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Grand appartement de la reine

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three rooms, only fragments of the ceiling decoration of the Grand cabinet have survived; no evidence regarding the decoration of the oratory or the petit cabinet has been found. See Nicole Reynaud and Jacques Villain, "Fragments retrouvés de la décoration du Grand Appartement de la Reine Marie-Thérèse", Revue du Louvre, #4-5 (1970): 231-238.
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Owing to the construction of the Hall of Mirrors – the central project of Louis XIV’s 3rd building campaign – and the death of Marie-Thérèse in 1683, the grand cabinet, the oratory, and the petit cabinet were destroyed for the construction of the Hall of Mirrors and the Salon de la paix. Of these
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Grand cabinet – this room was transformed into the Salon des nobles. Following the tradition established by her predecessor, Marie Antoinette would hold formal audiences in this room. When not used for formal audiences, the salon des nobles served as an antechamber to the Queen's
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Chambre de la reine – this room was used as the Queen's bedroom and was of exceptional splendour. On the night of 6/7 October 1789, Marie Antoinette fled from the Paris mob by escaping through a private corridor that connected her apartment with that of the
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Antichambre – this room was transformed into the antichambre du grand couvert. It was in this room that the King, Queen and other members of the royal family dined in public. Occasionally, this room served as a theatre for the
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and later to Paris. In 1722, Louis XV reinstalled the court at Versailles and began modifications to the château's interior. Among the most noteworthy of the building projects during Louis XV's reign, the redecoration of the
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The Queen's bedchamber. There is a barely discernible hidden door in the corner near the jewel cabinet by Schwerdfeger (1787) through which Marie Antoinette escaped the night of 5/6 October 1789 when the Paris mob stormed
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Versailles immortalisé par les merveilles parlantes des bâtimens, jardins, bosquets, parcs, statues et vases de marbre qui sont dans les châteaux de Versailles, de Trianon, de la Ménagerie et de Marly
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With the creation of this room, a new chapel – the château’s third – was built in the adjacent room to the east. In 1682, when the third chapel was built (where the
339:, but women contributed to the decoration of these rooms. Most notable of these ladies would be Madeleine de Boulogne, who painted the over-door painting in the 279:, later Louis XVI, she took up residence in these rooms. Upon Louis XVI's ascension to the throne in 1774, Marie Antoinette ordered major redecoration of the 21: 584:
La création de Versailles d'après les sources inédites étude sur les origines et les premières transformations du château et des jardins
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came to include a suite of seven enfilade rooms on the main floor in the left wing with an arrangement that mirrored almost exactly the
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Archétype et symbole dans le style Louis XIV versaillais: réflexions sur l'imago rex et l'imago patriae au début de l'époque moderne
253: 408:, which stormed the château during the night of 6/7 October 1789, gained access to the château. During the mêlée, members of the 723:
Le Guillou, Jean-Claude (December 1983). "Le château-neuf ou enveloppe de Versailles: concept et evolution du premier projet".
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style, which prevailed from the death of Louis XIV through to 1732 (with the decoration of the Salon de la princesse at the
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Le Chateau de Versailles sous Louis XV : recherches sur l'histoire de la cour et sur les travaux des batiments du roi
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as it had been used by Marie-Thérèse and Marie-Adélaïde of Savoy were removed and a new, more modern decor was installed.
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The decoration of this room was an important expression in French interior design. It heralded the transition from the
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Le Guillou, Jean-Claude (July–August 1986). "Le Grand et le Petit Appartement de Louis XIV au château de Versailles".
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Josephson, Ragnar (1926). "Relation de la visite de Nicodème Tessin à Marly, Versailles, Rueil, et St-Cloud en 1687".
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likewise depicted heroines from the antique past and harmonized with the general theme of a particular room's decor.
405: 777: 101: 104:, as duchess of Burgundy, occupied these rooms from 1697, the year of her marriage, to her death in 1712. 370: 186:(Queen's staircase), which corresponded (albeit a smaller, though similarly decorated example) to the 151: 68: 644:
Baillie, Hugh Murray (1967). "Etiquette and the Planning of State Apartments in Baroque Palaces".
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La description du chateau de Versailles, de ses peintures, et d'autres ouvrages fait pour le roy
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to serve as a music room. In 1770, when the Austrian archduchess Marie Antoinette married the
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Salle des gardes de la reine – this room remained virtually unchanged by Marie Antoinette.
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Grand cabinet – corresponding to the salon de Jupiter in the King's grand apartment
93: 283:. At this time, the Queen's apartment achieved the arrangement that we see today. 256:, in 1729, Louis XV ordered a complete redecoration of the room. Elements of the 130:
Salle de gardes – corresponding to the salon de Mars in the King's grand apartment
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Petit cabinet – corresponding to the salon de Vénus in the King's grand apartment
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Chambre – corresponding to with the salon d’Apollon in the King's grand apartment
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Antichambre – corresponding to the salon de Mercure in the King's grand apartment
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Kimball, Fiske (1946). "Unknown Versailles: The appartement du Roi, 1678-1701".
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Kimball, Fiske (1949). "Genesis of the Château Neuf at Versailles, 1668-1671".
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On an interesting note, not only were women depicted in the decoration of the
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Oratory – corresponding to the salon de Saturne in the King's grand apartment
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Chapel – corresponding to the salon de Diane in the King's grand apartment
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This chapel was the second of chapels built in the Château of Versailles
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Nolhac, Pierre de (1899). "La construction de Versailles de Le Vau".
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Constans, Claire (1976). "Les tableaux du Grand Appartement du Roi".
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Versailles au temps de Louis XIV: Mansart et Robert de Cotte
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With the death of Louis XIV in 1715, the court moved to the
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used on rare state occasions. After the destruction of the
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Description sommaire de Versailles ancienne et nouvelle
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became the principal entrance to the château, with the
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and it was in this room that the decorations from the
643: 36:), with the Queen's grand apartment marked in yellow 252:To commemorate the birth of his only son and heir, 100:). Additionally, Louis XIV's granddaughter-in-law, 76:served as the residence of three Queens of France: 758: 677: 598: 581: 492: 360:. In the 19th century, this room was rebaptized 769: 664: 182:communicates with a loggia that issues from the 166:, which began in 1678, the configuration of the 432: 699: 686: 617: 562: 519: 170:changed. The chapel was transformed into the 149:As with the decoration of the ceiling in the 16:Apartment in the Palace of Versailles, France 567:. Paris: Edition Vincent, Freal & Cie. 230:Antichambre (formerly the salle des gardes) 194:. The loggia also provides access to the 123:in the right wing. The configuration was: 497:. Princeton: Princeton University Press. 216:became the main entrance to the château. 39: 20: 356:is now located), this room was renamed 770: 358:la grande salle des gardes de la reine 55:is the Queen's grand apartment of the 495:Pietro da Cortona at the Pitti Palace 622:. Paris: Librairie Arthème Fayard. 467:Monicart, Jean-Baptiste de (1720). 13: 601:Versailles; rĂ©sidence de Louis XIV 14: 789: 761:Revue de l'Histoire de Versailles 680:Revue de l'Histoire de Versailles 546:Marie, Alfred and Jeanne (1976). 533:. Paris: Editions Jacques Freal. 529:Marie, Alfred and Jeanne (1972). 25:Plan of the Palace of Versailles 450:FĂ©libien, Jean-François (1703). 190:(Ambassador's Staircase) in the 115:(old palace) was completed, the 550:. Paris: Imprimerie Nationale. 419: 263:During her life at Versailles, 714:10.1080/00043079.1940.11409005 404:It was via this room that the 398: 377: 346: 329: 319: 310: 1: 364:owing to the installation of 337:grand appartement de la reine 281:grand appartement de la reine 269:grand appartement de la reine 221:grand appartement de la reine 168:grand appartement de la reine 162:With the construction of the 157:grand appartement de la reine 117:grand appartement de la reine 74:grand appartement de la reine 52:grand appartement de la reine 26: 227:Salle des gardes de la reine 180:salle des gardes de la reine 172:salle des gardes de la reine 7: 271:, to which she annexed the 10: 794: 599:Nolhac, Pierre de (1925). 586:. Versailles: L. Bernard. 582:Nolhac, Pierre de (1901). 493:Campbell, Malcolm (1977). 437:. Paris: Antoine Vilette. 371:The Coronation of Napoleon 658:10.1017/s0261340900013813 267:(1703–1768) lived in the 210:escalier des ambassadeurs 206:escalier des ambassadeurs 188:escalier des ambassadeurs 433:FĂ©libien, AndrĂ© (1694). 303: 192:grand appartement du roi 152:grand appartement du roi 121:grand appartement du roi 69:grand appartement du roi 750:10.3406/bulmo.2008.2007 618:Verlet, Pierre (1985). 603:. Paris: Louis Conard. 565:Naissance de Versailles 102:Marie AdĂ©laĂŻde of Savoy 34:third building campaign 738:Gazette des Beaux-Arts 725:Gazette des Beaux-Arts 702:Gazette des Beaux-Arts 689:Gazette des Beaux-Arts 563:Marie, Alfred (1968). 520:Lighthart, E. (1997). 454:. Paris: A. ChrĂ©tien. 391:), and the Rococo (or 78:Maria Theresa of Spain 46: 37: 43: 24: 778:Palace of Versailles 531:Mansart Ă  Versailles 471:. Paris: E. Ganeau. 242:Château de Vincennes 214:escalier de la reine 202:escalier de la reine 184:escalier de la reine 57:Palace of Versailles 366:Jacques-Louis David 258:chambre de la reine 247:chambre de la reine 236:Chambre de la reine 111:'s envelope of the 62:Forming a parallel 682:: 150–67, 274–300. 524:. Doctoral thesis. 197:appartement du roi 47: 38: 639: 488: 428: 265:Marie Leszczynska 178:were reused. The 86:Marie LeszczyĹ„ska 66:with that of the 785: 764: 753: 732: 717: 696: 683: 674: 661: 637:Journal articles 635: 631: 612: 595: 576: 559: 542: 525: 516: 486:Secondary source 484: 480: 463: 446: 424: 413: 402: 396: 389:HĂ´tel de Soubise 381: 375: 350: 344: 341:salle des gardes 333: 327: 323: 317: 314: 273:salon de la paid 176:salon de Jupiter 94:Marie Antoinette 31: 28: 793: 792: 788: 787: 786: 784: 783: 782: 768: 767: 667:Revue du Louvre 505: 422: 417: 416: 403: 399: 382: 378: 354:salon d’Hercule 351: 347: 334: 330: 324: 320: 315: 311: 306: 249:must be cited. 219:From 1682, the 164:Hall of Mirrors 29: 17: 12: 11: 5: 791: 781: 780: 766: 765: 756: 755: 754: 720: 719: 718: 708:(6): 353–372. 684: 675: 662: 633: 632: 615: 614: 613: 579: 578: 577: 560: 526: 517: 503: 482: 481: 464: 447: 426:Primary source 421: 418: 415: 414: 397: 393:Louis XV style 376: 362:salle du sacre 345: 328: 318: 308: 307: 305: 302: 301: 300: 296: 292: 288: 238: 237: 234: 231: 228: 147: 146: 143: 140: 137: 134: 131: 128: 15: 9: 6: 4: 3: 2: 790: 779: 776: 775: 773: 762: 757: 751: 747: 743: 739: 734: 733: 731:(6): 193–207. 730: 726: 721: 715: 711: 707: 703: 698: 697: 694: 690: 685: 681: 676: 672: 668: 663: 659: 655: 651: 647: 642: 641: 640: 638: 629: 625: 621: 616: 610: 606: 602: 597: 596: 593: 589: 585: 580: 574: 570: 566: 561: 557: 553: 549: 544: 543: 540: 536: 532: 527: 523: 518: 514: 510: 506: 504:9780691038919 500: 496: 491: 490: 489: 487: 478: 474: 470: 465: 461: 457: 453: 448: 444: 440: 436: 431: 430: 429: 427: 411: 407: 401: 394: 390: 386: 380: 373: 372: 367: 363: 359: 355: 349: 342: 338: 332: 322: 313: 309: 297: 293: 289: 286: 285: 284: 282: 278: 274: 270: 266: 261: 259: 255: 250: 248: 243: 235: 233:Grand cabinet 232: 229: 226: 225: 224: 222: 217: 215: 212:in 1752, the 211: 207: 203: 199: 198: 193: 189: 185: 181: 177: 173: 169: 165: 160: 158: 154: 153: 144: 141: 138: 135: 132: 129: 126: 125: 124: 122: 118: 114: 113:château vieux 110: 105: 103: 99: 95: 91: 87: 83: 79: 75: 71: 70: 65: 60: 58: 54: 53: 42: 35: 23: 19: 760: 741: 737: 728: 724: 705: 701: 695:(6): 85–112. 692: 688: 679: 670: 666: 649: 646:Archaeologia 645: 636: 634: 619: 600: 583: 564: 547: 530: 521: 494: 485: 483: 468: 451: 434: 425: 423: 420:Bibliography 410:Swiss Guards 400: 379: 369: 361: 357: 353: 348: 340: 336: 331: 321: 312: 280: 272: 268: 262: 257: 251: 246: 239: 220: 218: 213: 209: 205: 201: 195: 191: 187: 183: 179: 175: 171: 167: 161: 156: 150: 148: 120: 116: 112: 109:Louis Le Vau 106: 73: 67: 61: 51: 50: 48: 32:(before the 18: 744:(6): 7–22. 652:: 169–199. 45:Versailles. 30: 1676 763:: 161–171. 673:: 157–173. 223:included: 592:265027101 573:640147659 556:837387303 539:889332274 513:993316809 477:563933157 460:186796049 406:Paris mob 98:Louis XVI 96:(wife of 88:(wife of 82:Louis XIV 80:(wife of 772:Category 609:21028820 443:14959654 295:bedroom. 291:château. 90:Louis XV 64:enfilade 628:8001418 385:Regency 277:Dauphin 626:  607:  590:  571:  554:  537:  511:  501:  475:  458:  441:  92:) and 72:, the 304:Notes 299:King. 254:Louis 107:When 624:OCLC 605:OCLC 588:OCLC 569:OCLC 552:OCLC 535:OCLC 509:OCLC 499:ISBN 473:OCLC 456:OCLC 439:OCLC 49:The 746:doi 742:108 729:102 710:doi 654:doi 650:101 368:’s 84:), 774:: 740:. 727:. 706:35 704:. 693:29 691:. 669:. 648:. 507:. 59:. 27:c. 752:. 748:: 716:. 712:: 671:3 660:. 656:: 630:. 611:. 594:. 575:. 558:. 541:. 515:. 479:. 462:. 445:. 374:. 343:.

Index


third building campaign

Palace of Versailles
enfilade
grand appartement du roi
Maria Theresa of Spain
Louis XIV
Marie Leszczyńska
Louis XV
Marie Antoinette
Louis XVI
Marie Adélaïde of Savoy
Louis Le Vau
grand appartement du roi
Hall of Mirrors
appartement du roi
Château de Vincennes
Louis
Marie Leszczynska
Dauphin
Jacques-Louis David
The Coronation of Napoleon
Regency
HĂ´tel de Soubise
Louis XV style
Paris mob
Swiss Guards
OCLC
14959654

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