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strove to banish the buffoon from the German-speaking stage, in order to improve the quality of German comedy and raise its social status, holding a public "banishing" of
Hanswurst. This met with resistance, especially in Vienna. However, the staged banishment has generally been regarded as an
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of German-speaking impromptu comedy. He is "a half doltish, half cunning, partly stupid, partly knowing, enterprising and cowardly, self indulgent and merry fellow, who, in accordance with circumstances, accentuated one or other of these characteristics."
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forbade improvised comedy and burlesque-like buffoon games. Due to authoritarian fear of political agitation, arts were directed towards fixed literary form theater (the "regular theater") and silent, music-accompanied pantomime. In 1775, a 26-year-old
129:, who merged Hanswurst with the stock Harlequin character. The Italian-French Harlequin replaced Hanswurst. In the later 18th century Hanswurst was out of fashion and was only used in the puppet theater. Comical characters like
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replaced him for several decades. At the instigation of Joseph of
Sonnenfels after the French Revolution (Memorandum for the future of theater censorship guidelines, 1790) the
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saw this as the beginning of the so-called
Viennese popular theater. Stranitzky's Hanswurst wore the garb of a peasant from
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Through the 16th and 17th centuries, he was a buffoon character in rural carnival theaters and touring companies.
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brought back the part of
Hanswurst. For the Viennese Musical and Theatrical Exhibition of 1892, the actor
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emblematic moment in German theater history for the transition from popular, improvised, so-called
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Hanswurst and Herr Ich: Subjection and
Abjection in Enlightenment Censorship of the Comic Figure
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Hanswurst and Herr Ich: Subjection and
Abjection in Enlightenment Censorship of the Comic Figure
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67:(1494) (using the name Hans myst). "Hanswurst" was also a mockery and insult.
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developed and popularized the role of
Hanswurst. The theater historian
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Johann
Christoph Gottsched (1700–1766): harbinger of German classicism
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In the "Hanswurst dispute" of the 1730s the scholar
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Martin Luther: an introduction to his life and work
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308:. Columbia, SC: Camden House. p. 45.
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83:), when he railed against the Catholic
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346:. Encyclopædia Britannica, 2011. 2011.
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259:. Encyclopædia Britannica, 2011. 2011.
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122:to a modern bourgeois literary mode.
304:Mitchell, Phillip Marshall (1995).
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125:The last notable Hanswurst was
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389:Male characters in theatre
144:Johann Wolfgang von Goethe
111:Friederike Caroline Neuber
107:Johann Christoph Gottsched
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384:Comedy theatre characters
253:"Joseph Anton Stranitzky"
213:Pischel, Richard (1902).
237:Lohse, Bernhard (1980).
188:Gotthold Ephraim Lessing
176:The German film comedy
172:20th century to present
146:wrote a farce entitled
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193:die größte Harlekinade
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157:Der gestiefelte Kater
150:. In his 1797 comedy
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357:Jürs-Munby, Karen.
340:"Franz Schuch nv w"
319:Jürs-Munby, Karen.
148:Hanswurst's Wedding
16:Fictional character
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270:Wagner, Irmgard.
225:hanswurst puppet.
166:Ludwig Gottsleben
139:Emperor Joseph II
81:Against Hanswurst
55:Middle Low German
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200:References
182:(1941) by
31:Hans Wurst
90:In 1712,
27:Hanswurst
184:GW Pabst
100:Salzburg
135:Staberl
49:History
35:German
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