1148:'s poor commercial performance, with Todd Lewis blaming Interscope's lacklustre promotion for the album's low sales. "The label was doing the usual label thing: 'If you don't sell X number within X number of days, then you suck.' Especially these days; it's just so competitive. So that didn't help, I'm sure. But, you know, that would have gotten better eventually, or we would've done another record and it would have gotten better then. I really believe in this record. That's the shame of it. I was really looking forward to getting out and beating people over the head with it, to convince them how good it is, because I really, really believe in this record."
728:
834:, the label only released one single, and no music videos. The album's only single, "Push the Hand", was promoted for two weeks on the radio, which was "the minimal amount they were legally required to do", according to drummer Mark Reznicek. Todd Lewis suggested that a follow-up single could have been either "You’ll Come Down" or "Motivational", but soon after, Interscope informed the band that they would not be releasing a second single or promoting the album further. "We were like a paper boat in a gutter," Umbarger explained of the album's poor promotion; "from the street to the sewer."
1260:"I've said it before: This band finally got to where I wanted it--creatively and input-wise--and everybody was on an even playing field, and just everything was good as far as the band itself. Then this happened, and I just figured, well, fuck it then." Clark Vogeler was supportive of Lewis' decision, saying that it "made sense". As a result of Umbarger's departure, the band cancelled the five remaining tour dates in July 2001, sparking rumours about the band's imminent breakup.
849:, stemming from a joke the band made about Interscope on a radio station in 1994, which offended him. "He was mad at them , and by the time it was time for us to start working on our second record, he was in control, and Tom Whalley I think was on his way out, so Jimmy Iovine just made the decision, just kind of, 'fuck ’em'." He also blamed Iovine for the album's seven-year delay; "He never seemed to forgive , basically, and squandered away years and years of our lives."
477:
802:. It was initially planned that the album's intended first single, "Motivational", was to be released in mid-December, but following the album's delay to March 2001 it was pushed back to February. At the last minute, the album's first single was changed to "Push The Hand" thanks to a fan poll on the band's website. The single was released in late February 2001. It was added to 48 radio stations upon its release, and reached number 30 on
460:. After hearing and being impressed by the band's demos, which consisted of early versions of "Motivational" and "You'll Come Down" (along with an unreleased song, "Trust Game"), Todd Lewis started writing songs collaboratively with the rest of the band; this marked a change from the band's prior output, which was solely written by Todd Lewis. Todd Lewis and Mark Reznicek described the songwriting process of
999:
994:
959:
921:
916:
989:
984:
979:
954:
949:
944:
939:
911:
906:
901:
572:"The main thing is that after The Feeler Sessions, we just kept writing instead of giving up and going, 'This isn't going to happen.' We did the thing we did best; we just went in and kept working. And we did a lot of things that we've never done before, things we would've considered a risk before. But after all those things had happened to us, who cared? We were ready to gamble."
1238:"I had a conversation with someone at the label, an insider who shall remain nameless, and found out they had no intention of doing anything else for the record... When I found out they weren't going to do another single, that it was going to sit there, it looked gloomy, and I have things that looked brighter. I wanted to get out while I still had air in my lungs."
614:. While mostly consisting of heavy rock songs, several tracks feature a more emotional, softer-sound, including "Pressed Against the Sky" and "Doll Skin". Todd Lewis called "Pressed Against the Sky" "really on-your-sleeve and emotionally bare not trying to hide behind a scary story", and cited the song as evidence of his matured song writing abilities. "Since
448:, were dropped from their labels during the merger, and the Toadies' perceived inactivity left their future at Interscope uncertain. The band was able to stay on the label, as the person who was supposed to drop the band was fired during the merger, and because Todd Lewis was able to convince Interscope's new president, Tom Whalley, to keep them on the label.
4116:
1253:
emotional time for me. It had been such a big part of my life, but I felt like it was the right thing to do." Vaden Todd Lewis decided to break up the band three days later, saying that it was no longer the
Toadies without Umbarger. "Me and Lisa have been there from the start, and that just never even entered my mind," Lewis explained to the
677:, but the band scrapped the idea after the vocals were recorded; instead, they brought in a single backup female singer. Despite the song's complex structure, the band said it was the easiest song to write for the album, with "What We Have Is What We Steal", "Push The Hand" and "Jigsaw Girl" being described as the hardest songs to write.
366:(RIAA) in 1996. Touring for the album wrapped up in September 1996, after which the band fired lead guitarist Darrel Herbert, who no longer wanted to tour. After auditioning several guitarists in late 1996, the band settled on Clark Vogeler of the alternative rock band Funland, which had broken up earlier in June.
340:'s sales, primarily due to Interscope's complete lack of promotional support for the album. Disillusioned with the album's failure, Umbarger quit the Toadies four months after its release, resulting in the group's disbandment in October 2001. It was the Toadies' last album prior to their reformation in 2006.
4108:
1031:, Andy Langer commented: "Time and familiarity haven’t dulled the punch of the Toadies’ creepy narratives, muscular hooks, and unfettered aggression". While he said that the album's songs, bar the title track, were "business-as-usual", he concluded that "time may not have made them a different band, but
29:
427:
going into a self-imposed exile. Todd Lewis eventually decided to get the band back together again, and they began playing some local shows. The
Toadies would begin to face numerous difficulties during this time, financially and legally; the band's former manager, Tom Bunch (who was fired in December
712:
as "a dark, romantic ode to a former lover the narrator has chopped to pieces." Todd Lewis described the song as "the prettiest song ever, but it's about how you love this girl so much, but she doesn't love you back, so you cut her up." "I think it's fun to pull off a love song that's really f---in'
544:
were sometimes difficult and stop-start; notably, recording was halted for two weeks when the album was nearly complete after
Interscope told the band that the album's budget still needed to be approved. Furthermore, the band, still in financial difficulties as a result of not doing a major tour for
735:
The album's cover is a picture of an angel, and was taken from the 1996 book "Pillars of the
Almighty" by f-stop Fitzgerald and Ken Follett, a book which contains photography of churches and buildings. The band used the image to form the rest of the album's aesthetic. The disc artwork and the inner
752:
was not immediately given a release date after it was turned into the label, and a waiting game that the band described as "frustrating" and "fucking depressing" ensued. The band originally aimed for a release date of August/September 2000, however, this was not doable. Interscope's president, Tom
700:, and was partially inspired by the struggles the band faced. "Push the Hand" was described by Todd Lewis to be about "a relationship that gets fouled up because of sex, and about seeing how your friendship kinda goes away because you f---ed it up by, um ... f---ing." "Heel" is about Todd Lewis'
1252:
during the middle of the tour on July 14, 2001, owing to the growing tensions in the band, and her disillusionment with their situation. "We were playing all these tiny clubs again. It just didn’t feel right. All the things that Todd was afraid were going to happen were happening. It was a very
464:
as "finishing each other's sentences", with Todd Lewis presenting an idea that the rest of the band would flesh out. "We'd had enough time together as a band--me and Mark and Lisa--to start vibing that way, and kind of feeding off each other." In spite of his status as the band's newest member,
1267:
via phone call that the
Toadies were breaking up on August 22, 2001; the newspaper would announce the breakup the following day. The news of the band's breakup came as a surprise to Umbarger, who expected the band to continue without her. "I thought I could have the benefits of going to
553:
to keep them afloat; Todd Lewis called "Possum
Kingdom", which was still receiving somewhat regular radio rotation several years after its release, the "pay-the-rent" song for the band. In order to make up for the lack of touring money, Lisa Umbarger took on a part-time role working for
1132:
chart and fell off the chart the week after. Six months after the album's release, the album had sold 54,432 copies in the US, and only 6,260 copies sold in the band's Texas home state. By
January 2002, the album had sold a meagre 61,000 copies, which was ninety-four percent less than
495:
After initially being scheduled to start recording in
November 1999, the band entered Sunset Sound Recorders on January 3, 2000. The studio, which Clark Vogeler referred to as "a classic studio", had been used by many influential rock acts from the 1970s such as the
428:
1998) and Darrel
Herbert jointly sued the band in 1999 after claiming continued royalties and unpaid management fees; the lawsuits would be settled in June 2001. The band were also nearly dropped by Interscope following the merger of Interscope's parent company,
403:
as a result. Whilst waiting for someone to mix the album, the
Toadies wrote and/or included five more songs for consideration on the album, and its release date was moved back from late summer of 1998 to around early 1999. Ultimately, the band ended up handing
2641:
673:, who had worked with Rothrock and Schnapf in the past. The band had never played it in full before entering the studio, and said it "took on a new life" when recorded. The song was originally recorded with backup singers who had previously worked with
1039:, Mark Morgenstein remarked that "If 1995's Rubberneck was a pretty heavy album, with guitars swimming in a post-grunge murk, Hell Below/Stars Above finds the band trudging through primeval sludge, awakening the ghosts of heavy metal past", and that "
536:
sessions, "Push the Hand", "Doll Skin" and "Best of Three" (retitled "What We Have We Steal"), were recovered and re-recorded for the album, while two other songs, "Joey Let’s Go" and "Waterfall" were also re-recorded but did not make the final album.
1049:
similarly called the album "a pulverizing comeback" and commented "What puts the Toadies over isn't the player's chops so much as their range– few bands successfully mix turgid and tense as they do, disdaining solos and remaining heavy."
264:
Clark Vogeler, who joined in 1996, and the band's final album with founding member and bassist Lisa Umbarger. The album was the Toadies' first in nearly seven years, and was their second attempt at recording a follow-up album to their
558:, and Clark Vogeler reluctantly had to borrow money from his girlfriend for basic necessities such as toilet paper and food. Recording was completed on March 18, 2000, and the album was mixed by Andy Wallace in April and mastered by
1156:
Without any touring support from Interscope, the band promoted the album with the band's first major headlining tour since 1997, The "I Am A Tour" Tour, travelling to various cities across the United States with supporting acts
740:
taken from the Dallas Power and Light building. The artwork inside the fold-out liner notes contain an enlarged image of the front cover, with a combination of various words from the album's lyrics running through the middle.
783:.It was released exclusively in North America. Despite the near seven-year gap between releases, the band was not worried about the scale of the record's initial success, and believed it would become successful overtime;
1280:, Texas on October 1, 2001. Umbarger wanted to participate in the farewell shows, but could not due to scheduling conflicts; she believes that Lewis deliberately planned these shows to be in conflict with her schedule.
773:) around the same time. The album's release date was then moved to February 13, 2001, but the label eventually moved its release to March 6, and finally, to March 20, 2001, possibly to avoid competition with
1228:'s, and some fans had not even heard about the album a month after the record's release. Demoralised and disappointed with the album's failure, the band member's relationships became increasingly strained.
473:, California to begin recording the album in January 2000. The new approach to songwriting proved to be extremely productive for the band; by January 2000, they had been able to write 40 brand new songs.
3043:
2125:
2982:
1053:
Most of the album's criticism was largely directed towards the quality of the band's song writing and production, many who called it unoriginal and outdated. In a negative review of the album,
3745:
4025:
1272:
and watching from backstage. I thought the Toadies as an entity would continue. I didn't know it would have such a big effect." The band played some farewell shows, with Mark Hughes of
1081:. And, considering Soul doesn’t have much of an identity to call its own, the band is more akin to being a copy of a copy: kinda faint and hard to see without a lot of squinting." The
669:
at the end. Todd Lewis wrote the first half of the song, with the rest of the band contributing something to the end of the song afterwards. The song also includes piano performed by
3538:
303:, California between January and March 2000. Disagreements with Interscope delayed the album's release for an entire year after its completion. Unlike earlier Toadies' releases,
3630:
2674:
4056:
3074:
2454:
3166:
3346:
1969:
4086:
1063:: "The hooks are weak, the guitars mushy, and the songs are unremarkable. "You'll Come Down" and "Jigsaw Girl" stand out, but none of the tracks has the power of "
753:
Whalley, wanted to release the album in October 2000, but the band refused as they did not want the album to compete with releases from bigger rock acts such as
3793:
3035:
3957:
3475:
1248:
After hearing that Interscope would no longer promote the album or release a second single, bassist Lisa Umbarger decided to leave the band, and handed in her
3387:
3013:
3827:
3275:
2710:
2169:
1283:
Following the split, the band members went their separate ways and worked on their own individual projects. Lisa Umbarger quit music altogether and moved to
465:
Vogeler quickly became an equal part in the song writing process. Writing and demoing of new material continued until days before the Toadies headed out to
4490:
630:
on several of the album's tracks. The intro sound on "Doll Skin" was created by Todd Lewis knocking a wooden hammer into the body of his guitar, emulating
2974:
2289:
713:
twisted," Lewis said about the song to MTV News. "It's funny to hear a love song about something really dark and sick that still sounds nice and pretty."
2822:
642:, "especially now with all the backwards-hats-wearing, scream-at-the-floor guys. It might be refreshing to hear somebody who can write a song and not be
2914:
4495:
3737:
2117:
2557:
769:
408:
over to Interscope in an unmixed and unmastered state; the label then withheld the album from release, unhappy with its perceived change in sound.
387:) between January and April 1998. The band recorded 14 songs for the album, which was envisioned as an attempt to make "a more mature record" than
1043:
isn't all that original, but it's nirvana to some headbangers in an era when rap-metal was the only metal played on the radio." Chris Molanphy of
2880:
2696:
638:, the band was not interested copying modern musical trends or the album. "The charm of this record is that we don’t fit in," Todd Lewis said to
3446:
3252:
2847:
4009:
3571:
520:
again, favouring their "full" production style. The band aimed for a sound that was "a little bit more live, not quite so mechanical" as the
2382:
2526:
650:
and actually playing their instruments and actually writing a song. It has some merit to it, some hooks. It’s something to sing along to."
3530:
3221:
2635:
329:
received mixed reviews from critics and was a significant commercial failure upon release, with the album only reaching number 130 on the
3927:
3195:
2317:
3771:
2416:
3897:
3866:
3622:
2736:
2664:
1939:
3711:
3505:
2773:
363:
4147:
4480:
4048:
3066:
2446:
2054:
4485:
3158:
2495:
3356:
3329:
2343:
1961:
1093:" and an "adenoidal whine"; The GW Hatchet described his vocals as "loud yelps between verses that are eerily reminiscent of
508:, which Todd Lewis described as "a little grander sounding, a little more '70s, I guess." The band opted to work again with
3418:
1035:
proves it has made them a better one." There was also some praise directed towards the album's heavier sound. Writing for
653:
The album's penultimate track, "Hell Below/Stars Above", best presents the album's creative visions. The song showcases a
4368:
4078:
1219:
188:
2580:
4475:
3667:
3597:
3125:
759:
2944:
1316:
All lyrics are written by Vaden Todd Lewis and Clark Vogeler; all music is composed by the Toadies, except where noted
622:
also saw the band experimenting with a variety of instruments, techniques and ideas, including using vocal harmonies,
4187:
3315:
969:
3949:
3467:
3379:
3099:
3005:
1169:. The band made the conscious decision to travel to "secondary markets" and less-commonly toured locations such as
415:
entirely, feeling unhappy with its "mechanical" production. The band then went on a month-long hiatus after facing
3835:
3285:
2714:
2161:
731:
The stained glass window on the Dallas Power and Light building, used for the album's disc and inner tray artwork.
2217:
2872:
2281:
2922:
1295:, Vaden Todd Lewis took a brief hiatus from music before forming a new band with Reverend Horton Heat drummer
1177:
music festival in Austin, Texas prior to the album's release on March 17, 2001 and in the two-day CPR Fest in
787:
had only become successful a year after its release. Interscope shipped 70,000 copies of the album to stores.
1679:
779:
456:
Whilst Todd Lewis was still living in Austin, the rest of the Toadies began writing new material together in
399:; this protracted its recording process, and the band missed their scheduled time to have the album mixed by
1991:
369:
After writing and rehearsing new material throughout 1997, the Toadies recorded a new album, later known as
2816:
2549:
4393:
3982:
2081:
2016:
1879:
618:, I’ve been trying to express myself without relying on some story to hide what I’m really getting at."
631:
311:
only, resulting in it becoming more stylistically varied. The album's overall sound was influenced by
3440:
3244:
2839:
2610:
2046:
727:
4318:
3561:
3218:"The Toadies Talk About Record Sales, and Other Things that Don't Matter | Page 2 of 2 | Antiquiet"
441:
2374:
4465:
3351:
1675:
1007:
400:
3311:
2518:
4297:
3217:
1812:
1114:
ranked the album at number 9 on its list of the "Top 10 Grunge Albums That Survived the '00s".
657:
song structure, starting off as a straight forward fast rock song before expanding into a more
484:
470:
466:
371:
359:
296:
277:
266:
68:
3919:
4407:
4180:
3191:
2321:
1577:
1249:
1125:
became a commercial disaster for the band. In the US, the album debuted at number 130 on the
1089:
rock". Several reviewers criticized Todd Lewis's vocal performance, which were described as "
1045:
831:
818:
Interscope's promotion of the album was extremely poor, compared to the label's promotion of
764:
689:
429:
355:
3767:
2408:
4470:
3889:
3858:
3280:
2740:
1931:
1732:
1713:
1704:
930:
715:
634:. Despite the fact the musical landscape had changed in the years following the release of
3703:
3497:
2765:
8:
4424:
4139:
2162:"After nearly seven years, Toadies finally hop back | Pause & Play CD and Music Site"
1178:
1094:
646:. That’s what’s going to work with this record … there’s people actually singing and not
4429:
4276:
3738:"Got Charts? Sympathy For Mariah, 2001's Biggest Flops, Nine Inch Nails' Chart Algebra"
2808:
2192:
1269:
1210:
1174:
1141:' "2001's Biggest Flops", who called the album "the biggest sales fiasco of the year".
861:
reissue of the album on March 24, 2021. A release date is unknown as of November 2022.
685:
497:
392:
350:
271:
257:
170:
127:
4375:
4017:
3801:
3325:
3192:"The Toadies Talk About Record Sales, and Other Things that Don't Matter | Antiquiet"
2690:
2487:
858:
807:
654:
607:
416:
4350:
4311:
4208:
4173:
1737:
1709:
1559:
799:
587:
424:
384:
312:
308:
249:
84:
1741:. "Queen of Scars", off of the aforementioned album, is a sequel to "Jigsaw Girl".
4434:
4304:
3593:
3410:
2669:
1688:
1664:
1655:
1304:
1300:
1277:
1255:
1162:
1110:
1078:
1073:
criticized the album's "weak" songwriting, and dismissed the Toadies as "a cheap
705:
546:
420:
134:
4444:
4290:
4246:
1684:
1670:
1170:
1158:
1082:
1055:
559:
528:
sessions; in order to achieve this sound, the album was recorded onto two-inch
445:
206:
4459:
4439:
4021:
3805:
3566:
1770:
1604:
1563:
1276:
filling in on bass, through September, with their final show taking place in
1273:
1198:
1190:
1126:
1086:
1027:
845:
was poorly promoted because of a falling out with Interscope Records founder
774:
737:
670:
611:
529:
376:
330:
3659:
3133:
2975:"All Sorts of New Flavors Come Out When '90s Alt-Rock Heroes Toadies Unplug"
1025:
Several critics praised the album for its energy. In a positive review from
3307:
2948:
1651:
1638:
1206:
1202:
1194:
1064:
846:
674:
662:
644:
playing one chord on a seven-string guitar, screaming about their childhood
513:
501:
288:
245:
142:
122:
1614:
Rev. White - additional vocals (on "Hell Below / Stars Above"; uncredited)
4400:
4343:
1822:
1660:
1632:
1589:
1583:
1296:
1288:
1186:
1182:
1166:
1090:
827:
595:
517:
300:
292:
261:
147:
95:
76:
28:
3103:
307:
was jointly written by all of the band's members instead of by frontman
1992:"Singled Out: Toadies' Feeler ::Toadies News ::antiMusic.com"
1292:
1074:
1069:
623:
476:
380:
358:" and the band's relentless touring schedules, the album was certified
2225:
3531:"Hell Below/Stars Above wallows in quagmire of '90s alternative rock"
3442:
Hell Below/Stars Above - Toadies | Songs, Reviews, Credits | AllMusic
2612:
Hell Below/Stars Above - Toadies | Songs, Reviews, Credits | AllMusic
647:
603:
591:
555:
521:
391:. Dissatisfied with the album's material, the Toadies' record label,
89:
3983:"The Toadies Network - home of Listacide, the Official Mailing List"
4336:
3248:
1573:
1138:
1036:
893:
709:
697:
643:
433:
4196:
2804:
1567:
1217:, was recorded and posthumously released as a live album, titled
253:
157:
41:
1243:
Bassist Lisa Umbarger explaining her departure from the Toadies.
1284:
1214:
693:
599:
457:
316:
1307:
band 1100 Springs. The band did not reunite until March 2006.
504:, and its history became an influence on the overall sound of
3986:
2089:
2020:
1883:
1608:
1592:
666:
658:
627:
437:
36:
3912:
3321:
577:
Lisa Umbarger on the album's writing and recording process.
4165:
2581:"Classic Album Review: Toadies | Hell Below / Stars Above"
1224:
in November 2002. The band's shows were much smaller than
798:, a promotional sampler released by Interscope during the
411:
After the album's rejection, the Toadies decided to scrap
701:
4049:"Toadies Getting Back Together. For One Day Only. Again"
1108:
as one of the best Dallas albums of the 2000s. In 2022,
1085:
was critical of the album's lyrics, labeling the album "
1067:," dooming the disc to a hitless existence." Similarly,
1059:
called the album a "bare-bones effort" and inferior to
754:
1735:
and re-interpreted for the band's sixth studio album,
1624:
f-stop fitzgerald, inc. - cover image (from the book
1493:"Hell Below / Stars Above" (featuring Elliott Smith)
1137:
million-copy sales. The album made an appearance on
2155:
2153:
2151:
2149:
2147:
2145:
2143:
1209:. One of the band's shows during the tour, at the
3828:"3 Doors Down Scores Hat Trick With "Kryptonite""
2834:
2832:
2550:"Toadies Come Out of Hibernation With New Energy"
4457:
3702:Crain, Zac; Wilonsky, Robert (August 30, 2001).
3159:"Toadies Went To 'Hell' And Back For New Album4"
2316:Crain, Zac; Wilonsky, Robert (August 23, 2001).
348:In 1994, the Toadies released their debut album
4010:"With Another New Album, Going Beyond Comeback"
2821:: CS1 maint: others in cite AV media (notes) (
2344:"Universal and Polygram complete global merger"
2140:
2118:"Toadies' lost album 'Feeler' finally released"
1303:, and Mark Reznicek became the drummer for the
1144:The Toadies were shocked and disappointed with
1022:received generally mixed reviews from critics.
315:, and was cleaner and less aggressive than the
3347:"Wall of Sound Review: Hell Below/Stars Above"
2840:"Happy 20th birthday Hell Below / Stars Above"
2829:
2115:
1703:Davis Shapiro Lewit Grabel & Leven, LLP –
898:
4181:
3701:
3623:"Top 10 Grunge Albums That Survived the '00s"
3498:"Toadies: Hell Below/Stars Above, PopMatters"
2766:"Toadies: Hell Below/Stars Above, PopMatters"
2665:"Top 10 Grunge Albums That Survived the '00s"
2315:
2915:"Unlicked Toadies Hit Road Behind New Album"
2375:"Toadies Still Hopping After Label Shakeout"
976:
936:
4491:Alternative rock albums by American artists
3242:
2695:: CS1 maint: numeric names: authors list (
1173:, Texas. The band also participated in the
852:
602:. Some critics also described the album as
419:and rumours that they were going to have a
281:, had been rejected by Interscope in 1998.
260:. It is the first Toadies album to feature
4188:
4174:
3598:"The Best Area Album Releases of the '00s"
3276:"Acts Playing South by Southwest: Toadies"
2711:"The Austin Chronicle Music: SXSW Records"
2488:"The Toadies / Interviews / Silent Uproar"
1287:with her boyfriend, Clark Vogeler went to
27:
4496:Albums recorded at Sunset Sound Recorders
2547:
2159:
1731:"Jigsaw Girl" and "Doll Skin" were later
1231:
1117:
565:
395:, forced the band to make adjustments to
364:Recording Industry Association of America
4079:"Album Details – Hell Below/Stars Above"
3592:
3559:
3344:
2662:
2516:
2444:
2406:
2040:
2038:
1151:
744:
726:
475:
451:
2912:
2578:
1929:
841:, Clark Vogeler said the band believed
719:compared the song to "Possum Kingdom".
336:chart and selling less than a tenth of
4458:
4089:from the original on February 21, 2024
4028:from the original on February 21, 2024
4007:
3977:
3975:
3960:from the original on February 21, 2024
3900:from the original on February 21, 2024
3869:from the original on February 21, 2024
3735:
3714:from the original on December 22, 2015
3553:
3525:
3523:
3449:from the original on February 21, 2024
3421:from the original on February 21, 2024
3408:
3390:from the original on February 21, 2024
3306:
3255:from the original on February 21, 2024
3186:
3184:
3094:
3092:
3077:from the original on November 22, 2022
3046:from the original on February 21, 2024
3016:from the original on February 21, 2024
2985:from the original on February 21, 2024
2968:
2966:
2883:from the original on February 21, 2024
2867:
2865:
2850:from the original on February 21, 2024
2795:
2793:
2791:
2776:from the original on February 21, 2024
2760:
2758:
2644:from the original on February 21, 2024
2630:
2628:
2605:
2603:
2601:
2457:from the original on November 22, 2022
2402:
2400:
2311:
2309:
2307:
2292:from the original on February 24, 2023
2275:
2273:
2271:
2269:
2267:
2265:
2263:
2190:
2128:from the original on November 22, 2022
2057:from the original on November 22, 2022
2044:
1942:from the original on February 25, 2013
1515:
1489:
1475:
857:The band announced a 20th anniversary
4169:
4137:
3768:"Toadies On The Road – Pollstar News"
3731:
3729:
3697:
3695:
3693:
3691:
3689:
3687:
3685:
3654:
3652:
3650:
3648:
3153:
3151:
3067:"New album helps Toadies bounce back"
2908:
2906:
2904:
2902:
2900:
2898:
2498:from the original on February 8, 2012
2482:
2480:
2478:
2476:
2474:
2472:
2447:"New album helps Toadies bounce back"
2440:
2438:
2436:
2434:
2372:
2368:
2366:
2364:
2279:
2261:
2259:
2257:
2255:
2253:
2251:
2249:
2247:
2245:
2243:
2172:from the original on October 27, 2020
2116:Sweeten-Shults, Lana (July 9, 2010).
2111:
2109:
2107:
2076:
2074:
2072:
2035:
1930:Collier, Caroline (August 13, 2008).
1925:
1923:
1921:
1529:
1461:
1447:
1433:
1419:
1405:
1391:
1365:
1351:
1337:
879:
869:
4046:
3378:Gray, Christopher (March 16, 2001).
3377:
3274:Gray, Christopher (March 16, 2001).
3273:
3064:
3004:Gray, Christopher (March 16, 2001).
3003:
1919:
1917:
1915:
1913:
1911:
1909:
1907:
1905:
1903:
1901:
1550:
71:, Hollywood, Los Angeles, California
4369:Best of Toadies: Live from Paradise
4140:"Toadies – Heretics (Album Review)"
4119:from the original on April 24, 2022
3985:. November 30, 2001. Archived from
3972:
3930:from the original on March 27, 2022
3856:
3774:from the original on April 15, 2022
3670:from the original on March 27, 2022
3562:"Toadies: Hell Below / Stars Above"
3560:Thompson, Steven (April 19, 2002).
3520:
3508:from the original on April 20, 2022
3224:from the original on April 27, 2022
3198:from the original on April 27, 2022
3181:
3102:. December 11, 2000. Archived from
3089:
2972:
2963:
2862:
2788:
2755:
2625:
2598:
2560:from the original on April 24, 2022
2548:Applewood, Steve (April 23, 2001).
2529:from the original on March 28, 2022
2517:Wilonsky, Robert (April 12, 2001).
2445:Triplett, Gene (October 20, 2000).
2419:from the original on April 24, 2022
2407:Wilonsky, Robert (March 15, 2001).
2397:
2385:from the original on March 27, 2022
2304:
2160:Galipault, Gerry (April 11, 2001).
2045:Mayhew, Malcolm (August 29, 2019).
1972:from the original on March 26, 2023
1220:Best of Toadies: Live from Paradise
900:
790:The first song to be released from
189:Best of Toadies: Live from Paradise
13:
3950:"Texas' Toadies Utter Final Croak"
3825:
3748:from the original on July 29, 2022
3736:Basham, David (February 1, 2002).
3726:
3682:
3645:
3169:from the original on April 3, 2022
3148:
2895:
2579:Sterdan, Darryl (April 13, 2021).
2469:
2431:
2361:
2240:
2104:
2069:
1833:
1745:
813:
275:(1994); the band's first attempt,
14:
4507:
4150:from the original on May 30, 2022
4059:from the original on May 26, 2022
3887:
3633:from the original on May 31, 2022
3541:from the original on May 31, 2022
3478:from the original on May 31, 2022
3468:"Review - Hell Below/Stars Above"
3317:The Encyclopedia of Popular Music
3245:"Toadies: Hell Below/Stars Below"
3036:"Dallas Power and Light Building"
2913:Wallace, Brian (April 13, 2001).
2677:from the original on May 31, 2022
1898:
1700:Scott McGhee – management for AMG
1185:, where they performed alongside
978:
970:The Encyclopedia of Popular Music
938:
708:. "Jigsaw Girl" was described by
256:, released on March 20, 2001, by
4138:Plant, Kristin (March 1, 2016).
3574:from the original on May 7, 2022
2713:. March 12, 2005. Archived from
2191:Mackay, Jordan (March 1, 1998).
1310:
997:
992:
987:
982:
977:
957:
952:
947:
942:
937:
919:
914:
909:
904:
899:
16:2001 studio album by Toadies
4481:Albums produced by Tom Rothrock
4131:
4101:
4071:
4040:
4001:
3942:
3881:
3850:
3819:
3786:
3760:
3615:
3586:
3490:
3460:
3433:
3402:
3371:
3338:
3300:
3267:
3236:
3210:
3118:
3058:
3028:
2997:
2937:
2729:
2703:
2656:
2572:
2541:
2510:
2336:
2210:
2184:
2088:. April 1, 2001. Archived from
1882:. April 1, 2001. Archived from
1725:
1611:(on "Hell Below / Stars Above")
760:All That You Can't Leave Behind
354:. Propelled by the hit single "
4486:Albums produced by Rob Schnapf
3920:"Rock Group Toadies Breaks Up"
3409:Langer, Andy (March 1, 2001).
3320:. Vol. 8 (4th ed.).
2280:Crain, Zac (August 31, 2000).
2009:
1984:
1954:
1872:
1322:
794:was "Heel", which appeared on
780:Duke Lion Fights the Terror!!!
1:
4008:Langer, Andy (July 7, 2012).
2947:. May 4, 2001. Archived from
2739:. May 7, 2005. Archived from
2663:JorgeM93 (February 2, 2022).
1865:
343:
1826:
1821:
1816:
1811:
1777:
1542:
1095:fingernails on a black board
864:
586:has described by critics as
7:
4195:
2373:Graff, Gary (May 9, 2001).
1263:Lewis would confirm to the
736:tray card is an image of a
540:The recording sessions for
423:, with the band's frontman
10:
4512:
3243:Morgenstein, Mark (2001).
2737:"CMJ.com: new music first"
1784:
1547:Personnel per liner notes.
826:was promoted with several
722:
60:January 3 – March 18, 2000
4476:Interscope Records albums
4417:
4385:
4360:
4328:
4268:
4203:
1853:
1808:
1805:
1437:"Pressed Against the Sky"
1332:
1329:
1326:
1321:
887:
884:
837:In a 2012 interview with
648:being tuned by a computer
545:several years, relied on
233:
216:
205:
201:
164:
156:
133:
121:
105:
75:
64:
56:
48:
35:
26:
21:
4319:The Lower Side of Uptown
2945:"The Toadies Yahoo Chat"
1750:
853:20th anniversary reissue
442:The Reverend Horton Heat
4109:"BMI | Songview Search"
3627:www.ultimate-guitar.com
3384:www.austinchronicle.com
3010:www.austinchronicle.com
2873:"LONG JUMP FOR TOADIES"
2122:www.timesrecordnews.com
1626:Pillars of the Almighty
1451:"What We Have We Steal"
680:The lyrical content on
532:. Three songs from the
436:in December 1998; many
225:Released: February 2001
211:Hell Below/Stars Above
4284:Hell Below/Stars Above
3345:Remstein, Bob (2001).
2801:Hell Below/Stars Above
2047:"Rubberneck Revisited"
1813:Mainstream Rock Tracks
1240:
1232:Breakup of the Toadies
1146:Hell Below/Stars Above
1123:Hell Below/Stars Above
1118:Commercial performance
1106:Hell Below/Stars Above
1041:Hell Below/Stars Above
1033:Hell Below/Stars Above
1020:Hell Below/Stars Above
843:Hell Below/Stars Above
792:Hell Below/Stars Above
750:Hell Below/Stars Above
732:
684:covers themes such as
682:Hell Below/Stars Above
620:Hell Below/Stars Above
584:Hell Below/Stars Above
574:
566:Composition and lyrics
542:Hell Below/Stars Above
506:Hell Below/Stars Above
492:
485:Sunset Sound Recorders
481:Hell Below/Stars Above
467:Sunset Sound Recorders
462:Hell Below/Stars Above
379:, Texas with producer
327:Hell Below/Stars Above
305:Hell Below/Stars Above
297:Sunset Sound Recorders
285:Hell Below/Stars Above
241:Hell Below/Stars Above
180:Hell Below/Stars Above
69:Sunset Sound Recorders
22:Hell Below/Stars Above
2637:CMJ New Music Monthly
2082:"The Toadies Network"
2017:"The Toadies Network"
1962:"Gold & Platinum"
1880:"The Toadies Network"
1236:
1152:Touring and aftermath
1046:CMJ New Music Monthly
745:Release and promotion
730:
570:
562:in May of that year.
479:
452:Writing and recording
430:Universal Music Group
269:-selling debut album
3989:on November 30, 2001
3324:. pp. 196–197.
3281:The Austin Chronicle
3165:. January 31, 2001.
3106:on December 11, 2000
2925:on February 21, 2024
1714:legal representation
1705:legal representation
1641:and back cover image
1599:Additional musicians
931:The Austin Chronicle
875:Professional ratings
738:stained-glass window
716:The Austin Chronicle
295:and was recorded at
3956:. August 24, 2001.
3926:. August 24, 2001.
3596:(January 7, 2010).
2817:cite AV media notes
2811:. 2001. 0694908722.
2318:"Hell Freezes Over"
2228:on December 2, 1998
2051:Fort Worth Magazine
1839:
876:
704:, and heavily uses
4430:Dia De Los Toadies
4231:Charles Mooney III
4113:repertoire.bmi.com
4047:Wilonsky, Robert.
4014:The New York Times
3770:. March 22, 2001.
3537:. April 12, 2001.
3504:. March 19, 2001.
3040:dallascityhall.com
2846:. March 24, 2021.
2809:Interscope Records
2772:. March 19, 2001.
1932:"A Long Road Back"
1838:
1669:Monique Mizrahi -
1637:Chris Bilheimer -
1423:"You'll Come Down"
1293:designing websites
1250:resignation letter
1211:Paradise Rock Club
1175:South by Southwest
1018:Upon its release,
874:
870:Critical reception
733:
493:
393:Interscope Records
258:Interscope Records
4453:
4452:
4083:www.umusicpub.com
3838:on April 27, 2022
3359:on March 31, 2001
3331:978-0-19-531373-4
3288:on March 12, 2005
3136:on April 15, 2001
2979:Phoenix New Times
2717:on March 12, 2005
2554:Los Angeles Times
2523:Phoenix New Times
2519:"Seven Year Itch"
2494:. April 2, 2001.
1996:www.antimusic.com
1936:Fort Worth Weekly
1863:
1862:
1831:
1830:
1782:
1781:
1722:
1721:
1539:
1538:
1016:
1015:
808:Active Rock Chart
237:
236:
197:
196:
4503:
4255:Tracey Sauerwein
4209:Vaden Todd Lewis
4190:
4183:
4176:
4167:
4166:
4160:
4159:
4157:
4155:
4135:
4129:
4128:
4126:
4124:
4105:
4099:
4098:
4096:
4094:
4075:
4069:
4068:
4066:
4064:
4044:
4038:
4037:
4035:
4033:
4005:
3999:
3998:
3996:
3994:
3979:
3970:
3969:
3967:
3965:
3946:
3940:
3939:
3937:
3935:
3916:
3910:
3909:
3907:
3905:
3885:
3879:
3878:
3876:
3874:
3854:
3848:
3847:
3845:
3843:
3834:. Archived from
3823:
3817:
3816:
3814:
3812:
3790:
3784:
3783:
3781:
3779:
3764:
3758:
3757:
3755:
3753:
3733:
3724:
3723:
3721:
3719:
3699:
3680:
3679:
3677:
3675:
3656:
3643:
3642:
3640:
3638:
3619:
3613:
3612:
3610:
3608:
3594:Wilonsky, Robert
3590:
3584:
3583:
3581:
3579:
3557:
3551:
3550:
3548:
3546:
3527:
3518:
3517:
3515:
3513:
3494:
3488:
3487:
3485:
3483:
3464:
3458:
3457:
3456:
3454:
3437:
3431:
3430:
3428:
3426:
3406:
3400:
3399:
3397:
3395:
3375:
3369:
3368:
3366:
3364:
3355:. Archived from
3342:
3336:
3335:
3304:
3298:
3297:
3295:
3293:
3284:. Archived from
3271:
3265:
3264:
3262:
3260:
3240:
3234:
3233:
3231:
3229:
3214:
3208:
3207:
3205:
3203:
3188:
3179:
3178:
3176:
3174:
3155:
3146:
3145:
3143:
3141:
3132:. Archived from
3122:
3116:
3115:
3113:
3111:
3096:
3087:
3086:
3084:
3082:
3065:Triplett, Gene.
3062:
3056:
3055:
3053:
3051:
3032:
3026:
3025:
3023:
3021:
3001:
2995:
2994:
2992:
2990:
2970:
2961:
2960:
2958:
2956:
2941:
2935:
2934:
2932:
2930:
2921:. Archived from
2910:
2893:
2892:
2890:
2888:
2879:. May 27, 2001.
2877:Orlando Sentinel
2869:
2860:
2859:
2857:
2855:
2836:
2827:
2826:
2820:
2812:
2797:
2786:
2785:
2783:
2781:
2762:
2753:
2752:
2750:
2748:
2733:
2727:
2726:
2724:
2722:
2707:
2701:
2700:
2694:
2686:
2684:
2682:
2660:
2654:
2653:
2651:
2649:
2632:
2623:
2622:
2621:
2619:
2607:
2596:
2595:
2593:
2591:
2576:
2570:
2569:
2567:
2565:
2545:
2539:
2538:
2536:
2534:
2514:
2508:
2507:
2505:
2503:
2492:silentuproar.com
2484:
2467:
2466:
2464:
2462:
2442:
2429:
2428:
2426:
2424:
2404:
2395:
2394:
2392:
2390:
2370:
2359:
2358:
2356:
2354:
2340:
2334:
2333:
2331:
2329:
2324:on April 8, 2002
2320:. Archived from
2313:
2302:
2301:
2299:
2297:
2282:"Playing Possum"
2277:
2238:
2237:
2235:
2233:
2224:. Archived from
2214:
2208:
2207:
2205:
2203:
2188:
2182:
2181:
2179:
2177:
2166:Pause & Play
2157:
2138:
2137:
2135:
2133:
2113:
2102:
2101:
2099:
2097:
2092:on April 1, 2001
2078:
2067:
2066:
2064:
2062:
2042:
2033:
2032:
2030:
2028:
2023:on July 23, 2001
2019:. Archived from
2013:
2007:
2006:
2004:
2002:
1988:
1982:
1981:
1979:
1977:
1958:
1952:
1951:
1949:
1947:
1927:
1896:
1895:
1893:
1891:
1886:on April 1, 2001
1876:
1840:
1837:
1809:"Push the Hand"
1789:
1788:
1755:
1754:
1710:Haynes and Boone
1631:Marina Chavez -
1588:Clark Vogeler -
1582:Lisa Umbarger -
1572:Mark Reznicek -
1560:Vaden Todd Lewis
1551:
1532:
1324:
1319:
1318:
1244:
1161:, Warren Peace,
1091:strained at best
1002:
1001:
1000:
996:
995:
991:
990:
986:
985:
981:
980:
972:
962:
961:
960:
956:
955:
951:
950:
946:
945:
941:
940:
924:
923:
922:
918:
917:
913:
912:
908:
907:
903:
902:
877:
873:
800:Vans Warped Tour
588:alternative rock
578:
483:was recorded at
440:acts, including
425:Vaden Todd Lewis
385:Butthole Surfers
313:1970s rock music
309:Vaden Todd Lewis
287:was produced by
250:alternative rock
248:by the American
226:
223:
166:
165:
117:
116:
112:
98:
85:Alternative rock
31:
19:
18:
4511:
4510:
4506:
4505:
4504:
4502:
4501:
4500:
4456:
4455:
4454:
4449:
4435:Burden Brothers
4413:
4381:
4356:
4324:
4305:Play.Rock.Music
4264:
4249:(Michael Moore)
4199:
4194:
4164:
4163:
4153:
4151:
4136:
4132:
4122:
4120:
4107:
4106:
4102:
4092:
4090:
4077:
4076:
4072:
4062:
4060:
4053:Dallas Observer
4045:
4041:
4031:
4029:
4006:
4002:
3992:
3990:
3981:
3980:
3973:
3963:
3961:
3948:
3947:
3943:
3933:
3931:
3918:
3917:
3913:
3903:
3901:
3894:Dallas Observer
3886:
3882:
3872:
3870:
3863:Dallas Observer
3855:
3851:
3841:
3839:
3826:Basham, David.
3824:
3820:
3810:
3808:
3798:Washington Post
3792:
3791:
3787:
3777:
3775:
3766:
3765:
3761:
3751:
3749:
3734:
3727:
3717:
3715:
3708:Dallas Observer
3700:
3683:
3673:
3671:
3658:
3657:
3646:
3636:
3634:
3621:
3620:
3616:
3606:
3604:
3602:Dallas Observer
3591:
3587:
3577:
3575:
3558:
3554:
3544:
3542:
3529:
3528:
3521:
3511:
3509:
3496:
3495:
3491:
3481:
3479:
3466:
3465:
3461:
3452:
3450:
3439:
3438:
3434:
3424:
3422:
3407:
3403:
3393:
3391:
3376:
3372:
3362:
3360:
3343:
3339:
3332:
3305:
3301:
3291:
3289:
3272:
3268:
3258:
3256:
3241:
3237:
3227:
3225:
3216:
3215:
3211:
3201:
3199:
3190:
3189:
3182:
3172:
3170:
3157:
3156:
3149:
3139:
3137:
3124:
3123:
3119:
3109:
3107:
3098:
3097:
3090:
3080:
3078:
3063:
3059:
3049:
3047:
3034:
3033:
3029:
3019:
3017:
3002:
2998:
2988:
2986:
2971:
2964:
2954:
2952:
2943:
2942:
2938:
2928:
2926:
2911:
2896:
2886:
2884:
2871:
2870:
2863:
2853:
2851:
2838:
2837:
2830:
2814:
2813:
2799:
2798:
2789:
2779:
2777:
2764:
2763:
2756:
2746:
2744:
2735:
2734:
2730:
2720:
2718:
2709:
2708:
2704:
2688:
2687:
2680:
2678:
2670:Ultimate Guitar
2661:
2657:
2647:
2645:
2634:
2633:
2626:
2617:
2615:
2609:
2608:
2599:
2589:
2587:
2577:
2573:
2563:
2561:
2546:
2542:
2532:
2530:
2515:
2511:
2501:
2499:
2486:
2485:
2470:
2460:
2458:
2443:
2432:
2422:
2420:
2413:Dallas Observer
2405:
2398:
2388:
2386:
2371:
2362:
2352:
2350:
2348:The Irish Times
2342:
2341:
2337:
2327:
2325:
2314:
2305:
2295:
2293:
2286:Dallas Observer
2278:
2241:
2231:
2229:
2216:
2215:
2211:
2201:
2199:
2193:"Toad Warriors"
2189:
2185:
2175:
2173:
2158:
2141:
2131:
2129:
2114:
2105:
2095:
2093:
2080:
2079:
2070:
2060:
2058:
2043:
2036:
2026:
2024:
2015:
2014:
2010:
2000:
1998:
1990:
1989:
1985:
1975:
1973:
1960:
1959:
1955:
1945:
1943:
1928:
1899:
1889:
1887:
1878:
1877:
1873:
1868:
1854:March 20, 2001
1836:
1834:Release history
1787:
1753:
1748:
1746:Chart positions
1728:
1723:
1545:
1540:
1530:
1508:
1384:
1355:"Push the Hand"
1313:
1301:Burden Brothers
1265:Dallas Observer
1256:Dallas Observer
1246:
1242:
1234:
1154:
1120:
1111:Ultimate Guitar
1102:Dallas Observer
1079:Collective Soul
998:
993:
988:
983:
968:
958:
953:
948:
943:
920:
915:
910:
905:
872:
867:
855:
816:
814:Label promotion
747:
725:
706:double entendre
580:
576:
568:
454:
421:sophomore slump
346:
229:
224:
222:"Push the Hand"
221:
220:
192:
183:
174:
152:
114:
110:
109:
101:
94:
44:
17:
12:
11:
5:
4509:
4499:
4498:
4493:
4488:
4483:
4478:
4473:
4468:
4466:Toadies albums
4451:
4450:
4448:
4447:
4442:
4437:
4432:
4427:
4421:
4419:
4415:
4414:
4412:
4411:
4408:Possum Kingdom
4404:
4397:
4389:
4387:
4383:
4382:
4380:
4379:
4372:
4364:
4362:
4358:
4357:
4355:
4354:
4347:
4340:
4332:
4330:
4326:
4325:
4323:
4322:
4315:
4308:
4301:
4294:
4291:No Deliverance
4287:
4280:
4272:
4270:
4266:
4265:
4263:
4262:
4259:
4258:Darrel Herbert
4256:
4253:
4250:
4247:Michael Jerome
4244:
4241:
4240:Terry Valderas
4238:
4235:
4232:
4228:
4227:
4222:
4217:
4212:
4204:
4201:
4200:
4193:
4192:
4185:
4178:
4170:
4162:
4161:
4130:
4100:
4070:
4039:
4000:
3971:
3941:
3911:
3890:"Scene, Heard"
3880:
3857:Freeman, Amy.
3849:
3818:
3785:
3759:
3725:
3681:
3644:
3614:
3585:
3552:
3535:The GW Hatchet
3519:
3489:
3472:Orlando Weekly
3459:
3432:
3401:
3370:
3337:
3330:
3310:, ed. (2006).
3299:
3266:
3235:
3209:
3180:
3147:
3130:toadiesnet.com
3117:
3088:
3057:
3027:
2996:
2973:Reardon, Tom.
2962:
2951:on May 4, 2001
2936:
2894:
2861:
2828:
2787:
2754:
2743:on May 7, 2005
2728:
2702:
2655:
2624:
2597:
2571:
2540:
2509:
2468:
2430:
2409:"Dallas Stars"
2396:
2360:
2335:
2303:
2239:
2222:thetoadies.com
2209:
2183:
2139:
2103:
2086:toadiesnet.com
2068:
2034:
2008:
1983:
1953:
1897:
1870:
1869:
1867:
1864:
1861:
1860:
1859:United States
1856:
1855:
1852:
1848:
1847:
1844:
1835:
1832:
1829:
1828:
1825:
1819:
1818:
1815:
1810:
1807:
1803:
1802:
1799:
1796:
1793:
1786:
1783:
1780:
1779:
1776:
1766:
1765:
1759:
1752:
1749:
1747:
1744:
1743:
1742:
1727:
1724:
1720:
1719:
1718:
1717:
1707:
1701:
1692:
1691:
1685:Howie Weinberg
1682:
1673:
1667:
1658:
1644:
1643:
1642:
1635:
1629:
1616:
1615:
1612:
1596:
1595:
1586:
1580:
1570:
1549:
1544:
1541:
1537:
1536:
1533:
1527:
1526:
1523:
1520:
1517:
1513:
1512:
1509:
1507:
1506:
1503:
1500:
1496:
1494:
1491:
1487:
1486:
1483:
1480:
1477:
1473:
1472:
1469:
1466:
1463:
1459:
1458:
1455:
1452:
1449:
1445:
1444:
1441:
1438:
1435:
1431:
1430:
1427:
1424:
1421:
1417:
1416:
1413:
1410:
1407:
1403:
1402:
1399:
1396:
1395:"Motivational"
1393:
1389:
1388:
1385:
1383:
1382:
1379:
1376:
1372:
1370:
1367:
1363:
1362:
1359:
1356:
1353:
1349:
1348:
1345:
1342:
1339:
1335:
1334:
1331:
1328:
1325:
1314:
1312:
1309:
1291:and worked on
1235:
1233:
1230:
1153:
1150:
1119:
1116:
1056:Orlando Weekly
1014:
1013:
1010:
1004:
1003:
974:
964:
963:
934:
926:
925:
896:
890:
889:
886:
882:
881:
871:
868:
866:
863:
854:
851:
815:
812:
765:Marilyn Manson
746:
743:
724:
721:
640:Pause And Play
569:
567:
564:
560:Howie Weinberg
498:Rolling Stones
453:
450:
446:Tripping Daisy
417:writer's block
356:Possum Kingdom
345:
342:
262:lead guitarist
244:is the second
235:
234:
231:
230:
228:
227:
217:
214:
213:
203:
202:
199:
198:
195:
194:
185:
176:
162:
161:
154:
153:
151:
150:
145:
139:
137:
131:
130:
125:
119:
118:
107:
103:
102:
100:
99:
92:
87:
81:
79:
73:
72:
66:
62:
61:
58:
54:
53:
52:March 20, 2001
50:
46:
45:
40:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
4508:
4497:
4494:
4492:
4489:
4487:
4484:
4482:
4479:
4477:
4474:
4472:
4469:
4467:
4464:
4463:
4461:
4446:
4443:
4441:
4438:
4436:
4433:
4431:
4428:
4426:
4423:
4422:
4420:
4416:
4409:
4405:
4402:
4398:
4395:
4391:
4390:
4388:
4384:
4378:
4377:
4373:
4371:
4370:
4366:
4365:
4363:
4359:
4353:
4352:
4348:
4346:
4345:
4341:
4339:
4338:
4334:
4333:
4331:
4327:
4321:
4320:
4316:
4314:
4313:
4309:
4307:
4306:
4302:
4300:
4299:
4295:
4293:
4292:
4288:
4286:
4285:
4281:
4279:
4278:
4274:
4273:
4271:
4269:Studio albums
4267:
4260:
4257:
4254:
4251:
4248:
4245:
4242:
4239:
4236:
4234:Lisa Umbarger
4233:
4230:
4229:
4226:
4223:
4221:
4220:Clark Vogeler
4218:
4216:
4215:Mark Reznicek
4213:
4211:
4210:
4206:
4205:
4202:
4198:
4191:
4186:
4184:
4179:
4177:
4172:
4171:
4168:
4149:
4145:
4141:
4134:
4118:
4114:
4110:
4104:
4088:
4084:
4080:
4074:
4058:
4054:
4050:
4043:
4027:
4023:
4019:
4015:
4011:
4004:
3988:
3984:
3978:
3976:
3959:
3955:
3951:
3945:
3929:
3925:
3921:
3915:
3899:
3895:
3891:
3884:
3868:
3864:
3860:
3859:"The Toadies"
3853:
3837:
3833:
3829:
3822:
3807:
3803:
3799:
3795:
3789:
3773:
3769:
3763:
3747:
3743:
3739:
3732:
3730:
3713:
3709:
3705:
3698:
3696:
3694:
3692:
3690:
3688:
3686:
3669:
3665:
3661:
3655:
3653:
3651:
3649:
3632:
3628:
3624:
3618:
3603:
3599:
3595:
3589:
3573:
3569:
3568:
3567:The A.V. Club
3563:
3556:
3540:
3536:
3532:
3526:
3524:
3507:
3503:
3499:
3493:
3477:
3473:
3469:
3463:
3448:
3444:
3443:
3436:
3420:
3416:
3415:Texas Monthly
3412:
3405:
3389:
3385:
3381:
3374:
3358:
3354:
3353:
3352:Wall of Sound
3348:
3341:
3333:
3327:
3323:
3319:
3318:
3313:
3309:
3308:Larkin, Colin
3303:
3287:
3283:
3282:
3277:
3270:
3254:
3250:
3246:
3239:
3223:
3219:
3213:
3197:
3193:
3187:
3185:
3168:
3164:
3160:
3154:
3152:
3135:
3131:
3127:
3121:
3105:
3101:
3100:"The Toadies"
3095:
3093:
3076:
3072:
3071:The Oklahoman
3068:
3061:
3045:
3041:
3037:
3031:
3015:
3011:
3007:
3000:
2984:
2980:
2976:
2969:
2967:
2950:
2946:
2940:
2924:
2920:
2916:
2909:
2907:
2905:
2903:
2901:
2899:
2882:
2878:
2874:
2868:
2866:
2849:
2845:
2841:
2835:
2833:
2824:
2818:
2810:
2806:
2802:
2796:
2794:
2792:
2775:
2771:
2767:
2761:
2759:
2742:
2738:
2732:
2716:
2712:
2706:
2698:
2692:
2676:
2672:
2671:
2666:
2659:
2643:
2640:. July 2001.
2639:
2638:
2631:
2629:
2614:
2613:
2606:
2604:
2602:
2586:
2582:
2575:
2559:
2555:
2551:
2544:
2528:
2524:
2520:
2513:
2497:
2493:
2489:
2483:
2481:
2479:
2477:
2475:
2473:
2456:
2452:
2451:The Oklahoman
2448:
2441:
2439:
2437:
2435:
2418:
2414:
2410:
2403:
2401:
2384:
2380:
2376:
2369:
2367:
2365:
2349:
2345:
2339:
2323:
2319:
2312:
2310:
2308:
2291:
2288:(Full Text).
2287:
2283:
2276:
2274:
2272:
2270:
2268:
2266:
2264:
2262:
2260:
2258:
2256:
2254:
2252:
2250:
2248:
2246:
2244:
2227:
2223:
2219:
2213:
2198:
2197:Texas Monthly
2194:
2187:
2171:
2167:
2163:
2156:
2154:
2152:
2150:
2148:
2146:
2144:
2127:
2123:
2119:
2112:
2110:
2108:
2091:
2087:
2083:
2077:
2075:
2073:
2056:
2052:
2048:
2041:
2039:
2022:
2018:
2012:
1997:
1993:
1987:
1971:
1967:
1963:
1957:
1941:
1937:
1933:
1926:
1924:
1922:
1920:
1918:
1916:
1914:
1912:
1910:
1908:
1906:
1904:
1902:
1885:
1881:
1875:
1871:
1858:
1857:
1850:
1849:
1845:
1842:
1841:
1824:
1820:
1814:
1804:
1800:
1797:
1794:
1791:
1790:
1775:
1773:
1768:
1767:
1764:
1760:
1758:Chart (2001)
1757:
1756:
1740:
1739:
1734:
1730:
1729:
1715:
1711:
1708:
1706:
1702:
1699:
1698:
1697:
1696:
1690:
1686:
1683:
1681:
1677:
1674:
1672:
1668:
1666:
1662:
1659:
1657:
1653:
1650:
1649:
1648:
1645:
1640:
1639:art direction
1636:
1634:
1630:
1627:
1623:
1622:
1621:
1620:
1613:
1610:
1606:
1605:Elliott Smith
1603:
1602:
1601:
1600:
1594:
1591:
1587:
1585:
1581:
1579:
1575:
1571:
1569:
1565:
1564:rhythm guitar
1561:
1558:
1557:
1556:
1553:
1552:
1548:
1534:
1531:Total length:
1528:
1524:
1521:
1518:
1514:
1510:
1504:
1501:
1498:
1497:
1495:
1492:
1488:
1484:
1481:
1478:
1474:
1470:
1467:
1465:"Jigsaw Girl"
1464:
1460:
1456:
1453:
1450:
1446:
1442:
1439:
1436:
1432:
1428:
1425:
1422:
1418:
1414:
1411:
1408:
1404:
1400:
1397:
1394:
1390:
1386:
1380:
1377:
1374:
1373:
1371:
1368:
1364:
1360:
1357:
1354:
1350:
1346:
1343:
1341:"Plane Crash"
1340:
1336:
1320:
1317:
1311:Track listing
1308:
1306:
1302:
1298:
1294:
1290:
1286:
1281:
1279:
1275:
1271:
1266:
1261:
1259:
1257:
1251:
1245:
1239:
1229:
1227:
1223:
1221:
1216:
1212:
1208:
1204:
1200:
1196:
1192:
1188:
1184:
1180:
1176:
1172:
1168:
1164:
1160:
1149:
1147:
1142:
1140:
1136:
1131:
1129:
1124:
1115:
1113:
1112:
1107:
1103:
1100:In 2010, the
1098:
1096:
1092:
1088:
1084:
1080:
1076:
1072:
1071:
1066:
1062:
1058:
1057:
1051:
1048:
1047:
1042:
1038:
1034:
1030:
1029:
1028:Texas Monthly
1023:
1021:
1011:
1009:
1008:Wall of Sound
1006:
1005:
975:
973:
971:
966:
965:
935:
933:
932:
928:
927:
897:
895:
892:
891:
883:
880:Review scores
878:
862:
860:
850:
848:
844:
840:
835:
833:
832:radio singles
829:
825:
821:
811:
809:
805:
801:
797:
793:
788:
786:
782:
781:
776:
775:Big Dumb Face
772:
771:
766:
762:
761:
756:
751:
742:
739:
729:
720:
718:
717:
711:
707:
703:
699:
695:
691:
690:relationships
687:
683:
678:
676:
672:
671:Elliott Smith
668:
664:
660:
656:
651:
649:
645:
641:
637:
633:
629:
625:
621:
617:
613:
609:
605:
601:
597:
593:
589:
585:
579:
573:
563:
561:
557:
552:
548:
543:
538:
535:
531:
527:
523:
519:
515:
511:
507:
503:
499:
490:
486:
482:
478:
474:
472:
468:
463:
459:
449:
447:
443:
439:
435:
431:
426:
422:
418:
414:
409:
407:
402:
398:
394:
390:
386:
382:
378:
374:
373:
367:
365:
361:
357:
353:
352:
341:
339:
335:
333:
328:
324:
322:
318:
314:
310:
306:
302:
298:
294:
290:
286:
282:
280:
279:
274:
273:
268:
263:
259:
255:
251:
247:
243:
242:
232:
219:
218:
215:
212:
208:
204:
200:
191:
190:
186:
182:
181:
177:
173:
172:
168:
167:
163:
159:
155:
149:
146:
144:
141:
140:
138:
136:
132:
129:
126:
124:
120:
108:
104:
97:
93:
91:
88:
86:
83:
82:
80:
78:
74:
70:
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
4374:
4367:
4349:
4342:
4335:
4317:
4310:
4303:
4296:
4289:
4283:
4282:
4275:
4252:Matt Winchel
4224:
4219:
4214:
4207:
4152:. Retrieved
4144:Cryptic Rock
4143:
4133:
4121:. Retrieved
4112:
4103:
4091:. Retrieved
4082:
4073:
4061:. Retrieved
4052:
4042:
4030:. Retrieved
4013:
4003:
3991:. Retrieved
3987:the original
3962:. Retrieved
3953:
3944:
3932:. Retrieved
3923:
3914:
3902:. Retrieved
3893:
3888:Crain, Zac.
3883:
3871:. Retrieved
3862:
3852:
3840:. Retrieved
3836:the original
3831:
3821:
3809:. Retrieved
3797:
3788:
3776:. Retrieved
3762:
3750:. Retrieved
3741:
3716:. Retrieved
3707:
3704:"Dig A Hole"
3672:. Retrieved
3663:
3635:. Retrieved
3626:
3617:
3605:. Retrieved
3601:
3588:
3576:. Retrieved
3565:
3555:
3543:. Retrieved
3534:
3510:. Retrieved
3501:
3492:
3480:. Retrieved
3471:
3462:
3451:, retrieved
3441:
3435:
3423:. Retrieved
3414:
3404:
3392:. Retrieved
3383:
3373:
3361:. Retrieved
3357:the original
3350:
3340:
3316:
3302:
3290:. Retrieved
3286:the original
3279:
3269:
3257:. Retrieved
3238:
3226:. Retrieved
3212:
3200:. Retrieved
3171:. Retrieved
3162:
3138:. Retrieved
3134:the original
3129:
3120:
3108:. Retrieved
3104:the original
3079:. Retrieved
3070:
3060:
3048:. Retrieved
3039:
3030:
3018:. Retrieved
3009:
2999:
2987:. Retrieved
2978:
2953:. Retrieved
2949:the original
2939:
2927:. Retrieved
2923:the original
2918:
2885:. Retrieved
2876:
2852:. Retrieved
2843:
2800:
2778:. Retrieved
2769:
2745:. Retrieved
2741:the original
2731:
2719:. Retrieved
2715:the original
2705:
2679:. Retrieved
2668:
2658:
2646:. Retrieved
2636:
2616:, retrieved
2611:
2588:. Retrieved
2584:
2574:
2562:. Retrieved
2553:
2543:
2531:. Retrieved
2522:
2512:
2500:. Retrieved
2491:
2459:. Retrieved
2450:
2421:. Retrieved
2412:
2387:. Retrieved
2378:
2351:. Retrieved
2347:
2338:
2326:. Retrieved
2322:the original
2296:February 24,
2294:. Retrieved
2285:
2230:. Retrieved
2226:the original
2221:
2212:
2200:. Retrieved
2196:
2186:
2174:. Retrieved
2165:
2130:. Retrieved
2121:
2094:. Retrieved
2090:the original
2085:
2059:. Retrieved
2050:
2025:. Retrieved
2021:the original
2011:
1999:. Retrieved
1995:
1986:
1974:. Retrieved
1965:
1956:
1944:. Retrieved
1935:
1888:. Retrieved
1884:the original
1874:
1771:
1762:
1736:
1726:Use in media
1694:
1693:
1676:Andy Wallace
1652:Tom Rothrock
1646:
1625:
1618:
1617:
1598:
1597:
1590:lead guitar/
1554:
1546:
1369:"Little Sin"
1315:
1282:
1264:
1262:
1254:
1247:
1241:
1237:
1225:
1218:
1207:3 Doors Down
1203:Tracy Bonham
1195:Rollins Band
1155:
1145:
1143:
1135:Rubberneck's
1134:
1127:
1122:
1121:
1109:
1105:
1101:
1099:
1068:
1060:
1054:
1052:
1044:
1040:
1032:
1026:
1024:
1019:
1017:
967:
929:
856:
847:Jimmy Iovine
842:
838:
836:
828:music videos
823:
819:
817:
803:
796:Sampler 2000
795:
791:
789:
784:
778:
768:
758:
749:
748:
734:
714:
681:
679:
675:Stevie Nicks
663:gospel choir
661:song with a
652:
639:
635:
619:
615:
612:rock n' roll
583:
582:Genre-wise,
581:
575:
571:
550:
549:coming from
541:
539:
533:
525:
514:Tom Rothrock
509:
505:
502:Led Zeppelin
494:
488:
480:
461:
455:
412:
410:
405:
401:Andy Wallace
396:
388:
370:
368:
349:
347:
337:
331:
326:
325:
320:
304:
289:Tom Rothrock
284:
283:
276:
270:
246:studio album
240:
239:
238:
210:
187:
179:
178:
169:
143:Tom Rothrock
37:Studio album
4471:2001 albums
4425:Discography
4401:Mister Love
4361:Live albums
4261:Mark Hughes
4237:Guy Vaughan
4032:October 12,
2803:(booklet).
1823:Active Rock
1733:re-recorded
1661:Rob Schnapf
1633:photography
1519:"Doll Skin"
1479:"Sweetness"
1297:Taz Bentley
1289:film school
1183:Mississippi
820:Rubberneck.
655:progressive
624:tambourines
608:heavy metal
596:post-grunge
530:analog tape
518:Rob Schnapf
301:Los Angeles
293:Rob Schnapf
148:Rob Schnapf
96:post-grunge
4460:Categories
4394:Dig a Hole
4277:Rubberneck
4225:Doni Blair
4063:August 11,
3502:PopMatters
2955:October 3,
2807:. Austin:
2770:PopMatters
1866:References
1695:Management
1647:Production
1578:percussion
1226:Rubberneck
1083:GW Hatchet
1070:PopMatters
1061:Rubberneck
824:Rubberneck
785:Rubberneck
636:Rubberneck
616:Rubberneck
551:Rubberneck
512:producers
510:Rubberneck
389:Rubberneck
381:Paul Leary
351:Rubberneck
344:Background
338:Rubberneck
321:Rubberneck
319:-informed
272:Rubberneck
171:Rubberneck
160:chronology
128:Interscope
4376:Rock Show
4243:Dan Kruse
4154:April 24,
4123:April 24,
4093:April 24,
4022:0362-4331
3964:March 28,
3954:Billboard
3934:March 27,
3904:April 24,
3873:April 24,
3842:April 27,
3806:0190-8286
3794:"TOADIES"
3778:March 28,
3752:March 27,
3718:March 28,
3674:March 27,
3664:Billboard
3660:"Toadies"
3637:April 24,
3512:April 26,
3482:April 26,
3453:March 28,
3425:April 26,
3411:"Toadies"
3394:April 26,
3380:"Toadies"
3363:March 11,
3312:"Toadies"
3292:April 18,
3259:April 18,
3228:April 27,
3202:April 27,
3163:Billboard
3050:March 29,
3020:April 24,
3006:"Toadies"
2989:April 24,
2929:March 28,
2854:April 24,
2585:Tinnitist
2564:April 24,
2533:March 28,
2502:March 28,
2461:April 24,
2423:April 24,
2389:March 27,
2353:April 24,
2232:August 8,
2202:March 27,
2176:March 27,
2132:April 27,
2001:April 27,
1976:March 26,
1946:March 27,
1801:Position
1772:Billboard
1763:position
1689:mastering
1543:Personnel
1330:Writer(s)
1305:bluegrass
1128:Billboard
865:Reception
839:Antiquiet
804:Billboard
770:Holy Wood
604:punk rock
592:hard rock
556:Starbucks
547:royalties
524:produced
522:Pro-Tools
471:Hollywood
332:Billboard
90:hard rock
4351:Pleather
4337:Slaphead
4312:Heretics
4148:Archived
4117:Archived
4087:Archived
4057:Archived
4026:Archived
3993:June 25,
3958:Archived
3928:Archived
3898:Archived
3867:Archived
3832:MTV News
3772:Archived
3746:Archived
3742:MTV News
3712:Archived
3668:Archived
3631:Archived
3572:Archived
3539:Archived
3506:Archived
3476:Archived
3447:archived
3419:Archived
3388:Archived
3253:Archived
3249:Allmusic
3222:Archived
3196:Archived
3173:April 3,
3167:Archived
3110:June 25,
3081:April 3,
3075:Archived
3044:Archived
3014:Archived
2983:Archived
2919:MTV News
2887:June 25,
2881:Archived
2848:Archived
2774:Archived
2691:cite web
2675:Archived
2642:Archived
2558:Archived
2527:Archived
2496:Archived
2455:Archived
2417:Archived
2383:Archived
2379:ABC News
2328:July 15,
2290:Archived
2170:Archived
2126:Archived
2096:June 25,
2055:Archived
2027:June 25,
1970:Archived
1940:Archived
1890:June 25,
1843:Country
1738:Heretics
1671:engineer
1665:producer
1656:producer
1502:Reznicek
1378:Reznicek
1278:Amarillo
1270:Starplex
1163:Diffuser
1139:MTV News
1087:sadistic
1077:copy of
1037:Allmusic
894:AllMusic
822:Whereas
710:MTV News
698:religion
489:pictured
434:PolyGram
383:(of the
360:Platinum
267:platinum
135:Producer
57:Recorded
49:Released
39: by
4445:Hagfish
4418:Related
4386:Singles
4197:Toadies
3924:AP NEWS
3607:June 5,
3140:May 15,
2844:Toadies
2805:Toadies
2681:June 8,
2648:May 18,
2061:June 3,
1851:Canada
1795:Single
1785:Singles
1619:Artwork
1555:Toadies
1505:Vogeler
1381:Vogeler
1171:Lubbock
1159:Elliott
1104:listed
723:Artwork
632:tambour
432:, with
362:by the
254:Toadies
207:Singles
193:(2002)
184:(2001)
175:(1994)
158:Toadies
42:Toadies
4440:Baboon
4344:Velvet
4298:Feeler
4020:
3811:May 7,
3804:
3578:May 7,
3545:May 7,
3328:
3126:"News"
2780:May 7,
2747:May 7,
2721:May 7,
2618:May 7,
2590:May 7,
2218:"news"
1798:Chart
1680:mixing
1568:vocals
1522:
1482:
1468:
1454:
1440:
1426:
1412:
1409:"Heel"
1398:
1358:
1344:
1333:Length
1299:, the
1285:Sweden
1274:Baboon
1215:Boston
1205:, and
1199:Danzig
1191:Filter
1179:Biloxi
1012:77/100
888:Rating
885:Source
763:) and
694:murder
659:bluesy
600:grunge
534:Feeler
526:Feeler
458:Dallas
413:Feeler
406:Feeler
397:Feeler
377:Austin
372:Feeler
317:grunge
278:Feeler
106:Length
65:Studio
1846:Date
1806:2001
1792:Year
1761:Peak
1751:Album
1716:
1609:piano
1593:piano
1574:drums
1535:44:56
1499:Lewis
1375:Lewis
1327:Title
1075:xerox
1065:Tyler
859:vinyl
667:piano
628:piano
438:Texan
375:, in
252:band
209:from
123:Label
77:Genre
4156:2022
4125:2022
4095:2022
4065:2022
4034:2022
4018:ISSN
3995:2022
3966:2022
3936:2022
3906:2022
3875:2022
3844:2022
3813:2022
3802:ISSN
3780:2022
3754:2022
3720:2022
3676:2022
3639:2022
3609:2024
3580:2022
3547:2022
3514:2022
3484:2022
3455:2022
3427:2022
3396:2022
3365:2023
3326:ISBN
3322:MUZE
3294:2020
3261:2020
3230:2022
3204:2022
3175:2022
3142:2024
3112:2022
3083:2022
3052:2022
3022:2022
2991:2022
2957:2022
2931:2022
2889:2022
2856:2022
2823:link
2782:2022
2749:2022
2723:2022
2697:link
2683:2022
2650:2022
2620:2022
2592:2022
2566:2022
2535:2022
2504:2022
2463:2022
2425:2022
2391:2022
2355:2022
2330:2022
2298:2023
2234:2022
2204:2022
2178:2022
2134:2022
2098:2022
2063:2022
2029:2022
2003:2022
1978:2023
1966:RIAA
1948:2022
1892:2022
1778:130
1584:bass
1525:5:45
1511:4:20
1485:4:13
1471:4:44
1457:3:31
1443:4:33
1429:3:22
1415:2:46
1401:2:45
1387:3:07
1361:3:37
1347:2:10
1187:Live
1167:Enon
1165:and
830:and
665:and
626:and
610:and
598:and
516:and
500:and
444:and
291:and
4329:EPs
1827:30
1817:34
1774:200
1769:US
1516:12.
1490:11.
1476:10.
1323:No.
1130:200
1097:".
806:'s
777:'s
702:dog
686:sex
491:).
469:in
334:200
299:in
4462::
4146:.
4142:.
4115:.
4111:.
4085:.
4081:.
4055:.
4051:.
4024:.
4016:.
4012:.
3974:^
3952:.
3922:.
3896:.
3892:.
3865:.
3861:.
3830:.
3800:.
3796:.
3744:.
3740:.
3728:^
3710:.
3706:.
3684:^
3666:.
3662:.
3647:^
3629:.
3625:.
3600:.
3570:.
3564:.
3533:.
3522:^
3500:.
3474:.
3470:.
3445:,
3417:.
3413:.
3386:.
3382:.
3349:.
3314:.
3278:.
3251:.
3247:.
3220:.
3194:.
3183:^
3161:.
3150:^
3128:.
3091:^
3073:.
3069:.
3042:.
3038:.
3012:.
3008:.
2981:.
2977:.
2965:^
2917:.
2897:^
2875:.
2864:^
2842:.
2831:^
2819:}}
2815:{{
2790:^
2768:.
2757:^
2693:}}
2689:{{
2673:.
2667:.
2627:^
2600:^
2583:.
2556:.
2552:.
2525:.
2521:.
2490:.
2471:^
2453:.
2449:.
2433:^
2415:.
2411:.
2399:^
2381:.
2377:.
2363:^
2346:.
2306:^
2284:.
2242:^
2220:.
2195:.
2168:.
2164:.
2142:^
2124:.
2120:.
2106:^
2084:.
2071:^
2053:.
2049:.
2037:^
1994:.
1968:.
1964:.
1938:.
1934:.
1900:^
1712:–
1687:-
1678:-
1663:-
1654:-
1607:-
1562:-
1462:9.
1448:8.
1434:7.
1420:6.
1406:5.
1392:4.
1366:3.
1352:2.
1338:1.
1213:,
1201:,
1197:,
1193:,
1189:,
1181:,
810:.
755:U2
696:,
692:,
688:,
606:,
594:,
590:,
323:.
115:56
111:44
4410:"
4406:"
4403:"
4399:"
4396:"
4392:"
4189:e
4182:t
4175:v
4158:.
4127:.
4097:.
4067:.
4036:.
3997:.
3968:.
3938:.
3908:.
3877:.
3846:.
3815:.
3782:.
3756:.
3722:.
3678:.
3641:.
3611:.
3582:.
3549:.
3516:.
3486:.
3429:.
3398:.
3367:.
3334:.
3296:.
3263:.
3232:.
3206:.
3177:.
3144:.
3114:.
3085:.
3054:.
3024:.
2993:.
2959:.
2933:.
2891:.
2858:.
2825:)
2784:.
2751:.
2725:.
2699:)
2685:.
2652:.
2594:.
2568:.
2537:.
2506:.
2465:.
2427:.
2393:.
2357:.
2332:.
2300:.
2236:.
2206:.
2180:.
2136:.
2100:.
2065:.
2031:.
2005:.
1980:.
1950:.
1894:.
1628:)
1576:/
1566:/
1258:.
1222:,
767:(
757:(
487:(
113::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
