71:, he is identified as "the only person worth listening to, in spite of the limited powers of his organ". In 1843, under the same management, he played Acis and Phaon in
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100:'s management in 1850, Allen was continually engaged at the Princess's, where, owing to its small size, he was heard to advantage. He played in
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Allen retired early from public life, and devoted himself to teaching and the composition of ballads, two of which became popular, viz. "
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49:. He first attracted public attention by his performance, on 5 February 1842, of Damon on the production of
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186:, considered him, both as singer and actor, as the most complete artist on the English operatic stage.
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170:. In the early part of 1846 he was engaged at Drury Lane, where he played Basilius on 3 February in
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19:(1809 – 27 November 1876) was an Irish-born operatic tenor.
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89:as Edward III in the English version of Balfe's
85:, and later in the autumn he played at the
31:and received his musical education at the
81:, when the heroine on each occasion was
293:19th-century British male opera singers
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193:" and "When we two parted". He died at
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45:by the students of the Academy at the
278:19th-century Irish male opera singers
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246:A Dictionary of Music and Musicians
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96:From that time until the close of
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176:An Adventure of Don Quixote
133:Les Diamants de la couronne
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288:Musicians from Cork (city)
172:George Alexander Macfarren
178:. À propos of this part,
52:Acis and Galatea (Handel)
233:Chitty, Alexis (1900).
42:The Marriage of Figaro
33:Royal Academy of Music
283:Irish operatic tenors
251:Macmillan and Company
156:Michael William Balfe
69:Musical Recollections
236:"Allen, Henry"
17:Henry Robinson Allen
160:The Castle of Aymon
87:Princess's Theatre
27:Allen was born in
174:'s production of
98:John Medex Maddox
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151:Le Val d'Andorre
120:Ferdinand HĂ©rold
91:Le Puits d'Amour
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65:John Edmund Cox
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273:1876 deaths
268:1809 births
217:Chitty 1900
115:Anna Bolena
262:Categories
249:. London:
201:References
61:Drury Lane
182:, in the
142:La Sirène
75:'s opera
23:Biography
184:Athenæum
144:, etc.;
243:(ed.).
146:Halévy
109:Otello
55:under
37:Mozart
239:. In
138:Auber
124:Marie
78:Saffo
63:. In
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