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Hauntology (music)

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stated in a 2006 article that "this strand of 'ghostified' music doesn't quite constitute a genre, a scene, or even a network. more of a flavour or atmosphere than a style with boundaries", although in a 2017 article he summarized it as a "largely British genre of eerie electronics fixated on ideas
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as a disruption of time," adding that "nstead of mere repetition, this distance provides a sense of loss and mourning, and revitalizes the potential for a utopianism for the present age". Mark Fisher characterised the hauntology movement as "a sign that 'white' culture can no longer escape the
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mixture of shared but faded cultural memories with sinister undercurrents". Hauntology (along with the hypnagogic movement) was likened to "sonic fictions or intentional forgeries, creating half-baked memories of things that never were—approximating the imprecise nature of memory itself".
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about whether or not to erase the entry on 'Hauntology (musical genre)'. In the end the shadowy cabal... decreed that Hauntology was too ontologically tenuous an entity to qualify for status as proper knowledge. It's the kind of Moebius pretzel of preposterous-yet-faintly-sinister
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Hauntological music is identified with British culture, and was described as an attempt to evoke "a nostalgia for a future that never came to pass, with a vision of a strange, alternate Britain, constituted from the reordered refuse of the
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There are those who say that hauntology's moment has passed... that a good five or six years after the genre-not-genre coalesced, its set of reference points and sonic tropes has been worn threadbare. how can you call time on a genre so
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samples commonly used. Sampling is used to "evoke 'dead presences'" which are transformed into "eerie sonic markers". Artists often mix antique synthesiser tones, acoustic instruments, and digital techniques, as well as
992: 28: 751: 895: 292:, though Penman did not use the phrase "hauntology." In the mid-2000s, the word began to be more widely appropriated by writers and theorists such as Simon Reynolds and 1067: 577: 472:'s terminal time. When the present has given up on the future, we must listen for the relics of the future in the unactivated potentials of the past. 922: 376:– sometimes deployed interchangeably with each other – descended from hauntology. The former is described as an "American cousin" to hauntology. 151:
by academic Adam Harper stated that "auntology is not a genre of art or music, but an aesthetic effect, a way of reading and appreciating art".
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hen cultural innovation has stalled and even gone backwards, one function of hauntology is to keep insisting that there are futures beyond
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Without using either term, Penman's 1995 essay showed that Afrofuturism and hauntology are two sides of the same double-faced phenomenon.
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trend but it can apply to any art concerned with the aesthetics of the past. The trend is often tied to notions of
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cultural sources from the 1940s through the 1970s which lie outside the usual canon of popular music, including
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as hauntology. Fisher attributed this renewed discussion of hauntology to the emergence of lo-fi musician
1133: 851: 693: 1311: 896:"Why Boards of Canada's Music Has the Right to Children Is the Greatest Psychedelic Album of the '90s" 401:. A sense of loss and bereavement is central to the phenomenon, according to theologian Johan Eddebo. 3576: 3537: 2357: 2352: 2123: 1504: 1459: 1576: 1359: 1234: 802: 309: 171: 99: 68: 33: 3527: 1163:
Simpson, J. (2015). "Chapter Three - The Disintegration Loops, Hauntology, & Hypnagogic Pop".
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Several elements of hauntology as a musical style were presaged by Scottish electronic duo
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and aesthetics of the past. It developed in the 2000s primarily among British
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Artists typically use vintage recording devices such as cassettes and
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Hauntological music is stated by academic Sean Albeiz to suggest "an
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stated that "auntology as aesthetics is firmly rooted in the idea of
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Bloomsbury Encyclopedia of Popular Music of the World, Volume 11
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In music, hauntology is predominantly associated with a British
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In music journalism, Derrida's ideas were invoked by critic
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from the 1960s and 1970s. Production often foregrounds the
1134:"The Metaphysics of Crackle: Afrofuturism and Hauntology" 852:"The Metaphysics of Crackle: Afrofuturism and Hauntology" 694:"The Metaphysics of Crackle: Afrofuturism and Hauntology" 456:
temporal disjunctions that have been constitutive of the
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Whiteley, Sheila; Rambarran, Shara (22 January 2016).
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understanding of what is perceived as the tendency of
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Dancecult: Journal of Electronic Dance Music Culture
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untimely? "Consensus to Delete" a/k/a the debate at
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Retromania: Pop Culture's Addiction to its Own Past
47:or a loosely defined stylistic feature that evokes 929: 178:sources. Other British influences include obscure 1519: 676: 648:"A Study of Hauntology in Berbarian Sound Studio" 3613: 1197:"HAUNTOLOGY: the GHOST BOX label (Frieze, 2005)" 86:. In the mid-2000s, it was adapted by theorists 942:. London: Faber & Faber. pp. 333–335. 685: 571: 569: 282:for his 1995 essay on the production style of 1505: 1235: 717:Afrofuturism 2.0: The Rise of Astro-Blackness 147:of decaying memory and lost futures". A 2009 1017: 1015: 745: 743: 566: 36:, a common influence on hauntology artists. 19:For the original philosophical concept, see 1125: 679:The Oxford Handbook of Music and Virtuality 391:The Oxford Handbook of Music and Virtuality 312:, and artists associated with the UK label 1512: 1498: 1242: 1228: 1115:"Is electronic music a threat to culture?" 3587:Music technology (electronic and digital) 1012: 990: 963: 778:"Hauntology: The Past Inside The Present" 740: 641: 639: 637: 635: 397:" rooted in visions of a benevolent post- 1191: 935: 865: 796: 794: 672: 670: 668: 429:inspired an entire monograph by Michel " 320:in the mid-2000s. In a 2006 article for 308:, The Savage Young Taterbug (musician), 27: 1162: 769: 749: 681:. Oxford University Press. p. 412. 608: 606: 604: 602: 600: 598: 534: 532: 530: 528: 526: 524: 522: 520: 518: 516: 170:, and the sonic experimentation of the 3614: 1203: 1131: 1047: 871: 800: 775: 710: 632: 538: 338:as prominent in the trend, along with 78:The term was derived from philosopher 1493: 1223: 1112: 1084: 991:Gabrielle, Timothy (22 August 2010). 969: 791: 665: 460:experience", calling it contemporary 252:was introduced by French philosopher 227:derived from the degraded musical or 138:of older sound sources to evoke deep 1166:William Basinski: Musician Snapshots 893: 612: 595: 575: 513: 379: 342:, the Caretaker, and Mordant Music. 154:Hauntological music draws on varied 1156: 645: 13: 1185: 846: 691: 326:, Reynolds identified Ghost Box's 273: 121: 14: 3648: 3592:Recording studio as an instrument 236:, abstract noise, and industrial 98:, in addition to artists such as 2750:Christian electronic dance music 1113:Evans, Polly (3 February 2017). 1021: 776:Harper, Adam (27 October 2009). 750:Rodgers, Jude (24 August 2019). 545:. Bloomsbury. pp. 347–349. 1106: 1078: 1060: 1041: 984: 915: 887: 840: 1249: 1048:Eddebo, Johan (24 June 2017). 877:"Ariel Pink: Russian roulette" 704: 296:, who referred to the work of 1: 3555:Electronic musical instrument 506: 819:10.1080/03007766.2011.608905 349:. Other progenitors include 243: 223:, including vinyl noise and 174:, as well as electronic and 7: 1213:k-punk.abstractdynamics.org 1085:Sprod, Liam (11 May 2012). 484: 118:descended from hauntology. 71:, often through the use of 10: 3653: 1312:Italian occult psychedelia 970:Weiss, Dan (6 July 2012). 18: 3637:21st-century music genres 3577:Electronics in rock music 3538:Digital audio workstation 3520: 3435: 3294: 3287: 3247: 3016: 2727: 2174: 1887: 1751: 1666: 1559: 1545: 1528: 1460:Revivalism (architecture) 1393: 1332: 1283: 1257: 807:Popular Music and Society 1050:"In search of lost time" 936:Reynolds, Simon (2012). 365:as presaging the genre. 357:. Reynolds also invoked 198:public information films 172:BBC Radiophonic Workshop 84:concept of the same name 69:public information films 34:BBC Radiophonic Workshop 3627:Electronic music genres 3485:Progressive electronica 2525:Intelligent dance music 1653:Sound system (Jamaican) 262:as a term for the post- 1806:List of hip hop genres 1532:Electronic dance music 801:Sexton, Jamie (2012). 474: 443: 221:grain of the recording 162:, film and television 37: 32:Equipment used by the 1968:Electronic body music 1616:Electroacoustic music 1433:Nostalgia consumption 1132:Fisher, Mark (2013). 646:Daniels, Alexandria. 539:Albiez, Sean (2017). 466: 409: 31: 3265:Hyperpop microgenres 1929:Contemporary R&B 711:McLeod, Ken (2015). 53:electronic musicians 2875:Mainstream hardcore 2249:Chopped and screwed 1638:Elektronische Musik 1592:List of rock genres 1523:-based music styles 1207:(17 January 2006). 1195:(15 October 2017). 1074:on 1 December 2021. 713:"Hip Hop Holograms" 336:the Advisory Circle 3084:Kawaii future bass 3064:Deconstructed club 2217:Breakbeat hardcore 2109:Martial industrial 2099:Industrial hip hop 1980:Ethnic electronica 1963:Electro-industrial 1473:Ghost Dance (film) 1286:Hauntology (music) 925:. 8 February 2017. 206:public information 189:I Hear a New World 38: 3609: 3608: 3605: 3604: 3533:Data sonification 3283: 3282: 3270:Plugg microgenres 3255:Breakcore revival 3220:Slowed and reverb 2900:Post-punk revival 2601:Progressive house 2520:Industrial techno 2192:Asian underground 2124:Power electronics 1900:Alternative dance 1759:Afro/cosmic music 1714:Psychedelic music 1487: 1486: 1411:Ghost Box Records 894:Reynolds, Simon. 875:(26 April 2010). 652:Talk Film Society 613:Reynolds, Simon. 576:Reynolds, Simon. 496:Defamiliarization 407:in 2011 remarked, 380:Critical analysis 256:in his 1993 book 210:television idents 168:educational music 3644: 3505:Video game music 3354:Acid house party 3292: 3291: 3239:Weird SoundCloud 3126:Melbourne bounce 2944:Shangaan electro 2505:Harsh noise wall 2264:Digital hardcore 2104:Industrial metal 1724:Psychedelic rock 1719:Psychedelic funk 1709:Progressive rock 1643:Live electronics 1626:Musique concrète 1621:Acousmatic music 1567:Amplified guitar 1557: 1556: 1552:decade of origin 1514: 1507: 1500: 1491: 1490: 1479:Postmodern music 1466:Specters of Marx 1345:Boards of Canada 1244: 1237: 1230: 1221: 1220: 1216: 1209:"Hauntology Now" 1200: 1179: 1178: 1176: 1174: 1160: 1154: 1153: 1151: 1149: 1129: 1123: 1122: 1110: 1104: 1103: 1101: 1099: 1082: 1076: 1075: 1070:. Archived from 1064: 1058: 1057: 1054:Catholic Insight 1045: 1039: 1038: 1036: 1034: 1019: 1010: 1009: 1007: 1005: 988: 982: 981: 967: 961: 960: 958: 956: 933: 927: 926: 919: 913: 912: 910: 908: 891: 885: 884: 869: 863: 862: 844: 838: 837: 835: 833: 798: 789: 788: 786: 784: 773: 767: 766: 764: 762: 747: 738: 737: 735: 733: 708: 702: 701: 689: 683: 682: 674: 663: 662: 660: 658: 643: 630: 629: 627: 625: 610: 593: 592: 590: 588: 573: 564: 563: 561: 559: 536: 462:electronic music 414:self-consciously 347:Boards of Canada 302:William Basinski 259:Specters of Marx 202:school textbooks 180:musique concrète 128:electronic music 3652: 3651: 3647: 3646: 3645: 3643: 3642: 3641: 3612: 3611: 3610: 3601: 3516: 3453:Chill-out music 3431: 3279: 3243: 3012: 2723: 2586:Nu skool breaks 2170: 1883: 1818:Industrial rock 1747: 1689:Electronic rock 1662: 1577:Hawaiian guitar 1550: 1541: 1524: 1518: 1488: 1483: 1438:Remnant (Bible) 1401:Cultural memory 1389: 1380:Position Normal 1328: 1279: 1265:Jacques Derrida 1253: 1248: 1193:Reynolds, Simon 1188: 1186:Further reading 1183: 1182: 1172: 1170: 1161: 1157: 1147: 1145: 1130: 1126: 1111: 1107: 1097: 1095: 1083: 1079: 1066: 1065: 1061: 1046: 1042: 1032: 1030: 1020: 1013: 1003: 1001: 989: 985: 968: 964: 954: 952: 950: 934: 930: 921: 920: 916: 906: 904: 901:Pitchfork Media 892: 888: 870: 866: 845: 841: 831: 829: 799: 792: 782: 780: 774: 770: 760: 758: 748: 741: 731: 729: 727: 709: 705: 690: 686: 675: 666: 656: 654: 644: 633: 623: 621: 611: 596: 586: 584: 574: 567: 557: 555: 553: 537: 514: 509: 487: 431:Power/Knowledge 382: 363:Position Normal 328:the Focus Group 276: 274:1990s and 2000s 254:Jacques Derrida 246: 140:cultural memory 124: 122:Characteristics 110:. Music genres 80:Jacques Derrida 49:cultural memory 24: 17: 12: 11: 5: 3650: 3640: 3639: 3634: 3632:2000s in music 3629: 3624: 3607: 3606: 3603: 3602: 3600: 3599: 3594: 3589: 3584: 3579: 3574: 3573: 3572: 3567: 3562: 3552: 3551: 3550: 3540: 3535: 3530: 3524: 3522: 3518: 3517: 3515: 3514: 3513: 3512: 3510:Adaptive music 3502: 3497: 3492: 3487: 3482: 3477: 3472: 3467: 3462: 3461: 3460: 3450: 3445: 3439: 3437: 3433: 3432: 3430: 3429: 3428: 3427: 3422: 3412: 3411: 3410: 3405: 3400: 3398:Plunderphonics 3390: 3385: 3384: 3383: 3382: 3381: 3371: 3366: 3361: 3356: 3346: 3341: 3336: 3331: 3330: 3329: 3324: 3319: 3309: 3304: 3298: 3296: 3289: 3285: 3284: 3281: 3280: 3278: 3277: 3272: 3267: 3262: 3257: 3251: 3249: 3245: 3244: 3242: 3241: 3236: 3235: 3234: 3224: 3223: 3222: 3217: 3212: 3202: 3200:Tropical house 3197: 3192: 3187: 3182: 3177: 3176: 3175: 3173:Riddim (genre) 3170: 3160: 3155: 3153:Outsider house 3150: 3145: 3144: 3143: 3138: 3128: 3123: 3118: 3113: 3108: 3103: 3098: 3093: 3088: 3087: 3086: 3076: 3071: 3066: 3061: 3056: 3054:Brazilian bass 3051: 3046: 3044:Big room house 3041: 3036: 3031: 3026: 3020: 3018: 3014: 3013: 3011: 3010: 3005: 3000: 2995: 2993:Vocaloid music 2990: 2989: 2988: 2978: 2973: 2968: 2963: 2962: 2961: 2951: 2946: 2941: 2936: 2931: 2930: 2929: 2924: 2914: 2909: 2908: 2907: 2897: 2892: 2887: 2882: 2877: 2872: 2867: 2862: 2857: 2856: 2855: 2850: 2843:Hypnagogic pop 2840: 2835: 2834: 2833: 2823: 2818: 2813: 2812: 2811: 2806: 2801: 2791: 2790: 2789: 2779: 2774: 2773: 2772: 2762: 2757: 2752: 2747: 2742: 2737: 2731: 2729: 2725: 2724: 2722: 2721: 2720: 2719: 2714: 2704: 2703: 2702: 2697: 2692: 2682: 2681: 2680: 2675: 2670: 2665: 2660: 2655: 2650: 2645: 2640: 2635: 2630: 2620: 2619: 2618: 2608: 2603: 2598: 2593: 2588: 2583: 2578: 2577: 2576: 2566: 2565: 2564: 2557:Minimal techno 2554: 2549: 2544: 2539: 2534: 2533: 2532: 2530:Drill 'n' bass 2522: 2517: 2512: 2507: 2502: 2501: 2500: 2495: 2490: 2485: 2484: 2483: 2481:Lento violento 2473: 2468: 2463: 2458: 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1842: 1837: 1827: 1822: 1821: 1820: 1810: 1809: 1808: 1798: 1793: 1788: 1783: 1778: 1773: 1768: 1767: 1766: 1755: 1753: 1749: 1748: 1746: 1745: 1744: 1743: 1733: 1732: 1731: 1726: 1721: 1711: 1706: 1701: 1696: 1691: 1686: 1681: 1676: 1670: 1668: 1664: 1663: 1661: 1660: 1655: 1650: 1645: 1640: 1635: 1634: 1633: 1628: 1623: 1613: 1611:Computer music 1608: 1603: 1602: 1601: 1596: 1595: 1594: 1584: 1579: 1574: 1572:Electric blues 1563: 1561: 1554: 1543: 1542: 1529: 1526: 1525: 1517: 1516: 1509: 1502: 1494: 1485: 1484: 1482: 1481: 1476: 1469: 1462: 1457: 1456: 1455: 1450: 1440: 1435: 1430: 1425: 1420: 1419: 1418: 1408: 1406:Eternal return 1403: 1397: 1395: 1391: 1390: 1388: 1387: 1382: 1377: 1372: 1367: 1362: 1357: 1352: 1347: 1342: 1336: 1334: 1330: 1329: 1327: 1326: 1325: 1324: 1314: 1309: 1308: 1307: 1302: 1295:Hypnagogic pop 1291: 1289: 1284:Music genres ( 1281: 1280: 1278: 1277: 1275:Simon Reynolds 1272: 1267: 1261: 1259: 1255: 1254: 1247: 1246: 1239: 1232: 1224: 1218: 1217: 1201: 1187: 1184: 1181: 1180: 1155: 1124: 1105: 1077: 1059: 1040: 1011: 983: 962: 949:978-0571232093 948: 928: 914: 886: 864: 839: 813:(4): 561–584. 790: 768: 739: 725: 703: 692:Fisher, Mark. 684: 664: 631: 594: 565: 551: 511: 510: 508: 505: 504: 503: 498: 493: 491:Deconstruction 486: 483: 445:Liam Sprod of 405:Simon Reynolds 387:postwar period 381: 378: 370:hypnagogic pop 275: 272: 245: 242: 182:composers and 144:Simon Reynolds 123: 120: 112:hypnagogic pop 88:Simon Reynolds 59:, film and TV 15: 9: 6: 4: 3: 2: 3649: 3638: 3635: 3633: 3630: 3628: 3625: 3623: 3620: 3619: 3617: 3598: 3595: 3593: 3590: 3588: 3585: 3583: 3580: 3578: 3575: 3571: 3568: 3566: 3563: 3561: 3558: 3557: 3556: 3553: 3549: 3546: 3545: 3544: 3541: 3539: 3536: 3534: 3531: 3529: 3526: 3525: 3523: 3519: 3511: 3508: 3507: 3506: 3503: 3501: 3500:Sound collage 3498: 3496: 3493: 3491: 3488: 3486: 3483: 3481: 3478: 3476: 3473: 3471: 3468: 3466: 3463: 3459: 3456: 3455: 3454: 3451: 3449: 3448:Celtic fusion 3446: 3444: 3441: 3440: 3438: 3434: 3426: 3423: 3421: 3418: 3417: 3416: 3413: 3409: 3406: 3404: 3401: 3399: 3396: 3395: 3394: 3391: 3389: 3386: 3380: 3377: 3376: 3375: 3372: 3370: 3367: 3365: 3362: 3360: 3359:Circuit party 3357: 3355: 3352: 3351: 3350: 3347: 3345: 3342: 3340: 3337: 3335: 3332: 3328: 3325: 3323: 3320: 3318: 3315: 3314: 3313: 3310: 3308: 3305: 3303: 3300: 3299: 3297: 3293: 3290: 3286: 3276: 3273: 3271: 3268: 3266: 3263: 3261: 3258: 3256: 3253: 3252: 3250: 3246: 3240: 3237: 3233: 3230: 3229: 3228: 3225: 3221: 3218: 3216: 3213: 3211: 3208: 3207: 3206: 3203: 3201: 3198: 3196: 3193: 3191: 3188: 3186: 3183: 3181: 3178: 3174: 3171: 3169: 3166: 3165: 3164: 3161: 3159: 3156: 3154: 3151: 3149: 3146: 3142: 3139: 3137: 3134: 3133: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3111:Jungle terror 3109: 3107: 3104: 3102: 3099: 3097: 3094: 3092: 3089: 3085: 3082: 3081: 3080: 3077: 3075: 3072: 3070: 3067: 3065: 3062: 3060: 3057: 3055: 3052: 3050: 3047: 3045: 3042: 3040: 3037: 3035: 3032: 3030: 3027: 3025: 3022: 3021: 3019: 3015: 3009: 3006: 3004: 3001: 2999: 2996: 2994: 2991: 2987: 2984: 2983: 2982: 2979: 2977: 2974: 2972: 2969: 2967: 2964: 2960: 2957: 2956: 2955: 2952: 2950: 2947: 2945: 2942: 2940: 2937: 2935: 2932: 2928: 2925: 2923: 2920: 2919: 2918: 2915: 2913: 2910: 2906: 2903: 2902: 2901: 2898: 2896: 2893: 2891: 2888: 2886: 2883: 2881: 2878: 2876: 2873: 2871: 2868: 2866: 2863: 2861: 2858: 2854: 2851: 2849: 2846: 2845: 2844: 2841: 2839: 2836: 2832: 2829: 2828: 2827: 2824: 2822: 2821:Future garage 2819: 2817: 2816:Electronicore 2814: 2810: 2807: 2805: 2802: 2800: 2797: 2796: 2795: 2794:Electro house 2792: 2788: 2785: 2784: 2783: 2780: 2778: 2777:Dancehall pop 2775: 2771: 2768: 2767: 2766: 2763: 2761: 2758: 2756: 2753: 2751: 2748: 2746: 2743: 2741: 2738: 2736: 2733: 2732: 2730: 2726: 2718: 2715: 2713: 2710: 2709: 2708: 2707:UK hard house 2705: 2701: 2698: 2696: 2693: 2691: 2688: 2687: 2686: 2683: 2679: 2676: 2674: 2671: 2669: 2666: 2664: 2661: 2659: 2656: 2654: 2651: 2649: 2646: 2644: 2641: 2639: 2636: 2634: 2631: 2629: 2626: 2625: 2624: 2621: 2617: 2614: 2613: 2612: 2609: 2607: 2604: 2602: 2599: 2597: 2594: 2592: 2589: 2587: 2584: 2582: 2579: 2575: 2574:Electro swing 2572: 2571: 2570: 2567: 2563: 2560: 2559: 2558: 2555: 2553: 2550: 2548: 2545: 2543: 2540: 2538: 2535: 2531: 2528: 2527: 2526: 2523: 2521: 2518: 2516: 2513: 2511: 2508: 2506: 2503: 2499: 2496: 2494: 2491: 2489: 2486: 2482: 2479: 2478: 2477: 2474: 2472: 2469: 2467: 2464: 2462: 2459: 2457: 2454: 2452: 2451:Bouncy techno 2449: 2447: 2444: 2443: 2442: 2439: 2437: 2434: 2430: 2427: 2425: 2422: 2421: 2420: 2417: 2415: 2412: 2410: 2407: 2403: 2400: 2399: 2398: 2395: 2393: 2390: 2388: 2385: 2383: 2382:Dungeon synth 2380: 2378: 2375: 2369: 2366: 2364: 2361: 2359: 2356: 2354: 2351: 2350: 2348: 2344: 2341: 2340: 2339: 2336: 2332: 2329: 2327: 2324: 2322: 2319: 2317: 2314: 2313: 2311: 2310: 2309: 2308:Drum and bass 2306: 2302: 2299: 2297: 2294: 2292: 2291:Bristol sound 2289: 2288: 2287: 2284: 2280: 2277: 2276: 2275: 2272: 2270: 2267: 2265: 2262: 2260: 2257: 2255: 2252: 2250: 2247: 2245: 2242: 2240: 2237: 2233: 2230: 2228: 2225: 2223: 2220: 2219: 2218: 2215: 2213: 2210: 2208: 2205: 2203: 2200: 2198: 2195: 2193: 2190: 2188: 2185: 2183: 2180: 2179: 2177: 2173: 2167: 2166:Tracker music 2164: 2160: 2157: 2155: 2152: 2150: 2147: 2146: 2145: 2142: 2140: 2137: 2135: 2132: 2130: 2127: 2125: 2122: 2120: 2117: 2115: 2112: 2110: 2107: 2105: 2102: 2100: 2097: 2093: 2090: 2088: 2085: 2083: 2080: 2078: 2075: 2073: 2070: 2068: 2065: 2063: 2060: 2058: 2055: 2053: 2050: 2048: 2045: 2043: 2042:Balearic beat 2040: 2038: 2035: 2033: 2030: 2029: 2028: 2025: 2023: 2020: 2018: 2015: 2013: 2010: 2006: 2003: 2001: 1998: 1996: 1993: 1991: 1988: 1986: 1983: 1982: 1981: 1978: 1976: 1973: 1969: 1966: 1965: 1964: 1961: 1957: 1954: 1953: 1952: 1949: 1947: 1944: 1942: 1939: 1935: 1932: 1931: 1930: 1927: 1923: 1920: 1919: 1918: 1915: 1913: 1910: 1906: 1903: 1902: 1901: 1898: 1896: 1893: 1892: 1890: 1886: 1880: 1877: 1875: 1874:Reggae fusion 1872: 1868: 1865: 1863: 1860: 1858: 1855: 1854: 1853: 1850: 1846: 1843: 1841: 1838: 1836: 1833: 1832: 1831: 1828: 1826: 1823: 1819: 1816: 1815: 1814: 1811: 1807: 1804: 1803: 1802: 1799: 1797: 1794: 1792: 1789: 1787: 1784: 1782: 1779: 1777: 1774: 1772: 1769: 1765: 1762: 1761: 1760: 1757: 1756: 1754: 1750: 1742: 1739: 1738: 1737: 1734: 1730: 1727: 1725: 1722: 1720: 1717: 1716: 1715: 1712: 1710: 1707: 1705: 1704:New-age music 1702: 1700: 1697: 1695: 1692: 1690: 1687: 1685: 1682: 1680: 1677: 1675: 1672: 1671: 1669: 1665: 1659: 1658:Space age pop 1656: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1636: 1632: 1629: 1627: 1624: 1622: 1619: 1618: 1617: 1614: 1612: 1609: 1607: 1604: 1600: 1599:Western swing 1597: 1593: 1590: 1589: 1588: 1585: 1583: 1580: 1578: 1575: 1573: 1570: 1569: 1568: 1565: 1564: 1562: 1558: 1555: 1553: 1548: 1544: 1540: 1539: 1534: 1533: 1527: 1522: 1515: 1510: 1508: 1503: 1501: 1496: 1495: 1492: 1480: 1477: 1475: 1474: 1470: 1468: 1467: 1463: 1461: 1458: 1454: 1451: 1449: 1448:Retrofuturism 1446: 1445: 1444: 1441: 1439: 1436: 1434: 1431: 1429: 1426: 1424: 1423:Library music 1421: 1417: 1416:main template 1414: 1413: 1412: 1409: 1407: 1404: 1402: 1399: 1398: 1396: 1392: 1386: 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1366: 1365:James Ferraro 1363: 1361: 1360:The Caretaker 1358: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1337: 1335: 1331: 1323: 1322:main template 1320: 1319: 1318: 1315: 1313: 1310: 1306: 1303: 1301: 1298: 1297: 1296: 1293: 1292: 1290: 1287: 1282: 1276: 1273: 1271: 1268: 1266: 1263: 1262: 1260: 1256: 1252: 1245: 1240: 1238: 1233: 1231: 1226: 1225: 1222: 1214: 1210: 1206: 1202: 1198: 1194: 1190: 1189: 1168: 1167: 1159: 1143: 1139: 1135: 1128: 1120: 1116: 1109: 1094: 1093: 1092:3:AM Magazine 1088: 1081: 1073: 1069: 1063: 1055: 1051: 1044: 1029: 1028:Ceasefire Mag 1025: 1022:Bell, David. 1018: 1016: 1000: 999: 994: 987: 979: 978: 973: 966: 951: 945: 941: 940: 932: 924: 918: 903: 902: 897: 890: 882: 878: 874: 868: 861: 857: 853: 849: 843: 828: 824: 820: 816: 812: 808: 804: 797: 795: 779: 772: 757: 753: 746: 744: 728: 726:9781498510516 722: 719:. Lexington. 718: 714: 707: 699: 695: 688: 680: 673: 671: 669: 653: 649: 642: 640: 638: 636: 620: 616: 609: 607: 605: 603: 601: 599: 583: 579: 572: 570: 554: 552:9781501326103 548: 544: 543: 535: 533: 531: 529: 527: 525: 523: 521: 519: 517: 512: 502: 499: 497: 494: 492: 489: 488: 482: 479: 473: 471: 470:postmodernity 465: 463: 459: 458:Afrodiasporic 454: 450: 449: 448:3:AM Magazine 442: 440: 439:Archive Fever 436: 432: 428: 424: 419: 415: 408: 406: 402: 400: 399:welfare state 396: 392: 388: 377: 375: 371: 368:Music genres 366: 364: 361:-based group 360: 356: 352: 348: 343: 341: 337: 333: 329: 325: 324: 319: 315: 311: 310:The Caretaker 307: 303: 299: 295: 291: 290: 285: 281: 271: 269: 265: 261: 260: 255: 251: 241: 239: 235: 230: 226: 222: 218: 213: 211: 208:posters, and 207: 203: 199: 195: 192:, as well as 191: 190: 185: 181: 177: 173: 169: 165: 161: 160:library music 157: 152: 150: 145: 141: 137: 133: 132:retrofuturism 129: 119: 117: 113: 109: 105: 101: 100:the Caretaker 97: 93: 89: 85: 81: 76: 74: 70: 66: 62: 58: 57:library music 54: 50: 46: 42: 35: 30: 26: 22: 16:Musical genre 3560:Drum machine 3470:Doujin music 3458:Lounge music 3415:Street dance 3369:EDM festival 3322:Sound system 3288:Other topics 3163:Post-dubstep 3116:Lofi hip hop 3091:Future house 2917:Reductionism 2885:Nintendocore 2837: 2809:Fidget house 2760:CoupĂ©-dĂ©calĂ© 2700:Speed garage 2515:Indietronica 2419:Ghetto house 2397:French house 2387:Electroclash 2343:Ragga jungle 2254:Dark electro 2154:Bleep techno 2134:Sophisti-pop 2072:Jersey sound 1985:Funk carioca 1941:Dark ambient 1845:Minimal wave 1536: 1530: 1471: 1464: 1394:Other topics 1285: 1212: 1205:Fisher, Mark 1171:. Retrieved 1165: 1158: 1146:. Retrieved 1141: 1137: 1127: 1118: 1108: 1096:. Retrieved 1090: 1080: 1072:the original 1062: 1053: 1043: 1031:. Retrieved 1027: 1002:. Retrieved 996: 986: 975: 965: 953:. Retrieved 938: 931: 917: 905:. Retrieved 899: 889: 880: 873:Fisher, Mark 867: 859: 855: 848:Fisher, Mark 842: 830:. Retrieved 810: 806: 781:. Retrieved 771: 759:. Retrieved 756:The Guardian 755: 730:. Retrieved 716: 706: 697: 687: 678: 655:. Retrieved 651: 622:. Retrieved 618: 585:. Retrieved 581: 556:. Retrieved 541: 475: 467: 446: 444: 437:or Jacques " 410: 403: 390: 383: 367: 344: 332:Belbury Poly 321: 287: 277: 257: 249: 247: 234:found sounds 217:synthesisers 214: 187: 153: 125: 77: 40: 39: 25: 3570:Synthesizer 3475:Lo-fi music 3420:House dance 3403:Rare groove 3327:Turntablism 3312:Disc jockey 3260:Drift phonk 3141:Moombahsoul 3136:Moombahcore 3096:Future soul 3079:Future bass 3074:Funktronica 3059:Bro-country 2998:Witch house 2966:Tecno brega 2860:Jersey club 2804:Dutch house 2658:Progressive 2596:Power noise 2542:Livetronica 2392:Folktronica 2368:Liquid funk 2358:Intelligent 2353:Atmospheric 2244:Changa tuki 2239:Broken beat 2182:Ambient dub 2149:Acid techno 2139:Synth-metal 2000:Tecnocumbia 1912:Ambient pop 1867:Italo disco 1786:Electropunk 1764:Space disco 1736:Space music 1729:Sampledelia 1538:Electronica 1443:Retro style 1428:Lo-fi music 1385:Nick Nicely 1375:Philip Jeck 1270:Mark Fisher 298:Philip Jeck 294:Mark Fisher 229:spoken word 194:psychedelia 164:soundtracks 108:Philip Jeck 92:Mark Fisher 65:psychedelia 61:soundtracks 45:music genre 3622:Hauntology 3616:Categories 3543:Drum break 3490:Rave music 3480:Madchester 3443:Bass music 3425:Rave dance 3374:Free party 3339:Microgenre 3210:Hardvapour 3148:Mumble rap 3131:Moombahton 3121:Mahraganat 3049:Black MIDI 2959:Sovietwave 2934:Russ music 2865:Juke house 2838:Hauntology 2799:Complextro 2787:Reggaestep 2552:Microhouse 2547:Merenhouse 2466:Frenchcore 2461:Free tekno 2429:Ghettotech 2377:Dub techno 2274:Diva house 2269:Disco polo 2259:Denpa song 2202:Bhangragga 2114:Miami bass 2005:Turbo-folk 1975:Electropop 1946:Dubtronica 1862:Dance-rock 1857:Dance-punk 1852:Post-disco 1813:Industrial 1791:Euro disco 1741:Space rock 1631:Tape music 1521:Electronic 1340:Ariel Pink 1251:Hauntology 1173:14 January 1148:13 January 1098:14 January 1004:10 January 998:PopMatters 955:4 February 856:Dance Cult 832:10 January 783:13 January 732:14 January 698:Dance Cult 657:10 January 624:10 January 587:14 January 558:10 January 507:References 427:could have 395:utopianism 351:Portishead 318:Ariel Pink 289:Maxinquaye 280:Ian Penman 250:hauntology 176:folk music 41:Hauntology 21:Hauntology 3344:Nightclub 3307:Club drug 3302:Beat drop 3205:Vaporwave 3180:Rara tech 3069:Dreampunk 3024:Afroswing 3008:Wonky pop 2954:Synthwave 2922:Lowercase 2880:Nightcore 2870:Jumpstyle 2848:Chillwave 2770:Crunkcore 2755:Cloud rap 2735:Afrobeats 2695:Breakstep 2685:UK garage 2673:Uplifting 2611:Reggaeton 2591:Post-rock 2537:Kidandali 2498:Speedcore 2476:Hardstyle 2456:Breakcore 2414:Futurepop 2326:Neurofunk 2286:Downtempo 2077:Hip house 2017:Eurodance 1956:Freestyle 1917:Breakbeat 1895:Acid jazz 1879:Synth-pop 1840:Dark wave 1835:Cold wave 1825:Japanoise 1781:Dancehall 1699:Krautrock 1694:Jazz-funk 1370:I Monster 1350:Broadcast 1333:Musicians 1317:Vaporwave 1300:Chillwave 1033:17 August 977:LA Weekly 827:191619593 761:24 August 582:Pitchfork 501:Nostalgia 453:nostalgia 423:discourse 418:Knowledge 374:chillwave 355:I Monster 340:Broadcast 314:Ghost Box 286:'s album 268:Karl Marx 248:The term 244:Etymology 225:tape hiss 186:'s album 149:blog post 142:. Critic 116:chillwave 96:Ghost Box 3597:Waveform 3393:Sampling 3379:Teknival 3232:Hardwave 3215:Mallsoft 3195:EDM trap 3190:Shamstep 3101:Hyperpop 3034:Amapiano 3029:Algorave 2986:Funkstep 2981:UK funky 2927:Onkyokei 2905:New rave 2740:Bassline 2717:Hard NRG 2712:Hardbass 2648:Hands Up 2633:Balearic 2581:Nu metal 2562:Schaffel 2510:Illbient 2441:Hardcore 2424:Footwork 2402:Nu disco 2363:Jazzstep 2331:Techstep 2321:Hardstep 2316:Darkstep 2301:Trip hop 2296:Psybient 2222:Darkcore 2207:Big beat 2119:New beat 2012:Eurobeat 1830:New wave 1776:Chiptune 1606:Biomusic 619:The Wire 485:See also 435:Foucault 323:The Wire 184:Joe Meek 136:sampling 73:sampling 3565:Sampler 3295:Culture 3185:Seapunk 3168:Brostep 2976:UK bass 2939:Sambass 2912:Rabòday 2831:Grindie 2782:Dubstep 2569:Nu jazz 2279:Hardbag 2047:Chicago 2037:Ambient 1951:Electro 1801:Hip hop 1674:Ambient 1453:Vintage 1258:Writers 1144:(2): 42 1119:Varsity 907:3 April 478:uncanny 264:Marxist 156:postwar 3495:Reggae 3436:Genres 3408:Riddim 3334:Mashup 3317:DJ mix 3039:Azonto 2971:Trival 2949:Skweee 2890:Nortec 2853:Glo-fi 2745:Budots 2690:2-step 2623:Trance 2616:Dembow 2606:Psydub 2493:Mákina 2488:J-core 2471:Gabber 2436:Glitch 2409:Funkot 2349:Light 2338:Jungle 2312:Heavy 2212:Bitpop 2144:Techno 2092:Tribal 2057:Garage 1995:Kwaito 1990:Kuduro 1796:Hi-NRG 1771:Boogie 1547:Genres 1355:Burial 1305:Glo-fi 946:  825:  723:  549:  359:sample 306:Burial 284:Tricky 238:drones 106:, and 104:Burial 67:, and 3521:Tools 3465:Disco 3388:Remix 3248:2020s 3158:Plugg 3017:2010s 3003:Wonky 2895:Phonk 2826:Grime 2765:Crunk 2728:2000s 2678:Vocal 2638:Dream 2175:1990s 2129:Ragga 2082:Latin 2067:Italo 2062:Funky 2027:House 2022:Grebo 1905:Baggy 1888:1980s 1752:1970s 1679:Drone 1667:1960s 1648:Noise 1560:Early 823:S2CID 425:that 389:" by 43:is a 3582:MIDI 3548:List 3528:Bass 3364:Doof 3349:Rave 3275:Rage 3227:Wave 3106:Gqom 2668:Tech 2653:Hard 2628:Acid 2087:Tech 2052:Deep 2032:Acid 1587:Rock 1582:JĂąjĂş 1175:2020 1150:2020 1100:2020 1035:2016 1006:2020 957:2019 944:ISBN 909:2018 881:Fact 834:2020 785:2020 763:2019 734:2020 721:ISBN 659:2020 626:2020 589:2020 560:2020 547:ISBN 372:and 353:and 196:and 114:and 90:and 2663:Psy 2643:Goa 1684:Dub 815:doi 82:'s 3618:: 1549:by 1535:· 1211:. 1140:. 1136:. 1117:. 1089:. 1052:. 1026:. 1014:^ 995:. 974:. 898:. 879:. 858:. 854:. 850:. 821:. 811:35 809:. 805:. 793:^ 754:. 742:^ 715:. 696:. 667:^ 650:. 634:^ 617:. 597:^ 580:. 568:^ 515:^ 433:" 334:, 330:, 304:, 300:, 240:. 212:. 204:, 166:, 102:, 75:. 63:, 1513:e 1506:t 1499:v 1288:) 1243:e 1236:t 1229:v 1215:. 1199:. 1177:. 1152:. 1142:5 1121:. 1102:. 1056:. 1037:. 1008:. 980:. 959:. 911:. 883:. 836:. 817:: 787:. 765:. 736:. 700:. 661:. 628:. 591:. 562:. 23:.

Index

Hauntology

BBC Radiophonic Workshop
music genre
cultural memory
electronic musicians
library music
soundtracks
psychedelia
public information films
sampling
Jacques Derrida
concept of the same name
Simon Reynolds
Mark Fisher
Ghost Box
the Caretaker
Burial
Philip Jeck
hypnagogic pop
chillwave
electronic music
retrofuturism
sampling
cultural memory
Simon Reynolds
blog post
postwar
library music
soundtracks

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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