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More than 125 reliefs of this type known. They were placed in the walls of larger grave buildings and are often found, like windows, next to doors which led into the grave building itself. The depictions "looked out" from their windows along the streets lined with tombs which led into ancient Rome.
111:, which was reserved for free citizen men. His age and bodily blemishes are also undisguised. His wrinkles are depicted, carved deep into the skin, as is his leathery skin and the warts on his forehead and around his mouth. This
96:. The name of his wife, also identified as a freed slave of Publius Aiedius, was Fausta Melior. As freedmen, the pair held a form of Roman citizenship, but remained bound to their former owner, who was now their
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The pair extend their hands towards the centre of the image, showing their status as a legally married couple. The wife wears two rings, indicating a degree of prosperity. Aiedia wears a
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100:. They had gained the right to enter into a legal marriage and children produced from such a marriage would be normal Roman citizens.
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143:. "Grabrelief eines römischen Ehepaares." Staatliche Museen zu Berlin. Preußischer Kulturbesitz. Antikensammlung (Ed.):
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of a
Publius Aiedius. His slave name, the Greek name Amphio, typical for Roman slaves, is retained as his
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recalls traditional portraits on wax death masks. Age and its characteristics were signs of worth (
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Publius
Aiedius Amphio, freedman of Publius // Aiedia Fausta Melior, freedwoman of Publius
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It is a 64 cm wide and 99 cm high marble plaque, which was found in Rome on the
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and was purchased for the predecessor of the modern
Antikensammlung Berlin in 1866.
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Beschreibung der antiken
Skulpturen mit Ausschluss der pergamenischen Fundstücke
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from the first half of the first century AD, now kept in the
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Classical sculptures in the
Staatliche Museen zu Berlin
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P Aiedius P L / Amphio // Aiedia P L / Fausta Melior
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80:Publius Aiedius Amphio is identified by the
25:Grave relief of Publius Aiedius and Aiedia
49:The inscription under the relief reads:
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216:
162:". Königliche Museen zu Berlin (Ed.),
39:, with Inventory number SK 840 (R 7).
160:Grabrelief eines römischen Ehepaares
224:Archaeological discoveries in Italy
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178:, p. 325 (Inventory no. 840).
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244:Sculptures of women in Germany
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249:Marble sculptures in Germany
239:Sculptures of men in Germany
229:1st-century Roman sculptures
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176:nbn:de:bsz:16-diglit-34567
147:. von Zabern, Mainz 1992,
170:. Spemann, Berlin 1891,
84:in the inscription as a
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37:Antikensammlung Berlin
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200:52.52083°N 13.39639°E
107:and cloak, Aiedius a
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27:is an ancient Roman
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234:Reliefs in Germany
205:52.52083; 13.39639
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29:grave relief
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218:Categories
191:13°23′47″E
188:52°31′15″N
141:Max Kunze
66:VI, 11284
44:Via Appia
118:dignitas
94:cognomen
90:freedman
86:libertus
58:—
166:(Ed):
151:
124:virtus
113:verism
105:chiton
98:patron
149:ISBN
109:toga
23:The
172:urn
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88:or
62:CIL
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82:L
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