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to drift out of consciousness. He flashes back to 1982 - the Human, as a child, was reluctantly packing his bags to leave his home. He was tormented by the real-life Allen - the alcoholic boyfriend of his mother's who abused the Human when his mother was not around. As the Human packed his bags, Allen came into his room, beer in hand, and began beating him around. As the Human was made to leave his home with his mother and Allen, he promised himself that he would leave and rise above his circumstances. He promised himself that he would abstain from drugs and alcohol and that he would be a better person than Allen.
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he's been. However, he can only understand when he makes the choice to be a better person. He makes his choice and the entire world explodes - incinerated in a flash of heat until only black consciousness remains. The Human notes that the House of Gold and Bones had been destroyed by his choices at the
Conflagration, but he resolves to rebuild it to be stronger and even better. He concludes that with a genuine heart, he would lead a different life that would never get away from him again. He then awakens slowly.
362:
runs toward the Human. As the two retreat back into the church, the
Numbers and the zombies began an ominous chant of "RU486". Safely back in the church, the Human bolts the door shut. When he turns around, Allen floats imposingly into the air above them, and Peckinpah dives for him. The two begin fighting ferociously while the Human struggles to process the entire situation. The Human freezes up and falls over, and Peckinpah almost immediately picks him back up and encourages him.
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compels the Human to realize that this whole world is him. Peckinpah explains that everyone has aspects of themselves that they hate - such as Allen and Black John - and describes the entire situation as a war for the Human's soul. He explains that everyone is just a collection of the choices they've made, and that depending on the Human's choice during the
Conflagration, he may never return here again, or may be doomed to keep returning forever.
329:, who has awoken in a mysterious world. He comes across characters such as Allen, Black John, and Peckinpah, who all seem to be propelling him forward in this mysterious world, toward a crimson city called Red City, where the Human will find the House of Gold and Bones. He has been instructed to make his way there before an event called the Conflagration - described by Peckinpah as a celebration of the Human's ability to choose - takes place.
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downstairs and approach him, Allen - now dressed as a beautiful woman - comes and pulls the Human fully through the window. The pair quickly flee through streets and alleys of Red City, passing mysterious, skulking zombies all the while. Allen explains that these people are zombies because they have nothing better to do. The Human is stricken by his surroundings - he thinks of the city as blank and yet full of concepts.
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action, but they are all too intoxicated to move, so he tries to save the drowning victim, who he soon recognizes as Rachel - the daughter of his neighbors. The Human paddles his way out to Rachel and manages to grab her, but he is overcome by his intoxication before he can bring her ashore, so he pushes Rachel in the direction of the shore in hopes that someone would save her and then lets himself drift off.
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actually stuff from that you'll hear that's on and you'll be like, 'Fucking hell!'" Taylor also said "It's heavier. It's much more in tune with the narrative. It's much more complex. It's just a kick-ass album that people won't even know to expect. But when you put one and two together and listen to it top to bottom, it's fantastic. It really all comes together, and we're excited about it."
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mirror fighting its own image. The Human then turns and notices the walls of the church are engulfed in flame, set alight by the church's candles. The Human's focus shifts back to the fighting pieces of himself, and when they begin to drown out even the flaming church, the Human realizes that he is ignoring even himself in this situation. He's not living the life he wants to live.
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for a fight. Just as he prepares for the confrontation, Peckinpah is suddenly at his back, this time well-dressed in a suit and tie. The two fight their way through the hordes, eventually breaking away and running through Red City. When they finally decide it's safe to stop, the Human is doubled over and heaving, while
Peckinpah seems exhilarated at the fight and flight.
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how disgusted he is by Allen. Allen then reveals that the
Conflagration is now underway, and the Human notices a plaque overhanging the priest's chair at the altar reading "In Domus de Aurum et Ossium", and as the meaning becomes apparent in the Human's head, the words immediately translate to "The House of Gold and Bones".
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The Human immediately rises to leave the church, but when he flings open the door, he sees hordes of zombies and the
Numbers surrounding him on the steps. In their midst, Peckinpah and Black John are struggling to overcome each other. Peckinpah sees the Human, casts Black John away, and immediately
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Confused and enraged, the Human swiftly leaves the cemetery, walking through Red City while contemplating his life's choices. Suddenly, torrents of rain begin pouring down in the city. The Human walks through the downpour, eventually arriving at a small, decrepit chapel. He takes a seat and begins
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The Human comes to in darkness, reflecting on his memories of saving Rachel at the lake. He gets up and finds a door, soon realizing that Black John and the
Numbers have him captive in a basement in Red City. He finds a window and gets stuck trying to crawl through. Just as two of the Numbers come
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The Human concedes that even though he is now an adult, he still lives to party. He describes a party about to take place at a house by a lakeside. As the Human's friends tell a story, a pitched scream emits from the direction of the lake - someone is drowning. The Human tries to stir his group to
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was very positive about the album, giving it a full five stars and stating "In a stroke of genius, not only do they tell a universally identifiable story of a man at life's crossroads, but they also get more intimate than ever before." and also calling the album "the best music of the band's career
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After watching the conflict awhile, the Human rises and approaches the church's altar. He notes that his body is contorting, damaged by the fight between
Peckinpah and Allen. As the Human crawls toward the altar, he realizes that life can only carry on with an understanding of who he is and where
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As
Peckinpah tries to convince the Human that he just has to make the right choice, Allen becomes prominent and begins drowning him out. Peckinpah lets off a terrible scream and charges Allen, and they burst into ferocious fighting. As they fight, their images begin to blur, until they resemble a
357:
A voice in the church suddenly wakes the Human. The dreamworld Allen is standing before him, this time dressed as a demented
Catholic priest. Allen and the Human verbally brawl, and while Allen explains that he's the version of the Human who hurts others to avoid being hurt, the Human realizes just
378:
Corey Taylor said about the album: "Part 2 is much darker , if I'm honest. Aside from it being a completely different album, it feels more like a soundtrack to a movie in a lot of ways, man. It's really thematic. There are themes from that reveal themselves and that come again, musically. There's
345:
The Human and Allen eventually arrive at a park. The Human realizes that Allen has again disappeared and that Black John and the Numbers have now caught up with him. The Numbers surround the Human and Black John slowly approaches, but the Human decides that he's done running and he's now looking
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The Human notes that they have arrived in a cemetery named Gravesend. Peckinpah beckons him to follow through the cemetery, and arrives at a headstone that reads "September, 1982" on it. This date is when the Human, aged ten at that point, lost his innocence. The revelation of this headstone
299:
Stone Sour started working on the album on March 19, 2012. Guitarist Josh Rand confirmed that the album would contain reprises of Part 1. Examples are "The Conflagration" containing the “I’m on my own” lyric from the 2-part song "The Travelers" and "The House of Gold and Bones" containing the
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gave the album four out of five stars and said that the band's decision to release the material in two parts was "a smart move" and concluded in his short review that "anyone who enjoyed the previous record will certainly find more to love here". Rick Florino of
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The album's cover artwork was revealed on January 30, 2013, while the track list was revealed the following day. The album's first single, titled "Do Me a Favor", was released digitally on February 12, 2013, and was made available for streaming on the band's
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was released on April 9, 2013. The album sold 35,000 copies in the US in its first week and debuted at number-ten on the
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was made available for streaming in full on the band's official website, one week prior to its official retail release.
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channel on February 8. On March 29, 2013, the band premiered "Gravesend" on Rolling Stone's website. On April 2, 2013,
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is their second album to feature the same members from the previous album, and the final album to feature guitarist
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The album's packaging lists the tracks as 12–23, (13–25 on Japanese edition), continuing the track listing of
254:. The album was released on April 3, 2013, in Japan, April 8 in the UK, and April 9 in the United States, via
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1454:"STONE SOUR: 'House Of Gold & Bones – Part 2' Release Date Confirmed, More Details Revealed"
1375:"STONE SOUR: 'House Of Gold & Bones - Part 2' Release Date Confirmed, More Details Revealed"
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There is also a four-part graphic novel series based on the album's concept that is titled "
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1813:"Stone Sour - House Of Gold & Bones: Part 2 (Album Review) - Stereoboard"
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1480:"An Interview with Corey Taylor of Stone Sour: Striking Gold - The Aquarian"
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1505:"Stone Sour: 'House of Gold & Bones - Part 2' Cover Artwork Unveiled"
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played bass during the recording of both House of Gold and Bones albums.
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1723:"Metal (music genre),Pop and rock (Music genre),Slipknot,Music,Culture"
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718:, received generally favorable reviews upon release. Gregory Heaney of
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1640:"STONE SOUR's 'House Of Gold & Bones - Part 2' Cracks U.S. Top 10"
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All lyrics written by Corey Taylor, all music composed by Stone Sour.
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1741:"Stone Sour, 'House of Gold & Bones Part 2′ – Album Review"
2150:"ストーン・サワーのCDアルバムランキング、ストーン・サワーのプロフィールならオリコン芸能人事典-ORICON STYLE"
1533:"House of Gold & Bones Part 2 - Track Listing: Stone Sour"
271:, which was released in October 2012. The first issue of the
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1766:"Melodic Net - Stone Sour - House of Gold & Bones, Pt. 2"
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38:
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1591:"Song Premiere: Stone Sour Renew Their Fury on 'Gravesend'"
2265:"Official Singles Chart Top 100 - Official Charts Company"
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Rose Red Violent Blue (This Song Is Dumb & So Am I)
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House of Gold & Bones (Official Comic Book Trailer)
1855:"House Of Gold & Bones Part 2 Stone Sour CD Album"
1704:"Stone Sour: House Of Gold And Bones Part 2 - Louder"
1030:
Matthew "Stubs" Phillips − vocals on track 10 and 12
277:, a four-part comic book mini series, published by
1563:"Stone Sour: 'Do Me A Favor' Lyric Video Released"
2763:
2124:"MAHASZ – Magyar Hangfelvétel-kiadók Szövetsége"
325:concluded. A character called the Human is the
2221:"Stone Sour - House Of Gold & Bones Part 2"
2172:"Stone Sour - House Of Gold & Bones Part 2"
2080:"Stone Sour - House Of Gold & Bones Part 2"
2058:"Stone Sour - House Of Gold & Bones Part 2"
2036:"Stone Sour - House Of Gold & Bones Part 2"
2014:"Stone Sour - House Of Gold & Bones Part 2"
1967:"Stone Sour - House Of Gold & Bones Part 2"
1945:"Stone Sour - House Of Gold & Bones Part 2"
1923:"Stone Sour - House Of Gold & Bones Part 2"
1901:"Stone Sour - House Of Gold & Bones Part 2"
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291:before his departure from the band in 2014.
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1880:"ハウス・オブ・ゴールド・アンド・ボーンズ パート2(初回限定特殊パッケージ仕様)"
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29:
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1407:"Work Underway on a New Stone Sour Album"
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2292:"Stone Sour Billboard 200 Chart History"
1989:"Stone Sour Billboard 200 Chart History"
1790:Dome, Malcolm (April 2013). "Stone Sour-
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242:is the fifth studio album by American
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1088:Martin Connors – guitar and bass tech
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1091:Kevin Miles – additional guitar tech
977:− lead vocals, piano on tracks 9, 11
963:
1433:Roadrunner Records Official Website
593:
300:bridge riff from "Absolute Zero."
196:House of Gold & Bones – Part 2
18:2013 studio album by Stone Sour
13:
2701:House of Gold & Bones (comics)
2458:House of Gold & Bones – Part 2
2451:House of Gold & Bones – Part 1
2321:House of Gold & Bones – Part 2
1834:"House of Gold & Bones Part 2"
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1654:"House of Gold & Bones, Pt. 2"
1539:. January 31, 2013. Archived from
1383:. February 1, 2013. Archived from
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1039:Sinner − vocals on track 10 and 12
951:House of Gold & Bones - Part 1
715:House of Gold & Bones – Part 1
710:House of Gold & Bones – Part 2
415:House of Gold & Bones – Part 2
406:and illustrated by Richard Clark.
389:House of Gold & Bones – Part 2
322:House of Gold & Bones - Part 1
317:House of Gold & Bones - Part 2
285:House of Gold & Bones – Part 2
281:, was released on April 17, 2013.
268:House of Gold & Bones – Part 1
239:House of Gold & Bones – Part 2
165:House of Gold & Bones – Part 2
156:House of Gold & Bones – Part 1
24:House of Gold & Bones – Part 2
14:
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2787:Albums produced by David Bottrill
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1330:Freeman, Phil (August 16, 2012).
1036:Truck − vocals on track 10 and 12
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2104:(in German). offiziellecharts.de
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1792:House of Gold & Bones-Part 2
1429:"Roadrunner Records Latest News"
1082:Johnathan Nicholson – drum techs
1033:Lady − vocals on track 10 and 12
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884:"The House of Gold & Bones"
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1456:. BlabberMouth. Archived from
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1015:, cello on "The Conflagration"
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1:
1721:Lawson, Dom (April 4, 2013).
1332:"Stone Sour: Enter The House"
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2610:Gone Sovereign/Absolute Zero
2243:"Stone Sour - Audio Secrecy"
2102:"Offizielle Deutsche Charts"
1409:. Theprp.com. March 20, 2012
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906:Japanese edition bonus track
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7:
2126:. mahasz.hu. Archived from
1085:Jeff Ocheltree – drum techs
712:much like its predecessor,
402:. The series is written by
214:Released: February 12, 2013
10:
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1094:Kevin Dietz – strings tech
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2777:Roadrunner Records albums
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2508:Straight Outta Burbank...
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2245:(in German). Hung Medien
2082:(in French). Hung Medien
1969:(in French). Hung Medien
1925:(in German). Hung Medien
1252:New Zealand Albums Chart
2660:Family Values Tour 2006
2501:Meanwhile in Burbank...
2270:Official Charts Company
2199:Official Charts Company
2038:(in Dutch). Hung Medien
1947:(in Dutch). Hung Medien
1125:Australian Albums Chart
396:House of Gold and Bones
274:House of Gold and Bones
223:Released: June 20, 2013
174:Meanwhile in Burbank...
2596:Digital (Did You Tell)
1232:Hungarian Albums Chart
1159:Belgian Albums Chart (
2726:Junk Beer Kidnap Band
2655:Music as a Weapon III
2323:at Roadrunner Records
1242:Japanese Albums Chart
1172:Canadian Albums Chart
1135:Austrian Albums Chart
1018:Karen Graves – violin
319:begins shortly after
2665:Uproar Festival 2010
1460:on February 21, 2013
1387:on February 21, 2013
1272:Swedish Albums Chart
1202:Finnish Albums Chart
1145:Belgian Albums Chart
1000:Additional musicians
927:"Shine" (Rough Demo)
836:"The Uncanny Valley"
433:Professional ratings
265:simultaneously with
220:"The Uncanny Valley"
2589:Say You'll Haunt Me
2437:Come What(ever) May
1889:– via Amazon.
1843:– via Amazon.
1800:(243 May 2013): 90.
1708:www.loudersound.com
1543:on February 2, 2013
1484:www.theaquarian.com
1222:German Albums Chart
1212:French Albums Chart
1063:Michael Phillips –
1049:Technical personnel
1021:Kate Unrau – violin
1013:strings arrangement
907:
873:"The Conflagration"
434:
261:It was recorded at
2399:Christian Martucci
1571:. February 8, 2013
1513:. January 30, 2013
1336:Roadrunner Records
1282:Swiss Albums Chart
1192:Dutch Albums Chart
905:
432:
428:Critical reception
256:Roadrunner Records
2772:Stone Sour albums
2759:
2758:
2711:Roadrunner United
2582:Mission Statement
1684:"Allmusic review"
1682:Heaney, Gregory.
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1067:, digital editing
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400:Dark Horse Comics
279:Dark Horse Comics
263:Soundfarm Studios
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182:
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89:Alternative metal
71:Soundfarm Studios
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2679:Related articles
2670:No More Tours II
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1603:on April 2, 2013
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529:
525:
524:
520:
519:
505:
504:
503:
499:
498:
494:
493:
489:
488:
484:
483:
438:Aggregate scores
435:
431:
224:
221:
215:
212:
151:
150:
113:
112:
108:
33:
21:
20:
2802:
2801:
2797:
2796:
2795:
2793:
2792:
2791:
2762:
2761:
2760:
2755:
2737:
2716:Black President
2674:
2643:
2513:
2488:
2470:
2417:
2406:Shawn Economaki
2361:
2356:
2316:
2311:
2310:
2300:
2298:
2290:
2289:
2285:
2275:
2273:
2263:
2262:
2258:
2248:
2246:
2241:
2240:
2236:
2226:
2224:
2219:
2218:
2214:
2204:
2202:
2192:
2191:
2187:
2177:
2175:
2170:
2169:
2165:
2155:
2153:
2148:
2147:
2143:
2133:
2131:
2122:
2121:
2117:
2107:
2105:
2100:
2099:
2095:
2085:
2083:
2078:
2077:
2073:
2063:
2061:
2056:
2055:
2051:
2041:
2039:
2034:
2033:
2029:
2019:
2017:
2012:
2011:
2007:
1997:
1995:
1987:
1986:
1982:
1972:
1970:
1965:
1964:
1960:
1950:
1948:
1943:
1942:
1938:
1928:
1926:
1921:
1920:
1916:
1906:
1904:
1899:
1898:
1894:
1884:
1882:
1878:
1877:
1873:
1863:
1861:
1853:
1852:
1848:
1838:
1836:
1832:
1831:
1827:
1817:
1815:
1809:
1805:
1788:
1784:
1774:
1772:
1770:www.melodic.net
1764:
1763:
1759:
1749:
1747:
1739:
1738:
1734:
1719:
1715:
1702:
1701:
1697:
1680:
1676:
1666:
1664:
1652:
1651:
1647:
1642:. BlabberMouth.
1638:
1637:
1633:
1622:
1620:
1616:
1606:
1604:
1589:
1588:
1584:
1574:
1572:
1561:
1560:
1556:
1546:
1544:
1531:
1530:
1526:
1516:
1514:
1503:
1502:
1498:
1488:
1486:
1478:
1477:
1473:
1463:
1461:
1452:
1451:
1447:
1437:
1435:
1427:
1426:
1422:
1412:
1410:
1405:
1404:
1400:
1390:
1388:
1373:
1372:
1361:
1354:
1350:
1340:
1338:
1328:
1324:
1319:
1292:UK Albums Chart
1262:Scottish Albums
1118:
1109:
1107:Chart positions
1104:
1059:digital editing
1043:
1024:Anna Redekop –
961:
945:
935:
902:
892:
734:
699:
694:
689:
684:
649:
644:
639:
634:
613:
608:
603:
598:
575:
570:
565:
560:
537:
532:
527:
522:
501:
496:
491:
486:
430:
412:
376:
335:
314:
297:
227:
222:
219:
218:
213:
206:
205:
177:
168:
159:
110:
106:
105:
46:
19:
12:
11:
5:
2800:
2790:
2789:
2784:
2779:
2774:
2757:
2756:
2754:
2753:
2742:
2739:
2738:
2736:
2735:
2728:
2723:
2718:
2713:
2708:
2703:
2698:
2693:
2688:
2682:
2680:
2676:
2675:
2673:
2672:
2667:
2662:
2657:
2651:
2649:
2645:
2644:
2642:
2641:
2634:
2627:
2620:
2613:
2606:
2599:
2592:
2585:
2578:
2571:
2564:
2557:
2550:
2543:
2536:
2529:
2521:
2519:
2515:
2514:
2512:
2511:
2504:
2496:
2494:
2490:
2489:
2487:
2486:
2483:Live in Moscow
2478:
2476:
2472:
2471:
2469:
2468:
2461:
2454:
2447:
2440:
2433:
2425:
2423:
2419:
2418:
2416:
2415:
2410:
2407:
2403:
2402:
2395:
2388:
2381:
2374:
2366:
2363:
2362:
2355:
2354:
2347:
2340:
2332:
2326:
2325:
2315:
2314:External links
2312:
2309:
2308:
2283:
2256:
2234:
2212:
2185:
2163:
2152:. Oricon.co.jp
2141:
2115:
2093:
2071:
2049:
2027:
2005:
1980:
1958:
1936:
1914:
1892:
1871:
1846:
1825:
1803:
1782:
1757:
1732:
1713:
1695:
1674:
1658:metacritic.com
1645:
1631:
1614:
1582:
1554:
1524:
1496:
1471:
1445:
1420:
1398:
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1234:
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1120:
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1100:
1096:
1095:
1092:
1089:
1086:
1083:
1080:
1074:
1068:
1061:
1055:David Bottrill
1045:
1041:
1040:
1037:
1034:
1031:
1028:
1022:
1019:
1016:
1009:
997:
996:
990:
984:
978:
962:
960:
957:
956:
955:
942:
941:
938:
932:
931:
928:
925:
921:
920:
917:
914:
903:
899:
898:
895:
889:
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882:
878:
877:
874:
871:
867:
866:
863:
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851:
848:
845:
841:
840:
837:
834:
830:
829:
826:
823:
819:
818:
815:
812:
808:
807:
804:
801:
797:
796:
793:
790:
786:
785:
782:
779:
775:
774:
771:
768:
764:
763:
760:
757:
753:
752:
749:
746:
738:
733:
730:
705:
704:
675:
667:
666:
663:
655:
654:
625:
619:
618:
589:
581:
580:
551:
543:
542:
513:
507:
506:
477:
471:
470:
467:
463:
462:
458:
457:
454:
448:
447:
444:
440:
439:
429:
426:
411:
408:
375:
372:
334:
331:
313:
310:
296:
293:
233:
232:
229:
228:
226:
225:
216:
202:
199:
198:
188:
187:
184:
183:
180:
179:
170:
161:
147:
146:
139:
138:
136:David Bottrill
133:
127:
126:
121:
115:
114:
103:
99:
98:
97:
96:
91:
84:
78:
77:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
2799:
2788:
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2769:
2767:
2752:
2744:
2743:
2740:
2734:
2733:
2729:
2727:
2724:
2722:
2719:
2717:
2714:
2712:
2709:
2707:
2704:
2702:
2699:
2697:
2694:
2692:
2689:
2687:
2684:
2683:
2681:
2677:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2652:
2650:
2646:
2639:
2635:
2632:
2628:
2625:
2621:
2618:
2617:Do Me a Favor
2614:
2611:
2607:
2604:
2600:
2597:
2593:
2590:
2586:
2583:
2579:
2576:
2572:
2569:
2568:Made of Scars
2565:
2562:
2558:
2555:
2554:Through Glass
2551:
2548:
2544:
2541:
2537:
2534:
2530:
2527:
2523:
2522:
2520:
2516:
2510:
2509:
2505:
2503:
2502:
2498:
2497:
2495:
2491:
2485:
2484:
2480:
2479:
2477:
2473:
2467:
2466:
2462:
2460:
2459:
2455:
2453:
2452:
2448:
2446:
2445:
2444:Audio Secrecy
2441:
2439:
2438:
2434:
2432:
2431:
2427:
2426:
2424:
2422:Studio albums
2420:
2414:
2411:
2408:
2405:
2404:
2401:
2400:
2396:
2394:
2393:
2389:
2387:
2386:
2382:
2380:
2379:
2375:
2373:
2372:
2368:
2367:
2364:
2360:
2353:
2348:
2346:
2341:
2339:
2334:
2333:
2330:
2324:
2322:
2318:
2317:
2297:
2293:
2287:
2272:
2271:
2266:
2260:
2244:
2238:
2223:. Hung Medien
2222:
2216:
2201:
2200:
2195:
2189:
2174:. Hung Medien
2173:
2167:
2151:
2145:
2129:
2125:
2119:
2103:
2097:
2081:
2075:
2060:. Hung Medien
2059:
2053:
2037:
2031:
2016:. Hung Medien
2015:
2009:
1994:
1990:
1984:
1968:
1962:
1946:
1940:
1924:
1918:
1903:. Hung Medien
1902:
1896:
1881:
1875:
1860:
1856:
1850:
1835:
1829:
1814:
1811:Ball, James.
1807:
1799:
1798:
1793:
1786:
1771:
1767:
1761:
1746:
1742:
1736:
1728:
1724:
1717:
1709:
1705:
1699:
1691:
1690:
1685:
1678:
1667:September 23,
1663:
1659:
1655:
1649:
1641:
1635:
1629:
1625:
1618:
1602:
1598:
1597:
1596:Rolling Stone
1592:
1586:
1570:
1569:
1564:
1558:
1542:
1538:
1537:stonesour.com
1534:
1528:
1512:
1511:
1506:
1500:
1485:
1481:
1475:
1459:
1455:
1449:
1434:
1430:
1424:
1408:
1402:
1386:
1382:
1381:
1376:
1370:
1368:
1366:
1364:
1357:
1352:
1337:
1333:
1326:
1322:
1309:
1307:
1305:
1299:
1295:
1293:
1289:
1285:
1283:
1279:
1275:
1273:
1269:
1263:
1259:
1255:
1253:
1249:
1245:
1243:
1239:
1235:
1233:
1229:
1225:
1223:
1219:
1215:
1213:
1209:
1205:
1203:
1199:
1195:
1193:
1189:
1183:
1182:Danish Albums
1179:
1175:
1173:
1169:
1162:
1157:
1150:
1146:
1142:
1138:
1136:
1132:
1128:
1126:
1122:
1114:Chart (2013)
1112:
1099:
1093:
1090:
1087:
1084:
1081:
1079:
1076:Paul Logus –
1075:
1073:
1070:Jay Ruston –
1069:
1066:
1062:
1060:
1056:
1053:
1052:
1051:
1050:
1046:
1044:
1038:
1035:
1032:
1029:
1027:
1023:
1020:
1017:
1014:
1010:
1008:− bass guitar
1007:
1004:
1003:
1002:
1001:
994:
991:
988:
985:
982:
979:
976:
973:
972:
971:
970:
966:
965:
953:
952:
947:
946:
939:
936:Total length:
933:
929:
926:
922:
909:
896:
893:Total length:
890:
886:
883:
879:
875:
872:
868:
864:
861:
860:Do Me a Favor
857:
853:
849:
846:
842:
838:
835:
831:
827:
824:
820:
816:
813:
809:
805:
802:
798:
794:
791:
787:
783:
780:
776:
772:
769:
765:
761:
758:
754:
741:
737:
732:Track listing
729:
726:
721:
717:
716:
711:
676:
674:
673:
669:
668:
664:
662:
661:
657:
656:
626:
624:
621:
620:
590:
588:
587:
583:
582:
552:
550:
549:
545:
544:
514:
512:
509:
508:
478:
476:
473:
472:
464:
461:Review scores
459:
455:
453:
450:
449:
441:
436:
425:
423:
421:
416:
407:
405:
401:
397:
392:
390:
386:
380:
371:
367:
363:
359:
355:
351:
347:
343:
339:
330:
328:
324:
323:
318:
309:
307:
303:
292:
290:
286:
282:
280:
276:
275:
270:
269:
264:
259:
257:
253:
249:
245:
241:
240:
230:
217:
210:
209:Do Me a Favor
204:
203:
200:
197:
193:
189:
185:
176:
175:
171:
167:
166:
162:
158:
157:
153:
152:
148:
144:
140:
137:
134:
132:
128:
125:
122:
120:
116:
104:
100:
95:
92:
90:
87:
86:
85:
83:
79:
76:
75:Jamaica, Iowa
72:
69:
65:
61:
57:
54:April 9, 2013
53:
49:
45:
40:
36:
32:
27:
22:
16:
2730:
2506:
2499:
2481:
2463:
2457:
2456:
2449:
2442:
2435:
2428:
2397:
2390:
2383:
2376:
2371:Corey Taylor
2369:
2320:
2299:. Retrieved
2295:
2286:
2274:. Retrieved
2268:
2259:
2247:. Retrieved
2237:
2225:. Retrieved
2215:
2203:. Retrieved
2197:
2188:
2176:. Retrieved
2166:
2154:. Retrieved
2144:
2132:. Retrieved
2128:the original
2118:
2106:. Retrieved
2096:
2084:. Retrieved
2074:
2062:. Retrieved
2052:
2040:. Retrieved
2030:
2018:. Retrieved
2008:
1996:. Retrieved
1992:
1983:
1971:. Retrieved
1961:
1949:. Retrieved
1939:
1927:. Retrieved
1917:
1905:. Retrieved
1895:
1883:. Retrieved
1874:
1862:. Retrieved
1858:
1849:
1837:. Retrieved
1828:
1816:. Retrieved
1806:
1797:Metal Hammer
1795:
1791:
1785:
1773:. Retrieved
1769:
1760:
1748:. Retrieved
1744:
1735:
1727:The Guardian
1726:
1716:
1707:
1698:
1687:
1677:
1665:. Retrieved
1657:
1648:
1634:
1617:
1605:. Retrieved
1601:the original
1594:
1585:
1573:. Retrieved
1566:
1557:
1545:. Retrieved
1541:the original
1536:
1527:
1515:. Retrieved
1508:
1499:
1487:. Retrieved
1483:
1474:
1462:. Retrieved
1458:the original
1448:
1436:. Retrieved
1432:
1423:
1411:. Retrieved
1401:
1389:. Retrieved
1385:the original
1378:
1351:
1339:. Retrieved
1325:
1303:
1097:
1057:− producer,
1048:
1047:
1042:
1011:Kevin Fox –
1006:Rachel Bolan
999:
998:
975:Corey Taylor
968:
967:
949:
847:"Blue Smoke"
770:"Black John"
735:
725:Artistdirect
713:
709:
708:
670:
660:Metal Hammer
658:
584:
548:The Guardian
546:
511:Classic Rock
419:
414:
413:
404:Corey Taylor
393:
388:
381:
377:
368:
364:
360:
356:
352:
348:
344:
340:
336:
333:Plot summary
320:
316:
315:
302:Rachel Bolan
298:
284:
283:
272:
266:
260:
238:
237:
236:
195:
172:
164:
163:
154:
39:Studio album
15:
2782:2013 albums
2686:Discography
2475:Live albums
2385:Roy Mayorga
2301:October 29,
2249:October 29,
2227:October 29,
2205:October 29,
2178:October 29,
2108:October 29,
2086:October 29,
2064:October 29,
2042:October 29,
2020:October 29,
1998:October 29,
1973:October 29,
1951:October 29,
1929:October 29,
1907:October 29,
1575:February 8,
1547:January 31,
1517:January 30,
1464:February 1,
1391:February 1,
1341:October 12,
1065:engineering
993:Roy Mayorga
814:"Gravesend"
803:"Stalemate"
792:"Peckinpah"
672:Stereoboard
623:Melodic.net
327:protagonist
312:Short story
295:Development
2766:Categories
2561:Sillyworld
2526:Get Inside
2430:Stone Sour
2409:Joel Ekman
2392:Johny Chow
2359:Stone Sour
1662:Metacritic
1317:References
981:James Root
969:Stone Sour
759:"Red City"
728:to date".
452:Metacritic
248:Stone Sour
145:chronology
143:Stone Sour
124:Roadrunner
44:Stone Sour
2575:Zzyzx Rd.
2547:30/30-150
2465:Hydrograd
2378:Josh Rand
2296:Billboard
2276:March 24,
2156:April 26,
2134:April 17,
1993:Billboard
1885:March 24,
1864:March 24,
1839:March 24,
1818:March 24,
1775:March 24,
1750:March 24,
1729:. London.
1607:March 24,
1489:March 24,
1438:March 24,
1413:April 22,
1304:Billboard
1119:position
1078:mastering
987:Josh Rand
959:Personnel
420:Billboard
374:Marketing
94:hard rock
2751:Category
2706:Slipknot
2603:Hesitate
2413:Jim Root
1745:Loudwire
1689:Allmusic
1161:Wallonia
1149:Flanders
989:− guitar
983:− guitar
781:"Sadist"
720:Allmusic
586:Loudwire
475:Allmusic
306:Skid Row
289:Jim Root
131:Producer
59:Recorded
51:Released
41: by
2631:Song #3
2518:Singles
1859:CDJapan
1628:YouTube
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