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Hellraiser: Bloodline

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612:. New footage was shot in April and May 1995. Bradley said they consisted of entirely new material and were not truly re-shoots. Angelique's origin and relationships with Pinhead and the LeMarchand line were changed. Many scenes were removed during editing, especially from the LeMarchand storyline. Angelique and Pinhead originally had a more violent and adversarial relationship; Angelique represented an older, more chaotic version of Hell that favors drawn-out temptation, and Pinhead represented an ascetic, results-based order that takes over. The theatrical cut makes this more ambiguous and replaces some of their hostility with sexual tension. The final cut was 85 minutes long. When Yagher saw the finished film, he felt it strayed too far from his original vision and had his name removed from the credits, using the 695:
the will of Hell, though Kane says he exercises more independence than Angelique. The LeMarchand bloodline are slaves to the Lament Configuration; John, and, to a lesser extent, Phillip are also slaves to their obsession with Angelique. Mirror images feature prominently in the film, including the twin cenobite and literal mirrors that Angelique and Paul use. In Kane's analysis, Paul not only mirrors his ancestors but also Pinhead, whom he emulates to become stronger. Kane describes how darkness and light also show up in the film, sometimes literally, as when light kills Pinhead, and sometimes metaphorically, as when Angelique and Pinhead show elements of their underlying humanity.
1570: 376:. The two immediately clash, as Pinhead represents a shift in the ideologies of Hell, which she left behind two hundred years ago: while Angelique believes in corrupting people through temptation, Pinhead is fanatically devoted to pain and suffering. Despite their conflicting views, the pair forge an uneasy alliance to kill Merchant before he can complete the Elysium Configuration, an anti-Lament Configuration that creates perpetual light and would serve to permanently close all gateways to Hell. 2121: 634: 595:
which was changed so that the 22nd century Paul Merchant narrates his ancestors' story, and a happy ending was added. Yagher, coming off the difficult shoot, declined to direct the new scenes and left the production, citing a lack of time and energy. Though he was not necessarily opposed to Miramax's suggested changes, Yagher said he also did not want to see the film slowly morph into a different product after spending so much effort on it.
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relationship with John; in the shooting script, Phillip's obsession with Angelique and the Lament Configuration more explicitly mirrored that of a marital affair. Kane writes that Paul avoids death by ignoring relationships and is rewarded with a relationship once he redeems his bloodline. Jacques orders Angelique to kill Phillip out of jealousy, and it is this same jealousy that later causes his death at Angelique's hands.
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task, Kane writes, because of his knowledge of the past, including his ancestors' plans and their failings. The characters frequently reference time in dialog, and clocks are a common background element, especially in Phillip's toy shop. In the space station, a countdown announces the time until the Elysium Configuration will kill Pinhead and his fellow Cenobites. Before he dies, Pinhead announces, "I am forever!"
552:, was recruited to perform special effects. Tunnicliffe was worried that Yagher would want to perform the effects himself, but Yagher wanted to collaborate with Image Animation and believed their experience with prior films in the series would be valuable. Yagher himself only contributed to the Chatter Beast. For Angelique's appearance, Tunnicliffe was inspired by 29: 319:, including Pinhead (Bradley) and Angelique (Vargas). Hundreds of years in the future, the toymaker's descendant (also played by Ramsay), an engineer, has designed a space station that he believes can trap and destroy the Cenobites. Major themes include time, toys and game-playing, adultery and slavery. 682:. In the original shooting script, demonic gamblers served Angelique. She plays sexual games with her victims, and Pinhead toys with mortals for amusement. Kane draws parallels to video games when John uses a computer to design the Elysium Configuration, and Kane compares the space station scenes to a 694:
According to Kane, many of the characters' relationships are based on slavery and bondage. Angelique is a slave to de L'Isle, then Jacques. When she rebels against the new austerity in Hell, she comes into conflict with Pinhead, who eventually puts her under his control. Pinhead himself is a slave to
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In 2127, Rimmer disbelieves Dr. Merchant's story and has him locked away. Pinhead and his followers – now including an enslaved Angelique – have already been freed after Merchant opened the box. Upon learning of Dr. Merchant's intentions, they kill the entire crew of the ship, save for Rimmer and Dr.
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Angelique and Pinhead initially collaborate to corrupt Merchant, but Pinhead grows tired of Angelique's seductive techniques and threatens to kill Merchant's wife and child. Having grown accustomed to a decadent life on Earth, Angelique wants no part of Hell's new fanatical austerity, and she intends
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Doug Bradley, who had played Pinhead in all the previous films, joined the cast first. Bradley agreed the film should focus more on the other characters, and several lesser-known actors joined in major roles, including Canadian Bruce Ramsay and Chilean Valentina Vargas. As the script was scaled back
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as Angelique / Peasant Girl. Vargas said she was reluctant to take the role because of nightmares about Pinhead, but she soon became interested in exploring her character's seductive and evil nature. Originally a demon summoned through black magic who commissions the Lament Configuration, her origin
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demanded new scenes be shot. It was subsequently completed by Chappelle. The new scenes and re-shoots changed several characters' relationships, gave the film a happy ending, introduced Pinhead earlier, and cut 25 minutes. Yagher felt the changes diverged too strongly from his vision and was granted
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wrote that if Barker himself had rewritten and directed the film, it might have worked; however, the writing is convoluted, and the film's atmosphere is "more repellent than intriguing". Thomas praised the acting of Bradley, Cottrell, and Ramsay but called the rest of the cast "mediocre". In rating
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Dr. Merchant distracts Pinhead with a hologram while he boards an escape pod with Rimmer. Once clear of the station, he activates the Elysium Configuration. A series of powerful lasers and mirrors create a field of perpetual light, while the station transforms and folds around the light to create a
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to summon a demon, Angelique, through the box. LeMarchand runs home in terror, where he begins working on blueprints for a second box which will neutralize the effects of the first. Returning to L'Isle's mansion to steal the box, LeMarchand discovers that Jacques has killed L'Isle and taken control
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his favorite. While acknowledging fan criticism, he identified the film's expanded mythology and religious themes as making it more interesting than previous installments. Cowan describes Pinhead's dismissive rejection of God's will as possibly symbolic of modern society's views on religion. Katie
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Miramax's reaction was negative, however, and they demanded that Pinhead receive a more prominent role and appear earlier. Atkins said they knew about the script but possibly panicked when they saw the reality. Miramax's demands required rewrites; Pinhead was inserted into the opening of the film,
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Kane identifies several themes in the film. The first, time, is evident in the film's non-linear narrative, which takes place in the past, present, and future. Kane compares the flashbacks told from the future with time travel stories. Though Paul does not travel through time, he succeeds in his
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In 1996, LeMarchand's descendant, John Merchant, has built a skyscraper in Manhattan that resembles the Lament Configuration. Seeing an article on the building in a magazine, Angelique asks Jacques to take her to the United States so that she can confront him. When Jacques denies her request,
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Kane identifies sex, death, and adultery as frequently intertwined, though he says this is somewhat weakened in the theatrical cut. Angelique tempts the LeMarchand bloodline, and adultery results in their death. Due to cuts made during editing, Kane says this is most evident in Angelique's
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Filming began in Los Angeles in August 1994. Locations included the I. Magnin Building, which was rumored to be haunted, and an abandoned factory, which was converted into the space station. Problems began early and continued throughout production. Bradley called it "the shoot from hell".
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called it "a pointless mess" without a likable protagonist. The reviewer further criticized the acting and said the grotesque special effects have become tiresome since the first film, except for the space-based effects. Also criticizing the special effects, Richard Harrington wrote in
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to force Merchant to activate the Elysium Configuration and destroy Hell, thus freeing her from its imperatives. However, Merchant's flawed prototype fails. Pinhead kills Merchant, but his wife opens Angelique's Lament Configuration, sending Pinhead and Angelique back to Hell.
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Angelique kills him, as Merchant poses a threat to Hell. Angelique travels to the United States, where she fails to seduce Merchant. Discovering the Lament Configuration in the building's foundation, Angelique tricks a security guard into solving it, which summons
498:, which featured a building whose architecture resembled the Lament Configuration. Barker suggested a three-part film set in different time periods, and Peter Atkins added the LeMarchand storyline, going back to Barker's novella. Atkins had previously written 587:, replaced the original cinematographer, the assistant director was called away on an emergency, several people suffered from illnesses, and Bradley said the art department and camera crew were all dismissed within the first week. Despite the issues, 540:. Yagher was initially hesitant about taking the job, as he did not want to do a retread of the previous installments of the series. However, he was impressed with the script and became enthusiastic after Barker described his vision for the film. 832:, Matt Serafini rated it 2.5/5 stars and wrote that the film was not respected by producers, ultimately causing it to become "a half-baked compromise" that does not live up to its interesting premise, ultimately degenerating into a generic 733:
stories, as he could not see anywhere for the series to go creatively, but he recognized Miramax had a financial interest in keeping the series alive. Bradley said he was open to reprising his role, but Barker's reaction was more negative.
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Clive Barker, acting as executive producer, wanted a fresh turn for the series after two sequels to his original 1987 film. The initial premise for the film, a shape-changing structure used to trap Pinhead, was inspired by the ending of
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and was released on March 19, 1996. Kane wrote of it: "The whole score is powerful, blending unconventional instrumentation occasionally augmented by a chorus". Kane highlighted the chase sequence music in the Chatter Beast's scenes.
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sequels". This screenplay featured a linear timeline, more special effects, and violent confrontations between Pinhead and Angelique. When Miramax was unwilling to provide a budget to realize these scenes, the film was scaled back.
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was not screened for critics. It was released on March 8, 1996, in the United States and Canada, where it grossed $ 4.5 million in its opening weekend and came in fifth place. At the end of its U.S. run, it grossed $ 9.3 million.
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as Philippe "Toymaker" LeMarchand / John Merchant / Dr. Paul Merchant. Ramsay called Philippe an ambitious but good man who is seduced by Angelique's power. He described John as more self-aware and mature; Paul, he said, is
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game in which Paul insists only he can win the endgame. Pinhead makes many references to game-playing, including when he kills John, and John's wife, Bobbi, references game-playing when she sends Pinhead back to Hell.
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Merchant, who escape. Dr. Merchant reveals that the Minos is, in fact, the final, perfected form of the Elysium Configuration, and that by activating it, he can kill Pinhead and permanently seal the gateway to Hell.
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over Angelique, who agrees to be his slave so long as he does not impede the wishes of Hell. The pair kill LeMarchand, and Jacques informs him that his bloodline is now cursed for helping to open a portal to Hell.
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pseudonym, an alias used by directors who want to go uncredited. Miramax released it in the United States on March 8, where it grossed $ 9 million. It was not screened for critics and received negative reviews.
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film to receive a theatrical release, though it was released direct-to-video in the UK. Following the film's release, questions of a sequel immediately rose. Atkins said he was uninterested in exploring more
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Toys and game-playing are a common theme in the film series, all of which feature the Lament Configuration, a mystical puzzle box created by a toymaker. Kane identifies these themes as "much more blatant" in
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that they are "decidedly gross but not particularly frightening". Harrington said the film would need a "a far bigger budget and some real input from horrormeister Clive Barker" to realize its aspirations.
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s J. R. Taylor gave it a letter grade of "B" and called it "actually rather interesting" despite its incoherent moments, which are made more tolerable when watched on DVD. After watching a marathon of
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as Rimmer. Originally male, Rimmer was rewritten in a later draft after several female characters were streamlined out, including a descendant of Kirsty Cotton who would serve as Paul's love interest.
570:, Bradley's make-up as Pinhead had changed to make it easier to apply and take off at the cost of increased discomfort. Tunnicliffe reverted to the old make-up, which he believed looked better. 446:
as Genevieve LeMarchand. In the script, Genevieve is also depicted as more suspicious of her husband, whom she suspects to be having an affair. This was mostly removed during editing.
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In the 18th century, a celebrated toymaker (Ramsay) is hired to create his greatest work, the Lament Configuration, not knowing that it will allow the summoning of the demonic
467:, a Cenobite. The script describes it as pieced together from the remains of a dog and a man after a car accident. St. Michael played the Chatter Beast as an animal. 452:
as Duc de L'Isle. In the script, de L'Isle had a larger part, but some of his scenes were given to Jacques when Angelique's origin changed. He is modeled after the
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The film flashes back to Paris, France, 1796. Dr. Merchant's ancestor, Phillip LeMarchand, a French toymaker, makes the Lament Configuration on commission from the
352:, destroying the robot in the process. The guards break through the door and apprehend Merchant, who agrees to explain his motivations to their leader, Rimmer. 2518: 910:
completed uncredited reshoots on the film without Yagher's involvement. Yagher additionally disavowed the theatrical film and requested to be credited as
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in the climax. Serafini identified Vargas' role as wasted and said the thin material limits the supporting cast. Also reviewing the film of video,
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as Jacques, de L'Isle's assistant. Jacques initially had a smaller role, but he was rewritten and expanded upon when Angelique's origin changed.
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massive box. The light is trapped within the box, killing Pinhead and his followers, thus ending Pinhead's existence, this time, permanently.
2438: 526:, known for his low-budget horror films, was approached to direct but backed out after artistic disagreements. Special effects technician 2428: 2403: 2302: 1459: 644: 2310: 591:
was completed on time and within its budget. The initial cut of the film, shown to studio executives in early 1995, was 110 minutes.
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once again to save money, the number of characters was reduced, and several were rewritten to have simpler motivations and origins.
2448: 2100: 2453: 2443: 2418: 969: 404:. In the shooting script, Pinhead had a violently antagonistic relationship with Angelique. This was softened during editing and 2157: 888: 322:
The film had a troubled history and, after completing the film, original director Yagher left the production when distributor
2458: 2398: 363:. Upon delivering the box to L'Isle, LeMarchand watches as he and his assistant Jacques sacrifice a peasant girl and use her 2483: 1889: 1770: 428:
as Bobbi Merchant. Bobbi was written to mirror Larry from the first film, both of whom suspect their spouses of infidelity.
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was brought in to complete the film. Atkins wrote three new scenes, and, when he became unavailable, Barker recommended
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received negative reviews on release. Kane wrote that "reviewers lined up to criticize and condemn the movie". On the
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that he designed. As armed guards attempt to break through the door, Merchant manipulates a robot into solving the
2508: 2478: 2238: 2124: 2075: 608: 2493: 2433: 2413: 864:, called it "an entertaining mess". Rife wrote that fans passionately defend the film, and, despite its flaws, 782:, assigned the film a score of 21 out of 100, based on 10 critics, indicating "generally unfavorable" reviews. 752: 1686: 2393: 2034: 1966: 359:
aristocrat Duc de L'Isle. Unbeknownst to LeMarchand, L'Isle's specifications for the box make it a portal to
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film to be released theatrically and the last to have any major official involvement with series creator
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wrote that the film is "incoherent and (except for Mr. Bradley's Pinhead) wretchedly acted".
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The film also received retrospective reviews. Reviewing the film on Blu-ray for
2182: 1659: 1556: 799: 470: 457: 774:, 24% of 17 critics' reviews are positive, with an average rating of 4.1/10. 2377: 2357: 1775: 1383: 907: 860: 829: 599: 523: 345: 273: 165: 28: 2326: 2206: 2167: 1898: 911: 833: 704: 617: 580: 527: 411: 397: 328: 305: 285: 277: 269: 130: 100: 87: 77: 45: 2165: 2352: 2246: 1845: 1464: 1349:"MOVIE REVIEW : 'Hellraiser: Bloodline' Has More Diabolical Designs" 603: 537: 1834: 340:
In 2127, Dr. Paul Merchant, an engineer, seals himself in a room aboard
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Rife, who also watched the series in a marathon for a retrospective at
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Cowan, Douglas E. (2012). Clark, Terry Ray; Clanton, Dan W. (eds.).
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followed in October 2000, going direct-to-video. Dimension released
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described the screenplay as ambitious and "one of the best of the
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was subsequently hired after his cost-saving directing work on
265: 1771:"Watching all 9 Hellraiser movies is an exercise in masochism" 1300:"Hellraiser 4: Bloodline (Original Soundtrack) - Daniel Licht" 408:, and a hinted sexual attraction between them was introduced. 825:
called it the most ambitious but worst of the film series.
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It was the last 2519:English-language science fiction horror films 2151: 1883: 647:to certain ideas, incidents, or controversies 2303:Mighty Ducks the Movie: The First Face-Off 2166:Films credited as having been directed by 2158: 2144: 1890: 1876: 1741:Understanding Religion and Popular Culture 1646: 1575: 1568: 657:this issue before removing this message. 27: 2311:An Alan Smithee Film: Burn Hollywood Burn 2101:Sherlock Holmes and the Servants of Hell 1376: 422:was changed to be dependent on the box. 2376: 1684: 1457: 1430: 1346: 1342: 1340: 1338: 1013: 1011: 889:List of films featuring space stations 2409:American science fiction horror films 2139: 1871: 1806:The Hellraiser Films and Their Legacy 1737: 1642: 1640: 1426: 1424: 1372: 1370: 933: 931: 751:on VHS and DVD in 1996 and 2001, and 511:The Hellraiser Films and Their Legacy 2439:Films based on works by Clive Barker 1799: 1768: 1529: 1415: 1403: 1329: 1286: 1274: 1262: 1250: 1238: 1226: 1214: 1199: 1187: 1175: 1163: 1151: 1139: 1127: 1115: 1100: 1085: 1073: 1058: 1046: 1002: 627: 1335: 1008: 651:create a more balanced presentation 13: 2429:American supernatural horror films 2404:1990s science fiction horror films 1647:Harrington, Richard (1996-03-09). 1637: 1421: 1367: 928: 253:and the fourth installment in the 14: 2530: 1828: 1618:"Review: 'Hellraiser: Bloodline'" 1379:"Hellraiser: Bloodline (Blu-ray)" 970:"Hellraiser Iv: Bloodline (1996)" 488: 2120: 2119: 632: 2449:Films directed by Joe Chappelle 1793: 1762: 1731: 1705: 1678: 1610: 1509: 1483: 1451: 1292: 819:the film one star out of four, 609:Candyman: Farewell to the Flesh 606:, who had previously worked on 2454:Films directed by Kevin Yagher 2444:Films credited to Alan Smithee 2419:American space adventure films 1685:Holden, Stephen (1996-03-09). 1458:Naugle, Patrick (2001-06-29). 962: 901: 753:Echo Bridge Home Entertainment 562:, converting the imagery of a 1: 1649:"'Hellraiser': Dawn of a Dud" 1377:Serafini, Matt (2011-05-14). 921: 737: 698: 483: 2459:Films scored by Daniel Licht 2399:1990s English-language films 2239:Morgan Stewart's Coming Home 1431:Taylor, J. 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(1996-11-22). 1347:Thomas, Kevin (1996-03-11). 944:AFI Catalog of Feature Films 758: 153:Trans Atlantic Entertainment 7: 2484:Films shot in New York City 882: 574:Filming and post-production 251:science fiction horror film 10: 2535: 2514:1996 science fiction films 2474:Films set in New York City 1769:Rife, Katie (2014-10-30). 875: 711: 703:The score was composed by 2345: 2174: 2115: 2092: 2068: 2033: 1943: 1911: 1019:"Hellraiser 4: Bloodline" 871: 623: 260:, which serves as both a 228: 220: 212: 204: 194: 171: 161: 136: 126: 106: 96: 70: 62: 54: 38: 26: 21: 2319:A River Made to Drown In 2287:The Birds II: Land's End 2271:The Shrimp on the Barbie 894: 849:films, religion scholar 246:Hellraiser IV: Bloodline 2424:American splatter films 1811:McFarland & Company 1713:"Hellraiser: Bloodline" 1491:"Hellraiser: Bloodline" 1460:"Hellraiser: Bloodline" 1433:"Hellraiser: Bloodline" 939:"Hellraiser: Bloodline" 477:Mark and Michael Polish 391: 335: 180:March 8, 1996 33:Promotional film poster 2509:Religious horror films 2479:Films set in the 2120s 975:British Film Institute 868:never becomes boring. 2494:Films shot in Toronto 2434:Dimension Films films 2414:American sequel films 2295:Hellraiser: Bloodline 2215:Appointment with Fear 2191:Death of a Gunfighter 1858:Hellraiser: Bloodline 1847:Hellraiser: Bloodline 1836:Hellraiser: Bloodline 1585:Hellraiser: Bloodline 1545:Hellraiser: Bloodline 249:) is a 1996 American 240:Hellraiser: Bloodline 22:Hellraiser: Bloodline 2394:1990s American films 1438:Entertainment Weekly 839:Entertainment Weekly 533:Tales from the Crypt 463:Jody St. Michael as 350:Lament Configuration 2489:Films shot in Paris 2107:"Hellraiser" (song) 2082:Hellraiser: Origins 1927:The Scarlet Gospels 1920:The Hellbound Heart 1654:The Washington Post 1088:, p. 133, 149. 878:Hellraiser: Inferno 794:The Washington Post 744:Hellraiser: Inferno 566:to flayed skin. In 546:Gary J. Tunnicliffe 2346:Related pseudonyms 1967:III: Hell on Earth 1748:. pp. 56–58. 1692:The New York Times 1289:, p. 151–154. 1277:, p. 148–150. 1265:, p. 145–148. 1253:, p. 144–145. 1229:, p. 141-142. 1217:, p. 140–141. 1202:, p. 138–139. 1190:, p. 136–137. 1061:, p. 137–138. 805:The New York Times 2469:Films set in 1996 2464:Films set in 1796 2389:1996 horror films 2371: 2370: 2133: 2132: 1672:Highbeam Research 1354:Los Angeles Times 982:on April 27, 2016 815:Los Angeles Times 768:review aggregator 671: 670: 649:. Please help to 641:This section may 444:Charlotte Chatton 276:, the film stars 236: 235: 2526: 2499:Hellraiser films 2160: 2153: 2146: 2137: 2136: 2123: 2122: 2093:Related articles 1934:Hellbound Hearts 1892: 1885: 1878: 1869: 1868: 1824: 1787: 1786: 1784: 1783: 1766: 1760: 1759: 1735: 1729: 1728: 1726: 1725: 1709: 1703: 1702: 1700: 1699: 1682: 1676: 1675: 1669: 1668: 1662: 1657:. 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Cowan 844: 780:weighted average 666: 663: 636: 635: 628: 479:as Siamese Twins 473:as Jack Merchant 438:Christine Harnos 419:Valentina Vargas 290:Valentina Vargas 187: 185: 83:Valentina Vargas 31: 19: 18: 16:1996 horror film 2534: 2533: 2529: 2528: 2527: 2525: 2524: 2523: 2374: 2373: 2372: 2367: 2341: 2231:Let's Get Harry 2170: 2164: 2134: 2129: 2111: 2088: 2064: 2029: 1939: 1907: 1896: 1863:Rotten Tomatoes 1831: 1821: 1796: 1791: 1790: 1781: 1779: 1767: 1763: 1756: 1736: 1732: 1723: 1721: 1711: 1710: 1706: 1697: 1695: 1683: 1679: 1666: 1664: 1645: 1638: 1629: 1627: 1616: 1615: 1611: 1601: 1599: 1581: 1580: 1576: 1561: 1559: 1552:Rotten Tomatoes 1541: 1540: 1536: 1528: 1524: 1515: 1514: 1510: 1501: 1499: 1489: 1488: 1484: 1475: 1473: 1456: 1452: 1443: 1441: 1429: 1422: 1414: 1410: 1402: 1398: 1389: 1387: 1375: 1368: 1359: 1357: 1345: 1336: 1328: 1319: 1310: 1308: 1298: 1297: 1293: 1285: 1281: 1273: 1269: 1261: 1257: 1249: 1245: 1237: 1233: 1225: 1221: 1213: 1206: 1198: 1194: 1186: 1182: 1174: 1170: 1162: 1158: 1150: 1146: 1138: 1134: 1126: 1122: 1114: 1107: 1099: 1092: 1084: 1080: 1072: 1065: 1057: 1053: 1045: 1038: 1029: 1027: 1024:Box Office Mojo 1017: 1016: 1009: 1001: 994: 985: 983: 968: 967: 963: 954: 952: 937: 936: 929: 924: 919: 918: 906: 902: 897: 885: 880: 874: 842: 778:, which uses a 772:Rotten Tomatoes 761: 740: 714: 701: 667: 661: 658: 637: 633: 626: 583:, who had shot 576: 554:Morticia Addams 502:and co-written 491: 486: 465:Chatterer Beast 454:Marquis de Sade 450:Mickey Cottrell 394: 365:flayed-off skin 338: 243:(also known as 197: 190: 183: 181: 174: 157: 156: 149:Dimension Films 141: 139: 122: 92: 66:Nancy Rae Stone 50: 34: 17: 12: 11: 5: 2532: 2522: 2521: 2516: 2511: 2506: 2501: 2496: 2491: 2486: 2481: 2476: 2471: 2466: 2461: 2456: 2451: 2446: 2441: 2436: 2431: 2426: 2421: 2416: 2411: 2406: 2401: 2396: 2391: 2386: 2369: 2368: 2366: 2365: 2363:George Spelvin 2360: 2355: 2349: 2347: 2343: 2342: 2340: 2339: 2331: 2323: 2315: 2307: 2299: 2291: 2283: 2275: 2267: 2259: 2251: 2243: 2235: 2227: 2219: 2211: 2203: 2195: 2187: 2178: 2176: 2172: 2171: 2163: 2162: 2155: 2148: 2140: 2131: 2130: 2128: 2127: 2116: 2113: 2112: 2110: 2109: 2104: 2096: 2094: 2090: 2089: 2087: 2086: 2084:(failed pitch) 2078: 2072: 2070: 2066: 2065: 2063: 2062: 2057: 2056: 2055: 2050: 2039: 2037: 2031: 2030: 2028: 2027: 2019: 2012: 2005: 1998: 1991: 1984: 1977: 1970: 1963: 1956: 1947: 1945: 1941: 1940: 1938: 1937: 1930: 1923: 1915: 1913: 1909: 1908: 1895: 1894: 1887: 1880: 1872: 1866: 1865: 1854: 1843: 1830: 1829:External links 1827: 1826: 1825: 1819: 1795: 1792: 1789: 1788: 1761: 1754: 1730: 1704: 1677: 1636: 1609: 1574: 1557:Fandango Media 1534: 1532:, p. 157. 1522: 1508: 1482: 1450: 1420: 1418:, p. 166. 1408: 1406:, p. 158. 1396: 1366: 1334: 1332:, p. 143. 1317: 1291: 1279: 1267: 1255: 1243: 1241:, p. 142. 1231: 1219: 1204: 1192: 1180: 1178:, p. 132. 1168: 1166:, p. 139. 1156: 1154:, p. 147. 1144: 1142:, p. 154. 1132: 1130:, p. 149. 1120: 1118:, p. 135. 1105: 1103:, p. 151. 1090: 1078: 1076:, p. 138. 1063: 1051: 1049:, p. 141. 1036: 1007: 1005:, p. 136. 992: 961: 926: 925: 923: 920: 917: 916: 899: 898: 896: 893: 892: 891: 884: 881: 876:Main article: 873: 870: 800:Stephen Holden 760: 757: 739: 736: 724:was the final 713: 710: 700: 697: 669: 668: 653:. 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Directed by 234: 233: 230: 226: 225: 222: 218: 217: 214: 210: 209: 206: 202: 201: 198: 195: 192: 191: 189: 188: 177: 175: 172: 169: 168: 163: 162:Distributed by 159: 158: 155: 154: 151: 145: 144: 142: 137: 134: 133: 128: 124: 123: 121: 120: 117: 114: 110: 108: 104: 103: 98: 97:Cinematography 94: 93: 91: 90: 85: 80: 74: 72: 68: 67: 64: 60: 59: 56: 52: 51: 49: 48: 42: 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 2531: 2520: 2517: 2515: 2512: 2510: 2507: 2505: 2504:Miramax films 2502: 2500: 2497: 2495: 2492: 2490: 2487: 2485: 2482: 2480: 2477: 2475: 2472: 2470: 2467: 2465: 2462: 2460: 2457: 2455: 2452: 2450: 2447: 2445: 2442: 2440: 2437: 2435: 2432: 2430: 2427: 2425: 2422: 2420: 2417: 2415: 2412: 2410: 2407: 2405: 2402: 2400: 2397: 2395: 2392: 2390: 2387: 2385: 2382: 2381: 2379: 2364: 2361: 2359: 2358:Walter Plinge 2356: 2354: 2351: 2350: 2348: 2344: 2337: 2336: 2332: 2329: 2328: 2324: 2321: 2320: 2316: 2313: 2312: 2308: 2305: 2304: 2300: 2297: 2296: 2292: 2289: 2288: 2284: 2281: 2280: 2276: 2273: 2272: 2268: 2265: 2264: 2260: 2257: 2256: 2252: 2249: 2248: 2244: 2241: 2240: 2236: 2233: 2232: 2228: 2225: 2224: 2220: 2217: 2216: 2212: 2209: 2208: 2204: 2201: 2200: 2199:The Challenge 2196: 2193: 2192: 2188: 2185: 2184: 2180: 2179: 2177: 2173: 2169: 2161: 2156: 2154: 2149: 2147: 2142: 2141: 2138: 2126: 2118: 2117: 2114: 2108: 2105: 2103: 2102: 2098: 2097: 2095: 2091: 2085: 2083: 2079: 2077: 2074: 2073: 2071: 2067: 2061: 2060:Kirsty Cotton 2058: 2054: 2051: 2049: 2046: 2045: 2044: 2041: 2040: 2038: 2036: 2032: 2025: 2024: 2020: 2018: 2017: 2013: 2011: 2010: 2006: 2004: 2003: 1999: 1997: 1996: 1992: 1990: 1989: 1985: 1983: 1982: 1978: 1976: 1975: 1971: 1969: 1968: 1964: 1962: 1961: 1960:II: Hellbound 1957: 1954: 1953: 1949: 1948: 1946: 1942: 1936: 1935: 1931: 1929: 1928: 1924: 1922: 1921: 1917: 1916: 1914: 1910: 1906: 1905: 1900: 1893: 1888: 1886: 1881: 1879: 1874: 1873: 1870: 1864: 1860: 1859: 1855: 1853: 1849: 1848: 1844: 1842: 1838: 1837: 1833: 1832: 1822: 1820:9781476600697 1816: 1812: 1808: 1807: 1802: 1798: 1797: 1778: 1777: 1776:The A.V. Club 1772: 1765: 1757: 1755:9781136316043 1751: 1747: 1743: 1742: 1734: 1720: 1719: 1714: 1708: 1694: 1693: 1688: 1681: 1673: 1663:on 2018-11-18 1661: 1656: 1655: 1650: 1643: 1641: 1625: 1624: 1619: 1613: 1598: 1594: 1593: 1588: 1586: 1578: 1571: 1558: 1554: 1553: 1548: 1546: 1538: 1531: 1526: 1518: 1512: 1498: 1497: 1492: 1486: 1472:on 2016-04-04 1471: 1467: 1466: 1461: 1454: 1440: 1439: 1434: 1427: 1425: 1417: 1412: 1405: 1400: 1386: 1385: 1384:Dread Central 1380: 1373: 1371: 1356: 1355: 1350: 1343: 1341: 1339: 1331: 1326: 1324: 1322: 1307: 1306: 1301: 1295: 1288: 1283: 1276: 1271: 1264: 1259: 1252: 1247: 1240: 1235: 1228: 1223: 1216: 1211: 1209: 1201: 1196: 1189: 1184: 1177: 1172: 1165: 1160: 1153: 1148: 1141: 1136: 1129: 1124: 1117: 1112: 1110: 1102: 1097: 1095: 1087: 1082: 1075: 1070: 1068: 1060: 1055: 1048: 1043: 1041: 1026: 1025: 1020: 1014: 1012: 1004: 999: 997: 981: 977: 976: 971: 965: 951:on 2017-06-29 950: 946: 945: 940: 934: 932: 927: 913: 909: 908:Joe Chappelle 904: 900: 890: 887: 886: 879: 869: 867: 863: 862: 861:The A.V. Club 856: 852: 848: 841: 840: 835: 831: 830:Dread Central 826: 824: 823: 817: 816: 811: 807: 806: 801: 796: 795: 789: 788: 783: 781: 777: 773: 769: 765: 756: 754: 750: 746: 745: 735: 732: 727: 723: 718: 709: 706: 696: 692: 688: 685: 681: 675: 665: 662:December 2016 656: 652: 648: 646: 639: 630: 629: 621: 619: 615: 611: 610: 605: 601: 600:Joe Chappelle 596: 592: 590: 589:Hellraiser IV 586: 582: 571: 569: 565: 561: 560: 555: 551: 547: 541: 539: 535: 534: 529: 525: 524:Stuart Gordon 520: 516: 512: 507: 505: 501: 500:Hellraiser II 497: 478: 475: 472: 469: 466: 462: 459: 455: 451: 448: 445: 442: 439: 436: 433: 430: 427: 424: 420: 417: 413: 410: 407: 403: 399: 396: 395: 389: 385: 381: 377: 375: 369: 366: 362: 358: 353: 351: 347: 346:space station 343: 333: 330: 325: 320: 318: 313: 311: 307: 303: 299: 295: 291: 287: 283: 279: 275: 274:Joe Chappelle 271: 267: 263: 259: 257: 252: 248: 247: 242: 241: 232:$ 9.3 million 231: 227: 223: 219: 215: 211: 208:United States 207: 203: 199: 193: 179: 178: 176: 170: 167: 166:Miramax Films 164: 160: 152: 150: 147: 146: 143: 135: 132: 129: 125: 118: 115: 113:Randy Bricker 112: 111: 109: 105: 102: 99: 95: 89: 86: 84: 81: 79: 76: 75: 73: 69: 65: 61: 57: 53: 47: 44: 43: 41: 37: 30: 25: 20: 2333: 2327:Woman Wanted 2325: 2317: 2309: 2301: 2294: 2293: 2285: 2279:Solar Crisis 2277: 2269: 2261: 2253: 2245: 2237: 2229: 2221: 2213: 2207:City in Fear 2205: 2197: 2189: 2181: 2168:Alan Smithee 2099: 2081: 2022: 2014: 2007: 2000: 1993: 1986: 1979: 1973: 1972: 1965: 1958: 1951: 1932: 1925: 1918: 1902: 1899:Clive Barker 1857: 1846: 1835: 1805: 1794:Bibliography 1780:. Retrieved 1774: 1764: 1740: 1733: 1722:. Retrieved 1716: 1707: 1696:. Retrieved 1690: 1680: 1670:– via 1665:. Retrieved 1660:the original 1652: 1628:. Retrieved 1626:. 1996-03-10 1621: 1612: 1597:Fandom, Inc. 1590: 1584: 1577: 1560:. Retrieved 1550: 1544: 1537: 1525: 1511: 1500:. Retrieved 1494: 1485: 1474:. Retrieved 1470:the original 1463: 1453: 1442:. Retrieved 1436: 1411: 1399: 1388:. Retrieved 1382: 1358:. Retrieved 1352: 1309:. Retrieved 1303: 1294: 1282: 1270: 1258: 1246: 1234: 1222: 1195: 1183: 1171: 1159: 1147: 1135: 1123: 1081: 1054: 1028:. Retrieved 1022: 984:. Retrieved 980:the original 973: 964: 953:. Retrieved 949:the original 942: 912:Alan Smithee 903: 865: 859: 854: 846: 837: 834:slasher film 827: 820: 813: 810:Kevin Thomas 803: 792: 785: 784: 763: 762: 748: 742: 741: 730: 725: 721: 716: 715: 705:Daniel Licht 702: 693: 689: 684:shoot 'em up 679: 676: 672: 659: 645:undue weight 642: 618:Alan Smithee 607: 597: 593: 588: 584: 581:Gerry Lively 577: 567: 557: 549: 542: 531: 528:Kevin Yagher 518: 510: 508: 503: 499: 495: 492: 412:Bruce Ramsay 398:Doug Bradley 386: 382: 378: 370: 354: 341: 339: 329:Alan Smithee 321: 314: 306:Clive Barker 301: 286:Bruce Ramsay 278:Doug Bradley 270:Kevin Yagher 255: 245: 244: 239: 238: 237: 196:Running time 173:Release date 131:Daniel Licht 101:Gerry Lively 88:Doug Bradley 78:Bruce Ramsay 58:Peter Atkins 46:Kevin Yagher 2353:David Agnew 2255:I Love N.Y. 2247:Ghost Fever 2009:Revelations 1465:DVD Verdict 604:Rand Ravich 564:nun's habit 538:Joel Silver 310:2022 reboot 308:until the 224:$ 4 million 63:Produced by 39:Directed by 2384:1996 films 2378:Categories 2035:Characters 2023:Hellraiser 1988:Hellseeker 1952:Hellraiser 1912:Literature 1904:Hellraiser 1801:Kane, Paul 1782:2016-05-26 1724:2016-05-25 1698:2016-05-25 1667:2016-10-02 1630:2016-05-25 1602:October 1, 1600:Retrieved 1592:Metacritic 1562:October 2, 1502:2016-05-25 1476:2016-05-25 1444:2016-05-25 1390:2016-05-25 1360:2016-05-25 1311:2016-07-03 1030:2016-05-25 986:2016-05-25 955:2017-06-28 922:References 847:Hellraiser 776:Metacritic 738:Home media 731:Hellraiser 726:Hellraiser 699:Soundtrack 616:pseudonym 559:Sister Act 519:Hellraiser 484:Production 432:Adam Scott 415:weathered. 302:Hellraiser 298:Adam Scott 256:Hellraiser 229:Box office 200:85 minutes 184:1996-03-08 138:Production 55:Written by 2263:Catchfire 2053:Chatterer 2043:Cenobites 2002:Hellworld 1974:Bloodline 1746:Routledge 1530:Kane 2013 1416:Kane 2013 1404:Kane 2013 1330:Kane 2013 1287:Kane 2013 1275:Kane 2013 1263:Kane 2013 1251:Kane 2013 1239:Kane 2013 1227:Kane 2013 1215:Kane 2013 1200:Kane 2013 1188:Kane 2013 1176:Kane 2013 1164:Kane 2013 1152:Kane 2013 1140:Kane 2013 1128:Kane 2013 1116:Kane 2013 1101:Kane 2013 1086:Kane 2013 1074:Kane 2013 1059:Kane 2013 1047:Kane 2013 1003:Kane 2013 866:Bloodline 855:Bloodline 764:Bloodline 759:Reception 749:Bloodline 722:Bloodline 717:Bloodline 680:Bloodline 598:Director 515:Paul Kane 513:, author 426:Kim Myers 357:libertine 342:The Minos 317:Cenobites 294:Kim Myers 140:companies 119:Jim Prior 107:Edited by 2223:Stitches 2125:Category 2016:Judgment 1852:AllMovie 1803:(2013). 1718:TV Guide 1305:AllMusic 883:See also 822:TV Guide 770:website 406:pick-ups 213:Language 127:Music by 116:Rod Dean 71:Starring 2183:Fade In 2048:Pinhead 1981:Inferno 1623:Variety 853:called 812:of the 787:Variety 712:Release 655:resolve 402:Pinhead 374:Pinhead 324:Miramax 282:Pinhead 262:prequel 216:English 205:Country 182: ( 2338:(2015) 2335:Old 37 2330:(1999) 2322:(1999) 2314:(1997) 2306:(1997) 2298:(1996) 2290:(1994) 2282:(1990) 2274:(1990) 2266:(1990) 2258:(1987) 2250:(1987) 2242:(1987) 2234:(1986) 2226:(1985) 2218:(1985) 2210:(1980) 2202:(1970) 2194:(1969) 2186:(1969) 2026:(2022) 1995:Deader 1955:(1987) 1817:  1752:  872:Sequel 624:Themes 266:sequel 264:and a 258:series 221:Budget 2175:Films 2069:Other 1944:Films 895:Notes 843:' 643:lend 2076:Cast 1841:IMDb 1815:ISBN 1750:ISBN 1604:2023 1564:2023 556:and 536:for 456:and 392:Cast 361:Hell 344:, a 336:Plot 327:the 296:and 272:and 1901:'s 1861:at 1850:at 1839:at 1496:IGN 802:of 614:DGA 509:In 400:as 280:as 2380:: 1813:. 1809:. 1773:. 1744:. 1715:. 1689:. 1651:. 1639:^ 1620:. 1595:. 1589:. 1555:. 1549:. 1493:. 1462:. 1435:. 1423:^ 1381:. 1369:^ 1351:. 1337:^ 1320:^ 1302:. 1207:^ 1108:^ 1093:^ 1066:^ 1039:^ 1021:. 1010:^ 995:^ 972:. 941:. 930:^ 620:. 312:. 292:, 288:, 2159:e 2152:t 2145:v 1891:e 1884:t 1877:v 1823:. 1785:. 1758:. 1727:. 1701:. 1674:. 1633:. 1606:. 1587:" 1583:" 1566:. 1547:" 1543:" 1519:. 1505:. 1479:. 1447:. 1393:. 1363:. 1314:. 1033:. 989:. 958:. 914:. 664:) 660:( 460:. 186:)

Index


Kevin Yagher
Bruce Ramsay
Valentina Vargas
Doug Bradley
Gerry Lively
Daniel Licht
Dimension Films
Miramax Films
science fiction horror film
Hellraiser series
prequel
sequel
Kevin Yagher
Joe Chappelle
Doug Bradley
Pinhead
Bruce Ramsay
Valentina Vargas
Kim Myers
Adam Scott
Clive Barker
2022 reboot
Cenobites
Miramax
Alan Smithee
space station
Lament Configuration
libertine
Hell

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