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532:, celebrations and selection of a May queen are set to a waltz-like movement. Swanhilde is still upset by her betrayal by Eiolf, but her friend Thordis promises to re-unite them. When Eiolf enters Swanhilde is cold and cannot conceal her jealousy of Hulda; Eiolf embraces her. Hulda, close at hand, sees his betrayal of her, and she gets the remaining Aslak brothers to help murder Eiolf. They agree to meet the following day. The celebrations of spring resume, in contrast to Hulda's despair.
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women's chorus and the brighter entrance of
Swanhilde, Gudleik and his brothers are heard arguing over Hulda, until Gudrun forces them – in an aria with typically Franckian chromatic harmonies – to show more respect. Hulda has seen Eiolf, an emissary of the Norwegian king (who has rejected Swanhilde)
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After a pastoral prelude, Aslak and Gudrun are seen grieving for
Gudleik. At evening time Hulda in a wide-ranging soliloquy, awaits Eiolf, who she sees as a god-sent avenger who has released her from the Aslaks and the duty of her vengeance. After a passionate duet in which Hulda makes Eiolf promise
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After a prelude depicting the wind and sea, Hulda and her mother, singing a prayer duet, await the return of their menfolk from hunting. After an off-stage chorus of fishermen (accompanied by four saxophones), the Aslak men celebrate their murder of the
Hustawicks, and Gudleik declares his lust for
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based on the stark music from the beginning of the opera, there follows an evening chorus. The passion of
Swanhilde and Eiolf's reconciliation contrasts sharply with Hulda's pain. She prepares for revenge: the Aslaks return and Eiolf is struck down. When the brothers then turn on her, she welcomes
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to return with her to her homeland, he leaves her for the night and Arne, one of Aslak's sons enters and declares his love for Hulda. Old Aslak sees a man making love to Hulda, and kills him – only discovering after that he has killed his own son, and Hulda's curse has claimed a second victim.
559:
NAXOS World
Premier Recording (Opera in Five Acts) - Cat: 8.660480-82 (UHD) - Fabrice Bollon, Conductor; Opern und Extrachor des Theater Freiburg, Philharmonisches Orchester Freiburg. Meagan Miller, Joshua Kohl, Irina Jae Eun Park, Anja Jung, Jin Seok Lee;
563:
PALAZETTO BRU ZANE - Cat: BZ 1052 (UHD) - Gergely
Maderas, Conductor; Chœur de Chambre de Namur, Orchestre Philharmonique de Liège au Théâre de Monte-Carlo; Jennifer Holloway, Judith van Wanroij, François Rougier, Véronique Gens; [May 17-20,
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in Hulda, who responds with a curse (an oath motif), and vows revenge on his family. A chorus of victory for the Aslaks contains a three chord death motif which will recur when they themselves meet their deaths.
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The story tells how Hulda seeks revenge on Aslak and his clan, who killed her family. The subject depicts a young woman as a victim, her faith in nature, her destiny, and women's suffering at the hands of men.
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and is infatuated by him. The wedding party assembles but soon Eiolf arrives and during a traditional show of manliness and courage by the men, Eiolf and
Gudleik fight, resulting in the death of Gudleik in a
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139:. The complete opera contains a prologue, three acts and an epilogue, albeit the world premier recording by Naxos has five acts. It was composed between 1879 and 1885.
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as Eiolf. This UCL Opera version of 1994 restored the Marche Royale at the start of act 4, not included in any of the earlier productions.
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The work progressed in two phases, of which the first was composed between 1879 and 1882. See the description page of the
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The first complete performance of the original version of the opera sung in French was shown on the 16 February 2019 in
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The first complete performance of the opera was by
Reading University Opera in 1979 with a later version staged at the
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A revival concert-performance of the complete opera took place at the Royal Opera Hall of
Wallonia in
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with
Demellier and Cazeneuve on 16 October 1904 to mark the unveiling of a monument to the composer.
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Two years on, Hulda is to be married to Gudleik, and Gunnard is to marry Thordis. After a haunting
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167:. Franck's writing shows his seriousness of expression and characteristic chromatic harmony.
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is clear, both in the writing for brass and also in the love duets which are reminiscent of
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was Franck's first opera to be performed, in Monte Carlo, 1894. The influence of
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Drummond D., From Programme Book for University College London 1994 production.
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death and when the men turn away in fear, Hulda throws herself in the
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122:. It is set in 11th-century Norway, and is based on the play
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147:It was first performed in an incomplete version in
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233:The manuscript full score is held at the
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673:Les Annales du Théâtre et de la Musique
192:The first two acts were performed with
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635:. Macmillan, London and New York, 1997
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613:at the French National Library (BNF).
611:autograph sketch of the first version
777:. L'Almanacco di Gherardo Casaglia
170:The third act was performed at the
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632:The New Grove Dictionary of Opera
247:Roles, voice types, premiere cast
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196:on 22 and 23 October 2010 in
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194:Trondheim Symphony Orchestra
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659:French Music since Berlioz.
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135:(1858) by Norwegian writer
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765:Casaglia, Gherardo (2005).
472:Nobles, peasants, warriors
261:Premiere cast 8 March 1894
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84:16 October 1894
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1012:Prélude, Choral et Fugue
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598:A Short History of Opera
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183:University College Opera
280:Blanche Deschamps-Jéhin
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1126:French-language operas
1017:Prélude, Aria et Final
235:Bibliothèque nationale
1156:Operas based on plays
137:Bjørnstjerne Bjørnson
74:Bjørnstjerne Bjørnson
1146:Operas set in Norway
1060:Symphonic Variations
914:Symphonic Variations
846:List of compositions
402:younger son of Aslak
386:younger son of Aslak
373:younger son of Aslak
360:another son of Aslak
205:Freiburg im Breisgau
920:Symphony in D minor
727:"Edgaras Montvidas"
305:Joël Maurice Fabre
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222:, soprano (Hulda);
143:Performance history
120:Charles Grandmougin
1033:École César Franck
900:Le Chasseur maudit
326:Aslak's eldest son
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179:Bloomsbury Theatre
164:Tristan und Isolde
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459:rejected by Eiolf
430:Gunnard's fiancée
220:Jennifer Holloway
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114:to a French
112:César Franck
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92:(incomplete)
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41:The composer
29:César Franck
1131:1894 operas
987:Organ works
893:Les Éolides
688:"Fredag 15"
457:Swanhilde,
443:a gentleman
336:Paul Lhérie
263:Conductor:
149:Monte Carlo
128: [
96:Monte Carlo
63: [
1115:Categories
1005:Piano solo
977:Psaume 150
907:Les Djinns
698:2010-12-05
623:Forbes, E.
581:References
554:Recordings
342:Halgerde,
265:Léon Jehin
257:Voice type
237:in Paris.
200:, Norway.
125:Lame Hulda
88:1894-10-16
60:Lame Hulda
1026:Namesakes
861:Stradella
600:, p. 479.
542:entr'acte
540:After an
428:Thordis,
414:Gunnard,
395:Desgoria
377:baritone
324:Gudleik,
1079:Category
1062:(ballet)
875:Ghiselle
575:Ghiselle
569:See also
537:Epilogue
489:Prologue
480:Synopsis
463:soprano
434:soprano
371:Thrond,
331:baritone
319:Rissler
310:Gudrun,
292:Mounier
116:libretto
80:Premiere
55:Based on
47:Language
713:"Hulda"
629:". In:
508:Verdian
503:A minor
441:Eiolf,
400:Eynar,
384:Eyric,
349:soprano
216:Belgium
86: (
1121:Operas
1091:Portal
853:Operas
773:
447:tenor
423:Borie
420:tenor
409:Signa
406:tenor
358:Arne,
297:Aslak
70:(1858)
50:French
1105:Opera
868:Hulda
796:Hulda
769:Hulda
627:Hulda
594:Grout
564:2022}
547:fjord
525:Act 3
516:Act 2
498:Act 1
391:tenor
364:bass
253:Role
241:Roles
228:Namur
212:Liège
198:Molde
185:with
155:Hulda
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107:Hulda
67:]
25:Opera
19:Hulda
301:bass
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118:by
72:by
27:by
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