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Hooker with a heart of gold

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20: 193: 144:. The Roman prostitute with a heart of gold was however invariably portrayed as an exception to the norm for prostitutes to be selfish and greedy. Unlike the Greek "good hetaera", who could sometimes end up marrying elite men, the Roman prostitute with a heart of gold was expected to know her place at the margins of Roman society, though there were exceptions. 128:(good woman, typically a loyal wife) was contrasted. This stigma against prostitutes largely persisted in Western society from Roman times until at least the start of the 21st century. Nevertheless, the prostitute with a heart of gold still appeared quite frequently in Roman writings from around the time of 70:
for another female character who reflects negative stereotypes of uptight or frigid women. Per Nell Damon Galles, the character is "the good girl who made one too many bad decisions—losing her virginity, becoming promiscuous, and eventually entering the dark world of prostitution." The "hooker with a
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The Roman whore was conceptualized as a particularly selfish individual... Since the Roman era, this concept has served as a general troped in the discourse about the characters and morals of prostitutes in Western society. ... "The "heart-of-gold" prostitute is always depicted as an exception to
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introduced various rules regulating prostitution from 1802 to 1804; few hooker with a heart of gold characters appeared over the next few decades. This began to change towards the middle of the 19th century, with various leading French authors including prostitutes with a heart of gold in their
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The character type is defined by morally positive traits, which are contrasted with the character's employment as a prostitute. The narrative will often provide extenuating circumstances for the character's prostitution, and emphasize her personal decency. Sometimes, the character will be a
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In American cinema, prostitutes were generally portrayed sympathetically even from the earliest films, though the hooker with a heart of gold was relatively rare until the 1980s. Some early examples of movies featuring a hooker with a heart of gold are the 1917 and 1918 versions of
342:(1982) exemplifies the era's hooker with a heart of gold: a wonderful woman whose goodness is surprising and amusing because she is also a prostitute, and whose love interest berates her for prostitution. These films have been criticized as akin to 336:. The development of the trope reflected a more lighthearted cultural attitude toward prostitution, which nonetheless overall condemned women for the social transgression of prostitution. The character of Mona in 213:(1780). These 18th-century works generally had sad endings, showing that despite her heart of gold, the prostitute was typically unable to gain acceptance into mainstream society. Following the conclusion of the 217:
in 1799, there were a few years where various minor novelists published happier tales for prostitutes with a heart of gold, in the then prevailing spirit of egalitarianism. This soon ended after
842: 285:, with whom Dumas had a relationship. According to Charles Bernheimer, a French work that most subverted the hooker with the heart of gold stereotype was 346:
for the way they present a glamorized and male-dominated view of prostitution. The hooker with a heart of gold has also been criticized as a "pathetic
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In classical Roman literature, the prostitute was commonly portrayed as especially selfish; the stereotypically bad woman against whom the
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In French literature, early appearances of the hooker with the heart of gold occurred towards the end of the 18th century, including
377: 1573: 293:- there the prostitute was well regarded while she plied her trade in conventional fashion, but was derided once she fell in love. 317:. From European sources, mainstream portrayals were begun to be seen by the early 1960s in internationally-popular films such as 248: 817: 729: 697: 406: 395:
Johnson, Katie N. (2017-10-30). "Consumptive Chic: The Postfeminist Recycling of Camille in Baz Luhrman's Moulin Rouge!".
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The "hooker with a heart of gold" archetype became most prominent in American cinema during the 1980s, peaking with
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Subsequent development of the stereotype may also have drawn inspiration from traditions surrounding the
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heart of gold" has also been described as a "modern 'secular' counterpart" of the medieval sinner-saint.
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has long been known for its treatment of the trope. Such as in a "much discussed" passage of Plutarch's
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the term "good hetaerae", as defined in a much-discussed passage in Plutarch's 'Table Talks'
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also represents an example of a hooker with a heart of gold, according to some reviewers.
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Herzberg, Bob. From Shooting Scripts: From Pulp Western to Film, 2005, McFarland, p.11,12
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Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France
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The "universally adored" Fleur de Marie, a hooker with a heart of gold from
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Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women
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Prostitutes appear in ancient Greek literature as far back as the
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Stock character; prostitute with heart and intrinsic morality
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where Plutarch commends Menander as suitable for use at
103:. The good prostitute appeared even more frequently in 724:. Duke University Press. pp. 42–45, 64–66, 220. 672:
She may be the original hooker with the heart of gold
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Strong, Anise K. (2016). "Good little prostitutes".
717: 547:. De Gruyter. pp. 6, 47. 139, 178–182, 210. 2094: 713: 711: 709: 1903: 473:PhD Dissertation, the University of New Mexico 876: 706: 832: 466: 809:The Films of the Eighties: A Social History 792: 790: 921: 883: 869: 623:Prostitutes and Matrons in the Roman World 614: 432: 378:List of famous prostitutes and courtesans 74: 787: 758:Mid-America American Studies Association 751: 670:. New York: Berkley Books. p. 127. 191: 18: 683: 545:Prostitution in the Ancient Greek World 394: 185:(courtesan) with a heart of gold named 2095: 805: 620: 1955: 1424: 1423: 920: 864: 665: 567: 249:Splendeurs et misères des courtisanes 890: 686:Indian Literature and Popular Cinema 511:PhD Dissertation, Indiana University 504: 428: 426: 211:The Loves of Milord Edouard Bromston 845:from the original on 1 October 2023 536: 353:The character of Ophelia played by 339:The Best Little Whorehouse in Texas 13: 718:Charles Bernheimer (22 May 1997). 684:Pauwels, Heidi Rika Maria (2008). 388: 60: 14: 2129: 574:The American Journal of Philology 423: 140:'s semi fictionalised account of 833:Emily Soares (6 November 2009). 1400:(self styled captain, braggart) 826: 799: 776:from the original on 2022-05-22 745: 600:from the original on 2022-05-22 525:from the original on 2023-11-02 487:from the original on 2023-11-02 449:from the original on 2022-05-31 287:Auguste Villiers de l'Isle-Adam 677: 659: 561: 543:Konstantinos Kapparis (2018). 498: 460: 383:Said the actress to the bishop 53:who possesses virtues such as 1: 416: 639:10.1017/CBO9781316563083.003 633:. pp. 6, 18–19, 42–61. 7: 1904: 1771:Elderly martial arts master 1466:Hooker with a heart of gold 806:Palmer, William J. (1995). 467:Damon Galles, Nell (2005). 433:Griffiths, Heather (2010). 366: 132:; for example in Terence's 93:middle ancient Greek comedy 57:, generosity and kindness. 39:hooker with a heart of gold 10: 2134: 1956: 812:. 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(2003). 262:La Dame aux Camélias 257:Alexandre Dumas fils 179:The Little Clay Cart 159:, or to the ancient 1712:Princess and dragon 1610:Princesse lointaine 1110:(servants, clowns: 1080:Gentleman detective 357:in the 1983 comedy 344:sexploitation films 311:and the 1939 movie 1997:Identity formation 1787:American mappillai 1699:Damsel in distress 1481:Magical girlfriend 1386:(wealthy old men, 668:God's Leading Lady 222:writings, such as 203: 35: 2103:Erotic literature 2090: 2089: 2086: 2085: 1967:Adolescent clique 1947: 1946: 1943: 1942: 1939: 1938: 1720: 1719: 1456:Farmer's daughter 1425:By sex and gender 1415: 1414: 1411: 1410: 1407: 1406: 1198: 1197: 1057: 1056: 978:Mythological king 819:978-0-8093-2029-5 731:978-0-8223-1947-4 699:978-0-415-44741-6 408:978-3-319-64608-4 373:Counterstereotype 215:French Revolution 161:Indian theatrical 2125: 2013:Little green men 2002:Imaginary friend 1953: 1952: 1909: 1731: 1730: 1671:Mammy stereotype 1625:Yamato nadeshiko 1441: 1440: 1432: 1431: 1421: 1420: 1296:Bug-eyed monster 1260:Social Darwinist 1209: 1208: 1185:Good cop/bad cop 1068: 1067: 938: 937: 929: 928: 918: 917: 892:Stock characters 885: 878: 871: 862: 861: 855: 854: 852: 850: 830: 824: 823: 803: 797: 794: 785: 784: 782: 781: 749: 743: 742: 740: 738: 715: 704: 703: 681: 675: 674: 663: 657: 656: 618: 612: 611: 606: 605: 565: 559: 558: 540: 534: 533: 531: 530: 502: 496: 495: 493: 492: 464: 458: 457: 455: 454: 430: 412: 355:Jamie Lee Curtis 309:Marlene Dietrich 304:Shanghai Express 244:Honoré de Balzac 142:Hispala Faecenia 2133: 2132: 2128: 2127: 2126: 2124: 2123: 2122: 2093: 2092: 2091: 2082: 1958: 1935: 1912: 1885: 1854: 1837:Prince Charming 1831: 1827:Superfluous man 1822:Nice Jewish boy 1775: 1752: 1716: 1693: 1675: 1658:Lady-in-waiting 1652: 1629: 1596: 1568: 1540: 1526:Fairy godmother 1502: 1426: 1403: 1342: 1282: 1254: 1225: 1194: 1173: 1152:Gentleman thief 1133: 1126: and  1094: 1053: 1025: 997: 923: 912: 894: 889: 859: 858: 848: 846: 831: 827: 820: 804: 800: 795: 788: 779: 777: 750: 746: 736: 734: 732: 716: 707: 700: 682: 678: 664: 660: 649: 619: 615: 603: 601: 566: 562: 555: 541: 537: 528: 526: 503: 499: 490: 488: 465: 461: 452: 450: 439:Sociation Today 431: 424: 419: 409: 391: 389:Further reading 369: 320:Never on Sunday 283:Marie Duplessis 229:Marion de Lorme 95:for example in 77: 63: 61:Characteristics 43:stock character 17: 12: 11: 5: 2131: 2121: 2120: 2115: 2110: 2105: 2088: 2087: 2084: 2083: 2081: 2080: 2075: 2070: 2065: 2063:Tragic mulatto 2060: 2055: 2050: 2045: 2040: 2038:Shoulder angel 2035: 2030: 2025: 2020: 2015: 2010: 2009:("The Lovers") 2004: 1999: 1994: 1989: 1984: 1979: 1974: 1969: 1963: 1960: 1959: 1949: 1948: 1945: 1944: 1941: 1940: 1937: 1936: 1934: 1933: 1928: 1922: 1920: 1914: 1913: 1911: 1910: 1901: 1895: 1893: 1887: 1886: 1884: 1883: 1878: 1873: 1868: 1862: 1860: 1856: 1855: 1853: 1852: 1847: 1841: 1839: 1833: 1832: 1830: 1829: 1824: 1819: 1814: 1809: 1804: 1799: 1794: 1789: 1783: 1781: 1777: 1776: 1774: 1773: 1768: 1762: 1760: 1754: 1753: 1751: 1750: 1745: 1739: 1737: 1728: 1722: 1721: 1718: 1717: 1715: 1714: 1709: 1703: 1701: 1695: 1694: 1692: 1691: 1685: 1683: 1677: 1676: 1674: 1673: 1668: 1662: 1660: 1654: 1653: 1651: 1650: 1645: 1639: 1637: 1631: 1630: 1628: 1627: 1622: 1617: 1615:Southern belle 1612: 1606: 1604: 1598: 1597: 1595: 1594: 1589: 1584: 1578: 1576: 1570: 1569: 1567: 1566: 1561: 1556: 1550: 1548: 1546:Hawksian woman 1542: 1541: 1539: 1538: 1533: 1528: 1523: 1518: 1512: 1510: 1504: 1503: 1501: 1500: 1495: 1494: 1493: 1488: 1478: 1473: 1468: 1463: 1461:Girl next door 1458: 1453: 1447: 1445: 1438: 1428: 1427: 1417: 1416: 1413: 1412: 1409: 1408: 1405: 1404: 1402: 1401: 1395: 1381: 1376: 1374:Masked villain 1371: 1366: 1361: 1356: 1350: 1348: 1344: 1343: 1341: 1340: 1339: 1338: 1328: 1323: 1318: 1313: 1308: 1303: 1298: 1292: 1290: 1284: 1283: 1281: 1280: 1275: 1270: 1264: 1262: 1256: 1255: 1253: 1252: 1247: 1242: 1236: 1234: 1227: 1226: 1224: 1223: 1217: 1215: 1206: 1200: 1199: 1196: 1195: 1193: 1192: 1187: 1181: 1179: 1175: 1174: 1172: 1171: 1170: 1169: 1164: 1154: 1149: 1143: 1141: 1135: 1134: 1132: 1131: 1104: 1102: 1096: 1095: 1093: 1092: 1087: 1082: 1076: 1074: 1065: 1059: 1058: 1055: 1054: 1052: 1051: 1050: 1049: 1039: 1033: 1031: 1027: 1026: 1024: 1023: 1018: 1013: 1007: 1005: 999: 998: 996: 995: 990: 985: 980: 975: 970: 965: 960: 955: 950: 944: 942: 935: 925: 924: 914: 913: 911: 910: 905: 899: 896: 895: 888: 887: 880: 873: 865: 857: 856: 825: 818: 798: 786: 744: 730: 705: 698: 692:. p. 84. 676: 658: 654:the stereotype 647: 613: 586:10.2307/295442 580:(2): 221–235. 560: 554:978-3110556759 553: 535: 497: 459: 421: 420: 418: 415: 414: 413: 407: 390: 387: 386: 385: 380: 375: 368: 365: 360:Trading Places 273:Giuseppe Verdi 165:Sanskrit drama 153:Mary Magdalene 107:. 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Springer. 397: 358: 352: 337: 333:Pretty Woman 331: 324: 318: 312: 302: 298: 295: 290: 276: 266: 260: 254: 247: 237: 227: 210: 204: 197: 178: 174:Mṛcchakatika 172: 146: 133: 125: 123: 112: 100: 78: 64: 45:involving a 38: 36: 30:Mṛcchakatika 28: 2023:Mole people 1866:Feral child 1748:Scaramouche 1620:Valley girl 1582:Jungle girl 1554:Dragon Lady 1531:La Ruffiana 1476:Loosu ponnu 1398:Il Capitano 1021:Tragic hero 973:Legacy hero 948:Action hero 764:(2): 5–17. 278:La Traviata 242:(1843) and 224:Victor Hugo 187:Vasantasena 151:figures of 126:femina bona 114:Table talks 85:Archilochus 2097:Categories 2058:Town drunk 2007:Innamorati 1707:Final girl 1689:Gamer girl 1392:Il Dottore 1364:Folk devil 1306:Killer toy 1301:Evil clown 1221:False hero 1162:Air pirate 1124:Pulcinella 849:9 February 780:2022-05-22 604:2022-05-22 529:2022-05-20 491:2022-05-20 453:2022-05-16 417:References 314:Stagecoach 234:Eugène Sue 183:nagarvadhu 97:Antiphanes 51:prostitute 2068:Truck-kun 1972:Barbarian 1906:Otokonoko 1859:Primitive 1735:Harlequin 1726:Masculine 1681:Geek girl 1666:Columbina 1602:Queen bee 1388:Pantalone 1359:Archenemy 1268:Dark lord 1250:Terrorist 1245:Evil twin 1116:Brighella 1112:Harlequin 1090:Trickster 1037:Cyberhero 1016:Man alone 988:Superhero 963:Folk hero 908:Archetype 690:Routledge 627:Cambridge 519:304697655 481:305459502 301:, 1932's 275:'s opera 55:integrity 47:courtesan 2053:Tokenism 2043:Sidekick 2033:Redshirt 2028:Pop icon 1845:Bishōnen 1817:Nice guy 1564:Tsundere 1516:Cat lady 1436:Feminine 1326:Vampires 1316:Skeleton 1288:Monsters 1204:Villains 1003:Antihero 958:Everyman 843:Archived 774:Archived 770:40642027 737:19 April 598:Archived 523:Archived 515:ProQuest 485:Archived 477:ProQuest 447:Archived 367:See also 226:'s play 219:Napoleon 207:Rousseau 171:'s play 149:Biblical 119:Symposia 109:Menander 25:Sanskrit 1926:Pachuco 1918:Bad boy 1876:Caveman 1743:Pierrot 1648:Laotong 1643:Class S 1486:Catgirl 1471:Ingénue 1451:Bishōjo 1384:Vecchio 1331:Zombies 1147:Bad boy 1128:Pierrot 1122:,  1120:Scapino 1118:,  1114:,  983:Paladin 299:Camille 268:Camille 169:Śudraka 136:and in 130:Terence 89:hetaira 1957:Others 1592:Virago 1354:Alazon 1157:Pirate 1139:Outlaw 1063:Rogues 933:Heroes 816:  768:  728:  696:  645:  594:295442 592:  551:  517:  513:: 26. 479:  405:  348:cliché 271:, and 167:where 134:Hecyra 101:Hydria 1987:Donor 1977:Clown 1792:Himbo 1780:Young 1521:Crone 1379:Miser 1347:Other 1178:Other 1108:Zanni 1030:Other 766:JSTOR 590:JSTOR 475:: 3. 445:(2). 307:with 157:Rahab 41:is a 27:play 1992:Fool 1891:LGBT 1807:Jock 1802:Jack 1635:LGBT 1390:and 1369:Igor 1232:mole 1230:The 1190:Rake 1085:Jack 903:List 851:2024 814:ISBN 739:2012 726:ISBN 694:ISBN 643:ISBN 549:ISBN 403:ISBN 323:and 236:'s 155:and 138:Livy 68:foil 37:The 1508:Hag 635:doi 582:doi 578:116 350:". 289:'s 246:'s 209:'s 99:'s 49:or 2099:: 841:. 837:. 789:^ 772:. 762:27 760:. 756:. 708:^ 688:. 651:. 641:. 629:: 625:. 607:. 596:. 588:. 576:. 572:. 521:. 509:. 483:. 471:. 441:. 437:. 425:^ 259:, 189:. 1394:) 1130:) 884:e 877:t 870:v 853:. 822:. 783:. 741:. 702:. 637:: 584:: 557:. 532:. 494:. 456:. 443:8 411:. 328:. 177:( 33:.

Index


Sanskrit
Mṛcchakatika
stock character
courtesan
prostitute
integrity
foil
Archaic period
Archilochus
hetaira
middle ancient Greek comedy
Antiphanes
new ancient Greek comedy
Menander
Table talks
Symposia
Terence
Livy
Hispala Faecenia
Biblical
Mary Magdalene
Rahab
Indian theatrical
Sanskrit drama
Śudraka
Mṛcchakatika
nagarvadhu
Vasantasena

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