the song for her 1997 album 1830:recorded a cover for his 1993 album 1636:took place in September 1966 at the 1098:Norwegian Wood (This Bird Has Flown) 5578:Paul McCartney: Many Years from Now 5372: 4083:from the original on 15 April 2021. 3915: 1708: 1120:Retrospective assessment and legacy 571:describes the song on the whole as 310:" on the North American version of 13: 6489:Holly Cole – I've Just Seen a Face 5382:. In Sawyers, June Skinner (ed.). 4961:State University of New York Press 4515:Jackson, Josh (17 November 2010). 4071:Blistein, Jon (16 February 2015). 3792:from the original on 28 July 2021. 2859:from the original on 13 July 2021. 2834: 2583:"Notes on 'I've Just Seen a Face'" 1737:and the North American release of 1148:also disparages McCartney's other 895: 14: 7012: 6996:Songs written by Lennon–McCartney 6991:Songs published by Northern Songs 6618:You've Got to Hide Your Love Away 6424: 6227:. San Francisco: Backbeat Books. 6204:. San Francisco: Backbeat Books. 6017:The New Rolling Stone Album Guide 4496:from the original on 25 July 2021 4393:from the original on 5 April 2017 3679:from the original on 21 July 2021 3141:from the original on 2 July 2021. 2589:from the original on 12 June 2021 1403: 954:and the French jazz organisation 870:backing during the refrains in a 6454:Unplugged (The Official Bootleg) 6313:"Beatles Discography, 1962–1970" 5705:The Beatles: A Musical Evolution 5379:"'Toppermost of the Poppermost'" 5006:The Beatles: Image and the Media 4827:The Art and Music of John Lennon 4647:Baur, Steven (2017). "Ringo and 4569: 4549: 4533: 4508: 4442: 4380: 4350: 4216: 4192:Review Panel (3 December 1966). 4182: 4118: 4064: 4048: 3996: 3953: 3937: 3921: 3308:"Notes on 'I'll Follow the Sun'" 3250:, p. 278: solo by Harrison. 2172: 2146:When the Beatles' catalogue was 1806: 1377:Unplugged (The Official Bootleg) 1316:McCartney performing during the 933:Problems playing this file? See 911: 773:Having completed the filming of 754: 746: 738: 730: 722: 714: 562:on "I've Just Seen a Face", 1993 29: 5662:and the Social Dance Tradition" 5011:University Press of Mississippi 3808: 3774: 3725:Ewing, Tom (8 September 2009). 3718: 3628: 3608: 3584: 3564: 3540: 3524: 3504: 3464: 3436: 3420: 3400: 3384: 3296: 3253: 3229: 3201: 3185: 3161: 3145: 3117: 3063: 3047: 2863: 2601: 2518: 2502: 2474: 2458: 2442: 2426: 2386: 2163: 2140: 2127: 2102: 2092: 2079: 2069: 2059: 2030: 2011: 1994: – drums (with 789:producing with assistance from 689:, using both run-on verses and 6639:You're Going to Lose That Girl 5276:Jackson, Andrew Grant (2015). 5254:The Rough Guide to the Beatles 4223:Paul, John (12 October 2016). 4021:, pp. 961–962, 1203–1204. 3782:"10 Great Early Beatles Songs" 3513:, p. 235: Memphis sound; 3214:, p. 248: Epiphone Texan. 3182:, p. 248: Epiphone Texan. 3129:"Decline, Fall, Rinse, Repeat" 2351: 2331: 2311: 2274: 2258: 2230: 2021:", released on the 1976 album 813:four-track recording equipment 537:..."), and the inclusion of a 475:). The song begins with a ten 457: 439:comments that, since writing " 323:appear on the 1976 live album 240:, the song is credited to the 1: 6330:10.1017/CCOL9780521869652.017 6246:". In Julien, Olivier (ed.). 6021:Fireside/Simon & Schuster 5888:. Montclair: Backbeat Books. 5414:. Milwaukee: Backbeat Books. 5356:10.1017/CCOL9780521869652.015 5003:Frontani, Michael R. (2007). 4450:"Top RPM Singles: Issue 3389" 4357:Castleman & Podrazik 1976 3531:Castleman & Podrazik 1976 3391:Castleman & Podrazik 1976 3198:, p. 484: Gibson J-160E. 2614:, pp. 155, 495: A major. 2509:Castleman & Podrazik 1976 2481:Castleman & Podrazik 1976 2423:, pp. 280, 296, 304–305. 2287:, p. 299: melody first; 2196: 2148:remastered for stereo in 2009 1355:and in the 1980 concert film 1249:describes the North American 1103:Released on 6 December 1965, 763: 491:". The song's first chord is 329:and in the 1980 concert film 255:The song began as an uptempo 6219:Unterberger, Richie (2003). 5865:. New York: Backbeat Books. 5732:. In Julien, Olivier (ed.). 5724:O'Grady, Terence J. (2008). 5701:O'Grady, Terence J. (1983). 5656:O'Grady, Terence J. (1979). 5342:. In Womack, Kenneth (ed.). 5127:Journal of American Folklore 3364:The Beatles: Stereo Box Set 2201: 1985: – acoustic 1954: 1387:Paul McCartney in Red Square 768: 7: 6971:British country music songs 6146:10.1057/978-1-137-57013-0_5 5524:(Third ed.). Chicago: 4580:Guesdon & Margotin 2013 4560:Guesdon & Margotin 2013 4460:Library and Archives Canada 4359:, p. 278: 1965 album; 3212:Guesdon & Margotin 2013 3180:Guesdon & Margotin 2013 3078:Guesdon & Margotin 2013 2971:"Notes on 'It's Only Love'" 2483:, pp. 34, 40, 46, 47; 2401:Guesdon & Margotin 2013 2381:Guesdon & Margotin 2013 2024:Wings at the Speed of Sound 1781:for their 1981 live album, 781:'s Studio Two (now part of 664:Got to Get You into My Life 216:" is a song by the English 10: 7017: 6390:Cambridge University Press 6322:Cambridge University Press 6019:(4th ed.). New York: 5880:Rodriguez, Robert (2012). 5861:Rodriguez, Robert (2010). 5348:Cambridge University Press 4886:The Beatles as Musicians: 4592: 4484:Erlewine, Stephen Thomas. 3667:Erlewine, Stephen Thomas. 3194:, p. 299: personnel; 2178:The other picks included " 1838:, the alto saxophonist of 1749:traditional mountain music 1703:Joe Val Bluegrass Festival 1206:era. McCartney biographer 1026:North American version of 1003: 705:are wordless, using vocal 521:, while the eight-measure 367:Background and inspiration 319:, and versions from their 248:, its lyrics discussing a 6846: 6822: 6801: 6783: 6751: 6719: 6655: 6595: 6588: 6579: 6569: 6398:10.1017/9781108296939.024 5639:Little, Brown and Company 5549:The Beatles' Second Album 3930:, pp. 165, 182–183; 3082:Shea & Rodriguez 2007 2610:, p. 299: cut time; 2362:Shea & Rodriguez 2007 2326:Shea & Rodriguez 2007 2269:Shea & Rodriguez 2007 2243:, p. 200: McCartney. 2184:The Long and Winding Road 1593:Charles River Valley Boys 1581: 1568: 1563: 1559: 1538: 1524: 1512: 1496: 1484: 1471: 1456: 1441: 1431: 1426:Charles River Valley Boys 1420: 1415: 1409:Charles River Valley Boys 1330:Wings Over the World tour 1318:Wings Over the World tour 1286:Crosby, Stills & Nash 1079:the Mamas & the Papas 645: 495:, slightly away from the 394:songwriting partnership, 337:Charles River Valley Boys 206: 193: 188: 184: 170: 156: 144: 128: 108: 95: 80: 65: 55: 44: 28: 23: 5814:Rowman & Littlefield 5633:Paul McCartney: The Life 5459:Lewisohn, Mark (2000) . 5257:(3rd ed.). London: 5171:Harvard University Press 5068:Gould, Jonathan (2007). 4978:Everett, Walter (2009). 4943:Everett, Walter (2006). 4915:Everett, Walter (2001). 3861:, pp. 127, 132–133. 3358:Erlewine, Stephen Thomas 2005: 1648:it from the key of A to 1589:Cambridge, Massachusetts 545: 462: 16:1965 song by the Beatles 6976:British folk rock songs 6830:The Beatles discography 6265:10.4324/9781315608532-7 6093:Trager, Oliver (1997). 6038:Sheffield, Rob (2017). 5749:10.4324/9781315608532-3 5486:Lewisohn, Mark (2013). 5163:Hamilton, Jack (2016). 4986:Oxford University Press 4926:Oxford University Press 4898:Oxford University Press 4823:Doggett, Peter (2005). 4096:, pp. 30, 54, 169. 3347:, pp. 304, 408n84. 3238:, pp. 61, 346 and 2348:, pp. 10, 25, 906. 2239:, p. 195: Lennon; 2036:The four A-sides were " 1571:"I've Just Seen A Face" 1416:"I've Just Seen a Face" 1308:McCartney live versions 1280:Sweetheart of the Rodeo 1134:Stephen Thomas Erlewine 601:I'm Looking Through You 583:rave-up". Musicologist 425:' second feature film, 196:"I've Just Seen A Face" 69:6 August 1965 24:"I've Just Seen a Face" 6981:British pop rock songs 6385:The Beatles in Context 6282:Winn, John C. (2008). 6120:Turner, Laura (2016). 5251:Ingham, Chris (2009). 5196:Harris, Craig (2018). 5120:Hambly, Scott (1976). 4661:. Abingdon-on-Thames: 4622:Badman, Keith (2001). 2283:, p. 320: piano; 1963:, except where noted: 1948:Masterful Mystery Tour 1747:. Joining elements of 1725: 1390:. In 2015, during the 1321: 900: 854:Overdubbing and mixing 555: 387: 236:. Written and sung by 84:14 June 1965 6838:(George Martin album) 6760:If You've Got Trouble 6692:I've Just Seen a Face 5806:Philo, Simon (2014). 5776:Period of adjustment" 5601:Miles, Barry (2001). 5179:10.4159/9780674973541 5051:10.5040/9781501397400 5043:Bloomsbury Publishing 5028:Fusilli, Jim (2005). 3601:, pp. 79–80 and 3099:"Notes on 'I'm Down'" 3080:, pp. 248, 266; 2451:, pp. 197, 198; 2052:" The pair co-wrote " 1911:), sings about Lucy ( 1716: 1315: 1230:... and How to Get It 1105:Capitol's version of 1071:Simon & Garfunkel 899: 587:describes it as both 550: 499:, and is similar to " 374: 214:I've Just Seen a Face 6915:Magical Mystery Tour 6685:Tell Me What You See 6678:You Like Me Too Much 6392:. pp. 230–244. 6324:. pp. 286–293. 6103:Simon & Schuster 5981:St. Martin's Griffin 5791:. pp. 176–177. 5526:Chicago Review Press 5390:. pp. 322–326. 5350:. pp. 230–254. 5286:Macmillan Publishers 4693:Simon & Schuster 4665:. pp. 171–182. 4414:, pp. 209, 269. 3788:. 12 February 2014. 3645:, pp. 122, 177. 3429:, pp. 53, 116; 3310:. soundscapes.info. 3127:(5 September 2011). 3101:. soundscapes.info. 2973:. soundscapes.info. 2956:, pp. 299, 303. 2734:, pp. 299, 337. 2585:. soundscapes.info. 2499:, pp. 132, 155. 2267:, pp. 103–104; 2186:", "Yesterday" and " 1987:twelve-string guitar 1642:Nashville, Tennessee 1075:The Sound of Silence 825:twelve-string guitar 823:Hootenanny acoustic 656:Tell Me What You See 6194:Unterberger, Richie 5910:The Beatles Forever 5904:Schaffner, Nicholas 4863:Cooper Square Press 4486:"Various Artists – 4385:George Martin Plays 3966:, pp. 172–173. 3934:, pp. 63, 173. 3449:, pp. 233–234. 3417:, pp. 304–305. 2796:Unterberger, Richie 2455:, pp. 204–205. 2255:, pp. 107–108. 2157:The Beatles in Mono 2135:I'll Follow the Sun 1972:nylon-string guitar 1900:Across the Universe 1460:September 1966 1271:Buffalo Springfield 1242:Catch Us If You Can 1012:label released the 886:, Starr overdubbed 866:vocal, providing a 832:nylon-string guitar 652:love at first sight 597:Mother Nature's Son 539:melodic minor third 510:The song uses four 416:country and western 257:country and western 250:love at first sight 119:country and western 6873:A Hard Day's Night 6852:The Beatles albums 6809:1965 European tour 6500:Hosts Monologue – 6439:Wings over America 6290:Three Rivers Press 6259:. pp. 75–90. 6257:Ashgate Publishing 6140:. pp. 77–94. 6138:Palgrave Macmillan 6023:. pp. 51–54. 5789:Dorling Kindersley 5743:. pp. 23–32. 5741:Ashgate Publishing 5709:. Boston: Twayne. 5496:Three Rivers Press 5204:Arcadia Publishing 5078:Three Rivers Press 4963:. pp. 71–94. 4681:Carlin, Peter Ames 4323:, pp. 78, 84. 4179:, pp. 79, 88. 3825:, p. 403n137. 3597:, pp. 87–88; 3246:, p. 324 and 3178:, p. 484 and 2927:, p. 403n137. 2810:on 15 October 2014 2407:, p. 196 and 2116:", as well as on " 2038:A Hard Day's Night 1873:. Released with a 1757:pedal steel guitar 1726: 1445:November 1966 1396:, he and musician 1352:Wings over America 1342:Nicholas Schaffner 1322: 1083:California Dreamin 1067:Mr. Tambourine Man 1055:Eve of Destruction 901: 783:Abbey Road Studios 623:A Hard Day's Night 608:Richie Unterberger 489:We Can Work It Out 388: 326:Wings over America 321:1975–76 world tour 7001:The Beatles songs 6953: 6952: 6715: 6714: 6407:978-1-108-40952-0 6367:978-0-313-39171-2 6356:. Santa Barbara: 6339:978-0-521-68976-2 6299:978-0-307-45157-6 6274:978-0-7546-6708-7 6185:978-0-06-084409-7 6155:978-1-137-57013-0 6112:978-0-684-81402-5 6085:978-0-00-723705-0 6055:978-0-06-220765-4 5956:978-1-4234-2138-2 5947:Hal Leonard Books 5895:978-1-61713-009-0 5872:978-0-87930-968-8 5853:978-0-306-81120-3 5823:978-0-8108-8627-8 5758:978-0-7546-6708-7 5648:978-0-316-32796-1 5618:978-0-7119-8308-3 5563:978-1-59486-426-1 5535:978-1-55652-733-3 5505:978-1-101-90329-2 5451:978-0-600-63561-1 5421:978-1-61713-573-6 5397:978-0-14-303732-3 5365:978-0-521-68976-2 5295:978-1-4668-6497-9 5268:978-1-84836-525-4 5213:978-1-4556-2402-7 5188:978-0-674-97356-5 5112:978-1-57912-952-1 5087:978-0-307-35338-2 5060:978-1-4411-1266-8 5020:978-1-57806-966-8 4995:978-0-19-531024-5 4935:978-0-19-514105-4 4907:978-0-19-512941-0 4872:978-1-4616-0733-5 4842:978-1-84449-954-0 4785:978-0-09-195863-3 4757:978-0-313-34587-6 4746:. Santa Barbara: 4702:978-1-4165-6223-8 4672:978-1-351-21868-9 4155:, pp. 84–86. 3849:, pp. 15–16. 3641:, p. 78 and 3433:, pp. 24–25. 2855:. 10 April 2020. 2110:Dizzy, Miss Lizzy 2054:Eight Days a Week 1801:... And Yesterday 1775:New Grass Revival 1761:the Grateful Dead 1718:New Grass Revival 1683:Elektra released 1630:Paul A. Rothchild 1585: 1584: 1549:Paul A. Rothchild 1368:for their series 1208:Peter Ames Carlin 1162:Greenwich Village 916: 516:chord progression 441:Can't Buy Me Love 345:New Grass Revival 210: 209: 7008: 6929:Yellow Submarine 6880:Beatles for Sale 6866:With the Beatles 6859:Please Please Me 6823:Related articles 6767:That Means a Lot 6720:Non-album tracks 6706:Dizzy Miss Lizzy 6611:The Night Before 6593: 6592: 6564: 6557: 6550: 6541: 6540: 6531: 6516: 6505: 6490: 6479: 6468: 6457: 6442: 6419: 6371: 6343: 6315: 6303: 6278: 6238: 6226: 6215: 6203: 6189: 6173: 6159: 6116: 6100: 6089: 6073: 6059: 6034: 6013:Hoard, Christian 6009:Brackett, Nathan 6006: 5994: 5978: 5969:Golson, G. Barry 5960: 5944: 5940: 5929: 5913: 5899: 5887: 5876: 5857: 5841: 5827: 5802: 5778: 5767:Petridis, Alexis 5762: 5720: 5708: 5697: 5652: 5636: 5622: 5597: 5581: 5567: 5539: 5523: 5509: 5493: 5482: 5466: 5455: 5439: 5425: 5401: 5381: 5369: 5341: 5329: 5313: 5299: 5283: 5272: 5247: 5231: 5222:Hertsgaard, Mark 5217: 5192: 5159: 5134:(354): 501–511. 5116: 5091: 5075: 5064: 5031:The Beach Boys' 5024: 4999: 4974: 4939: 4911: 4876: 4860: 4846: 4830: 4819: 4803: 4789: 4776:Ebury Publishing 4771:The Beatles Book 4761: 4733: 4720:Ballantine Books 4717: 4706: 4690: 4676: 4643: 4618: 4587: 4586:, p. 182n5. 4573: 4567: 4553: 4547: 4537: 4531: 4530: 4512: 4506: 4505: 4503: 4501: 4481: 4472: 4471: 4469: 4467: 4446: 4440: 4434: 4415: 4409: 4403: 4402: 4400: 4398: 4378: 4372: 4354: 4348: 4342: 4336: 4330: 4324: 4318: 4312: 4306: 4300: 4297:Unterberger 2003 4294: 4288: 4282: 4276: 4270: 4261: 4255: 4249: 4243: 4237: 4236: 4229:Spectrum Culture 4220: 4214: 4213: 4211: 4198: 4186: 4180: 4174: 4168: 4162: 4156: 4150: 4144: 4138: 4132: 4122: 4116: 4110: 4097: 4091: 4085: 4084: 4068: 4062: 4052: 4046: 4040: 4034: 4028: 4022: 4016: 4010: 4000: 3994: 3988: 3979: 3973: 3967: 3957: 3951: 3941: 3935: 3925: 3919: 3913: 3907: 3901: 3886: 3880: 3874: 3871:Unterberger 2002 3868: 3862: 3856: 3850: 3844: 3838: 3832: 3826: 3812: 3806: 3800: 3794: 3793: 3778: 3772: 3766: 3757: 3751: 3745: 3744: 3722: 3716: 3710: 3701: 3695: 3689: 3688: 3686: 3684: 3664: 3658: 3652: 3646: 3632: 3626: 3612: 3606: 3588: 3582: 3579:Unterberger 2002 3568: 3562: 3544: 3538: 3528: 3522: 3508: 3502: 3496: 3490: 3484: 3478: 3468: 3462: 3456: 3450: 3440: 3434: 3424: 3418: 3404: 3398: 3388: 3382: 3381: 3379: 3377: 3354: 3348: 3342: 3336: 3330: 3324: 3323: 3321: 3319: 3304:Pollack, Alan W. 3300: 3294: 3288: 3282: 3276: 3267: 3257: 3251: 3233: 3227: 3226:, p. 182n5. 3221: 3215: 3205: 3199: 3189: 3183: 3165: 3159: 3149: 3143: 3142: 3121: 3115: 3114: 3112: 3110: 3095:Pollack, Alan W. 3091: 3085: 3067: 3061: 3051: 3045: 3039: 3030: 3024: 3011: 3005: 2999: 2993: 2987: 2986: 2984: 2982: 2967:Pollack, Alan W. 2963: 2957: 2951: 2945: 2939: 2928: 2922: 2916: 2910: 2904: 2898: 2892: 2886: 2877: 2867: 2861: 2860: 2843: 2832: 2829:Unterberger 2002 2826: 2820: 2819: 2817: 2815: 2806:. Archived from 2792: 2783: 2777: 2771: 2765: 2759: 2753: 2747: 2741: 2735: 2729: 2723: 2717: 2711: 2705: 2696: 2690: 2684: 2674: 2663: 2657: 2638: 2632: 2615: 2605: 2599: 2598: 2596: 2594: 2579:Pollack, Alan W. 2575: 2532: 2522: 2516: 2506: 2500: 2494: 2488: 2478: 2472: 2462: 2456: 2446: 2440: 2430: 2424: 2418: 2412: 2390: 2384: 2378: 2365: 2355: 2349: 2335: 2329: 2315: 2309: 2303: 2292: 2278: 2272: 2262: 2256: 2250: 2244: 2234: 2228: 2222: 2191: 2176: 2170: 2167: 2161: 2144: 2138: 2131: 2125: 2106: 2100: 2096: 2090: 2083: 2077: 2073: 2067: 2063: 2057: 2034: 2028: 2015: 1918:American singer 1913:Evan Rachel Wood 1905:soundtrack album 1800: 1744:Wheatstraw Suite 1709:Bluegrass groups 1698:Spectrum Culture 1638:Columbia Studios 1620: 1572: 1543: 1533:Lennon–McCartney 1529: 1508: 1507: 1503: 1467: 1465: 1452: 1450: 1413: 1412: 1348: 1339: 1260: 1255: 1229: 1159: 1138:The Night Before 1087: 1043:Sonny & Cher 991: 961: 952:Django Reinhardt 918: 917: 898: 827:, McCartney his 791:balance engineer 759: 758: 751: 750: 743: 742: 735: 734: 727: 726: 719: 718: 696: 660:You Won't See Me 618:I'll Cry Instead 613:Beatles for Sale 563: 536: 392:Lennon–McCartney 242:Lennon–McCartney 197: 175: 165:Lennon–McCartney 161: 140: 139: 135: 91: 89: 76: 74: 33: 21: 20: 7016: 7015: 7011: 7010: 7009: 7007: 7006: 7005: 6956: 6955: 6954: 6949: 6948: 6842: 6818: 6797: 6779: 6747: 6711: 6651: 6584: 6575: 6568: 6525: 6514: 6499: 6488: 6477: 6466: 6451: 6436: 6427: 6422: 6408: 6380:Womack, Kenneth 6368: 6348:Womack, Kenneth 6340: 6308:Womack, Kenneth 6300: 6275: 6235: 6212: 6186: 6156: 6130:Womack, Kenneth 6113: 6086: 6056: 6031: 5991: 5957: 5938: 5926: 5896: 5873: 5854: 5824: 5799: 5759: 5717: 5666:Ethnomusicology 5649: 5619: 5594: 5564: 5536: 5506: 5479: 5452: 5422: 5398: 5366: 5326: 5296: 5269: 5244: 5234:Delacorte Press 5214: 5189: 5113: 5088: 5061: 5021: 4996: 4971: 4949:Womack, Kenneth 4936: 4908: 4881:Everett, Walter 4873: 4843: 4816: 4786: 4758: 4738:Courrier, Kevin 4730: 4703: 4673: 4640: 4615: 4595: 4590: 4582:, p. 248; 4578:, p. 155; 4574: 4570: 4562:, p. 248; 4558:, p. 155; 4554: 4550: 4542:, p. 484; 4538: 4534: 4513: 4509: 4499: 4497: 4482: 4475: 4465: 4463: 4448: 4447: 4443: 4435: 4418: 4410: 4406: 4396: 4394: 4379: 4375: 4367:, p. 299: 4355: 4351: 4343: 4339: 4331: 4327: 4319: 4315: 4307: 4303: 4295: 4291: 4283: 4279: 4271: 4264: 4256: 4252: 4244: 4240: 4221: 4217: 4209: 4196: 4194:"Album Reviews" 4187: 4183: 4175: 4171: 4163: 4159: 4151: 4147: 4139: 4135: 4123: 4119: 4111: 4100: 4092: 4088: 4069: 4065: 4057:, p. 111; 4053: 4049: 4041: 4037: 4029: 4025: 4017: 4013: 4005:, p. 182; 4001: 3997: 3989: 3982: 3974: 3970: 3962:, p. 182; 3958: 3954: 3946:, p. 516; 3942: 3938: 3926: 3922: 3914: 3910: 3902: 3889: 3881: 3877: 3869: 3865: 3859:Hertsgaard 1995 3857: 3853: 3845: 3841: 3833: 3829: 3821:, p. 117; 3817:, p. 148; 3813: 3809: 3801: 3797: 3780: 3779: 3775: 3767: 3760: 3752: 3748: 3723: 3719: 3711: 3704: 3696: 3692: 3682: 3680: 3669:"The Beatles – 3665: 3661: 3653: 3649: 3637:, p. 296; 3633: 3629: 3617:, p. 148; 3613: 3609: 3589: 3585: 3577:, p. 235; 3573:, p. 296; 3569: 3565: 3557:, p. 116; 3549:, p. 235; 3545: 3541: 3529: 3525: 3509: 3505: 3497: 3493: 3485: 3481: 3473:, p. 156; 3469: 3465: 3457: 3453: 3445:, p. 206; 3441: 3437: 3425: 3421: 3413:, p. 203; 3405: 3401: 3389: 3385: 3375: 3373: 3362:"The Beatles – 3355: 3351: 3343: 3339: 3331: 3327: 3317: 3315: 3301: 3297: 3289: 3285: 3277: 3270: 3262:, p. 278; 3258: 3254: 3234: 3230: 3222: 3218: 3206: 3202: 3190: 3186: 3166: 3162: 3150: 3146: 3122: 3118: 3108: 3106: 3092: 3088: 3076:, p. 132; 3074:Hertsgaard 1995 3068: 3064: 3056:, p. 195; 3052: 3048: 3040: 3033: 3025: 3014: 3006: 3002: 2994: 2990: 2980: 2978: 2964: 2960: 2952: 2948: 2940: 2931: 2923: 2919: 2911: 2907: 2899: 2895: 2887: 2880: 2872:, p. 155; 2868: 2864: 2845: 2844: 2835: 2827: 2823: 2813: 2811: 2793: 2786: 2778: 2774: 2766: 2762: 2754: 2750: 2742: 2738: 2730: 2726: 2718: 2714: 2706: 2699: 2691: 2687: 2675: 2666: 2658: 2641: 2633: 2618: 2606: 2602: 2592: 2590: 2576: 2535: 2527:, p. 155; 2523: 2519: 2507: 2503: 2495: 2491: 2479: 2475: 2467:, p. 125; 2463: 2459: 2447: 2443: 2435:, p. 195; 2431: 2427: 2419: 2415: 2403:, p. 248; 2397:Hertsgaard 1995 2391: 2387: 2379: 2368: 2356: 2352: 2340:, p. 484; 2336: 2332: 2316: 2312: 2304: 2295: 2279: 2275: 2263: 2259: 2251: 2247: 2235: 2231: 2223: 2208: 2204: 2199: 2194: 2177: 2173: 2168: 2164: 2145: 2141: 2132: 2128: 2107: 2103: 2097: 2093: 2084: 2080: 2074: 2070: 2064: 2060: 2035: 2031: 2016: 2012: 2008: 1983:George Harrison 1957: 1892:jukebox musical 1870:Dark Dear Heart 1809: 1798: 1789:tribute album, 1711: 1695:online magazine 1618: 1570: 1553:Peter K. Siegel 1539: 1525: 1505: 1501: 1500: 1463: 1461: 1448: 1446: 1432:from the album 1411: 1406: 1382:On the Run tour 1346: 1337: 1310: 1263:Mark Hertsgaard 1258: 1253: 1245:. Music critic 1227: 1223:films, such as 1221:Swinging London 1157: 1146:Alexis Petridis 1122: 1085: 1022:Capitol Records 1006: 989: 959: 940: 939: 931: 929: 928: 927: 926: 923:George Harrison 919: 912: 909: 902: 896: 856: 819:plays Lennon's 817:George Harrison 771: 766: 753: 745: 737: 729: 721: 713: 694: 648: 569:Alan W. Pollack 565: 560:Alan W. Pollack 558:– Musicologist 557: 548: 534: 471:and is in 2/2 ( 465: 460: 369: 195: 171: 157: 137: 133: 132: 87: 85: 72: 70: 56:from the album 40: 17: 12: 11: 5: 7014: 7004: 7003: 6998: 6993: 6988: 6983: 6978: 6973: 6968: 6951: 6950: 6947: 6946: 6939: 6932: 6925: 6918: 6911: 6904: 6897: 6890: 6883: 6876: 6869: 6862: 6855: 6848: 6847: 6844: 6843: 6841: 6840: 6832: 6826: 6824: 6820: 6819: 6817: 6816: 6811: 6805: 6803: 6799: 6798: 6796: 6795: 6787: 6785: 6781: 6780: 6778: 6777: 6770: 6763: 6755: 6753: 6749: 6748: 6746: 6745: 6738: 6731: 6723: 6721: 6717: 6716: 6713: 6712: 6710: 6709: 6702: 6695: 6688: 6681: 6674: 6671:It's Only Love 6667: 6659: 6657: 6653: 6652: 6650: 6649: 6646:Ticket to Ride 6642: 6635: 6628: 6621: 6614: 6607: 6599: 6597: 6590: 6586: 6585: 6580: 6577: 6576: 6567: 6566: 6559: 6552: 6544: 6538: 6537: 6528:The Live Album 6522: 6511: 6496: 6485: 6474: 6463: 6448: 6433: 6426: 6425:External links 6423: 6421: 6420: 6406: 6372: 6366: 6344: 6338: 6310:, ed. (2009). 6304: 6298: 6279: 6273: 6239: 6233: 6216: 6210: 6190: 6184: 6160: 6154: 6124:Beatle Country 6117: 6111: 6090: 6084: 6064:Sounes, Howard 6060: 6054: 6035: 6029: 5999:Sheffield, Rob 5995: 5989: 5961: 5955: 5930: 5924: 5914:. Harrisburg: 5900: 5894: 5877: 5871: 5858: 5852: 5828: 5822: 5803: 5797: 5763: 5757: 5721: 5715: 5698: 5678:10.2307/851340 5653: 5647: 5627:Norman, Philip 5623: 5617: 5598: 5592: 5568: 5562: 5540: 5534: 5514:MacDonald, Ian 5510: 5504: 5483: 5477: 5456: 5450: 5430:Lewisohn, Mark 5426: 5420: 5402: 5396: 5370: 5364: 5330: 5324: 5300: 5294: 5273: 5267: 5248: 5242: 5218: 5212: 5193: 5187: 5160: 5140:10.2307/539307 5117: 5111: 5092: 5086: 5065: 5059: 5025: 5019: 5000: 4994: 4975: 4969: 4953:Davis, Todd F. 4940: 4934: 4912: 4906: 4877: 4871: 4851:Einarson, John 4847: 4841: 4820: 4814: 4794:Doggett, Peter 4790: 4784: 4766:Davies, Hunter 4762: 4756: 4734: 4728: 4707: 4701: 4687:Paul McCartney 4677: 4671: 4644: 4638: 4619: 4613: 4596: 4594: 4591: 4589: 4588: 4576:MacDonald 2007 4568: 4556:MacDonald 2007 4548: 4532: 4507: 4473: 4462:. 17 July 2013 4441: 4416: 4404: 4373: 4361:Schaffner 1977 4349: 4347:, p. 509. 4337: 4335:, p. 242. 4325: 4313: 4311:, p. 244. 4301: 4299:, p. 186. 4289: 4277: 4262: 4260:, p. 306. 4250: 4238: 4215: 4205:. p. 62. 4181: 4169: 4157: 4145: 4133: 4117: 4098: 4086: 4063: 4061:, p. 462. 4047: 4045:, p. 111. 4035: 4033:, p. 459. 4023: 4011: 4007:Rodriguez 2010 4003:Schaffner 1977 3995: 3993:, p. 182. 3991:Schaffner 1977 3980: 3978:, p. 173. 3976:Rodriguez 2010 3968: 3964:Rodriguez 2010 3960:Schaffner 1977 3952: 3936: 3932:Rodriguez 2010 3920: 3918:, p. 326. 3908: 3887: 3875: 3873:, p. 181. 3863: 3851: 3847:Sheffield 2017 3839: 3835:Sheffield 2017 3827: 3807: 3805:, p. 117. 3795: 3773: 3771:, p. 484. 3758: 3756:, p. 129. 3746: 3727:"The Beatles: 3717: 3715:, p. 176. 3702: 3700:, p. 181. 3690: 3659: 3657:, p. 296. 3647: 3627: 3625:, p. 114. 3621:, p. 88; 3607: 3605:, p. 122. 3593:, p. 52: 3591:Sheffield 2004 3583: 3581:, p. 180. 3563: 3561:, p. 794. 3553:, p. 75; 3551:Rodriguez 2012 3539: 3537:, p. 292. 3533:, p. 50; 3523: 3503: 3491: 3489:, p. 154. 3487:MacDonald 2007 3479: 3477:, p. 296. 3471:MacDonald 2007 3463: 3451: 3435: 3431:Rodriguez 2012 3419: 3409:, p. 62; 3399: 3397:, p. 288. 3393:, p. 47; 3383: 3349: 3337: 3325: 3295: 3293:, p. 269. 3283: 3268: 3266:, p. 324. 3252: 3228: 3216: 3200: 3184: 3172:MacDonald 2007 3160: 3158:, p. 162. 3154:, p. 96; 3152:Sheffield 2017 3144: 3134:The New Yorker 3116: 3086: 3084:, p. 285. 3072:, p. 59; 3062: 3046: 3031: 3029:, p. 324. 3012: 3010:, p. 193. 3000: 2998:, p. 303. 2988: 2958: 2946: 2944:, p. 200. 2929: 2917: 2905: 2903:, p. 302. 2893: 2891:, p. 278. 2878: 2876:, p. 278. 2870:MacDonald 2007 2862: 2833: 2831:, p. 272. 2821: 2784: 2772: 2760: 2748: 2746:, p. 186. 2736: 2724: 2722:, p. 156. 2720:MacDonald 2007 2712: 2697: 2695:, p. 228. 2685: 2679:, p. 88; 2664: 2662:, p. 148. 2639: 2637:, p. 299. 2616: 2612:MacDonald 2007 2600: 2533: 2525:MacDonald 2007 2517: 2515:, p. 290. 2511:, p. 45; 2501: 2497:MacDonald 2007 2489: 2487:, p. 286. 2473: 2471:, p. 196. 2457: 2441: 2439:, p. 205. 2425: 2413: 2393:MacDonald 2007 2385: 2383:, p. 248. 2366: 2364:, p. 285. 2360:, p. 83; 2350: 2344:, p. 83; 2330: 2328:, p. 285. 2324:, p. 83; 2320:, p. 97; 2310: 2293: 2273: 2271:, p. 363. 2257: 2245: 2229: 2227:, p. 155. 2225:MacDonald 2007 2205: 2203: 2200: 2198: 2195: 2193: 2192: 2171: 2162: 2139: 2126: 2101: 2091: 2078: 2068: 2058: 2046:Ticket to Ride 2029: 2009: 2007: 2004: 2003: 2002: 1989: 1980: 1974: 1968:Paul McCartney 1961:Walter Everett 1956: 1953: 1920:Brandi Carlile 1895:romantic drama 1828:Tom Constanten 1813:easy listening 1808: 1805: 1783:The Live Album 1710: 1707: 1685:Beatle Country 1678:double-stopped 1634:Beatle Country 1598:Beatle Country 1583: 1582: 1579: 1578: 1566: 1565: 1564:Licensed audio 1561: 1560: 1557: 1556: 1555: 1554: 1551: 1544: 1536: 1535: 1530: 1522: 1521: 1516: 1510: 1509: 1498: 1494: 1493: 1488: 1482: 1481: 1475: 1469: 1468: 1458: 1454: 1453: 1443: 1439: 1438: 1435:Beatle Country 1429: 1428: 1418: 1417: 1410: 1407: 1405: 1404:Cover versions 1402: 1309: 1306: 1294:Jackson Browne 1121: 1118: 1047:I Got You Babe 1039:It's Only Love 1005: 1002: 930: 920: 910: 905: 904: 903: 894: 893: 892: 855: 852: 829:Epiphone Texan 785:) on 14 June, 770: 767: 765: 762: 647: 644: 616:and the song " 585:Walter Everett 549: 547: 544: 464: 461: 459: 456: 408:central London 404:Wimpole Street 400:Paul McCartney 380:Wimpole Street 376:Paul McCartney 368: 365: 361:Brandi Carlile 238:Paul McCartney 208: 207: 204: 203: 191: 190: 189:Licensed audio 186: 185: 182: 181: 176: 168: 167: 162: 154: 153: 148: 142: 141: 130: 126: 125: 112: 106: 105: 99: 93: 92: 82: 78: 77: 67: 63: 62: 53: 52: 42: 41: 37:Northern Songs 34: 26: 25: 15: 9: 6: 4: 3: 2: 7013: 7002: 6999: 6997: 6994: 6992: 6989: 6987: 6984: 6982: 6979: 6977: 6974: 6972: 6969: 6967: 6964: 6963: 6961: 6945: 6944: 6940: 6938: 6937: 6933: 6931: 6930: 6926: 6924: 6923: 6919: 6917: 6916: 6912: 6910: 6909: 6905: 6903: 6902: 6898: 6896: 6895: 6891: 6889: 6888: 6884: 6882: 6881: 6877: 6875: 6874: 6870: 6868: 6867: 6863: 6861: 6860: 6856: 6853: 6850: 6849: 6845: 6839: 6837: 6833: 6831: 6828: 6827: 6825: 6821: 6815: 6812: 6810: 6807: 6806: 6804: 6800: 6794: 6793: 6789: 6788: 6786: 6784:Extended play 6782: 6775: 6771: 6768: 6764: 6761: 6757: 6756: 6754: 6750: 6743: 6739: 6736: 6732: 6729: 6725: 6724: 6722: 6718: 6707: 6703: 6700: 6696: 6693: 6689: 6686: 6682: 6679: 6675: 6672: 6668: 6665: 6664:Act Naturally 6661: 6660: 6658: 6654: 6647: 6643: 6640: 6636: 6633: 6629: 6626: 6622: 6619: 6615: 6612: 6608: 6605: 6601: 6600: 6598: 6594: 6591: 6587: 6583: 6578: 6574: 6573: 6565: 6560: 6558: 6553: 6551: 6546: 6545: 6542: 6536: 6532: 6529: 6523: 6521: 6517: 6512: 6510: 6506: 6503: 6497: 6495: 6491: 6486: 6484: 6480: 6475: 6473: 6469: 6464: 6462: 6458: 6455: 6449: 6447: 6443: 6441:/ Remastered) 6440: 6434: 6432: 6429: 6428: 6417: 6413: 6409: 6403: 6399: 6395: 6391: 6387: 6386: 6381: 6377: 6376:Zolten, Jerry 6373: 6369: 6363: 6359: 6355: 6354: 6349: 6345: 6341: 6335: 6331: 6327: 6323: 6320:. Cambridge: 6319: 6314: 6309: 6305: 6301: 6295: 6291: 6287: 6286: 6280: 6276: 6270: 6266: 6262: 6258: 6255:. Aldershot: 6254: 6253: 6249: 6245: 6240: 6236: 6234:0-87930-743-9 6230: 6225: 6224: 6217: 6213: 6211:0-87930-703-X 6207: 6202: 6201: 6195: 6191: 6187: 6181: 6177: 6176:HarperCollins 6172: 6171: 6165: 6164:Turner, Steve 6161: 6157: 6151: 6147: 6143: 6139: 6135: 6131: 6127: 6125: 6118: 6114: 6108: 6104: 6099: 6098: 6091: 6087: 6081: 6077: 6076:HarperCollins 6072: 6071: 6065: 6061: 6057: 6051: 6047: 6046:HarperCollins 6043: 6042: 6036: 6032: 6030:0-7432-0169-8 6026: 6022: 6018: 6014: 6010: 6005: 6004:"The Beatles" 6000: 5996: 5992: 5990:0-312-25464-4 5986: 5982: 5977: 5976: 5970: 5966: 5962: 5958: 5952: 5948: 5943: 5942: 5941:... and More! 5931: 5927: 5925:0-8117-0225-1 5921: 5917: 5916:Cameron House 5912: 5911: 5905: 5901: 5897: 5891: 5886: 5885: 5878: 5874: 5868: 5864: 5859: 5855: 5849: 5845: 5844:Da Capo Press 5840: 5839: 5833: 5829: 5825: 5819: 5815: 5811: 5810: 5804: 5800: 5798:0-7566-0670-5 5794: 5790: 5786: 5782: 5777: 5775: 5768: 5764: 5760: 5754: 5750: 5746: 5742: 5739:. Aldershot: 5738: 5734: 5731: 5729: 5722: 5718: 5716:0-8057-9453-0 5712: 5707: 5706: 5699: 5695: 5691: 5687: 5683: 5679: 5675: 5671: 5667: 5663: 5661: 5654: 5650: 5644: 5640: 5635: 5634: 5628: 5624: 5620: 5614: 5610: 5609:Omnibus Press 5606: 5605: 5599: 5595: 5593:0-8050-5249-6 5589: 5585: 5580: 5579: 5573: 5569: 5565: 5559: 5555: 5551: 5550: 5545: 5541: 5537: 5531: 5527: 5522: 5521: 5515: 5511: 5507: 5501: 5497: 5492: 5491: 5484: 5480: 5478:0-600-60033-5 5474: 5470: 5465: 5464: 5457: 5453: 5447: 5443: 5442:Harmony Books 5438: 5437: 5431: 5427: 5423: 5417: 5413: 5412: 5407: 5403: 5399: 5393: 5389: 5388:Penguin Books 5385: 5380: 5375: 5371: 5367: 5361: 5357: 5353: 5349: 5346:. Cambridge: 5345: 5340: 5335: 5331: 5327: 5325:0-7148-3203-0 5321: 5317: 5316:Phaidon Press 5312: 5311: 5305: 5304:Kozinn, Allan 5301: 5297: 5291: 5287: 5282: 5281: 5274: 5270: 5264: 5260: 5256: 5255: 5249: 5245: 5243:0-385-31377-2 5239: 5235: 5230: 5229: 5223: 5219: 5215: 5209: 5205: 5201: 5200: 5194: 5190: 5184: 5180: 5176: 5172: 5169:. Cambridge: 5168: 5167: 5161: 5157: 5153: 5149: 5145: 5141: 5137: 5133: 5129: 5128: 5123: 5118: 5114: 5108: 5104: 5100: 5099: 5093: 5089: 5083: 5079: 5074: 5073: 5066: 5062: 5056: 5052: 5048: 5044: 5040: 5036: 5035: 5032: 5026: 5022: 5016: 5012: 5008: 5007: 5001: 4997: 4991: 4987: 4983: 4982: 4976: 4972: 4970:0-7914-6716-3 4966: 4962: 4958: 4954: 4950: 4946: 4941: 4937: 4931: 4927: 4923: 4922: 4919: 4913: 4909: 4903: 4899: 4895: 4894: 4891: 4887: 4882: 4878: 4874: 4868: 4864: 4859: 4858: 4852: 4848: 4844: 4838: 4834: 4833:Omnibus Press 4829: 4828: 4821: 4817: 4815:0-14-200016-7 4811: 4807: 4806:Penguin Books 4802: 4801: 4795: 4791: 4787: 4781: 4777: 4773: 4772: 4767: 4763: 4759: 4753: 4749: 4745: 4744: 4739: 4735: 4731: 4729:0-345-25680-8 4725: 4721: 4716: 4715: 4708: 4704: 4698: 4694: 4689: 4688: 4682: 4678: 4674: 4668: 4664: 4660: 4659: 4655: 4650: 4645: 4641: 4639:0-7119-8307-0 4635: 4631: 4630:Omnibus Press 4627: 4626: 4620: 4616: 4614:0-87930-731-5 4610: 4606: 4602: 4598: 4597: 4585: 4581: 4577: 4572: 4566:, p. 51. 4565: 4561: 4557: 4552: 4546:, p. 55. 4545: 4541: 4536: 4528: 4524: 4523: 4518: 4511: 4495: 4491: 4489: 4480: 4478: 4461: 4457: 4456: 4451: 4445: 4439:, p. 55. 4438: 4433: 4431: 4429: 4427: 4425: 4423: 4421: 4413: 4408: 4392: 4388: 4386: 4381:Eder, Bruce. 4377: 4370: 4366: 4362: 4358: 4353: 4346: 4341: 4334: 4329: 4322: 4317: 4310: 4305: 4298: 4293: 4287:, p. 46. 4286: 4285:Einarson 2001 4281: 4275:, p. 83. 4274: 4269: 4267: 4259: 4254: 4248:, p. 80. 4247: 4242: 4234: 4230: 4226: 4219: 4208: 4204: 4203: 4195: 4191: 4185: 4178: 4173: 4167:, p. 90. 4166: 4161: 4154: 4149: 4143:, p. 87. 4142: 4137: 4130: 4129:Frontani 2007 4126: 4121: 4115:, p. 84. 4114: 4109: 4107: 4105: 4103: 4095: 4090: 4082: 4078: 4077:Rolling Stone 4074: 4067: 4060: 4056: 4051: 4044: 4039: 4032: 4027: 4020: 4015: 4009:, p. 63. 4008: 4004: 3999: 3992: 3987: 3985: 3977: 3972: 3965: 3961: 3956: 3950:, p. 66. 3949: 3945: 3940: 3933: 3929: 3924: 3917: 3912: 3906:, p. 54. 3905: 3900: 3898: 3896: 3894: 3892: 3885:, p. 52. 3884: 3879: 3872: 3867: 3860: 3855: 3848: 3843: 3837:, p. 90. 3836: 3831: 3824: 3820: 3816: 3811: 3804: 3799: 3791: 3787: 3786:Rolling Stone 3783: 3777: 3770: 3765: 3763: 3755: 3750: 3742: 3738: 3737: 3732: 3730: 3721: 3714: 3713:Petridis 2004 3709: 3707: 3699: 3694: 3678: 3674: 3672: 3663: 3656: 3651: 3644: 3640: 3636: 3631: 3624: 3623:Courrier 2009 3620: 3616: 3615:Hamilton 2016 3611: 3604: 3600: 3596: 3592: 3587: 3580: 3576: 3572: 3567: 3560: 3556: 3555:Frontani 2007 3552: 3548: 3543: 3536: 3532: 3527: 3520: 3516: 3512: 3507: 3501:, p. 49. 3500: 3495: 3488: 3483: 3476: 3472: 3467: 3460: 3455: 3448: 3444: 3439: 3432: 3428: 3427:Frontani 2007 3423: 3416: 3412: 3408: 3407:Lewisohn 1988 3403: 3396: 3392: 3387: 3371: 3367: 3365: 3359: 3353: 3346: 3341: 3335:, p. 60. 3334: 3333:Lewisohn 1988 3329: 3313: 3309: 3305: 3299: 3292: 3287: 3281:, p. 79. 3280: 3275: 3273: 3265: 3261: 3256: 3249: 3245: 3241: 3237: 3232: 3225: 3220: 3213: 3209: 3204: 3197: 3193: 3188: 3181: 3177: 3173: 3169: 3164: 3157: 3153: 3148: 3140: 3136: 3135: 3130: 3126: 3120: 3104: 3100: 3096: 3090: 3083: 3079: 3075: 3071: 3070:Lewisohn 1988 3066: 3060:, p. 59. 3059: 3058:Lewisohn 1988 3055: 3054:Lewisohn 2000 3050: 3044:, p. 59. 3043: 3042:Lewisohn 1988 3038: 3036: 3028: 3023: 3021: 3019: 3017: 3009: 3008:Lewisohn 2000 3004: 2997: 2992: 2976: 2972: 2968: 2962: 2955: 2950: 2943: 2938: 2936: 2934: 2926: 2921: 2915:, p. 89. 2914: 2909: 2902: 2897: 2890: 2885: 2883: 2875: 2871: 2866: 2858: 2854: 2853: 2852:Rolling Stone 2848: 2842: 2840: 2838: 2830: 2825: 2809: 2805: 2801: 2797: 2791: 2789: 2782:, p. 34. 2781: 2776: 2770:, p. 89. 2769: 2764: 2758:, p. 24. 2757: 2752: 2745: 2740: 2733: 2728: 2721: 2716: 2710:, p. 85. 2709: 2704: 2702: 2694: 2689: 2683:, p. 80. 2682: 2678: 2673: 2671: 2669: 2661: 2656: 2654: 2652: 2650: 2648: 2646: 2644: 2636: 2631: 2629: 2627: 2625: 2623: 2621: 2613: 2609: 2604: 2588: 2584: 2580: 2574: 2572: 2570: 2568: 2566: 2564: 2562: 2560: 2558: 2556: 2554: 2552: 2550: 2548: 2546: 2544: 2542: 2540: 2538: 2531:, p. 65. 2530: 2526: 2521: 2514: 2510: 2505: 2498: 2493: 2486: 2482: 2477: 2470: 2466: 2461: 2454: 2450: 2445: 2438: 2434: 2433:Lewisohn 2000 2429: 2422: 2417: 2410: 2406: 2402: 2398: 2394: 2389: 2382: 2377: 2375: 2373: 2371: 2363: 2359: 2354: 2347: 2346:Lewisohn 2013 2343: 2339: 2334: 2327: 2323: 2319: 2314: 2308:, p. 51. 2307: 2302: 2300: 2298: 2290: 2286: 2282: 2277: 2270: 2266: 2261: 2254: 2249: 2242: 2238: 2233: 2226: 2221: 2219: 2217: 2215: 2213: 2211: 2206: 2189: 2185: 2181: 2175: 2166: 2159: 2158: 2153: 2149: 2143: 2136: 2130: 2123: 2119: 2115: 2111: 2105: 2095: 2088: 2082: 2072: 2062: 2055: 2051: 2047: 2043: 2039: 2033: 2026: 2025: 2020: 2014: 2010: 2001: 1997: 1993: 1990: 1988: 1984: 1981: 1978: 1975: 1973: 1969: 1966: 1965: 1964: 1962: 1959:According to 1952: 1950: 1949: 1944: 1940: 1936: 1932: 1927: 1926: 1921: 1916: 1914: 1910: 1906: 1902: 1901: 1896: 1893: 1888: 1886: 1885: 1880: 1876: 1872: 1871: 1866: 1862: 1857: 1855: 1854: 1849: 1845: 1842:, recorded a 1841: 1837: 1836:Hank Crawford 1833: 1829: 1825: 1824:Grateful Dead 1821: 1819: 1814: 1807:Other artists 1804: 1802: 1797:Strings Today 1794: 1793: 1788: 1784: 1780: 1776: 1772: 1768: 1766: 1762: 1758: 1754: 1750: 1746: 1745: 1740: 1736: 1732: 1723: 1719: 1715: 1706: 1704: 1699: 1696: 1692: 1691: 1686: 1681: 1679: 1675: 1671: 1667: 1663: 1659: 1655: 1651: 1647: 1643: 1639: 1635: 1631: 1626: 1624: 1616: 1612: 1608: 1604: 1600: 1599: 1594: 1590: 1580: 1577: 1573: 1567: 1562: 1558: 1552: 1550: 1547: 1546: 1545: 1542: 1537: 1534: 1531: 1528: 1527:Songwriter(s) 1523: 1520: 1517: 1515: 1511: 1499: 1495: 1492: 1489: 1487: 1483: 1479: 1476: 1474: 1470: 1459: 1455: 1444: 1440: 1437: 1436: 1430: 1427: 1423: 1419: 1414: 1401: 1399: 1395: 1394: 1389: 1388: 1383: 1379: 1378: 1373: 1372: 1367: 1362: 1360: 1359: 1354: 1353: 1343: 1335: 1331: 1327: 1319: 1314: 1305: 1303: 1299: 1295: 1291: 1287: 1283: 1281: 1276: 1272: 1266: 1264: 1257:'Drive My Car 1252: 1248: 1247:Rob Sheffield 1244: 1243: 1238: 1237: 1232: 1231: 1222: 1218: 1213: 1209: 1205: 1201: 1200: 1199:Rolling Stone 1194: 1192: 1188: 1184: 1180: 1176: 1175: 1169: 1167: 1163: 1156: 1151: 1147: 1143: 1139: 1135: 1131: 1127: 1117: 1114: 1109: 1108: 1101: 1099: 1095: 1091: 1090:Memphis sound 1084: 1080: 1076: 1072: 1068: 1064: 1060: 1056: 1052: 1051:Barry McGuire 1048: 1044: 1040: 1036: 1035: 1030: 1029: 1023: 1018: 1015: 1011: 1001: 999: 995: 988: 984: 980: 976: 972: 967: 965: 957: 953: 949: 945: 938: 936: 924: 908: 891: 889: 885: 881: 880:Act Naturally 877: 873: 869: 865: 861: 851: 849: 848:Gibson J-160E 845: 841: 837: 833: 830: 826: 822: 818: 814: 809: 807: 803: 799: 798:rock and roll 795: 792: 788: 787:George Martin 784: 780: 776: 761: 757: 749: 741: 733: 725: 717: 712: 711:scale degrees 708: 704: 700: 699:Appoggiaturas 692: 691:alliterations 688: 683: 681: 680: 675: 674:Fixing a Hole 671: 670: 665: 661: 657: 653: 643: 641: 637: 633: 632:rock and roll 629: 625: 624: 619: 615: 614: 609: 604: 602: 598: 594: 590: 586: 582: 578: 574: 570: 564: 561: 554: 543: 540: 532: 528: 524: 520: 517: 513: 508: 506: 502: 498: 494: 493:F-sharp minor 490: 486: 482: 478: 474: 470: 455: 453: 448: 447: 442: 438: 437:Ian MacDonald 434: 430: 429: 424: 419: 417: 413: 409: 405: 401: 397: 393: 385: 381: 377: 373: 364: 362: 358: 354: 353:George Martin 350: 346: 342: 338: 334: 333: 328: 327: 322: 318: 313: 309: 303: 301: 297: 294: 290: 286: 282: 278: 274: 270: 266: 262: 258: 253: 251: 247: 243: 239: 235: 234: 229: 228: 223: 219: 215: 205: 202: 198: 192: 187: 183: 180: 179:George Martin 177: 174: 169: 166: 163: 160: 159:Songwriter(s) 155: 152: 149: 147: 143: 131: 127: 124: 120: 116: 113: 111: 107: 103: 100: 98: 94: 83: 79: 68: 64: 61: 60: 54: 51: 47: 43: 38: 35:Cover of the 32: 27: 22: 19: 6941: 6934: 6927: 6921: 6913: 6906: 6899: 6892: 6885: 6878: 6871: 6864: 6857: 6851: 6835: 6814:1965 US tour 6791: 6691: 6632:Another Girl 6570: 6527: 6501: 6453: 6438: 6388:. New York: 6384: 6352: 6317: 6288:. New York: 6284: 6251: 6248: 6243: 6222: 6199: 6169: 6133: 6123: 6101:. New York: 6096: 6069: 6044:. New York: 6040: 6016: 5979:. New York: 5974: 5965:Sheff, David 5945:. New York: 5936: 5909: 5883: 5862: 5837: 5808: 5784: 5781:Trynka, Paul 5773: 5736: 5733: 5727: 5704: 5672:(1): 87–94. 5669: 5665: 5659: 5637:. New York: 5632: 5603: 5582:. New York: 5577: 5572:Miles, Barry 5552:. New York: 5548: 5519: 5494:. New York: 5489: 5462: 5440:. New York: 5435: 5410: 5386:. New York: 5383: 5343: 5334:Kimsey, John 5309: 5284:. New York: 5279: 5259:Rough Guides 5253: 5232:. New York: 5227: 5198: 5165: 5131: 5125: 5101:. New York: 5097: 5076:. New York: 5071: 5041:. New York: 5034: 5030: 5005: 4980: 4956: 4924:. New York: 4921: 4917: 4896:. New York: 4893: 4890:through the 4889: 4885: 4861:. New York: 4856: 4826: 4804:. New York: 4799: 4770: 4742: 4718:. New York: 4713: 4691:. New York: 4686: 4657: 4653: 4648: 4624: 4604: 4601:Babiuk, Andy 4571: 4551: 4535: 4520: 4510: 4498:. Retrieved 4492:. AllMusic. 4487: 4464:. Retrieved 4453: 4444: 4407: 4395:. Retrieved 4389:. AllMusic. 4384: 4376: 4368: 4365:Everett 2001 4352: 4340: 4328: 4316: 4304: 4292: 4280: 4258:Doggett 2001 4253: 4241: 4228: 4218: 4200: 4189: 4184: 4172: 4160: 4148: 4136: 4120: 4089: 4076: 4066: 4050: 4038: 4026: 4014: 3998: 3971: 3955: 3939: 3923: 3911: 3878: 3866: 3854: 3842: 3830: 3823:Everett 2001 3810: 3798: 3785: 3776: 3749: 3734: 3728: 3720: 3698:Jackson 2015 3693: 3681:. Retrieved 3675:. AllMusic. 3670: 3662: 3650: 3639:Fusilli 2005 3630: 3610: 3599:O'Grady 1983 3595:O'Grady 1979 3586: 3566: 3542: 3526: 3515:Jackson 2015 3506: 3494: 3482: 3466: 3461:, p. 7. 3454: 3438: 3422: 3415:Everett 2001 3402: 3386: 3374:. Retrieved 3368:. AllMusic. 3363: 3352: 3345:Everett 2001 3340: 3328: 3316:. Retrieved 3298: 3291:Everett 2001 3286: 3279:Everett 2006 3255: 3240:Everett 2006 3236:Everett 2009 3231: 3219: 3208:Everett 2001 3203: 3192:Everett 2001 3187: 3168:Everett 2001 3163: 3147: 3132: 3125:Gopnik, Adam 3119: 3107:. Retrieved 3089: 3065: 3049: 3003: 2996:Everett 2001 2991: 2979:. Retrieved 2961: 2954:Everett 2001 2949: 2925:Everett 2001 2920: 2908: 2896: 2865: 2850: 2824: 2812:. Retrieved 2808:the original 2775: 2768:O'Grady 1979 2763: 2756:O'Grady 2008 2751: 2744:Everett 1999 2739: 2732:Everett 2001 2727: 2715: 2693:Everett 2009 2688: 2681:O'Grady 1983 2677:O'Grady 1979 2635:Everett 2001 2608:Everett 2001 2603: 2591:. Retrieved 2529:Doggett 2005 2520: 2504: 2492: 2476: 2460: 2444: 2428: 2421:Everett 2001 2416: 2388: 2353: 2333: 2313: 2285:Everett 2001 2276: 2260: 2248: 2232: 2180:Lady Madonna 2174: 2165: 2155: 2151: 2142: 2129: 2104: 2099:contributed. 2094: 2081: 2071: 2061: 2032: 2022: 2013: 1958: 1946: 1923: 1917: 1909:Jim Sturgess 1898: 1889: 1882: 1868: 1858: 1851: 1831: 1817: 1810: 1796: 1790: 1782: 1779:Leon Russell 1769: 1742: 1738: 1734: 1731:the Dillards 1727: 1720:mandolinist 1697: 1688: 1684: 1682: 1633: 1628:Produced by 1627: 1623:What Goes On 1602: 1596: 1586: 1433: 1391: 1385: 1375: 1369: 1363: 1356: 1350: 1323: 1290:James Taylor 1278: 1267: 1250: 1240: 1234: 1224: 1216: 1211: 1203: 1197: 1195: 1190: 1186: 1179:Allan Kozinn 1172: 1171:Writing for 1170: 1164:and that of 1154: 1149: 1142:Another Girl 1125: 1123: 1112: 1106: 1102: 1094:Drive My Car 1032: 1027: 1019: 1013: 1007: 986: 982: 970: 968: 943: 941: 932: 875: 868:contrapuntal 857: 810: 794:Norman Smith 774: 772: 687:rhyme scheme 684: 677: 672:(1966) and " 667: 649: 636:country-rock 627: 621: 611: 605: 566: 556: 551: 529:progression 509: 466: 451: 444: 426: 420: 389: 349:Leon Russell 341:the Dillards 330: 324: 311: 308:Drive My Car 304: 254: 231: 225: 213: 211: 57: 18: 6922:The Beatles 6894:Rubber Soul 6250:Sgt. Pepper 6244:Sgt. Pepper 5735:Sgt. Pepper 5728:Sgt. Pepper 5660:Rubber Soul 5544:Marsh, Dave 5406:Kruth, John 5310:The Beatles 5009:. Jackson: 4920:Rubber Soul 4540:Womack 2014 4412:Trager 1997 4345:Hambly 1976 4333:Zolten 2021 4321:Turner 2016 4309:Harris 2018 4273:Turner 2016 4246:Turner 2016 4177:Turner 2016 4165:Turner 2016 4153:Turner 2016 4141:Turner 2016 4125:Turner 2016 4113:Turner 2016 4059:Badman 2001 4055:Ingham 2009 4043:Ingham 2009 4031:Badman 2001 4019:Womack 2014 3948:Ingham 2009 3944:Norman 2016 3928:Badman 2001 3819:Carlin 2009 3803:Carlin 2009 3769:Womack 2014 3754:Kozinn 1995 3575:Kimsey 2009 3559:Womack 2014 3547:Kimsey 2009 3535:Womack 2009 3519:Turner 2016 3511:Kimsey 2009 3447:Kimsey 2009 3395:Womack 2009 3196:Womack 2014 3176:Womack 2014 3156:Babiuk 2002 2913:Wagner 2008 2780:Ingham 2009 2708:Turner 2016 2513:Womack 2009 2485:Womack 2009 2465:Sounes 2010 2409:Davies 2019 2405:Norman 2016 2358:Turner 2005 2342:Turner 2005 2338:Womack 2014 2322:Turner 2005 2318:Badman 2001 2281:Davies 2019 2087:Adam Gopnik 2042:I Feel Fine 1992:Ringo Starr 1977:John Lennon 1939:heavy metal 1879:music video 1840:Ray Charles 1832:Morning Dew 1739:Rubber Soul 1646:transposing 1603:Rubber Soul 1541:Producer(s) 1480:, Nashville 1275:debut album 1251:Rubber Soul 1204:Rubber Soul 1191:Rubber Soul 1113:Rubber Soul 1107:Rubber Soul 1092:-inspired " 1061:' cover of 1034:Rubber Soul 983:Rubber Soul 956:Le Hot Club 948:common time 860:overdubbing 836:Ringo Starr 458:Composition 423:the Beatles 396:John Lennon 312:Rubber Soul 265:EMI Studios 233:Rubber Soul 222:the Beatles 173:Producer(s) 50:the Beatles 39:sheet music 6966:1965 songs 6960:Categories 6936:Abbey Road 6625:I Need You 6136:. London: 6074:. London: 5832:Riley, Tim 5812:. Lanham: 5787:. London: 5607:. London: 5584:Henry Holt 5467:. London: 5314:. London: 5202:. Gretna: 5033:Pet Sounds 4984:. Oxford: 4959:. Albany: 4831:. London: 4774:. London: 4628:. London: 4564:Kruth 2015 4544:Kruth 2015 4500:19 October 4437:Kruth 2015 4094:Kruth 2015 3904:Kruth 2015 3883:Kruth 2015 3815:Riley 2002 3655:Gould 2007 3643:Marsh 2007 3635:Gould 2007 3619:Philo 2014 3603:Marsh 2007 3571:Gould 2007 3499:Kruth 2015 3475:Gould 2007 3459:Kruth 2015 3443:Miles 2001 3411:Miles 2001 3376:7 November 3260:Gould 2007 3248:Gould 2007 3109:22 October 2981:22 January 2942:Miles 1997 2901:Gould 2007 2889:Gould 2007 2874:Gould 2007 2660:Riley 2002 2469:Miles 2001 2453:Miles 1997 2449:Miles 2001 2437:Miles 1997 2306:Kruth 2015 2289:Miles 1997 2265:Miles 1997 2253:Miles 1997 2241:Miles 1997 2237:Sheff 2000 2197:References 2066:constant". 2019:Let 'Em In 1931:Beatallica 1865:Holly Cole 1398:Paul Simon 1302:rock music 1124:Reviewing 1010:Parlophone 935:media help 884:tambourine 850:acoustic. 840:snare drum 806:John Kruth 764:Production 640:rockabilly 435:". 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