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The Horn
Concerto is perhaps the best known of Glière's acclaimed works. The addition of valves in the early 19th century allowed composers a greater flexibility in their compositions, and the horn became a full range solo instrument. Many composers, valuing its large range and unique tone,
127:. During this brief encounter, Polekh suggested that Gliere write a concerto for the horn. Gliere promised he would work on a concerto in his free time. Polekh later met with Glière and demonstrated the capabilities of the horn to him; a year later, Glière finished writing the concerto.
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Given its duration (roughly 22 minutes) it is quite common to find this Horn
Concerto on the same CD with other horn concerti, or Glière's ballet
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One of the major works in the horn repertoire, the concerto has been recorded a number of times.
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Despite being composed in the 1950s, the concerto is written in a
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Article written by Valery Polekh regarding the Glière
Concerto
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in 1950, during a break in a rehearsal of Glière's ballet
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incorporated it more prominently in their compositions.
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A lesser known recording, though highly reviewed, is
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378:(1947 film)
320:Concertante
230:Eliz Erkalp
173:Discography
56:introducing
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244:References
223:Kurt Masur
189:Eric Ruske
113:Background
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368:Related
213:In the
163:cadenza
154:Andante
151:Allegro
95:Russian
52:improve
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349:Ballet
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