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190:, accepted the twelve modes, and though the distinction between plagal and authentic forms of the modes is no longer of contemporary interest (reducing the number from twelve to six), Glarean's explanation of the musical modes remains current today.
183:(modes 11 and 12) — the modes equivalent to minor and major scales, respectively. Glarean went so far as to say that the Ionian mode was the one most frequently used by composers in his day.
171:(literally, "12-stringed instrument") is Glarean's proposal that there are actually twelve modes, not eight, as had long been assumed, for instance in the works of the contemporary theorist
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to a politician. As a boy, he took care of cattle and received a good education. After a thorough early training in music, Glarean enrolled in the
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108:. But his most famous book, and one of the most famous and influential works on music theory written during the
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1488 Petri-Schwabe 1988: eine traditionsreiche Basler
Offizin im Spiegel ihrer frühen Drucke
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Heinrich
Glarean's Books: The Intellectual World of a Sixteenth-Century Musical Humanist
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in 1547. This massive work includes writings on philosophy and biography in addition to
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and the two humanists became lifelong friends. He shortly was a lecturer at the
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The influence of his work was immense. Many later theorists, including
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Basel: Heinrich Petri, 1547 (facsimile, accessed 30 December 2015).
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Glarean's first publication on music, a modest volume entitled
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212:"Johann Froben and the Basel University Scholars, 1513–1523"
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and many others). In three parts, it begins with a study of
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for a few months in 1515, but returned to Basel due to the
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The
Library Quarterly: Information, Community, Policy
156:; and it closes with an extended study of the use of
366:. 20 vols. London, Macmillan Publishers Ltd., 1980.
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276:(in German). Vol. 1. Schwabe. p. 108.
360:The New Grove Dictionary of Music and Musicians
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458:International Music Score Library Project
423:. New York, W.W. Norton & Co., 1954.
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385:Iain Fenlon and Inga Mai Groote (eds.).
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358:Clement A. Miller. "Heinrich Glarean".
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61:Glarean was born as Heinrich Loriti in
16:Swiss music theorist, poet and humanist
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23:Heinrich Glarean, portrait sketch by
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436:Source Readings in Music History
454:Free scores by Heinrich Glarean
449:A source of the "Dodekachordon"
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317:Hieronymus, Frank (1997).p.112
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210:Hilgert, Earle (1971).
104:of him was printed by
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494:Swiss music theorists
411:Catholic Encyclopedia
179:(modes 9 and 10) and
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401:Henricus Glareanus.
75:Emperor Maximilian I
51:Freiburg im Breisgau
87:Battle of Marignano
83:University of Pavia
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146:modes in plainsong
94:Isagoge in musicen
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35:Henricus Glareanus
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479:1563 deaths
474:1488 births
173:Pietro Aron
110:Renaissance
468:Categories
352:References
222:(2): 146.
112:, was the
106:Adam Petri
252:143916969
236:0024-2519
162:polyphony
154:monophony
57:Biography
142:Boethius
130:Ockeghem
460:(IMSLP)
456:at the
244:4306069
188:Zarlino
177:Aeolian
134:Obrecht
126:Josquin
79:Erasmus
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181:Ionian
152:) and
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63:Mollis
47:Glarus
43:Mollis
248:S2CID
240:JSTOR
194:Notes
158:modes
138:Isaac
118:Basel
425:ISBN
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