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Otello (Rossini)

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order to be revenged for wrongs done to him, pretends to favor the love-suit of Rodrigo. He intercepts a letter by the latter, with which he leads Otello to believe his wife unfaithful, which is the basis for the action, which ends with Otello stabbing Desdemona to death, and the death of Otello himself, after discovering the deceit of Jago and the innocence of his wife.
167:, first published in 1565. In further contrast, the role of Roderigo, a sub-plot in Shakespeare and Verdi, is very prominent in Rossini's version—some of the most difficult and brilliant music being assigned to the character Rodrigo. The roles of Otello, Iago, and Rodrigo are all composed for the tenor voice. 379:
in Albuquerque, New Mexico, presented three performances of the opera. The first gave both the original and the alternative "happy" ending. Prior to the second performances, the audience voted for the ending they preferred, and the chosen version was then performed. Also in 2012, the opera was staged
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Otello, an African in the service of Adria (Venice), returns victorious from a battle against the Turks. He secretly weds Desdemona, daughter of his enemy Elmiro Patrizio Veneto, already promised to Rodrigo, son of the Doge. Jago, another lover rejected by Desdemona and secret enemy of Otello, in
230:-era "secondo basso cantante", transitional baritones, and practicing Verdian baritones of the 19th century. During this period, Iago was assigned to the Italian sometimes-second-tenor, sometimes-baritone Giovanola at the Théâtre Italien in Paris on 26 July 1823 with 238:
sang the role on his family's trip to New York in 1826. The Italian baritone Ferdinando Lauretti sang it at Verona in 1827 and a review of this performance was dispatched to London's
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Othello: A Tragic Opera in Two Acts, as performed by the Garcia Troupe in New York in 1826, and the Italian Company of the Chestnut Street Theatre in 1833
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is an important milestone in the development of opera as musical drama. It provided Verdi with a benchmark for his own adaptations of Shakespeare. A 1999
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The role of Iago is indicated in the early scores as that of a tenor and was taken up in the early years by tenors Ciccimarra, Luigi Campitelli and
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After a long period of relative neglect, in the late 20th century the opera began once more to appear on the world's stages. A production by
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CD of the opera includes an alternative happy ending, a common practice with drama and opera at that period of the 19th century.
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appeared in 1844 in Paris, where he interpolated the aria "" (transposed from C to B-flat) from Rossini's
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The plot of the libretto differs greatly from Shakespeare's play in that it takes place wholly in
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Manuel García (1775–1832): Chronicle of the Life of a bel canto Tenor at the Dawn of Romanticism
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in leading roles. The opera received its premiere recording in 1978, with a cast headed by
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as a successful Muslim Arab in today's Venetian business world, with Karolina Makuła and
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voice and it was frequently sung thereafter by baritones, including the most renowned
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in Naples on 4 December 1816. It was first performed in Paris on 5 June 1821 at the
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A French printed edition from 1823 shows Iago's part written in the bass clef.
240: 231: 219: 204: 146: 1142: 2242: 1762: 1261:(New York), September 2012, on operasouthwest.com. Retrieved 2 September 2013 921: 916: 911: 902: 889: 844: 733: 728: 381: 643:, on the offstage gondolier's song "Nessun maggior dolore" from this opera. 2232: 2135: 1881: 1415: 155:, which was also based on it. Shakespeare derived his play from the story 1810: 1706: 1462:
Othello: A Tragic Opera in Two Acts, as performed at the New-York Theatre
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also recorded ballet music from the opera in 1976 for Philips Records.
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According to the booklet of the performances of 1818 in Milan:
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in Pesaro in 1988. The same production was performed at the
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Virtuosi Brunensis and the Transilvania Philharmonic Choir
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
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L'occasione fa il ladro, ossia Il cambio della valigia
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as Desdemona. The Spanish baritone (later pedagogue)
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Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
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Il barbiere di Siviglia, ossia L'inutile precauzione
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Conservatorio Statale di Musica "Gioachino Rossini"
145:is much less diabolical than Shakespeare's play or 1819:Matilde di Shabran, ossia Bellezza e Cuor di Ferro 1231:on operasouthwest.org. Retrieved 2 September 2013. 388:presented the opera in concert form in July 2014. 1371:Ithaca, New York: Northeastern University Press. 1123:. Vol. IV. London: Samuel Leigh. p. 171 2240: 1615:Il signor Bruschino, ossia Il figlio per azzardo 1583:Ciro in Babilonia, ossia La caduta di Baldassare 1292:(Review of Buxton Festival Concert Performance)" 1874:MoĂŻse et Pharaon, ou Le passage de la mer rouge 1747:Adelaide di Borgogna, ossia Ottone, re d'Italia 1242:"Opera Southwest mounts Rossini's seldom-heard 207:as Desdemona), in London on 16 May 1822 at the 1080: 1803:Bianca e Falliero, ossia Il consiglio dei tre 1707:La gazzetta, ossia Il matrimonio per concorso 1495: 1013:"Cinthio's Tale: The Source of Shakespeare's 211:, and in New York on 7 February 1826 at the 1405:, New York: Carroll & Graf Publishers. 1542: 1502: 1488: 303: 267:(from 1834), Luciano Fornasari (in 1844), 40: 1723:La Cenerentola, ossia La bontĂ  in trionfo 1465:(libretto). New York: E. M. Murden. 1826. 1455:International Music Score Library Project 1387:, Cambridge: Cambridge University Press. 1096:. New York: Penguin Putnam. p. 779. 965:10.1093/gmo/9781561592630.article.O003768 756:(Video recording of a performance in the 453:Premiere cast, 4 December 1816 1475:(libretto). Philadelphia: C. Neal. 1833. 421: 191:The first performance took place at the 1116: 948: 2241: 1285: 885:(Recording of a performance in March) 271:(in 1849), Joseph Tagliafico in 1850, 181: 1509: 1483: 1304: 394:was performed in a production at the 1336:on operadis-opera-discography.org.uk 1357:, Portland, Oregon: Amadeus Press. 1229:Opera Southwest's Past Performances 1063:. Oxford: Oxford University Press. 13: 1384:The Cambridge Companion to Rossini 1344: 1305:Molke, Thomas (8 September 2019). 1120:The Harmonicon: A Journal of Music 836:(Recorded at a performance at the 14: 2285: 1763:Adina, ossia Il califfo di Bagdad 1441: 1313:(in German). Online Musik Magazin 439:Roles, voice types, premiere cast 2226: 2201: 2200: 1894: 1715:Otello, ossia Il Moro di Venezia 1698: 1678:Elisabetta, regina d'Inghilterra 625: 1381:Senici, Emanuele (ed.) (2004), 1325: 1298: 1286:Hugill, Robert (21 July 2014). 1279: 1264: 1234: 1222: 1193: 1046:website, accessed 1 April 2015. 186: 1420:Rossini: The Man and His Music 1246:– with your choice of endings" 1164: 1135: 1110: 1074: 1049: 1026: 1005: 991: 942: 320:, Covent Garden, in 2000 with 131:Othello, or The Moor of Venice 58:Francesco Maria Berio di Salsa 1: 1084:; Brauner, Patricia (2001). " 935: 646: 605:Time: End of the 15th Century 1422:, Dover Publications, 1987. 259:in 1828, as did the Italian 7: 2249:Operas by Gioachino Rossini 1094:The New Penguin Opera Guide 633:based the Canzone from the 593: 406:in the title role, cast by 283:(in 1869). French baritone 10: 2290: 1205:– 9 February 2000 Evening" 1176:– 31 January 2000 Evening" 668:Opera house and orchestra 16:Opera by Gioachino Rossini 2196: 2169:Duetto buffo di due gatti 2154: 2123: 2088: 2069: 2020: 1985: 1946: 1917: 1849: 1645: 1559:La cambiale di matrimonio 1535: 1517: 1367:Osborne, Richard (1990), 1307:"Der etwas andere Otello" 949:Osborne, Richard (2002). 297:, sang the role in 1871. 248:sang the role at Turin's 159:("A Moorish Captain") by 75:4 December 1816 70: 62: 54: 39: 28: 23: 2108:(1991 biographical film) 2100:(1942 biographical film) 879:Orchestra La Scintilla, 750:Orchestra and Chorus of 417: 263:Federico Crespi (1833), 115:Francesco Berio di Salsa 49:as Otello in Paris, 1821 2274:Operas based on Othello 2254:Italian-language operas 2010:Petite messe solennelle 1401:Servadio, Gaia (2003), 1022:. St. Stephen's School. 987:(subscription required) 800:Geoffrey Mitchell Choir 368:. The French conductor 344:under the direction of 304:20th century and beyond 2141:Rossini Opera Festival 1955:Ecco, ridente in cielo 1599:La pietra del paragone 1567:L'equivoco stravagante 1209:ROH Collections Online 1180:ROH Collections Online 796:Philharmonia Orchestra 758:Rossini Opera Festival 706:Philharmonia Orchestra 702:Ambrosian Opera Chorus 616: 434: 314:Rossini Opera Festival 2163:La boutique fantasque 2078:The Barber of Seville 1038:13 March 2019 at the 924:orchestra and chorus 611: 425: 2269:Operas set in Venice 2059:PĂ©chĂ©s de vieillesse 1866:Le siège de Corinthe 1654:Aureliano in Palmira 1631:L'italiana in Algeri 1522:List of compositions 1251:29 June 2013 at the 1151:rossinioperafestival 1117:Pinnock, W. (1827). 692:Salvatore Fisichella 636:AnnĂ©es de pèlerinage 354:Sir Neville Marriner 2175:MatinĂ©es musicales 2089:Cultural depictions 2043:La regata veneziana 1771:Ricciardo e Zoraide 1686:Torvaldo e Dorliska 689:Gianfranco Pastine, 685:Frederica von Stade 516:Giuseppe Ciccimarra 441: 408:Damiano Michieletto 396:Theater an der Wien 342:Frederica von Stade 295:Jean-Baptiste Faure 182:Performance history 126:William Shakespeare 2146:Rossini in Wildbad 2028:Six string sonatas 1787:Eduardo e Cristina 1662:Il turco in Italia 1551:Demetrio e Polibio 956:Grove Music Online 838:Rossini in Wildbad 832:Antonino Fogliani, 760:, Pesaro, August) 437: 435: 370:Antonio de Almeida 277:Francesco Graziani 236:Manuel GarcĂ­a, Jr. 2214: 2213: 2181:Messa per Rossini 2124:Named for Rossini 2105:Rossini! Rossini! 2062:(1857–1868) 1962:Largo al factotum 1913: 1912: 1845: 1844: 1795:La donna del lago 1641: 1640: 1511:Gioachino Rossini 1418:(1997 re-print), 1397:978-0-521-00195-3 1393:978-0-521-80736-4 974:978-1-56159-263-0 933: 932: 909:Robert McPherson, 849:Cat: 8.660275-76 786:William Matteuzzi 783:Juan JosĂ© Lopera, 717:For details, see 697:JesĂşs LĂłpez Cobos 591: 590: 565:Gaetano Chizzola 550:Michele Benedetti 380:in ZĂĽrich by the 375:In October 2012, 346:JesĂşs LĂłpez Cobos 330:Juan Diego FlĂłrez 318:Royal Opera House 312:was given at the 293:. His successor, 290:La donna del lago 279:(from 1869), and 269:Giovanni Belletti 265:Antonio Tamburini 250:Teatro d'Angennes 246:Domenico Cosselli 107:Gioachino Rossini 105:in three acts by 94: 93: 34:Gioachino Rossini 2281: 2231: 2230: 2222: 2204: 2203: 2155:Related articles 2070:Film adaptations 1976:Una voce poco fa 1903:Ugo, re d'Italia 1898: 1847: 1846: 1702: 1643: 1642: 1591:La scala di seta 1575:L'inganno felice 1540: 1539: 1504: 1497: 1490: 1481: 1480: 1476: 1466: 1453:: Scores at the 1351:Osborne, Charles 1338: 1329: 1323: 1322: 1320: 1318: 1302: 1296: 1295: 1283: 1277: 1268: 1262: 1238: 1232: 1226: 1220: 1219: 1217: 1215: 1197: 1191: 1190: 1188: 1186: 1168: 1162: 1161: 1159: 1157: 1139: 1133: 1132: 1130: 1128: 1114: 1108: 1107: 1078: 1072: 1055:James Radomski, 1053: 1047: 1030: 1024: 1023: 1021: 1009: 1003: 1002: 995: 989: 988: 985: 983: 981: 946: 779:Elizabeth Futral 651: 650: 641:Venezia e Napoli 486:Isabella Colbran 442: 440: 436: 431:François Bouchot 429:as Desdemona by 358:Riccardo Chailly 310:Pier Luigi Pizzi 258: 193:Teatro del Fondo 163:, a disciple of 157:Un Capitano Moro 123: 86:Teatro del Fondo 82: 80: 44: 21: 20: 2289: 2288: 2284: 2283: 2282: 2280: 2279: 2278: 2239: 2238: 2237: 2225: 2217: 2215: 2210: 2192: 2150: 2119: 2113:Rossini's Ghost 2084: 2065: 2016: 1994:Messa di Gloria 1981: 1942: 1909: 1841: 1637: 1531: 1513: 1508: 1469: 1459: 1444: 1347: 1345:Further reading 1342: 1341: 1330: 1326: 1316: 1314: 1303: 1299: 1284: 1280: 1269: 1265: 1253:Wayback Machine 1239: 1235: 1227: 1223: 1213: 1211: 1199: 1198: 1194: 1184: 1182: 1170: 1169: 1165: 1155: 1153: 1141: 1140: 1136: 1126: 1124: 1115: 1111: 1104: 1082:Gossett, Philip 1079: 1075: 1054: 1050: 1040:Wayback Machine 1031: 1027: 1019: 1011: 1010: 1006: 999:"About Othello" 997: 996: 992: 986: 979: 977: 975: 947: 943: 938: 928: 920: 910: 908: 906: 893: 884: 878: 870:Javier Camarena 868: 866: 863:Cecilia Bartoli 861: 848: 835: 833: 828: 827:Giorgio Trucco, 826: 821: 808: 794: 784: 782: 777: 764: 755: 749: 739: 738:Ezio Di Cesare, 737: 732: 716: 714: 700: 690: 688: 683: 667: 662: 660: 658: 649: 628: 596: 438: 420: 386:Buxton Festival 377:Opera Southwest 366:Donato Renzetti 362:Christian Benda 350:Philips Records 306: 285:Paul Barroilhet 281:Antonio Cotogni 273:Giorgio Ronconi 252: 197:Théâtre Italien 189: 184: 117: 90: 89: 83: 78: 76: 50: 17: 12: 11: 5: 2287: 2277: 2276: 2271: 2266: 2261: 2256: 2251: 2236: 2235: 2212: 2211: 2209: 2208: 2197: 2194: 2193: 2191: 2190: 2183: 2178: 2171: 2166: 2158: 2156: 2152: 2151: 2149: 2148: 2143: 2138: 2133: 2127: 2125: 2121: 2120: 2118: 2117: 2109: 2101: 2092: 2090: 2086: 2085: 2083: 2082: 2073: 2071: 2067: 2066: 2064: 2063: 2055: 2047: 2039: 2035:Edipo a Colono 2031: 2024: 2022: 2018: 2017: 2015: 2014: 2006: 1998: 1989: 1987: 1983: 1982: 1980: 1979: 1972: 1965: 1958: 1950: 1948: 1944: 1943: 1941: 1940: 1932: 1923: 1921: 1915: 1914: 1911: 1910: 1908: 1907: 1899: 1890:Guillaume Tell 1886: 1878: 1870: 1862: 1853: 1851: 1843: 1842: 1840: 1839: 1831: 1823: 1815: 1807: 1799: 1791: 1783: 1775: 1767: 1759: 1755:Mosè in Egitto 1751: 1743: 1735: 1731:La gazza ladra 1727: 1719: 1711: 1703: 1690: 1682: 1674: 1666: 1658: 1649: 1647: 1639: 1638: 1636: 1635: 1627: 1619: 1611: 1603: 1595: 1587: 1579: 1571: 1563: 1555: 1546: 1544: 1537: 1533: 1532: 1530: 1529: 1527:List of operas 1524: 1518: 1515: 1514: 1507: 1506: 1499: 1492: 1484: 1478: 1477: 1467: 1457: 1443: 1442:External links 1440: 1439: 1438: 1413: 1399: 1379: 1365: 1346: 1343: 1340: 1339: 1332:Recordings of 1324: 1297: 1278: 1263: 1240:Brian Kellow, 1233: 1221: 1192: 1163: 1134: 1109: 1102: 1090:Holden, Amanda 1073: 1048: 1025: 1004: 1001:. 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supplement 638: 637: 632: 626:Related works 623: 621: 615: 610: 604: 602: 598: 597: 587:Nicola Mollo 586: 583: 580: 579: 576:Nicola Mollo 575: 572: 569: 568: 564: 561: 559: 555: 554: 551: 548: 546: 543: 540: 536: 535: 531: 529: 526: 524: 521: 520: 517: 514: 511: 509: 506: 505: 502: 499: 496: 494: 491: 490: 487: 484: 482: 479: 477: 474: 473: 470: 467: 465: 462: 460: 457: 456: 452: 450: 447: 444: 443: 432: 428: 424: 415: 413: 409: 405: 401: 397: 393: 389: 387: 383: 382:Vlaamse Opera 378: 373: 371: 367: 363: 359: 355: 351: 347: 343: 339: 338:JosĂ© Carreras 335: 331: 327: 323: 319: 315: 311: 301: 298: 296: 292: 291: 286: 282: 278: 275:(from 1851), 274: 270: 266: 262: 256: 251: 247: 243: 242: 237: 233: 229: 225: 221: 216: 214: 210: 206: 202: 201:Manuel GarcĂ­a 198: 194: 179: 177: 173: 168: 166: 162: 158: 154: 153: 148: 144: 140: 135: 133: 132: 127: 121: 116: 112: 108: 104: 100: 99: 87: 73: 69: 65: 61: 57: 53: 48: 47:Manuel Garcia 43: 38: 35: 31: 27: 22: 19: 2185: 2173: 2161: 2136:Prix Rossini 2111: 2103: 2095: 2077: 2057: 2049: 2041: 2033: 2013:(1864, 1867) 2008: 2005:(1831, 1841) 2002:Stabat mater 2000: 1992: 1986:Sacred music 1969:Sombre forĂŞt 1936:Robert Bruce 1934: 1926: 1906:(unfinished) 1901: 1888: 1882:Le comte Ory 1880: 1872: 1864: 1856: 1833: 1825: 1817: 1809: 1801: 1793: 1785: 1777: 1769: 1761: 1753: 1745: 1737: 1729: 1721: 1714: 1713: 1705: 1692: 1684: 1676: 1668: 1660: 1652: 1629: 1621: 1613: 1605: 1597: 1589: 1581: 1573: 1565: 1557: 1549: 1471: 1461: 1448: 1419: 1402: 1382: 1368: 1354: 1333: 1327: 1317:10 September 1315:. 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Index

Opera
Gioachino Rossini

Manuel Garcia
Teatro del Fondo
opera
Gioachino Rossini
libretto
Francesco Berio di Salsa
ca
William Shakespeare
Othello, or The Moor of Venice
Venice
Iago
Verdi
Otello
Cinthio
Boccaccio
Opera Rara
Teatro del Fondo
Théâtre Italien
Manuel GarcĂ­a
Giuditta Pasta
King's Theatre
Park Theatre
Domenico Reina
baritone
bel canto
Giuditta Pasta
Manuel GarcĂ­a, Jr.

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