31:
644:
renamed its year-end poll from
Records of the Year to Releases of the Year, Reynolds has cast several votes for songs rather than album-length releases. Reynold's full voting ballots and year-end commentaries for a variety of magazines, going back to the late 1980s, can be found at Reynolds's
472:, a critical investigation into what he perceives as the current situation of chronic retrogression in pop music, with a focus on the effects of the internet and digital culture on music consumption and musical creativity.
1536:
494:
In addition to writing books, Reynolds has continued freelancing for magazines, giving lectures, writing liner notes, and appearing in music documentaries. He resides in
453:
in the UK, a collection of his writing themed around the relationship between white bohemian rock and black street music. In 2008, an updated edition of
2558:
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1613:
1327:
441:
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282:, as well as the unadventurous style and approach of most music criticism. Pieces from this late Eighties era would form the remixed collection
457:
was published, with new chapters on the decade of dance music following the appearance of the first edition. In 2009, a companion volume to
2538:
1782:
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1783:
Review of JAY-Z, Vol. 3... Life and Times of S.Carter / DMX, And Then There Was X / JUVENILE, Tha G-Code /THE LOX, We Are The
Streets
1907:
206:. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended
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and its relationship to various musical developments and movements. In the 2000s, in tandem with fellow critic and blogger
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continuum" along with its surrounding culture such as pirate radio. Much of this writing was later published in
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and popular art preoccupied with the disjointed temporality and "lost futures" of contemporary culture.
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writer, splitting his time between London and New York. In the early 1990s, he became involved in
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2007:
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1444:
Shock and Awe: Glam Rock and Its Legacy, from the
Seventies to the Twenty-First Century
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colleagues set themselves in opposition to what they characterized as the conservative
153:
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403:, a critical analysis of gender in rock. In 1998 Reynolds became a senior editor at
348:. The book was published that same year in America in abridged form, with the title
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586:, a group he credits with "a lot of music energy". Reynolds has also written about
574:. In discussing the relationship between class and music, Reynolds coined the term
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302:(although he would continue to contribute to the magazine until 1996) and became a
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in relation to music and culture. Early in his career, Reynolds often made use of
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213:. After graduating, in 1984 he co-founded the Oxford-based pop culture journal
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in his analysis of music, deriving particular influence from thinkers such as
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Reynolds has voted in a number of year-end critics' polls, most often for
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In Pazz & Jop, Reynolds allocated equal points to both albums. In
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In Pazz & Jop, Reynolds allocated equal points to both albums. In
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on the development of what he would later conceptualise as the "
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1368:
Bring The Noise: 20 Years of
Writing About Hip Rock and Hip-Hop
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Bring the Noise: 20 Years of
Writing about Hip Rock and Hip Hop
367:
and then in a more developed form in a May 1994 thinkpiece for
345:
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199:
56:
1826:
The
Guardian - Hauntology: A not-so-new critical manifestation
136:
and published a number of books on music and popular culture.
2450:. No. 431. London. January 2020. p. 34 – via
2423:. No. 419. London. January 2019. p. 37 – via
2396:. No. 407. London. January 2018. p. 37 – via
2342:. No. 383. London. January 2016. p. 37 – via
2315:. No. 371. London. January 2015. p. 37 – via
2288:. No. 359. London. January 2014. p. 35 – via
2261:. No. 347. London. January 2013. p. 35 – via
2234:. No. 323. London. January 2011. p. 49 – via
2207:. No. 311. London. January 2010. p. 49 – via
2150:. No. 299. London. January 2009. p. 37 – via
2123:. No. 287. London. January 2008. p. 49 – via
2096:. No. 275. London. January 2007. p. 49 – via
2069:. No. 263. London. January 2006. p. 51 – via
2042:. No. 251. London. January 2005. p. 49 – via
2015:. No. 239. London. January 2004. p. 49 – via
1988:. No. 227. London. January 2003. p. 55 – via
1961:. No. 215. London. January 2002. p. 49 – via
1934:. No. 203. London. January 2001. p. 43 – via
1462:
k-punk: The
Collected and Unpublished Writings of Mark Fisher
1290:
Generation
Ecstasy: Into the World of Techno and Rave Culture
1180:
350:
Generation
Ecstasy: Into the World of Techno and Rave Culture
1798:
Perfect Sound
Forever: Simon Reynolds interview on post-punk
1269:
Energy Flash: A Journey Through Rave Music and Dance Culture
409:
magazine in the US. In 1999, he returned to freelance work.
325:
Energy Flash: a Journey Through Rave Music and Dance Culture
1788:, May 2000 (online copy at Reynolds "Bring The Noise" blog)
1102:
307:
234:, where his writing was marked by enthusiasm for a wave of
1518:
in collaboration with Dia Center for the Arts (1999).
510:
with music journalism. He has written extensively on
355:
During this time, he also theorized the concept of "
1480:
Futuromania: Electronic Dreams from Moroder to Migos
1249:
The Sex Revolts: Gender, Rebellion and Rock 'N' Roll
401:
The Sex Revolts: Gender, Rebellion and Rock 'n' Roll
289:
189:
1424:
Retromania: Pop Culture's Addiction to Its Own Past
470:
Retromania: Pop Culture's Addiction to Its Own Past
465:, containing interview transcripts and new essays.
2472:(1998). Compiled by Simon Reynolds. Not on Label .
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1810:High society - Irvine Welsh's film 'Trainspotting'
1510:Stars Don't Stand Still in the Sky: Music and Myth
475:
2486:(November 17, 2006). Compiled by Simon Reynolds.
1699:Inventory: 17 Essential Books About Popular Music
1388:Totally Wired: Post-Punk Interviews and Overviews
314:scene, particularly that of the UK, and became a
242:artists that emerged in the mid-1980s (including
2520:
463:Totally Wired: Postpunk Interviews and Overviews
416:was published, with new material on the rise of
2483:Rip It Up and Start Again (Post Punk 1978-1984)
2369:. No. 395. London. p. 35 – via
984:, which does not allow tie votes, he voted for
1464:. Edited, with a foreword, by Darren Ambrose.
387:magazine. In late 1994, Reynolds moved to the
132:in the mid-1980s. He subsequently worked as a
1614:Rip It Up and Start Again: Postpunk 1978–1984
1566:
1564:
1562:
1560:
1328:Rip It Up and Start Again: Postpunk 1978–1984
442:Rip It Up and Start Again: Postpunk 1978–1984
2513:– biography and list of articles by Reynolds
1756:"From Bowie to Gaga: How Glam Rock Lives On"
1514:Edited by Karen Kelly and Evelyn McDonnell.
996:Tie: Rangers / Ariel Pink's Haunted Graffiti
2177:"Pazz & Jop Statistics: Simon Reynolds"
1580:
1578:
1505:"Ecstasy is a Science: Techno-romanticism."
2227:"2010 Rewind: Records of the Year Top Ten"
2200:"2009 Rewind: Records of the Year Top Ten"
2170:
2168:
2166:
2164:
2143:"2008 Rewind: Records of the Year Top Ten"
2116:"2007 Rewind: Records of the Year Top Ten"
1571:ReadySteadyBook - Simon Reynolds Interview
1557:
746:Reynolds's blog (collecting writings from
609:
225:along with Hilary Little and Chris Scott.
29:
1747:
483:Reynolds's eighth book, a history of the
2559:English expatriates in the United States
2549:California Institute of the Arts faculty
1905:
1889:, 1995 - End of Year Comments and Votes"
1882:
1866:, 1995 - End of Year Comments and Votes"
1859:
1836:
1666:
1641:
1607:
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1218:
262:). During this period, Reynolds and his
2589:People from the East Village, Manhattan
2161:
1601:
1596:Worth Their Wait | Features | Pitchfork
489:Shock and Awe: Glam Rock and Its Legacy
420:to worldwide popularity and the EDM or
381:, published in the March 1994 issue of
2521:
228:In 1986, Reynolds joined the staff of
2089:"Rewind 2006: 50 Records of the Year"
2062:"2005 Rewind: 50 Records of the Year"
2035:"2004 Rewind: 50 Records of the Year"
2008:"2003 Rewind: 50 Records of the Year"
1981:"Rewind 2002: 50 Records of the Year"
1954:"2001 Rewind: 50 Records of the Year"
1927:"Rewind 2000: 50 Records of the Year"
1530:
412:In 2013, a second expanded update of
2174:
1906:Reynolds, Simon (16 December 2008).
1883:Reynolds, Simon (14 December 2008).
1860:Reynolds, Simon (14 December 2008).
1837:Reynolds, Simon (14 December 2008).
298:In 1990, Reynolds left the staff of
2539:Alumni of Brasenose College, Oxford
1660:
570:to describe attitudes prevalent in
126:and author who began his career at
13:
1753:
122:(born 19 June 1963) is an English
14:
2620:
2496:
1644:Blissed Out: The Raptures of Rock
1585:Rock's Backpages - Simon Reynolds
1230:Blissed Out: The Raptures of Rock
501:
491:, was published in October 2016.
449:era. In 2007, Reynolds published
284:Blissed Out: The Raptures of Rock
16:English music critic (born 1963)
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1731:Shock and Awe by Simon Reynolds
1723:
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1667:Reynolds, Simon (March 1994).
1635:
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558:. He has on occasion used the
506:Reynolds' writing has blended
1:
2443:"2018 Rewind: The Electorate"
2416:"2018 Rewind: The Electorate"
2389:"Rewind 2017: The Electorate"
2362:"Rewind 2016: The Electorate"
2335:"2015 Rewind: The Electorate"
2308:"2014 Rewind: The Electorate"
2281:"2013 Rewind: The Electorate"
2254:"2012 Rewind: The Electorate"
1743:M3 - Simon Reynolds Interview
1046:Ariel Pink's Haunted Graffiti
869:Ariel Pink's Haunted Graffiti
359:", using the term first in a
221:colleagues Paul Oldfield and
722:Reynolds's blog (ballot for
698:Reynolds's blog (ballot for
678:Reynolds's blog (ballot for
468:In 2011, Reynolds published
217:with his friends and future
184:
139:Reynolds has contributed to
7:
2609:The Wire (magazine) writers
1908:"Faves and Unfaves of 1999"
439:In 2005, Reynolds released
340:and later rave genres like
10:
2625:
1598:Retrieved 30 October 2016.
1551:
1287:Hardcover ed. (abridged).
1252:, with Joy Press. London:
395:. In 1995, with his wife,
2569:English music journalists
1545:Rip It Up and Start Again
1516:New York University Press
659:
656:
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459:Rip It Up and Start Again
429:Rip It Up and Start Again
328:(1998), a history of the
208:Brasenose College, Oxford
104:
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89:
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76:Brasenose College, Oxford
71:
63:
40:
28:
21:
2604:The Village Voice people
1642:Reynolds, Simon (1990).
1223:
913:Black Moth Super Rainbow
811:Original Pirate Material
2584:People from Berkhamsted
2574:Journalists from London
2457:(subscription required)
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2403:(subscription required)
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1995:(subscription required)
1968:(subscription required)
1941:(subscription required)
1309:Softcover ed.: London:
610:Year-end critics' polls
594:, Reynolds made use of
578:, defined as the upper-
399:, Reynolds co-authored
202:in 1963 and grew up in
959:Micachu and the Shapes
897:White Bread Black Beer
424:explosion in America.
422:Electronic Dance Music
312:electronic dance music
2564:English music critics
2544:British male bloggers
2507:- Reynolds' main blog
1712:"Record Recollection"
1219:Selected publications
286:, published in 1990.
198:Reynolds was born in
2599:Rolling Stone people
2579:Melody Maker writers
645:Faves/Unfaves blog.
236:neo-psychedelic rock
67:Music critic, author
1125:Fuck Up Some Commas
1033:The English Riviera
949:and Pazz & Jop
640:. Since 2011, when
568:false consciousness
564:commodity fetishism
445:, a history of the
371:and in a review of
363:1993 feature about
248:My Bloody Valentine
1646:. Serpent's Tail.
1531:Music compilations
1499:Book contributions
1274:Palgrave Macmillan
1272:. United Kingdom:
741:Stop Your Nonsense
508:cultural criticism
154:The New York Times
2511:Rock's Back Pages
2175:McDonald, Glenn.
1669:"Bark Psychosis:
1628:978-0-571-21570-6
1448:Faber & Faber
1430:Faber & Faber
1392:Faber & Faber
1374:Faber & Faber
1333:Faber & Faber
1216:
1215:
1206:Mark of the Mould
748:The Village Voice
630:The Village Voice
479:(2016) to present
160:The Village Voice
117:
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2554:English bloggers
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1407:Soft Skull Press
963:Dirty Projectors
833:Boy in da Corner
648:
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635:
622:
540:Georges Bataille
310:culture and the
124:music journalist
113:
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35:Reynolds in 2011
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1761:Pitchfork Media
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1733:. 18 July 2016.
1728:
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1697:The A.V. Club,
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1619:Faber and Faber
1609:Reynolds, Simon
1606:
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1583:
1576:
1569:
1558:
1554:
1533:
1226:
1221:
1067:Sage the Gemini
1038:Pazz & Jop
1014:, he voted for
941:Vampire Weekend
935:Vampire Weekend
891:Scritti Politti
735:Position Normal
633:
620:
612:
604:strain of music
596:Jacques Derrida
548:Michel Foucault
528:critical theory
504:
481:
461:was published,
437:
296:
196:
190:Early life and
187:
105:
72:Alma mater
55:
52:
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2497:External links
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2460:
2452:Exact Editions
2433:
2425:Exact Editions
2406:
2398:Exact Editions
2379:
2371:Exact Editions
2352:
2344:Exact Editions
2325:
2317:Exact Editions
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2290:Exact Editions
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2263:Exact Editions
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2236:Exact Editions
2217:
2209:Exact Editions
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2152:Exact Editions
2133:
2125:Exact Editions
2106:
2098:Exact Editions
2079:
2071:Exact Editions
2052:
2044:Exact Editions
2025:
2017:Exact Editions
1998:
1990:Exact Editions
1971:
1963:Exact Editions
1944:
1936:Exact Editions
1917:
1898:
1875:
1852:
1829:
1818:
1801:
1790:
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1754:Berman, Judy.
1746:
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1729:Faber Social.
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1717:Oxonian Review
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1492:978-8833890920
1477:
1474:978-1912248285
1466:Repeater Books
1459:
1456:978-0571301713
1441:
1438:978-0571232086
1420:
1419:
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1400:978-0571235490
1385:
1382:978-0571232079
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1307:
1282:978-0330454209
1265:
1254:Serpent's Tail
1245:
1234:Serpent's Tail
1225:
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1217:
1214:
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1029:
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1020:
1019:
1016:Suburban Tours
1008:
1000:Suburban Tours
997:
994:
990:
989:
978:
965:
955:
951:
950:
944:
937:
932:
928:
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696:
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688:
684:
683:
676:
674:Quality Street
671:
669:World of Twist
666:
662:
661:
658:
655:
652:
638:Pazz & Jop
611:
608:
602:to describe a
598:'s concept of
556:Félix Guattari
552:Gilles Deleuze
544:Julia Kristeva
536:Roland Barthes
503:
502:Critical style
500:
480:
474:
436:
426:
373:Bark Psychosis
295:
290:Freelance and
288:
260:the Young Gods
256:Throwing Muses
195:
188:
186:
183:
120:Simon Reynolds
115:
114:
102:
101:
97:
96:
91:
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83:
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26:
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23:Simon Reynolds
22:
15:
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2547:
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2540:
2537:
2535:
2534:Living people
2532:
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2110:
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2090:
2083:
2072:
2068:
2063:
2056:
2045:
2041:
2036:
2029:
2018:
2014:
2009:
2002:
1991:
1987:
1982:
1975:
1964:
1960:
1955:
1948:
1937:
1933:
1928:
1921:
1913:
1909:
1902:
1894:
1890:
1888:
1879:
1871:
1867:
1865:
1856:
1848:
1844:
1842:
1833:
1827:
1822:
1816:, Summer 1996
1815:
1811:
1805:
1799:
1794:
1787:
1784:
1778:
1763:
1762:
1757:
1750:
1744:
1739:
1732:
1726:
1720:, 2 June 2011
1719:
1718:
1713:
1710:Adam Harper,
1707:
1701:
1700:
1693:
1678:
1674:
1672:
1663:
1655:
1653:1-85242-199-1
1649:
1645:
1638:
1630:
1624:
1620:
1616:
1615:
1610:
1604:
1597:
1592:
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1521:
1517:
1513:
1511:
1506:
1503:
1502:
1501:
1500:
1493:
1489:
1486:(Nov. 2020).
1485:
1481:
1478:
1475:
1471:
1468:(Nov. 2018).
1467:
1463:
1460:
1457:
1453:
1450:(Oct. 2016).
1449:
1445:
1442:
1439:
1435:
1432:(Jun. 2011).
1431:
1427:
1425:
1421:
1416:
1412:
1408:
1404:
1403:
1401:
1397:
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1389:
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1371:
1369:
1365:
1361:
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1353:
1349:
1345:
1344:
1342:
1338:
1335:(Apr. 2005).
1334:
1330:
1329:
1325:
1320:
1316:
1312:
1308:
1305:
1301:
1297:
1296:Little, Brown
1293:
1291:
1286:
1285:
1283:
1279:
1275:
1271:
1270:
1266:
1263:
1259:
1256:(Jan. 1995).
1255:
1251:
1250:
1246:
1243:
1239:
1236:(Aug. 1990).
1235:
1231:
1228:
1227:
1212:
1209:
1207:
1204:
1202:Baron Mordant
1201:
1198:
1197:
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1179:
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1129:
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1120:
1117:
1114:
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1098:
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1091:
1088:
1087:
1084:
1081:
1078:
1074:
1072:
1068:
1065:
1062:
1061:
1058:
1055:
1053:
1052:
1051:Mature Themes
1048:
1045:
1042:
1041:
1037:
1035:
1034:
1030:
1028:
1025:
1022:
1021:
1017:
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919:Dandelion Gum
916:
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899:
898:
894:
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867:
864:
863:
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857:
855:
854:
850:
848:Dizzee Rascal
847:
844:
843:
840:
837:
835:
834:
830:
828:
827:Dizzee Rascal
825:
822:
821:
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815:
813:
812:
808:
806:
803:
800:
799:
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639:
632:
631:
626:
619:
618:
607:
605:
601:
597:
593:
589:
585:
581:
580:working class
577:
576:liminal class
573:
572:hip hop music
569:
565:
561:
557:
553:
549:
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
499:
497:
492:
490:
486:
478:
477:Shock and Awe
473:
471:
466:
464:
460:
456:
452:
448:
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434:
430:
425:
423:
419:
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331:
327:
326:
321:
317:
313:
309:
305:
301:
293:
287:
285:
281:
277:
273:
270:of the era's
269:
265:
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257:
253:
249:
245:
241:
237:
233:
232:
226:
224:
220:
216:
212:
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205:
201:
193:
182:
180:
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167:
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161:
156:
155:
150:
149:
148:Rolling Stone
144:
143:
137:
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131:
130:
125:
121:
112:
103:
98:
95:
92:
88:
84:
80:
77:
74:
70:
66:
62:
58:
53:(age 61)
43:
39:
32:
27:
20:
2594:Rock critics
2516:
2503:
2482:
2477:
2469:Energy Flash
2468:
2463:
2447:
2436:
2420:
2409:
2393:
2382:
2366:
2355:
2339:
2328:
2312:
2301:
2285:
2274:
2258:
2247:
2231:
2220:
2204:
2193:
2181:. Retrieved
2147:
2136:
2120:
2109:
2093:
2082:
2066:
2055:
2039:
2028:
2012:
2001:
1985:
1974:
1958:
1947:
1931:
1920:
1901:
1886:
1878:
1863:
1855:
1840:
1832:
1821:
1804:
1793:
1777:
1765:. Retrieved
1759:
1749:
1738:
1730:
1725:
1715:
1706:
1698:
1692:
1680:. Retrieved
1670:
1662:
1643:
1637:
1612:
1608:
1603:
1591:
1544:
1538:Energy Flash
1537:
1509:
1498:
1497:
1479:
1461:
1443:
1423:
1409:(Sep 2010).
1394:(Feb 2009).
1387:
1376:(May 2007).
1367:
1350:(Feb 2006).
1326:
1289:
1267:
1248:
1229:
1210:
1205:
1192:
1185:
1170:
1159:Travis Scott
1148:
1144:Rook to TN34
1143:
1130:
1108:
1082:
1056:
1049:
1031:
1015:
1011:
1005:Before Today
1003:
999:
985:
981:
973:
967:
946:
939:
924:
917:
902:
895:
880:
873:
858:
851:
838:
831:
816:
809:
794:
789:We Love Life
787:
772:
767:
751:
747:
739:
723:
715:
699:
679:
673:
641:
628:
615:
613:
588:drug culture
584:middle-class
575:
562:concepts of
505:
493:
488:
482:
476:
469:
467:
462:
458:
455:Energy Flash
454:
450:
440:
438:
432:
428:
414:Energy Flash
413:
411:
404:
400:
389:East Village
382:
376:
361:Melody Maker
360:
354:
349:
342:jungle music
323:
300:Melody Maker
299:
297:
292:Energy Flash
291:
283:
264:Melody Maker
263:
252:Public Enemy
231:Melody Maker
229:
227:
223:David Stubbs
219:Melody Maker
218:
214:
197:
191:
181:and others.
176:
170:
166:The Guardian
164:
158:
152:
146:
140:
138:
129:Melody Maker
127:
119:
118:
85:1986–present
51:19 June 1963
2529:1963 births
2179:. Furia.com
1484:Minimum fax
1097:Schoolboy Q
805:The Streets
695:"Aftermath"
592:Mark Fisher
496:Los Angeles
431:(2005) and
204:Berkhamsted
192:Blissed Out
2523:Categories
2183:4 December
1767:22 October
1617:. London:
1524:0814747264
1446:. London:
1415:1593762860
1405:U.S. ed.:
1390:. London:
1360:Full text.
1356:0143036726
1346:U.S. ed.:
1341:0571215696
1331:. London:
1319:0415923735
1304:0316741116
1262:1852422548
1242:1852421991
1232:. London:
1187:Culture II
1165:Goosebumps
1095:featuring
1069:featuring
975:Bitte Orca
717:Maxinquaye
600:hauntology
582:and lower-
532:philosophy
433:Retromania
272:indie rock
211:University
134:freelancer
64:Occupation
47:1963-06-19
2504:Blissblog
1311:Routledge
1077:Gas Pedal
1027:Metronomy
986:Jewellery
969:Jewellery
875:Worn Copy
524:sexuality
485:glam rock
447:post-punk
397:Joy Press
393:Manhattan
357:post-rock
330:breakbeat
304:freelance
280:pop music
244:A.R. Kane
185:Biography
178:Pitchfork
109:.blogspot
94:Joy Press
59:, England
2488:V2 Music
2448:The Wire
2421:The Wire
2394:The Wire
2367:The Wire
2340:The Wire
2313:The Wire
2286:The Wire
2259:The Wire
2232:The Wire
2205:The Wire
2148:The Wire
2121:The Wire
2094:The Wire
2067:The Wire
2040:The Wire
2013:The Wire
1986:The Wire
1959:The Wire
1932:The Wire
1887:The Wire
1864:The Wire
1841:The Wire
1814:Artforum
1611:(2006).
1428:London:
1372:London:
1313:(1999).
1298:(1998).
1294:Boston:
1276:(2008).
1211:The Wire
1193:The Wire
1171:The Wire
1149:The Wire
1140:eMMplekz
1131:The Wire
1109:The Wire
1083:The Wire
1057:The Wire
1012:The Wire
982:The Wire
947:The Wire
925:The Wire
903:The Wire
881:The Wire
859:The Wire
853:Showtime
839:The Wire
817:The Wire
795:The Wire
773:The Wire
724:The Wire
700:The Wire
680:The Wire
657:Release
642:The Wire
627:and for
617:The Wire
375:' album
369:The Wire
320:hardcore
268:humanism
172:The Wire
107:blissout
1912:Blogger
1893:Blogger
1870:Blogger
1847:Blogger
1843:, 1991"
1552:Sources
1348:Penguin
1093:Tinashe
660:Source
654:Artist
560:Marxist
418:dubstep
365:Insides
240:hip hop
215:Monitor
100:Website
1682:8 July
1650:
1625:
1547:(2006)
1541:(1998)
1522:
1490:
1472:
1454:
1436:
1413:
1398:
1380:
1354:
1339:
1317:
1302:
1280:
1260:
1240:
1119:Future
1071:Iamsu!
1018:only.
988:only.
763:Isolée
711:Tricky
691:Tricky
625:Rewind
550:, and
522:, and
512:gender
435:(2011)
346:gabber
338:techno
316:writer
294:(1998)
278:, and
200:London
194:(1990)
90:Spouse
82:Period
57:London
1786:Uncut
1224:Books
1181:Migos
957:Tie:
752:Uncut
651:Year
634:'
621:'
516:class
487:era,
334:house
2185:2018
1769:2016
1684:2008
1677:Mojo
1648:ISBN
1623:ISBN
1520:ISBN
1507:In:
1488:ISBN
1470:ISBN
1452:ISBN
1434:ISBN
1411:ISBN
1396:ISBN
1378:ISBN
1352:ISBN
1337:ISBN
1315:ISBN
1300:ISBN
1278:ISBN
1258:ISBN
1238:ISBN
1199:2019
1177:2018
1155:2017
1137:2016
1115:2015
1103:2 On
1089:2014
1063:2013
1043:2012
1023:2011
993:2010
954:2009
931:2008
909:2007
887:2006
865:2005
845:2004
823:2003
801:2002
783:Pulp
779:2001
768:Rest
759:2000
750:and
731:1999
707:1995
687:1994
665:1991
566:and
554:and
530:and
520:race
406:Spin
384:Mojo
344:and
308:rave
276:soul
258:and
238:and
142:Spin
111:.com
41:Born
1671:Hex
391:in
378:Hex
2525::
2446:.
2419:.
2392:.
2365:.
2338:.
2311:.
2284:.
2257:.
2230:.
2203:.
2163:^
2146:.
2119:.
2092:.
2065:.
2038:.
2011:.
1984:.
1957:.
1930:.
1910:.
1891:.
1868:.
1845:.
1812:.
1758:.
1714:,
1675:.
1621:.
1577:^
1559:^
1482:.
1402:.
1358:.
1343:.
1284:.
1002:/
972:/
961:/
754:)
726:)
702:)
682:)
636:s
623:s
546:,
542:,
538:,
518:,
514:,
498:.
352:.
336:,
332:,
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169:,
163:,
157:,
151:,
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2490:.
2454:.
2427:.
2400:.
2373:.
2346:.
2319:.
2292:.
2265:.
2238:.
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2187:.
2154:.
2127:.
2100:.
2073:.
2046:.
2019:.
1992:.
1965:.
1938:.
1914:.
1895:.
1885:"
1872:.
1862:"
1849:.
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1771:.
1686:.
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1656:.
1631:.
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1476:.
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1127:"
1123:"
1105:"
1101:"
1079:"
1075:"
45:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
