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George Crumb

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William Dougherty wrote: "Wherever one stands on the ethics of appropriation, it’s undeniable that Crumb, by incorporating in his work sounds from other cultures, succeeded in finding a timbrally rich sound world unlike any of his contemporaries." Of his legacy, Michael Schell said "on the morning of
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titled, "Music: Does It Have a Future?" In it, he codified his worldview of unified culture and music, arguing that, "the total musical culture of Planet Earth is ‘coming together,’ as it were. An American or European composer, for example, now has access to the music of various Asian, African, and
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in 1958. It was here that he met the pianist David Burge, who asked Crumb to compose a piece for him. While creating this, Crumb woke up in a cold sweat one night, realising that thus far he had simply been rewriting the works of other composers. From here on he began experimenting with new,
416:, teaching clarinet privately and at the Mason College, and working as both a music copyist and arranger. George, Jr. began to compose at an early age and had two of his orchestral works performed by the Charleston Symphony Orchestra while he was still in his teens. In 1947 he studied at the 796:
his death Crumb was arguably the most important living composer of piano music, and the last giant in a distinctively American line of innovative percussion writers.". Mark Swed said "Crumb may not have been well known outside of new-music circles, but he mattered beyond those perimeters."
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for solo piano contain 12 pieces, each bearing a dedication (a friend's initials, however he also wittily dedicates a piece to himself) at the end. On several occasions, the pianist is required to sing, shout, whistle, whisper, and moan, as well as play the instrument unconventionally.
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South American cultures. This awareness of music in its largest sense—as a worldwide phenomenon—will inevitably have enormous consequences for the music of the future.” Of this worldview, which Crumb noted he still followed 37 years later in a 2017 interview for
683:) completed in 2010. Typically these settings preserve the familiar tunes more-or-less intact, but the accompaniments for amplified piano and percussionists use a very wide range of musical techniques and exotic sounds. As of 2017, 758:, something he considered as important as rhythm, harmony, and counterpoint. He often asks for instruments to be played in unusual ways and several of his pieces, although written for standard chamber music ensembles, such as 359:"distinguished by astonishing clarity, precision and elegance, and by arresting graphic symbols in which staves are bent into arches, circles and other pictorial devices." Among his students were the composers 3994: 494:(1970), Crumb employed theatrical ritual, using evocative masks, costumes, and sonorities. In other pieces he asks players to leave and enter the stage during the piece, and has also used unusual layouts of 549:
and to bow small goblets as well as to play their instruments in both conventional and unconventional ways. It is one of Crumb's best known pieces, and has been recorded by several groups, including the
191:, developing a highly personal musical language which "range in mood from peaceful to nightmarish". Crumb's compositions are known for pushing the limits of technical prowess by way of frequent use of 3999: 490:
In this period, Crumb shared with a number of other young composers regarded as being under the umbrella of "new accessibility" a desire to reach out to alienated audiences. In works like
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said of Crumb's music: "The ingredients in Crumb’s collages were chosen not as representatives of styles but as expressive symbols of timeless content."
774:(mixed ensemble), call for electronic amplification. Crumb defines music as "a system of proportions in the service of spiritual impulse." Musicologist 3914: 2688: 3979: 3456: 675:, and popular tunes: Crumb originally planned to produce four such volumes, but in fact he continued to produce additional sets after the fourth ( 4014: 3964: 3574: 3307: 3047: 433: 3889: 3864: 3466: 2861: 3769: 3370: 2397: 4004: 3231: 3919: 3762: 3755: 3748: 3741: 3734: 3727: 3720: 3713: 3567: 2454: 823:(1976). Directed and produced by Robert Mugge. Interviewed by Richard Wernick. New York, New York: Rhapsody Films (released 1988). 3984: 3934: 3924: 3899: 3874: 3040: 1767:; Richard W. Bass, “The Case of the Silent G: Pitch Structure and Proportions in the Theme of George Crumb’s Gnomic Variations”, in 3904: 3884: 3879: 3859: 1802: 3894: 3869: 2980: 2769: 2159: 479:
From the 1960s on, Crumb's music filled a niche for sophisticated—though still conservative—concertgoers. His music fell between
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During the 1980s and 1990s, Crumb's musical output was less prolific. Beginning in 2000 Crumb wrote a number of works subtitled
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on 24 October 1929 to a musical family and he grew up playing chamber music with them. Both of Crumb's parents played in the
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in Interlochen, Michigan. He majored in music at the Mason College of Music and Fine Arts (subsequently subsumed into the
2347: 1181:(1968), for baritone, electric guitar, electric double bass, amplified piano/electric harpsichord, and two percussionists 3989: 3641: 3535: 2375: 907:(1977, revised 1979), for soprano, antiphonal children's voices, male speaking choir, bell ringers, and large orchestra 1901: 3929: 1889: 465: 3974: 3944: 3063: 1458: 1454: 393: 2742: 3949: 3279: 417: 1973:"I determined to leave the beautiful melodies intact": quote from the composer in the note to CD set BRIDGE 9218 3939: 2419: 1877: 616: 710:
is also a composer and, since 1997, assistant professor at the University of Oregon. George Crumb's daughter,
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composers in particular would stay throughout his life. He was especially influenced by composers such as
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The Future of Modern Music: A Philosophical Exploration of Modernist Music in the 20th Century and Beyond
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Bass, Richard (Spring 1991). "Sets, Scales and Symmetrics: The Pitch-Structural Basis of George Crumb's
1001:) (1976), for violin, cello, piano, percussion (one player), and off-stage glass harmonica (two players) 3783: 3099: 2940: 2895: 1491: 1191: 770: 473: 247: 2737: 2041: 4009: 3423: 3332: 1638: 389: 71: 3590: 1359: 695: 575:, published in four books. The first two books (1972, 1973), for solo piano, make extensive use of 421: 269: 214: 141: 2770:"Appreciation: How George Crumb became one of America's most surprisingly consequential composers" 2160:"Appreciation: How George Crumb became one of America's most surprisingly consequential composers" 2016: 526: 333: 3626: 3606: 3109: 2858: 2707: 2699: 2634: 2501: 1856: 441: 296: 3797: 3611: 3504: 2826: 2430: 2238: 1377: 445: 102: 2498: 3241: 2888: 2603: 2270: 1930: 596: 546: 518: 480: 203:
atmosphere which portray emotions of considerable intensity with vast and sometimes haunting
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totalled 65 movements, 62 texts, 150 percussion instruments, more than five hours of music.
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He earned his living primarily from teaching. His first teaching job was at a college in
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Crumb's most ambitious work, and among his more famous, is the 24-piece collection
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Crumb retired from teaching in 1995, though in early 2002 he was appointed with
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Fowler, Charles B. (April 1967). "American Composer Sketches: George Crumb".
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specifies that in places, amplification should reach 'the threshold of pain'.
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groups. To convey his unorthodox and complex musical style, Crumb's musical
179:(24 October 1929 – 6 February 2022) was an American composer of avant-garde 3833: 3539: 3494: 3418: 3403: 3360: 3317: 3284: 3264: 3216: 3124: 2956: 1225:(2005/13), for mezzo-soprano, amplified piano, and percussion (two players) 1187:(1969), for alto, alto flute/piccolo, banjo, electric cello, and percussion 971: 790: 751: 576: 554:, whose formation was inspired when violinist David Harrington first heard 253: 3695: 2348:
A Performer's Guide to George Crumb's Makrokosmos IV (Celestial Mechanics)
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is another composer Crumb acknowledged as an influence here: Debussy's
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comprise two books of 12 character pieces. Crumb's first two books of
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was written in 1970, and published in 1971, in protest against the
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University of Michigan School of Music, Theatre & Dance alumni
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University of Illinois at Urbana–Champaign School of Music alumni
2844: 979:) (1971), for electric flute, electric cello, and amplified piano 733:, Crumb returned to settings of Lorca. Crumb died in his home in 455: 281: 2431:
Margaret Brouwer, Composer / 1999 Cleveland Arts Prize for Music
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Crumb was the recipient of a number of awards, including a 1968
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in Berlin before returning to the United States to study at the
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or solo instrumentalists. Among his best known compositions are
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techniques and require amplification, as dynamics range from
464:, before he became professor of piano and composition at the 405: 1587: 1575: 1539: 1527: 1512: 2045: 1309:(2010), for soprano, baritone, percussion quartet and piano 1303:(2008), for soprano, baritone, percussion quartet and piano 1297:(2007), for soprano, baritone, percussion quartet and piano 850:
Crumb's works were published by Edition Peters, including:
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Composer George Crumb / A Conversation with Bruce Duffie
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George Crumb and the Alchemy of Sound: Essays on His Music
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American Songbook VI: Voices from the Morning of the Earth
726:(2001). She died at her parents' home on 31 October 2019. 476:, becoming Annenberg Professor of the Humanities in 1983. 1718: 1616: 1614: 1240:, Book I (1965), for soprano, vibraphone, and double bass 165: 3589: 1759:, third edition (Livonia, MI: Iconic Press, 2008): 325. 1370:
Grammy Award for Best Contemporary Classical Composition
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has issued a series of CDs, the Complete Crumb Edition.
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Grammy Award for Best Contemporary Classical Composition
383: 1611: 679:) was written, with the seventh volume of the series ( 505:
Several of Crumb's works, including the four books of
294:(1972–1979) in response to Bartók's earlier piano set 3781: 2573:
New Voices: American Composers Talk about Their Music
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A Cycle of Greek Lyrics (1950?), for voice and piano
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Born to a musical family, Crumb was acquainted with
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Members of the American Academy of Arts and Letters
1048:(2019, revised 2020), for percussion (four players) 841:. Released on DVD by Bridge Records (BRIDGE 9312). 729:In his later compositions, which have the subtitle 456:
Teaching and early works (1960s – early 1970s)
227:; however, his output consists of mostly music for 2687: 2655:Steinitz, Richard (October 1978). "George Crumb". 1666: 1563: 1551: 1334:Spanish Songbook III: The Yellow Moon of Andalusia 1295:American Songbook V: Voices from a Forgotten World 1291:(2004), for soprano, percussion quartet and piano 1285:(2001), for soprano, percussion quartet and piano 1279:(2003), for soprano, percussion quartet and piano 1273:(2003), for soprano, percussion quartet and piano 1160:Four Songs (1945?), for voice, clarinet and piano 3960:International Rostrum of Composers prize-winners 3841: 1803:"As shown in this image of 'Spiral Galaxy' from 1307:American Songbook VII: Voices from the Heartland 926:Three Pastoral Pieces (1952), for oboe and piano 538:Black Angels (Thirteen Images from the Darkland) 2182: 2180: 754:, Crumb became interested in exploring unusual 396:(CSO); his father George Henry Crumb Sr. was a 183:. Early in his life he rejected the widespread 714:, was an actress and singer. She recorded his 3653:Quartet No. 3 for strings and electronic tape 3575: 3048: 2896: 1708: 1706: 1704: 1336:(2012), for mezzo-soprano and amplified piano 1166:Three Early Songs (1947), for voice and piano 472:In 1965 he began a long association with the 2177: 1985: 1983: 1981: 1979: 1702: 1700: 1698: 1696: 1694: 1692: 1690: 1688: 1686: 1684: 1330:(2009), for female voice and amplified piano 2571:Smith, Geoff; Smith, Nicola Walker (1995). 1457:of Crumb's early life has since become the 1324:(2008), for baritone, guitar and percussion 1277:American Songbook II: A Journey Beyond Time 3582: 3568: 3055: 3041: 2903: 2889: 2731: 2708:10.1093/gmo/9781561592630.article.A2249252 2570: 2359: 2293:"George Crumb: Bad Dog! (DVD) BRIDGE 9312" 1838: 1792:12, no. 3 (Summer): 77–87. Citation on 84. 1488: 1322:Spanish Songbook I: The Ghosts of Alhambra 1092:) (1979), for amplified piano (four hands) 701: 561: 434:University of Illinois at Urbana–Champaign 332:is also found in his music, as is text by 38: 3915:American contemporary classical composers 2263: 1989: 1976: 1712: 1681: 1388:Among Crumb's students are the composers 251:(1970) for a mixed chamber ensemble; and 128: 44:Crumb in 2019 attending a performance at 3980:Musicians from Charleston, West Virginia 2685: 2654: 2266:"Complete George Crumb Edition Volume 6" 1952: 1713:Tsioulcas, Anastasia (7 February 2022). 1605: 1593: 1581: 1545: 1533: 1521: 920:Four Pieces (1945), for violin and piano 917:Two Duos (1944?), for flute and clarinet 896: 737:, on 6 February 2022, at the age of 92. 288:; Crumb wrote his four-volume piano set 2981:A Little Suite for Christmas, A.D. 1979 2521: 1620: 1207:(1979), for soprano and amplified piano 1163:Seven Songs (1946), for voice and piano 1097:A Little Suite for Christmas, A.D. 1979 1080:, Volume II (1973), for amplified piano 845: 304:from wide range of composers including 4015:Classical musicians from West Virginia 3965:Members of the Academy of Arts, Berlin 3842: 2631: 2342: 2340: 2338: 2231: 2131: 2125: 2083:, C. F. Peters Corporation, 1986, p.77 1990:Dougherty, William (11 January 2017). 1964:Note by Eric Bruskin to CD BRIDGE 9335 1788:K. Robert Schwarz. 1988. "Classical". 1489:Schweitzer, Vivien (6 February 2022). 1289:American Songbook IV: Winds of Destiny 1271:American Songbook I: The River of Life 1072:, Volume I (1972), for amplified piano 658: 436:in 1952 and then briefly studied as a 151: 3563: 3036: 2884: 2547: 2322:Pytheas Center for Contemporary Music 2092: 1675: 1633: 1631: 1629: 1569: 1557: 1484: 1482: 1480: 1478: 1283:American Songbook III: Unto the Hills 967:) (1970), for electric string quartet 821:George Crumb: The Voice of the Whale 268:at an early age and his affinity for 237:(1970), a striking commentary on the 3890:21st-century American male musicians 3865:20th-century American male musicians 2764: 2596: 2157: 2151: 1353: 1262: 1217:Federico's Little Songs for Children 1179:Songs, Drones, and Refrains of Death 827:Bad Dog!: A Portrait of George Crumb 799:Crumb's works were published by the 750:After initially being influenced by 384:Upbringing and education (1929–1959) 207:. His few large-scale works include 3168:The Lilly Brothers & Don Stover 2398:"MacDowell Medal winners 1960–2011" 2335: 2081:George Crumb: Profile of a Composer 1383: 1328:Spanish Songbook II: Sun and Shadow 1313: 1042:) (1998), for guitar and percussion 722:(1999), and had also performed his 620:, the six books of piano pieces by 388:George Henry Crumb Jr. was born in 257:(1971), a musical evocation of the 13: 4005:University of Pennsylvania faculty 2758: 1626: 1475: 1122:) (1988), for two amplified pianos 781:In 1980, Crumb wrote an essay for 378: 14: 4026: 3920:American male classical composers 2783: 2591:Journal and encyclopedia articles 1376:. In 1995, Crumb was awarded the 525:(1970), are settings of texts by 300:. His compositions often contain 3985:Pulitzer Prize for Music winners 3935:Arizona State University faculty 3925:American male classical pianists 3900:21st-century classical composers 3875:20th-century classical composers 3827: 3815: 3803: 3791: 3694: 3064:West Virginia Music Hall of Fame 3017: 3016: 2910: 2550:George Crumb: A Bio-Bibliography 1927:"Geoge Crumb: Makrokosmos I-III" 1868:Elektra Nonesuch CD 7559-79242-2 1459:West Virginia Symphony Orchestra 1349:(1948), for unaccompanied chorus 911: 720:George Crumb 70th Birthday Album 3905:21st-century classical pianists 3885:21st-century American composers 3880:20th-century classical pianists 3860:20th-century American composers 3550:(1943-2008): Hammond B-3 player 2492: 2479: 2460: 2448: 2436: 2424: 2410: 2390: 2368: 2310: 2285: 2257: 2205: 2095:"Music: Does It Have a Future?" 2086: 2073: 2060: 2034: 2009: 1967: 1958: 1937: 1919: 1894: 1871: 1862: 1847: 1795: 1782: 1749: 1732: 1447: 655:, who later recorded the work. 509:he wrote in the late 1960s and 3895:21st-century American pianists 3870:20th-century American pianists 2815:George Crumb papers, 1956–2011 2420:Milken Archive of Jewish Music 2350:University of North Texas 2008 2264:Dickinson, Peter (July 2003). 2158:Swed, Mark (8 February 2022). 2132:Schell, Michael (6 May 2024). 2079:Gillespie, Donald, ed. (1986) 1882:The Oxford Dictionary of Music 945:) (1964), for violin and piano 814: 595:(1974), is for two pianos and 1: 2743:EncyclopĂŠdia Britannica, Inc. 1455:Charleston Symphony Orchestra 1435: 1213:(1984), for soprano and piano 949:Eleven Echoes of Autumn, 1965 853: 807:in the 1970s. More recently, 394:Charleston Symphony Orchestra 48:in honor of his 90th birthday 16:American composer (1929–2022) 3665:Echoes of Time and the River 2933:Echoes of Time and the River 2827:How to use archival material 2725:UK public library membership 2134:"George Crumb in Retrospect" 1468: 1365:Echoes of Time and the River 1229: 1126:Eine Kleine Mitternachtmusik 1011:An Idyll for the Misbegotten 879:Echoes of Time and the River 839:Eine Kleine Mitternachtmusik 210:Echoes of Time and the River 181:contemporary classical music 7: 3910:American classical pianists 2575:. Portland: Amadeus Press. 2531:University Press of America 2376:"2000 Grammy Award Winners" 1943:Book 1: Nonesuch LP H-71293 1859:, retrieved 7 February 2022 874:(1959), for large orchestra 862:(1947), for small orchestra 745: 698:. He continued to compose. 591:. The third book, known as 448:, from which he received a 223:(1977), which won the 2001 213:(1967), which won the 1968 19:For the American chef, see 10: 4031: 3512:Seminal bluegrass pioneers 3270:Diamond Teeth Mary McClain 2941:Ancient Voices of Children 2686:Steinitz, Richard (2013). 2510: 2066:For example, the score of 2021:herbergerinstitute.asu.edu 1192:Ancient Voices of Children 1061:Prelude and Toccata (1951) 984:Music for a Summer Evening 771:Ancient Voices of Children 593:Music for a Summer Evening 517:for two singers and small 511:Ancient Voices of Children 492:Ancient Voices of Children 474:University of Pennsylvania 248:Ancient Voices of Children 18: 3990:Pupils of Ross Lee Finney 3703: 3692: 3598: 3475: 3437: 3394: 3351: 3298: 3250: 3196: 3133: 3070: 3012: 2991: 2918: 2809: 2799: 2318:"George Crumb at Pytheas" 1340: 681:Voices from the Heartland 428:in 1950. He obtained his 424:), where he received his 400:while his mother Vivian ( 390:Charleston, West Virginia 160: 134: 122: 108: 98: 79: 72:Charleston, West Virginia 53: 37: 30: 3975:Music & Arts artists 3930:American music educators 3642:Variations for Orchestra 3591:Pulitzer Prize for Music 3280:Walter E. "Jack" Rollins 2864:11 December 2008 at the 2527:Three American Composers 2239:"Complete Crumb Edition" 1440: 1362:for his orchestral work 1360:Pulitzer Prize for Music 1154: 1052: 740: 696:Arizona State University 694:to a joint residency at 469:avant-garde techniques. 422:University of Charleston 215:Pulitzer Prize for Music 142:Pulitzer Prize for Music 3945:Centaur Records artists 2738:EncyclopĂŠdia Britannica 2700:Oxford University Press 2635:Music Educators Journal 2502:Eastman School of Music 2472:9 February 2022 at the 2188:"Works by George Crumb" 1857:Eastman School of Music 1639:"George Crumb obituary" 1185:Night of the Four Moons 1136:Otherworldly Resonances 1130:A Little Midnight Music 702:Personal life and death 3950:Composers for carillon 3505:Lonesome Pine Fiddlers 3386:Vann "Piano Man" Walls 2599:Makrokosmos I & II 2433:clevelandartsprize.org 2093:Crumb, George (1980). 1378:Edward MacDowell Medal 1138:(2003), for two pianos 897:Vocal with orchestral 624:. Like BartĂłk's work, 547:percussion instruments 466:University of Colorado 446:University of Michigan 177:George Henry Crumb Jr. 103:University of Michigan 58:George Henry Crumb Jr. 3940:Avant-garde composers 2926:Sonata for Solo Cello 2665:(1628): 844–845+847. 2604:Music Theory Spectrum 2548:Cohen, David (2002). 936:Sonata for Solo Cello 932:String Quartet (1954) 632:. Apart from BartĂłk, 628:is a series of short 527:Federico GarcĂ­a Lorca 519:instrumental ensemble 334:Federico GarcĂ­a Lorca 324:pianist and composer 3955:Grammy Award winners 3675:String Quartet No. 3 3338:Ada "Bricktop" Smith 3095:Little Jimmy Dickens 2499:Ricardo Zohn-Muldoon 2457:library.hartford.edu 1790:The Wilson Quarterly 1430:Ricardo Zohn-Muldoon 923:Violin Sonata (1949) 846:List of compositions 677:The Winds of Destiny 442:Hochschule fĂŒr Musik 129:List of compositions 3447:Ethel Caffie-Austin 3409:The Morris Brothers 3206:The Bailes Brothers 2804:Library of Congress 2768:(8 February 2022). 2467:Cynthia Cozette Lee 1414:Cynthia Cozette Lee 1085:Celestial Mechanics 1058:Piano Sonata (1945) 929:Viola Sonata (1953) 890:A Haunted Landscape 735:Media, Pennsylvania 659:1988s – early 2000s 601:Celestial Mechanics 599:. The fourth book, 498:in a number of his 418:National Music Camp 199:he employs evoke a 193:extended techniques 91:Media, Pennsylvania 3462:The Hammons Family 3424:Fred "Sonic" Smith 3004:Extended technique 2836:Official home page 2695:Grove Music Online 2488:Swarthmore College 2476:composersforum.org 1813:on 2 February 2014 1498:The New York Times 1064:Five Pieces (1962) 977:Voice of the Whale 342:contemporary dance 302:musical quotations 3779: 3778: 3557: 3556: 3120:Billy Edd Wheeler 3115:Blind Alfred Reed 3030: 3029: 2832: 2831: 2821: 2820: 2775:Los Angeles Times 2723:(subscription or 2717:978-1-56159-263-0 2658:The Musical Times 2582:978-0-931340-85-7 2563:978-0-313-31887-0 2540:978-0-8191-5371-5 2164:Los Angeles Times 2099:The Kenyon Review 1933:. 5 October 2018. 1777:978-0-935052-07-7 1765:978-0-9778195-2-2 1755:James L. McHard, 1422:Christopher Rouse 1354:Awards and honors 1264:American Songbook 1104:Gnomic Variations 1007:(1982), for organ 835:Three Early Songs 784:The Kenyon Review 716:Three Early Songs 685:American Songbook 665:American Songbook 651:was premiered by 426:bachelor's degree 412:for the music of 410:theatre orchestra 369:Christopher Rouse 229:chamber ensembles 174: 173: 4022: 4010:Fulbright alumni 3832: 3831: 3830: 3820: 3819: 3818: 3808: 3807: 3806: 3796: 3795: 3794: 3787: 3698: 3680:Charles Wuorinen 3656: 3584: 3577: 3570: 3561: 3560: 3528:Larry Richardson 3429:Michael W. 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2048:on 11 May 2019 2042:"Anncrumb.com" 2033: 2008: 1975: 1966: 1957: 1945: 1936: 1918: 1893: 1884:, 985 pages, 1870: 1861: 1846: 1824: 1794: 1781: 1748: 1742:in Gillespie, 1731: 1680: 1665: 1625: 1623:, p. 192. 1610: 1598: 1586: 1574: 1562: 1550: 1538: 1526: 1511: 1473: 1472: 1470: 1467: 1464: 1463: 1445: 1444: 1442: 1439: 1437: 1434: 1426:Melinda Wagner 1390:Ofer Ben-Amots 1385: 1382: 1355: 1352: 1351: 1350: 1342: 1339: 1338: 1337: 1331: 1325: 1317: 1312: 1311: 1310: 1304: 1298: 1292: 1286: 1280: 1274: 1266: 1261: 1260: 1259: 1253: 1247: 1241: 1233: 1228: 1227: 1226: 1220: 1214: 1208: 1202: 1196: 1188: 1182: 1176: 1170: 1167: 1164: 1161: 1156: 1153: 1152: 1151: 1150:Book II (2019) 1148:Metamorphoses, 1145: 1142:Metamorphoses, 1139: 1133: 1123: 1113: 1107: 1101: 1093: 1090:Makrokosmos IV 1081: 1073: 1065: 1062: 1059: 1054: 1051: 1050: 1049: 1043: 1033: 1027: 1021:Easter Dawning 1018: 1008: 1005:Pastoral Drone 1002: 995:Dream Sequence 992: 980: 968: 956: 946: 943:Night Music II 939: 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1841: 1835: 1833: 1831: 1829: 1812: 1808: 1806: 1805:Makrokosmos 1 1798: 1791: 1785: 1778: 1774: 1770: 1766: 1762: 1758: 1752: 1745: 1741: 1738:Cope, David, 1735: 1720: 1716: 1709: 1707: 1705: 1703: 1701: 1699: 1697: 1695: 1693: 1691: 1689: 1687: 1685: 1677: 1672: 1670: 1654: 1650: 1646: 1645: 1640: 1634: 1632: 1630: 1622: 1617: 1615: 1608:, § para. 11. 1607: 1606:Steinitz 2013 1602: 1595: 1594:Steinitz 2013 1590: 1583: 1582:Steinitz 2013 1578: 1572:, p. 23. 1571: 1566: 1560:, p. 14. 1559: 1554: 1547: 1546:Steinitz 2013 1542: 1535: 1534:Steinitz 2013 1530: 1523: 1522:Steinitz 2013 1518: 1516: 1500: 1499: 1493: 1485: 1483: 1481: 1479: 1474: 1460: 1456: 1450: 1446: 1433: 1431: 1427: 1423: 1419: 1415: 1411: 1407: 1403: 1399: 1395: 1391: 1381: 1379: 1375: 1372:for his work 1371: 1367: 1366: 1361: 1348: 1345: 1344: 1335: 1332: 1329: 1326: 1323: 1320: 1319: 1316: 1308: 1305: 1302: 1299: 1296: 1293: 1290: 1287: 1284: 1281: 1278: 1275: 1272: 1269: 1268: 1265: 1257: 1254: 1251: 1248: 1245: 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Index

George Crum

Alice Tully Hall
Charleston, West Virginia
Media, Pennsylvania
University of Michigan
List of compositions
Pulitzer Prize for Music
Grammy Award
Full list
georgecrumb.net
contemporary classical music
modernist
serialism
extended techniques
timbres
surrealist
soundscapes
Echoes of Time and the River
Pulitzer Prize for Music
Star-Child
Grammy Award for Best Contemporary Classical Composition
chamber ensembles
Black Angels
Vietnam War
string quartet
Ancient Voices of Children
Vox Balaenae
humpback whale
classical music

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