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299:, each level is divided in two. In a common-time rock drum pattern each measure (a whole note) is divided in two by the bass drum (half note), each half is divided in two by the snare drum (quarter note, collectively the bass and snare divide the measure into four), and each quarter note is divided in two by a
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remains the same. For example, at the same tempo, 8th notes (quavers) would sound like 16ths (semiquavers). In the case of the half time shuffle, triplets sound like 16th note (semiquaver) triplets, etc. By preserving the tempo, the beat is stretched by a factor of 2.
467:
303:(eighth note). "Half"-time refers to halving this division (divide each measure into quarter notes with the ride pattern), while "double"-time refers to doubling this division (divide each measure into sixteenth notes with the ride pattern).
331:
Half time: notice the snare moves to beats 3 of measures (bars) one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes (quavers). Note also, for example, that the quarter notes 'sound like' eighth notes in one giant
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quarter: 1 2 3 4 eighth: 1 & 2 & 3 & 4 & sixteenth: 1 e & a 2 e & a 3 e & a 4 e & a
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185:(crotchet) beats two and four, half time would increase the interval between backbeats to double, thus making it hit on beats three and seven, or the third beat of each measure (
280:), quarter note (crotchet) or "regular" time: "bass drum on beats 1 and 3 and snare drum on beats 2 and 4 of the measure ...add eighth notes on the hi-hat".
346:
rhythm, which is used extensively in hip-hop and some blues music. Some of the variations of the basic groove are notoriously difficult to play on
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Double-time: notice the snare moves to the "&" beats while the hi-hat begins to subdivide sixteenth notes (semiquavers).
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Note also, for example, that the eighth notes (quavers) 'sound like' quarter notes (crotchets) in two tiny measures (bars).
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the term means using note values twice as fast as previously but without changing the pace of the
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Time signatures are defined by how they divide the measure. In "common" time, often considered
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163:, while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with
350:. It is also a favorite in some pop and rock tunes. Some classic examples are the
30:"Double time" and "Double-time" redirect here. For the jump rope documentary, see
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It may help to picture the way musicians count each metric level in 4/4:
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created a hybridization of the
Zeppelin and Purdie shuffles called the
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Video of Jeff
Porcaro demonstrating various half time shuffle patterns
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Rhythm pattern characteristic of much popular music including rock (
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This article is about the musical concept. For the song by Nas, see
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The Souls of Your Feet: A Tap Dance
Guidebook for Rhythm Explorers
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out of an 8 beat measure (bar), common practice in half time):
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596:"Double time doubling a rhythm pattern within its original
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Audio playback is not supported in your browser. You can
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are divided is altered. While much music typically has a
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progressions. It is often used during improvised solos.
440:of notes are chopped in half, but the actual time
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1008:
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706:The Rosanna Half Time Shuffle by Jeff Porcaro
378:uses a derivation of the Purdie Shuffle, and
89:, also known as cut time or cut-common time (
559:/level. It is also associated with specific
488:Double-, common, and half- time offbeats at
459:Double-, common, and half- time offbeats at
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246:of each note is doubled while its
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551:or rhythmic feel by essentially
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148:approximate a single measure of
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745:The Drummer's Guide to Shuffles
779:
758:
737:
716:
674:
510:
253:
16:Type of metric change in music
1:
123:doubling the tempo resolution
66:, also known as common time (
764:Randel, Don Michael (2003).
553:halving the tempo resolution
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242:over the course of two. The
7:
766:Harvard dictionary of music
655:
10:
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680:Peckman, Jonathan (2007).
667:
523:
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420:"Basic half time shuffle"
257:
238:' is one that expands one
234:Essentially, a half time '
29:
25:Half time (disambiguation)
18:
1034:
857:
682:Picture Yourself Drumming
338:A classic example is the
1145:Non-retrogradable rhythm
722:Mattingly, Rick (2006).
713:. Accessed 31 July 2014.
515:Not to be confused with
133:. Thus, two measures of
129:/level in comparison to
322:download the audio file
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433:
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36:. For other uses, see
23:. For other uses, see
1039:Additive and divisive
887:Double- and half-time
726:, p.44. Hal Leonard.
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419:
401:Quarter note shuffle
400:
366:", both of which are
267:
46:
1165:Prolation and tempus
743:Potter, Dee (2001).
524:For other uses, see
121:feel by essentially
937:Percussion notation
785:Gray, Acia (1998).
342:, a variation of a
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436:In half time, the
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358:which appears in "
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99:
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1140:Metric modulation
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340:half-time shuffle
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1261:Jazz terminology
1251:Rhythm and meter
1246:Musical notation
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724:All About Drums
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390:for the track "
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356:Bernard Purdie
352:Purdie Shuffle
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258:Main article:
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962:Ride pattern
922:Gravity roll
892:Drum cadence
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877:Cymbal choke
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380:Jeff Porcaro
376:Led Zeppelin
360:Home At Last
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301:ride pattern
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183:quarter note
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32:
1256:Swing music
1195:Syncopation
541:double-time
526:Double Time
511:Double-time
260:Common-time
254:Common-time
250:is halved.
131:common-time
38:Double Time
1235:Categories
1210:Time point
1160:Polyrhythm
1155:Note value
1125:Homorhythm
1091:Note value
1081:Cross-beat
977:Snare rush
947:Quadruplet
917:Ghost note
867:Blast beat
847:Drum beats
555:or metric
518:Alla breve
490:equivalent
368:Steely Dan
166:alla breve
125:or metric
33:Doubletime
1185:Stop-time
1135:Isorhythm
1110:Half-time
1074:Count off
1044:Anacrusis
862:Back beat
580:half time
307:Half-time
248:frequency
107:half-time
1086:Duration
1069:Counting
1064:Colotomy
932:One drop
747:, p.19.
684:, p.50.
656:See also
563:such as
557:division
492:tempos.
461:the same
370:songs. "
348:drum set
332:measure.
228:3
224:1
179:backbeat
171:odd time
127:division
119:rhythmic
1170:Prosody
1120:Hemiola
957:Rimshot
851:strokes
789:, p.?.
711:YouTube
668:Sources
463:tempo.
392:Rosanna
362:" and "
344:shuffle
240:measure
97:); etc.
1220:Tuplet
1105:Groove
1024:Rhythm
927:Groove
912:Gallop
882:D-beat
793:
772:
751:
730:
688:
244:length
236:groove
47:Basic
1205:Tempo
1190:Swing
1175:Pulse
1099:Gatra
1028:meter
982:Sting
872:Break
591:chord
549:tempo
545:meter
537:dance
533:music
442:value
374:" by
187:count
175:beats
115:tempo
111:meter
1200:Tala
1130:Iqa'
1054:Beat
1026:and
967:Roll
907:Fill
849:and
791:ISBN
770:ISBN
749:ISBN
728:ISBN
686:ISBN
639:Play
606:2
587:jazz
547:and
535:and
498:Play
469:Play
438:feel
426:play
407:play
384:Toto
274:Play
220:7
216:5
212:3
208:1
204:3
200:1
196:3
192:1
113:and
1049:Bar
709:on
598:bar
585:In
531:In
394:".
382:of
354:by
181:on
169:or
101:In
74:);
1237::
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