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Hard Cash (novel)

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and goes insane on realizing his loss. Hardie's son Alfred loves Julia, Dodd's daughter. He detects his father's villainy, accuses him of it, and to insure his silence is consigned by his father to a private insane asylum. There he meets Dodd; a fire breaks out, and both escape. Dodd enlists and serves as a common seaman, appearing to be capable but half-witted, until a second cataleptic shock restores his reason, when he returns home. Alfred reaches his friends, and vindicates his sanity in a court of law. The receipt for the £14,000 is found, and the money recovered from the elder Hardie. The book properly divides itself into two parts. One embraces the maritime adventures of Dodd with pirates, storms, shipwreck, and highwaymen, while bringing his money home; and his subsequent service as a half-witted foremast-hand until his restoration to reason. The other covers Alfred's thrilling experiences as a sane man among the insane. The author's analysis of all kinds of insanity is very thorough: with Alfred are contrasted Captain Dodd and many asylum patients, introduced incidentally; also Maxley, a worthy man driven insane by the bank failure, and who kills Alfred's sister in a maniacal rage; Dr. Wycherley, the asylum manager, who has epileptic fits himself; Thomas Hardie, Alfred's uncle, who is weak-minded; and others. Dr. Sampson, the sturdy Scotch physician, who despises all regular practitioners, and comes to Alfred’s rescue at the crisis of the book, is one of Reade’s strongest and most original characters. The love scenes are tender and touching.
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from 28 March to 26 December 1863, but the magazine's family readers blanched at Reade's strong attacks on asylums, so it did not perform well and actually depressed sales of the periodical. Dickens appended a note to the last instalment noting that the opinions of the work should be attributed to
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is an alleged “exposure” of the abuses of private insane asylums in England and of the statutes under which they were sheltered. The “Hard Cash” is the sum of £14,000, the earnings of years, of which Richard Hardie, a bankrupt banker, defrauds David Dodd, a sea-captain. Dodd has a cataleptic shock
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in December 1863. Reade sought ÂŁ3,000 for the publishing rights, later accepted ÂŁ2,250 for a limited term of years, but eventually only sold it via commissions from the publisher. Publisher Edward Marston later commented that "Reade was an excellent man of business, and was very careful of the
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which relates the early history and marriage of Captain and Mrs. Dodd. This book caused much lively public correspondence between the author and various asylum managers, who felt themselves aggrieved, but failed, according to Reade, to shake the facts and arguments put forward in this
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Reade's work did better when released (with some reordering and amendment of the text, less concerned with creating instalment cliffhangers) as
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Subsequent editions of the novel included some of the correspondence generated by physicians in response to the original publication.
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and was part of Reade's drive to reform and improve those institutions.
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Hard Cash (1863) Charles Reade – psychiatrists in 19th century fiction
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The novel was adapted to film three times in the silent film era.
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After Work: Fragments from the Workshop of an Old Publisher
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would be released in three volume form on 10 December 1863)
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In 1921, a British silent-film was released, directed by
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In 1913, a 2-reel American silent film was directed by
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Biographical Dictionary and Synopsis of Books, Vol. 2
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The Sensation Novel and the Victorian Family Magazine
441:Rex Ingram: Hollywood's Rebel of the Silver Screen 159:commodity which furnished the title of his book." 183:A late nineteenth-century synopsis of the novel: 162:In the United States, the book was serialised in 627: 300:Victorian Fiction: Writers, Publishers, Readers 454:The Complete Index to Literary Sources in Film 501: 128:It was originally serialised under the title 187:This book, originally published in 1863, as 412:Moving Picture World Review, April 16, 1910 342: 508: 494: 27: 433: 168:, and then published in January 1864 by 119: 417: 373: 124:From later illustrated edition of novel 628: 330: 305: 292: 489: 446: 405: 398:Warner, Charles Dudley, et al., eds. 392: 279: 651:Novels set in psychiatric hospitals 361: 319:No. 1884, p. 744 (advertisement by 101:Hard Cash, A Matter-of-Fact Romance 35:Hard Cash, A Matter-of-Fact Romance 13: 260: 14: 672: 656:British novels adapted into films 515: 463: 250:, Alma Green, and Frank Arlton. 143:the author, not the periodical. 215:Independent Moving Pictures Co. 358:, p. 15 (December 1863 review) 205: 65:Sampson Low, Son & Marston 1: 273:British Journal of Psychiatry 253: 196:is in some sense a sequel to 172:without the change in title. 115: 573:It Is Never Too Late to Mend 370:(Harper & Brothers 1864) 227:, with a cast that included 225:Edison Manufacturing Company 198:Love me Little, Love me Long 7: 581:The Cloister and the Hearth 178: 16:1863 novel by Charles Reade 10: 677: 323:, Son & Marston, that 546: 523: 213:The first was in 1910 by 93:3 vol. (original edition) 89: 81: 71: 60: 52: 42: 26: 389:(review of U.S. edition) 350:Book: Hard Cash (review) 646:Novels by Charles Reade 276:, Feb 2009, 194 (3) 211 402:, p. 267-68 (1902 ed.) 302:, pp. 55–85 (2006 ed.) 203: 152:three-volume book form 125: 613:A Terrible Temptation 423:(15 September 1913). 185: 170:Harper & Brothers 123: 538:The Courier of Lyons 474:at Project Gutenberg 348:(26 December 1863). 229:Charles Stanton Ogle 104:is an 1863 novel by 636:1863 British novels 443:, pp. 269–74 (2013) 439:Gmuer, Leonhard H. 379:(24 January 1864). 311:(5 December 1863). 289:, pp. 132–44 (2001) 23: 565:Christie Johnstone 386:The New York Times 139:All the Year Round 126: 21: 661:Sampson Low books 623: 622: 482:(US edition 1864) 452:Goble, Alan, ed. 298:Sutherland, john 266:Subotsky, Fiona. 97: 96: 85:Print (hardcover) 668: 641:Victorian novels 510: 503: 496: 487: 486: 457: 450: 444: 437: 431: 421: 415: 409: 403: 396: 390: 377: 371: 365: 359: 346: 340: 334: 328: 309: 303: 296: 290: 283: 277: 264: 244:Edwin J. Collins 77:10 December 1863 73:Publication date 31: 24: 20: 676: 675: 671: 670: 669: 667: 666: 665: 626: 625: 624: 619: 542: 532:Masks and Faces 519: 514: 466: 461: 460: 456:, p. 791 (1999) 451: 447: 438: 434: 422: 418: 410: 406: 397: 393: 378: 374: 366: 362: 347: 343: 335: 331: 310: 306: 297: 293: 284: 280: 265: 261: 256: 221:Charles M. Seay 208: 181: 165:Harper's Weekly 134:Charles Dickens 118: 82:Media type 74: 38: 33:Title page for 17: 12: 11: 5: 674: 664: 663: 658: 653: 648: 643: 638: 621: 620: 618: 617: 609: 601: 597:Griffith Gaunt 593: 585: 577: 569: 561: 557:Peg Woffington 552: 550: 544: 543: 529: 527: 521: 520: 513: 512: 505: 498: 490: 484: 483: 479:Very Hard Cash 475: 465: 464:External links 462: 459: 458: 445: 432: 429:The Kinetogram 416: 404: 391: 372: 368:Very Hard Cash 360: 341: 339:, p. 95 (1904) 329: 304: 291: 278: 258: 257: 255: 252: 237:Bigelow Cooper 233:Gertrude McCoy 207: 204: 189:Very Hard Cash 180: 177: 130:Very Hard Cash 117: 114: 110:insane asylums 95: 94: 91: 87: 86: 83: 79: 78: 75: 72: 69: 68: 62: 58: 57: 54: 50: 49: 44: 40: 39: 32: 15: 9: 6: 4: 3: 2: 673: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 637: 634: 633: 631: 615: 614: 610: 607: 606: 602: 599: 598: 594: 591: 590: 586: 583: 582: 578: 575: 574: 570: 567: 566: 562: 559: 558: 554: 553: 551: 549: 545: 540: 539: 534: 533: 528: 526: 522: 518: 517:Charles Reade 511: 506: 504: 499: 497: 492: 491: 488: 481: 480: 476: 473: 472: 468: 467: 455: 449: 442: 436: 430: 426: 420: 413: 408: 401: 395: 388: 387: 382: 376: 369: 364: 357: 356: 355:The Spectator 351: 345: 338: 333: 326: 322: 318: 317:The Athenaeum 314: 313:Advertisement 308: 301: 295: 288: 282: 275: 274: 269: 263: 259: 251: 249: 246:and starring 245: 240: 238: 234: 231:, May Abbey, 230: 226: 222: 217: 216: 211: 202: 199: 195: 190: 184: 176: 173: 171: 167: 166: 160: 157: 153: 149: 144: 141: 140: 135: 131: 122: 113: 111: 107: 106:Charles Reade 103: 102: 92: 88: 84: 80: 76: 70: 66: 63: 59: 55: 51: 48: 47:Charles Reade 45: 41: 36: 30: 25: 19: 611: 603: 595: 588: 587: 579: 571: 563: 555: 536: 530: 478: 470: 448: 435: 428: 419: 407: 394: 384: 375: 363: 353: 344: 332: 324: 316: 307: 294: 286: 281: 271: 262: 241: 218: 212: 209: 197: 193: 188: 186: 182: 174: 163: 161: 147: 145: 137: 129: 127: 100: 99: 98: 34: 18: 321:Sampson Low 206:Adaptations 156:Sampson Low 630:Categories 254:References 116:Background 22:Hard Cash 605:Foul Play 589:Hard Cash 471:Hard Cash 425:Hard Cash 414:, in IMDB 381:New Books 325:Hard Cash 285:Wynne D. 248:Dick Webb 194:Hard Cash 148:Hard Cash 67:(England) 61:Publisher 179:Synopsis 535:(1852) 616:(1871) 608:(1869) 600:(1866) 592:(1863) 584:(1861) 576:(1856) 568:(1853) 560:(1853) 548:Novels 541:(1854) 235:, and 43:Author 37:(1863) 525:Plays 270:, in 201:book. 90:Pages 56:Novel 53:Genre 223:for 154:by 150:in 132:in 632:: 427:, 383:, 352:, 315:, 239:. 136:' 509:e 502:t 495:v

Index


Charles Reade
Sampson Low, Son & Marston
Charles Reade
insane asylums

Charles Dickens
All the Year Round
three-volume book form
Sampson Low
Harper's Weekly
Harper & Brothers
Independent Moving Pictures Co.
Charles M. Seay
Edison Manufacturing Company
Charles Stanton Ogle
Gertrude McCoy
Bigelow Cooper
Edwin J. Collins
Dick Webb
Hard Cash (1863) Charles Reade – psychiatrists in 19th century fiction
British Journal of Psychiatry
Victorian Fiction: Writers, Publishers, Readers
Advertisement
Sampson Low
After Work: Fragments from the Workshop of an Old Publisher
Book: Hard Cash (review)
The Spectator
Very Hard Cash
New Books

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