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as "one of the most complicated albums of popular music ever made. If so much of early
American classical music was a new gloss on European manners, this is a decidedly European take on American popular music ... it is in many ways a dense and difficult album ... only once you're acclimated to the
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is still a maverick work existing entirely on its own. ... there’s also a thinly annotated, very abstract lyrical narrative about the colonization and
Americanization of Hawaii that’s fun to figure out, if you’re that kind of proactive researcher. That concept might be the most twee idea in rock
316:, harpsichord flourishes, 'Ramona'-style Mexican American music (complete with mariachi pulses and firefly strings), melodies that would sound just right around a campfire, swooning Hawaiian guitars, long trumpet solos that would have done
339:, an attempt was made to instead coordinate a collaboration between O'Hagan and Wilson, although it never progressed past the planning stages. At one of the meetings with Wilson and his wife, O'Hagan remembered,
469:, the album's Hawaiian theme is merely an excuse for O'Hagan's orchestral maneuvers and precious melodies—folky, tropical, eccentric—which swirl and whirl like a psychedelic summit of
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Sean O'Hagan – arranger, banjo, guitar, harmonium, harpsichord, Moog synthesizer, piano, upright piano, rhythm, string arrangements, vibraphone, vocals, background vocals, Vox organ
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distinctive wash of background vocal harmonies, lush but wordless, against piano, melodic bass punctuation, drum fills, and sleigh bells." On the album's influences, music critic
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495:, the sound of the record is intoxicating, but the album drags over the course of 77 minutes. Among the 29 tracks, there are some beautiful moments and gorgeous songs, but
259:(1994), while its lyrics loosely address themes of nomadism, nostalgia, film and musical theatre, and the effects of colonialism. The record peaked at 62 on the
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said, "Brian, we want you to make a record, and Sean will oversee it." And Brian says, "who's Sean?" Melinda said, "He's the guy who made that record you like,
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for a one-week stay. In the United States, the album was issued with a 40-minute bonus CD containing material that was previously unreleased in that region.
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Marcus
Holdaway – cello, clavinet, harmonium, harpsichord, piano, upright piano, string arrangements, vibraphone, backing vocals, Vox organ
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is the greatest record you've ever heard, or if you've just spent too much time at the dentist's office."
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history, but the High Llamas execute Hawaii with so much expertise and wonder that you don’t notice it."
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albums, with staff writer Paul
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Catch a Wave: The Rise, Fall, and
Redemption of the Beach Boys' Brian Wilson
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described the album as a fusion between the music of the "post mid-European
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guy? You made that record? Too much! Far out! Music, man. So much music!"
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1181:"The Apples in Stereo – Tone Soul Revolution / The High Llamas – Hawaii"
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era" and the "really screwed up West Coast
American sort of music, of
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Buried
Treasure Volume 2: Overlooked, Forgetten and Uncrowned Albums
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writes: "Here, in no particular order, we find flashes of Wilson,
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variety". Academic
Theodore Gracyk characterized the majority of
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Charlie
Francis – engineer, loop editing, Mini-Moog, tape editor
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winds up being too much of a good thing, lacking the focus of
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proud, and just about everything else -- layer upon layer."
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Rob Allum – bells, drum effects, drums, percussion, rattles
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incorporate more electronic sounds than its predecessor
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John
Bennett – guitar, lap steel guitar, backing vocals
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I Wanna be Me: Rock Music and the Politics of Identity
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477:. ... And so it goes, until you're not sure if
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1205:"The Year in Music – Subculture of the Year"
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966:"Literature Is Fluff" (Instrumental version)
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1213:. Vol. 14, no. 1. January 1998.
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465:s Erik Himmelsbach wrote: "Supposedly a
25:1996 studio album by The High Llamas
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1055:Mark Lockheart – flute, tenor saxophone
325:struggling to organize a comeback album
301:(1966). More specifically, they recall
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1420:"The High Llamas: Hump Up the Volume"
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1369:"The High Llamas: A Different Breed"
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1070:Steve Waterman – flugelhorn, trumpet
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1339:. Temple University Press. p.
1179:Himmelsbach, Erik (December 1997).
13:
1126:Treble staff (22 September 2016).
14:
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1256:"Sean O'Hagan: The Highest Llama"
1128:"10 Essential Chamber Pop Albums"
1049:Andy Gibson – flugelhorn, trumpet
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1230:. Liberties Press. p. 124.
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1367:Page, Tim (10 January 1999).
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1058:Anthony Lyons – layout design
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323:In the mid-1990s, Wilson was
16:For the Pete Yorn album, see
1708:Here Come the Rattling Trees
1397:. Rodale. pp. 280–291.
1254:Lien, James (October 1997).
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641:"Dressing Up the Old Dakota"
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1418:Lester, Paul (June 1998).
884:All tracks are written by
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331:. After Wilson's bandmate
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918:"Might as Well Be Dumbo"
18:Hawaii (Pete Yorn album)
1514:Official Charts Company
1064:Steve Rooke – mastering
491:reviewed: "For much of
489:Stephen Thomas Erlewine
1763:The High Llamas albums
1687:Beet, Maize & Corn
1067:Jayne Spencer – violin
1052:Sally Herbert – violin
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1773:Easy listening albums
1261:CMJ New Music Monthly
1224:Hagerty, Dan (2016).
953:Chime of a City Clock
890:Chime of a City Clock
773:"Incidentally N.E.O."
718:"There's Nobody Home"
608:"Recent Orienteering"
564:"Literature Is Fluff"
350:." And he says, "The
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1783:1990s concept albums
1448:. 17 September 2001.
850:"Instrumental Suits"
740:"Campers in Control"
685:"A Friendly Pioneer"
619:"The Hot Revivalist"
368:Professional ratings
1778:Lounge music albums
1440:"Arranging Strings"
1374:The Washington Post
729:"The Hokey Curator"
597:"Ill-Fitting Suits"
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441:Online publication
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291:'s arrangements on
241:by the Anglo-Irish
1768:Chamber pop albums
1547:(list of releases)
1491:"Hawaii – Credits"
1389:Carlin, Peter Ames
1310:. Guinness. 2005.
1073:Anne Wood – violin
663:"Doo-Wop Property"
630:"Phoney Racehorse"
586:"Snapshot Pioneer"
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367:
363:Critical reception
1788:V2 Records albums
1745:
1744:
1404:978-1-59486-320-2
1350:978-1-56639-903-6
1288:"Signal to Noise"
1237:978-1-910742-74-7
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940:"Mini-Management"
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354:guy? Are you the
281:the Wrecking Crew
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1471:on 15 April 2001
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1461:"Review: Hawaii"
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61:25 March 1996
60:
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34:
29:
23:
19:
1713:
1706:
1701:Talahomi Way
1699:
1694:Can Cladders
1692:
1685:
1678:
1671:
1664:
1658:
1657:
1650:
1643:
1629:Anita Visser
1626:John Burnett
1619:Sean O'Hagan
1617:
1612:
1607:
1602:
1597:
1592:
1538:
1518:. Retrieved
1512:
1503:
1485:
1473:. Retrieved
1469:the original
1454:
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1199:
1190:
1184:
1131:
1036:
1035:
1017:
1016:
1009:
929:"Cropduster"
886:Sean O'Hagan
883:
828:"Folly Time"
553:"Sparkle Up"
519:
514:Sean O'Hagan
511:
500:
496:
492:
483:
478:
457:
452:
442:
440:
434:
433:Page lauded
432:
355:
351:
347:
342:
336:
322:
302:
296:
289:Brian Wilson
284:
273:Sean O'Hagan
270:
254:
250:
239:studio album
233:
232:
231:
203:
180:
172:
171:
162:
141:Sean O'Hagan
46:Studio album
22:
1758:1996 albums
1732:Microdisney
1652:Gideon Gaye
1096:UK Albums (
896:and O'Hagan
501:Gideon Gaye
449:chamber pop
277:Stockhausen
271:Bandleader
256:Gideon Gaye
164:Gideon Gaye
124:Alpaca Park
75:Chamber pop
1752:Categories
1680:Buzzle Bee
1520:7 November
1475:30 October
1445:Intermusic
1133:Treblezine
1110:References
894:Nick Drake
888:, except "
879:Bonus disc
806:"Pilgrims"
444:Treblezine
329:Andy Paley
303:Pet Sounds
298:Pet Sounds
153:chronology
1737:Stereolab
1715:Hey Panda
1603:John Fell
1598:Pete Aves
1593:Rob Allum
1274:1074-6978
1091:position
1006:Personnel
243:avant-pop
1495:AllMusic
1391:(2006).
1163:AllMusic
1159:"Hawaii"
1012:AllMusic
652:"D.C. 8"
575:"Nomads"
485:AllMusic
387:AllMusic
310:Tim Page
267:Overview
215:"Nomads"
130:Producer
58:Released
48: by
1673:Snowbug
1545:Discogs
1294:. 2007.
784:"Tides"
707:"Peppy"
344:Melinda
204:Hawaii
200:Singles
186:(1998)
177:(1996)
168:(1994)
1659:Hawaii
1540:Hawaii
1401:
1347:
1314:
1272:
1234:
1086:Chart
1079:Charts
910:Length
534:Length
520:Hawaii
497:Hawaii
493:Hawaii
479:Hawaii
475:Don Ho
453:Hawaii
435:Hawaii
427:45/100
381:Rating
378:Source
356:Hawaii
352:Hawaii
348:Hawaii
337:Hawaii
335:heard
285:Hawaii
251:Hawaii
234:Hawaii
173:Hawaii
99:Length
90:lounge
31:Hawaii
1425:Uncut
907:Title
892:" by
531:Title
463:'
306:'
245:band
202:from
120:Label
67:Genre
1522:2017
1477:2020
1399:ISBN
1345:ISBN
1312:ISBN
1270:ISSN
1232:ISBN
1210:Spin
1193:(9).
1186:Spin
1089:Peak
980:6:34
969:5:00
958:5:12
943:9:09
932:7:48
921:4:55
853:3:47
842:2:48
831:1:58
820:0:31
809:3:22
798:0:34
787:3:43
776:2:16
765:3:12
754:0:37
743:4:47
732:1:18
721:0:59
710:4:45
699:4:17
688:0:37
677:2:21
666:4:56
655:0:25
644:4:37
633:0:23
622:4:40
611:0:44
600:3:40
589:0:34
578:4:03
567:4:58
556:4:53
545:0:53
473:and
459:Spin
1543:at
1103:62
1098:OCC
903:No.
847:29.
836:28.
825:27.
814:26.
803:25.
792:24.
781:23.
770:22.
759:21.
748:20.
737:19.
726:18.
715:17.
704:16.
693:15.
682:14.
671:13.
660:12.
649:11.
638:10.
527:No.
503:."
487:'s
1754::
1511:.
1493:.
1463:.
1442:.
1422:.
1371:.
1359:^
1343:.
1341:61
1290:.
1268:.
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1258:.
1246:^
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1183:.
1171:^
1161:.
1157:.
1142:^
1130:.
1118:^
1100:)
1014:.
996:38
992:38
974:6.
963:5.
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937:3.
926:2.
915:1.
869:48
865:76
627:9.
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295:'
112:48
108:16
1574:e
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994::
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104:1
20:.
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