879:, with a tighter-spaced design (SH) created for headlines and a more spread-out version (SB) for body text sizes. As an assessment of the decisions involved, a wide-ranging review by Stephen Coles of digitisations of Futura and its competitor geometrics noted that Bitstream's "abandons some of the strict geometry in favour of a more harmonious whole, but it may not be the Futura you were expecting", and that URW's Futura Nr. 2 was "Possibly optimized for small text: it’s wider, ascenders shorter, counters larger, and apertures more open. Conversely, round glyphs (a, g, e,) are more true to the circle. This attribute doesn’t make this a great text face, but if you want that strict geometry, No. 2 delivers".
1050:, the school founder, and the original 1927 forms are, as Sozoo described it, "the first draft of Futura as we know it". While the capital letters are very similar to their modern counterparts (some visible differences include capital J's descent below the base line and a slightly higher crossbar on capital A), FuturaRenner uses text figures as opposed to the usual lining figures, and the letter forms of r (which has a distinctive dot-and-line styling), m and n (both of which are box-based and unrounded) are in particular contrast to modern Futura adaptations. FuturaRenner is available in light and regular weights, both of which are licensed under the
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162:), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. It is based on strokes of near-even weight, which are low in contrast. The lowercase has tall ascenders, which rise above the cap line, and uses nearly-circular, single-storey forms for the "a" and "g", the former previously more common in handwriting than in printed text. The uppercase characters present proportions similar to those of classical
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successful typeface. The old style text figures disappeared at the end of 1920s, when the typeface was released in
America. The Archetype Renner typefaces are a faithful recreation of Renner's original designs and released by The Foundry as single regular weight. Archetype Renner Bold was originally released by The Foundry in 1996 as part of the Archetype 2 series and in 2011 it was expanded as a 4 weight family: Regular, Medium, Demi and Bold.
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336:. She layers white text, set in Futura Bold Oblique, on a red background against black and white found photography from mass media sources. Her text challenges the viewer to reflect on gender, stereotypes and consumerism. Some of her notable works where Futura is featured are “Untitled (Your body is a battleground)", "You Are Not Yourself" and "I shop, Therefore I Am".
423:, as the font was used whenever letters, numbers, or words were displayed. To make the font more distinguishable to children, some of the characters were altered, such as the addition of serifs on the capital "I", a tail on the lowercase "j", and an open variant of the number "4". Futura is featured ubiquitously throughout the film adaptation of
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deemed blackletter typefaces to have Jewish heritage due to the Nazi's perception of the typeface looking too similar to Hebrew, and therefore banned
Fraktur and any other traditional German handwriting. Roman typography, which included Futura, became the new standard due to its superior legibility over blackletter typography.
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Futuris is a redesign at ParaType (ParaGraph) in 1991 by
Vladimir Yefimov that includes Cyrillic characters. Condensed styles were added in 1993 by Vladimir Yefimov and Alexander Tarbeev. It is available in Light, Medium, Bold, Black (without oblique) weights, while condensed fonts were made in Bold,
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gently thin as they merge with the verticals. Renner's biographer
Christopher Burke has noted the important role of the Bauer Foundry's manufacturing team in adapting the design for different sizes of text, a feature not seen in digital releases. However, Renner expressed some disappointment with the
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The font family has rounder letters than Futura
Display. For the first time, italic type features are incorporated in the italic fonts. The fonts incorporate handwriting features, especially in italic version. URW and Berthold have released digitisations, URW's under the name of "Topic", its name in
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Unusually, URW has two main digitisations, Futura and Futura No. 2. Futura 1 has the larger range of weights with some unusual versions like stencil and shadowed designs, while Futura No. 2 has, amongst other differences, a conventional 'j' in all the non-condensed weights apart from demi-bold, but
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Design historian Dan
Reynolds notes that its slogan "the typeface of today" was not the first time Bauer had used that slogan: it had previously been used to market Wienyk-Kursiv, a florid script typeface that never became very popular, around 1914: "Nobody has ever described Wieynk-Kursiv that way
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Futura made appearances on Nazi documentation, such as the "Organisationsbuch der NSDAP”, an informational handbook about membership to the Nazi Party and posters promoting “Entartete Kunst” (Degenerate Art), the exhibition that was created by the Nazis to shame modern art. In 1941, the Nazi regime
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As with all metal type revivals, converting Futura into a digital format poses interpretative challenges. Metal type fonts could be made differently for each text size, so a variety of metal and phototype versions of Futura exist on which a revival could potentially be based. In addition, revivals
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The font family released by Bauer consist of mager (light), halbfett (medium), fett (bold), kursiv halbfett (medium italic), and kursiv fett (bold italic). The font family was released in 1952–1953. It was sold by Bauer in German, English, Spanish, and French markets as Steile Futura, Bauer Topic,
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Futura was developed as a contribution to the New
Frankfurt project, a radical affordable housing project in Frankfurt, Germany that many renowned modernist architects at the time were involved in. Described as “the typeface of our time” and “a face representing the new typography of the European
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Futura has an appearance of efficiency and forwardness. Although Renner was not associated with the
Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Renner's design rejected the approach of most
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Steile Futura was Paul Renner's attempt to create a typeface that would be closer to the nineteenth century sans serifs than to the geometric model. During the course of development, Renner developed several intermediate versions. Some of the early design could be found in the experimental font
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This version is based on the original sources of the Bauer Type
Foundry, which had passed its typefaces to its Barcelona branch, Fundición Tipográfica Bauer SL. Released in 1999 by Neufville Digital — a joint venture of Fundición Tipográfica Bauer SL and Visualogik Technology & Design
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Released by The
Foundry in 1993, reproduces the experimental alternate characters and old style text figures of Paul Renner's 1927–29 typeface Futura. The alternate characters Renner proposed were mostly deleted from the typeface, resulting in a more conventional, and perhaps more
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Renner's original plan was for two versions: a more conventional version suitable for general use, and a more eccentric, geometric lower case based on the circle and triangle. This plan was scrapped, although the characters did appear on an early specimen and more recently on at least one
852:, Futura has been redrawn in digital formats. Because of complex licensing agreements, there is no one digital version of Futura but several, each with different features. (Some releases may be re-drawings or upgraded versions of earlier digital releases.) Releases of Futura exist from
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Futura was immediately very successful, and was heavily marketed as embodying the spirit of modernity. Other foundries quickly launched derivative geometric sans-serif typefaces, particularly in the United States. In the UK Futura, while sometimes used, was overshadowed by
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Futura Condensed is a condensed version of the original Futura font family. Bold and bold oblique fonts were released in 1930. Medium, medium oblique, extra bold, and extra bold oblique fonts were released in 1936. Light and light oblique fonts were released in 1950.
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At a time when Hitler and Nazi Germany ideologies were on the rise, typefaces were a strong indicator of culture and national identity. Roman typefaces were rising in popularity, and they were becoming the standard text for printed documents when previously, German
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This version is based on the previous ParaType design by Vladimir Yefimov (see above), expanded to include seven weights, with Book, Medium, Bold, Extra Bold weights for condensed fonts. Additional Cyrillic styles were developed in 2007 by Isabella Chaeva.
630:, episode "Common Descent – Part 1" the ancestors of the crew state that one of the two continents was named "Futura". There are several references to the name being a font in the episode. Futura also served as the typeface for UK television series
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The design of Futura avoids the decorative, eliminating nonessential elements, but makes subtle departures from pure geometric designs that allow the letterforms to seem balanced. This is visible in the apparently almost perfectly round stroke of the
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allowing good display on Windows computers. It also features a conventional 'j'. Another German competitor, also recently digitised by FontFont, was Friedrich Bauer's Bauer Grotesk, issued by J. D. Trennert & Sohn and then Genzsch & Heyse.
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called Renner-Grotesk, which appeared as a trial type casting from the Stempel type foundry in 1936. Renner kursiv, a true italic companion to the regular version, was made after Stempel had been taken over by Bauer in 1938.
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avant-garde”, Futura was released to stand out against the sans-serif and more elaborate, handwritten-style typefaces that were popular at the time in order to promote simplicity, modernism and industrialization.
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Futura remains an important typeface family and is used on a daily basis for print and digital purposes as both a headline and body font. The font is also used extensively in advertisements and logos, notably by
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Designed by Marie-Thérèse Koreman, it is a version of Futura ND published by Bauer Type Foundry. with alternate character designs, which also includes more angular glyphs found in early versions of Futura.
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Neufville Digital issued Futura, Futura Black, Futura Condensed, and Futura Display (Futura Schlagzeile) under the Futura ND family. A limited release with some weights and features missing is bundled with
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since then, as the claim was simply not accurate, just aspirational. I think the company had a marketing slogan in its back pocket, which it hoped would eventually stick. With Futura, it finally did".
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Transport is another important area where Futura has been used extensively due to its ability to be read quickly from a distance; it can be found extensively in the instrument panel graphics within
241:, which became popular for similar reasons in the UK and came to define 1930s and 1940s printing. While more humanist, it also has geometric leanings which are particularly visible in the capitals.
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to be the true German type. They rejected modern type styles like Futura, which went on to become popular throughout the world, influenced by the Bauhaus and the English Arts and Crafts Movements.
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The work on the type family continued in the 1940s, but Renner's poor health had slowed down the development. Renner started to work again on this project in 1951 under the name of Steile Futura (
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The family includes 20 fonts in 6 weights and 2 widths, with book and demibold missing in condensed width, with complementary oblique. Small caps and old style figures are included in 18 fonts.
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OpenType features included stylistic alternates, lining figures, proportional figures, old style figures, tabular figures, fractions, standard/discretional ligatures, superscript, small caps.
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Futura revivals may also decide to make design changes, like replacing Futura's straight 'j' with a more conventional substitute as URW's revival does. Scangraphic's revival notably includes
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Despite its clean geometric appearance, some of Futura's design choices recalled classic serif typefaces. Unlike many sans-serif designs intended for display purposes, Futura has quite a low
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and many others under that name, and by many other companies under others because of rights issues. For example, Fontsite's (including Futura Black and Poster) is renamed as 'Function'.
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was the first of the new geometric sans-serif typefaces, the commercial success of Futura encouraged other foundries to create many new similar typefaces to compete with it, including
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Original drafts of Futura had more abstract variant designs for several letters, such as a two-storey lowercase "a" (left, compared to Futura's standard one-storey "a" at right).
212:. These were dropped from the original metal issue of the type and first offered digitally by Neufville Digital under the Futura ND family; small caps are also available in the
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429:, for everything from the title logo and ending credits, to signs, newspapers, computer screens and other props. Some filmmakers used Futura in almost all of their films like
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Paul Renner began sketching his letters that would become Futura in 1924; the typeface was available for use three years later. Matrices for machine composition were made by
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166:. The original metal type showed extensive adaptation of the design to individual sizes, and several divergent digitisations have been released by different companies.
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slow design and release process, as it allowed Erbar (1926) to precede his design and other typefaces of similar design to appear in the same year as its release.
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Futura was extensively marketed by Bauer Type Foundry and its American distribution arm by brochure as capturing the spirit of modernity, using the German slogan
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used Futura frequently during the Apollo space program, with charts, technical documents, and spacecraft instrumentation labels all making use of the typeface.
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In Germany the designer Arno Drescher created the family Super Grotesk, which became very popular in East Germany after the war. Stephen Coles has described
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Extra Bold, all without obliques. Also available are Cameo Extra Bold (black in reverse), Shadow Light, Shadow Extra Bold (black with shadow), Volume Light.
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graphic novel as well as the movie based on it. The Medium version is a font used predominantly alongside the Stratum 2 font in the 2014 racing video game
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First released in 1929, Futura Black is an alternative design that uses stencil letter forms, high contrast and triangular serifs, with similarities to
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b.v — it includes small capitals and the old-style figures that had not been made in metal types. The redesign was done by Marie-Thérèse Koreman.
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will need to add characters not present in the original Futura like the Euro sign and Cyrillic, and therefore do not all have the same character set.
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It was, though, not the first sans-serif with these features: Koralle, for instance, already used a single-storey 'a', and the form is standard in
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Designed by Marie-Thérèse Koreman, it is a version of Futura ND Alternate with alternate characters designed for small or low resolution displays.
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In October 2020, Monotype re-digitized and released as Futura Now, which is based on Paul Renner's original design with additional 102 styles.
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used a modified version of Futura for its original 1986 version of the current logo and its wordmarks. A bold version of the font was used for
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When the Nazi regime rose into power in 1933, they utilized Blackletter typefaces to further promote German national identity. They determined
1932:
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characters. They were developed at ParaType (ParaGraph) in 1995 by Vladimir Yefimov. They came in only Light, Book, Medium, and Demi weights.
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typesetters who would set his dialogues in italicized Futura medium and return them to him so that they could be integrated to his drawings.
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being some of the most prolific users of the font. Futura is used extensively in aviation for instruments and control legends — most
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Bukra is an Arabic variant designed by Pascal Zoghbi. It consists of Bukra Extra Bold, which was used as an Arabic display typeface for
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The family includes 50 fonts in 6 weights and 2 widths, with book and demibold missing in condensed width, with complementary oblique.
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team) switched to rounded numbers on the jersey to match the number font (Futura Condensed) on their helmets. In 2012 the newly formed
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borrows liberally from Futura letterforms, with the glyphs adjusted to be metrically compatible with another geometric sans-serif,
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was the default style. As a way to hold on to German identity, the Germans pushed for the use of Blackletter typefaces over Roman.
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1030:'s competitor to Futura, a release which allows them to be mixed and matched with the more standard characters and small caps.
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in their print ads. Particularly until the 1950s it was used extensively by the publishing industry as a general-purpose font.
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This characteristic did vary by size: unlike digital facsimiles, Futura in metal type was made differently at different sizes.
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in Dubai as a complement for Futura Extra Bold. The design was based on Kufi script, but using shortened descenders. The name
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is inspired by Futura but with an unusually low x-height, giving it a more elegant appearance for uses such as headings and
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is notable for presenting the original alternate characters planned by Renner. They have also appeared on a digitisation of
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This version is based on the Futura Black, but designed at the Polygraphmash type design bureau in 1987 by Elvira Slysh.
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itself is a phonetic representation of one way to express "tomorrow" or "in the future" in some Arabic cultures.
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Arve BĂĄtevik designed two typefaces which are based on the Futura typeface: LL Supreme and LL Supreme Display.
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features Futura Medium in many prints through the story. The condensed version was used by videogame developer
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art school in Brussels. The metal lead type in the letterpress facility of the school were given by Renner to
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is a modernised version of Futura specifically designed to replace Futura as the corporate branding font of
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Beginning in the late 1970s, Futura was also the iconic typeface used by American Conceptual artist
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Released in 1932, Futura Display uses more angular strokes, resulting in rectangular letter forms.
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Futura has been used extensively in film and video. It is used for the title logo of the 1999 film
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1117:'s Super Grotesk digitisation as surprisingly useful, noting that its digitisation is unusually
560:'s first four albums use Futura on the covers, with the first two being exclusively Futura. The
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designed two typefaces which are based on the Futura typeface: The Future and The Future Mono.
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also used this font on their 1967-1970 logo. Futura Display is also used in the logo for the
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typeface borrows the same letterforms as Futura, but has rounded terminals on all strokes.
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1765:"Blue Pencil no. 60 addendum—Some comments by Dan Reynolds on "Die Schrift unserer Zeit""
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s title cards, coloured white upon a neon yellow background (neon green in season two).
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settings. Designed by Hannes von Döhren of HVD Fonts, it is the main corporate font of
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A Cyrillic variant of the Futura Medium typography was made by Anatoli Muzanov for the
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1959:"Roman Josi Nashville Predators Home NHL Premier Youth Hockey Jersey | Walmart Canada"
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Cyrillic variant of the Futura typeface made for the Summer Olympic Games Moscow 1980.
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types. Example uses of the font include the public safety departments of the city of
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1589:"Happy 90th Birthday to Futura, the Modernist Typeface That is Literally Everywhere"
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use Futura Bold Condensed as the font for the names on the back of player jerseys.
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no italics except in some bold weights. According to URW, No. 2 is based on
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is also fond of the font and used it in some of his films. Futura was also
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385:(the Italian public broadcasting agency) for its logo and is used in the
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Football Club used Futura in their logo and for club documentation. The
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from the Neufville digitisation of Futura, compared to perfect circles.
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Monotype Newsletter, Also Printed in Motif as "Letters Without Serifs"
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acknowledges Futura as one of his inspirations for his 1988 typeface
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with legend written in Futura. Use of the font is widespread in the
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2616:"Introducing Futura Now: The definitive version of an iconic family"
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during the 1980s. A slimmer variant seems to have been used by the
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comic strip, which started running in April 1942 in the newspaper
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design style of the period. It was developed as a typeface by the
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This is also the font used on the covers of the classic Region 2
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airliners use Futura within their cockpit controls, for example.
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from 1982 to 2003. The movie logo for the 2021 James Bond film
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and released in 1927. It was designed as a contribution on the
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was digitized by Bastien Sozoo in 2011 around his presence at
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Revival of the Fittest: Digital Versions of Classic Typefaces
1445:"Types of their time – A short history of the geometric sans"
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1526:. Berkeley: University of California Press. pp. 102–5.
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564:' championship banners are also in Futura Condensed. 2008
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Ettenberg, Eugene M. "Futura, a typeface for our times".
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2319:. Fontshop. Archived from the original on March 16, 2015
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Josh Finklea's Centra No.2 is heavily based on Futura.
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original release in some non-German speaking countries.
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Futura Demibold is a variation of the original Futura.
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Crockett Johnson used Futura for the lettering of his
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1933:"New Logo for Minnesota Timberwolves by Rare Design"
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Revival Type: Digital Typefaces Inspired by the Past
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Futura ND, Futura ND Black, Futura ND Display (1999)
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1713:"German design: Fraktur and the psychology of type"
1232:is similarly geometric and based on 1920s signage.
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Did You Know That There's A Tunnel Under Ocean Blvd
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industry for flight instrument and control markings
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3137:. New York: Princeton Architectural Press, 2017.
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1475:. Princeton Architectural Press. pp. 88–93.
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840:" version with a line drawn through each letter.
758:, title sequences of television programs such as
606:as well as being used extensively throughout the
516:adopted Futura during their 2017 rebranding. The
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1889:"Crockett Johnson and the Invention of Barnaby"
1843:"How Futura became Gaspar Noé's go-to typeface"
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832:Sample of the font Futura Inline in metal type.
686:DVD covers, and was used on the covers of most
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1302:. Princeton Architectural Press. p. 100.
1248:is similar to Futura with slight differences.
158:previous sans-serif designs (now often called
3198:
3064:. Rockport Publishers Inc, Gloucester; 1998.
2201:
923:
493:on-screen graphics from 1989 to 1991, and by
2175:
1498:"Futura: The Typeface of Today and Tomorrow"
1338:
1219:, a tighter version intended for body text.
642:
417:The most notable show to utilize Futura was
173:("the typeface of our time") and in English
2905:
624:advertisements used Futura. In season 2 of
3728:
3205:
3191:
2927:
1386:
1384:
1367:"On Erbar and Early Geometric Sans Serifs"
1255:mentions the font many times on his album
882:
146:(Bauersche GieĂźerei), in competition with
25:
2424:
2362:
2279:
2253:
2117:
1606:
1397:. Yale University Press. pp. 210–3.
1390:
1215:until 2018. In 2014, von Döhren released
280:in July 1969 features text set in Futura.
1759:
1546:
1364:
895:
827:
737:
668:
526:
346:
338:
271:
184:
2787:
2781:
1661:
1612:
1521:
1515:
1381:
804:in German means "upright" or "steep").
3752:Typefaces and fonts introduced in 1927
3744:
1915:"Discover | Adobe Creative Cloud"
1865:
1686:
1664:Fifty Typefaces That Changed the World
1411:
1339:Kupferschmid, Indra (6 January 2012).
582:for several of their games, including
177:. It has remained popular since then.
3733:List of typefaces included with macOS
3186:
2148:
1568:
935:
742:A metal type specimen of Futura Black
548:logo, the "Rainbow" logo of previous
276:The commemorative plaque left on the
3107:Meggs, Philip. B and McKelvey, Roy,
2635:
1524:Graphic Design in Germany: 1890-1945
1495:
1106:. Futura was rebranded in France by
175:"the typeface of today and tomorrow"
3212:
3079:. Cassell Paperback, London; 2001.
3062:Type: Hot Designers Make Cool Fonts
1886:
1689:Type: The Secret History of Letters
1469:Christopher Burke (December 1998).
1296:Christopher Burke (December 1998).
1148:, respectively) by Robin Nicholas.
946:
665:Futura Display (Futura Schlagzeile)
647:
13:
3030:Paul Renner: the art of typography
3000:
2835:
1472:Paul Renner: The Art of Typography
1442:
1299:Paul Renner: The Art of Typography
673:Futura Display in a specimen book.
656:
552:in Extra Heavy style, and is also
14:
3798:
3782:Typefaces designed by Paul Renner
3149:
2694:
2586:
2314:
1635:
1013:
976:
967:
3727:
1323:The Bauhaus Designer Paul Renner
1159:font based on Futura for use in
843:
823:
791:
756:National Association of Realtors
700:in their wordmark and logo. The
3014:, Paris, Éditions NORMA, 2011,
3012:Futura Une gloire typographique
2988:
2880:
2855:
2829:
2803:
2758:
2608:
2580:
2406:
2388:
2345:
2071:
2029:
2011:
1993:
1975:
1951:
1925:
1907:
1880:
1859:
1835:
1803:
1779:
1753:
1729:
1705:
1629:
1581:
1562:
1169:is a revival of Steile Futura.
1033:
733:
3757:Geometric sans-serif typefaces
3049:. Gotham Books, London; 2011.
3032:. London: Hyphen Press, 1998.
2975:
2811:"Fonts in Use: Comedy Central"
2055:"Futura ND Black - BauerTypes"
1316:
774:, and as the wordmark for the
544:Futura is used on the current
1:
2638:Typefaces: The Complete Works
1887:Nel, Philip (22 April 2013).
1866:Ronson, Jon (27 March 2004).
1280:
1057:
1040:free and open source typeface
16:Geometric sans-serif typeface
3787:Bauer Type Foundry typefaces
3777:Typefaces with optical sizes
3075:Jaspert, Berry and Johnson,
2396:"Futura ND Alternate in use"
1638:"Making Geometric Type Work"
1163:station signage since 1954.
958:
7:
1251:American singer and rapper
597:The Elder Scrolls V: Skyrim
377:Futura is also employed by
138:, similar in spirit to the
10:
3803:
3762:Photocomposition typefaces
3077:Encyclopaedia of Typefaces
3006:Alexandre Dumas de Rauly,
2101:. Berthold. Archived from
1548:Handover, Phyllis Margaret
1341:"True Type of the Bauhaus"
1225:is based on Futura Black.
1153:Toronto Transit Commission
924:Futura ND Alternate (2015)
808:Vox, ZĂ©nith respectively.
180:
171:"die Schrift unserer Zeit"
3725:
3682:
3581:
3526:
3438:Helvetica, Helvetica Neue
3371:
3238:
3221:
3130:, London, March 27, 2004.
3111:. RC Publications; 2002.
2337:: CS1 maint: unfit URL (
1787:"Barbara Kruger | artnet"
1767:. Paul Shaw Letter Design
1191:licenses, respectively).
1065:
951:The ParaType fonts added
698:Canadian Tire Corporation
643:Later metal type versions
103:
91:
83:
70:
57:
45:
33:
24:
3135:Never Use Futura, Unless
2722:"Bauer Grotesk Reloaded"
2317:"Alternatives to Futura"
1522:Aynsley, Jeremy (2000).
1391:Paul Shaw (April 2017).
1000:
984:
788:also uses Futura Black.
776:National Football League
510:Western Sydney Wanderers
267:
2957:"The Future Mono fonts"
2674:"Typoart Super Grotesk"
2640:. pp. 26, 330–338.
2562:"LTC Twentieth Century"
2353:"Marie-Thérèse Koreman"
1919:creativecloud.adobe.com
883:Architype Renner (1993)
820:is a loose adaptation.
3363:Times, Times New Roman
3090:Lawson, Alexander S.,
2568:. Lanston Type Company
1816:. 1981. Archived from
1687:Loxley, Simon (2006).
1662:Walters, John (2013).
1115:FontShop International
905:
833:
767:Prisoner: Cell Block H
754:, the "R" logo of the
743:
702:National Hockey League
674:
541:
518:National Hockey League
514:Minnesota Timberwolves
441:'s favorite typeface.
387:Italian railway system
363:
344:
281:
190:
3093:Anatomy of a Typeface
1823:on September 12, 2016
1613:Frere-Jones, Tobias.
1365:Kupferschmid, Indra.
1108:Deberny & Peignot
1052:SIL Open Font License
899:
850:hot metal typesetting
831:
741:
722:. It is also used in
672:
530:
350:
342:
275:
188:
3772:Government typefaces
3453:Microsoft Sans Serif
3384:Arial, Arial Rounded
3156:Fonts In Use: Futura
3028:Burke, Christopher,
2888:"LL Supreme Display"
2676:. Elsner & Flake
2414:"Futura Next in use"
1717:www.handelsblatt.com
692:novels published by
368:1980 Summer Olympics
121:geometric sans-serif
93:Re-issuing foundries
79:(Bauersche GieĂźerei)
3393:Avenir, Avenir Next
3253:American Typewriter
3166:Futura ND Alternate
3160:Bauer Types pages:
2959:. Klim Type Foundry
2937:. Klim Type Foundry
2790:"Brandon Grotesque"
2765:Hausschriften-Liste
2516:. 24 September 2010
2484:"PT Futura Eugenia"
2376:. Neufville Digital
2078:About Steile Futura
1552:"Grotesque Letters"
1443:Ulrich, Ferdinand.
848:With the demise of
706:Toronto Maple Leafs
522:Nashville Predators
502:Pittsburgh Steelers
497:from 1992 to 1996.
21:
2935:"The Future fonts"
2770:2007-09-26 at the
2744:"FF Bauer Grotesk"
2652:"FF Super Grotesk"
2636:Frutiger, Adrian.
2510:"URW Futura No. 2"
2235:"Function Display"
2095:"Steile Futura BQ"
1893:The Comics Journal
1737:"Never Use Futura"
1617:. Frere-Jones Type
1228:The 2000 typeface
1132:Typeface designer
1048:Henry Van de Velde
936:Futura Next (2016)
906:
834:
744:
675:
591:Fallout: New Vegas
580:Bethesda Softworks
556:'s main typeface.
542:
364:
345:
282:
191:
154:typeface of 1926.
148:Ludwig & Mayer
144:Bauer Type Foundry
77:Bauer Type Foundry
19:
3767:Digital typefaces
3739:
3738:
3692:Apple Color Emoji
3678:
3677:
3599:Bradley Hand Bold
3174:Futura ND Display
3133:Thomas, Douglas.
3124:"Citizen Kubrick"
3102:978-0-87923-333-4
3055:978-1-59240-652-4
3043:Garfield, Simon,
3020:978-2-915542-39-4
3008:Michel Wlassikoff
2622:. 5 October 2020.
2594:Open Font Library
2542:. Wiescher Design
2037:"Futura Demibold"
2019:"Futura Demibold"
2005:Abstractfonts.com
2001:"Futura Demibold"
1983:"Futura Demibold"
1868:"Citizen Kubrick"
1847:Little White Lies
1763:; Reynolds, Dan.
1482:978-1-56898-158-1
1404:978-0-300-21929-6
1309:978-1-56898-158-1
1275:Klim Type Foundry
1240:Aarhus University
1205:Brandon Grotesque
1088:Twentieth Century
1024:Twentieth Century
780:Minnesota Vikings
627:Stargate Universe
506:American football
307:Royal Dutch Shell
210:old-style figures
114:
113:
3794:
3731:
3730:
3413:Founders Grotesk
3388:Arial Unicode MS
3248:Academy Engraved
3236:
3235:
3207:
3200:
3193:
3184:
3183:
3096:. Godine: 1990.
3025:
2995:
2992:
2986:
2979:
2969:
2968:
2966:
2964:
2953:
2947:
2946:
2944:
2942:
2931:
2925:
2924:
2922:
2920:
2909:
2903:
2902:
2900:
2898:
2884:
2878:
2877:
2875:
2873:
2859:
2853:
2852:
2850:
2848:
2833:
2827:
2826:
2824:
2822:
2817:. 6 January 2012
2807:
2801:
2800:
2798:
2796:
2788:MyFonts (2011).
2785:
2779:
2762:
2756:
2755:
2753:
2751:
2740:
2734:
2733:
2731:
2729:
2718:
2712:
2711:
2709:
2707:
2695:Coles, Stephen.
2692:
2686:
2685:
2683:
2681:
2670:
2664:
2663:
2661:
2659:
2648:
2642:
2641:
2633:
2624:
2623:
2620:Monotype Imaging
2612:
2606:
2605:
2603:
2601:
2587:Sozoo, Bastien.
2584:
2578:
2577:
2575:
2573:
2558:
2552:
2551:
2549:
2547:
2536:"Futura Classic"
2532:
2526:
2525:
2523:
2521:
2506:
2500:
2499:
2497:
2495:
2480:
2474:
2473:
2471:
2469:
2458:"Futura Futuris"
2454:
2448:
2447:
2445:
2443:
2428:
2422:
2421:
2410:
2404:
2403:
2392:
2386:
2385:
2383:
2381:
2366:
2360:
2359:
2357:
2349:
2343:
2342:
2336:
2328:
2326:
2324:
2315:Coles, Stephen.
2312:
2303:
2302:
2300:
2298:
2283:
2277:
2276:
2274:
2272:
2257:
2251:
2250:
2248:
2246:
2231:
2225:
2224:
2222:
2220:
2205:
2199:
2198:
2196:
2194:
2179:
2173:
2172:
2170:
2168:
2152:
2146:
2145:
2143:
2141:
2121:
2115:
2114:
2112:
2110:
2105:on 31 March 2015
2091:
2085:
2075:
2069:
2068:
2066:
2065:
2051:
2045:
2044:
2033:
2027:
2026:
2015:
2009:
2008:
1997:
1991:
1990:
1979:
1973:
1972:
1970:
1969:
1955:
1949:
1948:
1946:
1944:
1939:. April 13, 2017
1929:
1923:
1922:
1911:
1905:
1904:
1902:
1900:
1884:
1878:
1877:
1863:
1857:
1856:
1854:
1853:
1839:
1833:
1832:
1830:
1828:
1822:
1815:
1811:"Olympic Report"
1807:
1801:
1800:
1798:
1797:
1783:
1777:
1776:
1774:
1772:
1757:
1751:
1750:
1748:
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1733:
1727:
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1709:
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1633:
1627:
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1510:
1508:
1493:
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1466:
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1456:
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1440:
1434:
1433:
1431:
1429:
1415:
1409:
1408:
1388:
1379:
1378:
1376:
1374:
1362:
1356:
1355:
1353:
1351:
1336:
1330:
1320:
1314:
1313:
1293:
1018:This release by
991:Ibn Battuta Mall
947:ParaType version
726:'s latest album
719:My Hero Academia
648:Futura Condensed
638:
621:Hoops & Yoyo
534:'s drama series
379:Fox News Channel
29:
22:
18:
3802:
3801:
3797:
3796:
3795:
3793:
3792:
3791:
3742:
3741:
3740:
3735:
3721:
3674:
3662:Snell Roundhand
3603:Brush Script MT
3577:
3522:
3367:
3313:Iowan Old Style
3217:
3211:
3170:Futura ND Black
3152:
3023:
3003:
3001:Further reading
2998:
2993:
2989:
2980:
2976:
2972:
2962:
2960:
2955:
2954:
2950:
2940:
2938:
2933:
2932:
2928:
2918:
2916:
2915:. Sharp Type Co
2911:
2910:
2906:
2896:
2894:
2886:
2885:
2881:
2871:
2869:
2861:
2860:
2856:
2846:
2844:
2836:Rendle, Robin.
2834:
2830:
2820:
2818:
2809:
2808:
2804:
2794:
2792:
2786:
2782:
2776:Typografie.info
2772:Wayback Machine
2763:
2759:
2749:
2747:
2742:
2741:
2737:
2727:
2725:
2720:
2719:
2715:
2705:
2703:
2693:
2689:
2679:
2677:
2672:
2671:
2667:
2657:
2655:
2650:
2649:
2645:
2634:
2627:
2614:
2613:
2609:
2599:
2597:
2589:"Futura Renner"
2585:
2581:
2571:
2569:
2560:
2559:
2555:
2545:
2543:
2534:
2533:
2529:
2519:
2517:
2508:
2507:
2503:
2493:
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2482:
2481:
2477:
2467:
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2429:
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2412:
2411:
2407:
2394:
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2389:
2379:
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2368:
2367:
2363:
2355:
2351:
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2346:
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2329:
2322:
2320:
2313:
2306:
2296:
2294:
2285:
2284:
2280:
2270:
2268:
2259:
2258:
2254:
2244:
2242:
2233:
2232:
2228:
2218:
2216:
2209:"Function Deco"
2207:
2206:
2202:
2192:
2190:
2181:
2180:
2176:
2166:
2164:
2154:
2153:
2149:
2139:
2137:
2123:
2122:
2118:
2108:
2106:
2093:
2092:
2088:
2076:
2072:
2063:
2061:
2053:
2052:
2048:
2035:
2034:
2030:
2017:
2016:
2012:
1999:
1998:
1994:
1981:
1980:
1976:
1967:
1965:
1957:
1956:
1952:
1942:
1940:
1931:
1930:
1926:
1913:
1912:
1908:
1898:
1896:
1895:. Fantagraphics
1885:
1881:
1864:
1860:
1851:
1849:
1841:
1840:
1836:
1826:
1824:
1820:
1813:
1809:
1808:
1804:
1795:
1793:
1785:
1784:
1780:
1770:
1768:
1758:
1754:
1745:
1743:
1741:Design Observer
1735:
1734:
1730:
1721:
1719:
1711:
1710:
1706:
1699:
1685:
1681:
1674:
1660:
1656:
1646:
1644:
1634:
1630:
1620:
1618:
1611:
1607:
1598:
1596:
1587:
1586:
1582:
1571:American Artist
1567:
1563:
1545:
1541:
1534:
1520:
1516:
1506:
1504:
1496:Rhatigan, Dan.
1494:
1490:
1483:
1467:
1460:
1450:
1448:
1441:
1437:
1427:
1425:
1417:
1416:
1412:
1405:
1389:
1382:
1372:
1370:
1363:
1359:
1349:
1347:
1337:
1333:
1327:Creativepro.com
1321:
1317:
1310:
1294:
1287:
1283:
1199:ITC Avant Garde
1134:Adrian Frutiger
1096:Bernhard Gothic
1068:
1060:
1036:
1016:
1003:
987:
979:
970:
961:
949:
938:
926:
894:
885:
846:
826:
794:
736:
667:
659:
657:Futura Demibold
650:
645:
636:
566:science fiction
558:Vampire Weekend
439:Stanley Kubrick
395:American Beauty
270:
183:
66:
17:
12:
11:
5:
3800:
3790:
3789:
3784:
3779:
3774:
3769:
3764:
3759:
3754:
3737:
3736:
3726:
3723:
3722:
3720:
3719:
3714:
3709:
3704:
3699:
3694:
3688:
3686:
3684:Non-alphabetic
3680:
3679:
3676:
3675:
3673:
3672:
3667:
3664:
3659:
3654:
3649:
3646:
3643:
3638:
3635:
3632:
3629:
3626:
3623:
3618:
3613:
3610:
3605:
3600:
3597:
3595:Apple Chancery
3591:
3589:
3579:
3578:
3576:
3575:
3572:
3567:
3562:
3557:
3552:
3543:
3538:
3532:
3530:
3524:
3523:
3521:
3520:
3515:
3510:
3505:
3500:
3495:
3490:
3485:
3480:
3475:
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3465:
3460:
3455:
3450:
3445:
3440:
3435:
3430:
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3420:
3415:
3410:
3405:
3400:
3395:
3390:
3381:
3377:
3375:
3369:
3368:
3366:
3365:
3360:
3355:
3350:
3345:
3343:Superclarendon
3340:
3335:
3330:
3325:
3320:
3315:
3310:
3305:
3300:
3295:
3290:
3285:
3280:
3275:
3270:
3265:
3263:Baskerville MT
3260:
3255:
3250:
3244:
3242:
3233:
3219:
3218:
3210:
3209:
3202:
3195:
3187:
3181:
3180:
3158:
3151:
3150:External links
3148:
3147:
3146:
3143:978-1616895723
3131:
3120:
3105:
3088:
3073:
3060:Haley, Allen,
3058:
3041:
3026:
3002:
2999:
2997:
2996:
2987:
2973:
2971:
2970:
2948:
2926:
2904:
2879:
2854:
2838:"Brandon Text"
2828:
2802:
2780:
2757:
2735:
2713:
2697:"Twitter post"
2687:
2665:
2643:
2625:
2607:
2579:
2553:
2527:
2501:
2475:
2449:
2423:
2405:
2387:
2361:
2344:
2304:
2278:
2252:
2226:
2200:
2183:"Function Pro"
2174:
2147:
2116:
2086:
2070:
2046:
2028:
2010:
1992:
1974:
1950:
1924:
1906:
1879:
1858:
1834:
1802:
1791:www.artnet.com
1778:
1752:
1728:
1704:
1697:
1691:. I.B.Tauris.
1679:
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1654:
1628:
1605:
1580:
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1539:
1532:
1514:
1488:
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1458:
1435:
1410:
1403:
1380:
1357:
1331:
1315:
1308:
1284:
1282:
1279:
1213:Comedy Central
1195:Century Gothic
1173:League Spartan
1161:Toronto subway
1157:Toronto Subway
1155:developed the
1067:
1064:
1059:
1056:
1035:
1032:
1015:
1014:Futura Classic
1012:
1002:
999:
986:
983:
978:
977:Futura Eugenia
975:
969:
968:Futura Futuris
966:
960:
957:
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945:
937:
934:
925:
922:
893:
890:
884:
881:
845:
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822:
793:
790:
785:No Time to Die
735:
732:
666:
663:
658:
655:
649:
646:
644:
641:
562:Boston Celtics
426:V for Vendetta
354:controls of a
334:Barbara Kruger
321:(until 2018),
319:FremantleMedia
305:(until 2015),
289:(until 2010),
269:
266:
233:digitisation.
216:digitisation.
182:
179:
164:Roman capitals
112:
111:
105:
101:
100:
95:
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68:
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61:
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49:
47:Classification
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37:
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15:
9:
6:
4:
3:
2:
3799:
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3747:
3734:
3724:
3718:
3717:Zapf Dingbats
3715:
3713:
3710:
3708:
3705:
3703:
3700:
3698:
3697:Apple Symbols
3695:
3693:
3690:
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3685:
3681:
3671:
3668:
3665:
3663:
3660:
3658:
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3650:
3648:Sauber Script
3647:
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3627:
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3542:
3541:Apple Braille
3539:
3537:
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3531:
3529:
3525:
3519:
3516:
3514:
3511:
3509:
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3501:
3499:
3496:
3494:
3493:San Francisco
3491:
3489:
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3484:
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3479:
3476:
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3471:
3469:
3466:
3464:
3461:
3459:
3458:Myriad Arabic
3456:
3454:
3451:
3449:
3448:Lucida Grande
3446:
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3434:
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3426:
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3411:
3409:
3408:Euphemia UCAS
3406:
3404:
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3132:
3129:
3125:
3122:Ronson, Jon.
3121:
3118:
3117:1-883915-08-2
3114:
3110:
3106:
3103:
3099:
3095:
3094:
3089:
3086:
3085:1-84188-139-2
3082:
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3070:1-56496-317-9
3067:
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3042:
3039:
3038:0-907259-12-X
3035:
3031:
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3017:
3013:
3009:
3005:
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2914:
2913:"Centra No.2"
2908:
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2348:
2340:
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2318:
2311:
2309:
2293:. Scangraphic
2292:
2288:
2282:
2267:. Scangraphic
2266:
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2240:
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2014:
2006:
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1996:
1988:
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1698:9780857730176
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1673:9781840916492
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1594:
1593:Eye on Design
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1533:9780520227965
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1271:Kris Sowersby
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1186:
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1181:Free Software
1178:
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1168:
1164:
1162:
1158:
1154:
1149:
1147:
1143:
1139:
1135:
1130:
1128:
1125:Volkswagen's
1123:
1120:
1116:
1111:
1110:as "Europe".
1109:
1105:
1101:
1097:
1093:
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1085:
1081:
1077:
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1055:
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1031:
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1025:
1021:
1020:Gert Wiescher
1011:
1009:
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982:
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944:
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933:
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898:
889:
880:
878:
877:optical sizes
873:
869:
867:
863:
859:
855:
851:
844:Digitisations
841:
839:
830:
824:Futura Inline
821:
819:
815:
809:
805:
803:
798:
792:Steile Futura
789:
787:
786:
781:
777:
773:
769:
768:
763:
762:
761:The Love Boat
757:
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575:City of Ember
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555:
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539:
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529:
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523:
519:
515:
511:
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500:In 1997, the
498:
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455:
451:
450:Mercedes-Benz
447:
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436:
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428:
427:
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420:Sesame Street
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132:New Frankfurt
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62:
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56:
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44:
41:
38:
36:
32:
28:
23:
3513:Trebuchet MS
3488:Proxima Nova
3417:
3308:Hoefler Text
3134:
3128:The Guardian
3127:
3108:
3091:
3076:
3061:
3046:Just My Type
3044:
3029:
3011:
2990:
2977:
2961:. Retrieved
2951:
2939:. Retrieved
2929:
2917:. Retrieved
2907:
2895:. Retrieved
2891:
2882:
2870:. Retrieved
2866:
2863:"LL Supreme"
2857:
2845:. Retrieved
2842:Typographica
2841:
2831:
2819:. Retrieved
2815:Fonts in Use
2814:
2805:
2793:. Retrieved
2783:
2775:
2760:
2748:. Retrieved
2738:
2726:. Retrieved
2716:
2704:. Retrieved
2700:
2690:
2678:. Retrieved
2668:
2656:. Retrieved
2646:
2637:
2619:
2610:
2600:December 24,
2598:. Retrieved
2592:
2582:
2570:. Retrieved
2565:
2556:
2544:. Retrieved
2539:
2530:
2518:. Retrieved
2513:
2504:
2492:. Retrieved
2487:
2478:
2466:. Retrieved
2461:
2452:
2440:. Retrieved
2435:
2426:
2418:Fonts in Use
2417:
2408:
2400:Fonts in Use
2399:
2390:
2378:. Retrieved
2373:
2364:
2347:
2321:. Retrieved
2295:. Retrieved
2290:
2281:
2269:. Retrieved
2264:
2255:
2243:. Retrieved
2238:
2229:
2217:. Retrieved
2212:
2203:
2191:. Retrieved
2186:
2177:
2165:. Retrieved
2159:
2150:
2138:. Retrieved
2128:
2119:
2107:. Retrieved
2103:the original
2098:
2089:
2081:
2073:
2062:. Retrieved
2058:
2049:
2041:Fontshop.com
2040:
2031:
2022:
2013:
2004:
1995:
1986:
1977:
1966:. Retrieved
1962:
1953:
1943:December 12,
1941:. Retrieved
1936:
1927:
1918:
1909:
1897:. Retrieved
1892:
1882:
1873:The Guardian
1871:
1861:
1850:. Retrieved
1846:
1837:
1825:. Retrieved
1818:the original
1805:
1794:. Retrieved
1790:
1781:
1769:. Retrieved
1755:
1744:. Retrieved
1740:
1731:
1720:. Retrieved
1716:
1707:
1688:
1682:
1666:. Hachette.
1663:
1657:
1645:. Retrieved
1642:Typographica
1641:
1636:Moore, Ian.
1631:
1619:. Retrieved
1608:
1597:. Retrieved
1595:. 2017-10-03
1592:
1583:
1574:
1570:
1564:
1555:
1542:
1523:
1517:
1505:. Retrieved
1501:
1491:
1471:
1449:. Retrieved
1438:
1426:. Retrieved
1423:Fonts in Use
1422:
1413:
1393:
1371:. Retrieved
1360:
1348:. Retrieved
1345:Fonts In Use
1344:
1334:
1326:
1318:
1298:
1269:
1266:
1263:
1256:
1250:
1246:Product Sans
1244:
1234:
1227:
1221:
1217:Brandon Text
1216:
1203:
1193:
1171:
1165:
1150:
1131:
1124:
1112:
1069:
1061:
1037:
1034:FuturaRenner
1017:
1004:
994:
988:
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971:
962:
950:
942:
939:
931:
927:
919:
911:
907:
901:
886:
874:
870:
866:Elsner+Flake
847:
835:
810:
806:
801:
799:
795:
783:
765:
759:
745:
734:Futura Black
724:Lana Del Rey
717:
694:Pocket Books
687:
681:
679:
676:
660:
651:
631:
625:
619:
613:
607:
601:
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589:
583:
573:
543:
540:uses Futura.
535:
499:
485:
480:
474:
468:
466:
443:
435:Wes Anderson
424:
418:
413:Warehouse 13
411:
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174:
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168:
156:
126:designed by
116:
115:
84:Date created
3666:Trattatello
3657:SignPainter
3631:Marker Felt
3621:Copperplate
3612:Chalkduster
3550:Courier New
3536:Andalé Mono
3380:Adelle Sans
3178:Futura Next
3024:(in French)
2983:blackletter
2897:17 February
2872:17 February
2432:"Futura PT"
2370:"Futura ND"
2287:"Futura SB"
2261:"Futura SH"
2161:Font Bureau
2125:"URW Topic"
2082:Mitja-m.com
1827:January 31,
1771:10 February
1615:"MicroPlus"
1502:Ultrasparky
1428:13 February
1253:Frank Ocean
1223:Braggadocio
1183:(Under the
1127:VAG Rounded
1119:well-hinted
1090:, Airport,
900:The letter
864:(several),
818:Font Bureau
554:Animax Asia
550:GMA Network
446:automobiles
389:for signs.
247:Blackletter
150:'s seminal
128:Paul Renner
64:Paul Renner
59:Designer(s)
3746:Categories
3652:Savoye LET
3634:Noteworthy
3625:Herculanum
3616:Comic Sans
3608:Chalkboard
3528:Monospaced
3373:Sans-serif
3338:STIX Fonts
3268:Big Caslon
2892:Lineto.com
2867:Lineto.com
2795:27 October
2746:. FontFont
2724:. FontFont
2654:. FontFont
2490:. ParaType
2464:. Paratype
2438:. Paratype
2241:. Fontsite
2239:Fontspring
2215:. Fontsite
2213:Fontspring
2189:. Fontsite
2187:Fontspring
2064:2018-05-12
2059:BauerTypes
2023:Type.co.uk
1968:2022-04-01
1963:Walmart.ca
1852:2022-03-11
1796:2020-04-06
1761:Shaw, Paul
1746:2020-04-06
1722:2020-04-06
1621:1 December
1599:2020-04-06
1507:21 January
1447:. FontShop
1373:20 October
1281:References
1092:SemplicitĂ
1058:Futura Now
683:Doctor Who
495:CBS Sports
491:NBC Sports
431:Gaspar Noe
356:Boeing 747
303:Volkswagen
299:Party City
291:Disney Jr.
160:grotesques
104:Shown here
40:Sans-serif
3712:Wingdings
3574:Spot Mono
3483:Phosphate
3463:Noto Sans
3428:Gill Sans
3273:Bodoni 72
3216:typefaces
3162:Futura ND
2821:4 October
2750:3 October
2728:3 October
2706:3 October
2680:2 October
2658:2 October
2572:3 October
2546:3 October
2520:2 October
2494:1 October
2468:1 October
2442:1 October
2380:1 October
2323:2 October
2297:2 October
2271:2 October
2245:1 October
2219:1 October
2193:1 October
2109:1 October
1987:Fonts.com
1937:Brand New
1647:3 October
1451:19 August
1419:"Koralle"
1369:. CJ Type
1350:3 October
1086:, Vogue,
1044:La Cambre
959:Futura PT
858:Bitstream
689:Star Trek
615:Driveclub
603:Fallout 4
585:Fallout 3
532:Channel 4
360:aerospace
352:Autopilot
239:Gill Sans
195:Intertype
98:Intertype
52:Geometric
3707:Webdings
3637:Pilgiche
3628:Luminari
3358:Rockwell
3353:PT Serif
3348:Palatino
3323:New York
3231:Cyrillic
2963:10 March
2941:10 March
2919:10 March
2768:Archived
2488:Fontshop
2333:cite web
2099:Linotype
1550:(1958).
1187:and GNU
1177:Beteckna
1028:Monotype
1008:Letraset
953:Cyrillic
854:Linotype
772:Bradlees
748:fat face
609:Watchmen
448: —
370:held in
315:Swissair
206:x-height
124:typeface
35:Category
3670:Zapfino
3641:Papyrus
3587:Display
3570:SF Mono
3565:PT Mono
3546:Courier
3518:Verdana
3498:Seravek
3473:PT Sans
3468:October
3433:Graphik
3333:Publico
3328:Produkt
3303:Georgia
3298:Domaine
3288:Charter
3258:Athelas
2847:11 July
2701:Twitter
2566:MyFonts
2540:MyFonts
2462:MyFonts
2436:MyFonts
2374:MyFonts
2291:MyFonts
2265:MyFonts
2167:28 June
2156:"Tasse"
2140:28 June
2130:MyFonts
1899:10 July
1236:Passata
1209:display
1185:SIL OFL
1084:Spartan
1070:Though
716:series
570:fantasy
470:Barnaby
454:Citroën
323:Absolut
311:Crayola
295:Supreme
254:Fraktur
181:Release
140:Bauhaus
107:Futura
72:Foundry
3702:Symbol
3645:Quotes
3583:Script
3560:Monaco
3508:Tahoma
3478:Optima
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