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246:. Exhibition of Negro cultural work on the Federal Art Projects of New York City Art-Music-Writers-Theatre-Historical Records. FAP: New York, 1939. 4 p. Mimeographed. Exhibition, February 10–24, 1939. Exhibition held at the Harlem Community Art Center of work by all branches of the WPA's Federal One. Includes work from the FAP's painting and sculpture divisions and by children taught in the art teaching division. Found in AAA reel 1085. 153–156.
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Federal Art
Project. New York City. Federal Art Centers of New York. FAP: New York, 1937? 8 pp. A brief overview of art in America and the functions of the FAP. Brief description of what the FAP art centers do, particularly in New York City. Brief descriptions of the four art centers in New York:
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The center also had the chance to influence more than just adults: "And who are these people who have been reached by the Center? Exactly 2,467 children and adults have registered in the art classes. More than 23,989 people have participated in the Center's extension activities, lectures, and
74:. They envisioned a community space free to all, making art instruction accessible. The Harlem Community Art Center was based on the ideal that art was central to community, and aspired to be both a space for exposing people to art and an institution for developing African-American artists.
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In its first 16 months, 70,592 people attended Harlem
Community Art Center activities and more than 1,500 took part in day or evening classes in drawing, painting, sculpture, printmaking, and design. Artists who taught or studied at the center include
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led various art classes in Harlem, and several other art leaders collaborated with the 135th Street Branch of the New York Public
Library in establishing community workshops. The Harlem YMCA also held art classes between 1934 and 1935 led by sculptor
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The Harlem
Community Art Center had a multiethnic faculty and a diverse student population was also diverse. Students ranged from established Harlem artists to children from New York psychiatric hospitals who benefitted from creative activities.
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demonstrations. Thousands of others come to the Center regularly to see the exhibitions and to attend other special events". Psychiatric wards would send children with mental illnesses to the center and they flourished.
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that operated from 1937 to 1942. It influenced various budding artists intent on depicting Harlem and led to the formation of the Harlem Arts
Alliance. It became a countrywide exemplar for others, notably the
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68 (February 1938 supplement): 8. Account of the opening of the Harlem
Community Art Center including photographs of those attending the opening: Augusta Savage (artist); Asa Philip Randolph (labor leader);
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1 (November–December 1938): 28. Note on a benefit dance to support the Harlem Art Center to be held
November 12, 1938; note on the "Four Unit Exhibition" being held at the Federal Art Gallery (NYC)
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236:) sponsored by the FAP and the Harlem Citizen's Sponsoring Committee opened December 20, 1937. Includes the text of the comments by A. Philip Randolph, president of the
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1 (April 1938): 16-17. Praise for the creation of the Harlem Art Center; mostly illustrations. B/W photographs of work by Vertis Hayes, Henry Holmes, and Palmer Hayden.
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12 (August 1, 1938): 6. Note on the exhibition of 40 works done by children and adults at the Harlem
Community Art Center at the Chicago YWCA through August 20, 1938.
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Contemporary Art Center; Brooklyn
Community Art Center; Harlem Community Art Center; and the Queensboro Community Art Center. Found in AAA Reel 1085.19-27.
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257:. Numerous b/w illustrations of the work (many works of sculpture); feels the tenements project is a good idea and needs to be expanded.
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Milieu: The Harlem
Community Art Center and the WPA." Milieu: The Harlem Community Art Center and the WPA. N.p., n.d. Web. 27 May 2016.
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200:, national director of the Federal Art Project (FAP), speaking at the Harlem Community Art Center (October 24, 1938)
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31 (November 1938): 616–23, 662. Excellent account of the use of FAP work in Harlem
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285:"MAAP | Mapping the African American Past." MAAP. N.p., n.d. Web. 27 May 2016.
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assumed the role afterward. It is widely considered a focal arena for the
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Students at the Harlem Community Art Center (January 1, 1938)
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and chairman of the Harlem Citizen's Sponsoring Committee.
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Two children at the Harlem Community Art Center in 1939
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The idea for the Harlem Community Art Center came from
311:"The Harlem Renaissance: Augusta Savage (1892-1962)"
20:Poster for the Harlem Community Art Center (1938)
366:"The Sculptural Legacy Of Selma Burke, 1900-1995"
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340:. Mapping the African American Past
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274:"Black art: paintings by Negroes."
238:Brotherhood of Sleeping Car Porters
153:, Ronald Joseph, Robert Blackburn,
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512:from websites or documents of the
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437:"The Harlem Community Art Center"
508: This article incorporates
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288:"Creative Space: Fifty Years of
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37:South Side Community Art Center
25:The Harlem Community Art Center
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554:Arts centers in New York City
514:Works Progress Administration
441:Federal Art Project Documents
338:"Harlem Community Art Center"
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498:Harlem Community Art Center
205:"WPA art comes to Harlem."
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397:. University of Michigan.
267:"Harlem goes to Chicago."
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226:. "Harlem's art center."
165:, James Lesene Wells and
391:Calo, Mary Ann (2007).
510:public domain material
394:Distinction and Denial
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539:Federal Art Project
244:Federal Art Project
224:Randolph, A. Philip
208:Architectural Forum
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534:Harlem Renaissance
443:. New Deal Network
433:Bennett, Gwendolyn
260:"Cultural front."
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91:Harlem Renaissance
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496:Media related to
469:"WPA Art Centers"
372:on March 20, 2012
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374:. Retrieved
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342:. Retrieved
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315:. Retrieved
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234:Lenox Avenue
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163:Claude McKay
159:Norman Lewis
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97:Significance
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39:in Chicago.
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127:Selma Burke
523:Categories
297:References
269:Art Digest
229:Art Digest
276:Direction
262:Direction
255:tenements
139:Elton Fax
447:June 11,
220:(poet).
43:History
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216:, and
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27:was a
313:. PBS
476:2011
449:2015
412:2011
399:ISBN
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79:WPA
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.