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444:, Gurmun, collected by his brother, the monstrous Morold. Tristan challenges Morold to a duel and defeats him, though in the process he is wounded by Morold's poisoned sword. In order to seek a cure Tristan travels to Ireland incognito (under the name Tantris), and contrives to get himself cured by Gurmun's Queen Isolde (Isolde the Wise). He is struck by the beauty and accomplishments of her daughter, Isolde the Fair, and returns to Cornwall singing her praises.
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countryside, thus winning Isolde's hand. However, observing that the splinter previously found in Morold's skull matches
Tantris's sword, Isolde realises Tantris is in fact Tristan, and threatens to kill him as he sits in the bath. Her mother and her kinswoman Brangaene intervene and Tristan explains the purpose of his journey, which leads to a reconciliation between Ireland and Cornwall. Tristan leaves for Cornwall with Isolde as a bride for Marke.
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Isolde the Fair, who is the only one who can cure him. It is agreed that the ship sent for her will bear a white sail if it returns with her on board, but a black sail if not. However, the jealous Isolde of the White Hands lies about the colour of the sail, and Isolde the Fair arrives to find
Tristan dead of grief. She kisses him and dies.
429:, where he and Marke's sister, Blanschefleur, fall in love. Blanschefleur becomes pregnant and the couple steal back to Parmenie, but Riwalin is killed in battle. When she hears the news, Blanschefleur dies, but the baby is delivered and survives. He is named Tristan because of the sorrowful circumstances of his birth.
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is a primarily an artist and trickster rather than a knight, that is, he lives on his wits rather than his martial prowess. While
Tristan has all the accomplishments of a knight, questions of chivalric ethos are irrelevant to the story and the role of the fighting man in society, central to the works
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has proved problematic to interpret, probably in part because it was arguably left unfinished. Much of critics' difficulty in interpreting the work was entirely intentional on the part of
Gottfried; his extensive use of irony in the text is clearly the greatest cause of disagreement over the meaning
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idyll on board before arriving in
Cornwall. This is followed by a series of intrigues in which the lovers attempt to dupe Marke, starting with the wedding night, when the virgin Brangaene substitutes for Isolde in the marriage bed. Marke is suspicious but is constantly outwitted by the lovers' guile.
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Contemporary heroes fall in love with a lady because of her beauty and her moral worth. Tristan and Isolde, in spite of their physical beauty and many accomplishments, which cause them to be generally adored, fall in love not for any such explicable reason, but because the love potion leaves them no
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Tristan grows up in
Parmenie, passed off as the son of Riwalin's marshal Rual li Fointeant, becoming the perfect courtier. While on board a merchant ship which has docked in Parmenie, Tristan is abducted by the Norwegian crew. Once at sea, the ship is struck by a tempest, the crew conclude that they
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The story itself also raises problems. If the power of the love potion is irresistible, how can
Tristan's marriage to Isolde of the White Hands be explained? If love is the supreme value, why do Tristan and Isolde leave their idyllic life in the Love Grotto, to return to a life of occasional secret
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as effectively heretical, with
Tristan and Isolde as "saints" of a religion of love, though how such a work could have been repeatedly read and copied at 13th century courts remains puzzling. Does the use of religious language imagery for the lovers mean that they represent an alternative religion,
447:
Jealous of
Tristan, Marke's councillors press him to marry, so that Tristan can be ousted as heir. Hoping that he will be killed in the process, they suggest Tristan be sent to Ireland to woo Isolde for Marke. Tristan travels to Ireland (as Tantris) and kills a dragon which has been threatening the
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His thorough familiarity with Latin literature and rhetorical theory suggest someone who had enjoyed a high level of monastic education. He also shows detailed technical knowledge of music and hunting, far beyond anything found in the works of his contemporaries. Gottfried draws more on the learned
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Eventually, Marke resigns himself to their love and banishes them from court. They go off into the wilderness, to a Love Grotto, where they enjoy an idyllic life away from society. By accident, Marke discovers the grotto and sees them lying side by side. However, aware of his approach, Tristan has
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was the source of a number of other versions, which makes it possible to get some idea of style and content. It is clear that while
Gottfried's statement of his reliance on and debt to Thomas is correct, he both expanded on his source and refined the story psychologically. The discovery in 1995 of
520:
Alternatively, some critics see the work not as a pure exaltation of love, but rather as an exploration of the conflict between passionate love and courtly social order. That Tristan is not knightly represents a rejection of the norms of feudal society; he allows himself to be guided by love and
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Isolde the Wise has given Brangaene a magic potion to be drunk by Marke and Isolde on their wedding night to ensure their love. On the voyage, however, it is drunk by Tristan and Isolde by mistake. They avow their love for each other, but know that it cannot be made public, and they enjoy a brief
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Tristan encounters a hunting party, whom he astonishes with his skill, and he accompanies them to Marke's court, where his many accomplishments make him popular, particularly with Marke. Eventually, after years of searching, Rual comes to Cornwall and finds Tristan, who is now revealed as Marke's
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In Thomas's poem, which is preserved from around this point, Tristan marries Isolde of the White Hands, though the marriage is never consummated. Tristan creates a hall of statues, with statues of Isolde and Brangaene. Tristan is wounded with a poisoned spear by Estult li Orgillus, and sends for
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Where contemporaries look for balance in life and subordination of the will of the individual (whether to God, or society, or both), Gottfried appears to exalt love as the supreme value, regardless of social consequences and heedless of the sinful nature of Tristan and Isolde's
602:
720:(Weidmann 1930, with corrections 1949). This is the standard edition, but contains no critical apparatus. Most readily available in 3 volumes with Modern German translation, commentary and epilogue by Rüdiger Krohn (Reclam 1980)
309:, an Anglo-French work of around 1160, was the source of his work. He explains that he bases himself on Thomas because he "told the tale correctly", distancing himself from the less courtly versions of the story represented by
201:, nothing is known of his life. It would seem, however, that he was a man of good birth and position, who filled an important municipal office in his native city of Strasbourg, but since he is always referred to in German as
640:, written around 1175. All but two of the complete manuscripts of Gottfried's work include a continuation by Ulrich or Heinrich; one uses the final part of Eilhart's work. Only one has no continuation at all.
231:, Gottfried died before finishing the work. References in the work suggest it was written during the first decade of the 13th century, and 1210 is taken, conventionally, as the date of Gottfried's death.
459:
With their secret hideaway discovered, the lovers return to court. However, Marke's suspicions return and finally he finds them together and can no longer doubt their adultery. Tristan flees to
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as a whole, as well as in the structure of individual passages. Gottfried also uses detailed word and sound patterns, playing with such things as rhyme, alliteration, and assonance. See
179:, as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for
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Unfortunately, Thomas's work, too, is fragmentary and there is little overlap with Gottfried's poem, making it difficult to evaluate Gottfried's originality directly. However, Thomas's
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463:, where he encounters Isolde of the White Hands, daughter of the Duke of Arundel. Gottfried's poem ends with Tristan expressing his emotional confusion over the two Isoldes.
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prologue", while pairs of quatrains, of sententious content, mark the main divisions of the story. The initial letters of the quatrains, indicated by large initials in some
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physical passion rather than chivalry. The deaths of Tristan and Isolde would then seem inevitable, in that their love could not overcome the contemporary social order.
581:, the former for their musicality, the latter for their clarity, both features which mark Gottfried's own style. Conversely, he criticises, without naming him directly,
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was that of Christian Heinrich Myller in 1785, and there have been many since. However, there is still no satisfactory critical edition and three editions are in use:
555:, in which Gottfried names and discusses the merits of a number of contemporary lyric and narrative poets. This is the first piece of literary criticism in German.
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337:, which includes material from one of the central parts of the story, the Love Grotto episode, promises a better understanding of Gottfried's use of his source.
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There are many older translations. However, any made before 1930, when Ranke's edition was first published, will be based on an outdated edition of the text.
293:, to both humorous and tragic effects. He may also have relied on irony to disguise his criticisms of contemporary society in order to avoid censure.
209:(sir), it seems safe to assume he was not a knight, a conclusion supported by the rather dismissive attitude toward knightly exploits shown in
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Gottfried's rhetorical style is very distinct among his contemporaries. It is incredibly complex, marked by the extensive use of
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ethos shared by his major literary contemporaries. He also appears to have been influenced by the writings of contemporary
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placed his sword between himself and Isolde, duping Marke into believing that perhaps they are not lovers after all.
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780:(2 vols, Brockhaus 1978), which includes Bechstein's running commentary and indicates differences from Ranke's text.
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are being punished by God for abducting Tristan, so they set him ashore in a country that turns out to be Cornwall.
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398:, which runs throughout the poem. In addition, the initial letters of the quatrains in the prologue give the name
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670:'s less sophisticated narrative of the Tristan story that was the source of the first printed version, the 1484
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William T. Whobrey, Tristan and Isolde, with Ulrich von Türheim's Continuation (Indianapolis: Hackett, 2020).
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or is this simply a technique to communicate their exemplary role and the sublime nature of their love?
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trysts? Some have even argued that Gottfried abandoned the work, unable to solve these contradictions.
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773:. Though the text is inferior to Ranke's, this is the only edition to provide full critical apparatus.
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Tristan in the Underworld: a study of Gottfried's "Tristan" together with the "Tristran" of Thomas
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1008:"Reinterpreting the Tristan Romances of Thomas and Gotfrid: Implications of a Recent Discovery"
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483:"Tristan" contrasts significantly with the works of Gottfried's contemporaries in three ways:
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simply a narrative device, of no import in itself, but required to deflect moral criticism?
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That his home was in Strasbourg is supported by the fact that the earliest manuscripts of
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K. Marold (de Gruyter 1906), republished in 2004 with an afterword by Werner Schröder
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An excerpt from Gottfried's prologue to Tristan, as translated by Matthew Wildermuth
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Gottfried's work was rediscovered in the late 18th century, and is the source of
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Gottfried's work is praised by a number of later 13th-century writers, including
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Kuhn H (1989). "Gottfried von Straßburg". In Ruh K, Keil G, Schröder W (eds.).
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Wolfgang Mohr (Kümmerle, 1979), in verse, based on Hermann Kurtz's translation
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R. Bechstein (2 vols, Leipzig, 1870), re-issued in a revised version edited by
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around 1290, but their source for the latter part of the story is not Thomas's
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the cause of their love, indicating love's irrational and irresistible nature?
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1998:
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L'Originalité de Gottfried de Strasbourg dans son poème de Tristan et Isolde
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The story starts with the courtship of Tristan's parents. Riwalin, King of
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1114:(in German), vol. 19, Berlin: Duncker & Humblot, pp. 640–641
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While Gottfried's poem was still being copied in the 15th century, it was
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One of the greatest hallmarks of Gottfried's style is his skillful use of
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1127:. Vol. 3. Berlin, New York: Walter De Gruyter. pp. 153–167.
617:, dating from the 13th to the 15th century. Of these 11 are complete.
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for the obscurity of his style and the uncouthness of his vocabulary.
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literature uses Ranke's line numbering for references to the text.
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Xenja von Ertzdorff, Doris Scholz, Carola Voelkel (Fink, 1979)
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674:, a work in prose which is not to be confused with the French
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Die deutsche Literatur des Mittelalters. Verfasserlexikon
129:
is an appellation or descriptor. There is no family name.
402:, which is assumed to have been the name of Gottfried's
440:
Cornwall is being forced to pay tribute to the King of
512:
This "exaltation of love" has led some critics to see
413:
it would probably have been around 24,000 lines long.
551:, one which owes nothing to Thomas, is the so-called
524:
The role of the potion remains contentious - is it:
163:
legend. Gottfried's work is regarded, alongside the
663:, written in the latter third of the 14th century.
542:
49:. Unsourced material may be challenged and removed.
1179:
1076:
927:
197:Other than an origin in or close association with
987:A Companion to Gottfried von Strassburg's Tristan
219:ends abruptly, and according to the testimony of
3029:
1227:. Vol. X (9th ed.). 1879. p. 854.
760:, without line numbering (Projekt Gutenberg-DE).
962:
909:
360:is 19,548 lines long, and is written, like all
348:, which derives ultimately from Celtic legend.
1713:
659:'s continuation as a source for the Old Czech
136:Portrait of Gottfried von Strassburg from the
1699:
1293:
989:. Woodbridge, Suffolk: Boydell & Brewer.
121:In this medieval name, the personal name is
1845:Category:Translators of William Shakespeare
1470:The Famous Tragedy of the Queen of Cornwall
1706:
1692:
1300:
1286:
1264:Works by or about Gottfried von Strassburg
1103:
1959:Hans Jakob Christoffel von Grimmelshausen
946:. Cambridge: Cambridge University Press.
597:A page from the Munich MS of Gottfried's
109:Learn how and when to remove this message
1665:Tristram and Isoude stained glass panels
709:The first modern edition of Gottfried's
592:
425:, travels to the court of King Marke in
340:Thomas's source, in turn, is a now lost
131:
1083:Arthurian Literature in the Middle Ages
1074:
3030:
1969:Christian Hoffmann von Hoffmannswaldau
1307:
1177:
1156:
1143:
938:
547:One of the most important passages in
227:, two people who provided endings for
1687:
1281:
1055:
984:
925:
1120:
1005:
374:The first section (ll. 1-44) of the
157:, an adaptation of the 12th-century
147:(died c. 1210) is the author of the
47:adding citations to reliable sources
18:
965:"Gottfried von Straßburg: 'Tristan"
809:of Thomas (London: Penguin, 1960).
754:(Universitätsbibliothek Paderborn).
13:
1159:Gottfried von Straßburg: "Tristan"
1150:. Lille: Au síege de l'Université.
624:was completed by two later poets,
531:a symbol of their falling in love?
333:the Carlisle Fragment of Thomas's
14:
3099:
1994:Anthony Ulrich, Duke of Brunswick
1201:
470:
278:structure in his organization of
1764:Early New High German literature
1207:
1058:Gottfried von Straßburg: Tristan
882:Peter Knecht (de Gruyter, 2004)
543:Gottfried and his contemporaries
344:Tristan story, reconstructed by
286:(1971) for a detailed analysis.
23:
3058:Writers of Arthurian literature
919:
784:
34:needs additional citations for
1239:New International Encyclopedia
1085:. Oxford: Clarendon. pp.
651:, and was used, together with
1:
1759:Middle High German literature
1574:Qntal III: Tristan und Isolde
1081:. In Loomis, Roger S. (ed.).
799:E.H. Zeydel (Princeton, 1948)
437:nephew. Tristan is knighted.
2045:Friedrich Gottlieb Klopstock
1502:The Old French Tristan Poems
854:Rüdiger Krohn (Reclam 1980)
830:Modern German translations:
588:
7:
2987:Adelbert von Chamisso Prize
2122:Annette von Droste-Hülshoff
2050:Jakob Michael Reinhold Lenz
1390:Gottfried von Strassburg's
872:Dieter Kühn (Reclam, 1998)
704:
409:If Gottfried had completed
382:and is referred to as the "
10:
3104:
2172:Christian Friedrich Hebbel
2127:Marie von Ebner-Eschenbach
2062:(Friedrich von Hardenberg)
2030:Johann Christoph Gottsched
2025:Johann Wolfgang von Goethe
1974:Johann Michael Moscherosch
1896:Walther von der Vogelweide
1850:Reformation era literature
1754:Old High German literature
1715:German-language literature
1634:In the Shadow of the Raven
1186:. New York: Edwin Mellon.
1078:"Gottfried von Strassburg"
1075:Jackson, W. T. H. (1959).
926:Batts, Michael S. (1971).
569:, and the narrative poets
567:Walther von der Vogelweide
301:Gottfried states that the
296:
283:
120:
58:"Gottfried von Strassburg"
3083:12th-century German poets
3043:13th-century German poets
2962:
2879:
2681:
2270:
2089:
2076:Johann Gottfried Schnabel
2015:Barthold Heinrich Brockes
2007:
1936:
1858:
1817:
1721:
1652:
1591:
1512:
1437:
1366:
1315:
1106:"Gottfried von Straßburg"
1060:. Berlin: Erich Schmidt.
1056:Huber, Christoph (2001).
985:Hasty, Will, ed. (2003).
941:Gottfried von Strassburg
683:Roman de Tristan en Prose
2668:Fritz Zorn (Fritz Angst)
2081:Christoph Martin Wieland
2055:Gotthold Ephraim Lessing
2035:Johann Christian Günther
1916:Gottfried von Strassburg
1749:History of Liechtenstein
1249:Gottfried von Strassburg
1234:Gottfried von Strassburg
1111:Neue Deutsche Biographie
930:Gottfried von Strassburg
896:
416:
269:
145:Gottfried von Strassburg
3068:Writers from Strasbourg
3012:Leipzig Book Fair Prize
2972:Ingeborg Bachmann Prize
2894:Rudolf Christoph Eucken
1906:Albrecht von Johansdorf
1840:Swiss writers in German
1254:Encyclopædia Britannica
1224:Encyclopædia Britannica
1157:Schulz, Ursula (2017).
396:Gotefrid-Tristan-Isolde
351:
192:
16:Middle High German poet
3053:Alsatian-German people
2227:Conrad Ferdinand Meyer
2132:Joseph von Eichendorff
1901:Wolfram von Eschenbach
1744:History of Switzerland
1421:Folie Tristan d'Oxford
1257:(11th ed.). 1911.
1161:. Stuttgart: Metzler.
789:English translations:
606:
583:Wolfram von Eschenbach
558:Gottfried praises the
498:Wolfram von Eschenbach
235:tradition of medieval
171:Wolfram von Eschenbach
141:
2543:Christian Morgenstern
2428:Hugo von Hofmannsthal
2333:Rolf Dieter Brinkmann
2117:Adelbert von Chamisso
1911:Heinrich von Morungen
1835:Liechtenstein writers
1558:Turangalîla-Symphonie
1212:Texts on Wikisource:
1178:Thomas, Neil (1991).
1024:10.1353/art.1997.0002
1006:Haug, Walter (1997).
963:Handschriftencensus.
939:Chinca, Mark (1997).
657:Heinrich von Freiberg
630:Heinrich von Freiberg
596:
225:Heinrich von Freiberg
135:
3002:Heinrich Heine Prize
2568:Erich Maria Remarque
2538:Friederike Mayröcker
2373:Friedrich Dürrenmatt
1642:Tristan & Isolde
1454:Tristram of Lyonesse
1374:Thomas of Britain's
681:, also known as the
672:Tristrant und Isalde
579:Bligger von Steinach
575:Heinrich von Veldeke
500:, is never at issue.
249:Bernard of Clairvaux
43:improve this article
3038:12th-century births
2982:Sigmund Freud Prize
2977:Georg Büchner Prize
2791:Emine Sevgi Özdamar
2503:Else Lasker-Schüler
2368:Heimito von Doderer
2212:Heinrich von Kleist
2202:Friedrich Hölderlin
2040:Friedrich Hölderlin
1886:Reinmar von Hagenau
1799:Austrian literature
1610:The Woman Next Door
1547:Souvenirs de Munich
1446:Tristram and Iseult
1104:Kuhn, Hugo (1999),
969:Handschriftencensus
934:. New York: Twayne.
910:Handschriftencensus
649:Konrad von Würzburg
609:There are 29 known
563:Reinmar von Hagenau
3088:Tristan and Iseult
2992:Hans Fallada Prize
2573:Rainer Maria Rilke
2493:Siegfried Kracauer
2383:Marieluise Fleißer
2298:Johannes R. Becher
2177:Johann Peter Hebel
2071:Friedrich Schiller
1818:Related categories
1739:History of Austria
1734:History of Germany
1671:Tristan and Isolde
1602:The Eternal Return
1521:Tristan und Isolde
1486:Tristan and Iseult
1323:Anguish of Ireland
1309:Tristan and Iseult
1144:Piquet, F (1905).
698:Tristan und Isolde
668:Eilhart von Oberge
653:Eilhart von Oberge
638:Eilhart von Oberge
626:Ulrich von Türheim
607:
323:Middle High German
319:Eilhart von Oberge
221:Ulrich von Türheim
186:Tristan und Isolde
160:Tristan and Iseult
149:Middle High German
142:
3078:German male poets
3025:
3024:
3017:Nelly Sachs Prize
2904:Gerhart Hauptmann
2861:Wolf Wondratschek
2786:Sharon Dodua Otoo
2623:Berta von Suttner
2598:Arthur Schnitzler
2588:Ernst von Salomon
2378:Lion Feuchtwanger
2283:Ingeborg Bachmann
2197:E. T. A. Hoffmann
2167:Gerhart Hauptmann
2152:Franz Grillparzer
2147:Jeremias Gotthelf
2097:Bettina von Arnim
2020:Christian Gellert
1921:Dietrich von Bern
1876:Der von Kürenberg
1774:Weimar Classicism
1681:
1680:
1218:"Gottfried"
1168:978-3-476-02575-3
1134:978-3-11-022248-7
553:literary excursus
307:Thomas of Britain
262:and specifically
245:Christian mystics
205:(master) and not
119:
118:
111:
93:
3095:
2944:Elfriede Jelinek
2866:Feridun Zaimoğlu
2856:Peter Wawerzinek
2801:Julya Rabinowich
2761:Christian Kracht
2736:Wladimir Kaminer
2726:Elfriede Jelinek
2488:Egon Erwin Kisch
2433:Ödön von Horváth
2413:Marlen Haushofer
2247:Adalbert Stifter
2207:Gottfried Keller
2107:Clemens Brentano
1989:Angelus Silesius
1964:Andreas Gryphius
1891:Hartmann von Aue
1881:Dietmar von Aist
1825:Austrian writers
1804:Swiss literature
1784:Literary realism
1722:Related articles
1708:
1701:
1694:
1685:
1684:
1561:(1949, Messiaen)
1438:Later literature
1367:Medieval sources
1343:Mark of Cornwall
1302:
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1288:
1279:
1278:
1268:Internet Archive
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628:around 1235 and
571:Hartmann von Aue
494:Hartmann von Aue
362:courtly romances
247:, in particular
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2965:literary awards
2964:
2963:German-language
2958:
2889:Theodor Mommsen
2882:Nobel laureates
2881:
2880:German-language
2875:
2821:Clemens J. Setz
2751:Alexander Kluge
2741:Daniel Kehlmann
2701:Jenny Erpenbeck
2683:
2677:
2648:Josef Weinheber
2608:Kurt Schwitters
2593:Paul Scheerbart
2308:Thomas Bernhard
2266:
2137:Theodor Fontane
2102:Achim von Arnim
2085:
2003:
1932:
1871:Courtly romance
1854:
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1769:Sturm und Drang
1729:German language
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1524:(1865, Wagner)
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645:Rudolf von Ems
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32:This article
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3063:Minnesingers
3007:Kleist Prize
2997:Goethe Prize
2954:Peter Handke
2949:Herta Müller
2939:Günter Grass
2811:Ingo Schulze
2806:Rafik Schami
2781:Herta Müller
2776:Terézia Mora
2766:Monika Maron
2716:Peter Handke
2682:Contemporary
2673:Stefan Zweig
2663:Christa Wolf
2658:Franz Werfel
2628:Ernst Toller
2618:Anna Seghers
2613:W. G. Sebald
2563:Robert Musil
2558:Adolf Muschg
2548:Erich Mühsam
2508:Kurd Laßwitz
2483:Sarah Kirsch
2478:Irmgard Keun
2458:Ernst Jünger
2443:Peter Huchel
2438:Ricarda Huch
2408:Peter Handke
2403:Günter Grass
2323:Volker Braun
2288:Hermann Bahr
2271:20th century
2257:Ludwig Tieck
2090:19th century
2008:18th century
1979:Martin Opitz
1949:Paul Fleming
1937:Early modern
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41:Please help
36:verification
33:
3048:1210 deaths
2924:Nelly Sachs
2914:Thomas Mann
2831:Yoko Tawada
2816:Lutz Seiler
2691:Zsuzsa Bánk
2653:Peter Weiss
2633:Georg Trakl
2583:Nelly Sachs
2578:Joseph Roth
2533:Thomas Mann
2463:Franz Kafka
2453:Uwe Johnson
2448:Ernst Jandl
2388:Erich Fried
2157:Jacob Grimm
1779:Romanticism
1673:(Egusquiza)
1528:Discography
1045:29 December
805:, with the
611:manuscripts
560:Minnesänger
388:manuscripts
276:symmetrical
3073:Epic poets
3032:Categories
2899:Paul Heyse
2846:Jan Wagner
2528:Klaus Mann
2513:Gert Ledig
2498:Karl Kraus
2423:Georg Heym
2393:Max Frisch
2358:Paul Celan
2293:Vicki Baum
2192:Paul Heyse
1984:Hans Sachs
1944:Simon Dach
1494:Arthur Rex
1414:Chevrefoil
1316:Characters
1012:Arthuriana
996:1571132031
803:A.T. Hatto
778:Peter Ganz
758:Plain text
390:, form an
342:Old French
315:Old French
199:Strasbourg
69:newspapers
2066:Jean Paul
1954:Hans Folz
1866:Minnesang
1618:Lovespell
1539:Liebestod
1382:Béroul's
1328:Brangaine
1040:161776449
589:Reception
508:adultery.
400:Dieterich
380:quatrains
266:dialect.
260:Alemannic
241:chivalric
183:'s opera
125: and
123:Gottfried
2871:Juli Zeh
2836:Uwe Timm
2278:May Ayim
2222:Karl May
1859:Medieval
1584:" (2005)
1376:Tristran
1348:Meliodas
1032:27869275
807:Tristran
705:Editions
701:(1865).
461:Normandy
427:Cornwall
423:Parmenie
392:acrostic
384:strophic
376:prologue
369:couplets
264:Alsatian
237:humanism
189:(1865).
176:Parzival
99:May 2019
2684:writers
2060:Novalis
1582:Tristan
1566:Tristan
1462:Tristan
1400:Tristan
1392:Tristan
1384:Tristan
1358:Tristan
1353:Morholt
1338:Kahedin
1266:at the
1242:. 1905.
1087:145-156
943:Tristan
746:Tristan
711:Tristan
678:Tristan
661:Tristan
634:Tristan
622:Tristan
615:Tristan
599:Tristan
549:Tristan
514:Tristan
504:choice.
489:Tristan
477:Tristan
442:Ireland
411:Tristan
366:rhyming
358:Tristan
335:Tristan
330:Tristan
303:Tristan
297:Sources
280:Tristan
256:Tristan
229:Tristan
217:Tristan
211:Tristan
203:Meister
155:Tristan
83:scholar
1645:(2006)
1637:(1988)
1629:(1982)
1621:(1981)
1613:(1981)
1605:(1943)
1577:(2003)
1505:(1980)
1497:(1978)
1489:(1971)
1481:(1939)
1473:(1923)
1465:(1903)
1457:(1882)
1449:(1852)
1407:Cligès
1398:Prose
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311:Béroul
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1553:1887)
1513:Music
1036:S2CID
1028:JSTOR
897:Notes
694:opera
417:Story
364:, in
291:irony
284:Batts
270:Style
90:JSTOR
76:books
1593:Film
1188:ISBN
1163:ISBN
1129:ISBN
1091:ISBN
1062:ISBN
1047:2020
991:ISBN
976:2020
948:ISBN
884:ISBN
874:ISBN
864:ISBN
862:and
856:ISBN
846:ISBN
836:ISBN
821:ISBN
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767:ISBN
738:ISBN
736:and
730:ISBN
722:ISBN
647:and
577:and
565:and
496:and
352:Text
317:and
223:and
207:Herr
193:Life
169:and
62:news
1653:Art
1551:ca.
1251:".
1236:".
1020:doi
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