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Application of the original Granby
Condensed type was, however, difficult practically. It was not available in digital form, and felt to be just too condensed, with the proportion of ascender to x-height, too uncomfortable for use on the signing project. So there arose an opportunity to design a new
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Granby
Inlined is an odd duck. The inline does some unusual criss-crossing (B, E, G, T) which can be novel and interesting, but the bowl-to-stem joints (b, d, g, o, q) are quite clumsy. I have yet to see this one in use, except by Catherine Dixon wisely sticks to the
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style of sans-serif fonts. Granby's regular style is a robust design bolder than conventional body text fonts, making it suitable for headings and posters and also for legible text at smaller sizes.
147:.) Jeremy Mickel's Specter is a loose adaptation with true italic and an inline version drawn by Douglas Hayes. Dieter Hofrichter's Halifax is also in the same style.
132:; Red Rooster Fonts has also digitised the Elephant style. It was appropriately used in adverts by the London company Granby Cycles in the 1930s.
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86:) on the 'i' and 'j' and a wide ‘a’. A difference is its ‘g’, a ‘single-storey’ design influenced by handwriting. According to Mike Ashworth of
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60:(1928) which had recently been released and become popular. Roy Millington's history of Stephenson Blake also cites
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as their corporate font based on its local heritage. (It also has some influences of
Stephenson Blake's well-known
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While never as popular as Gill Sans on the commercial market, Granby nonetheless remained in use with revivals in
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was offered, in which the letters were slanted but not altered to take on more handwriting influences.
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Several styles of Granby were released to extend the design, including condensed weights, an
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typeface and at the same time tailor it to the specific needs of the
Sheffield project.
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and 'Granby
Elephant', an ultra-bold design. As with many sans-serifs, rather than a
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Granby
Elephant compared to Monotype's Gill Kayo, also called Gill Sans Ultra Bold.
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Like both
Johnston and Gill Sans, Granby has an upper-case influenced by
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Granby is influenced by a contemporary
British sans-serif design, the
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or
Railway Alphabet (1916), the proprietary face of what became
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357:. Harrow Weald, Middlesex: Capital Transport. pp. 73–78.
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serif letters, making it an example of what is now called the
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Stephenson Blake: The Last of the Old
English Typefounders
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326:"Eric Gill got it wrong; a re-evaluation of Gill Sans"
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versions. A digitisation of some weights is sold by
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Granby resembles Johnston with diamond-shaped dots (
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23:Granby in medium weight on a specimen sheet.
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71:and a lower-case inspired by traditional
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297:Letters of Credit: A View of Type Design
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682:Typefaces and fonts introduced in 1930
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34:typeface designed and released by the
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273:. Oak Knoll Press. pp. 170–175.
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548:"Subliminal power of city fonts"
219:"Commissions: Connect Sheffield"
439:Jackaman, Steve; Muir, Ashley.
300:. D.R. Godine. pp. 87–98.
635:Stephenson Blake specimen book
529:"Granby Cycles advertisements"
294:Tracy, Walter (January 2003).
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667:Humanist sans-serif typefaces
637:, photographed by Romesh Naik
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16:Humanist sans-serif typeface
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355:Johnston's Underground Type
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677:Stephenson Blake typefaces
580:Jeremy Tankard Typography
223:Jeremy Tankard Typography
269:Millington, Roy (2002).
546:Bramley, Ellie Violet.
165:"Questioning Gill Sans"
141:Sheffield City Council
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441:"Granby Elephant RRF"
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69:Roman square capitals
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88:Transport for London
447:. Red Rooster Fonts
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54:London Underground
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672:Display typefaces
574:Tankard, Jeremy.
307:978-1-56792-240-0
217:Tankard, Jeremy.
64:as an influence.
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615:. Retrieved
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553:The Guardian
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533:Fonts In Use
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126:Elsner+Flake
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39:type foundry
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651:Example use
508:Scangraphic
498:"Granby SB"
467:"EF Granby"
451:15 February
174:18 December
130:Scangraphic
107:true italic
73:"old-style"
45:from 1930.
661:Categories
576:"Wayfarer"
330:Typotheque
151:References
32:sans-serif
613:. Hoftype
605:"Halifax"
335:7 January
254:18 August
58:Gill Sans
43:Sheffield
353:(2000).
77:humanist
617:31 July
610:MyFonts
585:31 July
559:31 July
513:31 July
503:MyFonts
482:31 July
472:MyFonts
445:MyFonts
417:2 April
391:31 July
228:31 July
199:31 July
122:digital
111:oblique
84:tittles
412:Flickr
385:Flickr
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250:. MKML
62:Futura
56:, and
28:Granby
424:caps.
109:, an
30:is a
619:2016
587:2016
561:2016
515:2016
484:2016
453:2016
419:2018
393:2016
359:ISBN
337:2011
302:ISBN
275:ISBN
256:2018
230:2016
201:2016
176:2015
128:and
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