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Very little is known about Aron's early life but at least one source claims he may have been Jewish. He was educated in Italy. Aron was a self-taught musician. He claimed in his
187:
While Aron was known as a composer and frequently refers to his own works in his writings, only one possible composition of his survives, the doubtfully attributed four-voice
184:. Only Spataro's letters to Aron have survived. Topics discussed by the two include contemporary composers and composition, notation, and especially the use of accidentals.
145:), he was the first to observe the change from linear writing to vertical: this was the first period in music history where composers began to become conscious of
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345:
488:
473:
328:
Bergquist, Ed Peter, Jr. 1964. "The
Theoretical Writings of Pietro Aaron". PhD diss. New York: Columbia University.
195:'s Fifth Book of Frottole (1505). Lost works include a Credo setting in six voices, a five-voice Mass, settings of
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483:
267:(Milan, n.d., probably posthumous, as the title page bears the inscription: "In memoria eterna erit Aron")
133:, on counterpoint, is written in Italian even though most scholarly writings of the time are in
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153:. Aron included tables of four-voice chords, the beginning of the trend which was to result in
82:. If true, the time frame would have been most likely in 1487. Between 1515 and 1522, he was
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Compendiolo di molti dubbi, segreti, et sentenze intorno al canto fermo et figurato
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394:
Bergquist, Peter. 1967. "Mode and
Polyphony around 1500: Theory and Practice".
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Theory and Tuning: Aron's Mean Tone
Temperament and Marpurg's Temperament "I"
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411:. 1992. "Is Mode Real? Pietro Aron, the Octenary System and Polyphony".
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Trattato della natura et cognitione di tutti gli tuoni di canto figurato
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Aron was a friend and frequent correspondent of music theorist
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379:. 1994. "Accidentals, Counterpoint, and Notation in Aaron's
165:. Other topics covered by Aron include the use of the eight
247:(Venice, 1525; partially reproduced and retranslated into
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Lucidario in musica di alcune opinione antiche e moderne
118:
house. In 1536, after the death of
Michiel, he joined a
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338:The New Grove Dictionary of Music and Musicians
129:practice of the period. His earliest treatise,
122:in Bergamo where he remained until his death.
442:, seventh edition. New York: Schirmer Books.
157:in the early 17th century. He also discusses
440:Baker's Biographical Dictionary of Musicians
413:Basler Jahrbuch für historische Musikpraxis
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114:. In 1525, he was "maestro di casa" in a
161:, and the book is the first to describe
125:Aron is known for his treatises on the
34:(c. 1480 – after 1545), was an Italian
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357:. Collegeville, MN: Liturgical Press.
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98:there. In February 1523 Aron went to
66:(1523) that he had been friends with
425:. New York: W.W. Norton & Co.
217:Libri tres de institutione harmonica
13:
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207:, and other motets and madrigals.
191:, "Io non posso piu durare", from
14:
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355:Dictionary of Christian Biography
50:(other sources state Florence or
405:. Boston: Tuners Supply Company.
253:Source Readings in Music History
237:(Venice, 1523; four reprints as
112:Knights of St. John of Jerusalem
353:Walsh, Michael J. (ed.). 2001.
348:. London: Macmillan Publishers.
106:Cathedral, where he worked for
479:16th-century Italian composers
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1:
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197:In illo tempore loquente Jesu
110:, who was Grand Prior of the
340:, second edition, edited by
57:
7:
336:. 2001. "Aaron , Pietro ".
10:
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401:Link, John W., Jr. 1963.
251:in 1950 in Otto Strunk's
131:De institutione harmonica
423:Music in the Renaissance
235:Thoscanello de la musica
139:Thoscanello de la musica
489:Italian music theorists
474:Musicians from Florence
484:Italian male composers
163:quarter-comma meantone
94:. In 1516 he became a
389:Journal of Musicology
102:and became cantor of
46:and probably died in
239:Toscanello in musica
143:Toscanello in musica
64:Toscanello in musica
223:, 1516 ; this
155:functional tonality
436:Slonimsky, Nicolas
173:, and notation of
108:Sebastiano Michiel
334:Blackburn, Bonnie
42:. He was born in
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182:Giovanni Spataro
149:and the flow of
22:, also known as
16:Italian composer
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371:Further reading
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261:(Venice, 1545)
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469:1540s deaths
464:1480s births
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346:John Tyrrell
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396:Music Forum
322:Works cited
201:Letatus sum
175:accidentals
20:Pietro Aron
458:Categories
391:12:306–44.
385:Toscanello
285:Walsh 2001
272:References
241:1525–1562)
398:1:99–161.
120:monastery
88:Cathedral
58:Biography
438:. 1984.
421:. 1954.
415:16:9–52.
381:Aggiunta
229:Vicifons
205:Da pacem
193:Petrucci
189:frottola
171:cadences
116:Venetian
80:Florence
44:Florence
40:composer
383:to the
255:, N.Y.)
249:English
225:edition
221:Bologna
151:harmony
141:(later
86:at the
72:Josquin
68:Obrecht
48:Bergamo
446:
429:
362:
203:, and
159:tuning
147:chords
104:Rimini
100:Venice
96:priest
74:, and
52:Venice
24:Pietro
314:, 24.
167:modes
137:. In
135:Latin
92:Imola
32:Aaron
28:Piero
444:ISBN
427:ISBN
360:ISBN
344:and
287:, 1.
38:and
26:(or
387:".
227:on
90:of
78:in
54:).
460::
292:^
199:,
177:.
70:,
30:)
450:.
366:.
302:.
231:)
219:(
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