415:
individually. The piano itself is only entrusted those parts which contribute to the musical sense of the moment, and makes no effort toward brilliance for brilliance's sake. Beethoven himself followed this philosophy in his immortal trios. Amongst other movements, this
Nonetto includes an adagio entitled La Melancolie which provides more than its title might indicate; it is so grandiose, at times so majestically sombre, that the sentiment of melancholy one expects is overshadowed by ideas of a much higher and rare order. In no way do I mean to quibble with the title, God forbid; all I wish to say is that this admirable work is not only melancholic, but also much more. In the Scherzo and Finale one finds details of graceful melancholy as well as vivacious charm, but the Adagio rises up in the centre of the work like the Mont Blanc among its neighbouring peaks; it dominates all; it is a sublime and profound meditation which provides an almost painful impression that cannot be forgotten.
344:
appeared before the public to interpret. This is the more remarkable when one considers that his manhood was reached during the luxuriant period of French romanticism and that the extravagances of the literary outburst were reflected in the musical movements of the time. Virtuosity was subjected to sore temptations and many succumbed. Bertini stood for the sounder qualities of the artist and gradually acquired an extended and remunerative prestige. His life was singularly devoid of incident and official distinction, but the legacy of pedagogic works which he has left to us and his honorable activity give it every right to be called a success.
367:
every degree of difficulty, he has insistently given to every piece, easy or difficult, brief or extended, a character of salient melody. The technical problem to be overcome presents itself as a song; even where the study is devoted to the problem of velocity the general contour falls into a melodic curve, and this is the first and transcendent cause of the universal success of these pieces, which are, furthermore, natural in respect to rhythm and carefully thought out harmonically.
115:
27:
230:
68:
433:
that he was actually writing for his public, and concerned himself only with the task at hand and the ultimate unity of the work. Which of these last three movements is our favourite? The Adagio, above all, is without question a noble and magnificent inspiration whose sombre poetry reminds us of the sublime greatness of
Beethoven's Sonatas. This is admirable.
378:, comments that Bertini writes easily flowing harmony but that the movements are too long. He continues: "With the best will in the world, we find it difficult to be angry with Bertini, yet he drives us to distraction with his perfumed Parisian phrases; all his music is as smooth as silk and satin." German sentimentality has never appreciated French elegance.
269:. He was considered a child prodigy and at the age of 12 his father took him on a tour of England, Holland, Flanders, and Germany where he was enthusiastically received. After studies in composition in England and Scotland he was appointed professor of music in Brussels but returned to Paris in 1821. It is known that Bertini gave a concert with
343:
He was in his time a shining example of the most admirable qualities of an artist. Living in an age of garish virtuosity, and hailed as a brilliant executant himself, he maintained nevertheless the most rigorous standards of musicianship in his playing, in his compositions, and in the music which he
366:
It is above all in the special class of studies and caprices, that
Bertini's immense popularity is founded. It is here that he occupied a unique position and opened the path over which the next generation of composers was to rush after him. In each of his numerous collections of studies, embracing
432:
was all too obvious and he is seen to be too preoccupied with achieving success and producing effects. This detracts from the free flowing of his thoughts. This fault does not exist in the other parts of the
Nonetto. In composing these the author, fully involved in his subject, undoubtedly forgot
2430:
Collection des préludes et fugues de Sébastien Bach arrangés pour le piano à quatre mains. Ecole de la musique d' ensemble. Etudes spéciales du style élévé, de la mesure et de toutes les combinaisons les plus difficiles du rythme. (Collection of preludes and fugues by
Sebastian Bach arranged for
2290:
Cinq
Morceaux religieux. Paroles latines à usage des séminaires, communautés religieuses, chapelles et maisons d'education. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria (Five religious pieces. Latin lyrics for the use of seminarians, religious communities, chapels, and
414:
That same evening a
Nonetto by Bertini for piano, viola, cello, oboe, flute, horn, bassoon, trumpet and bass, was performed. It is a great and beautiful composition in which each instrument contributes to the whole according to its importance and idiomatic qualities, without trying to stand out
360:
He was unsurpassed as a teacher, giving his lessons with scrupulous care and the keenest interest in his pupils' progress. After he had given up teaching, a number of his pupils continued with me, and I recognized the soundness of the principles drawn from his instruction.
252:'s simplicity and elegance without sacrificing the brilliance of the instrument. As a composer he had an original style which was rich in musical ideas, attractive melodies, and effortless harmonies. In 1856, he retired from the musical scene and settled in the
427:
The
Nonetto by Bertini... is the work of a great musician with a lively and ardent imagination, who will grow stronger and more powerful if he refrains from his attempts to encourage applause as he occasionally sought to do in the first movement. His
264:
Henri JĂ©rĂ´me
Bertini was born in London on 28 October 1798 but his family returned to Paris six months later. He received his early musical education from his father, a pianist and composer himself, and his elder brother, Auguste, who was a pupil of
441:, a pianist and composer from Hamburg who was living in Paris. This appears to have been done for amateur musicians: the flute part, which can be replaced by a violin, contains frequent octave transpositions to make it easier to play.
449:
Bertini wrote approximately 500 Ă©tudes, ranging from easy studies for young students whose hands cannot span an octave to concert Ă©tudes. They were published in sets of 25 studies each. Roughly in order of difficulty they are:
2294:
Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue (Second Mass in four voices for two tenors and two basses with organ accompaniment.)
1372:
Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale
327:
evenness and clarity in rapid passages as well as the quality of sound, the manner of phrasing, and the ability to make the instrument sing characteristic of the school of
2297:
La
Melodie Religieuse. Collection de motets au Saint Sacrement et Ă la Sainte Vierge Ă une ou plusieurs voix avec accompagnement d'orgue (Religious melody. Collection of
2314:
La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs (The pianist's week. Daily studies of all the major and minor scales.)
398:
The Nonetto opus 107 for flute, oboe, bassoon, French horn, trumpet, viola, cello, double bass, and piano, composed in 1835, is one of Bertini's major works.
89:
2441:
Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis (Practical method for the
2431:
piano with four hands. School of ensemble music. Special studies of elevated style, of measures (bars) and of all the most difficult combinations of rhythm.)
2700:
438:
282:
486:
281:
for eight hands (the other pianists were Sowinsky and Schunke.) He was also admired as a chamber music performer, giving concerts with his friends
248:
when he toured Europe as a child prodigy. As an adult he was admired both as a soloist and as a chamber musician; it was said that he played with
302:
890:
Grand Trio pour piano, violon, violoncelle. download scan of Richault edition (From the Sibley Music Library Digital Score Collection)
76:
2715:
2674:
2690:
2720:
2564:
1403:
Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave
179:
2640:
151:
2504:
2330:
Premières leçons doigtées et arrangées pour les petites mains (First lessons in fingering and arranged for small hands).
2695:
2333:
Cinquantes Leçons progressives, faisant suite aux précédentes (Fifty progressive lessons, following the preceding ones)
2028:
L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants,
216:
198:
158:
54:
2634:. Vol. 1er (2ème ed.). Paris: Librairie de Firmin-Didot et Cie. pp. 385–386, supplement pp. 81–82.
1629:
Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam
2725:
165:
136:
132:
40:
2311:
La Gymnastique des doigts. Préparation à l'étude du piano (Finger gymnastic. preparation for piano studies)
1237:
Le Rudiment du Pianiste ou réunion des exercises les plus indispensables pour acquérir un mécanisme parfat
349:
147:
1003:
Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves
278:
245:
557:
In addition to these, the last five published books of Ă©tudes appear to have been conceived as a set
2670:
2152:
Trois petits Solos pour piano. Morceaux de concours Ă l'usage des pensionnats de jeunes demoiselles
1478:
Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse
549:
WoO Frère et soeur. Quatre petits Duos pour le piano à quatre mains composés pour Henri et Isabelle.
241:
125:
81:
2618:
2445:
edited according to the teaching method described by J. Jacotet and composed of chosen pieces.)
2378:
3 livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes
2301:
to the Holy Sacrament and the Holy Virgin for one or several voices with organ accompaniment.)
469:
328:
316:
249:
2610:
244:
composer and pianist. He was born into a family of musicians and attracted the attention of
2710:
2705:
301:
he stopped composing and performing in public, living by himself, he became a leader of an
274:
172:
1498:
Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam
552:
WoO Mère et fille. Quatre petits Duos pour le piano à quatre mains suite à Frère et soeur.
437:
The Nonetto was reduced to a quintet (flute or violin, violin, viola, cello and piano) by
8:
2451:
Méthode complète et progressive de piano (Complete and progressive method for the piano).
1630:
1599:
1546:
1499:
1468:
1453:
1420:
1327:
1276:
1262:
1115:
927:
403:
2461:
Muzio Clémenti, Etudes journières des gammes. (Muzio Clémenti, Daily studies of scales.)
1197:
Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse
273:
in the Salons Pape on 20 April 1828. The program included a transcription by Bertini of
1790:
Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66
289:(cello). He remained active in and around Paris until around 1856, where he retired to
286:
46:
1245:
Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse
356:, who devoted the second chapter of his work on celebrated pianists to Bertini, wrote
2560:
353:
2108:
Trois Solos pour piano de concours Ă l'usage des pensionnats de jeunes demoiselles
1640:
Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites
1556:
Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse
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Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse
2092:
Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle
2448:
Méthode élémentaire et facile de piano (Simple, elementary method for the piano).
410:
of a performance at a music evening given by the Tilmant brothers on 6 May 1838:
371:
332:
2100:
Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur
1865:
Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. N 2.
1857:
Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. N 1.
419:
Berlioz later made further comments about this evening in the July 6 edition of
1542:
Ernestine. Grande Fantaisie sur un thème de Paddini intercalée par Rubini dans
324:
266:
2559:(2. ed., revised and enl ed.). New York: Books & Music. p. 616.
2684:
2655:
2327:
Exercices en octaves, exercices en accord (Exercises for octaves and chords).
1663:
Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse
336:
1352:
Duo concertant pour piano et violon avec accompagnement de basse ad libitum
307:
2196:
Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche
2160:
Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse
2008:
Les deux soeurs : Deux Romances sans paroles N1. Louise N2. Isabelle
315:
Bertini concertized widely but was not as celebrated a virtuoso as either
270:
1617:
Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra
566:
opus 177 Études spéciales de la vélocité, du trille et de la main gauche
253:
2557:
International encyclopedia of women composers. 2: Sai - Zyb, Appendices
787:
Vingt-cinq Etudes pour piano, 2 livre. Introduction Ă celles de Cramer
763:
Vingt-cinq Etudes pour piano, 1 livre. Introduction Ă celles de Cramer
672:
Air allemande, varié pour le piano forte et précédé d'une introduction
429:
320:
2503:
John Denison Champlin, Jr. (1888–1899). William Foster Apthorp (ed.).
2000:
Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains
1523:
Rondo caprice pour piano sur la romance favouite de Melle LoĂŻsa Puget
2486:; the most complete and reliable source of information on Bertini is
2168:
Banockburn. Fantaisie pour le piano Ă quatre mains sur des motifs de
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Cinquième Sérénade pour piano, violon, alto, violoncelle contrebasse
1165:
Quatrième Sérénade pour piano, violon, alto, violoncelle contrebasse
1337:
Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques
114:
2509:. Vol. 1. New York: Charles Scribner's & Sons. p. 177
294:
534:
opus 160 L'Art de la mesure pour les petites mains Ă quatre mains
399:
2052:
Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano
572:
opus 179 Études suite de l'opus 150 à quatre mains pour le piano
229:
67:
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2298:
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Fantaisie à quatre mains pour piano sur deux motifs de l'opéra
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Bertini also wrote several sets of Ă©tudes for piano four hands
298:
290:
2391:
6 livre. La Conversation. Duo concertant pour piano et violon
2388:
5 livre. L'automne. Grand duo concertant pour piano et violon
939:
Rondo brillant pour piano composé sur le quatuor de Joconde,
716:
Grand Quatuor pour piano forte, harpe, violon et violoncelle
494:
opus 142 précédées chacune d'un prélude en deux suites. No. 2
491:
opus 141 précédées chacune d'un prélude en deux suites. No. 1
454:Études faciles composées expressément pour les petites mains
323:. One of his contemporaries described his playing as having
2373:
Les saisons, Duo brillant pour piano, violon ou violoncelle
1609:
Duex Nocturnes pour le piano. N 1. Sympathie N 2. Souvenir
1034:
Variations brillantes pour piano sur une valse autichienne
724:
Première Sérénade pour piano, violon, alto, et violoncelle
348:
Bertini was celebrated as a teacher. His students included
2611:"Henri Bertini, pianiste virtuose, compositeur de musique"
2405:
Duo for piano and violin by Bertini and Auguste Franchomme
2220:
Esquisses musicales. Vingt-quatre morceaux caractéristics
1982:
Grand Divertissement brillant pour le piano Ă quatre mains
882:
de A.Romagnési. Variations brillantes pour le piano forte
779:
Deuxième Sérénade pour piano, violon, alto et violoncelle
515:Études caprices ou Complément aux Études caractéristiques
2362:
Duos for piano and violin by Bertini and Antoine Fontaine
2036:
Morceaux de salon. Grande Marche brillante pour le piano
1944:
Fantaisie brillante pour piano sur des motifs favoris de
2324:
Exercices en doubles notes (Exercises for double notes).
2317:
Etudes pour le piano forte en 24 exercices (Studies for
1750:
Grand Caprice pour piano Ă quatre mains sur un motif de
1318:
Duo concertant pour piano et violon et basse ad libitum
898:
Variations brillantes pour pianosur le choeur favori de
661:
Fantaisie pour piano forte sur le trio des deux jaloux,
1189:
Variations brillantes pour piano sur un thème original
599:
with variations and an introduction for the piano forte
2356:
1845:
Grand Duo pour piano Ă quatre mains sur les motifs du
1817:
Vingt-cinq Etudes élémentaires pour les petites mains
1798:
Vingt-cinq Etudes musicales pour piano Ă quatre mains
1653:
Rondino expresso pour piano sur la romance de P.Chéret
795:
Nocturne concertant pour piano, violon et violoncelle
546:
opus 135 Études musicales à quatre mains pour le piano
499:
Introduction aux Études caractéristiques de l'opus 66
381:
Bertini is best remembered today for his piano method
2415:
Duo for piano and flute by Bertini and Joseph Guillou
1133:
N 1. Rondoletto pour piano. N 2. Polacca pour piano.
995:
Thème avec variations brillantes pour le piano forte
914:
Variations et Rondo pour piano sur la jolie cavatine
744:
Variations pour le forte-piano sur la Romance :
543:
opus 97 Études musicales à quatre mains pour le piano
374:, in a review of one of Bertini's piano trios in the
1275:
Romance favorite de Mr F.Bérat variée pour le piano
2084:Vingt-cinq Etudes primaires pour les petites mains
1380:Episode d'un bal. Rondo caractéristique pour piano
851:Troisième Sérénade pour piano, violon, violoncelle
755:Air allemand avec introduction varié pour la harpe
240:(28 October 1798 – 30 September 1876) was a French
139:. Unsourced material may be challenged and removed.
1253:Etudes mélodiques sur des romances de A.Romagnési
611:Again a little trifle. Andante for the piano forte
2642:Les Pianistes célèbres: Silhouettes et Médaillons
2367:1 livre. L'Amitié, grand Duo pour piano et violon
970:Rondo brillant pour piano forte sur l'air :
385:, and his 20 books of approximately 500 studies.
2682:
2498:
2496:
1742:Deux Nocturnes N 1. Contenpiazone N 2. Inquieto
1444:Impressions de voyage, les souvenirs pour piano
1149:Variations sur un thème original à quatre mains
595:Celebrated Irish melody as sung in the opera of
2652:Henri Bertini, Twenty-Five Easy Studies Op. 100
2336:Douze Etudes spéciales (Twelve special studies)
2226:
1833:Duo à quatre mains pour le piano sur thèmes du
823:Divertissement sur un air de Gluck, pour piano
2526:
2524:
1928:Vingt-cinq Etudes très faciles à quatre mains
2493:
2060:Souvenirs sur la Durance. Caprice pour piano
1364:pour piano, violon et contrebasse ad libitum
1114:Variations de concert pour piano et quatuor.
952:Grand Trio pour piano, violon et violoncelle
626:Quatrième Divertissement pour le piano forte
605:Air with seven variations for the piano forte
523:Grandes Études artistiques de première force
2623:Cobbett's Cyclopedic Survey of Chamber Music
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1980:
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1106:Variations sur un thème original pour piano
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589:Introduction and variations upon the air of
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2701:19th-century French male classical pianists
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2140:Fantaisia pour le piano Ă quatre mains sur
2116:Fantaisie pour le piano Ă quatre mains sur
2068:Grand Duo pour le piano Ă quatre mains sur
2016:Grand Duo à quatre mains sur les thèmes de
1699:Frande fantaisie pour le piano sur l'opéra
1326:Grande Polonaise ave orchestre ad libitium
960:Sérénade pour piano, violon, alto et basse
406:'s widely distributed and very influential
55:Learn how and when to remove these messages
2478:Details of Bertini's life may be found in
1598:Grande Fantaisie dramatique pour le piano
1058:Variations brillantes pour le piano forte
540:opus 150 Études très facile à quatre mains
537:opus 149 Études très facile à quatre mains
2675:International Music Score Library Project
2645:. Paris: A. Chaix et Cie. pp. 14–23.
2204:Vingt-cinq Etudes normales et classiques
1936:Vingt-cinq Etudes faciles Ă quatre mains
1411:Le Repos. Vingt-quatre leçons mélodiques
457:25 Etudes faciles et progressives, Op.100
217:Learn how and when to remove this message
199:Learn how and when to remove this message
2236:Le jaloux dupé. Opéra comique en 1 acte
1728:Duo brillant à quatre mains sur l'opéra
1712:Duo brillant à quatre mains sur l'opéra
1586:Caprice pour le piano sur des motifs de
228:
92:of all important aspects of the article.
1050:Deux petits Rondos pour le piano forte
696:Trio pour piano, violon, et basse, n 3
688:Trio pour piano, violon, et basse, n 2
680:Trio pour piano, violon, et basse, n 1
2683:
2400:9 livre. Notturno pour piano et violon
2397:8 livre. Serenata pour piano et violon
2212:Vingt-cinq Etudes suite de l'opus 150
1992:Troisième Sonate pour piano et violon
1452:Grand Rondo de concert avec orchestre
634:Rondeau polonaise pour le piano forte
602:Third divertimento for the piano forte
569:opus 178 Études normales et classiques
88:Please consider expanding the lead to
2554:
2410:Thème varié pour piano et violoncelle
2284:Caïn. Scène biblique (Biblical scene)
2128:Duo pour le piano Ă quatre mains sur
1964:Deuxième Sonate pour piano et violon
1956:Première Sonate pour piano et violon
1125:Trio pour piano, violon, violoncelle
608:Polacca composed pour the piano forte
578:
408:La Revue et Gazette musicale de Paris
2639:Marmontel, Antoine François (1878).
2632:Biographie universelle des musiciens
2394:7 livre. Duetto pour piano et violon
1806:Grande fantaisie Ă quatre mains sur
1463:Dell' aura tua profetica, choeur de
859:Variations brillantes pour le piano
843:Variations brillantes pour le piano
137:adding citations to reliable sources
108:
61:
20:
2381:4 livre. Fantaisie concertante sur
2357:Collaborations with other musicians
1286:Rondino alla polacca pour le piano
1229:Six Divertissements Ă quatre mains
1098:Vingt-cinq Etudes caractéristiques
1066:Le Calme. Andante pour piano forte
926:Grande Fantasie. Etude de 1 force.
13:
1897:Sérénade. Caprice sur un motif de
1825:Deuxième symphonie pour orchestre
1782:Première symphonie pour orchestre
1486:Caprice sur la romance de Grisar,
803:Trois Bagatelles pour piano forte
771:Deux Caprices pour le piano-forte
393:
14:
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2506:Cyclopedia of Music and Musicians
2188:Vingt-cinq Etudes intermédiaires
1205:Six Valses brillantes pour piano
1157:Six Valses brillantes pour piano
833:Rondeau brillant pour piano forte
36:This article has multiple issues.
2716:19th-century classical composers
2180:Vingt-cinq Etudes préparatoires
1673:Duo brillant Ă quatre mains sur
972:A l'eau, voilĂ la porteuse d'eau
113:
66:
25:
2691:French male classical composers
2630:Fétis, François-Joseph (1868).
2424:
2349:Scherzo en do majeur pour piano
1881:Le double bémol. Rondino-Etude
1873:Le double dièze. Rondino-Etude
1509:Caprice pour piano sur l'opera
1433:Rondo barcarolle pour le piano
1213:Trois petits Rondos pour piano
650:Fantaisie pour piano sur l'air
388:
124:needs additional citations for
80:may be too short to adequately
44:or discuss these issues on the
2638:
2585:
2579:
2573:
2548:
2536:
2530:
2483:
2472:
985:Rondoletto brillant pour piano
90:provide an accessible overview
1:
2721:19th-century French composers
2625:. Vol. 1 (2nd ed.).
2601:
2420:Fantaisie pour piano et flûte
642:Rondo pastoral pour le piano
563:opus 176 Études intermédiares
560:opus 175 Études préparatoires
2671:Free scores by Henri Bertini
2617:
2591:
2352:Storielle amorosa pour piano
2227:Music published without opus
1909:Etude et andante pour piano
1431:Adieu beau rivage de France.
1042:Trois Valses Ă quatre mains
1013:Rondo brillant pour le piano
912:FreyschĂĽtz (Robin des bois).
615:
485:opus 86 sur les romances de
350:Eugenie Santa Coloma Sourget
7:
2649:
2542:
1808:Les Diamants de la couronne
1766:l'opéra d'Auber. Grand Duo
1261:Trois nocturnes pour piano
463:25 Études primaires, Op.166
16:French composer and pianist
10:
2742:
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2608:
2487:
2479:
2435:
2341:Miscellaneous piano pieces
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1367:
1221:La soirée, à quatre mains
1141:Divertissement pour piano
1090:Divertissement pour piano
1082:Deux thèmes pour le piano
1023:Variations brillantes sur
905:
885:
871:pour piano et violoncelle
663:Ta Fanchette est charmante
2696:French Romantic composers
2456:Works fingered by Bertini
1889:L'impromptu. Rondo-Valse
1727:
1711:
1672:
1649:
1577:Le Postillon de Lonjumeau
1566:Le Postillon de Lonjumeau
1302:Rondino, sur un motif de
969:
938:
734:Rondo brillant pour piano
706:Rondo brillant pour piano
584:Early works, without opus
468:Introduction Ă celles de
444:
279:Symphony No. 7 in A major
2555:Cohen, Aaron I. (1987).
2465:
2070:La cloche des agonisants
1972:Fantaisie valse, Elvina
1631:download music from WIMA
1600:download music from WIMA
1547:download music from WIMA
1500:download music from WIMA
1488:Les laveuses du couvent,
1469:download music from WIMA
1454:download music from WIMA
1421:download music from WIMA
1328:download music from WIMA
1277:download music from WIMA
1263:download music from WIMA
1116:download music from WIMA
941:Quand on attend so belle
928:download music from WIMA
916:L'Infortune, les alarmes
507:Études caractéristiques
2650:Tapper, Thomas (1905).
2619:Cobbett, Walter Willson
2291:places of education...)
2076:mélodies de F.Schubert
1774:Petit quatuor Ă cordes
1564:Caprice pour piano sur
1533:Le Caevalier de Canolle
1392:N 2. Rondeau Valse sur
1388:N 1. Rondeau Galop sur
1181:Rondino Ă quatre mains
383:Le Rudiment du pianiste
259:
2613:(in French). Grenoble.
2609:Beyls, Pascal (1999).
2372:
1981:
1074:Rondoletto pour piano
1012:
984:
832:
815:, pour harpe et piano
733:
705:
435:
417:
369:
363:
346:
256:in south-east France.
234:
2726:Composers from London
2044:Cantilena pour piano
1394:La Sentinelle perdue.
1390:La Sentinelle perdue.
425:
421:Le Journal des débats
412:
364:
358:
341:
317:Friedrich Kalkbrenner
250:Johann Nepomuk Hummel
246:François-Joseph Fétis
232:
2385:pour piano et violon
1714:La fille du régiment
1651:La mère du chasseur.
1467:varié pour le piano
376:Gesammelte Schriften
238:Henri JĂ©rĂ´me Bertini
233:Henri JĂ©rĂ´me Bertini
133:improve this article
2287:Françoise de Rimini
2020:opéra de G.Rossini
813:Au clair de la lune
652:Au clair de la lune
404:Maurice Schlesinger
1025:Il crociato Egitto
579:Catalogue of works
482:Études mélodiques
402:wrote a review in
287:Auguste Franchomme
235:
2566:978-0-9617485-1-7
2321:in 24 exercises).
2281:
2280:
2253:L'Orage. MĂ©lodie
2224:
2223:
2172:opéra de Rossini
1919:La Part du Diable
1701:L'Elisire d'Amour
918:et autres motifs
902:musique de Weber
460:25 Etudes, Op.137
439:Charles Schwencke
354:Antoine Marmontel
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2580:Marmontel (1878)
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2476:
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2269:Paysage. Elégie
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1984:
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477:24 Etudes, Op.32
474:24 Etudes, Op.29
311:
283:Antoine Fontaine
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2245:L'Ame. MĂ©lodie
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1689:Robert Devereux
1675:Le Lac des fées
1419:Deux Nocturnes
1346:
900:Robin des bois,
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394:Nonetto Op. 107
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148:"Henri Bertini"
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2665:External links
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84:the key points
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1314:Souvenirs du
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2511:. Retrieved
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2488:Beyls (1999)
2480:FĂ©tis (1868)
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2425:Arrangements
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131:Please help
126:verification
123:
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77:lead section
52:
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38:Please help
35:
18:
2711:1876 deaths
2706:1798 births
2232:Vocal Music
2144:de Bellini
2132:de Bellini
2120:de Bellini
1754:de Bellini
1730:Les Martyrs
1345:Souvenirs d
1306:pour piano
306: [
271:Franz Liszt
2685:Categories
2654:. Boston:
2602:References
2545:, preface.
2443:pianoforte
2118:I Puratini
591:Gondrillon
430:peroration
325:Clementi's
321:Henri Herz
303:orpheonist
189:April 2010
159:newspapers
98:April 2010
41:improve it
2594:, p. 124.
2370:2 livre.
2319:panoforte
2074:La poste,
1362:Le Pirate
880:L'Angélus
616:With opus
333:Moschelès
275:Beethoven
242:classical
82:summarize
47:talk page
2582:, p. 18.
2533:, p. 16.
2261:Ballade
1764:Zanetta,
1621:d'Auber
1590:d'Auber
1521:Son mom.
1316:Barbier.
1304:L'Orgie,
811:Duo sur
526:opus 122
502:opus 134
295:Grenoble
254:Dauphiné
2677:(IMSLP)
2673:at the
2592:Cobbett
2436:Methods
2306:Studies
1677:d'Auber
518:opus 94
510:opus 66
400:Berlioz
339:wrote:
312:group.
173:scholar
2563:
2513:3 July
2299:motets
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470:Cramer
445:Etudes
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293:(near
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2466:Notes
2130:Norma
1511:Sarah
1465:Norma
1442:Jura.
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310:]
180:JSTOR
166:books
2561:ISBN
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2482:and
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2258:N 3.
2250:N 2.
2242:N 1.
331:and
260:Life
152:news
2072:et
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