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A goguette tended to draw its members from the locality, and would have a formal structure of committee meetings, officials, minutes, etc., as well as social events. Membership was usually open to all – men, women and children, of any social class. Some tended to attract certain types like artists or
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In the early 19th century, goguettes met in the premises of cafés and restaurants, and provided a space for their members (for a small fee) to sing in public or to have their own compositions sung. Songs would explore well-worn
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As well as providing venues for informal solo and ensemble singing, goguettes also served as places for drinking, socialising, and recreation.
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class; they were also associated with revolutionary politics and were carefully monitored by the authorities.
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themes such as drinking and eating, though political and social songs also played an important part.
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Apart from Paris, goguettes could be found in many French provincial towns and cities (
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Open to all social ranks, in practice they tended to attract literate men from the
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This article is based on translated text from the French
Knowledge article
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Baudelaire and the Second
Republic: writing and revolution
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describes a visit to a goguette in his 1852 short-story
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Goguettes can trace their history back to 1729 and the "
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French
Frenzies: A Social History of Pop Music in Franc
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222:(Virtualbookworm Publishing, 2004) p. 12.
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16:Singing society in France and Belgium
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