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403:. The drawings are in an exaggerated cartoon style, with rounded, fluid, elongated figures. The rendering is simple and clean, and faces often have mere circles for eyes. Most of the women lack noses except when drawn in profile. Kurtzman blends the verbal and visual aspects of the work—for example, when an enraged Goodman Beaver confronts his diminutive boss Mr. Schlock, Goodman is graphically overwhelmed by Schlock's
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Goodman Beaver was a stand-in for
Kurtzman himself in this semi-autobiographical tale. At this point in his career, Kurtzman had had several negative experiences with publishers, and he used this story to satirize the corrupting influence of capitalism and power. Kurtzman's memories of his time at
212:
is an editor hired by
Schlock Publications Inc. During his time there, he loses his youthful idealism and succumbs to the corruption he finds in the publishing world. Goodman finds himself sexually harassing the secretaries, just as the other cynical executives at Schlock do, and ends up stealing
146:
Harvey
Kurtzman's Jungle Book: Or, Up from the Apes! (and Right Back Down)—In Which Are Described in Words and Pictures Businessmen, Private Eyes, Cowboys, and Other Heros All Exhibiting the Progress of Man from the Darkness of the Cave into the Light of Civilization by Means of Television, Wide
842:
26th on its 1999 list of "Top 100 English-Language Comics of the
Century", along with four other works with which Kurtzman was involved. Kim Thompson described the book as "the biggest 'if' in comics' history: What if it had been a success?" Thompson speculated on what Kurtzman may have been
308:"Compulsion" was the third story in the book, but the first to be drawn, and was Kurtzman's least favorite, as he thought he had yet to perfect the style he had developed for the book. The story recycled ideas from a Kurtzman strip called "Endings to End the Fast Draw" that
422:, which makes the dialogue more difficult to read. Kurtzman experimented with drawing on blue-lined paper; the blue lines were not supposed to reproduce visibly when the book was printed, but the gray wash Kurtzman used unintentionally reinforced them.
31:
233:
was his model for the editor of the "girlie" magazine. As
Goodman Beaver did in the story, early in his career Kurtzman worked making crossword puzzles for Goodman. The title is an amalgamation of three bestselling 1950s novels:
847:. Thompson called the book "one of the artform's most stunning successes, and one of the field's most heartbreaking failures". Kurtzman's self-portrait from the back cover of the book is used in connection with the
802:
reinterpret one of the pages as part of the proposal. The project failed to interest a publisher. Graphic novels did not start to become widespread until 1978, a year which saw the publication of
498:
also came to an end. Kurtzman was left disillusioned and cynical about the business end of publishing, and with a wife, three children, and a mortgage to take care of, was struggling financially.
153:
is
Kurtzman's longest solo work. Freed from the length constraints of magazine pieces, Kurtzman was able to make inventive use of page and panel rhythms. According to critic and publisher
186:. Violence suffers the onslaughts of a thug who attempts to keep him away from the young woman, but in the end it is revealed that the thug and Violence are partners in her extortion.
557:
books, Kurtzman wanted to create new material designed to fit the page dimensions. Ballantine accepted
Kurtzman's proposal on faith, but he had reservations. He suspected it was the
826:, the latter a book also made up of four short stories. By the time of the publication of these books a well-organized comics fandom had developed whose conventions, fanzines, and
680:
series. Under the
Kitchen Sink Books imprint, this volume was edited and designed by John Lind; it includes a new content including an essay by Kitchen, a foreword by cartoonist
2131:
387:(USO) dances. He recalled, "I just wanted a parody of that town. I worked from memory." The scene in which the unemployed townsmen mentally undress Honey Lou affected
197:
feel to the story". "Thelonius
Violence" appears first in the book, but was one of the last stories to be completed. It remained a favorite of Kurtzman's, as he "had
176:
Thelonius
Violence speaks in jazz slang while surrounded by beautiful women and jazz background music, which was a parody of the jazz-choreographed fight scenes in the
124:
collections, which had moved to another publisher. Ballantine accepted Kurtzman's proposal, albeit with reservations about its commercial viability. It was the first
666:
in 1986 in a deluxe hardcover format with the pages reproduced at the size in which they were drawn. The reprinting includes an introduction by Art Spiegelman.
437:
Kurtzman used the book to lampoon humankind's inability or incompetence, its failure to reach its supposed aspirations, and its self-delusion. He also targeted
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had been a market success, Kurtzman had intended to continue producing books in the format. He reprinted "Decadence Degenerated" in the second issue of
689:
283:. In the 1950s, a trend of "adult" Westerns appeared in which characters were given psychological backgrounds to explain their motivations, as in
183:
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1984:
2110:
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copies would have to have been sold. Ballantine pulped the remaining copies, and Kurtzman and the company's relationship came to an end.
360:!" The town sheriff overlooks the lynching, despite the presence of a "Northern" reporter—actually from the northern part of the state.
466:
as a color comic book in 1952, and turned it into a black-and-white comics magazine in 1955. In 1956, Kurtzman left over a dispute with
414:
the dialogue in an expressive, handwriting-like style. Unlike as in the majority of American comic books, Kurtzman did not letter using
293:
gets his revenge after losing his father figure. In "Compulsion", a psychologist tries to work out why Marshall Matt Dolin (a parody of
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sold poorly, but developed a fan following and became a collectors' item. Admirers included pioneering underground cartoonists such as
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697:
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about financial control. Kurtzman tried his hand at another magazine in 1957 with the financial backing of Hugh Hefner. The result,
445:—although the character Sam in "Decadence Degenerated" avoids being ogled or groped, it is only because she is depicted as repulsive.
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59:, published in 1959. Kurtzman aimed it at an adult audience, in contrast to his earlier work for adolescents in periodicals such as
1811:
632:
Kurtzman lamented the book's poor sales as he said he "truly liked the format". He had been developing at least one other story, a
2009:
Luciano, Dale (September 1987). Spurgeon, Tom (ed.). "Time, Effort, and Expense: Dale Luciano on Kitchen Sink, Catalan, and more".
246:
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553:
Rather than reprint material cut-and-pasted to fit the narrow pages of the paperback format as had been done with Ballantine's
453:
798:, a project he had conceived in 1954. He finished seven of the project's projected 100 pages, and had long-time collaborator
1961:
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television series. Violence's job is to protect a young, vapid woman named Lolita Nabokov who is being blackmailed over her
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with a 4% royalty per copy sold; the deadline was 144 pages by May 1, 1959. The contracted book was to be called
584:
was the first mass-market paperback of original comics content in the United States. The 35¢ book had small dimensions at
407:, which demonstrates Goodman's helpless subservience and Schlock's effortless psychological dominance over his employees.
480:, was slick and lavish, and lasted only two issues before Hefner canceled it. Kurtzman then co-founded and co-published
433:
in the artwork, unintentionally bringing out the blue lines on the paper that were supposed to be invisible when printed.
112:
in 1956 after a dispute over financial control. After two failed attempts with similar publications, Kurtzman proposed
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441:
entertainment, deflating its pretensions. The women in the stories are extraordinarily curvaceous and are frequently
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598: Ă— 7 inches (11 Ă— 18 cm) and was poorly printed onto low-quality paper. Ballantine printed
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513:
from the books ceased and Gaines had Kurtzman's name removed from them. In 1958 Gaines abandoned Ballantine for
363:
At the time the story appeared, Hollywood was releasing adaptations of works set in the South by writers such as
201:
of this story. The action and line are good. It took time and practice and effort to get it, but it's there."
561:
brand name that sold books rather than Kurtzman's name, although the artist had been the creative force behind
2238:
343:
86:
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384:
322:
2057:(ed.). "The Top 100 English-Language Comics of the Century, no. 26: Harvey Kurtzman's Jungle Book, 1959".
425:
2444:
391:, who saw the possibilities of the comics medium in the formalities of the scene's portrayal of motion.
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222:
157:, his satire never had "more pitiless a bite" at any other time in his career. Kurtzman had aimed his
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2096:
1511:
867:
380:
30:
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2087:"Harvey Kurtzman's Jungle Book – Forgotten 50s Classic Re-issued in the Quality Format it Deserves"
1512:"Harvey Kurtzman's Jungle Book — forgotten 50s classic re-issued in the quality format it deserves"
338:
called Rottenville, where nothing happens until local beauty Honey Lou is found murdered. A quiet
753:, and Robert Crumb, who wrote "ome of greatest stuff was done in a little Ballantine Book called
2390:
799:
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812:
442:
1994:
609:
sold poorly; after five years and despite an offer of copies with subscriptions to Kurtzman's
2184:
1900:
1741:
692:
about the book. The French translation of this edition, which included a new introduction by
2031:(February 1999). Spurgeon, Tom (ed.). "The Top 100 English-Language Comics of the Century".
514:
256:
132:
attracted fans and critics for its brushwork, satirical adult-oriented humor, experimental
128:
of original comics published in the United States. Though it was not a financial success,
125:
1832:
8:
2422:
1792:
822:
649:
509:, which became perennial sellers with sales in the millions. When Kurtzman left EC, his
298:
285:
565:. In January Kurtzman signed a contract with Ballantine that came with an advance of $
529:
who provided Kurtzman with the postcard of the gap-toothed character that was to become
2355:
2059:
2033:
2011:
1953:
1927:
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767:
659:
526:
430:
400:
364:
280:
82:
905:
The volume was nominated for Special Award for Excellence in Presentation at the 2015
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204:
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2064:
2038:
2016:
1957:
1931:
1908:
1885:
1881:
1862:
1822:
1796:
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1745:
1720:
790:
669:
645:
644:, a magazine he edited in the 1960s. "Compulsion on the Range" was reprinted in the
546:
482:
305:
TV show) insists on trying to outshoot Johnny Ringding, chasing him across the West.
221:
were a strong influence on the Schlock Publications he portrayed; Timely publisher
72:
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aside from the main character. Kurtzman stated he "was trying to get ... that
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537:
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368:
261:
117:
39:
1812:"Harvey Kurtzman's Jungle Book: Or, Up from the Apes! (And Right Back Down Again)"
2254:
1989:
1980:
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510:
419:
330:
in the way Kurtzman experimented with formalities such as the portrayal of motion
273:
236:
56:
24:
20:
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line. Kurtzman was well respected at the Ballantine offices, and it was editor
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The black-and-white art is in loose, fluid, and sketchy brushwork with a gray
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One of Kurtzman's favorites, "Decadence Degenerated" is set in a town in the
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52:
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Biographers Denis Kitchen and Paul Buhle see the book as a precursor of the
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230:
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was Kurtzman's model for the publisher in the story. Kurtzman also used
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1876:
Kitchen, Denis (2014). "It's a Jungle Out There!". In Lind, John (ed.).
1819:
Critical Survey of Graphic Novels: Independents and Underground Classics
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capable of if he had not had to resort to teaching, illustration, and
2341:
2132:"Swingin' Through the Slow Burner of Harvey Kurtzman's 'Jungle Book'"
1538:"2018 AngoulĂŞme Festival Official Selection prize nominees announced"
738:
734:
467:
463:
109:
1625:
1420:
942:
784:. In 1962, Kurtzman made another aborted attempt at this form with
229:
as his model for the editor of the men's magazine in the story, and
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415:
411:
310:
171:
77:
2223:
2212:
757:". Goodman Beaver later appeared in a series of stories drawn by
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copies for the book's first run, a low number for the company.
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1603:
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1307:
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418:. His tall and thin dialogue balloons necessitated frequent
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provided a more receptive environment for such innovations.
346:
for the murder because, as one of the yokels declares, "You
1905:
Graphic Novels: A Bibliographic Guide to Book-Length Comics
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1183:
1142:
1120:
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978:
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371:. Kurtzman said his inspiration came from his memories of
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1198:
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1003:
1001:
999:
997:
189:
In his parody, Kurtzman retained little from the original
81:, capitalist avarice in the publishing industry, Freudian
1432:
1032:
1030:
1028:
921:
352:
205:"The Organization Man in the Gray Flannel Executive Suit"
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1374:
1361:
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1351:
1326:
1324:
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1111:
973:
573:, for which Kurtzman mocked up a cover, but appeared as
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in the same format with material culled from Kurtzman's
501:
While still at EC, Kurtzman had overseen the first five
65:. The social satire in the book's four stories targets
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994:
1025:
963:
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765:, and Kurtzman and Elder later adapted the strip into
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at an adult audience was uncommon in American comics.
2189:
1641:
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1371:
1348:
1317:
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artists. In 1958, after eleven unprofitable issues,
1855:
The Art of Harvey Kurtzman: The Mad Genius of Comics
1554:
1013:
866:
That is "cannot trust" in Kurtzman's imitation of a
317:
958:
896:Kitchen Sink released a softcover edition in 1988.
147:
Screen Movies, the Stone Axe, and Other Useful Arts
1468:
272:"Compulsion on the Range" is a satire that blends
101:makes his first appearance in one of the stories.
1613:
1480:
696:, was awarded a "Heritage Selection" at the 2018
161:stories at an adolescent audience; his targeting
2436:
550:magazine, though it fared poorly in the market.
521:, who was looking for something to replace the
636:parody, but abandoned it after two pages. If
517:. Kurtzman proposed an original paperback to
2239:
622:copies had sold—for Ballantine to break even
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1398:
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1136:
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1048:
1809:
1791:. The Comics Journal Library. Vol. 7.
1213:
1086:
936:
2246:
2232:
1944:
1898:
1817:. In Beaty, Bart; Weiner, Stephen (eds.).
1733:
1572:
1462:
1438:
1278:
1229:
1071:
1067:
1007:
988:
952:
136:, and adventurous page and panel designs.
1972:
1921:
1592:
1576:
1535:
1241:
1124:
1101:
1052:
1036:
580:When it was published in September 1959,
2049:
2027:
1671:
1659:
967:
948:
707:
424:
383:used in the story from what he heard at
321:
29:
2008:
1979:
1907:. Libraries Unlimited. pp. 66–67.
1875:
1734:Cooke, Jon B.; Roach, David A. (2001).
1675:
1647:
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1402:
1394:
1382:
1365:
1330:
1290:
1245:
1177:
1165:
1019:
703:
698:AngoulĂŞme International Comics Festival
2437:
2103:
1758:
1474:
1450:
172:"Thelonius Violence, Like Private Eye"
34:Cover to the original 1959 edition of
2227:
2129:
1779:
1712:African Americans and Popular Culture
1560:
1536:MacDonald, Heidi (30 November 2017).
1486:
1708:
1631:
1619:
684:, and an interview with cartoonists
540:. Ballantine had earlier published
120:to replace its successful series of
2253:
1783:(2006). "Kurtzman at Creation". In
676:in 2014 as the first volume of its
394:
116:as an all-original cartoon book to
13:
14:
2486:
2157:
2085:Frauenfelder, Mark (2015-02-18).
1985:"That Old Feeling: Hail, Harvey!"
1922:Schreiner, Dave (1988). "Outro".
1821:. Salem Press. pp. 331–335.
2211:
2199:
2130:Reece, Gregory L. (2015-03-12).
1765:(2 ed.). Ronin Publishing.
716:in a series of stories drawn by
375:, where he was stationed during
247:The Man in the Gray Flannel Suit
108:in 1952, but left its publisher
2106:"The 2015 Harvey Award Winners"
1901:"Harvey Kurtzman's Jungle Book"
1762:A History of Underground Comics
1529:
1504:
899:
890:
873:
860:
168:Four stories make up the book:
104:Kurtzman created the satirical
1696:
672:published Harvey’s Kurtzman’s
653:
448:
144:The full title of the book is
1:
2374:Harvey Kurtzman's Jungle Book
2179:Harvey Kurtzman's Jungle Book
2172:Harvey Kurtzman's Jungle Book
2165:Harvey Kurtzman's Jungle Book
1950:Harvey Kurtzman's Jungle Book
1924:Harvey Kurtzman's Jungle Book
1899:Rothschild, D. Aviva (1995).
1878:Harvey Kurtzman's Jungle Book
915:
851:, named in Kurtzman's honor.
755:Harvey Kurtzman's Jungle Book
575:Harvey Kurtzman's Jungle Book
48:Harvey Kurtzman's Jungle Book
36:Harvey Kurtzman's Jungle Book
2104:Heater, Brian (2015-09-26).
1810:Harris-Fain, Darren (2012).
1759:Estren, Mark James (1993) .
385:United Service Organizations
16:1959 satirical graphic novel
7:
1662:, pp. 64, 86, 92, 108.
289:, in which an angst-ridden
139:
10:
2491:
505:pocket books published by
18:
2465:Comics by Harvey Kurtzman
2409:
2383:
2365:
2333:
2261:
1787:; Sadowski, Greg (eds.).
268:"Compulsion on the Range"
1701:
1688:Kitchen & Buhle 2009
1636:Kitchen & Buhle 2009
1608:Kitchen & Buhle 2009
1589:Kitchen & Buhle 2009
1429:, pp. 150–151, 153.
1427:Kitchen & Buhle 2009
1399:Kitchen & Buhle 2009
1343:Kitchen & Buhle 2009
1312:Kitchen & Buhle 2009
1267:Kitchen & Buhle 2009
1226:Kitchen & Buhle 2009
1193:Kitchen & Buhle 2009
1149:Kitchen & Buhle 2009
1137:Kitchen & Buhle 2009
1106:Kitchen & Buhle 2009
1049:Kitchen & Buhle 2009
854:
712:Kurtzman continued with
97:. Kurtzman's character
75:shows, Westerns such as
2455:American graphic novels
318:"Decadence Degenerated"
55:by American cartoonist
2460:Ballantine Books books
2384:Frequent collaborators
2077:
1973:Journals and magazines
1853:; Buhle, Paul (2009).
1439:Cooke & Roach 2001
727:
646:underground comic book
486:along with a group of
434:
331:
314:had rejected in 1958.
43:
2295:Kurtzman's editorship
2185:Grand Comics Database
1742:TwoMorrows Publishing
879:Ballantine's line of
711:
538:Alfred E. Neuman
428:
326:Panels that inspired
325:
126:mass-market paperback
33:
2174:(Kitchen Sink Press)
1795:. pp. 126–129.
1737:The Warren Companion
883:books was edited by
704:Reception and legacy
342:named Si Mednick is
257:The Organization Man
2450:1959 graphic novels
2181:(Dark Horse Comics)
1956:. pp. vii–ix.
1930:. pp. xi–xii.
1793:Fantagraphics Books
1709:Boyd, Todd (2008).
1345:, pp. 150–151.
885:E. L. Doctorow
823:A Contract with God
788:, an adaptation of
726:in the early 1960s.
299:Marshal Matt Dillon
286:The Left Handed Gun
2445:1959 comics debuts
2423:Mad Monster Party?
2356:Little Annie Fanny
2167:(Ballantine Books)
2060:The Comics Journal
2034:The Comics Journal
2012:The Comics Journal
1954:Kitchen Sink Press
1928:Kitchen Sink Press
1884:. pp. 11–24.
1542:www.comicsbeat.com
845:Little Annie Fanny
835:The Comics Journal
768:Little Annie Fanny
749:, Art Spiegelman,
728:
678:Essential Kurtzman
660:Kitchen Sink Press
527:Bernard Shir-Cliff
435:
379:. He learned the
365:Tennessee Williams
332:
213:from the company.
44:
2432:
2431:
2053:(February 1999).
1963:978-0-87816-033-4
1948:(1988). "Intro".
1937:978-0-87816-033-4
1914:978-1-56308-086-9
1891:978-1-63008-150-8
1882:Dark Horse Comics
1868:978-0-8109-7296-4
1828:978-1-58765-950-8
1802:978-1-56097-755-1
1772:978-0-914171-64-5
1751:978-1-893905-08-5
1726:978-0-313-06408-1
1678:, pp. 23–24.
1499:Frauenfelder 2015
1453:, pp. 54–55.
1248:, pp. 50–51.
791:A Christmas Carol
737:, Denis Kitchen,
670:Dark Horse Comics
542:The Humbug Digest
301:from the popular
149:. At 140 pages,
134:dialogue balloons
73:private-detective
42:, 140 pages, 1959
2482:
2475:Satirical comics
2277:Frontline Combat
2270:Two-Fisted Tales
2248:
2241:
2234:
2225:
2224:
2216:
2215:
2204:
2203:
2195:
2152:
2150:
2149:
2140:. Archived from
2126:
2124:
2123:
2114:. Archived from
2100:
2095:. Archived from
2072:
2046:
2024:
2005:
2003:
2002:
1993:. Archived from
1981:Corliss, Richard
1967:
1941:
1918:
1895:
1872:
1846:
1844:
1843:
1837:
1831:. Archived from
1816:
1806:
1776:
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1685:
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1657:
1651:
1645:
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1596:
1586:
1580:
1575:, p. viii;
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1214:Harris-Fain 2012
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571:Pleasure Package
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454:Kurtzman founded
429:Kurtzman used a
395:Style and themes
369:William Faulkner
356:] a man who
262:William H. Whyte
118:Ballantine Books
40:Ballantine Books
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1068:Rothschild 1995
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1047:
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751:Skip Williamson
747:Gilbert Shelton
743:Spain Rodriguez
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634:science-fiction
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21:Rudyard Kipling
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1577:Schreiner 1988
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1125:Schreiner 1988
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1102:Schreiner 1988
1091:
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868:Southern drawl
858:
856:
853:
786:Marley's Ghost
761:in Kurtzman's
714:Goodman Beaver
705:
702:
690:Peter Poplaski
615:magazine only
519:Ian Ballantine
472:William Gaines
456:the satirical
450:
447:
396:
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389:Art Spiegelman
381:Southern drawl
348:cain not truss
328:Art Spiegelman
319:
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281:pop psychology
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242:Cameron Hawley
227:Burt Lancaster
223:Martin Goodman
210:Goodman Beaver
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83:pop psychology
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2146:. Retrieved
2142:the original
2135:
2120:. Retrieved
2116:the original
2109:
2097:the original
2090:
2058:
2032:
2010:
1999:. Retrieved
1995:the original
1988:
1949:
1923:
1904:
1877:
1854:
1840:. Retrieved
1833:the original
1818:
1788:
1761:
1736:
1711:
1683:
1676:Kitchen 2014
1667:
1655:
1648:Kitchen 2014
1643:
1627:
1622:, p. 2.
1615:
1584:
1568:
1556:
1545:. Retrieved
1541:
1531:
1520:. Retrieved
1518:. 2015-02-18
1515:
1506:
1494:
1482:
1470:
1458:
1446:
1434:
1422:
1415:Kitchen 2014
1410:
1403:Luciano 1987
1395:Corliss 2004
1390:
1383:Kitchen 2014
1366:Kitchen 2014
1338:
1331:Kitchen 2014
1291:Kitchen 2014
1286:
1274:
1246:Luciano 1987
1237:
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1178:Kitchen 2014
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1166:Luciano 1987
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1020:Luciano 1987
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677:
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656:15 in 1969.
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581:
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502:
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416:all capitals
409:
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377:World War II
373:Paris, Texas
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284:
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35:
2092:Boing Boing
2063:(210): 73.
1785:Groth, Gary
1781:Groth, Gary
1697:Works cited
1516:Boing Boing
1475:Heater 2015
1451:Estren 1993
840:Jungle Book
828:comic shops
731:Jungle Book
674:Jungle Book
664:Jungle Book
638:Jungle Book
607:Jungle Book
582:Jungle Book
449:Publication
443:objectified
420:hyphenation
231:Hugh Hefner
163:Jungle Book
151:Jungle Book
130:Jungle Book
114:Jungle Book
2439:Categories
2401:Wally Wood
2396:Will Elder
2391:Jack Davis
2148:2017-05-10
2137:PopMatters
2122:2017-05-10
2111:Tech Times
2001:2012-10-21
1842:2013-04-22
1561:Groth 2006
1547:2020-01-30
1522:2020-01-30
1487:Reece 2015
916:References
800:Jack Davis
777:magazine.
759:Will Elder
718:Will Elder
662:reprinted
650:Yellow Dog
470:publisher
439:middlebrow
350: [
336:Deep South
260:(1956) by
250:(1955) by
240:(1952) by
191:Peter Gunn
179:Peter Gunn
68:Peter Gunn
2342:Hey Look!
2262:As editor
2069:0194-7869
2043:0194-7869
2021:0194-7869
1632:Boyd 2008
1620:Boyd 2008
739:Jay Lynch
735:Joel Beck
536:s mascot
511:royalties
468:EC Comics
464:EC Comics
410:Kurtzman
110:EC Comics
2334:Features
1717:ABC-CLIO
804:McGregor
412:lettered
340:bookworm
311:TV Guide
303:Gunsmoke
278:Freudian
274:Westerns
140:Contents
89:-hungry
78:Gunsmoke
19:For the
2290:History
2192:Portals
2183:at the
838:placed
774:Playboy
593:⁄
344:lynched
254:, and
199:control
93:in the
71:-style
2317:Humbug
2218:Comics
2206:Comedy
2176:, and
2067:
2041:
2019:
1960:
1934:
1911:
1888:
1865:
1825:
1799:
1769:
1748:
1723:
818:Eisner
808:Gulacy
654:#
547:Humbug
496:Humbug
483:Humbug
91:yokels
85:, and
2410:Other
2366:Books
2324:Help!
2310:Trump
1836:(PDF)
1815:(PDF)
1702:Books
855:Notes
813:Sabre
763:Help!
723:Help!
642:Help!
612:Help!
534:'
492:Trump
477:Trump
358:reads
95:South
87:lynch
51:is a
2065:ISSN
2039:ISSN
2017:ISSN
1990:Time
1958:ISBN
1932:ISBN
1909:ISBN
1886:ISBN
1863:ISBN
1823:ISBN
1797:ISBN
1767:ISBN
1746:ISBN
1721:ISBN
816:and
806:and
688:and
567:1500
490:and
431:wash
401:wash
367:and
276:and
2284:Mad
2078:Web
881:Mad
820:'s
810:'s
794:by
771:in
626:000
624:107
619:000
602:000
600:150
563:Mad
559:Mad
555:Mad
531:Mad
523:Mad
503:Mad
488:Mad
462:at
459:Mad
353:sic
297:as
244:,
159:Mad
122:Mad
106:Mad
62:Mad
2441::
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