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Hellig Usvart

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625:. The raging lyrics of anti-satanism would dominate the unblack scene for years. Concerned about that, Erasmus of Son of Man Records asked Sherlock in a 2006 interview: "Do you feel that unblack metal will be able to efficiently continue its response to black metal if it does not grow beyond 'horn crushing'?" Sherlock responded, "No I do not. The lyrics on 'Hellig Usvart' were written 12 years ago. I'm sure that if another Horde album was written today, the themes would be quite different and much more mature, to counteract the poetic and intelligent (albeit misguided) lyrics of modern BM." 248:. During this time, Sherlock was charmed by Northern European black metal music, but did not like the malicious lyrical approach of the movement. He decided to record similar music but with a Christian message, with the intent to bring hope to the bleak black metal subculture. Sherlock ended up forming a solo project, as he could play guitar, bass, and keyboards aside with drums, his main musical instrument. In 1994, Sherlock's solo project, Beheadoth, recorded the song "Mine Heart Doth Beseech Thee (O Master)" for the 445:, etc. is incredible, masterful. One can still show respect, while disagreeing with certain lyrical content. I wanted to remain unknown for as long as I could, to sustain the mystery. I could not resist the similarity of Anonymous to Euronymous, so, regardless of the existence of Euronymous, I was still going to be known as Anonymous. Just a coincidence that both the words were so similar. Also the reference to 'Unblack Mark' was a play on ' 595: 256:, going under the pseudonym Unpaganuth Necronomoccultociduth. He later changed the name of the solo project from Beheadoth to Horde and changed his pseudonym to Anonymous. Sherlock made use of his former band Mortification's relationship with Nuclear Blast Records and talked to the label owner, Markus Staiger, about releasing Horde's album. Staiger became interested in the project and decided to release it. 559: 554: 590: 585: 580: 575: 549: 544: 539: 534: 529: 524: 519: 514: 348:. "Release and Clothe the Virgin Sacrifice" describes an attempted sacrifice of a female virgin by an evil group, ending with the woman getting away from the location as a result of holy spiritual beings intervening for her. "Drink from the Chalice of Blood" directly references Jesus' "precious blood" from 1 Peter 1:19; it also references the 372:. "Crush the Bloodied Horns of the Goat" is about violently excoriating a goat's cranium, which is meant to signify the Devil's head, and pulverizing it. "Weak, Feeble, Dying Antichrist" describes the rejection and eventual death of the Antichrist. "The Day of Total Armageddon Holocaust" is about the events that occur in 284:
features a musical output similar to the early 1990s Norwegian primitive, lo-fi, old school black metal music. The first three songs feature a more obscure output, while songs such as "Thine Hour Hast Come" and "Invert the Inverted Cross" are more groove-based, and "Weak, Feeble, Dying Antichrist" is
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was recorded in four days, beginning on 11 July and ending on 15 July 1994; Sherlock mixed, played, and produced everything himself. A person under the pseudonym "Unblack Mark" handled the studio and recording techniques. As a graphic artist himself, Sherlock created the album's packaging and cover
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gave the album a 10/10 score, writing "...this album was made more than anything, to make a point. It made that point loud and clear, and it also kicked the door wide open and paved the way for many Christian black metal bands in the future to bring the light of Christ to an extremely dark music
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in 1994, a publicity campaign was launched throughout the black metal community, revolving around Sherlock being credited as "Anonymous". Unsuccessful death threats were given to Markus Staiger at Nuclear Blast to reveal the identity of the anonymous musician who created the album, although the
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Within the black metal scene, watching all the way across the world, all I could see was a bleak, dark, hopeless, lifeless and negative void. All I wanted to do was to shine a light into that darkness. Give an alternative that was comparable in sound to the scene I was trying to infiltrate, to
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album, 'Dark Throne play Unholy Black Metal'. Horde was always going to be lyrically the opposite of this, hence: 'Holy Unblack Metal'. I guess this is how the 'unblack' name or title came about. The music sounded like BM, but because of the lyrics and the spirit behind it, it is not BM."
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death threats at all, not one. I kept hearing but that was all." Due to the intense, furious anti-satanic themes of "horn crushing" and "goat violence," the album was widely thought to be a parody of the black metal scene. As evidence of that, on 6 June 1995, the Norwegian newspaper
336:. "Blasphemous Abomination of the Satanic Pentagram" is the shortest track, being less than one minute in length, and is lyrically about both the Lord's displeasure for the symbol and the act of destroying it. "Behold, the Rising of the Scarlet Moon" references 300:
purchased the remaining copies and distributed them worldwide. The album has since been re-released on this label with an additional track entitled, "My Heart Doth Beseech Thee (O Master)". In October 2004, the Australian label Soundmass reissued
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in 1994. Upon its release, the album created a controversy among many black metal fans; death threats were sent to Nuclear Blast demanding the label to drop the album from its catalogue because the album contains
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provide some hope, some light. That was all. No mockery, no parody, no jokes. I would never mock any style of music, nor would I mock the musicians themselves. I have great respect for them. The music of
380:, describes a person under the threat of Satan and demons from Hell, who calls upon the power of God both for self-protection and to defeat the unholy forces; the song's lyrics contain a reference to 653:#63 on its Top 100 Christian Rock Albums of All Time list stating that it "kicked off a Christocentric infiltration of black metal culture" and it "holds up as a righteously furious assault". 263:
picture. Sherlock marked himself under the pseudonym "Anonymous" in the album's booklet since neither he nor the record company were supposed to reveal his identity. The album's title,
360:. "Silence the Blasphemous Chanting" is about an individual who sees a group attempt to call forth Satan and successfully puts a stop to it, with the lyrics drawing parallels to 368:. "An Abandoned Grave Bathes Softly in the Falling Moonlight" describes a graveyard and an individual in it who passed away after the end-times, drawing parallels to 401:
band playing black metal. In an interview with Son of Man Records' Erasmus, Sherlock says: "I only ever heard about them second hand. I never personally received
208:(who used the pseudonym Anonymous), later stated in interviews that the album was intended to bring "some hope, some light to the bleak black metal subculture." 191:, anti-satanic lyrics, counteracting the usual black metal thematics at the time. As a result of the strong lyrical contradiction, the album was thought to be a 412:
wrote an article about the phenomenon of Horde, writing: "Horde's album is an abrupt satire of the Norwegian black metal movement." The same article says of
364:. "Invert the Inverted Cross" is about an inverted cross being used as a symbol for evil and directly references the line "the keys of death and Hades" from 1557: 1207: 344:
in the lyrics. "Thine Hour Hast Come" is about the fall of Lucifer and directly references the line "Lucifer, son of the morning" from
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was a seminal, highly influential album for the Christian black metal movement. The album spawned some imitators, especially in
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identity of the musician was later revealed as Jayson Sherlock. Horde as an entity also received death threats for being a
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more doom metal-based. The album is said to contain outstanding drumming, for Sherlock was primarily a drummer. Lyrically,
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format and included three live bonus tracks. The Metal Mind release was limited to 2,000 copies. Soundmass reissued
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references are here: Anonymous plays 'Total Apocalyptic Lead Guitar' and 'Cataclysmic Bass Rumblings'. Obviously '
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in various songs on the album. The opening track, "A Church Bell Tolls Amidst the Frozen Nordic Winds," is an
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Track name is unlisted on the back of the original Rowe Productions pressing, but is included on the disc.
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Upon its original release in 1994 on Nuclear Blast, 4,000 copies of the album were printed. In 1999,
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movement, and it is regarded as the first and most groundbreaking Christian black metal album.
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scene." Rock Hard said about the album, "It takes courage to release such a disc". In 2010,
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Mistitled "Sinlence the Blasphemous Chanting" on the original Rowe Productions CD release.
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on vinyl in 2018 and later in 2019 on CD for the album's twenty-fifth anniversary.
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Alternatively titled "Weak, Feeble and Dying Anti-Christ" on certain pressings.
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Anonymous – arrangement, layout, logo, mixing, photography, production
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Mistitled "Drink From the Chalice of Love" on some digital releases.
357: 688:"A Church Bell Tolls Amidst the Frozen Nordic Winds" (Instrumental) 356:
and describes the act of orally ingesting his blood as part of the
1594: 424:'." In an interview, Sherlock cleared up the parody controversy: 353: 310: 305:
as a 10-year anniversary edition. In May 2008, the Polish label
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positive reviews, and later critics such as Matt Morrow of
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of the Norwegian black metal movement by magazines such as
1099:(in Norwegian). Oslonett. 6 February 1995. Archived from 290: 998:
Rusty Scott – layout (original Rowe Productions release)
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In 1993, drummer Jayson Sherlock parted ways with the
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The Day of Total Armageddon Holocaust – Alive in Oslo
240:, having been in the band since 1990, and joined the 155:
The Day of Total Armageddon Holocaust – Alive in Oslo
925:"Behold, the Rising of the Scarlet Moon" (Live 2006) 947:"The Day of Total Armageddon Holocaust" (Live 2006) 1489: 882:Unpaganuth Necronomoccultociduth (Jayson Sherlock) 699:"Blasphemous Abomination of the Satanic Pentagram" 1544:Poems of Shadows - Nocturnal Blasphemous Chanting 1605: 1460:"CoC : Horde - Hellig Usvart : Review" 220:has achieved a respected landmark status in the 1536: 1087: 1085: 1083: 1081: 1546:. The Whipping Post. Retrieved on 2007-12-01. 661:All songs written and composed by Anonymous ( 511: 1257: 1255: 1253: 1251: 572: 457:light hearted element of the entire project. 1518:"Review: "Horde: Hellig Usvart (remaster)"" 1484: 1482: 1234:"Horde Hellig Usvart (CD/Vinyl/Patch PACK)" 1078: 1049: 1047: 1045: 29: 1549: 1248: 1130: 1128: 1126: 1124: 1122: 1120: 1118: 879:"Mine Heart Doth Beseech Thee (O Master)" 732:"Release and Clothe the Virgin Sacrifice" 1479: 1424:Hellig Usvart: 10th Anniversary Edition 1179: 710:"Behold, the Rising of the Scarlet Moon" 289:features direct and indirect praise for 174:is the debut studio album by Australian 1175: 1173: 1171: 1134: 1042: 809:"The Day of Total Armageddon Holocaust" 125:(credited as Anonymous), Markus Staiger 1606: 1115: 943: 932: 921: 875: 805: 794: 787:"Crush the Bloodied Horns of the Goat" 783: 250:Godspeed: Australian Metal Compilation 1457: 954: 889: 816: 772: 761: 750: 739: 728: 717: 706: 695: 684: 628:After the release, magazines such as 480: 1555: 1429:. Rowe Productions, Soundmass. 2004. 1168: 1163:The History of Christian metal, 1994 1053: 470: 227: 1458:Kalis, Quentin (8 September 2008). 992:Markus Staiger – executive producer 13: 1001:Unblack Mark – engineer, recording 936:"Thine Hour Hast Come" (Live 2006) 754:"Silence the Blasphemous Chanting" 513: 14: 1635: 1584: 1564:. Open Publishing. Archived from 1062:. Open Publishing. Archived from 743:"Drink From the Chalice of Blood" 574: 830: 798:"Weak, Feeble, Dying Antichrist" 656: 593: 588: 583: 578: 573: 557: 552: 547: 542: 537: 532: 527: 522: 517: 512: 1510: 1451: 1433: 1416: 1398: 1380: 1362: 1344: 1326: 1308: 1290: 1272: 836:2006 live recording appears on 1268:. Nuclear Blast Records. 1994. 1226: 1200: 1155: 1029: 909: 860: 672: 623:Nocturnal Blasphemous Chanting 387: 1: 1022: 204:The sole member of the band, 16:Christian Unblack Metal album 1139:. Unblack.de. Archived from 967: 831: 392:Upon the initial release of 7: 1165:. The Metal for Jesus Page! 1093:"MusikkOpp-ned oppnedkors!" 765:"Invert the Inverted Cross" 350:crucifixion of Jesus Christ 275: 10: 1640: 904:2008 remaster bonus tracks 309:remastered the album in a 916: 913: 908: 870: 867: 864: 859: 679: 676: 671: 488: 485: 416:that "all the obligatory 137: 129: 116: 94: 78: 66: 58: 50: 37: 28: 23: 1005: 853:25th Anniversary Edition 849:10th Anniversary Edition 320: 1302:King James Bible Online 1182:"Horde - Hellig Usvart" 1056:"Horde - Hellig Usvart" 453:'s label. This was the 721:"Thine Hour Hast Come" 468: 328:has references to the 307:Metal Mind Productions 214:Metal Mind Productions 109:Metal Mind Productions 1491:"HORDE Hellig Usvart" 1388:"1 Corinthians 15:52" 1370:"Revelation 1:18 NIV" 1039:. No Life 'til Metal. 426: 234:Christian death metal 184:Nuclear Blast Records 101:Nuclear Blast Records 1624:Nuclear Blast albums 1406:"Revelation 6:12-17" 1352:"Ephesians 4:29 NIV" 476:Professional ratings 1614:Horde (band) albums 1465:Chronicles of Chaos 1161:Jonsson, Johannes. 1066:on 11 February 2008 905: 856: 496:Chronicles of Chaos 477: 422:amplified to eleven 370:1 Corinthians 15:52 1522:Sea of Tranquility 1441:"Deuteronomy 31:6" 1334:"1 Peter 1:19 NIV" 1316:"Isaiah 14:12 KJV" 1298:"Revelation 14:10" 1143:on 23 October 2007 903: 855:(2019) bonus track 847: 568:Sea of Tranquility 475: 447:Black Mark Records 374:Revelation 6:12-17 1619:1994 debut albums 1188:. Open Publishing 1186:The Whipping Post 1137:"Horde Interview" 1103:on 1 January 2008 964: 963: 899: 898: 826: 825: 640:The Whipping Post 612: 611: 604:The Whipping Post 471:Impact and legacy 228:Recording history 167: 166: 163: 162: 1631: 1578: 1577: 1575: 1573: 1553: 1547: 1540: 1534: 1533: 1531: 1529: 1514: 1508: 1507: 1505: 1503: 1493: 1486: 1477: 1476: 1474: 1472: 1455: 1449: 1448: 1437: 1431: 1430: 1420: 1414: 1413: 1402: 1396: 1395: 1384: 1378: 1377: 1366: 1360: 1359: 1348: 1342: 1341: 1330: 1324: 1323: 1312: 1306: 1305: 1294: 1288: 1287: 1276: 1270: 1269: 1259: 1246: 1245: 1243: 1241: 1230: 1224: 1223: 1221: 1219: 1210:. 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690: 687: 683: 670: 666: 664: 657:Track listing 654: 652: 651:Hellig Usvart 648: 647: 641: 637: 636:Hellig Usvart 633: 632: 626: 624: 620: 619:South America 616: 615:Hellig Usvart 607: 605: 602: 601: 571: 569: 566: 565: 510: 508: 505: 504: 500: 498: 497: 493: 492: 484: 481:Review scores 479: 464: 458: 456: 452: 448: 444: 440: 436: 432: 425: 423: 419: 415: 414:Hellig Usvart 411: 410: 404: 400: 395: 394:Hellig Usvart 385: 383: 379: 378:Hellig Usvart 375: 371: 367: 363: 359: 355: 351: 347: 343: 339: 335: 331: 327: 326:Hellig Usvart 318: 316: 315:Hellig Usvart 312: 308: 304: 303:Hellig Usvart 299: 294: 292: 288: 287:Hellig Usvart 283: 282:Hellig Usvart 273: 270: 266: 265:Hellig Usvart 261: 260:Hellig Usvart 257: 255: 251: 247: 243: 239: 238:Mortification 235: 225: 223: 219: 218:Hellig Usvart 215: 211: 207: 202: 200: 199: 194: 190: 185: 181: 177: 176:unblack metal 173: 172: 171:Hellig Usvart 157: 156: 152: 148: 147: 146:Hellig Usvart 143: 141: 140: 136: 132: 128: 124: 121: 119: 115: 110: 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Index


Studio album
Horde
Genre
Unblack metal
Label
Nuclear Blast Records
Rowe Productions
Metal Mind Productions
Producer
Jayson Sherlock
Horde
The Day of Total Armageddon Holocaust – Alive in Oslo
unblack metal
Horde
Nuclear Blast Records
Christian
parody
Morgenbladet
Jayson Sherlock
Rowe Productions
Metal Mind Productions
Christian metal
Christian death metal
Mortification
death-doom metal
Paramaecium
Rowe Productions
Dark Throne
God

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