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Habitat. Former buying director at
Habitat, Geoff Davey was appointed as managing director at Heal's. Conran implemented a fast-paced reorganisation plan as he wanted to celebrate Habitat's 20th anniversary in the following year. The cabinet making unit was closed in 1983, with the bedding factory being moved out of Tottenham Court Road to Islington, and Buzz ended as it clashed with Habitat's own ranges. Heal's Fabrics were merged into the newly formed Heal's Products Division in 1984, ending their own fabric collections. The building was made into Habitat Mothercare's new headquarters, with the 1962 extension becoming Habitat's new lead store, with a branch of NOW, the men's clothing retailer and Mothercare included, with Heal's downsized. The Mansard Gallery was shut, to allow for the upper floors to be converted into the groups offices and design studio space. A poster, based on a 1928 Heal's advertisement by R. P. Gossip, was created by Conran Design group artist Helen Senior to advertise the newly redeveloped store. Conran himself updated the Heals four poster emblem, and Susan Goodden was commissioned to write a history of Heal's. Conran reopened in Heal's an outdoor furniture showroom and included an updated version of a Sir Ambrose Heal bench design.
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715:. In 1971, Carpet Layers moved to a new workshop in Haringey, being renamed Carpet Layers and Curtain Makers Ltd to reflect the subsidiary's expansion, but the company lost Tom Worthington, who retired being replaced by D S Neill. Further expansion occurred in 1972, when a new store was opened in Guildford. The company's finances however started struggling by the mid 70s because of the oil crisis. Profits of £616,000 had been recorded in 1972, but this fell to £552,000 in 1973, and lead to a far larger drop of £292,000 in 1974. The company closed Bowles of Brighton in 1975, but Heal's Contracts opened offices for a short time in Glasgow and Dubai. In 1976, the company purchased the remaining 50% share holding in H.G. Dunn of Bromley upon Geoffrey Dunn's retirement, later renaming the store Heal's of Bromley, and purchased selected assets of cabinet makers, Archie Shine Ltd.
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was rectified in 1998 with the opening of a fourth store, by returning to
Kingston Upon Thames where they had previously had a store under Storehouse's ownership. The new store had helped the company record profits of £2.59 million, and Colin Pilgrim announced in 1999 that they were still planning to open stores nationwide. In 2000, Heal's launched their own website, but speculation of a takeover bid was circulating after corporate raiders Brian Myerson and Julian Treger purchased an 18% shareholding in Heal's with financiers stating the share price undervalued the business. The company announced pre-tax profits of £4.3 million on a turnover of £33.7 million for 2000–01, however in June 2001, directors announced they were reviewing their strategic options including a possible sale of the business as the share price wasn't reflective of the company's true value.
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the business. During 2022, Heal's extended their concession stores by opening units within
Fenwick's Canterbury and York stores, and returned to the King's Road for a third time with a new outlet store replacing the Walton-on-Thames store. The company had to close its Brighton store after the landlord would not renew its lease, and announced that there had been a drop off in sales and profits, with the company earning £1.4 million in pre-tax profits. A further reduction in profits was reported in 2022–23, dropping to £800,000, though sales remained similar and Wittington Investments reporting that the profit margin had been hit by inflation on both goods and wages. During 2023 the new look Tottenham Court Road store opened after a major refurbishment of the site by joint owners
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losses of £3.5 million for 2006–07, its fourth consecutive year of losses, but an improvement on the previous years £4.5 million loss. Wittington
Investments sold 20% of the store to the company's management team in part of an incentive scheme to improve the company performance. In 2010 it was announced that the Manchester store would be closing due to poor sales. In 2014, the business relaunched Heal's own fabric collection. The company however was losing money, with a loss of £10.7 million for 2014–15, though sales had grown by 9%. As part of a strategic management review, the King's Road, Chelsea and Guildford stores were closed down, though a new concept digital store opened in
249:. By 1815, Heal had started selling carpets, and in 1818 the business was moved to 203 Tottenham Court Road, London, to be closer to other furniture business. The business has operated from its present site in Tottenham Court Road, moving to no. 196 in 1840, the same year that John Harris Heal Junior, son of the founder of the same name, took charge of the company from his widowed mother, Fanny, who had run the firm after the death of her husband in 1833. Between 1833 and 1844, the company had traded as Fanny Heal & Son, before becoming Heal & Son. During this time the company moved into the manufacturing of bedroom furniture, with the business promoting the
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1657:, joined Heal's in 1923 to run their toy department after her acting career failed. She would go on to have an affair with Ambrose, and was reportedly not of the temperament required for the job, with reports that on one occasion she flung one of the shop assistants across the china department. Another incident was the sale of the Heal's bronze cat, that sits at the top of the spiral staircase. The bronze sculpture was made by Chassagne, the French sculptor, and had been bought in 1925 by Ambrose. The cat was sold by Smith for £40 to a Heal's customer, but Ambrose wrote to the customer retracting the sale, with a card saying
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the same year, Heal's lost their Royal
Warrant. During 1991, a combined catering contract was signed by Heal's and Storehouse with Catering & Allied Services, a UK first, to manage both organisations restaurants at Tottenham Court Road. By 1995, the company had been turned around with sales increased by 20% over two years and had announced profits of £1.2 million, with the company changing their ranges into more eclectic styles from the bland offerings offered by Storehouse at the end of their ownership. Managing director Colin Pilgrim announced plans to expand with new branches, with the first open on 1 December in
261:'s monthly instalments to visit Heal's to see their furniture displayed in room settings, which would later become a standard for all furniture retailers. John Harris Heal Jnr died in 1876, and the business was run by his brother-in-law, Alfred Brewer, along with John Harris son's, Harris and Ambrose. In 1894, Brewer retired and Ambrose Senior took over as chairman. Ambrose Senior purchased the British patent rights from John Staple, which improved the support of springs in upholstery, and then set up Staples & Co. as an independent bedding factory using these patents, with his son Harold given control.
611:. In the world of furniture, Heal's invested in Clive Latimer's Plymet furniture range, and as well as promoting Scandinavian furniture, they retailed modernist pieces designed by British artists such as Robert Heritage and Robin Day. The company expanded in 1955 by the purchase of architectural joiners, J. L. Green & Vardy, who were based in Essex Road, Islington. A year later, Heal's own cabinet making factory was moved from Tottenham Court Road to share premises in Islington. With Heal's Wholesale and Export Ltd being mainly involved in the textile business, the company name was changed in 1958 to
539:, where they won first prize for the sole storage unit. During the same year, Tom Worthington took charge of Heal's Wholesale and Export and started to develop the textile side of the business, where Heal's purchased the cloth, selected the designs and then employed printers to produce the finished article. In 1949, the Utility controls were amended so Heal's could design and manufacture their own furniture, but under the rules set out, it had to be sold at a set price and so had to be produced in larger numbers than Heal's would normally have done. Heal's also presented at the 1951
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Furniture was closed in 1979, with a small cabinet making unit opening back at
Tottenham Court Road. In May 1980, Heal's reported that turnover was at £11.34 million but they had lost a smaller amount at £192,000, with the retail sale profits not helping against the disappointing performance of Heal's Contracts. In 1980, Anthony retired as chairman and was replaced by his son Oliver, who tried to recapture Heal's past by staging the Classics exhibition in 1981. Oliver had said at the 1980 AGM that Heal's had
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772:. Storehouse however had a chequered existence, making a £114.9 million pre-tax profit in 1987–88, but in the following year this had fallen to just £11.3 million, a 90% drop. Heal's range during the later days of Storehouse ownership was seen as being of a bland personality. In 1989, the furnishing division of Storehouse, which included Heal's and Habitat, lost £10 million, so early in 1990 they closed Heal's stores in Reading, Lakeside, Kingston upon Thames and Croydon at a cost of £3 million.
427:, with Heal's becoming a showcase for the designs and work of the organisations members. In the same year, Ambrose and sales manager, Hamilton Temple Smith, patented a unit furniture system design, which along with a plan to use former World War I to mass-produce bedroom furniture failed to be commercially successful. Ambrose, who had been influenced by Scandinavian design after Heal's had received a commission from the Hotel Standard in Norrkopping, and in 1923 was captivated by
439:. During 1927, Heal's was given the Royal Warrant from King George V as Makers of Bedsteads and Bedding. Heal's also operated an antiques section, and to promote the business when sales were down, Ambrose held a Victorian exhibition in the Mansard Gallery in 1931, displaying a collection of mid Victorian oddities. This was very against Heal's own style that moved further towards modernism with designs that made use of tubular steel and laminated woods, and included designs by
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office's competitors. The store by this time had three stock lines, those designed and made by Heal's, those commissioned by Heal's just for their store, and the third line being items that could be found in rival retailers. The commissioned designs included furniture by John and Sylvia Reid, Nigel
Walters and Martin Grierson; toys by Kristin Baybars and John Gould; textiles by Colleen Fan, Howard Carter, Barbara Brown and Doreen Dyall; and silverware by
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1580:, where young designers from seven countries designed furniture, which was the made and sold by Heal's. The Mansard Gallery closed in 1983 with the redevelopment of the building by Terence Conran, but under Wittington Investments ownership, Heal's planned a new Mansard Gallery on the first floor at Tottenham Court Road, which has been designed by David Barrington. The first exhibition by artist Chila Kumari Singh Burman entitled
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711:, in what was termed a merger, which saw Bowles move to new premises at 143 North Street and expand its range to include lighting, pottery, glass, cutlery and linen. Heal's Contracts was expanded and moved from their Edgbaston office into a larger site in central Birmingham. Anthony was recognised by the Finnish Government in 1970 for his promotion of Finnish products when he was awarded the
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Newcastle upon Tyne store, and a new outlet store was opened in Walton-on-Thames, which replaced the former Cobham store. It was reported that the Weston family had been looking for a buyer for Heal's, but after a failed management buyout and with profits returning, the Weston family decided to keep
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and a clearance outlet in Cobham, but closed the
Westbourne Grove store without much fanfare. The company in 2020 reported a loss in 2019-2020 for £2.5 million, but a year later, even though the stores were closed because of the pandemic, sales had increased by 28% and they had made a profit of £2.1
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acquired Heal's plc, reverting it to a private company with a bid of 272p per share, which was a 33% uplift on Heal's share price at the time of the sale and valuing the company at £33 million. The first expansion under the new owners came in 2003 when a new store was opened in New
Cathedral Street,
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During World War II, Heal's factory workers at first made beds and pillows for the armed forces, before moving to producing parachutes, which would lead to Heal's launching textiles after the war. The production area was so tight, that to meet the demand, Heal's expanded production of the parachutes
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Ambrose became chairman in 1913 after the death of his father, and took over every aspect of the business. Ambrose commissioned his cousin and architect Cecil Claude Brewer in 1914 to design a new store on the central part of the site, which opened in 1917. The new building was colonnaded with large
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The company was listed on the London Stock
Exchange with a valuation of £15 million in 1997, but by the end of the year the company had not announced any further store openings, which Colin Pilgrim had promised in the pre-flotation plan, and had seen the share price fall 27% below its listing. This
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At the start of the decade, Heal's store had 21 departments which were organised into three different management groups - furniture, soft furnishings and domestic equipment. However the company's senior bed maker, Percy Brierly, retired after 53 years of service. In the early 1960s, Heal's surveyed
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Another feature of Brewers design was a spiral staircase that is still part of the store to this day, providing access across all the retail floors, and the Mansard Gallery, which opened at the top of the building. A new factory was built on the site of the former farmhouse at the rear of the store
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In 1990, five members of the senior management team at Heal's, led by Colin Pilgrim, purchased the business from Storehouse, each paying £115,000 each to acquire the business, with a further £1 million investment from Natwest Ventures, after Storehouse decided to concentrate on core businesses. In
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it was the first time I had met a craftsman (O'Connell) who could handle vat dyes producing fabrics in colours that would not fade. The designs were striking, of a kind unlike any I had seen. I quickly decided to buy some and hold a small exhibition of Michael's work in the Fabric Dept; so began a
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Due to the financial downturn in the 1930s, Heal's finances were struggling, with staff asked to take a pay cut, and introduced a range of economy furniture, with Ambrose investing in a nationwide promotional campaign called Heal's Economy Furniture for 1932 and All That, that was manufactured for
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Heal's Fabrics rose to prominence in the 1950s and 60s under the leadership of Tom Worthington. Worthington and his assistant Jenni Allen would pick around 80 designs from around 12,000 submissions, with Worthington using his contacts in the art world to attract the best young talent. The company
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In 1965, Heal & Son was awarded in its inaugural year the Royal Society of Arts Presidential Awards for Design Management. By this time Heal's design office was working separately from the store, producing designs for both Heal's Contracts and the store, who sold more products from the design
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The Utility controls were dropped by the British government in 1952, and a year later Sir Ambrose retired, with Anthony replacing his father as chairman and J. Christopher as design director. Heal's after the war expanded into textiles, using their experiences gained from World War II, with young
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in 2005. During 2004, Heal's launched the Heal's Discovers Programme, which helps emerging designers to showcase their creativity, whilst experiencing first-hand the process of creating great design for the home. In 2007 a new store was opened with a return to Brighton, but the company announced
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in 1982. Conran had been inspired by Heal's as a regular visitor as a child with his mother Christina, and believed that not only could he turn Heal's fortunes around, he believed that they complimented Habitat, in that Habitat was for younger customers, Heal's would become the mature person's
253:. Four years after moving to 196 Tottenham Court Road, Heal's added a steam plant for purifying and dressing feathers. Its first purpose-built store was completed in 1854, then one of the largest in London, and was designed by the architect James Morant Lockyer, who had presented the design to
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To try and entice customers from younger rivals such as Habitat, during 1978 Heal's launched the lower priced Buzz range, but Heal's Fabrics was struggling to find its identity in the changing design world. Heal's worries however continued losing £200,000, and the Islington factory of Heal's
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were regular visitors as the Mansard Gallery quickly established itself as one of the meeting places for London's, if not Britain's, avant garde scene. The Friday Group regularly put on shows at the Gallery, hosting their final exhibition in 1922, and it was the location where
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them by Greenings of Oxford. In 1933, Ambrose was knighted, and a year later his youngest son, J. Christopher Heal, joined the firm. He would follow his father in designing both furniture and textiles, and was one of the seven architects at Heal's modernist exhibition
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1372:'s exhibition at the Gallery. The London Group would go onto hold a number of exhibitions at the Mansard Gallery during the 20s. At one exhibition in 1922, the London Group showed their sense of humour, when the information in the catalogue for the portrait of
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hosted her first exhibition at the gallery in 1947, and returned with a major exhibition in 1967. In the 60s, the Australian Alannah Coleman was appointed director of the Gallery and exhibitions were held by artists including Ron Russell and Bill Newcombe.
739:, they had a good relationship with. Conran had displayed pottery at an exhibition in the Mansard Gallery as a schoolboy, and had sold his designs in the store. The full stock of the company was purchased for £4.8 million by Habitat, who had merged with
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and General Projects, which saw the company now move back into the 1962 extension lost to Habitat back in the 80s. The new look store operates on the ground floor and the basement, with a new feature staircase added to link the two, designed by
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during 2017, and although its main store at Tottenham Court Road was downsized by renting concession space, the company's losses had fallen to £3.9 million for 2016-17 and sales had risen by 4%. The following year Heal's opened a new store at
1376:, by Savo Popovitch was priced at £150, including frame, but without frame would cost eightpence. The gallery was run by Prudence Maufe, the wife of architect Edward Maufe and one of Ambrose's lovers. The most influential exhibition was the
665:, a furniture retailer after its owner, Geoffrey Edward Dunn invited the approach as he had no family to carry on the business. The company's German importer for Heal's Fabrics retired in the same year, and Heal's purchased his business in
293:, but used mechanised production so the style became affordable to the middle classes. The change of style led by Ambrose was different than the company's previous offerings of over ornate furniture and Heal's staff reputedly called it
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988:"It may take a year or longer for a really advanced design to start selling itself. And sometimes an avant-garde design - although not selling itself - can gain so much publicity it will help create a market for similar designs"
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as the volume of furniture contract work expanded in the Midlands. The financial success of Heal's, which had seen turnover doubled, allowed them to grow further in 1964, first by purchasing a 50% share in H.G. Dunn's of
1628:. After the war, Heal's commissioned designs were chosen to be displayed at the 1946 Britain Can Make It exhibition at the Victoria and Albert Museum, and the 1951 Festival of Britain. Heal's is a regular contributor at
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In 1986, the concave bay windows that had been installed in 1936, were removed from the Brewer/Maufe parts of the building, which provoked the wrath of the Thirties Society. Parent company Habitat Mothercare merged with
551:. However its biggest contribution was manufacturing 900 perforated steel sheet and steel rod stackable chairs by the designer Andrew John Milne that were used as terrace seating. Heal's itself hosted an exhibition,
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500:, but the designs were controlled by the Utility Design Panel, led by Gordon Russell. The company made its first purchase of another firm in 1944, buying the small building and decorating firm of George Coulter.
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the many good qualities of the past with inexpensiveness’, producing furniture that would ‘come within the means of the modest man, and yet be well-constructed, simple, convenient and entirely satisfying to the
695:'s Kurva chairs, and by 1965 had moved into the wholesaling business, selling the furniture onto other British retailers. In 1966, J. L. Green & Vardy and the CONT/ex department were merged and renamed as
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worked with over 80 designers alone during the 1960s, with Lucienne Day and Barbara Brown amongst the most prolific. When Allen left Heal's, Evelyn Redgrave, who had designed patterns for Heal's, including
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in 1968 to oversee all the subsidiaries, while Heal & Son was incorporated to manage the retail side of the business. During 1969, the company further expanded by purchasing John Bowles & Co. of
392:, and the Portland stone exterior was decorated with panels advertising bedding, carpets, cabinet makers and upholsterers created by Joseph Armitage, with the central panel matching the company slogan
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display at the Goteburg Exhibition, which he soon introduced to English society. This was soon followed by the introduction of Finnish designed furniture to England by Heal's, including designs by
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retail company comprising seven stores, selling a range of furniture, lighting and home accessories. The business was started in 1810 by John Harris Heal, and its headquarters have been located in
1024:. Heal's Fabrics collection returned in 2014, with designs by a mixture of emerging and established designers, including the return of Zandra Rhodes with a new take on her 1963 pattern Top Brass.
475:, whose wife Prudence worked for Heal's and was a lover of Ambrose, extended Brewer's frontage to 197-199 Tottenham Court Road, and added a Lenscrete vertical window, inspired by his design for
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Heal's have been a regular displayer of their wares at exhibitions organised nationally and internationally. Heal's displayed an eider-down quilt with embroidered satin covering at the 1851
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986:, became Worthington's assistant and would go on and become a director at the firm until she left in 1977 to set up her own textile company. In 1968, Worthington reflected on Heal's style,
443:. It was during the 1932 that Anthony Standerwick Heal, son of Ambrose, opened the company's new electrical department, having joined the firm in 1929 after serving an apprenticeship with
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In 1905 Ambrose was made joint managing director of the company, with his brother Ralph, the same year that the business was incorporated into a limited company, and in 1906 he joined the
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million. In 2021, the Birmingham store closed after the landlords at the Mailbox decided to redevelop the ground floor into office space, but a new concession space was opened inside
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with a photographic elevation in May 1855. The store was expanded further by purchasing the neighbouring premises at 197 and 198 in 1864. By 1866, Heal's were issuing invitations in
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to produce pieces to be displayed. In the same year, Heal's Contracts moved away from war contracts and into the furnishing contracts business. The company backed Clive Latimer and
543:, with plywood and moulded furniture designs by J. Christopher, several designs from the newly formed textile department and pottery from artists such as Australian contemporaries
640:, was built with a steel frame faced in Portland stone with seven bays in an interrelated style to Brewer's original design, with ceramic blue and cream relief panels designed by
285:, before spending a further six months with furniture retailer Graham and Biddle of Oxford Street. Ambrose designed furniture in the Arts and Crafts style, strongly influenced by
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220:, wrote that for over two centuries Heal's had been known for promoting modern design and for employing talented young designers. Since 2001, the business has been owned by
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2105:"The street frontage of 196 Tottenham Court Road, the premises of Heal & Son, bed manufacturers, with Victorian men wearing stove pipe hats standing outside"
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their customers to understand their buying habits, which was used to influence the layout of the store after it was extended in 1962. The extension, designed by
363:, displaying his company's bedroom furniture named after seaside resorts, with Ambrose introducing the four poster bed logo to the firm. Heal's 1905 catalogue
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1669:, Sunny Todd, Squint and Zoe Bradley) to produce a modern interpretation of the famous cat. Unlike the real one, this was sold at auction to raise money for
376:, who used Ambrose's design no. 117 bedstead from the Fine Feathers range. In 1910, Ambrose Heal Senior gave his son, Harold, ownership of Staple & Co.
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After World War II, Heal's Contracts moved into proving commissioned designs, furnishings and building work to a variety of customers. Their work included:
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Under Ambrose's management, Heal & Son were commissioned to produce furniture for a variety of companies and individuals. These included:
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in 1906. The company started displaying at the Arts and Crafts Exhibition Society from 1899 until 1938, and were a regular attendee at the
691:. The company had set up the CONT/ex team in 1960, led by Gilbert Rabjohn to sell continental designed and manufactured furniture, such as
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style to mechanised furniture production, making it available to the middle classes. In 2001, an official guide to the archive at the
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placed next to the sculpture. In 2016, to celebrate 100 years of Cecil Brewer's spiral staircase, Heal's commissioned ten designers (
4320:"Birmingham business review of the year - Part 4: Partnership to lead £210m science campus and green light for 35-storey resi tower"
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5040:"Sunflowers, by Howard Carter (1874-1939), for Heal's Fabrics Ltd. Printed cotton. London, England, 1962. THIRD PARTY RIGHTS APPLY"
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to export all of Heal's merchandise. The company continued to manufacture furniture during the war, under the British government's
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A note on simplicity of design in furniture for bedrooms with special reference to some recently produced by Messrs. Heal & Son
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Networks of Design Proceedings of the 2008 Annual International Conference of the Design History Society (UK). University College
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5630:"'The London Group'. Press Cutting Album 1917–22, The London Group Collection, Tate Archive, London, TGA 7713/11/1/1/81/107".
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No company has since come near to equalling the achievements of Heal's Fabrics in the field of modern printed pattern design.
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322:. By the end of the nineteenth century it was one of the best-known furniture suppliers in London. Ambrose coined the motto
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The original Heal's firm was established in 1810 as a feather-dressing for bed mattresses business at 33 Rathbone Place,
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1636:, where it hosted an exhibit of 70 chairs of the last 70 years, and an exhibition of third-year students work from
1446:"what an extraordinary variety of presentments, what innumerable different visions, one can enjoy in this gallery!"
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2339:"This week, Norman Watson looks at two international pieces which both failed to reach their potential at auction"
793:. In 1996, Heal's made a £1.75 million profit on a turnover of £19.6 million, further evidence of their recovery.
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471:), and designed a bedroom suite for the Paris Exhibition in the same year. During the same year, the architect
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The Mansard Gallery was also used by Heal's to promote their products by utilising the exhibitionary complex,
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and Margaret Simeon. Day would go on and regularly create patterns for Heal's throughout the 50s and 60s.
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In 1983, the Heal family decided to sell the business as they could not sustain the losses, and contacted
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Pioneers of Modern Craft. Twelve Essays Profiling Key Figures in the History of Twentieth-century Craft
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The gallery, on the fourth floor at Tottenham Court Road, was opened in 1917 with a display entitled,
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After the Festival, Heal's greatly expanded their pottery offerings with designs by artists such as
344:
to advertise Heal's and its products. The company displayed items of their bedroom furniture at the
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2028:
London's Old Latin Quarter: Being an Account of Tottenham Court Road and Its immediate surroundings
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joined the family firm. Prior to joining the company firm, Ambrose had trained in fine art at both
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at Mile End Road, until Heal's established their own cabinet making factory in Albert Mews. The
4025:
1629:
810:
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Michael O'Connell had produced patterns for Heal's after meeting J. Christopher who recalled:
4284:"West End furniture store Heal's warns of 'inevitable' price rises as sales pass £50 million"
3017:
Britain and Denmark Political, Economic and Cultural Relations in the 19th and 20th Centuries
2665:
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1625:
907:
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332:
306:
282:
1364:, as Ambrose wanted to promote the work of commercial artists. One of the artists selected,
4337:
2043:"'People like to come and browse': Heal's revamps its flagship store to lure back shoppers"
765:
532:
528:
327:
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209:
6092:
Historicizing Lifestyle. Mediating Taste, Consumption and Identity from the 1900s to 1970s
4410:"People like to come and browse': Heal's revamps its flagship store to lure back shoppers"
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designers compositions selected by both Tom Worthington and J. Christopher. This included
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1933:
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Calyx screen-printed furnishing fabric, Lucienne Day, Heal's Wholesale & Export, 1951
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windows to display the company's furniture to passers-by. Heal's signage was designed by
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5796:
5613:"The Mansard Gallery: Blurring The Lines Between Art, Design & Retail A Century Ago"
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of 1900, which was awarded two silver medals, with the same display redisplayed at the
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1421:
721:"sacrificed its clarity of image in an unavailable short term search for volume sales"
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1989:
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Heal's Fabrics are represented in the collections of the Victoria and Albert Museum;
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involvement in the 1948 International Competition for Low-Cost Furniture held by the
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5463:
5377:
5057:
5014:
3507:
Suzy Gershman's Born to Shop London. The Ultimate Guide for People Who Love to Shop
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1512:
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to recognise the considerable influence you have exercised in many fields of design
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advertising campaign. In the same year, Heal's Contracts opened a new office in
571:, while other prominent designers were Helen Close, Jane Edgar, Dorothy Lupton,
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379:
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1576:. In 1960, to celebrate Heal's 150th anniversary, the Mansard Gallery held the
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127:
5797:"Press release - Artists in residence: students celebrate 200 years of Heal's"
5779:"Group X exhibition catalogue : Mansard Gallery, March 26-April 24, 1920"
3725:
Consuming Passion (RLE Retailing and Distribution). The Rise of Retail Culture
2131:"Heal's (Heal & Son), Tottenham Court Road, London: RIBA ref no RIBA41639"
2013:
1429:
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6429:
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1666:
1596:, which was followed by Louis XVI style bedroom designed by J. Braune at the
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4374:"Fenwick Canterbury announces launch of contemporary furniture brand Heal's"
1525:
1409:
624:
560:
472:
270:
123:
4428:"London's redesigned Heal's store features a new Matthew Hilton staircase"
1600:. Heal's won a silver medal for Sir Ambrose Heal's bedroom display at the
1887:
British and Irish Furniture Makers Online - The Furniture History Society
1665:, Ikuko Iwamoto, Donna Wilson, Louise Lockhart, Rachel Cave, Mia Sarosi,
1648:
1549:
1545:
957:
548:
432:
404:
336:, the arts and crafts magazine, writing a brochure with illustrations by
4595:
Twentieth-century pattern design : textile & wallpaper pioneers
4302:"Radical plans at Mailbox which will see an entire floor of shops close"
3013:
2938:
Twentieth-century pattern design : textile & wallpaper pioneers
992:
Twentieth Century Pattern Design : Textile & Wallpaper Pioneers
857:
399:
3632:
What's Your Business?: Corporate Design Strategy Concepts and Processes
1662:
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1176:
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A dressing table designed by the Utility Design Panel c. 1943. Made by
353:
153:
47:
2566:
Art Deco House Style. An Architectural and Interior Design Source Book
945:
Furniture for the council chamber of the Institution of Gas Engineers.
6065:
Australian Art and Artists in London, 1950-1965. An Antipodean Summer
2788:
Australian Art and Artists in London, 1950-1965. An Antipodean Summer
1465:
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630:
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201:
1780:
Guide to the Archive of Art and Design, Victoria & Albert Museum
1528:
expressed his distaste of Heal's modernist exhibitions in his story
652:
and Alfred Mews. At the start of the 1960s the company launched the
2837:
Richard Chamberlain, Annamarie Stapleton, Fine Art Society (1997).
708:
756:
in the same year. In 1988, Storehouse opened new Heal's stores in
623:. The company ended the decade being awarded the Royal Warrant by
523:
in 1946, commissioning designers like Alix Stone and pottery firm
4158:"Heal's to post higher 2016–17 sales despite space consolidation"
2840:
Austerity to affluence : British art & design, 1945-1962
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877:
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662:
464:
281:. He embarked on a two-year apprenticeship with cabinet makers,
3563:
Christopher Hibbert, Ben Weinreb, John Keay, Julia Keay (2011).
28:
6140:
5678:
More Than a Bookshop. Zwemmers and Art in the Twentieth Century
4176:"Having closed Westbourne Grove, Heal's opens new Outlet store"
3055:
Geoffrey Rayner, Richard Chamberlain, Fine Art Society (1997).
818:, while a further store was added at Redbrick Mills in Batley,
242:
1392:. The exhibition was the first display of works in Britain by
326:
and he commissioned imaginative retailing techniques, such as
6358:
Look Back with Astonishment. Volume Three of an Autobiography
5903:
3603:
2269:"Bernard Shaw's "Fine Feathers" bed designed by Ambrose Heal"
1380:. The exhibition held in 1919 had been organised by brothers
866:
Bedroom furniture for the Standard Hotel, Norrkoping in 1899.
819:
479:. The previous year had seen Anthony made managing director.
246:
5644:
4563:
70s House. A Bold Homage to the Most Daring Decade in Design
3721:
5957:
5934:
Handbook of Modern British Painting and Printmaking 1900-90
212:
since 1818. Under Sir Ambrose Heal, the company introduced
3057:
Austerity to Affluence British Art & Design, 1945-1962
2637:
6404:
3898:"The Investment Column. Heal's suffers from listlessness"
2966:. Melbourne, Australia: Melbourne Books. pp. 87–89.
555:
in the same year, the first time the term had been used.
800:
492:
in 1944 to manage the contract. In 1941, Heal's started
4356:"Heal's chairman exits after buyout from Westons fails"
515:
After the war Heal's had a significant presence at the
180:
6489:
Companies formerly listed on the London Stock Exchange
4140:"Heal's to open in Birmingham for the first time ever"
2878:
Glynne, Jonathan; Hackney, Fiona; Minton, Viv (2010).
2024:
5907:
The Ogham Stone. An Anthology of Contemporary Ireland
4122:"HEAL'S TO MOVE FROM KING'S ROAD TO WESTBOURNE GROVE"
4086:"Heal's unveils first fabric collections since 1970s"
858:
Heal & Son commissioned work and Heal's Contracts
2411:
Journal of the Royal Institute of British Architects
1548:
and the Junior Art Workers Guild. The female artist
607:
and selling Scandinavian glass by companies such as
5674:
4598:. Princeton Architectural Press. pp. 142–146.
4489:"A Unique Award to the Building Design Partnership"
4471:"Heal's Contracts of London designed and installed"
2877:
297:. His first designs were released in the catalogue
6255:
5910:. Institute of Public Administration. p. 89.
5754:A History of Heal's. At the Sign of the Fourposter
4392:"Home furniture retailer delivers resilient sales"
4266:"Heal's gross sales hit 50 million for first time"
3655:
3535:
2540:Household Goods. The British and Their Possessions
2480:A History of Heal's:At the sign of the Four poster
1651:, the celebrated author, famous for works such as
631:From 60s growth, 70s struggles to family departure
264:
4104:"Property write-down sees losses widen at Heal's"
3628:
3014:Bo Bjørke, Claus Bjørn, Jørgen Sevaldsen (2003).
2666:"Two Centuries of Heal's on Tottenham Court Road"
1782:. Routledge / Taylor & Francis. p. 132.
1643:
723:. The Bromley store was closed in the same year.
454:Art Deco desk designed by Edward Maufe for Heal's
423:In 1915, Ambrose became a founding member of the
6464:Department store buildings in the United Kingdom
6445:
5750:
4231:Wittington Investments Financial Statements 2021
2712:
2563:
2492:
2008:Alan Crawford, "Heal, Sir Ambrose (1872–1959)",
1977:
1975:
1973:
1971:
1969:
1967:
1695:"Wittington Investments Annual Financial Report"
563:, whose Calyx design of 1951 won a prize at the
407:on the façade of the Tottenham Court Road store.
6474:Companies based in the London Borough of Camden
5961:Ben Enwonwu. The Making of an African Modernist
3969:"Weston dynasty furnishes Heal's with new home"
3093:
2477:
2450:
2076:
1965:
1963:
1961:
1959:
1957:
1955:
1953:
1951:
1949:
1947:
1777:
1368:, would produce a poster later in the year for
6330:
6038:"Mary Fedden, Artist, OBE RA, RWA (1915-2012)"
4591:
4559:
4194:"Heal's to open new store at Westfield London"
3481:Terence Conran : the authorised biography
3445:
3397:Terence Conran : the authorised biography
3372:Terence Conran : the authorised biography
2934:
2509:
6144:TheBloomsbury Encyclopedia of Design Volume 2
4065:"Primark and Fortnum boss in Heal's sell-off"
4047:"Heal's furniture shop set to leave Brighton"
3503:
3451:
3424:
3332:"Heal's: a cathedral to creativity and style"
2986:
2941:. Princeton Architectural Press. p. 98.
2904:
2536:
1981:
1360:, an exhibition curated by Ambrose's friend,
854:. However the King's Road outlet was closed.
482:
305:in 1899. The designs were initially built by
6239:"Heal's at LDF: An Exhibition Of Two Halves"
6210:
6117:"A COUNTRY HOME EXHIBITION, MANSARD GALLERY"
6061:
5930:
5799:. University College London. 19 January 2010
5730:. University of Chicago Press. p. 339.
4212:"Heal's opening third store in under a year"
3990:"Heal's Manchester store looks set to close"
3589:: CS1 maint: multiple names: authors list (
3478:
3394:
3369:
3079:: CS1 maint: multiple names: authors list (
3040:: CS1 maint: multiple names: authors list (
2908:Retro Style. The '50's Look for Today's Home
2863:: CS1 maint: multiple names: authors list (
2784:
2757:
2285:
2207:
1944:
1723:
1574:Contemporary Furniture from Seven Architects
16:British furniture company and homeware store
6354:
5988:Eric Ravilious : artist & designer
5984:
5651:. University Press of Florida. p. 57.
4587:
4585:
4583:
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3155:
3153:
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673:. In the same year Anthony was awarded the
488:into the showroom space and Heal's created
352:. Heal's displayed simpler designs for the
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3699:
3697:
3420:
3418:
3416:
2708:
2706:
2704:
2233:
2231:
1640:’s Furniture & Product Design course.
461:Contemporary Furniture by Seven Architects
27:
6504:Furniture companies of the United Kingdom
6499:Furniture retailers of the United Kingdom
5723:
4617:
4615:
4080:
4078:
3749:
3747:
3745:
3531:
3529:
3527:
3165:"Heal's celebrates its 200th anniversary"
3097:Classic Modern. Midcentury Modern at Home
2761:Marimekko. Fabrics, Fashion, Architecture
2496:An Enquiry into Industrial Art in England
2214:. Antique Collectors' Club. p. 140.
2153:
2151:
1928:
1926:
1924:
1922:
1920:
1918:
1916:
1532:. Other exhibits at the Gallery included
6141:Clive Edwards, Harriet Atkinson (2016).
5836:
5695:
4580:
4041:
4039:
3958:
3880:"Heal's poised for a sharp profits jump"
3810:
3808:
3150:
3140:"HEAL AND SON LIMITED INCLUDING HABITAT"
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1708:
1587:
1502:
1434:Modern French Art at the Mansard Gallery
1014:Cooper Hewitt, Smithsonian Design Museum
920:Executive suite at the Vickers building.
726:
581:
502:
449:
414:
398:
383:Heal and Son Ltd., Tottenham Court Road.
378:
6469:Department stores of the United Kingdom
6302:"The renovation of the Heal's Building"
6294:
5670:
5668:
4555:
4553:
3934:"Heal's plans to start chain of stores"
3874:
3872:
3694:
3413:
3399:. Sidgwick & Jackson. p. 131.
3374:. Sidgwick & Jackson. p. 242.
2961:
2701:
2427:Sybil & Cyril. Cutting Through Time
2263:
2261:
2259:
2228:
2010:Oxford Dictionary of National Biography
1817:
1815:
1813:
1811:
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1807:
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1507:Poster for the Group X exhibition, 1920
6446:
6204:
5904:Gerald Dawe, Michael Mulreany (2011).
5607:
5605:
5603:
5601:
5599:
4612:
4075:
3984:
3982:
3742:
3604:Sue Kerry, Francesca Galloway (2007).
3524:
3510:. John Wiley & Sons. p. 222.
3483:. Sidgwick & Jackson. p. 10.
2589:
2587:
2585:
2583:
2581:
2579:
2577:
2575:
2543:. Yale University Press. p. 184.
2148:
1351:
830:The company opened a new store in the
621:Worshipful Company of Furniture Makers
245:by John Harris Heal after moving from
6459:British companies established in 1810
6338:"7 Secrets Of Heal's Furniture Store"
6312:
5645:Allan Pero, Gyllian Phillips (2017).
4036:
3805:
3722:Carl Gardner, Julie Sheppard (2012).
3365:
3363:
2964:Michael O'Connell: The Lost Modernist
2884:. Universal-Publishers. p. 446.
2764:. Yale University Press. p. 77.
2644:. Yale University Press. p. 24.
2053:
1893:
801:Acquisition by Wittington Investments
702:The business created a holding firm,
5958:Sylvester Okwunodu Ogbechie (2008).
5844:"Modigliani and The Mansard Gallery"
5789:
5665:
4550:
4008:"My new ambassador role at Redbrick"
3869:
2256:
1796:
1744:
1682:
1604:, with Heal's returning to Paris in
775:
463:in 1937 (which included the work of
5596:
4477:. Vol. 216. 1965. p. 346.
3979:
3608:. Francesca Galloway. p. 138.
2638:Amy De La Haye, Martin Pel (2017).
2572:
2499:. The University Press. p. 88.
2080:How it all began up the high street
913:Boardroom and directors offices at
367:stated that their aim was to unite
356:Cheap Cottages Exhibition in 1905.
13:
6259:Bryant & May's Peculiar London
3840:. Vol. 184. 1991. p. 10.
3360:
2107:. English Heritage. Archived from
2083:. Michael O'Mara. pp. 74–76.
1578:Designers of The Future Exhibition
1378:Exhibition of French Art 1914-1919
1027:
713:Order of the White Rose of Finland
361:Arts and Crafts Exhibition Society
14:
6530:
6396:
6194:"Design events to catch in March"
5648:The Many Facades of Edith Sitwell
3948:"Heal's targeted by City raiders"
3773:"Furniture bonus as Heal's trade"
3659:Terence Conran. My Life In Design
3539:Terence Conran. My Life In Design
2595:"The history of Heal's furniture"
2516:. Ballantine Books. p. 116.
972:
735:, who although the boss of rival
615:. In 1959, a further subsidiary,
425:Design and Industries Association
6375:
6348:
6276:
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5897:
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5854:
5811:
5771:
5744:
5717:
5638:
5623:
5578:
5560:
5542:
5525:"Printed Textile "Country Walk""
5517:
5499:
5481:
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5431:
5413:
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5273:
5255:
5237:
5219:
5201:
5183:
5165:
5147:
5129:
5111:
5093:
5075:
5058:"Printed Textile "Doll's House""
5050:
5032:
5007:
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4348:
4330:
4312:
4294:
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4258:
4222:
4204:
4186:
3834:"Multi-tenant scheme for Heal's"
2031:. Boston, Houghton. p. 146.
2012:, Oxford University Press, 2004
1584:opened on the 15 February 2022.
934:Warwickshire County Cricket Club
569:American Institute of Decorators
318:described Heal's furniture as a
236:
6214:A Cultural History of Twin Beds
5880:"Tom Early. British. 1914-1967"
5378:"Printed Textile Samples "Kew""
4168:
4150:
4132:
4114:
4096:
4057:
4018:
4000:
3940:
3926:
3908:
3890:
3844:
3826:
3787:
3765:
3715:
3705:"Storehouse set to sell Heal's"
3676:
3649:
3622:
3597:
3556:
3497:
3472:
3455:Encyclopedia of Interior Design
3431:. Heal & Son. p. 133.
3388:
3342:
3324:
3306:
3288:
3270:
3255:
3237:
3219:
3197:
3175:
3132:
3114:
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2557:
2530:
2503:
2486:
2471:
2444:
2417:
2399:
2374:
2349:
2331:
2314:"HEAL, SIR AMBROSE (1872-1959)"
2306:
2289:A Cultural History of Twin Beds
2279:
2201:
2176:
2159:"Staples & Co. (1895-1986)"
2123:
2097:
1985:Encyclopedia of Interior Design
1727:A Cultural History of Twin Beds
1464:show, an attempt to revive the
1432:amongst others. In his article
1289:1973 - Adrianne Morag-Ferguson
494:Heal's Wholesale and Export Ltd
265:The arrival of Sir Ambrose Heal
6290:. 13 January 1996. p. 13.
5991:. Lund Humphries. p. 15.
5681:. Bloomsbury USA. p. 38.
4774:"Nautilus (Furnishing Fabric)"
4677:"Palladio (Furnishing Fabric)"
3801:. 28 January 1997. p. 17.
3795:"Heal's aim to float in March"
3569:. Pan Macmillan. p. 391.
3251:. 2 February 1976. p. 28.
2457:. Heal & Son. p. 44.
2407:"Cecil Claude Brewer Obituary"
2035:
2018:
2002:
1654:The Hundred and One Dalmatians
1644:Dodie Smith and the Heal's cat
948:Interiors on board the ship's
869:Council chamber furniture for
553:Scandinavian Design for Living
394:At the sign of the four poster
372:. One of Heal's customers was
310:Guild and School of Handicraft
170:Wittington Investments Limited
1:
6514:British royal warrant holders
4126:Refurb & Developer Update
3606:Neo-classicism to Pop. Part 2
3282:Retail Business Issue 275–286
2716:A Dictionary of Modern Design
2163:The Furniture History Society
1778:Elizabeth Lomas, ed. (2001).
1676:
1598:1862 International Exhibition
929:Ceylon Tea Centre, Birmingham
6383:"A Heal's cat for Christmas"
6320:"A Heal's cat for Christmas"
5675:Nigel Vaux Halliday (1991).
5443:Minneapolis Institute of Art
5303:Minneapolis Institute of Art
4778:The Art Institute of Chicago
4338:"Heal's opens Surrey outlet"
4012:The girl with the green sofa
3318:The Furniture Makers Company
2911:. Universe Pub. p. 62.
2343:The Courier & Advertiser
2025:Edwin Beresford Chancellor.
1934:"A Shop with high standards"
1671:Great Ormond Street Hospital
1562:advertise by not advertising
1404:, and included paintings by
1247:1969 - Catherine Netherwood
1018:Minneapolis Institute of Art
939:Interiors and furniture for
896:St John's College, Cambridge
218:Victoria & Albert Museum
67:; 214 years ago
7:
6256:Christopher Fowler (2022).
6147:. Bloomsbury. p. 136.
3886:. 3 March 1997. p. 22.
3755:"The Style Wound is Healed"
3711:. 13 June 1990. p. 25.
3656:Sir Terence Conran (2016).
3536:Sir Terence Conran (2016).
3233:. 3 April 1975. p. 20.
2987:Margot Coatts, ed. (1997).
2719:. Oxford University Press.
2599:Antique Collecting Magazine
1659:Heal's mascot. Not for sale
1634:An Exhibition Of Two Halves
704:Heal & Son Holdings Ltd
10:
6535:
6361:. W. H. Allen. p. 6.
5529:Philadelphia Museum of Art
5468:Philadelphia Museum of Art
5464:"Woven Textile: "Aureola""
5382:Philadelphia Museum of Art
5062:Philadelphia Museum of Art
5019:Philadelphia Museum of Art
5015:"Printed Textile "Caribe""
3852:"What the Heal's going on"
3728:. Routledge. p. 249.
3629:Claire T. Tomlins (2016).
3458:. Routledge. p. 540.
3302:. 16 May 1980. p. 24.
2273:National Trust Collections
1988:. Routledge. p. 547.
1582:Neon Drama and Pearl Drops
1277:1972 - Gabrielle Fountain
1190:1964 - Regina Moritz-Ever
1010:Philadelphia Museum of Art
521:Victoria and Albert Museum
483:World War II and the 1950s
231:
6095:. Routledge. p. 17.
5751:Susannah Goodden (1984).
4446:"Kings Road Outlet Store"
4026:"Heal's Discovers Heal's"
3838:Caterer & Hotelkeeper
3777:The Architectural Journal
3635:. Routledge. p. 65.
2962:Edquist, Harriet (2011).
2813:"The Festival of Britain"
2791:. Routledge. p. 56.
2747:. 8 May 1950. p. 99.
2741:"Prize Winning Furniture"
2713:Jonathan Woodham (2016).
2564:Ingrid Cranfield (2001).
2493:Nikolaus Pevsner (1937).
2292:. Routledge. p. 98.
2211:Arts and Crafts Furniture
1730:. Routledge. p. 96.
1570:A Country Home Exhibition
1082:1957 - Michael O'Connell
654:Can’t-wait-to-get-it-home
595:long lasting friendship.'
419:Brewer's spiral staircase
224:, a company owned by the
175:
163:
151:
143:
135:
111:
101:
87:
79:
61:
53:
43:
35:
26:
6519:Arts and Crafts movement
6013:"Mary Fedden. 1915–2012"
4681:Art Institute of Chicago
3662:. Octopus. p. 181.
3094:Deborah Dietsch (2000).
2617:. Batsford Books. 2023.
2478:Susanna Goodden (1984).
2451:Susanna Goodden (1984).
2382:"Cecil Brewer Staircase"
2184:"Ambrose Heal Biography"
2077:Maurice E Baren (1996).
1940:(199): 42–47. July 1965.
1702:Wittington Investments l
1452:labelled the exhibition
1235:1966 - Henrietta Coster
1022:Art Institute of Chicago
941:Halifax Building Society
925:Ebbw Vale Urban District
906:Council chamber for the
876:Boardroom furniture for
638:Herbert Fitzroy Robinson
320:triumph of craftsmanship
279:Slade School of Fine Art
83:John Harris Heal and son
6494:Furniture manufacturers
4592:Lesley Jackson (2002).
4560:Estelle Bilson (2023).
3994:Manchester Evening News
3816:"Heal's plans to float"
3566:The London Encyclopedia
3542:. Octopus. p. 15.
3314:"Oliver Heal 1949-2024"
3227:"HEAL & Son tumble"
2935:Lesley Jackson (2002).
2641:Gluck. Art and Identity
2510:Malcolm Haslam (1988).
1538:Fifteen Cornish Artists
1490:Edward McKnight Kauffer
1366:Edward McKnight Kauffer
1337:1977 - Annabel Ralph's
1319:1976 - Karen MacDonald
1307:1974 - Peter McCulloch
1124:1959 - Barbara Brown -
805:On 16 August 2001, the
350:1901 Glasgow Exhibition
324:When in doubt, innovate
6243:London Design Festival
4515:The Architects Journal
4030:London Design Festival
3922:. Vol. 130. 1999.
3504:Suzy Gershman (2008).
3452:Joanna Banham (1997).
3425:Sarah Goodden (1984).
2905:Marion Haslam (2000).
2614:100 20th-Century Shops
2537:Deborah Cohen (2006).
1982:Joanna Banham (1997).
1630:London Design Festival
1558:to sell by not selling
1508:
1468:, and include work by
1331:1977 - Natalie Gibson
1301:1973 - Peter Phillips
1253:1969 - Hamdi El Attar
1223:1965 - Wolfgang Bauer
1136:1960 - Sigfrid Fettel
1006:
811:Wittington Investments
597:
587:
512:
455:
420:
408:
384:
354:Letchworth Garden City
222:Wittington Investments
6284:"Brittle Young Thing"
6211:Hilary Hinds (2020).
6062:Simon Pierse (2017).
5931:Alan Windsor (2022).
4216:The Furnishing Report
4180:The Furnishing Report
4162:The Furnishing Report
4108:The Furnishing Report
3479:Nicholas Ind (1995).
3395:Nicholas Ind (1995).
3370:Nicholas Ind (1995).
3245:"Heals buys out Dunn"
2843:. Merrell Holberton.
2785:Simon Pierse (2017).
2758:Marianne Aav (2003).
2430:. Faber & Faber.
2357:"Cecil Claude Brewer"
2286:Hilary Hinds (2020).
2208:John Andrews (2005).
1724:Hilary Hinds (2020).
1632:, and in 2023 hosted
1626:Ideal Home Exhibition
1612:. They also attended
1602:1900 Paris Exposition
1588:Heal's at Exhibitions
1564:. These included the
1506:
1448:, though a critic in
1271:1971 - Barbara Brown
1265:1971 - Heather Brown
1259:1970 - Barbara Brown
1241:1969 - Barbara Brown
1217:1965 - Evelyn Brooks
1163:1962 - Howard Carter
1148:1961 - Barbara Brown
1064:1956 - David Parsons
1058:1956 - Willy Hermann
1000:
954:RMS Empress of Canada
727:The arrival of Conran
675:Royal Society of Arts
592:
585:
506:
453:
437:Signed Edition Series
418:
402:
382:
301:in 1898, followed by
147:£37 million (2022-23)
6484:Tottenham Court Road
6355:Dodie Smith (1979).
6121:20th Century Posters
5985:Alan Powers (2013).
5089:. 12 September 2000.
4378:Inside Kent Magazine
4344:. 16 September 2021.
4234:. 18 September 2021.
4146:. 26 September 2017.
3356:. 517–522: 44. 1992.
3266:. 349–359: 34. 1978.
3262:"British Textiles".
3128:. 1964. p. 184.
2993:. pp. 101–102.
2424:Jenny Uglow (2021).
2014:accessed 12 Aug 2007
1704:. 16 September 2023.
1544:, Kathleen Caddick,
1496:, John Turnbull and
1343:1981 - Leslee Wills
1325:1976 - Jennie Foley
1295:1973 - Jyoti Bhomik
1205:1964 - Ada Charniak
1184:1963 - Doreen Dyall
1169:1962 - Doreen Dyall
1112:1959 - Harold Cohen
1106:1958 - Jane Daniels
1100:1958 - Dorothy Carr
1094:1958 - Ellen Fricke
1052:1955 - Lucienne Day
766:Kingston upon Thames
565:1951 Milan Triennale
533:Museum of Modern Art
315:Architectural Review
283:Plucknett of Warwick
210:Tottenham Court Road
6426: /
6389:. 28 November 2016.
6344:. 22 November 2016.
6326:. 28 November 2016.
6200:. 28 February 2022.
6089:David Bell (2016).
5850:. 29 November 2017.
5590:V&A Collections
5572:V&A Collections
5554:V&A Collections
5511:V&A Collections
5493:V&A Collections
5425:V&A Collections
5407:V&A Collections
5364:V&A Collections
5346:V&A Collections
5328:V&A Collections
5285:V&A Collections
5267:V&A Collections
5249:V&A Collections
5231:V&A Collections
5213:V&A Collections
5195:V&A Collections
5177:V&A Collections
5159:V&A Collections
5141:V&A Collections
5123:V&A Collections
5105:V&A Collections
5087:V&A Collections
5001:V&A Collections
4983:V&A Collections
4965:V&A Collections
4947:V&A Collections
4929:V&A Collections
4911:V&A Collections
4893:V&A Collections
4857:V&A Collections
4839:V&A Collections
4821:V&A Collections
4803:V&A Collections
4760:V&A Collections
4742:V&A Collections
4724:V&A Collections
4706:V&A Collections
4663:V&A Collections
4645:V&A Collections
4396:Big Furniture Group
4270:The Retail Bulletin
4198:Thd Retail Bulletin
4182:. 22 February 2018.
4164:. 21 February 2018.
4092:. 25 February 2014.
4071:. 16 December 2007.
3920:Investors Chronicle
3761:. 18 November 1995.
3428:A History of Heal's
3338:. 11 February 2010.
3284:. 1981. p. 57.
3215:: 26. October 1970.
3183:"Bowles and Heal's"
3126:The Modern Interior
2454:A History of Heal's
2413:. 25–26: 246. 1918.
2111:on 21 February 2014
1883:"Heals (1810-2023)"
1638:Kingston University
1414:Maurice de Vlaminck
1386:Sacheverell Sitwell
1352:The Mansard Gallery
1313:1974 - Jack Prince
1283:1972 - Mary Oliver
1229:1966 - Arno Thoner
1142:1961 - Colin Lacey
1118:1959 - Fay Hillier
1076:1956 - Mary Warren
1070:1956 - Edward Pond
1040:1947 - Helen Close
923:Council chamber at
750:British Home Stores
541:Festival of Britain
517:Britain Can Make It
477:Guildford Cathedral
412:in Francis Street.
374:George Bernard Shaw
299:Plain Oak Furniture
275:Marlborough College
271:Ambrose Heal Junior
117:Hamish Mansbridge (
103:Number of locations
23:
6430:51.5212°N 0.1344°W
5727:A Roger Fry Reader
5724:Roger Fry (1996).
5197:. 8 November 2002.
4875:V&ACollections
4511:"Heal's Contracts"
4362:. 24 October 2021.
3996:. 12 January 2013.
3954:. 15 October 2000.
3936:. 9 December 1999.
3904:. 4 November 1997.
3822:. 5 November 1995.
3684:"London Designers"
3320:. 31 January 2024.
3146:. 11 January 1999.
1534:Claud Lovat Fraser
1509:
1478:Frederick Etchells
1466:Vorticist movement
1211:1965 - Peter Hall
1088:1957 - Mary Moran
1034:1947 - Jane Edgar
832:Mailbox Birmingham
678:Bi-Centenary Medal
625:Queen Elizabeth II
613:Heal's Fabrics Ltd
588:
519:exhibition at the
513:
490:Heal Contracts Ltd
456:
421:
409:
385:
159:£800,000 (2022-23)
128:Sir Terence Conran
21:
6154:978-1-4725-2155-2
5703:"Mansard Gallery"
5617:Something Created
4326:. 4 January 2021.
3278:"Furniture Trade"
3193:: 33. April 1969.
2973:978-1-877096-38-9
2345:. 5 January 2013.
2243:Hole & Corner
2239:"History Lessons"
1566:Modern Tendencies
1486:Cuthbert Hamilton
1402:Amedeo Modigliani
1390:Léopold Zborowski
1130:1960 - Ruth Kaye
1046:1955 - Paul Gell
966:Queen Elizabeth 2
885:Winston Churchill
871:Reigate Town Hall
776:Management buyout
617:Carpet Layers Ltd
573:Michael O'Connell
441:Mies van der Rohe
338:C. H. B. Quennell
191:
190:
6526:
6441:
6440:
6438:
6437:
6436:
6435:51.5212; -0.1344
6431:
6427:
6424:
6423:
6422:
6419:
6408:
6407:
6405:Official website
6391:
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6169:"Client: Heal's"
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5787:
5786:
5785:. 29 March 2019.
5775:
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5672:
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5636:
5635:
5632:Evening Standard
5627:
5621:
5620:
5609:
5594:
5593:
5582:
5576:
5575:
5564:
5558:
5557:
5556:. 14 April 2009.
5546:
5540:
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5537:
5535:
5521:
5515:
5514:
5513:. 14 April 2009.
5503:
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5180:
5179:. 14 April 2009.
5169:
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4993:
4987:
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4975:
4969:
4968:
4967:. 28 March 2000.
4957:
4951:
4950:
4939:
4933:
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4921:
4915:
4914:
4903:
4897:
4896:
4895:. 14 April 2009.
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4709:
4708:. 14 April 2009.
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4327:
4316:
4310:
4309:
4308:. 25 March 2020.
4298:
4292:
4291:
4290:. 11 April 2022.
4288:Evening Standard
4280:
4274:
4273:
4272:. 11 April 2024.
4262:
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4094:
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4073:
4072:
4061:
4055:
4054:
4053:. 16 March 2022.
4043:
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3201:
3195:
3194:
3179:
3173:
3172:
3171:. 29 March 2010.
3161:
3148:
3147:
3144:Historic England
3136:
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3111:
3091:
3085:
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2673:
2672:. 16 April 2018.
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2601:. 22 March 2021.
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2318:English Heritage
2310:
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2016:
2006:
2000:
1999:
1979:
1942:
1941:
1930:
1891:
1890:
1889:. 18 April 2024.
1879:
1794:
1793:
1775:
1742:
1741:
1721:
1706:
1705:
1699:
1691:
1594:Great Exhibition
1513:Bloomsbury Group
1498:Edward Wadsworth
1426:Louis Marcoussis
1370:The London Group
950:SS Northern Star
837:Westfield London
825:Westbourne Grove
697:Heal's Furniture
671:Heal Textil GmbH
650:Torrington Place
525:AE Gray & Co
498:Utility controls
403:The sign of the
390:Percy Delf Smith
346:Paris Exposition
330:, the editor of
295:Prison furniture
187:
184:
182:
139:Home furnishings
124:Sir Ambrose Heal
75:
73:
68:
31:
24:
20:
6534:
6533:
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6528:
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6479:Shops in London
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5886:
5878:
5877:
5873:
5868:. 30 June 2009.
5860:
5859:
5855:
5842:
5841:
5837:
5827:
5825:
5817:
5816:
5812:
5802:
5800:
5795:
5794:
5790:
5777:
5776:
5772:
5765:
5749:
5745:
5738:
5722:
5718:
5708:
5706:
5701:
5700:
5696:
5689:
5673:
5666:
5659:
5643:
5639:
5629:
5628:
5624:
5611:
5610:
5597:
5592:. 17 July 2000.
5584:
5583:
5579:
5574:. 24 June 2009.
5566:
5565:
5561:
5548:
5547:
5543:
5533:
5531:
5523:
5522:
5518:
5505:
5504:
5500:
5495:. 24 June 2009.
5487:
5486:
5482:
5472:
5470:
5462:
5461:
5457:
5447:
5445:
5437:
5436:
5432:
5427:. 24 June 2009.
5419:
5418:
5414:
5409:. 24 June 2009.
5401:
5400:
5396:
5386:
5384:
5376:
5375:
5371:
5366:. 24 June 2009.
5358:
5357:
5353:
5348:. 24 June 2009.
5340:
5339:
5335:
5330:. 24 June 2009.
5322:
5321:
5317:
5307:
5305:
5297:
5296:
5292:
5287:. 24 June 2009.
5279:
5278:
5274:
5269:. 24 June 2009.
5261:
5260:
5256:
5251:. 24 June 2009.
5243:
5242:
5238:
5233:. 24 June 2009.
5225:
5224:
5220:
5215:. 24 June 2009.
5207:
5206:
5202:
5189:
5188:
5184:
5171:
5170:
5166:
5161:. 24 June 2009.
5153:
5152:
5148:
5143:. 24 June 2009.
5135:
5134:
5130:
5125:. 24 June 2009.
5117:
5116:
5112:
5107:. 24 June 2009.
5099:
5098:
5094:
5081:
5080:
5076:
5066:
5064:
5056:
5055:
5051:
5038:
5037:
5033:
5023:
5021:
5013:
5012:
5008:
5003:. 24 June 2009.
4995:
4994:
4990:
4985:. 24 June 2009.
4977:
4976:
4972:
4959:
4958:
4954:
4949:. 24 June 2009.
4941:
4940:
4936:
4931:. 24 June 2009.
4923:
4922:
4918:
4913:. 24 June 2009.
4905:
4904:
4900:
4887:
4886:
4882:
4877:. 24 June 2009.
4869:
4868:
4864:
4859:. 24 June 2009.
4851:
4850:
4846:
4841:. 24 June 2009.
4833:
4832:
4828:
4823:. 24 June 2009.
4815:
4814:
4810:
4805:. 24 June 2009.
4797:
4796:
4792:
4782:
4780:
4772:
4771:
4767:
4762:. 24 June 2009.
4754:
4753:
4749:
4744:. 24 June 2009.
4736:
4735:
4731:
4726:. 24 June 2009.
4718:
4717:
4713:
4700:
4699:
4695:
4685:
4683:
4675:
4674:
4670:
4665:. 24 June 2009.
4657:
4656:
4652:
4647:. 24 June 2009.
4639:
4638:
4634:
4629:. 1 March 2016.
4621:
4620:
4613:
4606:
4590:
4581:
4574:
4558:
4551:
4541:
4539:
4531:
4530:
4526:
4509:
4508:
4504:
4487:
4486:
4482:
4469:
4468:
4464:
4454:
4452:
4444:
4443:
4439:
4434:. 28 June 2023.
4432:Elle Decoration
4426:
4425:
4421:
4408:
4407:
4403:
4390:
4389:
4385:
4372:
4371:
4367:
4354:
4353:
4349:
4336:
4335:
4331:
4318:
4317:
4313:
4306:Birmingham Mail
4300:
4299:
4295:
4282:
4281:
4277:
4264:
4263:
4259:
4247:
4246:
4237:
4236:
4228:
4227:
4223:
4210:
4209:
4205:
4192:
4191:
4187:
4174:
4173:
4169:
4156:
4155:
4151:
4138:
4137:
4133:
4128:. 6 March 2015.
4120:
4119:
4115:
4110:. 12 June 2015.
4102:
4101:
4097:
4084:
4083:
4076:
4063:
4062:
4058:
4045:
4044:
4037:
4024:
4023:
4019:
4006:
4005:
4001:
3988:
3987:
3980:
3975:. 21 June 2001.
3967:
3966:
3959:
3952:The Independent
3946:
3945:
3941:
3932:
3931:
3927:
3916:"Heal's growth"
3914:
3913:
3909:
3902:The Independent
3896:
3895:
3891:
3884:Financial Times
3878:
3877:
3870:
3860:
3858:
3850:
3849:
3845:
3832:
3831:
3827:
3820:The Independent
3814:
3813:
3806:
3799:The Independent
3793:
3792:
3788:
3771:
3770:
3766:
3759:Financial Times
3753:
3752:
3743:
3736:
3720:
3716:
3703:
3702:
3695:
3682:
3681:
3677:
3670:
3654:
3650:
3643:
3627:
3623:
3616:
3602:
3598:
3582:
3581:
3577:
3561:
3557:
3550:
3534:
3525:
3518:
3502:
3498:
3491:
3477:
3473:
3466:
3450:
3446:
3439:
3423:
3414:
3407:
3393:
3389:
3382:
3368:
3361:
3350:"Habitat Heals"
3348:
3347:
3343:
3330:
3329:
3325:
3312:
3311:
3307:
3294:
3293:
3289:
3276:
3275:
3271:
3261:
3260:
3256:
3243:
3242:
3238:
3225:
3224:
3220:
3203:
3202:
3198:
3181:
3180:
3176:
3163:
3162:
3151:
3138:
3137:
3133:
3122:"Percy Brierly"
3120:
3119:
3115:
3108:
3092:
3088:
3072:
3071:
3067:
3053:
3049:
3033:
3032:
3028:
3020:. p. 421.
3012:
3008:
3001:
2985:
2981:
2974:
2960:
2956:
2949:
2933:
2926:
2919:
2903:
2899:
2892:
2876:
2872:
2856:
2855:
2851:
2835:
2831:
2821:
2819:
2811:
2810:
2806:
2799:
2783:
2779:
2772:
2756:
2752:
2739:
2738:
2734:
2727:
2711:
2702:
2692:
2690:
2682:
2681:
2677:
2664:
2663:
2659:
2652:
2636:
2632:
2625:
2611:
2610:
2606:
2593:
2592:
2573:
2562:
2558:
2551:
2535:
2531:
2524:
2508:
2504:
2491:
2487:
2476:
2472:
2465:
2449:
2445:
2438:
2422:
2418:
2405:
2404:
2400:
2390:
2388:
2380:
2379:
2375:
2365:
2363:
2355:
2354:
2350:
2337:
2336:
2332:
2322:
2320:
2312:
2311:
2307:
2300:
2284:
2280:
2267:
2266:
2257:
2247:
2245:
2237:
2236:
2229:
2222:
2206:
2202:
2192:
2190:
2182:
2181:
2177:
2167:
2165:
2157:
2156:
2149:
2139:
2137:
2129:
2128:
2124:
2114:
2112:
2103:
2102:
2098:
2091:
2075:
2054:
2041:
2040:
2036:
2023:
2019:
2007:
2003:
1996:
1980:
1945:
1932:
1931:
1894:
1881:
1880:
1797:
1790:
1776:
1745:
1738:
1722:
1709:
1697:
1693:
1692:
1683:
1679:
1646:
1614:Glasgow in 1901
1590:
1542:Markey Robinson
1494:William Roberts
1470:Jessica Dismorr
1456:. A year later
1422:Léopold Survage
1388:and art dealer
1358:Poster Pictures
1354:
1349:
1030:
1028:Selected prints
975:
860:
803:
791:D&AD Awards
778:
729:
669:and renamed it
633:
485:
291:Edward Barnsley
267:
259:Charles Dickens
239:
234:
200:) is a British
179:
156:
130:
126:
122:
114:
104:
97:
93:
71:
69:
66:
17:
12:
11:
5:
6532:
6522:
6521:
6516:
6511:
6506:
6501:
6496:
6491:
6486:
6481:
6476:
6471:
6466:
6461:
6456:
6410:
6409:
6398:
6397:External links
6395:
6393:
6392:
6374:
6367:
6347:
6329:
6311:
6293:
6275:
6268:
6262:. Transworld.
6248:
6230:
6223:
6203:
6185:
6160:
6153:
6133:
6108:
6101:
6081:
6074:
6068:. p. 10.
6054:
6029:
6004:
5997:
5977:
5970:
5964:. p. 74.
5950:
5943:
5923:
5916:
5896:
5871:
5853:
5835:
5810:
5788:
5770:
5763:
5757:. p. 63.
5743:
5736:
5716:
5694:
5687:
5664:
5657:
5637:
5622:
5619:. 5 June 2017.
5595:
5577:
5559:
5541:
5516:
5498:
5480:
5455:
5439:"Spectroscope"
5430:
5412:
5394:
5369:
5351:
5333:
5315:
5290:
5272:
5254:
5236:
5218:
5209:"Summer Pride"
5200:
5182:
5164:
5146:
5128:
5110:
5092:
5074:
5049:
5044:V&A Images
5031:
5006:
4988:
4970:
4952:
4934:
4916:
4898:
4880:
4862:
4844:
4826:
4808:
4790:
4765:
4747:
4738:"Kite Strings"
4729:
4711:
4693:
4668:
4650:
4632:
4611:
4604:
4579:
4572:
4549:
4524:
4521:. 22 May 2024.
4502:
4499:: 17–18. 1975.
4480:
4462:
4437:
4419:
4401:
4383:
4380:. 18 May 2022.
4365:
4347:
4342:Furniture News
4329:
4311:
4293:
4275:
4257:
4248:|website=
4221:
4218:. 23 May 2018.
4203:
4200:. 23 May 2018.
4185:
4167:
4149:
4144:Retail Gazette
4131:
4113:
4095:
4074:
4056:
4035:
4017:
3999:
3978:
3957:
3939:
3925:
3907:
3889:
3868:
3843:
3825:
3804:
3786:
3764:
3741:
3734:
3714:
3693:
3675:
3668:
3648:
3641:
3621:
3614:
3596:
3575:
3555:
3548:
3523:
3516:
3496:
3489:
3471:
3464:
3444:
3437:
3412:
3405:
3387:
3380:
3359:
3341:
3323:
3305:
3287:
3269:
3254:
3236:
3218:
3196:
3187:Design Journal
3174:
3149:
3131:
3113:
3106:
3086:
3065:
3047:
3026:
3006:
2999:
2979:
2972:
2954:
2947:
2924:
2917:
2897:
2890:
2870:
2849:
2829:
2804:
2797:
2777:
2770:
2750:
2732:
2725:
2700:
2675:
2657:
2650:
2630:
2623:
2604:
2571:
2568:. p. 121.
2556:
2549:
2529:
2522:
2502:
2485:
2470:
2463:
2443:
2436:
2416:
2398:
2373:
2361:British Museum
2348:
2330:
2305:
2298:
2278:
2255:
2227:
2220:
2200:
2188:Puritan Values
2175:
2147:
2122:
2096:
2089:
2052:
2034:
2017:
2001:
1994:
1943:
1892:
1795:
1788:
1743:
1736:
1707:
1680:
1678:
1675:
1645:
1642:
1589:
1586:
1530:Work Suspended
1522:Virginia Woolf
1482:Charles Ginner
1382:Osbert Sitwell
1353:
1350:
1348:
1347:
1341:
1335:
1329:
1323:
1317:
1311:
1305:
1299:
1293:
1287:
1281:
1275:
1269:
1263:
1257:
1251:
1245:
1239:
1233:
1227:
1221:
1215:
1209:
1203:
1194:
1188:
1182:
1173:
1167:
1161:
1152:
1146:
1140:
1134:
1128:
1122:
1116:
1110:
1104:
1098:
1092:
1086:
1080:
1074:
1068:
1062:
1056:
1050:
1044:
1038:
1031:
1029:
1026:
996:Lesley Jackson
990:. In her book
974:
973:Heal's Fabrics
971:
970:
969:
946:
943:
937:
930:
927:
921:
918:
911:
900:
899:
892:
881:
874:
867:
859:
856:
852:Matthew Hilton
802:
799:
777:
774:
754:Storehouse plc
733:Terence Conran
728:
725:
632:
629:
509:Heal & Son
484:
481:
445:Gordon Russell
365:Simple Bedroom
303:Simple Bedroom
266:
263:
238:
235:
233:
230:
214:Arts and Craft
198:Heal & Son
189:
188:
177:
173:
172:
167:
161:
160:
157:
152:
149:
148:
145:
141:
140:
137:
133:
132:
115:
112:
109:
108:
105:
102:
99:
98:
95:
91:
89:
85:
84:
81:
77:
76:
63:
59:
58:
55:
51:
50:
45:
41:
40:
39:Heal & Son
37:
33:
32:
15:
9:
6:
4:
3:
2:
6531:
6520:
6517:
6515:
6512:
6510:
6507:
6505:
6502:
6500:
6497:
6495:
6492:
6490:
6487:
6485:
6482:
6480:
6477:
6475:
6472:
6470:
6467:
6465:
6462:
6460:
6457:
6455:
6452:
6451:
6449:
6442:
6439:
6406:
6401:
6400:
6388:
6384:
6378:
6370:
6368:9780491021982
6364:
6360:
6359:
6351:
6343:
6339:
6333:
6325:
6321:
6315:
6307:
6303:
6297:
6289:
6285:
6279:
6271:
6269:9781473591738
6265:
6261:
6260:
6252:
6244:
6240:
6234:
6226:
6224:9781000182088
6220:
6217:. Routledge.
6216:
6215:
6207:
6199:
6195:
6189:
6174:
6170:
6164:
6156:
6150:
6146:
6145:
6137:
6122:
6118:
6112:
6104:
6102:9781317121756
6098:
6094:
6093:
6085:
6077:
6075:9781351574969
6071:
6067:
6066:
6058:
6043:
6039:
6033:
6018:
6014:
6008:
6000:
5998:9781848221116
5994:
5990:
5989:
5981:
5973:
5971:9781580462358
5967:
5963:
5962:
5954:
5946:
5944:9780429614866
5940:
5936:
5935:
5927:
5919:
5917:9781902448596
5913:
5909:
5908:
5900:
5885:
5884:Court Gallery
5881:
5875:
5867:
5863:
5857:
5849:
5845:
5839:
5824:
5820:
5819:"Friday Club"
5814:
5798:
5792:
5784:
5780:
5774:
5766:
5764:9780853314882
5760:
5756:
5755:
5747:
5739:
5737:9780226266428
5733:
5729:
5728:
5720:
5705:. 13 May 2015
5704:
5698:
5690:
5688:9780856674099
5684:
5680:
5679:
5671:
5669:
5660:
5658:9780813052847
5654:
5650:
5649:
5641:
5634:. 6 May 1922.
5633:
5626:
5618:
5614:
5608:
5606:
5604:
5602:
5600:
5591:
5587:
5581:
5573:
5569:
5563:
5555:
5551:
5545:
5530:
5526:
5520:
5512:
5508:
5502:
5494:
5490:
5484:
5469:
5465:
5459:
5444:
5440:
5434:
5426:
5422:
5416:
5408:
5404:
5398:
5383:
5379:
5373:
5365:
5361:
5355:
5347:
5343:
5337:
5329:
5325:
5319:
5304:
5300:
5294:
5286:
5282:
5276:
5268:
5264:
5258:
5250:
5246:
5245:"Perspective"
5240:
5232:
5228:
5222:
5214:
5210:
5204:
5196:
5192:
5186:
5178:
5174:
5168:
5160:
5156:
5150:
5142:
5138:
5132:
5124:
5120:
5114:
5106:
5102:
5096:
5088:
5084:
5078:
5063:
5059:
5053:
5045:
5041:
5035:
5020:
5016:
5010:
5002:
4998:
4992:
4984:
4980:
4974:
4966:
4962:
4956:
4948:
4944:
4938:
4930:
4926:
4925:"Sweet Briar"
4920:
4912:
4908:
4902:
4894:
4890:
4884:
4876:
4872:
4866:
4858:
4854:
4848:
4840:
4836:
4830:
4822:
4818:
4812:
4804:
4800:
4794:
4779:
4775:
4769:
4761:
4757:
4756:"Farnborough"
4751:
4743:
4739:
4733:
4725:
4721:
4715:
4707:
4703:
4697:
4682:
4678:
4672:
4664:
4660:
4654:
4646:
4642:
4636:
4628:
4624:
4618:
4616:
4607:
4605:9781568987125
4601:
4597:
4596:
4588:
4586:
4584:
4575:
4573:9781804190944
4569:
4565:
4564:
4556:
4554:
4538:
4534:
4528:
4520:
4516:
4512:
4506:
4498:
4494:
4490:
4484:
4476:
4475:The Economist
4472:
4466:
4451:
4447:
4441:
4433:
4429:
4423:
4416:. 1 May 2023.
4415:
4411:
4405:
4397:
4393:
4387:
4379:
4375:
4369:
4361:
4360:The Telegraph
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4324:Business Live
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4069:The Telegraph
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3642:9781134762040
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3513:
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3490:9780283062018
3486:
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3438:9780853314882
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3406:9780283062018
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2651:9780300230482
2647:
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2519:
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2482:. p. 24.
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2059:
2057:
2049:. 1 May 2023.
2048:
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2015:
2011:
2005:
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1995:9781136787584
1991:
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1667:Cressida Bell
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1518:Aldous Huxley
1514:
1505:
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1499:
1495:
1491:
1487:
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1479:
1475:
1471:
1467:
1463:
1459:
1458:Wyndham Lewis
1455:
1451:
1447:
1443:
1440:, art critic
1439:
1438:The Athenaeum
1435:
1431:
1427:
1423:
1419:
1418:Fernand Léger
1415:
1411:
1407:
1403:
1399:
1398:Henri Matisse
1395:
1394:Pablo Picasso
1391:
1387:
1383:
1379:
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1374:Harriet Cohen
1371:
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1199:
1198:Zandra Rhodes
1195:
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1189:
1187:
1183:
1181:
1178:
1174:
1172:
1168:
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1162:
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1156:Althea McNish
1153:
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985:
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947:
944:
942:
938:
935:
932:Ballroom for
931:
928:
926:
922:
919:
916:
915:Castrol House
912:
909:
905:
904:
903:
897:
893:
890:
886:
882:
879:
878:Vickers Maxim
875:
872:
868:
865:
864:
863:
855:
853:
848:
843:
838:
833:
828:
826:
821:
817:
812:
808:
807:Weston family
798:
794:
792:
788:
784:
773:
771:
767:
763:
759:
755:
751:
745:
742:
738:
734:
724:
722:
716:
714:
710:
705:
700:
698:
694:
693:Yngve Ekström
690:
684:
682:
679:
676:
672:
668:
664:
659:
655:
651:
647:
646:Kenneth Clark
643:
642:John Farleigh
639:
628:
626:
622:
618:
614:
610:
606:
602:
596:
591:
584:
580:
578:
577:Helen Sampson
574:
570:
567:and from the
566:
562:
556:
554:
550:
546:
542:
538:
534:
530:
526:
522:
518:
510:
505:
501:
499:
495:
491:
480:
478:
474:
470:
469:Marcel Breuer
466:
462:
452:
448:
446:
442:
438:
434:
430:
426:
417:
413:
406:
401:
397:
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381:
377:
375:
371:
366:
362:
357:
355:
351:
347:
343:
339:
335:
334:
329:
328:Gleeson White
325:
321:
317:
316:
311:
308:
307:C.R. Ashbee's
304:
300:
296:
292:
288:
287:Ernest Gimson
284:
280:
276:
272:
262:
260:
256:
252:
248:
244:
237:Early history
229:
227:
226:Weston family
223:
219:
215:
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207:
203:
199:
195:
186:
178:
174:
171:
168:
166:
162:
158:
155:
150:
146:
142:
138:
134:
131:Colin Pilgrim
129:
125:
120:
116:
110:
106:
100:
90:
86:
82:
78:
64:
60:
56:
52:
49:
46:
42:
38:
34:
30:
25:
19:
6411:
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6377:
6357:
6350:
6341:
6332:
6323:
6314:
6305:
6296:
6287:
6278:
6258:
6251:
6242:
6233:
6213:
6206:
6197:
6188:
6176:. Retrieved
6173:D Barrington
6172:
6163:
6143:
6136:
6124:. Retrieved
6120:
6111:
6091:
6084:
6064:
6057:
6045:. Retrieved
6041:
6032:
6020:. Retrieved
6016:
6007:
5987:
5980:
5960:
5953:
5933:
5926:
5906:
5899:
5887:. Retrieved
5883:
5874:
5865:
5856:
5847:
5838:
5826:. Retrieved
5822:
5813:
5801:. Retrieved
5791:
5782:
5773:
5753:
5746:
5726:
5719:
5707:. Retrieved
5697:
5677:
5647:
5640:
5631:
5625:
5616:
5589:
5580:
5571:
5562:
5553:
5544:
5532:. Retrieved
5528:
5519:
5510:
5501:
5492:
5483:
5471:. Retrieved
5467:
5458:
5446:. Retrieved
5442:
5433:
5424:
5415:
5406:
5397:
5385:. Retrieved
5381:
5372:
5363:
5360:"Equilibrum"
5354:
5345:
5336:
5327:
5318:
5306:. Retrieved
5302:
5293:
5284:
5275:
5266:
5263:"Concentric"
5257:
5248:
5239:
5230:
5221:
5212:
5203:
5194:
5185:
5176:
5167:
5158:
5149:
5140:
5131:
5122:
5113:
5104:
5095:
5086:
5083:"Chiricahua"
5077:
5065:. Retrieved
5061:
5052:
5043:
5034:
5022:. Retrieved
5018:
5009:
5000:
4991:
4982:
4973:
4964:
4955:
4946:
4937:
4928:
4919:
4910:
4901:
4892:
4883:
4874:
4865:
4856:
4847:
4838:
4829:
4820:
4811:
4802:
4799:"Syncromesh"
4793:
4781:. Retrieved
4777:
4768:
4759:
4750:
4741:
4732:
4723:
4714:
4705:
4696:
4684:. Retrieved
4680:
4671:
4662:
4653:
4644:
4641:"Aspidestia"
4635:
4626:
4594:
4562:
4540:. Retrieved
4536:
4527:
4518:
4514:
4505:
4496:
4493:RIBA Journal
4492:
4483:
4474:
4465:
4453:. Retrieved
4449:
4440:
4431:
4422:
4414:The Guardian
4413:
4404:
4395:
4386:
4377:
4368:
4359:
4350:
4341:
4332:
4323:
4314:
4305:
4296:
4287:
4278:
4269:
4260:
4230:
4224:
4215:
4206:
4197:
4188:
4179:
4170:
4161:
4152:
4143:
4134:
4125:
4116:
4107:
4098:
4089:
4068:
4059:
4050:
4029:
4020:
4014:. July 2019.
4011:
4002:
3993:
3973:The Guardian
3972:
3951:
3942:
3928:
3919:
3910:
3901:
3892:
3883:
3859:. Retrieved
3855:
3846:
3837:
3828:
3819:
3798:
3789:
3780:
3776:
3767:
3758:
3724:
3717:
3708:
3687:
3678:
3658:
3651:
3631:
3624:
3605:
3599:
3565:
3558:
3538:
3506:
3499:
3480:
3474:
3454:
3447:
3427:
3396:
3390:
3371:
3353:
3344:
3335:
3326:
3317:
3308:
3299:
3290:
3281:
3272:
3263:
3257:
3248:
3239:
3230:
3221:
3212:
3208:
3199:
3190:
3186:
3177:
3169:The Guardian
3168:
3143:
3134:
3125:
3116:
3096:
3089:
3056:
3050:
3016:
3009:
2989:
2982:
2963:
2957:
2937:
2907:
2900:
2880:
2873:
2839:
2832:
2820:. Retrieved
2816:
2807:
2787:
2780:
2760:
2753:
2744:
2735:
2715:
2691:. Retrieved
2687:
2684:"Alix Stone"
2678:
2669:
2660:
2640:
2633:
2613:
2607:
2598:
2565:
2559:
2539:
2532:
2512:
2505:
2495:
2488:
2479:
2473:
2453:
2446:
2426:
2419:
2410:
2401:
2389:. Retrieved
2385:
2376:
2364:. Retrieved
2360:
2351:
2342:
2333:
2321:. Retrieved
2317:
2308:
2288:
2281:
2272:
2246:. Retrieved
2242:
2210:
2203:
2191:. Retrieved
2187:
2178:
2166:. Retrieved
2162:
2138:. Retrieved
2134:
2125:
2113:. Retrieved
2109:the original
2099:
2079:
2047:The Guardian
2046:
2037:
2027:
2020:
2009:
2004:
1984:
1937:
1886:
1779:
1726:
1701:
1658:
1652:
1647:
1633:
1622:Christchurch
1620:in 1913 and
1591:
1581:
1577:
1573:
1569:
1565:
1561:
1557:
1555:
1537:
1529:
1526:Evelyn Waugh
1510:
1474:Frank Dibson
1461:
1460:curated the
1453:
1445:
1433:
1410:Othon Friesz
1406:André Derain
1377:
1357:
1355:
1344:
1338:
1332:
1327:Country Walk
1326:
1320:
1314:
1308:
1303:Spectroscope
1302:
1296:
1290:
1284:
1278:
1272:
1266:
1260:
1254:
1248:
1242:
1236:
1230:
1225:Summer Pride
1224:
1218:
1212:
1206:
1200:
1191:
1185:
1179:
1171:Doll's House
1170:
1164:
1158:
1149:
1143:
1137:
1131:
1125:
1119:
1113:
1107:
1101:
1095:
1089:
1083:
1077:
1071:
1066:Kite Strings
1065:
1059:
1053:
1047:
1041:
1035:
1007:
1002:
1001:
991:
987:
983:
979:
976:
962:MV Kungsholm
901:
861:
829:
804:
795:
779:
746:
730:
720:
717:
703:
701:
696:
689:Robert Welch
685:
680:
670:
653:
644:and made by
634:
616:
612:
598:
593:
589:
561:Lucienne Day
557:
552:
514:
511:, 1947. Oak.
493:
489:
486:
473:Edward Maufe
460:
457:
436:
422:
410:
393:
386:
368:
364:
358:
341:
331:
323:
319:
313:
302:
298:
294:
268:
250:
240:
197:
196:(originally
193:
192:
88:Headquarters
44:Company type
18:
6433: /
6308:. May 2024.
6198:Design Week
6042:Mary Fedden
5803:15 February
5421:"Scintilla"
5403:"Glentanna"
5299:"Automaton"
5155:"Structure"
5101:"Formation"
4979:"Solitaire"
4817:"Daffodils"
4702:"Isosceles"
4566:. Octopus.
2670:Heal's Blog
2115:15 February
1649:Dodie Smith
1550:Mary Fedden
1546:Ben Enwonwu
1524:. In 1939,
1520:first meet
1430:André Lhote
1237:Perspective
1126:Sweet Briar
1072:Farnborough
958:SS Canberra
894:Tables for
883:Tables for
783:King's Road
549:Hermia Boyd
529:Robin Day's
433:Alvar Aalto
405:four poster
6448:Categories
6418:51°31′16″N
6306:The Critic
5489:"Playtime"
5324:"Alhambra"
5227:"Rotation"
4997:"Symmetry"
4943:"Crusilly"
4889:"Vineyard"
4871:"Sargasso"
4659:"Athenian"
3856:D & AD
3690:: 8. 1986.
2850:185894046X
1677:References
1663:Orla Kiely
1362:Frank Pick
1279:Equilibrum
1261:Automation
1249:Concentric
1180:Chiricahua
1177:John Plumb
1165:Sunflowers
1084:Syncromesh
1036:Aspidestia
816:Manchester
752:to create
741:Mothercare
609:Holmegaard
605:Hans Coper
545:David Boyd
467:Professor
333:The Studio
154:Net income
113:Key people
48:Subsidiary
6421:0°08′04″W
6342:Londonist
6288:The Times
5507:"Fuchsia"
5342:"Ikebana"
5173:"Verdure"
5119:"Rosette"
4907:"Festoon"
4627:Davis Art
4250:ignored (
4240:cite book
4051:The Argus
3709:The Times
3585:cite book
3300:The Times
3296:"Briefly"
3249:The Times
3231:The Times
3075:cite book
3036:cite book
2859:cite book
1540:in 1951,
1454:"ghastly"
1450:The Times
1442:Roger Fry
1297:Scintilla
1291:Glentanna
1243:Frequency
1207:Structure
1186:Formation
1144:Solitaire
1090:Daffodils
1054:Isosceles
998:states,
889:Chartwell
887:’s home,
842:Fenwick's
667:Stuttgart
658:Edgbaston
601:Lucie Rie
269:In 1893,
202:furniture
6509:Textiles
6387:The Week
6324:The Week
5862:"Poster"
5823:Artbiogs
5550:"Nectar"
5281:"Lariat"
5191:"Impact"
4835:"Furrow"
4720:"Cirrus"
3205:"People"
2513:Art Deco
1568:series,
1315:Playtime
1267:Alhambra
1231:Rotation
1150:Symmetry
1132:Crusilly
1114:Vineyard
1108:Sargasso
1078:Nautilus
1048:Palladio
1042:Athenian
1020:and the
964:and the
898:in 1930.
891:in 1924.
880:in 1911.
873:in 1901.
762:Lakeside
709:Brighton
537:New York
429:Orrefors
277:and the
251:Heal Bed
206:homeware
136:Products
80:Founders
54:Industry
36:Formerly
6245:. 2023.
5866:V&A
5783:V&A
5046:. 2006.
4961:"Patio"
4537:RIBAPIX
4398:. 2023.
4032:. 2021.
3783:. 1997.
2817:V&A
2275:. 2020.
2135:RIBApix
1462:Group X
1321:Fuchsia
1309:Aureola
1273:Ikebana
1213:Verdure
1196:1964 -
1192:Rosette
1175:1963 -
1154:1962 -
1120:Festoon
984:Stipple
980:Cascade
787:Chelsea
770:Croydon
758:Reading
737:Habitat
663:Bromley
465:Bauhaus
340:called
232:History
176:Website
144:Revenue
70: (
62:Founded
6454:Heal's
6365:
6266:
6221:
6178:20 May
6151:
6126:20 May
6099:
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6047:24 May
6022:20 May
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5889:20 May
5848:Heal's
5828:20 May
5761:
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5709:20 May
5685:
5655:
5586:"Zeme"
5568:"Maze"
5534:22 May
5473:21 May
5448:23 May
5387:21 May
5308:23 May
5137:"Gala"
5067:21 May
5024:21 May
4783:21 May
4686:22 May
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2168:14 May
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1444:wrote
1333:Nectar
1255:Lariat
1219:Impact
1159:Caribe
1096:Furrow
1060:Cirrus
809:owned
370:senses
243:London
194:Heal's
183:.heals
165:Parent
92:London
57:Retail
22:Heal's
4853:"Oak"
4623:"Mod"
2391:9 May
2366:9 May
2323:9 May
2140:9 May
1698:(PDF)
1618:Ghent
1138:Patio
820:Leeds
247:Devon
6363:ISBN
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6180:2024
6149:ISBN
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6097:ISBN
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5993:ISBN
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5759:ISBN
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2745:Life
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1610:1937
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