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Gluck's work was displayed in a special frame which the artist had invented and patented in 1932. The "Gluck frame" rose from the wall in three tiers, each tier smaller than the one behind it. Painted or papered to match the wall on which it was hung, it was designed to make the artist's paintings
240:
there. Gluck moved to
Cornwall with fellow art student, and partner, E M Craig, (1893-1968), who was known by just their surname Craig. Little is known about Craig, but the relationship was significant to Gluck, who often spoke in later life of how the two had run away together. By 1918, they were
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Gluck's
American-born mother, Francesca Halle, was training to be an opera singer when she met her husband to be, a childless widower twice her age; they married six weeks after meeting. She was subject to what were then called nervous breakdowns, and in later life was confined to a mental asylum.
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In the 1950s, Gluck became dissatisfied with the paints available for artists and began a "paint war" to improve their quality. Gluck felt that some paints were grainy in consistency, or looked 'dead' on the canvas. Gluck also said that some paints changed their apparent colour according to the
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In the artist's seventies, Gluck returned to painting, using special handmade paints that were supplied free by a manufacturer who had taken Gluck's exacting standards as a challenge. Gluck mounted another well-received solo show of fifty-two paintings from across their whole career.
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While Gluck's early artwork was positively received by critics and the public through the 1920s and 1930s, it later fell from popularity. As the painter's romantic relationship with Nesta came to an end, so too did Gluck's artistic career. There followed a thirty-year period of
484:. However, the campaign consumed Gluck's time and energy to the exclusion of painting for more than a decade. During this time, Gluck and Edith acquired their second home at Dolphin Cottage, in Lamorna.
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It was Gluck's first exhibition since 1944, and also the last. Gluck's last major work, begun in 1970 and completed in 1973, was a painting of a decomposing fish head on the beach titled
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386:, "They sat together in the third row and felt the intensity of the music fused them both into one person and matched their love." Gluck referred to it as the "YouWe" picture.
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265:, "no prefix, suffix, or quotes", and when an art society of which Gluck was vice president identified Gluck as "Miss Gluck" on its letterhead, Gluck resigned. In 1923
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193:(by the turn of the century the largest tobacco retailer in the country), and his Dutch-born wife Hannah Joseph (1819–1895), after whom the painter was named.
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460:. In 1945, Gluck sold Bolton House but retained the studio, continuing to use it for a few years, eventually selling it in 1949 to artist and author
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In 2017-2018, the painter was the subject of an exhibition at the
Brighton Museum & Art Gallery, an accompanying book of the same title (
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In 1980, two years after the artist's death, The Fine Art
Society hosted a six-week memorial exhibition of 45 of Gluck's paintings.
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In the artistic community of
Lamorna, Gluck began to adopt a masculine appearance and to defy fashion and gender norms. In 1916,
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In the 1920s and 30s, Gluck became known for portraits and floral paintings; the latter were favoured by the interior decorator
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In 1977, Gluck donated 57 items, including clothing, accessories and pieces relating to the time spent in
Tunisia, to the
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July-August 1998 saw a "a small but beautifully curated exhibition of some of the most memorable paintings" by Gluck, in
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Who's who in Jewish
History: After the Period of the Old Testament' (Oxford: Oxford University Press, 1995) p. 240
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In 1937, Gluck had a third solo show at the Fine Art
Society. The exhibition of thirty-three paintings, including
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297:. In October 1924, Gluck first had a solo exhibition, of fifty-six paintings, at the Dorien Leigh Galleries in
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designed and built a studio extension to the house. The following year Gluck had another solo exhibition,
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In May 1936, Gluck spent a weekend with Nesta
Obermer at the Obermer family home, Mill House at
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featuring the authors and curators Martin Pel, Dr
Jeffrey Horsley and Prof Amy de la Haye.
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for war-time service, and moved to a cottage close to the Obermer home in Plumpton.
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between 1913 and 1916, after which the artist moved to the west Cornwall valley of
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In September 1939, Gluck closed Bolton House, which was then requisitioned by the
1091:"Gluck: Trailblazer Of Gender Fluidity Presented In New Exhibition And Symposium"
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Virago reprinted the classic 1928 novel eight times in as many years, making
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972:. Brighton Ourstory - Lesbian, Gay and Bisexual History Group. Winter 1998.
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painted Gluck smoking a pipe. Gluck insisted on being known only by that
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where Gluck, with a housekeeper, a cook and a maid, lived until 1939.
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By 1928, Gluck was sharing Bolton House with the author and socialite
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perhaps one of the most famous depictions of a lesbian relationship.
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direction of the brushstroke, and that some took too long to dry.
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Paintings by Gluck are held in major British public collections.
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173:, England. Gluck's father was Joseph Gluckstein, whose brothers
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904:"Stunningly Modern Paintings by a Gender-Bending 1920s Artist"
608:. The NPG also holds a photographic portrait of the artist by
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in London. That year Gluck's father bought Bolton House in
999:. Lamorna: The Lamorna Oral History Group. pp. 27–30.
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in Britain and several other countries on 13 August 2023.
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Gluck died in 1978 in Steyning, Sussex at the age of 82.
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249:. For a time, they also maintained a studio in Lamorna.
353:(1937) depicts Gluck (right) with Nesta Obermer (left).
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living together in London, originally in a flat on the
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A 1942 self-portrait was donated by the artist to the
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Foundation on the occasion of the 2018 centenary of
1066:"Brighton Ourstory - Lesbian and Gay History Group"
537:, Gluck's self-portrait with Nesta Obermer, as the
604:in 1973, and was used in the 2001-2002 exhibition
940:(rev. ed.). London: Phoenix Press. pp.
149:: the artist's joint self-portrait with Obermer (
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285:look like part of the architecture of the room.
118:; 13 August 1895 – 10 January 1978) was a
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126:(such as "Miss" or "Mr"), also using the names
814:"Gluck And Her No Prefix, No Suffix Queer Art"
606:Mirror Mirror: Self-Portraits by Women Artists
445:in Dorset. The following year, Gluck moved to
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731:Artists in Britain Since 1945 Vol 1, A to L
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224:until 1913. That year, Gluck was awarded a
1383:People educated at St Paul's Girls' School
1016:. London and New York: Routledge. p.
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818:DailyArtMagazine.com - Art History Stories
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595:women gaining the right to vote in Britain
498:Rage, Rage against the Dying of the Light;
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872:"Gluck Overview: The Fine Art Society"
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812:Michalska, Magda (21 February 2018).
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768:from the original on 6 September 2017
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502:Do Not Go Gentle into That Good Night
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364:One of Gluck's best-known paintings,
1044:. Phaidon Press. 2019. p. 154.
1013:Reflecting on The Well of Loneliness
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878:from the original on 7 November 2017
849:from the original on 10 January 2018
685:. New Haven: Yale University Press.
589:in 2019 "with funds provided by the
456:In 1944, Gluck had an exhibition at
1318:Alumni of St John's Wood Art School
1288:glbtq encyclopedia project archives
1167:"Gluck - National Portrait Gallery"
1142:"Gluck - National Portrait Gallery"
916:from the original on 26 August 2017
382:. According to Gluck's biographer
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500:the title is taken from the poem "
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1220:Gluck: 1895 - 1978: Her Biography
1010:Rebecca O'Rourke (January 1989).
976:from the original on 25 July 2008
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513:Brighton Museum & Art Gallery
1388:20th-century English LGBT people
1117:"'Flora's Cloak', Gluck, c.1923"
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902:Judah Hettie (1 February 2017),
839:"Gluck and Modern British Women"
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476:Ultimately, Gluck persuaded the
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169:Gluck was born into a wealthy
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1313:20th-century English painters
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585:(circa 1923) was acquired by
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480:to create a new standard for
478:British Standards Institution
429:Chantry House, Steyning, 2017
197:Gluck's younger brother, Sir
1274:8 artworks by or after Gluck
789:Painting in Newlyn 1900-1930
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230:St John's Wood School of Art
228:silver star. Gluck attended
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94:St John's Wood School of Art
39:Peter (A Young English Girl)
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275:artistic school or movement
273:. Gluck identified with no
271:Peter, a Young English Girl
189:(1821–1873), co-founder of
16:British painter (1895–1978)
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1070:www.brightonourstory.co.uk
762:National Portrait Gallery
602:National Portrait Gallery
576:London College of Fashion
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208:Gluck was a pupil at the
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1192:"Gluck's 128th Birthday"
874:. The Fine Art Society.
733:. Art Dictionaries Ltd.
610:Emil Otto ('E.O.') Hoppé
320:. In 1931 the architect
277:and showed work only in
253:Persona and early career
216:until 1910, and then at
1358:English lesbian artists
1353:LGBT people from London
1250:Gluck: Art and Identity
683:Gluck: art and identity
568:Gluck: Art and Identity
458:Steyning Grammar School
218:St Paul's Girls' School
191:Salmon & Gluckstein
171:Jewish family in London
90:St Paul's Girls' School
934:Diana Souhami (2001).
729:David Buckman (2006).
544:The Well of Loneliness
435:Edith Shackleton Heald
430:
420:Auxiliary Fire Service
393:, was attended by the
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245:, then in a studio in
1378:People from Hampstead
1363:English LGBT painters
1254:Yale University Press
787:Caroline Fox (1985).
572:Yale University Press
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359:Plumpton, East Sussex
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226:Royal Drawing Society
1323:Painters from London
937:Gluck: Her Biography
1373:Artists from London
1042:Great women artists
997:Some Lamorna Voices
843:studiointernational
561:De La Warr Pavilion
134:. Gluck joined the
1348:Lamorna Art colony
970:Newsletter Issue 5
909:The New York Times
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401:Thirty year hiatus
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305:exhibition at the
1338:Gluckstein family
1284:Hannah Gluckstein
581:Gluck's painting
326:Diverse Paintings
303:Stage and Country
269:painted Gluck as
187:Samuel Gluckstein
116:Hannah Gluckstein
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55:Hannah Gluckstein
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336:in Tunisia.
325:
322:Edward Maufe
315:
302:
292:
283:
270:
256:
207:
205:politician.
203:Conservative
195:
181:had founded
168:
150:
131:
127:
115:
109:
108:
72:(1978-01-10)
38:
18:
1308:1978 deaths
1303:1895 births
370:Fritz Busch
247:Earls Court
222:Hammersmith
210:Dame School
201:, became a
1297:Categories
920:2 February
798:0950657948
772:5 December
623:References
488:Later life
482:oil paints
443:Lyme Regis
1201:13 August
1176:13 August
1151:13 August
1126:13 August
1100:13 August
1075:13 August
882:28 August
853:9 January
701:982593828
559:, at the
550:Medallion
539:cover art
535:Medallion
529:In 1982,
391:Medallion
366:Medallion
351:Medallion
341:Medallion
157:Biography
151:Medallion
124:honorific
980:24 April
974:Archived
914:archived
876:Archived
847:Archived
823:19 March
766:Archived
451:Steyning
439:Brighton
334:Hammamet
179:Montague
143:Penzance
103:Painting
78:Steyning
1286:in the
1230:, 2013
1228:Quercus
1095:Artlyst
942:121–122
758:"Gluck"
441:and at
263:mononym
234:Lamorna
175:Isidore
136:Lamorna
1278:Art UK
1260:
1234:
1115:Tate.
1048:
1024:
948:
795:
737:
699:
689:
533:chose
522:Legacy
374:Mozart
163:Family
114:(born
45:, 1923
504:" by
395:Queen
141:near
128:Peter
111:Gluck
25:Gluck
1280:site
1258:ISBN
1232:ISBN
1203:2023
1178:2023
1153:2023
1128:2023
1121:Tate
1102:2023
1077:2023
1046:ISBN
1022:ISBN
982:2009
946:ISBN
922:2017
884:2017
855:2018
825:2019
793:ISBN
774:2016
735:ISBN
697:OCLC
687:ISBN
597:".
587:Tate
177:and
130:and
67:Died
51:Born
449:in
376:'s
281:.
220:in
212:in
132:Hig
41:by
1299::
1256:,
1222:,
1194:.
1169:.
1144:.
1119:.
1093:.
1068:.
1020:.
1018:98
968:.
944:.
912:,
906:,
892:^
863:^
845:.
841:.
816:.
764:.
760:.
749:^
721:^
695:.
631:^
570:,
563:.
515:.
508:.
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