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erred in many details including his wrong guess that
Hoysalas started building the Hoysalesvara temple in 1235, continued working on it over 85 years and stopped construction due to the "Mahomedan invasion" of 1310. Fergusson's error was copied in many Indian texts for a while. A more correct history emerged as more inscriptions were discovered and translated by scholars. His commentary on the Hoysalesvara temple, states Kadorf, expresses admiration yet "falls squarely within the purview of the prevailing imperialist narrative" where the Western monuments were portrayed as "rational" while the Eastern monuments called as "chaotic", "emotional and excess reigning over serious measured judgment". Fergusson's reception of the Hoysalesvara temple was often quoted at length for nearly a century, and continues to be quoted for the Western audience without the necessary context.
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782:, the artwork shows details as "no two lions are alike in the entire span that covers more than a furlong (200 metres)", the artists "captured the Ramayana and the Mahabharata, and the main episodes of the Bhagavata". The temple's outer wall is a pictorial narration of Hindu epics, and its middle portion has large panels where "the entire pantheon of Hindu divinities are presented, it is a manual of Hindu iconography", states Settar. According to Foekema and other art historians, the quality and quantity of the epics-related "friezes are amazing", but the panel series do not complete the story in a stretch, rather after a stretch, another text is intermingled in for a while. The outer walls of the Hoysaleswara temple shrines feature 340 large reliefs.
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625:(plan with two shrines and two superstructures). The two temples are of the same size, and their sanctums open to the east, facing sunrise. The sanctum of the "Hoysaleswara" (the king) and the other for "Shantaleswara" (the queen, Shantala Devi) both have a Shiva linga. Outside on the east side of the main temples are two smaller shrines, each with seated Nandi. To the east of the southern Nandi shrine is a smaller attached Surya shrine, where there is a 7 feet (2.1 m) tall Surya statue facing the Nandi and the sanctum. Historians such as Adam Hardy state that the Hoysalesware temple shows evidence of other shrines but these are now missing, lost to history.
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sought information, knew anything about it, and it was with very great difficulty, and after a march of some twenty days along the most miserable cross country roads conceivable, that I succeeded in finding this splendid Temple. Having seen a great number of the most celebrated
Pagodas in the South of India, I can unhesitatingly assert, it far surpasses any, even the most gorgeous of these beautiful structures . . .. Having a Photographic Apparatus with me, I lost no time in committing to waxed paper faithful representations of almost every portion of the sculpture, which literally covers its walls.!
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1164:. (...) is regular, but with a studied variety of outline in plan, and even greater variety in detail. All the pillars in the Parthenon are identical, while no facets of the Indian temple are the same; every convolution of every scroll is different. No two canopies in the whole building are alike, and every part exhibits a joyous exuberance of fancy scorning every mechanical restraint. All that is wild in human faith or warm in human feeling is found portrayed in these walls; but of pure intellect there is little ā less than there is human feeling in the Parthenon.
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1017:, mostly female) figures, or a total of 16 standing figures per temple. Of the 32 figures on the central pillars for the two temples, 11 remain. Only 6 damaged ones have survived in the north temple and 5 in the south temple. A closer examination of the pillar's capital suggests that there was a figure on each pillar in the eastern row facing the sunrise, but all of these show signs of destruction and none of those images have survived. The pillar near the second eastern door have two damaged
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lacked thorough documentation. Ruin panels from other temples were reused here to cover the Nandi mandapa, parts of friezes used to repair the plinth. Thus, the
Hoysaleswara temple as it is survives in the contemporary era is a composite of the original Hindu temple architecture and design that was open, to which stone screens with outer walls and doors were added by the 14th-century, whose crowning towers (
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592:. Dorasamudra and its temples became ruins, the capital abandoned and the site became known as "Halebidu" (literally, "old camp or capital"). About 300 of the original Hoysala Empire temples survive in different states of damage, scattered around Karnataka. Of these, states Hardy, about 70 had been studied to varying degrees of detail by 1995.
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Rama shooting an arrow through seven palms, Hanuman giving Rama's ring to Sita; Mohini legends; reclining Vishnu on Sesha giving birth to the cosmic cycle; Vamana legend; avatars of Vishnu; Shiva and
Ganesha dancing together; twelve Adityas from the Vedas; Arjuna-Bhisma legends; Shiva and Vishnu's female avatar Mohini dancing together.
837:; Bhima and Bhagadatta legend; Bhairava, Ganesha, Vishnu and Vamana; Dancers and musicians at the marriage of Parvati and Shiva; Vishnu-Shiva-Brahma together; Shanmukha and Tarakasura legend; Tandavesvara; three face Brahma on a swan; Shiva with Ganesha and Kartikeya; Narasimha doing yoga; Durga as Mahishasuramardini; Mohini dancing.
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kilometers from the temple site, near the
Kallesvara temple ruins in Ghattadahalli, states that Ketamalla ā officer in the employ of king Vishnuvardhana constructed this temple. It also notes that the king made grant of lands to support the construction, the operation and the maintenance of the Shiva temple in
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In the 20th-century, Indian authors such as
Narasimachar and Srikantaiya published their monographs, calling it as one of the temples that realised the "magnificence of the Hoysala art". Krishna ā one of the directors of Mysore Archaeological department under the Wodeyars, wrote his 1930 annual
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Numerous temple artwork panels contain signatures or statements by the artists or the guild they belonged to, and these are usually at the artwork's pedestal or underneath. The most repeated names of artists found at the
Hoysaleswara temple include Manibalaki, Mabala, Ballana, Bochana, Ketana, Bama,
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wearing jewelry on both sides of the doorway. Each has four hands (two broken, others damaged), wear jatamakuta, have third eye and fangs, and stand in S-shaped tribhanga pose. They hold Shiva icons such as damaru, cobra, trisula and others. They were defaced at some point. Attempts were made in the
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pavilions were visible from outside shrines and the outside was visible to those in the mandapa. In the era of
Hoysala king Narasimha I, the mantapa was closed, doors were added and perforated stone screens placed, according to an inscription found in the temple. Along with the four doors, the later
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Artwork on the outer walls of the temple are in bands. 1: marching playful elephants; 2: lions; 3: thin miniature scroll; 4: horsemen in different postures; 5: thin miniature scroll; 6: friezes narrating legends from the Hindu texts; 7: makaras; 8: hamsa and peacocks; 9: professionals, daily life of
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The
Hoysala period of South Indian history began about 1000 CE and continued through 1346 CE. In this period, they built around 1,500 temples in 958 centres. Halebidu was originally called Dorasamudra in its inscriptions, possibly derived from Dvarasamudra (Sanskrit words "Dvara" (gateway, door) and
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According to
Kristen Kasdorf, Fergusson's publications on Indian architecture have been influential, served as the introductory foundation to several generations of scholars. His exclusive focus on this temple helped bring attention to it, but without the context of other Halebid temples. Fergusson
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pillar) to the south of the temple. It is also damaged, with its top portion gone. It contains an inscription that breaks off in the middle of the sentence. The part which can be read states that a general Lakshmana, his wife and followers sacrificed themselves after the death of Ballala II. In the
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Southeastern entrance: similar to southern entrance, two hands broken but the faces are better preserved. Above the door lintel, the carving is the best preserved entrance Nataraja with ten hands (one damaged), accompanied on left by Narasimha, Saraswati, Brahma, Ganesha, Parvati, one deity damaged
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On the south-west outer wall of the northern Shiva temple: standing images of Brahma, Shiva, Vishnu, Durga, Saraswati, Kama and Rati, Parvati, Indrakila legend; Parvati doing yoga; Shiva is infatuated by Mohini; Ramayana stories including the golden deer, the first meeting with Hanuman and Sugriva,
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On the north-east outer wall of the southern Shiva temple: Krishna's lila from Bhagavata, Vasudeva in prison followed by carrying newborn Krishna across Yamuna legend, Krishna slaying Putani and other asuri, Krishna stealing butter, Krishna playing flute with humans and animals dancing, Krishna and
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It is notable for its sculptures, intricate reliefs, detailed friezes as well its history, iconography, inscriptions in North Indian and South Indian scripts. The temple artwork provides a pictorial window into the life and culture in the 12th century South India. About 340 large reliefs depict the
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James Fergusson never visited this temple or Halebid, but he was the first to review all available field notes on Hoysalesvara temple after he had retired and returned to England. He focused exclusively on the Hoysalesvara temple, published a brief art-historical review in 1866, followed by a more
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On the north-west outer wall of the northern Shiva temple: Nataraja in Tandava dance; Durga and the Saptamatrika; legends of Abhimanyu, Drona, Krishna with Arjuna in Mahabharata; Nataraja; eight forms of Rudra; Mohini dancing; Bharavi; Sarasvati dancing, Shiva and Ganesha dancing, angry Narasimha,
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With the defeat of Tipu Sultan in 1799, Mysore came under the influence of the colonial British rule and scholarship. The Hoysaleswara temple ruins were among the earliest surveyed, then earliest photographed in the 1850s, and the subject of several rounds of good will repairs and restoration that
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Outside the southern doorway, in the park, are large statues, one of Ganesha. The statue was among those which were originally farther out at the temple premises outer gate, but damaged and collected from ruins there. They were recovered and placed close to the temple. The navaranga includes two
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I was strongly recommended by my old friend, Dr. Neill, of the 1st Madras Light Cavalry, to visit Hallibeede, the site of Dhoor Summooder, the ancient Capital of Bellal Deo, the Sovereign of the Carnatic. I was told of a wonderful temple said to exist there, but very few of the many from whom I
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On the north-west outer wall of the southern Shiva temple: Reclining Vishnu with all gods and goddesses in reverence; Prahlada-Hiranyakasipu-Narasimha legend from the Bhagavata Purana; Mohini as Bhairavi with Bhairava; Rama fighting Ravana from the Ramayana; Indra seated; Brahma with Saraswati;
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The Hoysaleswara temple is a twin-temple dedicated to Hoysaleswara and Santaleswara Shiva lingas, named after the masculine and feminine aspects, both equal and joined at their transept. It has two Nandi shrines outside, where each seated Nandi face the respective Shiva linga inside. The temple
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Unlike other Hoysala temples that have survived into the modern age, and despite numerous inscriptions in the temple premises, the Hoysaleswara Temple lacks a dedication inscription. It is likely lost, along with the many other features of the original temple. An inscription found about five
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small niches facing each other between the two temples where they are joined at the transept. These have carvings and artwork, but the statues inside each is missing. There is a stone panel near the western niche with a large Sanskrit inscription in a North Indian and a South Indian script.
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The temple premises show evidence of other shrine and temples. Just like the Surya (Sun) monument that is to the east of one Nandi, there was a Chandra (Moon) monument attached to the other Nandi. Excavations on the southwest side of the temple revealed the remains of a destroyed temple.
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On the north-east outer wall of the northern Shiva temple: Court scene, Bhairava, Bharavi, Samudra manthan, musicians with 12th century musical instruments, Sukracharya, Kacha-Devayani legend, Lakshmi, Umamahesvara, Vamana-Bali-Trivikrama legend, Indra legend, Virabhadra, Shiva in
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people alternately standing and sitting; 10: mythical creatures, festivals, ceremonies; 11: artha, kama, dharma scenes including courtship and mithuna (eroticism, sex), various occupations, some mythical scenes; 12: large image panels (deities, spiritual stories from Hindu texts).
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The temple has four entrances. The one normally used by visitors as main entry nowadays is the northern entrance closest to the parking lot. There is one entry on the south side and two on the east side, facing two large detached open pavilions whose ceiling is supported by
1132:". The Hoysaleswara temple of Halebidu, has been described by Percy Brown as the "highest achievement of Hoysala architecture" and as the "supreme climax of Indian architecture" despite appearing rather flat and dull from distance given the towers are now missing.
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The fused mandapa features a row of pillars aligned along the north-west axis. In the central navaranga of each temple's mandapa are four pillars and a raised ceiling that is intricately carved. Each of the four pillars of this central navaranga had four standing
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The Hoysaleswara Temple premises include a museum managed by the Archaeological Survey of India. It contains numerous pieces of ruins and temple artwork recovered from the site for closer three dimensional examination. The temple premises also has the so-called
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The interior walls of the temple are quite plain compared to the outer wall, except for the lathe turned pillars that run in rows between the north and south entrances. The four pillars in front of each shrine are the most ornate and the only ones that have the
419:. It once had superstructure towers, but no longer and the temple looks flat. The temple faces east, though the monument is presently visited from the north side. Both the main temples and the Nandi shrines are based on a square plan. The temple was carved from
773:
The temple outer walls is intricately carved. Its lowest layers consist of bands with friezes that consist of (from bottom to top) elephants, lions, scrolls with nature and miniature dancers, horses, scrolls, scenes from Hindu texts, mythical beasts
1099:). One of the sacrificer is shown seated in a namaste posture preparing for the sacrifice, while others are shown in the process of the sacrifice. The images represent the devotion of these to their leader and their determination to die with him.
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The temple had towers on top of each sanctum, but they are now missing. According to Foekema, these towers must have followed the star shape of the shrine, because Hoyasala temples that are better preserved have them. The superstructure over the
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Northern entrance: used by modern-day tourists. The original dvarapalas are lost, and two replacement mispaired dvarapalas were recovered from the ruins of the region for tourists. The scene above the door lintel is also damaged and inferior in
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The Hoysalesvara temple was one of the first to be properly surveyed in Karnataka between 1801 and 1806. After the invention of photography, it was one of the earliest to be photographed in British India. These show neglect and scattered
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Karna-Arjuna and Bhina-Dussasana legends from the Mahabharata; Umamaheshvara, Ganesha; a kissing scene between a man and woman; musicians, dancers; Mohini stories; more courtship and kissing scenes; Kali Shakti legends; Arjuna legends.
642:(literally, worldly platform). The platform is 15 feet wide around the outer walls of the temple, meant for the visitor to walk on and view the artwork clockwise while completing the circumambulation of the sanctums. It is called the
948:
20th century to trim, restore and re-polish the dvarapala faces, but it created a disproportionate artificial look. Above the door lintel, there is artwork showing a Nataraja (Tandava) along with Nandi, other dancers and musicians.
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report ā which remains the most thorough report on the site to date. The temple should compared to jewelry, and not other temples, wrote Krishna, with reliefs and sculptures of "high class possessing beauty of ideas and art".
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superstructure, but the towers have been lost to history and the temple looks flat. The sanctum walls are plain, avoiding distraction to the devotee and focussing the attention of the visitor at the spiritual symbol.
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1043, or 1121 CE. It was not the only temple built in that era. The inscriptions suggest that the capital consisted of numerous other temples, both of Hinduism and Jainism traditions, along with stepwells, ponds and
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If it were possible to illustrate the Halebid temple to such an extent as to render its peculiarities familiar there would be few things more interesting or more instructive than to institute a comparison with the
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armies of Alauddin Khilji, with Belur and Halebidu becoming the target of plunder and destruction in 1326 CE by another Delhi Sultanate army of Sultan Muhammad bin Tughlaq. The territory was taken over by the
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1041:), both with Shiva linga. One sanctum is dedicated to "Hoysaleswara" Shiva (the king) and the other for "Shantaleswara" Shiva (the queen, Shantala). Both are of equal size. Each sanctum is a square with a
716:(a low tower that looks like an extension of the main tower) is also missing. Similar the row of decorated miniature roofs, the eastern perimeter walls and other shrines with the main temple are all gone.
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In terms of theology from different Hindu traditions, the large images on the outer walls of the west side present the following frequencies (excluding small panels and miniature friezes):
833:; dancers festively celebrating the victory of Pandavas; the Mohini legends in the Vedas; Dakshinamurti, Umamahesvara, Tandavesvara, Vishnu; Arjuna meets Shiva legends; Aranya parva of the
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Balaki and Revoja. The guilds can be identified by the organization's icon marked and names inscribed such as Agni-Indra, Indra, Paduca (.west) and Paduvala-badaga (.northwest).
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Pradyumna legend, Krishna lifts the goverdhana, Yudhisthira and Sakuni playing dice, Kichaka molests Draupadi and Bhima meets Kichaka dressed up as a woman to return justice.
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Richard Oakley was among the early photographers who visited this temple in the 1850s. He called it "most gorgeous" and "far surpasses" any South Indian temple he had seen:
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According to the 19th-century art critic James Fergusson, it is a "marvellous exhibition of human labor to be found even in the patient east and surpasses anything in
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The temple has smaller shrines with its own sanctum. For example, the Nandi shrines feature a Nandi in its sanctum, while the Surya shrine features the Hindu Sun god.
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The artwork in Hoysaleswara temple is damaged but largely intact. Within a few kilometers of the temple are numerous ruins of Hoysala architecture, including the
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Northeastern entrance: the doorway is damaged and dvarapalas are missing though the pedestal and panels remain. The carvings above the door lintel are defaced.
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as the main temple, connected by stone stairs. The two sanctums are next to each other in a northāsouth alignment, both face east, and each have in front a
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1045:(view doorway) on the east, with three inches on the north, west and south. The doorways are flanked on each side by a dvarapala, each leading to a
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588:. The Hoysala kingdom, states James C. Harle, came to an end in mid 14th century, when King Ballala III was killed in a war with the Muslim army of
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Kamath, U. Suryanath: A Concise History of Karnataka from pre-historic times to the present, Jupiter books, 2001, MCC, Bangalore (Reprinted 2002),
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Sastri, Nilakanta K.A.: A History of South India, (1955), From Prehistoric times to fall of Vijayanagar, OUP, New Delhi (Reprinted 2002),
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Om Prakash Prasad (1979), Three Capital towns of the Hoysalas, Proceedings of the Indian History Congress, Vol. 40 (1979), pp. 88-90
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from northern India, and the temple and the capital fell into a state of ruin and neglect. It is 30 kilometres (19 mi) from
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1069:(vessels of abundance). The sanctum square originally had a tower (shikhara) above rising towards the sky to complete the
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Theory and Practice of Temple Architecture in Medieval India: Bhoja's SamarÄį¹
gaį¹asÅ«tradhÄra and the Bhojpur Line Drawings
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17:
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Epic Narratives in the Hoysaįø·a Temples: The RÄmÄyaį¹a, MahÄbhÄrata, and BhÄgavata PurÄį¹a in Haįø·ebÄ«d, BelÅ«r, and Amį¹tapura
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Shiva: as Umamahesvara (8), as Nataraja and destroyer of various demons (25), Dakshinamurti (1), as nude Bhairava (6)
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middle of the pillar are eight male figures, four of whom are shown as using their swords to sacrifice themselves (
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Vishnu: seated or standing (15), Krishna as Venogopala (12), Varaha (2), Narasimha (4), Vamana (1), Trivikrama (1)
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The Hoysala Empire and its capital Dorasamudra was invaded, plundered and destroyed in early 14th century by the
1890:, The Journal of the Royal Asiatic Society of Great Britain and Ireland, Cambridge University Press, pp. 117-119
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Others: Vishnu in his female avatar Mohini clothed and nude, Shiva with Mohini, Arjuna and others (not counted)
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various forms of Vishnu, dancing Ganesha with Gajasuramardana Shiva; Kartikeya; Parvati; dancers and musicians.
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568:(mandapas, public halls) in the vicinity of the large Dorasamudhra lake. It is the largest temple built by the
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and unclear and Shiva, while the right side has Shiva, Parvati, Bhairava, Indrani, Keshava, Surya and Parvati.
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Evans, Kirsti (1999). "Visual Narratives in Indian Art: Scenes from the MahÄbhÄrata on the Hoysala Temples".
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A Dictionary of Hindu Architecture: Treating of Sanskrit Architectural Terms with Illustrative Quotations
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2001:
Quote:"The Hoysala style is an offshoot of the Western Chalukya style", Kamath (2001), pp. 134–36)
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Indian Temple Architecture: Form and Transformation-The Karnata Dravida Tradition 7th to 13th Centuries
600:) have been lost, and whose ruins were repaired and restored many times in the 19th and 20th-century.
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On the south-east outer wall of the northern Shiva temple: Dancers, Bhairava, Bhairavi, Umamahesvara.
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The Hoysaleswara temple, also spelled as Hoysaleshwara or Hoywalesvara temple, is a twin-temple, or
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through Hassan. Halebidu is connected by railway network at Hassan to major cities of Karnataka.
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Hindu theology and associated legends. Numerous smaller friezes narrate Hindu texts such as the
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On the south-west outer wall of the southern Shiva temple: Arjuna with Krishna episodes in the
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On the south-east outer wall of the southern Shiva temple: Bhisma parva and Drona parva of the
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of the Hoysala Empire. Its construction started around 1121 CE and was complete in 1160 CE.
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499:, also called Halebeedu, Halebid, Dorasamudra. Halebidu is a town in Hassan district of the
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temples. Halebidu has no nearby airport, and is about 210 kilometres (130 mi) west of
245:
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The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement
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Travel and Ethnology in the Renaissance: South India Through European Eyes, 1250-1625
1506:
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369:. The temple was built on the banks of a large man-made lake, and sponsored by King
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The temple was built with chloritic schist, more commonly known as greenschist or
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Dewan, Janet (1989). "The Hoysalesvara temple of Halebid in early photography".
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During the early 14th century, Halebidu was twice sacked and plundered by the
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Rediscovering the Hindu Temple: The Sacred Architecture and Urbanism of India
1049:(vestibule chamber). There is intricate carving above the lintel between the
472:
220:
207:
2293:
Evans, Kirsti (1993). "Two Lintels with Dancing Åivas in a Hoysala Temple".
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2996:. Mysore Archaeological Department, University of Mysore (Orig-year: 1930).
1014:
989:
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Shakti: as Parvati forms of Durga, Mahishasuramardini, Kali and others (18)
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The friezes and wall images on the outer wall predominantly narrate the
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and served as the capital of the Hoyasala Empire for nearly 300 years.
3004:
Halebid temple (pages 6-10) of Mysore Archaeological Report, vol. 1911
2556:. Oxford University Press (Reprinted in 1997 by Motilal Banarsidass).
1405:
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119:
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Hindu temples sacked in the Muslim period in the Indian subcontinent
3036:
Imagining Architects: Creativity in the Religious Monuments of India
5782:
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2827:. Motilal Banarsidass (Reprinted 1946 Princeton University Press).
2806:. Motilal Banarsidass (Reprinted 1946 Princeton University Press).
2644:
496:
445:. Some friezes below large reliefs portray its narrative episodes.
429:
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358:
350:
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54:
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2019:
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2595:
Principles of Composition in Hindu Sculpture: Cave Temple Period
2535:. Oxford University Press (Republished by Motilal Banarsidass).
2466:
938:
A better preserved dvarapala at mantapa entrance (hands broken).
646:(path for circumambulation). The smaller shrines share the same
399:
tradition monument, yet reverentially includes many themes from
6015:
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2768:, 2nd edn. 1994, Yale University Press Pelican History of Art,
2102:
2075:
2063:
2016:
1640:
1606:
1589:
1161:
1091:
1062:
1021:, but the better preserved are those in the central navaranga.
480:
377:
3077:
Forming DÅrasamudra: Temples of the Hoysaįø·a Capital in Context
2623:
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and his wife Varuni riding. The doorjambs are decorated with
916:
573:
416:
354:
129:
94:
89:
1471:
549:, but Dorasamudra became the established capital under king
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2159:
2092:
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1955:
1953:
1951:
1949:
1936:
1934:
1932:
1776:
The Puffin History of India for Children, 3000 BC - AD 1947
1672:
1670:
1630:
1628:
1626:
1624:
632:
A Nandi shrine (left) facing the sanctum of the main temple
2866:
The Hindu Temple: An Introduction to Its Meaning and Forms
2782:
Architecture in Medieval India: Forms, Contexts, Histories
4019:
890:
Kartikeya: on peacock (1), under seven-hooded serpent (2)
867:
Harihara (left half Shiva, right Vishnu) at Hoysaleshwara
3104:
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2156:
2144:
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2004:
1946:
1929:
1893:
1667:
1621:
1441:
545:(ocean, sea, large water body)). The capital used to be
519:(IATA Code: BLR), about 4 hours drive accessible with a
4080:
1106:
ASI museum in Halebidu with a display of artwork ruins.
511:. The temple is about 16 kilometres (9.9 mi) from
2549:
2528:
507:. It is about 30 kilometres (19 mi) northwest of
5833:
Moidams ā the Mound-Burial System of the Ahom Dynasty
2630:. Brill Academic (Reprinted by Motilal Banarsidass).
1033:
A sanctum inside the Hoysaleshwara temple in Halebidu
931:
artists added dvarapalas and decorations as follows:
6067:
Religious buildings and structures completed in 1150
6021:
Rani-ki-Vav (the Queen's Stepwell) at Patan, Gujarat
2505:
2442:
906:
The walls on the other side have more large images.
4281:
3011:
2766:
The Art and Architecture of the Indian Subcontinent
2705:
Indian Temple Architecture: Form and Transformation
1858:
The Art and Architecture of the Indian Subcontinent
1145:
Richard Banner Oakley (1856), Quoted by Janet Dewan
2885:
2049:Frontline, Volume 20 - Issue 08, April 12ā25, 2003
1855:
1803:The Age of Wrath: A History of the Delhi Sultanate
1698:Frontline, Volume 20 - Issue 08, April 12ā25, 2003
1498:
1467:
1465:
817:Durga as Mahishasuramardini killing buffalo demon.
6036:Victorian Gothic and Art Deco Ensembles of Mumbai
5652:
3074:
2499:
2487:
2460:
1923:
1911:
1568:
765:Dancing Saraswati holding a manuscript, pen, the
415:includes a smaller sanctum for the Hindu Sun god
388:city and about 210 kilometres (130 mi) from
6058:
5894:Kakatiya Rudreshwara (Ramappa) Temple, Telangana
3125:
3087:The New Cambridge History of India: Vijayanagara
2820:
2799:
1833:. Asian Educational Services. pp. 353ā354.
1768:
1766:
1434:Permanent Delegation of India to UNESCO (2014),
1196:Shiva and Parvathi relief at Hoysaleswara temple
612:12th century Halebid Shiva temple plan annotated
27:12th century Shiva temple in Halebidu, Karnataka
5773:Nanda Devi and Valley of Flowers National Parks
5752:Great Himalayan National Park Conservation Area
3767:Nageshvara-Chennakeshava Temple complex, Mosale
3000:
2401:
2389:
2339:
2244:
1525:
1462:
459:The Hoysaleswara Temple, along with the nearby
3842:Shri Vinayaka Shankaranarayana Durgamba Temple
3195:
2928:
2883:
2862:
2750:. Indira Gandhi National Centre for the Arts.
2651:. Indira Gandhi National Centre for the Arts.
2645:A.K. Coomaraswamy; Michael W. Meister (1995).
2081:
2025:
1853:
1649:
1532:. Cambridge University Press. pp. 13ā15.
407:tradition of Hinduism, as well as images from
5638:
4003:
3181:
3032:
2842:Michael W. Meister; Madhusudan Dhaky (1986).
2778:
2051:. Frontline, From the publishers of the Hindu
1847:
1799:
1763:
1700:. Frontline, From the publishers of the Hindu
1564:
1562:
1560:
1558:
666:are connected giving a view of a large, open
636:The temple complex as a whole is placed on a
3129:The Square and the Circle of the Indian Arts
3083:
3053:
2949:
2413:
2111:
2069:
1820:
1772:
1757:Incredible India: Tourist & Travel Guide
1661:
1600:
1447:
1430:
1428:
1426:
1169:James Fergusson (1876), Quoted by Adam Hardy
5861:Brihadisvara Temple, Gangaikonda Cholapuram
2845:Encyclopaedia of Indian temple architecture
2591:
1979:
1977:
1492:
1057:(mythical syncretic sea creatures). On the
1000:Pillar and ceiling carvings with a damaged
177:
149:
5645:
5631:
4010:
3996:
3877:Sri Ranganathaswamy Temple, Shivanasamudra
3188:
3174:
2743:
2722:
2701:
2288:
2286:
1986:
1826:
1754:
1687:
1685:
1555:
899:Vedic deities: Indra, Surya and others (4)
47:
5709:Archaeological Site of Nalanda Mahavihara
3882:Sri Ranganathaswamy Temple, Srirangapatna
2624:Alice Boner; SadÄÅiva Rath ÅarmÄ (2005).
1423:
3792:Panchalingeshwara temple, Govindanahalli
3292:Bhoganidishvara, Chikkaballapur district
2848:. American Institute of Indian Studies.
2571:Vinayak Bharne; Krupali Krusche (2014).
2038:
2036:
2034:
1974:
1965:
1575:. Abhinav Publications. pp. 75ā77.
1101:
1028:
995:
966:
933:
862:
840:
812:
769:and other symbols of knowledge and arts.
760:
627:
607:
530:
3001:Narasimhacharya, Ramanujapuram (1990).
2989:
2511:
2360:
2324:
2283:
2277:
2265:
2225:
2213:
2201:
2189:
2177:
2165:
2150:
2096:
2010:
1959:
1914:, pp. 37ā43, 78ā81 with footnotes.
1682:
1634:
1615:
1472:Robert Bradnock; Roma Bradnock (2000).
1453:
1320:Harihara ā half Shiva, half Vishnu
981:
909:
14:
6059:
5944:Champaner-Pavagadh Archaeological Park
3972:Yediyur Siddhalingeshwara Swamy Temple
2532:An encyclopaedia of Hindu architecture
2407:
1721:
884:Harihara (half Vishnu, Half Shiva) (1)
365:, India and the former capital of the
5704:Mahabodhi Temple Complex at Bodh Gaya
5626:
3991:
3169:
2970:
2680:
2612:
2472:
2448:
2436:
2372:
2345:
2292:
2123:
2042:
2031:
1940:
1899:
1691:
1676:
1151:complete analysis in 1876. He wrote:
993:sculptures in their pillar brackets.
5778:Qutub Minar and its Monuments, Delhi
3742:Mundkur Sri Durgaparameshwari Temple
3667:Lakshmi Narasimha Temple, Nuggehalli
3652:Lakshmi Narasimha Temple, Bhadravati
3647:Lakshmi Devi Temple, Doddagaddavalli
1386:Chennakesava Temple at Somanathapura
1256:Hindu god Ganesha - western entrance
5878:Group of Monuments at Mahabalipuram
5607:
3657:Lakshminarasimha Temple, Haranhalli
3562:Kodlamane Shree Vishnumurthy Temple
3105:Burton Stein; David Arnold (2010).
3007:. Asiatic Society (Orig year 1911).
2932:A Complete Guide to Hoysaįø·a Temples
1995:
1806:. Penguin Books. pp. 155ā157.
1546:
977:of Hoysaleshwara temple in Halebidu
572:that is dedicated to the Hindu god
24:
3777:Narasimha Jhira Cave Temple, Bidar
3672:Lakshminarayana Temple, Hosaholalu
3612:Kumara Swamy Devasthana, Bangalore
3337:Chennakesava Temple, Somanathapura
2301:(1). Taylor & Francis: 61ā75.
2132:(1). Taylor & Francis: 25ā40.
1862:. Yale University Press. pp.
1759:. Indian Map Service. p. 229.
1727:
1502:India 2001: Reference Encyclopedia
1406:"Sacred Ensembles of the Hoysalas"
1296:Jain iconography on the outer wall
1080:
1037:The twin-temple has two sanctums (
922:The temple originally had an open
670:for family and public gatherings.
25:
6103:
3817:Ranganathaswamy Temple, Bangalore
3512:Kalleshwara Temple, Hire Hadagali
3387:Kalakaleshwara Temple Gajendragad
3148:
2577:. Cambridge Scholars Publishing.
1730:"Sacred Ensembles of the Hoysala"
943:Southern entrance: six feet high
896:Saraswati: seated or standing (9)
708:which connects the shrine to the
6087:Sacred Ensembles of the Hoysalas
6077:Hindu temples in Hassan district
5899:Sacred Ensembles of the Hoysalas
5883:Group of Monuments at Pattadakal
5606:
5596:
5587:
5586:
5575:
4280:
4026:
4018:
3977:Yelluru Shri Vishweshwara Temple
3957:Vijayanarayana Temple, Gundlupet
3862:Srikanteshwara Temple, Nanjangud
3812:Rameshvara Temple, Narasamangala
3662:Lakshminarasimha Temple, Javagal
3332:Chennakeshava Temple, Aralaguppe
3039:. University of Delaware Press.
2726:The Temple Architecture of India
2502:, pp. 25ā26 with footnotes.
2490:, pp. 19ā22 with footnotes.
2463:, pp. 19ā21 with footnotes.
1926:, pp. 78ā81 with footnotes.
1349:
1337:
1325:
1313:
1301:
1289:
1273:
1261:
1249:
1237:
1225:
1213:
1201:
1189:
744:
735:
689:
677:
485:Sacred Ensembles of the Hoysalas
357:. It is the largest monument in
288:Sacred Ensembles of the Hoysalas
176:
169:
148:
141:
5576:
3952:Veera Narayana Temple, Belavadi
3682:Maha Ganapathi Mahammaya Temple
3537:Kasivisvesvara Temple, Lakkundi
3517:Kamala Narayana Temple Belagavi
3212:Amrutesvara Temple, Amruthapura
3155:Hoysaleswara Temple at Halebidu
2869:. University of Chicago Press.
2550:Prasanna Kumar Acharya (1997).
2529:Prasanna Kumar Acharya (2010).
2521:
2416:"Halebidu, Temple of the month"
2250:
2117:
1880:
1793:
1748:
1712:
1436:Sacred Ensembles of the Hoysala
887:Ganesha: seated or standing (4)
185:Hoysaleswara Temple (Karnataka)
5866:Brihadisvara Temple, Thanjavur
5501:Relations with other religions
3702:Mallikarjuna Temple, Kuruvatti
3547:Kedareshvara Temple, Balligavi
3502:Kalleshvara Temple, Aralaguppe
3477:Kaitabheshvara Temple, Kubatur
3090:. Cambridge University Press.
2695:10.1080/03087298.1989.10441009
2648:Essays in Architectural Theory
1779:. Penguin Books. p. 195.
1519:
1505:. South Asia. pp. 29ā30.
1398:
845:A Ramayana frieze, outer wall.
726:
603:
495:The Hoysaleswara Temple is in
345:, also referred simply as the
13:
1:
5823:Khangchendzonga National Park
5654:World Heritage Sites in India
3887:Sri Vinayaka Temple, Guddattu
3697:Mallikarjuna Temple, Basaralu
3677:Mahabaleshwar Temple, Gokarna
3627:Kuruvathi Basaveshwara temple
3287:Bucesvara Temple, Koravangala
3015:Elements of Hindu iconography
2307:10.1080/02666030.1993.9628460
2138:10.1080/02666030.1999.9628563
1391:
1232:Outer wall bands with friezes
395:The Hoysaleswara temple is a
5954:Churches and convents of Goa
5949:Chhatrapati Shivaji Terminus
5698:Darjeeling Himalayan Railway
5680:Buddhist Monuments at Sanchi
5675:Khajuraho Group of Monuments
3802:Polali Rajarajeshwari Temple
3542:Kedareswara temple, Halebidu
3437:Panchalingewara Temple Hooli
3402:Gavi Gangadhareshwara Temple
3397:Gaurishvara Temple, Yelandur
3322:Cheluvanarayana Swamy Temple
3282:Brahmeshvara Temple, Kikkeri
3262:Banashankari Temple, Amargol
3079:. Columbia University Press.
3012:T. A. Gopinatha Rao (1993).
2993:Halebid: Hoysalesvara Temple
1734:UNESCO World Heritage Center
1572:Art Shrines of Ancient India
1478:. McGraw-Hill. p. 959.
1410:UNESCO World Heritage Centre
1123:
353:temple dedicated to the god
7:
5873:Group of Monuments at Hampi
3832:Sharana Basaveshwara Temple
3327:Chennakeshava Temple, Belur
1499:Catherine B. Asher (1995).
1381:Chennakeshava Temple, Belur
1364:
662:, community hall). The two
490:
10:
6108:
6082:Shiva temples in Karnataka
6072:12th-century Hindu temples
6048:Mountain Railways of India
6011:Historic City of Ahmadabad
5851:Great Living Chola Temples
5670:Rock Shelters of Bhimbetka
3932:Trikuteshwara Temple Gadag
3917:Temples of North Karnataka
3852:Sringeri Sharadamba Temple
3507:Kalleshvara Temple, Bagali
3497:Kalleshvara Temple, Ambali
3422:Halasuru Someshwara Temple
3372:Doddabasappa Temple Dambal
3075:Katherine Kasdorf (2013).
2888:Hindu Art and Architecture
2475:, p. 15 with note 24.
1569:V. K. Subramanian (2003).
1182:
1114:
1024:
778:) and swans. According to
526:
277:UNESCO World Heritage Site
6044:
6026:The Jantar Mantar, Jaipur
5959:Dholavira:a Harappan city
5929:
5841:
5808:
5732:
5688:
5660:
5573:
5400:
5365:
5191:
5126:
5033:
4960:
4953:
4852:
4755:
4746:
4654:
4540:
4497:
4464:
4382:
4356:
4328:
4319:
4298:
4289:
4278:
4197:
4066:
4057:
4036:
3857:Siddhesvara Temple Haveri
3837:Shree Vishnumurthy Temple
3807:Ragigudda Anjaneya Temple
3782:Nellitheertha Cave Temple
3752:Mylara Lingeshwara Temple
3732:Mookambika Temple, Kollur
3692:Mahakuta group of temples
3577:Kote Venkataramana Temple
3462:Ishvara Temple, Arasikere
3412:Gokarnanatheshwara Temple
3312:Chandramouleshwara Temple
3207:
3162:, EncyclopƦdia Britannica
3126:Kapila Vatsyayan (1997).
3111:. John Wiley & Sons.
2824:The Hindu Temple Volume 2
2821:Stella Kramrisch (1979).
2803:The Hindu Temple Volume 1
2800:Stella Kramrisch (1976).
1664:, pp. 8ā10, 196ā199.
1280:Exterior wall reliefs on
361:, a town in the state of
336:
332:
324:
309:
301:
293:
283:
274:
270:
262:
251:
241:
236:
197:
135:
125:
115:
105:
100:
88:
78:
66:
61:
46:
39:
34:
5888:Nilgiri Mountain Railway
5828:Manas Wildlife Sanctuary
5724:Sundarbans National Park
4645:Yoga Sutras of Patanjali
3967:Western Chalukya temples
3452:Ganesha Temple, Idagunji
3257:Banashankari Amma Temple
3132:. Abhinav Publications.
2975:. Abhinav Publications.
2935:. Abhinav Publications.
2708:. Abhinav Publications.
1888:Nele-Vidu: Appayana-Vidu
1618:, pp. 33ā34, 37ā46.
1526:Joan-Pau RubiƩs (2002).
971:Lathe turned pillars in
5974:Hill Forts of Rajasthan
5818:Kaziranga National Park
4724:Thiruvilaiyadal Puranam
3947:Udupi Sri Krishna Matha
3872:Kolar Someshwara Temple
3602:Kukke Subramanya Temple
3357:Dharmaraya Swamy Temple
3227:Annapoorneshwari Temple
3018:. Motilal Banarsidass.
2929:Gerard Foekema (1996).
2892:. Thames & Hudson.
2884:George Michell (2000).
2863:George Michell (1988).
2598:. Motilal Banarsidass.
1854:James C. Harle (1994).
1344:Suryanarayana and Shiva
483:in 2023 as part of the
221:13.213194Ā°N 75.995000Ā°E
53:Hoysaleswara temple at
6016:Jaipur City, Rajasthan
5762:Keoladeo National Park
4699:Eighteen Greater Texts
3867:Sirsangi Kalika Temple
3687:Mahadeva Temple, Itagi
3472:Kadri Manjunath Temple
3033:Ajay J. Sinha (2000).
2990:Krishna, M.H. (1971).
2779:Monica Juneja (2001).
2683:History of Photography
2500:Katherine Kasdorf 2013
2488:Katherine Kasdorf 2013
2461:Katherine Kasdorf 2013
2351:Kamath (2001), p. 117)
1924:Katherine Kasdorf 2013
1912:Katherine Kasdorf 2013
1800:Abraham Eraly (2015).
1376:Jain temples, Halebidu
1172:
1148:
1107:
1034:
1005:
978:
939:
868:
846:
818:
770:
633:
613:
537:
521:four lane NH75 highway
199:Geographic coordinates
5757:Humayun's Tomb, Delhi
5452:Hindu gurus and sants
4704:Eighteen Lesser Texts
3432:Harihareshwara Temple
3302:Chamundeshwari Temple
3084:Burton Stein (1989).
3054:Burton Stein (1978).
2950:Kirsti Evans (1997).
2613:Brown, Percy (1949).
2256:Kamath (2001), p. 116
1992:Foekema (1996), p. 93
1983:Foekema (1996), p. 61
1971:Kamath (2001), p. 135
1773:Roshen Dalal (2002).
1153:
1137:
1105:
1032:
999:
970:
937:
866:
844:
816:
764:
631:
611:
534:
188:Show map of Karnataka
157:Location in Karnataka
5904:Chennakeshava Temple
5856:Airavatesvara Temple
5798:Complexe du Capitole
5767:KalkaāShimla railway
5442:Anti-Hindu sentiment
3447:Hulimavu cave Temple
3377:Durga temple, Aihole
3367:Dodda Ganeshana Gudi
3307:Chamundeswari Temple
3217:Ananthasayana temple
3057:South Indian Temples
2971:Hardy, Adam (1995).
2785:. Orient Blackswan.
2665:Dehejia, V. (1997).
2619:. D.B. Taraporevala.
2592:Alice Boner (1990).
2402:Narasimhacharya 1990
2390:Narasimhacharya 1990
2340:Narasimhacharya 1990
2245:Narasimhacharya 1990
1459:Foekema (1996), p.59
1371:Hoysala architecture
982:Pillars and ceilings
910:Doorways and mantapa
461:Chennakeshava Temple
349:, is a 12th-century
226:13.213194; 75.995000
41:ą²¹ą³ą²Æą³ą²øą²³ą³ą²¶ą³ą²µą²° ą²¦ą³ą²µą²øą³ą²„ą²¾ą²Ø
5909:Hoysaleswara Temple
5548:Hinduism by country
4714:Iraiyanar Akapporul
4674:TirumurukÄį¹į¹uppaį¹ai
3937:Tripurantaka Temple
3912:Temples in Tulunadu
3442:Hoysaleswara Temple
3362:Dharmasthala Temple
3347:Chowdeshwari Temple
3247:Badami Cave Temples
2744:Adam Hardy (2015).
2723:Adam Hardy (2007).
2702:Adam Hardy (1995).
2669:. Phaidon: London.
2616:Indian Architecture
2439:, pp. 142ā143.
2375:, pp. 247ā253.
2295:South Asian Studies
2126:South Asian Studies
2114:, pp. 196ā227.
2082:Gerard Foekema 1996
2072:, pp. 196ā207.
2026:Gerard Foekema 1996
1943:, pp. 246ā247.
1902:, pp. 244ā245.
1830:Gazetteer of Mysore
1827:B. L. Rice (2001).
1755:R. P. Arya (2007).
1679:, pp. 343ā354.
1650:Gerard Foekema 1996
1603:, pp. 196ā199.
1552:Kamath (2001), p129
586:Vijayanagara Empire
477:World Heritage Site
454:Kedareshwara temple
450:Jain Basadi complex
343:Hoysaleswara temple
255:Ketamalla, Hoysala
217: /
35:Hoysaleswara Temple
18:Hoysaleswara temple
5719:Sun Temple, Konark
3922:Thirunarayanapuram
3712:Mangaladevi Temple
3597:Kudroli Bhagavathi
3567:Kodandarama Temple
3108:A History of India
2414:K. Kannikeswaran.
2045:"Hoysala Heritage"
1694:"Hoysala Heritage"
1332:Krishna with flute
1108:
1035:
1006:
979:
940:
869:
847:
819:
780:Shadakshari Settar
771:
696:South Nandi shrine
684:North Nandi shrine
634:
614:
538:
325:Reference no.
6054:
6053:
5620:
5619:
5396:
5395:
4949:
4948:
4742:
4741:
4656:Sangam literature
4612:YÄjƱavalkya Smį¹ti
4460:
4459:
4276:
4275:
3985:
3984:
3962:Virupaksha Temple
3527:Karighatta temple
3317:Chaudayyadanapura
3139:978-81-7017-362-5
3118:978-1-4443-2351-1
3097:978-0-521-26693-2
3046:978-0-87413-684-5
3025:978-81-208-0878-2
2942:978-81-7017-345-8
2899:978-0-500-20337-8
2876:978-0-226-53230-1
2855:978-0-8122-7992-4
2834:978-81-208-0224-7
2813:978-81-208-0223-0
2757:978-93-81406-41-0
2715:978-81-7017-312-0
2658:978-0-19-563805-9
2605:978-81-208-0705-1
2584:978-1-4438-6734-4
2563:978-81-7536-113-3
2542:978-81-7536-534-6
2363:, pp. 33ā37.
2327:, pp. 48ā49.
2280:, pp. 46ā48.
2268:, pp. 46ā47.
2228:, pp. 45ā46.
2216:, pp. 44ā45.
2204:, pp. 42ā44.
2192:, pp. 41ā42.
2180:, pp. 40ā41.
2168:, pp. 39ā40.
2153:, pp. 37ā39.
2112:Kirsti Evans 1997
2099:, pp. 37ā46.
2084:, pp. 61ā62.
2070:Kirsti Evans 1997
2028:, pp. 59ā62.
2013:, pp. 34ā46.
1962:, pp. 34ā37.
1873:978-0-300-06217-5
1840:978-81-206-0977-8
1813:978-93-5118-658-8
1786:978-0-14-333544-3
1662:Kirsti Evans 1997
1652:, pp. 59ā61.
1637:, pp. 34ā36.
1601:Kirsti Evans 1997
1582:978-81-7017-431-8
1539:978-0-521-52613-5
1512:978-0-945921-42-4
1485:978-0-658-01151-1
1448:Kirsti Evans 1997
1308:Dancing Saraswati
1220:Outer wall relief
644:pradakshina-patha
590:Madurai Sultanate
340:
339:
320:
160:Show map of India
16:(Redirected from
6099:
6004:Ranthambore Fort
5783:Red Fort Complex
5647:
5640:
5633:
5624:
5623:
5610:
5609:
5600:
5590:
5589:
5579:
5578:
5489:Pilgrimage sites
5243:Ganesh Chaturthi
4958:
4957:
4753:
4752:
4734:Vedarthasamgraha
4729:Vinayagar Agaval
4694:Five Great Epics
4669:Divya Prabandham
4582:Minor Upanishads
4326:
4325:
4296:
4295:
4284:
4283:
4064:
4063:
4030:
4022:
4012:
4005:
3998:
3989:
3988:
3772:Navalinga Temple
3722:Mariyamma Temple
3492:Kalikamba Temple
3467:Itagi Bhimambika
3352:Devarayana Durga
3297:Bhutanatha group
3277:Begur, Bangalore
3190:
3183:
3176:
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2029:
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2014:
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1193:
1170:
1146:
919:turned pillars.
795:Bhagavata Purana
748:
739:
693:
681:
576:in South India.
547:Belur, Karnataka
513:Belur, Karnataka
442:Bhagavata Purana
314:
232:
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6055:
6050:
6040:
5964:Elephanta Caves
5925:
5837:
5804:
5728:
5684:
5656:
5651:
5621:
5616:
5583:
5569:
5392:
5361:
5352:Vasant Panchami
5286:Pahela Baishakh
5268:Makar Sankranti
5187:
5122:
5029:
4945:
4848:
4738:
4719:Abhirami Antati
4689:Kamba Ramayanam
4650:
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4315:
4285:
4272:
4256:Vishishtadvaita
4193:
4053:
4032:
4016:
3986:
3981:
3822:Sadasiva Temple
3632:Lad Khan Temple
3582:Kotilingeshwara
3203:
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2412:
2408:
2404:, pp. 7ā9.
2400:
2396:
2392:, pp. 8ā9.
2388:
2379:
2371:
2367:
2359:
2355:
2350:
2346:
2342:, pp. 6ā8.
2338:
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2255:
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2247:, pp. 7ā8.
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581:Delhi Sultanate
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382:Delhi Sultanate
347:Halebidu temple
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5994:Jaisalmer Fort
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4444:
4439:
4434:
4429:
4427:Shvetashvatara
4424:
4419:
4414:
4409:
4404:
4402:Brihadaranyaka
4399:
4394:
4388:
4386:
4380:
4379:
4377:
4376:
4371:
4366:
4360:
4358:
4354:
4353:
4351:
4350:
4345:
4340:
4335:
4329:
4323:
4317:
4316:
4314:
4313:
4308:
4302:
4300:
4299:Classification
4293:
4287:
4286:
4279:
4277:
4274:
4273:
4271:
4270:
4261:
4260:
4259:
4252:
4245:
4233:
4228:
4223:
4218:
4213:
4203:
4201:
4195:
4194:
4192:
4191:
4190:
4189:
4184:
4179:
4174:
4169:
4164:
4159:
4154:
4149:
4138:
4137:
4136:
4135:
4130:
4125:
4120:
4109:
4108:
4103:
4098:
4093:
4088:
4083:
4078:
4072:
4070:
4061:
4055:
4054:
4052:
4051:
4046:
4043:
4037:
4034:
4033:
4015:
4014:
4007:
4000:
3992:
3983:
3982:
3980:
3979:
3974:
3969:
3964:
3959:
3954:
3949:
3944:
3939:
3934:
3929:
3924:
3919:
3914:
3909:
3904:
3899:
3894:
3889:
3884:
3879:
3874:
3869:
3864:
3859:
3854:
3849:
3844:
3839:
3834:
3829:
3824:
3819:
3814:
3809:
3804:
3799:
3794:
3789:
3784:
3779:
3774:
3769:
3764:
3759:
3754:
3749:
3744:
3739:
3734:
3729:
3724:
3719:
3714:
3709:
3704:
3699:
3694:
3689:
3684:
3679:
3674:
3669:
3664:
3659:
3654:
3649:
3644:
3639:
3634:
3629:
3624:
3619:
3614:
3609:
3604:
3599:
3594:
3589:
3584:
3579:
3574:
3569:
3564:
3559:
3557:Keshava Temple
3554:
3549:
3544:
3539:
3534:
3529:
3524:
3519:
3514:
3509:
3504:
3499:
3494:
3489:
3484:
3479:
3474:
3469:
3464:
3459:
3454:
3449:
3444:
3439:
3434:
3429:
3424:
3419:
3414:
3409:
3404:
3399:
3394:
3389:
3384:
3382:Gadag-Betigeri
3379:
3374:
3369:
3364:
3359:
3354:
3349:
3344:
3342:Chitrapur Math
3339:
3334:
3329:
3324:
3319:
3314:
3309:
3304:
3299:
3294:
3289:
3284:
3279:
3274:
3269:
3264:
3259:
3254:
3249:
3244:
3239:
3234:
3229:
3224:
3219:
3214:
3208:
3205:
3204:
3193:
3192:
3185:
3178:
3170:
3164:
3163:
3157:
3150:
3149:External links
3147:
3145:
3144:
3138:
3123:
3117:
3102:
3096:
3081:
3072:
3067:978-0706904499
3066:
3051:
3045:
3030:
3024:
3009:
2998:
2987:
2981:
2968:
2962:
2947:
2941:
2926:
2915:
2904:
2898:
2881:
2875:
2860:
2854:
2839:
2833:
2818:
2812:
2797:
2792:978-8178242286
2791:
2776:
2762:
2756:
2741:
2736:978-0470028278
2735:
2720:
2714:
2699:
2689:(4): 343ā354.
2678:
2663:
2657:
2642:
2637:978-8120820524
2636:
2621:
2610:
2604:
2589:
2583:
2568:
2562:
2547:
2541:
2525:
2523:
2520:
2517:
2516:
2504:
2492:
2477:
2465:
2453:
2451:, p. 343.
2441:
2429:
2406:
2394:
2377:
2365:
2353:
2344:
2329:
2312:
2282:
2270:
2258:
2249:
2230:
2218:
2206:
2194:
2182:
2170:
2155:
2143:
2116:
2101:
2086:
2074:
2062:
2030:
2015:
2003:
1994:
1985:
1973:
1964:
1945:
1928:
1916:
1904:
1892:
1879:
1872:
1846:
1839:
1819:
1812:
1792:
1785:
1762:
1747:
1720:
1711:
1681:
1666:
1654:
1639:
1620:
1605:
1588:
1581:
1554:
1545:
1538:
1518:
1511:
1491:
1484:
1475:India Handbook
1461:
1452:
1440:
1422:
1396:
1395:
1393:
1390:
1389:
1388:
1383:
1378:
1373:
1366:
1363:
1362:
1361:
1355:
1348:
1346:
1343:
1336:
1334:
1331:
1324:
1322:
1319:
1312:
1310:
1307:
1300:
1298:
1295:
1288:
1286:
1282:Shantaleshwara
1279:
1272:
1270:
1267:
1260:
1258:
1255:
1248:
1246:
1243:
1236:
1234:
1231:
1224:
1222:
1219:
1212:
1210:
1208:Ganesha relief
1207:
1200:
1198:
1195:
1188:
1184:
1181:
1166:
1142:
1125:
1122:
1116:
1113:
1088:Garuda Sthamba
1082:
1079:
1026:
1023:
983:
980:
961:
960:
956:
953:
949:
926:, wherein the
911:
908:
904:
903:
900:
897:
894:
891:
888:
885:
882:
879:
876:
861:
860:
856:
852:
839:
838:
827:
811:
810:
806:
803:
753:
752:
743:
742:
734:
733:
732:
731:
730:
728:
725:
695:
688:
687:
683:
676:
675:
674:
673:
672:
658:(also spelled
605:
602:
551:Vishnuvardhana
528:
525:
492:
489:
469:Keshava Temple
380:armies of the
371:Vishnuvardhana
367:Hoysala Empire
338:
337:
334:
333:
330:
329:
326:
322:
321:
311:
307:
306:
303:
299:
298:
295:
291:
290:
285:
281:
280:
275:
272:
271:
268:
267:
264:
260:
259:
257:Vishnuvardhana
253:
249:
248:
243:
239:
238:
234:
233:
201:
195:
194:
184:
175:
174:
168:
167:
166:
165:
156:
147:
146:
140:
139:
138:
137:
136:
133:
132:
127:
123:
122:
117:
113:
112:
107:
103:
102:
98:
97:
92:
86:
85:
80:
76:
75:
70:
64:
63:
59:
58:
52:
44:
43:
40:
37:
36:
26:
9:
6:
4:
3:
2:
6104:
6093:
6090:
6088:
6085:
6083:
6080:
6078:
6075:
6073:
6070:
6068:
6065:
6064:
6062:
6049:
6043:
6037:
6034:
6032:
6031:Western Ghats
6029:
6027:
6024:
6022:
6019:
6017:
6014:
6012:
6009:
6005:
6002:
6000:
5997:
5995:
5992:
5990:
5987:
5985:
5982:
5980:
5977:
5976:
5975:
5972:
5970:
5967:
5965:
5962:
5960:
5957:
5955:
5952:
5950:
5947:
5945:
5942:
5940:
5937:
5936:
5934:
5932:
5928:
5922:
5921:Western Ghats
5919:
5915:
5912:
5910:
5907:
5905:
5902:
5901:
5900:
5897:
5895:
5892:
5889:
5886:
5884:
5881:
5879:
5876:
5874:
5871:
5867:
5864:
5862:
5859:
5857:
5854:
5853:
5852:
5849:
5848:
5846:
5844:
5840:
5834:
5831:
5829:
5826:
5824:
5821:
5819:
5816:
5815:
5813:
5811:
5807:
5799:
5796:
5795:
5794:
5791:
5789:
5786:
5784:
5781:
5779:
5776:
5774:
5771:
5768:
5765:
5763:
5760:
5758:
5755:
5753:
5750:
5748:
5745:
5743:
5740:
5739:
5737:
5735:
5731:
5725:
5722:
5720:
5717:
5715:
5712:
5710:
5707:
5705:
5702:
5699:
5696:
5695:
5693:
5691:
5687:
5681:
5678:
5676:
5673:
5671:
5668:
5667:
5665:
5663:
5659:
5655:
5648:
5643:
5641:
5636:
5634:
5629:
5628:
5625:
5613:
5605:
5603:
5599:
5595:
5593:
5585:
5584:
5582:
5572:
5564:
5561:
5559:
5556:
5555:
5554:
5553:Hindu temples
5551:
5549:
5546:
5544:
5541:
5537:
5534:
5532:
5529:
5527:
5524:
5522:
5519:
5517:
5514:
5512:
5509:
5507:
5504:
5503:
5502:
5499:
5495:
5492:
5491:
5490:
5487:
5485:
5482:
5478:
5475:
5474:
5473:
5470:
5468:
5465:
5463:
5460:
5458:
5457:Hindu studies
5455:
5453:
5450:
5448:
5445:
5443:
5440:
5438:
5435:
5433:
5430:
5428:
5427:Denominations
5425:
5421:
5418:
5416:
5413:
5412:
5411:
5408:
5407:
5405:
5403:
5399:
5389:
5386:
5384:
5381:
5379:
5376:
5374:
5371:
5370:
5368:
5364:
5358:
5355:
5353:
5350:
5348:
5345:
5343:
5340:
5339:
5334:
5331:
5329:
5326:
5324:
5321:
5319:
5316:
5315:
5314:
5311:
5307:
5304:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5273:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5251:
5249:
5246:
5244:
5241:
5237:
5236:Vijayadashami
5234:
5232:
5229:
5227:
5224:
5223:
5222:
5219:
5217:
5214:
5212:
5209:
5207:
5204:
5202:
5199:
5198:
5196:
5194:
5190:
5182:
5179:
5177:
5174:
5172:
5169:
5167:
5164:
5163:
5162:
5159:
5155:
5152:
5150:
5147:
5145:
5142:
5140:
5137:
5136:
5135:
5132:
5131:
5129:
5125:
5119:
5116:
5114:
5111:
5109:
5106:
5104:
5101:
5099:
5096:
5094:
5091:
5089:
5086:
5084:
5081:
5079:
5076:
5074:
5071:
5069:
5066:
5064:
5061:
5059:
5056:
5054:
5053:Simantonayana
5051:
5049:
5046:
5044:
5041:
5040:
5038:
5036:
5032:
5026:
5023:
5021:
5018:
5016:
5013:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4993:
4991:
4988:
4986:
4983:
4981:
4978:
4976:
4973:
4971:
4968:
4967:
4965:
4963:
4959:
4956:
4952:
4942:
4941:
4937:
4935:
4932:
4930:
4927:
4925:
4922:
4920:
4917:
4915:
4912:
4910:
4907:
4905:
4902:
4900:
4897:
4895:
4892:
4890:
4887:
4885:
4882:
4878:
4875:
4873:
4870:
4868:
4865:
4864:
4863:
4860:
4859:
4857:
4855:
4851:
4845:
4844:
4840:
4838:
4835:
4833:
4830:
4828:
4825:
4823:
4820:
4818:
4815:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4781:
4778:
4776:
4773:
4771:
4768:
4767:
4766:
4763:
4762:
4760:
4758:
4754:
4751:
4749:
4745:
4735:
4732:
4730:
4727:
4725:
4722:
4720:
4717:
4715:
4712:
4710:
4707:
4705:
4702:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4682:
4680:
4677:
4675:
4672:
4670:
4667:
4665:
4662:
4661:
4659:
4657:
4653:
4647:
4646:
4642:
4640:
4639:Yoga Vasistha
4637:
4635:
4632:
4630:
4627:
4625:
4622:
4620:
4617:
4613:
4610:
4608:
4605:
4603:
4600:
4599:
4598:
4595:
4593:
4590:
4588:
4585:
4583:
4580:
4578:
4575:
4571:
4568:
4566:
4563:
4562:
4561:
4558:
4556:
4553:
4551:
4550:Bhagavad Gita
4548:
4547:
4545:
4543:
4539:
4533:
4530:
4528:
4525:
4523:
4520:
4518:
4515:
4513:
4510:
4508:
4505:
4504:
4502:
4500:
4496:
4490:
4489:Sthapatyaveda
4487:
4485:
4482:
4480:
4477:
4475:
4472:
4471:
4469:
4467:
4463:
4453:
4450:
4448:
4445:
4443:
4440:
4438:
4435:
4433:
4430:
4428:
4425:
4423:
4420:
4418:
4415:
4413:
4410:
4408:
4405:
4403:
4400:
4398:
4395:
4393:
4390:
4389:
4387:
4385:
4381:
4375:
4372:
4370:
4367:
4365:
4362:
4361:
4359:
4355:
4349:
4346:
4344:
4341:
4339:
4336:
4334:
4331:
4330:
4327:
4324:
4322:
4318:
4312:
4309:
4307:
4304:
4303:
4301:
4297:
4294:
4292:
4288:
4269:
4265:
4262:
4258:
4257:
4253:
4251:
4250:
4246:
4244:
4243:
4239:
4238:
4237:
4234:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4212:
4208:
4205:
4204:
4202:
4200:
4196:
4188:
4185:
4183:
4180:
4178:
4175:
4173:
4170:
4168:
4165:
4163:
4160:
4158:
4155:
4153:
4150:
4148:
4145:
4144:
4143:
4140:
4139:
4134:
4131:
4129:
4126:
4124:
4121:
4119:
4116:
4115:
4114:
4111:
4110:
4107:
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4087:
4084:
4082:
4079:
4077:
4074:
4073:
4071:
4069:
4065:
4062:
4060:
4056:
4050:
4047:
4044:
4042:
4039:
4038:
4035:
4029:
4025:
4021:
4013:
4008:
4006:
4001:
3999:
3994:
3993:
3990:
3978:
3975:
3973:
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3950:
3948:
3945:
3943:
3940:
3938:
3935:
3933:
3930:
3928:
3925:
3923:
3920:
3918:
3915:
3913:
3910:
3908:
3905:
3903:
3900:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3865:
3863:
3860:
3858:
3855:
3853:
3850:
3848:
3845:
3843:
3840:
3838:
3835:
3833:
3830:
3828:
3825:
3823:
3820:
3818:
3815:
3813:
3810:
3808:
3805:
3803:
3800:
3798:
3795:
3793:
3790:
3788:
3787:Padutirupathi
3785:
3783:
3780:
3778:
3775:
3773:
3770:
3768:
3765:
3763:
3760:
3758:
3755:
3753:
3750:
3748:
3745:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3708:
3705:
3703:
3700:
3698:
3695:
3693:
3690:
3688:
3685:
3683:
3680:
3678:
3675:
3673:
3670:
3668:
3665:
3663:
3660:
3658:
3655:
3653:
3650:
3648:
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3593:
3592:Kudalasangama
3590:
3588:
3587:Krauncha Giri
3585:
3583:
3580:
3578:
3575:
3573:
3570:
3568:
3565:
3563:
3560:
3558:
3555:
3553:
3550:
3548:
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3528:
3525:
3523:
3520:
3518:
3515:
3513:
3510:
3508:
3505:
3503:
3500:
3498:
3495:
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5984:Chittor Fort
5969:Ellora Caves
5939:Ajanta Caves
5908:
5714:Santiniketan
5563:Architecture
5166:Brahmacharya
5108:Samavartanam
5073:Annaprashana
4939:
4842:
4643:
4597:DharmaÅÄstra
4587:Arthashastra
4422:Maitrayaniya
4254:
4247:
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4162:Brahmacharya
3757:Nandi Temple
3747:Murudeshwara
3642:Lakshmeshwar
3441:
3242:Avani, Kolar
3237:Antara Gange
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2686:
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2666:
2647:
2626:
2615:
2594:
2573:
2552:
2531:
2522:Bibliography
2514:, p. 6.
2512:Krishna 1971
2507:
2495:
2468:
2456:
2444:
2432:
2420:. Retrieved
2409:
2397:
2368:
2361:Krishna 1971
2356:
2347:
2325:Krishna 1971
2298:
2294:
2278:Krishna 1971
2273:
2266:Krishna 1971
2261:
2252:
2226:Krishna 1971
2221:
2214:Krishna 1971
2209:
2202:Krishna 1971
2197:
2190:Krishna 1971
2185:
2178:Krishna 1971
2173:
2166:Krishna 1971
2151:Krishna 1971
2146:
2129:
2125:
2119:
2097:Krishna 1971
2077:
2065:
2053:. Retrieved
2048:
2011:Krishna 1971
2006:
1997:
1988:
1967:
1960:Krishna 1971
1919:
1907:
1895:
1882:
1857:
1849:
1829:
1822:
1802:
1795:
1775:
1756:
1750:
1738:. Retrieved
1733:
1723:
1714:
1702:. Retrieved
1697:
1657:
1635:Krishna 1971
1616:Krishna 1971
1571:
1548:
1528:
1521:
1501:
1494:
1474:
1455:
1450:, p. 8.
1443:
1415:24 September
1413:. Retrieved
1409:
1400:
1281:
1177:
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1039:garbha griha
1038:
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767:alapini vina
718:
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501:Indian state
494:
458:
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394:
375:
346:
342:
341:
266:12th-century
237:Architecture
212:75Ā°59ā²42.0ā³E
209:13Ā°12ā²47.5ā³N
29:
5999:Kumbhalgarh
5989:Gagron Fort
5612:WikiProject
5484:Persecution
5472:Nationalism
5462:Iconography
5342:Ratha Yatra
5253:Janmashtami
5248:Rama Navami
5176:Vanaprastha
5127:Varnashrama
5103:Ritushuddhi
5088:Vidyarambha
5078:Chudakarana
5068:Nishkramana
5043:Garbhadhana
4684:Thirukkural
4679:Thiruppugal
4607:NÄradasmį¹ti
4570:Mahabharata
4348:Atharvaveda
4226:Vaisheshika
4113:Puruį¹£Ärthas
3927:Timmalapura
3762:Nagamangala
3737:Mudukuthore
3717:Maranakatte
3532:Karikanamma
3392:Galaganatha
2422:22 November
2418:. TempleNet
2055:22 November
2043:S. Settar.
1704:12 November
1692:S. Settar.
1067:purnaghatas
835:Mahabharata
831:Mahabharata
824:Mahabharata
791:Mahabharata
727:Outer walls
604:Description
436:Mahabharata
401:Vaishnavism
224: /
68:Affiliation
6061:Categories
5313:Kumbh Mela
5281:Gudi Padwa
5226:Durga Puja
5211:Shivaratri
5083:Karnavedha
5063:Namakarana
5025:Tirthatana
4792:Dattatreya
4629:Subhashita
4602:Manusmriti
4479:Dhanurveda
4412:Taittiriya
4397:Kaushitaki
4384:Upanishads
4157:Aparigraha
4059:Philosophy
3942:Turuvekere
3797:Pattadakal
3622:Kurudumale
3522:Kanakagiri
2774:0300062176
2667:Indian Art
2473:Hardy 1995
2449:Dewan 1989
2437:Brown 1949
2373:Hardy 1995
1941:Hardy 1995
1900:Hardy 1995
1886:JF Fleet,
1677:Dewan 1989
1392:References
1130:Gothic art
1051:dvarapalas
959:execution.
945:dvarapalas
893:Brahma (4)
310:Designated
6046:^part of
5979:Amer Fort
5810:Northeast
5788:Taj Mahal
5742:Agra Fort
5536:Theosophy
5467:Mythology
5447:Criticism
5415:Etymology
5373:SvÄdhyÄya
5272:New Year
5221:Navaratri
5193:Festivals
5171:Grihastha
5144:Kshatriya
5118:Antyeshti
5093:Upanayana
5058:Jatakarma
5048:Pumsavana
5035:Sanskaras
5000:Naivedhya
4954:Practices
4899:Mahavidya
4867:Saraswati
4854:Goddesses
4812:Kartikeya
4709:Athichudi
4664:Tirumurai
4517:VyÄkaraį¹a
4484:Natyaveda
4432:Chandogya
4357:Divisions
4338:Yajurveda
3897:Talagunda
3827:Saundatti
3707:Mandarthi
3487:Kalghatgi
3272:Bankapura
3252:Balligavi
3201:Karnataka
3060:. Vikas.
2956:. BRILL.
2729:. Wiley.
1740:3 October
1356:Shiva as
1158:Parthenon
1124:Reception
1019:madanakai
1011:madanakai
1002:madanakai
924:navaranga
721:soapstone
712:, called
706:vestibule
668:navaranga
517:Bengaluru
505:Karnataka
421:soapstone
390:Bengaluru
363:Karnataka
305:i, ii, iv
263:Completed
120:Karnataka
5592:Category
5543:Glossary
5511:Buddhism
5477:Hindutva
5437:Calendar
5318:Haridwar
5296:Vaisakhi
5291:Puthandu
5181:Sannyasa
5098:Keshanta
4929:Shashthi
4765:Trimurti
4592:Nitisara
4565:Ramayana
4560:Itihasas
4532:Jyotisha
4474:Ayurveda
4466:Upavedas
4447:Mandukya
4392:Aitareya
4374:Aranyaka
4369:Brahmana
4343:Samaveda
4268:Charvaka
4068:Concepts
4049:Timeline
4041:Glossary
4024:Hinduism
3847:Sringeri
3727:Melukote
3637:Lakkundi
3267:Banavasi
3232:Annigeri
1736:. UNESCO
1728:UNESCO.
1438:, UNESCO
1365:See also
1167:ā
1143:ā
1047:sukanasi
990:madanika
787:Ramayana
714:sukanasi
664:mandapas
598:shikhara
570:Hoysalas
565:mantapas
497:Halebidu
491:Location
467:and the
452:and the
439:and the
430:Ramayana
405:Shaktism
397:Shaivism
359:Halebidu
302:Criteria
297:Cultural
110:Halebidu
106:Location
101:Location
79:District
73:Hinduism
62:Religion
55:Halebidu
5662:Central
5581:Outline
5531:Sikhism
5526:Judaism
5521:Jainism
5402:Related
5378:Namaste
5231:Ramlila
5161:Ashrama
5149:Vaishya
5139:Brahmin
4962:Worship
4914:Rukmini
4904:Matrika
4877:Parvati
4872:Lakshmi
4862:Tridevi
4817:Krishna
4802:Hanuman
4797:Ganesha
4748:Deities
4634:Tantras
4624:Stotras
4577:Puranas
4522:Nirukta
4512:Chandas
4507:Shiksha
4499:Vedanga
4452:Prashna
4442:Mundaka
4364:Samhita
4333:Rigveda
4264:NÄstika
4249:Advaita
4236:Vedanta
4231:MÄ«mÄį¹sÄ
4211:Samkhya
4199:Schools
4187:Akrodha
4106:Saį¹sÄra
4086:Ishvara
4076:Brahman
3907:Tamboor
3902:Talakad
3617:Kundgol
3407:Godachi
3222:Anekere
3160:Halebid
2912:7796041
1268:Reliefs
1183:Gallery
1115:Artists
1059:makaras
1055:makaras
1025:Sanctum
974:mantapa
928:mantapa
710:mantapa
660:mantapa
655:mandapa
618:dvikuta
543:Samudra
527:History
409:Jainism
317:session
252:Creator
246:Hoysala
126:Country
5602:Portal
5506:BahĆ”Ź¼Ć
5410:Hindus
5388:Tilaka
5357:Others
5333:Ujjain
5328:Prayag
5323:Nashik
5263:Pongal
5201:Diwali
5154:Shudra
5113:Vivaha
5020:DhyÄna
4995:Bhajan
4985:Bhakti
4970:Temple
4924:Shakti
4832:Varuna
4775:Vishnu
4770:Brahma
4619:Sutras
4555:Agamas
4311:Smriti
4242:Dvaita
4207:Ästika
4152:Asteya
4147:Ahimsa
4133:Moksha
4118:Dharma
4031:topics
3607:Kuknur
3572:Koodli
3552:Keladi
3482:Kalasa
3457:Ikkeri
3427:Hangal
3417:Halasi
3136:
3115:
3094:
3064:
3043:
3022:
2979:
2960:
2939:
2921:
2910:
2896:
2873:
2852:
2831:
2810:
2789:
2772:
2754:
2733:
2712:
2673:
2655:
2634:
2602:
2581:
2560:
2539:
1870:
1866:ā267.
1837:
1810:
1783:
1579:
1536:
1509:
1482:
1284:shrine
1162:Athens
1092:Garuda
1071:vimana
1063:Varuna
793:, the
789:, the
776:makara
649:jagati
639:jagati
622:vimana
536:ruins.
509:Hassan
481:UNESCO
433:, the
386:Hassan
378:Muslim
315:(45th
83:Hassan
5843:South
5734:North
5516:Islam
5494:India
5383:Bindi
5366:Other
5306:Ugadi
5301:Vishu
5134:Varna
5015:Tapas
5005:Yajna
4975:Murti
4909:Radha
4889:Durga
4884:Bhumi
4827:Surya
4807:Indra
4780:Shiva
4542:Other
4527:Kalpa
4417:Katha
4321:Vedas
4306:Åruti
4291:Texts
4221:Nyaya
4177:Damah
4167:Satya
4123:Artha
4101:Karma
4091:Atman
4045:Index
917:lathe
802:yoga.
574:Shiva
465:Belur
417:Surya
355:Shiva
351:Hindu
313:2023
130:India
116:State
95:Shiva
90:Deity
5931:West
5690:East
5558:List
5420:List
5347:Teej
5276:Bihu
5258:Onam
5206:Holi
5010:Homa
4990:Japa
4980:Puja
4940:more
4934:Sita
4919:Sati
4894:Kali
4843:more
4837:Vayu
4822:Rama
4787:Agni
4757:Gods
4437:Kena
4407:Isha
4216:Yoga
4182:DayÄ
4172:DÄna
4142:Niti
4128:Kama
4096:Maya
3892:Sudi
3134:ISBN
3113:ISBN
3092:ISBN
3062:ISBN
3041:ISBN
3020:ISBN
2977:ISBN
2958:ISBN
2937:ISBN
2919:ISBN
2908:OCLC
2894:ISBN
2871:ISBN
2850:ISBN
2829:ISBN
2808:ISBN
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2770:ISBN
2752:ISBN
2731:ISBN
2710:ISBN
2671:ISBN
2653:ISBN
2632:ISBN
2600:ISBN
2579:ISBN
2558:ISBN
2537:ISBN
2424:2006
2057:2006
1868:ISBN
1835:ISBN
1808:ISBN
1781:ISBN
1742:2014
1706:2006
1577:ISBN
1534:ISBN
1507:ISBN
1480:ISBN
1417:2023
1061:are
559:Saka
403:and
328:1670
294:Type
242:Type
5432:Law
3199:in
2691:doi
2303:doi
2134:doi
1864:261
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