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549:"Comics: Philosophy & Practice Conference, May 18–20, 2012 – Lines of Transmission: Comics and Autobiography – Richard and Mary L. Gray Center for Arts and Inquiry – The University of Chicago"
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C-Span recording of "Graphic
Nonfiction: Telling the Story with Words and Pictures," panel at 2016 Boston Book Festival, featuring Hillary Chute, Alexander Danner, and Sarah Glidden (2016)
169:(2016) investigates how hand-drawn comics has come of age as a serious medium for engaging history. It explores graphic narratives that document the disasters of war by such artists as
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Chute collaborated with
Bechdel in co-teaching the course “Lines of Transmission: Comics and Autobiography” at the University of Chicago as part of a
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and an associate faculty member of the
University’s Department of Visual Arts, as well as a visiting professor at
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866:"Hillary Chute's 'Disaster Drawn' argues illustrations, comics capture true horror of war"
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and graphic narratives. She is
Distinguished Professor of English and Art + Design at
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Hillary Chute interviewing Daniel Clowes at the Wexner Center for the Arts (2014)
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423:"Story Behind the Book: Hillary Chute on Drawing Disasters – The Boston Globe"
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525:"Project MUSE – MFS Modern Fiction Studies-Volume 52, Number 4, Winter 2006"
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In March 2018, Chute was named a columnist on comics and graphic novels for
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121:. She was formerly associate professor in the Department of English at the
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801:"Hillary Chute on using cartoons to tell real stories about war" (2015
476:"Spiegelman among National Jewish Book Awards winners — Jewish Journal"
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625:"Introducing The Book Review's New Graphic Novels and Comics Column"
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in the category
Biography, Autobiography, Memoir, as well as a 2012
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Hillary Chute interviewing Art
Spiegelman at 92nd Street Y (2011)
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In 2006, she co-edited the "Graphic
Narrative" special issue of
884:"The Promise—and the Danger—of Comparing Comic Books to Poetry"
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792:"Why I Study Comics: An Interview with Hillary Chute" (2017
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Disaster Drawn: Visual
Witness, Comics and Documentary Form
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Discussion Group on Comics and
Graphic Narratives in 2009.
196:, was published in 2014. Chute is the Associate Editor of
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Chute's book of interviews with contemporary cartoonists,
849:"The Look of Disaster: Comic Books as a Documentary Form"
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with Sarah Larson at the Society of Illustrators (2018).
113:, MA) is an American literary scholar and an expert on
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about the relation of comics and poetry, reported for
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Graphic Women: Life Narrative and Contemporary Comics
724:"Best Music and Entertainment Books of 2017 (pg. 1)"
675:"Hillary Chute at the 47th Comic-Con in San Diego"
276:(2017) was named one of the Best Books of 2017 by
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820:Hillary Chute interviewing Scott McCloud about
834:Hillary Chute interviewing Alison Bechdel for
577:Chute, Hillary; Bechdel, Alison (2014-03-01).
282:and one of the "100 Notable Books of 2018" by
214:in the category of best comics-related book.
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447:"Current and Former Junior Fellows by Term"
318:Comics & Media: A Critical Inquiry Book
298:Why Comics?: From Underground to Everywhere
274:Why Comics?: From Underground to Everywhere
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501:"Full List of 2012 Eisner Award Winners"
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579:"Bartheses: Barthesian Doubt Edition"
342:by Art Spiegelman, Associate Editor (
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882:Berlatsky, Noah (7 August 2013).
847:Hand, Elizabeth (18 April 2016).
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269:The New York Review of Books
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748:"100 Notable Books of 2018"
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165:. Her second academic book
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208:National Jewish Book Award
145:(2010) covers the work of
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250:. Chute has written for
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119:Northeastern University
219:Modern Fiction Studies
123:University of Chicago
794:History News Network
147:Aline Kominsky-Crumb
264:San Diego Comic-Con
206:, which won a 2011
141:Chute's first book
137:Writings and career
133:from 2007 to 2010.
37:Columbia University
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285:The New York Times
221:. She founded the
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653:Poetry Foundation
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868:(review of
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785:Why Comics?
272:. Her book
155:Lynda Barry
99:Why Comics?
901:Categories
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361:References
805:profile).
760:0362-4331
611:162252065
603:0093-1896
589:(3): 52.
505:Newsarama
187:Joe Sacco
62:Education
339:MetaMaus
259:Artforum
203:MetaMaus
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
