George Frideric Handel

1680: 1293: 1972: 476:. Mainwaring is the source for almost all information (little as it is) of Handel's childhood, and much of that information came from J. C. Smith Jr., Handel's confidant and copyist. Whether it came from Smith or elsewhere, Mainwaring frequently relates misinformation. It is from Mainwaring that the portrait comes of Handel's father as implacably opposed to any musical education. Mainwaring writes that Georg Händel was "alarmed" at Handel's very early propensity for music, "took every measure to oppose it", including forbidding any musical instrument in the house and preventing Handel from going to any house where they might be found. This did nothing to dampen young Handel's inclination; in fact, it did the reverse. Mainwaring tells the story of Handel's secret attic 432:

was 20, he married the widow of the official barber-surgeon of a suburb of Halle, inheriting his practice. With this, Georg determinedly began the process of becoming self-made; by dint of his "conservative, steady, thrifty, unadventurous" lifestyle, he guided the five children he had with Anna who reached adulthood into the medical profession (except his youngest daughter, who married a government official). Anna died in 1682. Within a year Georg married again, this time to the daughter of a Lutheran minister, Pastor Georg Taust of the Church of St. Bartholomew in Giebichenstein, who himself came from a long line of Lutheran pastors. George Frideric was the second child of this marriage; the first son was

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father died "after his return from Berlin." But since Georg Händel died in 1697, either the date of the trip or Mainwaring's statements about Handel's father must be in error. Early biographers solved the problem by making the year of the trip 1696, then noting that at the age of 11, Handel would need a guardian, so they have Handel's father or a friend of the family accompany him, all the while puzzling over why the elder Handel, who wanted Handel to become a lawyer, would spend the sum to lead his son further into the temptation of music as a career. Schoelcher for example has Handel travelling to Berlin at 11, meeting both

51: 215: 346: 2607: 708:" and are notable for "the formal security and the cleanness of the texture." Hogwood considers all of the oboe trio sonatas spurious and even suggests that some parts cannot be performed on oboe. That authentic manuscript sources do not exist and that Handel never recycled any material from these works makes their authenticity doubtful. Other early chamber works were printed in Amsterdam in 1724 as opus 1, but it is impossible to tell which are early works in their original form, rather than later re-workings by Handel, a frequent practice of his. 137: 592:

Handel began composing, at the age of nine, church services for voice and instruments "and from that time actually did compose a service every week for three years successively". Mainwaring ends this chapter of Handel's life by concluding that three or four years had been enough to allow Handel to surpass Zachow, and Handel had become "impatient for another situation"; "Berlin was the place agreed upon." Carelessness with dates or sequences (and possibly imaginative interpretation by Mainwaring) makes this period confused.

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who could not accept class distinctions that required him to regard himself as a social inferior. "What Handel craved was personal freedom to raise himself out of his provincial milieu to a life of culture." Burrows notes that, like his father, Handel was able to accept royal (and aristocratic) favours without considering himself a court servant; and so, given the embarrassed financial condition of his mother, Handel set off for Hamburg to obtain experience while supporting himself.

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subsidise his musical education in Italy (with the implicit understanding that he would become a court musician on his return), Handel was no longer able to expect preferment (whether as a musician, lawyer or otherwise) within Brandenburg-Prussia. Since he was attracted to secular, dramatic music (by meeting the Italians Bononcini and Attilio Ariosti and through the influence of Telemann), Hamburg, a free city with an established opera company, was the logical choice.

1657: 2462:(1744). These works have a close kinship with the sacred oratorios, particularly in the vocal writing for the English-language texts. They also share the lyrical and dramatic qualities of Handel's Italian operas. As such, they are sometimes fully staged as operas. With the rediscovery of his theatrical works, Handel, in addition to his renown as instrumentalist, orchestral writer, and melodist, is now perceived as being one of opera's great musical dramatists. 10244: 9057: 8789: 1284: 2627: 533: 10254: 10390: 10373: 10407: 8810: 7354: 2593:); Roberts suggested several reasons for Handel's practice, including Handel's attempts to make certain works sound more up-to-date and, more radically, his "basic lack of facility in inventing original ideas" – though Roberts took care to argue that this does not "diminish Handel's stature", which should be "judged not by his methods, still less by his motives in employing them, but solely by the effects he achieves." 509:. Somehow Handel made his way to the court organ in the palace chapel of the Holy Trinity, where he surprised everyone with his playing. Overhearing this performance and noting the youth of the performer caused the Duke, whose suggestions were not to be disregarded, to recommend to Georg Händel that Handel be given musical instruction. Handel's father engaged the organist at the Halle parish church, the young 10356: 8800: 10316: 10292: 655: 7552: 2910:, which is universally used in German. The records of that church also show that the family name was spelt on various occasions at least four other ways: Hendel, Händeler, Hendeler and Hendtler, but most commonly Händel. In Italy, he spelt it Hendel, as it is pronounced in German. From the time he arrived in England, however, he consistently signed his name as George Frideric Handel. 2321: 2155: 10304: 10280: 2077: 668:, the Domkirche, replacing J. C. Leporin, for whom he had acted as assistant. The position, which was a one-year probationary appointment, showed the foundation he had received from Zachow, for a church organist and cantor was a highly prestigious office. From it, he received 5 thalers a year and lodgings in the run-down castle of Moritzburg. 513:, to instruct Handel. Zachow would be the only teacher that Handel ever had. Because of his church employment, Zachow was an organist "of the old school", revelling in fugues, canons, and counterpoint. But he was also familiar with developments in music across Europe and his own compositions "embraced the new concerted, dramatic style". 2391: 265:. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. 2392: 2220:

was published with the title character recast as a tenor, reflecting pre-war German practice), it repositioned itself as a critical edition. Influenced in part by cold-war realities, editorial work was inconsistent: misprints were found in abundance and editors failed to consult important sources. In

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begged of Mr. Percival to bring him, and being a profess'd friend of Mr. Handel (who was here also) was admitted; I never was so well entertained at an opera! Mr. Handel was in the best humour in the world, and played lessons and accompanied Strada and all the ladies that sang from seven o'clock till

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The arts and music, however, flourished only among the higher strata (not only in Halle but throughout Germany), of which Handel's family was not a part. Georg Händel (senior) was born at the beginning of the war and was apprenticed to a barber in Halle at the age of 14 after his father died. When he

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Mainwaring gives the cryptic explanation that since he had to earn a living from his profession, he had to find a place less distant than Berlin. Given that Hamburg's opera house was second only to Berlin's in repute, "it was resolved to send him thither on his own bottom, and chiefly with a view to

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Mainwaring has Handel travelling to Berlin the next year, 1698. The problem with Mainwaring as an authority for this date, however, is that he tells of how Handel's father communicated with the "king" during Handel's stay, declining the Court's offer to send Handel to Italy on a stipend and that his

516:

When Zachow discovered the talent of Handel, he introduced him "to a vast collection of German and Italian music, which he possessed, sacred and profane, vocal and instrumental compositions of different schools, different styles, and of every master". Many traits considered "Handelian" can be traced

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credited this tale, Schoelcher found it nearly "incredible" and a feat of "poetic imagination" and Lang considers it one of the unproven "romantic stories" that surrounded Handel's childhood. But Handel had to have had some experience with the keyboard to have made the impression in Weissenfels that

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when they converted, and by the early 17th century held his court in Halle, which attracted renowned musicians. Even the smaller churches all had "able organists and fair choirs", and humanities and the letters thrived (Shakespeare was performed in the theatres early in the 17th century). The Thirty

600:

Handel's father died on 11 February 1697. It was German custom for friends and family to compose funeral odes for a substantial burgher like Georg, and young Handel discharged his duty with a poem dated 18 February and signed with his name and (in deference to his father's wishes) "dedicated to the

559:

Much of this copying was entered into a notebook that Handel maintained for the rest of his life. Although it has since disappeared, the notebook has been sufficiently described to understand what pieces Zachow wished Handel to study. Among the chief composers represented in this exercise book were

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about writing for the solo voice; but there is no single composer who taught him how to write for chorus. Handel tended more and more to replace Italian soloists with English ones. The most significant reason for this change was the dwindling financial returns from his operas. Thus a tradition was

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The question remains, however, why Handel rejected the King's offer, given that Italy was the centre of opera. Lang suggests that influenced by the teachings of Thomasius, Handel's character was such that he was unable to make himself subservient to anyone, even a king. Lang sees Handel as someone

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in Berlin and then returning at the direction of his father. But Ariosti was not in Berlin before the death of Handel's father, and Handel could not have met Bononcini in Berlin before 1702. Modern biographers either accept the year as 1698, since most reliable older authorities agree with it, and

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work, Zachow, recognising Handel's precocious talents, systematically introduced Handel to the variety of styles and masterworks contained in his extensive library. He did this by requiring Handel to copy selected scores. "I used to write like the devil in those days", Handel recalled much later.

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Early chamber works do exist, but it is difficult to date any of them to Handel's time in Halle. Many historians until recently followed Chrysander and designated the six trio sonatas for two oboes and basso continuo as his first known composition, supposedly written in 1696 (when Handel was 11).

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Although Mainwaring records that Handel wrote weekly when assistant to Zachow and as probationary organist at Domkirche part of his duty was to provide suitable music, no sacred compositions from his Halle period can now be identified. Mattheson, however, summarised his opinion of Handel's church

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for his liberal views. Handel did not enrol in the faculty of law, although he almost certainly attended lectures. Thomasius was an intellectual and academic crusader, who was the first German academic to lecture in German and also denounced witch trials. Lang believes that Thomasius instilled in

1110:(RAC), following in the steps of his patron (the Duke of Chandos was one of the leading investors in the RAC). As noted by music historian David Hunter, 32 per cent of the subscribers and investors in the Royal Academy of Music, or their close family members, held investments in the RAC as well. 591:

Mainwaring writes that during this time Zachow had begun to have Handel assume some of his church duties. Zachow, Mainwaring asserts, was "often" absent, "from his love of company, and a cheerful glass", and Handel, therefore, performed on organ frequently. What is more, according to Mainwaring,

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believes that the answer can be found by untangling Mainwaring's confused chronology of the trip to Berlin. Burrows dates this trip to 1702 or 1703 (after his father's death) and concludes that since Handel (through a "friend and relation" at the Berlin court) turned down Frederick's offer to

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he was "the master of us all... the greatest composer that ever lived. I would uncover my head and kneel before his tomb." Beethoven emphasised above all the simplicity and popular appeal of Handel's music when he said, "Go to him to learn how to achieve great effects, by such simple means."

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states that they were visiting the younger Handel's nephew, Carl (ten years his senior) who was the Duke's valet. Lang writes that Handel was nine and Handel's father, holding a court position, must have frequently travelled to Weissenfels, where the Duke had established a residence after

3156:

The first mention of Handel from the time he took his last communion at the Marktkirche on 23 April is in Mattheson's annotated translation of Mainwaring (published in 1761) where he writes that he met Handel in the Organ loft of the Church of St. Mary Magdalena in Hamburg. In his earlier

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Handel was required by the terms of his appointment, among other things, "to play the organ fittingly at Divine Service, and for this purpose to pre-intone the prescribed Psalms and Spiritual Songs, and to have due care to whatever might be needful to the support of beautiful harmony

2001:, a children's home in London. The performance was considered a great success and was followed by annual concerts that continued throughout his life. In recognition of his patronage, Handel was made a governor of the Hospital the day after his initial concert. He bequeathed a copy of 1765:

appeared for the first time as one of Handel's principal singers and became Handel's permanent tenor soloist for the rest of Handel's life. The piece was a great success and it encouraged Handel to make the transition from writing Italian operas to English choral works. In

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Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, addressed the middle class and made a transition to English choral works. After his success with

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received a letter with the following sentence: "Handel became so arbitrary a prince, that the Town murmurs." The board of chief investors expected Handel to retire when his contract ended, but Handel immediately looked for another theatre. In cooperation with

639:

Handel a "respect for the dignity and freedom of man's mind and the solemn majesty of the law", principles that would have drawn him to and kept him in England for half a century. Handel also there encountered theologian and professor of Oriental languages

472:, was reputed to be an ardent musician. Whether Handel remained there, and if he did for how long, is unknown, but many biographers suggest that he was withdrawn from school by his father, based on the characterization of him by Handel's first biographer, 691:: "The writing of the excellent Johann Kuhnau served as a model for me in fugue and counterpoint; but in fashioning melodic movements and examining them Handel and I were constantly occupied, frequently visiting each other as well as writing letters." 1740:, his third English Oratorio. In these three oratorios Handel laid the foundation for the traditional use of the chorus which marks his later oratorios. Handel became sure of himself, broader in his presentation, and more diverse in his composition. 1679: 2389: 1857: 1103:, which burst in 1720 in one of history's greatest financial cataclysms. Handel himself invested in the South Sea Company in 1716, when its share prices were low and sold them before the "bubble" burst in 1720. In 1720, Handel invested in the 2390: 216: 2280:

exhibition marking the tercentenary of the composer's birth calls them two men of the late eighteenth century "who have left us solid evidence of the means by which they indulged their enthusiasm". With his English oratorios, such as

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Handel's compositions include 42 operas, 24 oratorios, more than 120 cantatas, trios and duets, numerous arias, odes and serenatas, solo and trio sonatas, 18 concerti grossi, and 12 organ concertos. His most famous work, the oratorio

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countries, his reputation rested primarily on his English oratorios, which were customarily performed by choruses of amateur singers on solemn occasions. The centenary of his death, in 1859, was celebrated by a performance of

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wrote that these anthems (or Psalms) stood in relation to Handel's oratorios, much the same way that the Italian cantatas stood to his operas: "splendid sketches of the more monumental works." Another work, which he wrote for

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1985, a committee was formed to establish better standards for the edition. The reunification of Germany in 1990 removed communication problems, and the volumes issued have since shown a significant improvement in standards.

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The year and purpose of the visit and why the meeting occurred are variously given. Schoelcher and Bone have it that Handel was seven and they were visiting a son by Georg's first marriage, who was in service to the Duke.

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Handel went back to Halle twice, to attend the wedding of his sister and the baptism of her daughter, but decided to settle permanently in England in 1712. In the summer of 1713, he lived at Mr. Mathew Andrews' estate in

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cantatas written in Halle: "Handel in those days set very, very long arias and sheerly unending cantatas which, while not possessing the proper knack or correct taste, were perfect so far as harmony is concerned."

1553:, resulting in temporary paralysis in his right hand and arm. After brief signs of a recovery, he had a relapse in May, with an accompanying deterioration in his mental capacities. He had strong competition from 794:, whom Handel had met in 1703–04 in Hamburg.) Ferdinando, who had a keen interest in opera, was trying to make Florence Italy's musical capital by attracting the leading talents of his day. In Italy, Handel met 643:, who was particularly solicitous of children, especially orphans. The orphanage he founded became a model for Germany, and undoubtedly influenced Handel's own charitable impulse when he assigned the rights of 2892:

gives the common variant "George Frederick" (used in his will and on his funeral monument) alongside the pronunciation of his last name. The spelling "Frideric" is used on his 1727 application for British

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There is a tantalising suggestion by Handel's biographer, Jonathan Keates, that he may have come to London in 1710 and settled in 1712 as a spy for the eventual Hanoverian successor to Queen Anne,

2032:. This did not improve his eyesight and possibly made it worse. He was completely blind by 1752. He died in 1759 at home in Brook Street, at the age of 74. The last performance he attended was of 3035:

suggests that Handel's "doctor" father observed Handel making musical sounds even before he could talk and this in the eyes of the son of a coppersmith "discovered instincts of so low an order …"

1275:

and ran for 62 consecutive performances, the longest run in theatre history up to that time. After nine years the Royal Academy of Music ceased to function but Handel soon started a new company.

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compiled a 180-volume collection of Handel's works—however, it was far from complete. Also incomplete was the collection produced between 1843 and 1858 by the English Handel Society (founded by

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Lang doubts the dating based on a handwritten date of a copy (1700) and stylistic considerations. Lang writes that the works "show thorough acquaintance with the distilled sonata style of the

731:

Handel's probationary appointment to Domkirche expired in March 1703. By July Handel was in Hamburg. Since he left no explanation for the move biographers have offered their own speculation.

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In an essay published in 1985, John H. Roberts demonstrated that Handel's borrowings were unusually frequent even for his own era, enough to have been criticised by contemporaries (notably

1858: 2216:, East Germany. It did not start as a critical edition, but after heavy criticism of the first volumes, which were performing editions without a critical apparatus (for example, the opera 6118: 1045:

for King George I and his guests. It is said the compositions spurred reconciliation between Handel and the king, supposedly annoyed by the composer's abandonment of his Hanover post.

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discount what Mainwaring says about what took place during the trip or assume that Mainwaring conflated two or more visits to Berlin, as he did with Handel's later trips to Venice.

8813: 5011: 4996: 2519:, adapting both his own works and those of other composers in unparalleled numbers and with unparalleled exactitude." Among the composers whose music Handel apparently reused are 1435:

eleven. I gave them tea and coffee, and about half an hour after nine had a salver brought in of chocolate, mulled white wine, and biscuits. Everybody was easy and seemed pleased.

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Years' War brought extensive destruction to Halle, and by the 1680s it was impoverished. However, since the middle of the war the city had been under the administration of the

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based one of his most famous works on the final movement of Handel's Suite No. 5 in E major (just like Giuliani). He first wrote some variations on the theme, which he titled

462: 7335: 4827: 4771: 1796: 1591: 9119: 5170:, p. 15 Handels Messiah. A distinguished authority on Handel discusses the origins, composition, and sources of one of the great choral works of western civilization. 3253: 2234:

publication. The catalogue has achieved wide acceptance and is used as the modern numbering system, with each of Handel's works designated an "HWV" number – for example,

974:, Handel enjoyed great success, although it was composed quickly, with many borrowings from his older Italian works. This work contains one of Handel's favourite arias, 856: 4917: 4797: 1800:. In his next works, Handel changed his course. In these works he laid greater stress on the effects of orchestra and soloists; the chorus retired into the background. 1752:

created for oratorios which was to govern their future performance. The performances were given without costumes and action; the singers appeared in their own clothes.

6552:

Grundlage einer Ehren-pforte, woran der tüchtigsten Capellmeister, Componisten, Musikgelehrten, Tonkünstler &c. Leben, Wercke, Verdienste &c. erscheinen sollen

5674: 1004: 2349:". The oratorios continued to be performed but not long after Handel's death they were thought to need some modernisation, and Mozart orchestrated German versions of 10547: 773: 3063:"His cantatas, often highly dramatic, are distinguished by very imaginative choral writing, colourful orchestration, and skilful handling of the concerted element." 4732:, p. 226 According to Dean they could not have reached London before 1716. In 1743, Smith wrote in a letter that he had been in Handel's service for 24 years. 3171:

improvement". The passage suggests that Handel had already determined on secular dramatic music as a career, but who it was "to send him thither" is not explained.

1333:, quickly became an opera house. Between 1711 and 1739, more than 25 of Handel's operas premièred there. In 1729, Handel became joint manager of the theatre with 1170:, and engaged members of the cast for the Royal Academy of Music, founded by a group of aristocrats to assure themselves a constant supply of baroque opera or 8188: 4668: 622:

Perhaps to fulfil a promise to his father or simply because he saw himself as "dedicated to the liberal arts", on 10 February 1702 Handel matriculated at the

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The conception of an opera as a coherent structure was slow to capture Handel's imagination and he composed no operas for five years. In July 1717, Handel's

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Both Landon and Hogwood point out and to the extent possible correct the more obvious misstatements of facts and dates and inconsistencies of Mainwaring.

3012:

Both Landon and Hogwood point out and to the extent possible correct the more obvious misstatements of facts and dates and inconsistencies of Mainwaring.

1646: 6727: 6700: 6090: 2058:

that was auctioned posthumously in 1760. The auction catalogue listed approximately seventy paintings and ten prints (other paintings were bequeathed).

10522: 3270: 6312: 2191:. For modern performance, the realisation of the basso continuo reflects 19th-century practice. Vocal scores drawn from the edition were published by 4677:; David Hunter, "Handel Manuscripts and the Profits of Slavery: The 'Granville' Collection at the British Library and the First Performing Score of 7465: 1728:

once again. Three earlier performances aroused such interest that they naturally prompted the idea of introducing it to a larger public. Next came

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in 1608 with his first wife Anna Belching, the daughter of a master coppersmith. They were Protestants and chose reliably Protestant Saxony over

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to the institution upon his death. His involvement with the Foundling Hospital is today commemorated with a permanent exhibition in London's

4686: 4402: 3208: 1912:

cathedrals participating. Handel secured a balance between soloists and chorus which he never surpassed. In 1747, Handel wrote his oratorio

10467: 8520: 7423: 6861: 623: 10537: 10457: 5566: 5008: 1408: 529:(oboe). Schoelcher speculates that his youthful devotion to the instrument explains the large number of pieces he composed for the oboe. 4993: 1292: 9016: 8927: 8846: 4700: 4629: 2767: 2055: 8803: 8712: 6890:

Hogg, Katharine (July–September 2008). "Handel and the Fundling Hospital: The Gerald Coke Handel Collection at the Foundling Museum".

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Shortly after commencing his university education, Handel (though Lutheran) on 13 March 1702 accepted the position of organist at the

7991: 7387: 2919:

Handel's tomb in Westminster has the Old Style birth date of February XXIIII, MDCLXXXIV, giving the day of his baptism and using its

2678: 2136: 1879: 1822: 1802: 6263: 5035: 3072:

Handel not only applied Kerll's techniques and phrases in later compositions, he imported an entire movement composed by Kerll into

1957:

was first performed on 26 February 1752; even though it was his last oratorio, it was no less a masterpiece than his earlier works.

7485: 7133: 6975: 4819: 2657: 2071: 1942:

contains a short and lively instrumental passage for two oboes and strings in act 3, known as "The Arrival of the Queen of Sheba".

1095:

In 1719, the Duke of Chandos became one of the composer's important patrons and a primary subscriber to his new opera company, the

506: 436:. Two younger sisters arrived afterwards: Dorthea Sophia, born on 6 October 1687, and Johanna Christiana, born on 10 January 1690. 4767: 1724:

and its first performance, possibly in 1718, are obscure. Another 12 years had passed when an act of piracy caused him to take up

1637:, was performed three times in 1741. Handel gave up the opera business, while he enjoyed more success with his English oratorios. 484:

privately convey'd to a room at the top of the house. To this room he constantly stole when the family was asleep". Although both

10447: 9093: 8960: 7431: 6616: 2428:

Recent decades have revived his secular cantatas and what one might call 'secular oratorios' or 'concert operas'. Of the former,

947: 10362: 2758:. The Book of Common Worship of the Presbyterian Church (USA) (Westminster John Knox Press, 2018) commemorates him on 20 April. 2013:. In addition to the Foundling Hospital, Handel also gave to a charity that assisted impoverished musicians and their families. 10452: 4437: 3249: 1690: 1686: 2986:

was intrigued by the organ at Marktkirche, and applied for the position that Zachow, Handel's teacher, vacated. He decided on

10532: 10527: 8530: 8170: 7179: 6488: 6338: 6145: 5670: 4925: 4793: 4477: 2444:(1713) are noteworthy. For his secular oratorios, Handel turned to classical mythology for subjects, producing such works as 2118:, complete with handwritten annotations. Among the works with opus numbers published and popularised in his lifetime are the 1971: 1790:, both from 1739, head the list of great, mature oratorios, in which the da capo aria became the exception and not the rule. 1704: 851: 17: 6764: 5591:, a collection of conference papers given by the international panel of distinguished Handel scholars. Clarendon Press, 1993 10562: 10542: 8545: 8495: 8485: 7458: 7236: 2850: 1634: 1469:. Rich was renowned for his spectacular productions. He suggested Handel use his small chorus and introduce the dancing of 5889:; Hofestädt, B. (August 2005). "Georg Händel (1622–97): The Barber-Surgeon Father of George Frideric Handel (1685–1759)". 2734:'s Concerto for String Quartet and Orchestra in B-flat major (1933) was composed after Handel's Concerto Grosso, Op. 6/7. 891:, ran for 27 nights successively. The audience, thunderstruck with the grandeur and sublimity of his style, applauded for 10344: 8738: 8665: 8515: 8510: 8475: 8454: 6796: 2325: 2140:, in which birdsong is imitated in the upper registers of the organ. Also notable are his 16 keyboard suites, especially 316:

wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by

254: 3054:

had annexed the city of Halle. Young Handel was taken along because he could be cared for by relatives of his late wife.

10482: 10472: 10462: 10108: 8565: 8560: 8555: 8550: 8540: 8535: 8505: 8490: 8480: 8156: 5533: 2511:, scholars have extensively studied Handel's "borrowing" of music from other composers. Summarising the field in 2005, 2440: 1586:) in September. All the symptoms of his "disorder" vanished by November. On Christmas Eve Handel finished the score of 1190:, which he rented for the rest of his life. This house, where he rehearsed, copied music, and sold tickets, is now the 1079: 406: 7411: 7383: 5638: 4577: 2016:

In August 1750, on a journey back from Germany to London, Handel was seriously injured in a carriage accident between

1570:

In Autumn 1737 the fatigued Handel reluctantly followed the advice of his physicians and went to take the cure in the

1340:

Handel travelled to Italy to engage new singers and also composed seven more operas, among them the comic masterpiece

312:

over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist

10557: 10502: 10477: 10234: 10133: 8590: 8585: 8580: 8575: 8570: 8500: 8321: 7028: 6758: 6680: 6591: 6536: 6427: 6403: 6377: 6367: 6298: 6238: 6193: 6166: 6030: 6008: 5982: 5868: 5826: 5793: 5758: 5731: 4860: 4431: 2730:, one of his most beloved pieces, of which he made several versions (for example, the piano solo version from 1930). 2294: 2277: 1905: 1457: 1244: 298: 185: 9526: 9203: 2272:, a country squire whose musical acquisitions form the nucleus of the Shaw–Hellier Collection, and the abolitionist 1563:

was first performed at the Little Theatre in the Haymarket in London on 16 May 1737. It was a parody of the Italian

10487: 10396: 9418: 8876: 8525: 8342: 8004: 7401: 6204: 1394: 1119: 1096: 7299: 5479:

McGeary, Thomas (November 2009). "Handel as art collector: art, connoisseurship and taste in Hanoverian Britain".

5096: 505:, where he came under the notice of one whom Handel thereafter always regarded throughout life as his benefactor, 10572: 10507: 10492: 10432: 9491: 8792: 8621: 8616: 8611: 8606: 8124: 7506: 7451: 7280: 4876: 2903: 2131: 2127: 2123: 2119: 1909: 536: 3745: 1414:

Despite the problems the Opera of the Nobility was causing him at the time, Handel's neighbour in Brook Street,

10567: 10497: 9961: 9956: 8839: 8748: 6508: 4603: 2044: 1966: 1897: 1444: 951: 787: 467: 392:

Halle was a relatively prosperous city, home of a salt-mining industry, a centre of trade, and a member of the

5348: 1951:. The work is highly theatrical. The role of the chorus became increasingly important in his later oratorios. 10128: 9844: 8763: 8436: 8163: 7926: 6721: 6694: 6672: 6084: 6018: 2743: 2305: 1989: 1757: 1559: 1545: 1504: 1497: 1423: 734: 283: 69: 2639:

After Handel's death, many composers wrote works based on or inspired by his music. The first movement from

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There was no "king" in Berlin until 18 January 1701 when Frederick III, the Elector of Brandenburg, became

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After his death, Handel's Italian operas fell into obscurity, except for selections such as the aria from

908: 10512: 9556: 9456: 9086: 8968: 8463: 8450: 8202: 7427: 601:

liberal arts." At the time Handel was studying either at Halle's Lutheran Gymnasium or the Latin School.

444: 288: 8696: 8686: 2687: 2333: 2230: 2204: 1509: 801:, with whom he later collaborated. Handel left for Rome and since opera was (temporarily) banned in the 630:(later Prussian King Frederick I) created the school, largely to provide a lecture forum for the jurist 10517: 10270: 10227: 9714: 9506: 9283: 8307: 8195: 2888: 2399: 2366:, involving 2,765 singers and 460 instrumentalists, who played for an audience of about 10,000 people. 2329: 2175: 1418:, reported on a party she invited Handel to at her house on 12 April 1734 where he was in good spirits: 1389: 1248: 1029: 828: 791: 401: 386: 9423: 547:

With respect to instruction in composition, in addition to having Handel apply himself to traditional

10552: 10160: 9704: 9649: 9278: 9273: 9248: 9111: 8935: 8832: 8681: 8659: 8349: 8237: 8082: 7586: 7205: 5818: 5374: 4463: 2840: 2446: 2353:

and other works. Throughout the 19th century and first half of the 20th century, particularly in the

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since 1727. Almost blind, he died in 1759 a respected and rich man, and was given a state funeral at

10379: 6550: 2643:'s Symphony No. 6, Op. 116, "The Age of Bach and Handel", resembles two melodies from Handel's 2470:

Handel has generally been accorded high esteem by fellow composers, both in his own time and since.

9674: 9551: 9481: 9318: 9298: 9060: 8824: 7949: 6265:

Pagus neletici et nudzici oder ausführliche diplomatisch-historische Beschreibun des … Saal-Creises

2800: 2779: 2571: 2171: 1326: 588:, whose amalgam of French and Italian styles and his synthesis of musical forms influenced Handel. 540: 510: 317: 209: 4595: 1776:

and experimenting with three trombones, a carillon and extra-large military kettledrums (from the

9659: 9143: 9024: 8230: 8149: 8054: 7558: 6322: 3212: 2806: 2755: 2706:

for flute and piano based on the fourth movement of Handel's Trio Sonata, Op. 5, No. 2, HWV 397.

2579: 2483: 2111: 1272: 1144: 321: 31: 7420:, containing works by Handel, housed at the University of Kentucky Libraries Special Collections 745:

In 1703, he accepted a position as violinist and harpsichordist in the orchestra of the Hamburg

10296: 10257: 10247: 10186: 9739: 9596: 9521: 9486: 9338: 9079: 8722: 8717: 8381: 8328: 8275: 7895: 7856: 5928:

Best, Terence (November 1985). "Handel's Chamber Music: Sources, Chronology and Authenticity".

4663:, “In Search of the Black Mozart: A Revealing Look at Handel’s Investment in the Slave Trade,” 3108: 2783: 2555: 2539: 2354: 1916:. This work was produced at Covent Garden Theatre in London, on 23 March 1748, and to the aria 1175: 979: 807: 672: 640: 627: 573: 8691: 6973:

Joncus, Berta (2006). "Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive".

6330: 5965:

The Guitar and Mandolin: Biographies of Celebrated Players and Composers for these Instruments

5560: 3124:

Among the careful authorities who accepted the trip taking place in 1698 were Handel's friend

2883: 2187:("Handel Society") edition was published between 1858 and 1902 – mainly due to the efforts of 2183: 2040:. More than three thousand mourners attended his funeral, which was given full state honours. 1479:. In 1735, he introduced organ concertos between the acts. For the first time, Handel allowed 1329:

at the Haymarket (now His Majesty's Theatre), established in 1705 by architect and playwright

10332: 10123: 9724: 9654: 9611: 9571: 9561: 9451: 9238: 9183: 8290: 8285: 8258: 8223: 8209: 7294: 6827: 5930: 5481: 2983: 2471: 2029: 1575: 1466: 1373: 1271:, which made fun of the type of Italian opera Handel had popularised in London, premiered at 1267: 1183: 1107: 943: 680: 581: 485: 358: 50: 7131:

McGeary, Thomas (2011). "Handel and Homosexuality: Burlington House and Cannons Revisited".

7017: 1422:

I had Lady Rich and her daughter, Lady Cath. Hanmer and her husband, Mr. and Mrs. Percival,

746: 724: 675:. Four years Handel's senior, Telemann was studying law at Leipzig and was assisting cantor 345: 10442: 10437: 10196: 9576: 9433: 9403: 9398: 9383: 9158: 9007: 8446: 8216: 7877: 7870: 6717: 6690: 6571: 6413: 6080: 5030: 3137:

Records of the Marktkirche show that he took communion there in April of the years 1701–03.

3046: 2949: 2774: 2653:

12 Variations in G major on "See the conqu’ring hero comes" from Judas Maccabaeus by Handel

2648: 2617: 2528: 2520: 2491: 2188: 1748: 1694: 1612: 1554: 1462: 1334: 1218: 1104: 866: 569: 396:. The Margrave of Brandenburg became the administrator of the archepiscopal territories of 329: 9476: 5132:

illus.1 Single-manual harpsichord by William Smith (Bate Collection, University of Oxford)

2669:, Op. 107 for guitar, based on Handel's Suite No. 5 in E major, HWV 430, for harpsichord. 8: 10118: 9754: 9699: 9689: 9546: 9501: 9353: 9343: 9293: 9173: 8976: 8469: 8075: 8068: 7551: 6512: 6387: 5848: 3185: 2751: 2563: 2543: 2487: 1377: 1301: 1191: 1011: 966: 631: 577: 565: 83: 9709: 6636: 6632: 6498: 3032: 2606: 2166:

The first published catalogue of Handel's works appeared as an appendix to Mainwaring's

9694: 9616: 9581: 9531: 9511: 9461: 9223: 9213: 8638: 7656: 7593: 7261: 7253: 7222: 7158: 7150: 7119: 7102: 7088: 7071: 7057: 7000: 6992: 6961: 6944: 6930: 6913: 6899: 6878: 6844: 6780: 6583: 6579: 6317: 6287: 6226: 6182: 5947: 5916: 5048: 2970: 2567: 2532: 2479: 2409: 2363: 2269: 1998: 1980: 1887: 1762: 1513: 1140: 1025: 1021: 832: 820: 754: 648: 635: 606: 457: 370: 362: 253:

and Italy before settling in London in 1712, where he spent the bulk of his career and

79: 9679: 9243: 8773: 6911:

Hume, Robert D. (October 1986). "Handel and Opera Management in London in the 1730s".

6610: 5723: 4420:

Burrows, Donald; Coffey, Helen; Greenacombe, John; Hicks, Anthony (20 February 2014).

2747: 1993:; 12,000 people attended the first performance. In 1750, he arranged a performance of 10253: 10211: 9946: 9895: 9496: 9348: 9328: 9308: 9303: 9163: 8753: 8374: 8117: 8061: 7810: 7789: 7747: 7642: 7539: 7330: 7265: 7175: 7162: 7040: 7024: 7004: 6813: 6754: 6676: 6587: 6532: 6524: 6484: 6449: 6442: 6423: 6417: 6399: 6373: 6334: 6294: 6252: 6234: 6189: 6162: 6141: 6134: 6026: 6004: 5997: 5978: 5963: 5920: 5908: 5864: 5822: 5789: 5771: 5754: 5727: 5602: 4856: 4630:"Royal Academy of Music to 'decolonise' collection as composer linked to slave trade" 4427: 2945: 2791: 2731: 2613: 2583: 2535: 2452: 2037: 1744: 1449: 1427: 1403: 1392:

caused conflicts in the royal family. In March 1734 Handel composed a wedding anthem

1365: 1208: 1100: 1054: 871: 824: 705: 302: 113: 10155: 2051:

distributed much of his estate to other relations, servants, friends and charities.

1194:. During twelve months between 1724 and 1725, Handel wrote three successful operas, 823:(whom Mainwaring called "Donna Laura") one of the most influential patrons from the 10284: 10206: 10075: 10025: 9669: 9621: 9591: 9536: 9413: 9368: 9333: 9208: 9168: 9133: 9032: 8894: 8860: 8388: 8314: 8131: 8110: 8103: 8019: 7998: 7970: 7963: 7909: 7838: 7796: 7775: 7740: 7691: 7579: 7414:

provides free downloading of sheet music and MIDI files for some of Handel's works.

7339: 7245: 7214: 7142: 7111: 7080: 7049: 6984: 6953: 6922: 6870: 6836: 6805: 6744: 6615:. Translated by Hull, A. Eaglefield. London: Kegan Paul, Trench, Trubner & Co. 6546: 6326: 6177: 6156: 6053: 5992: 5939: 5900: 5837:

Auner Joseph H. (1996), "Schoenberg's Handel Concerto and the Ruins of Tradition",

5746: 5490: 5111: 5004: 4978: 3125: 2822: 2707: 2699: 2590: 2512: 2404: 2289: 2283: 2262: 2159: 2107: 2106:

with its "Hallelujah" chorus, is among the most popular works in choral music. The

2102: 2006: 1953: 1934: 1901: 1892: 1736: 1730: 1629: 1624: 1620: 1601: 1480: 1372:

which then became his most successful work ever. Handel failed to compete with the

1360: 1313: 1262: 1253: 1237: 1233: 1155: 1016: 888: 750: 393: 382: 293: 271: 159: 136: 7417: 6392: 6072: 4973:

Chrissochoidis, I. (2008). Handel Recovering: Fresh Light on His Affairs in 1737.

4469: 2817: 10170: 10060: 9983: 9859: 9684: 9606: 9466: 9446: 9408: 9323: 9178: 9153: 8995: 8954: 8889: 8652: 8335: 8280: 8096: 8089: 8047: 8040: 8032: 8014: 7984: 7956: 7942: 7733: 7726: 7546: 7532: 7517: 7189: 7146: 7012: 6748: 6494: 6437: 6122: 6111: 5844: 5015: 5000: 4880: 4706: 4692: 4674: 4634: 4581: 3257: 3112: 3074: 2835: 2750:, and Handel and Bach are commemorated in the calendar of saints prepared by the 2673: 2559: 2524: 2458: 2273: 2192: 1947: 1786: 1777: 1773: 1720: 1714: 1579: 1354: 1348: 1129: 1069: 1060: 960: 876: 861: 845: 758: 665: 658: 610: 473: 262: 238: 9471: 8768: 7326: 6825:

Frosch, William A. (1990). "Moods, Madness, and Music. II. Was Handel Insane?".

6809: 1124: 786:

According to Mainwaring, in 1706 Handel travelled to Italy at the invitation of

687:

there). Telemann recalled forty years later in an autobiography for Mattheson's

374: 9900: 9874: 9809: 9719: 9601: 9566: 9268: 9233: 9138: 9040: 8884: 8645: 8009: 7902: 7670: 7069:

King, Richard G. (August 1991). "Handel's Travels in the Netherlands in 1750".

6646: 6606: 6057: 5904: 4660: 2962: 2855: 2812: 2787: 2719: 2683: 2662: 2551: 2547: 2504: 2209: 2048: 1663: 1381: 1228: 1174:. Handel may have invited John Smith, his fellow student in Halle, and his son 1074: 971: 939: 925: 880: 836: 561: 522: 489: 378: 242: 10165: 6794:

Frosch, William A. (14 September 1989). "The Case of George Frideric Handel".

6480: 4982: 4406: 1470: 1099:, though his patronage declined after Chandos lost large sums of money in the 501:

Sometime between the ages of seven and nine, Handel accompanied his father to

10426: 10201: 10080: 10055: 10040: 9988: 9931: 9921: 9799: 9734: 9586: 9541: 9388: 9378: 9373: 9313: 9198: 9193: 9102: 8244: 7977: 7824: 7712: 7628: 7600: 7572: 6856: 6519:. Vol. XXIV Haile–Harriott. New York: Macmillan and Co. pp. 277–91. 6469: 6363: 6359: 6308: 5814: 5810: 5716: 4695:; "Artists respond to Handel’s investment in the transatlantic slave trade," 2966: 2475: 2213: 1768: 1616: 1330: 1196: 1167: 934: 798: 676: 552: 448: 420: 366: 350: 246: 222: 75: 6874: 5784:

A comprehensive bibliography through 2005 can be found in Mary Anne Parker,

5634: 5537: 4574: 3184:

were leased to the Handel House Trust, and after extensive restoration, the

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better than any of us. When he chooses, he strikes like a thunder bolt." To

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was a failure, although he introduced ballet suites at the end of each act.

955: 414: 10320: 10308: 10145: 10140: 10113: 10050: 9631: 9363: 9358: 9148: 8919: 8758: 7863: 7705: 7203:

Winemiller, John T. (Autumn 1997). "Recontextualizing Handel's Borrowing".

7193: 6248: 5912: 5886: 5036: 3181: 2920: 2711: 2516: 2346: 2225: 1945:

The use of English soloists reached its height at the first performance of

1305: 1257:, has been played at every British coronation ceremony since. The words to 1213: 1187: 1042: 921: 802: 684: 585: 424: 325: 7084: 6988: 6957: 6926: 6817: 5943: 5115: 2632:

Handel's monument in the Abbey with the plaque recording his commemoration

1067:, where he laid the cornerstone for his future choral compositions in the 517:

back to Zachow's music. At the same time Handel continued practice on the

10101: 10096: 10013: 9824: 9819: 9789: 9664: 9644: 9393: 9228: 9218: 8911: 8431: 8025: 7443: 7438: 7319: 7115: 6840: 6129: 6042: 5959: 5711: 2933: 2860: 2795: 2726:. Then he used the first sixteen bars of his set of variations to create 2640: 2575: 2435: 2299: 1929: 1564: 1415: 1316: 1171: 1089: 1037: 1008: 518: 502: 313: 309: 277: 226: 101: 7257: 7249: 7154: 6996: 6903: 6453: 6210: 5769:

Alexander Silbiger, "Scarlatti Borrowings in Handel's Grand Concertos",

5494: 5052: 1904:

on 13 April 1742, with 26 boys and five men from the combined choirs of

1549:

which premiered on 23 March. In April Handel suffered a mild stroke, or

409:, and soon after the end of the war he would bring musicians trained in 10065: 9973: 9941: 9839: 9804: 9779: 7607: 6965: 5951: 5652: 5352: 2672:

In 1861, using a theme from the second of Handel's harpsichord suites,

2420: 1870: 1656: 1583: 1483:, who had no time to learn his part, to substitute arias. Financially, 1475: 1179: 946:, but left at the end of the year. It is likely he was also invited by 795: 481: 433: 7226: 7123: 7092: 7061: 6934: 6882: 6848: 5861:

For All the Saints: A Calendar of Commemorations for United Methodists

5028:

Ditto, Charles (July–September 1997). "Handel's Musical Clock Music".

4871: 3188:

opened to the public, with events including concerts of baroque music.

2999:

This barber, Andreas Berger, happened to be the son-in-law of English

2902:

According to baptismal records in Halle's parish church, the Lutheran

2024:

in the Netherlands. In 1751, one eye started to fail. The cause was a

1283: 532: 10018: 9288: 7803: 7761: 7698: 7635: 5863:, ed. by Clifton F. Guthrie (Order of Saint Luke Publications, 1995, 2982:

Halle also was noted for the quality of its organ-builders. In 1712,

2626: 2043:

Handel never married and kept his personal life private. His initial

2017: 1938:, was first performed on 17 March 1749 at the Covent Garden Theatre. 1712:, Handel's first oratorio was composed in Italy in 1707, followed by 1587: 1485: 1385: 1342: 1202: 1064: 1014:

family. While living in the mansion of Lord Burlington, Handel wrote

987: 258: 8854: 6103:

Consisting of three volumes (separately hosted online by zeno.org):

10070: 10045: 9993: 9978: 9951: 9769: 9744: 7649: 7511: 7348: 7344: 7218: 7053: 5474: 5472: 2937: 2084: 2080: 2025: 1921: 1709: 1571: 1399: 1236:

is derived, was performed as a stopgap, waiting for the arrival of

884: 840: 816: 779: 230: 10413: 5847:

tried to compose an additional piece for a theme of Handel in his

2948:

possession, as religious tensions mounted in the years before the

10191: 9998: 9968: 9936: 9926: 9879: 9854: 9849: 9784: 9764: 7782: 7719: 7684: 5559:

Handel, George Freidrich. Schering, Arnold; Soldan, Kurt (eds.).

3996: 3051: 2941: 2772:

In 1942, Handel was the subject of the British biographical film

2047:

bequeathed the bulk of his estate to his niece Johanna, but four

2021: 1718:

in 1708 which uses material from the Bible. The circumstances of

1309: 1159: 812: 721: 410: 275:(1742), he never composed an Italian opera again. His orchestral 250: 9071: 7309: 5469: 5066:

A New Chronology of Venetian Opera and Related Genres, 1660–1760

4423:

George Frideric Handel: Volume 1, 1609–1725: Collected Documents

3460: 3366: 3364: 3362: 3347: 3209:"Händel-Haus in Halle an der Saale – Handschriftliche Dokumente" 2655:, for cello and piano. In 1822, Beethoven composed the overture 2474:

attempted, unsuccessfully, to meet Handel while he was visiting

2309:, Handel became a national icon in Britain, and featured in the 716: 10150: 10008: 7831: 7768: 7754: 7663: 7621: 7614: 7525: 2987: 1883: 1806:

has a rather diverting character; the work is light and fresh.

1647:

List of compositions by George Frideric Handel § Oratorios

1491: 1243:

In 1727, Handel was commissioned to write four anthems for the

1092:

wrote that "the music catches breath and disturbs the memory".

763: 626:. That university had only recently been founded. In 1694, the 477: 234: 8809: 6372:. Vol. 2. London: Macmillan Publishers. pp. 614–26. 3271:"British Citizen by Act of Parliament: George Frideric Handel" 1600:, the only comic opera that Handel ever wrote and worked with 1158:, ordered Handel to look for new singers. Handel travelled to 177: 10338: 10035: 10030: 10003: 9869: 9774: 7817: 7677: 7565: 7368: 6942:

Hunter, David (November 2001). "Handel among the Jacobites".

5501: 4419: 3903:, pp. 6–8 (containing the poem and English translation). 3524: 3359: 2341: 2088: 1975:

Uncompleted admission ticket for the May 1750 performance of

1596: 950:

the former ambassador in Venice to visit England. He visited

568:, a representative of the "southern style" after his teacher 564:, an "old master" in the fugue and prominent organ composer, 548: 397: 10315: 4226: 3744:

Seiffert, Max (1905). "Preface to Volumes 21, 21 (Zachow)".

2661:, which also bears the influence of Handel. Guitar virtuoso 1088:: during Handel's lifetime, it was his most performed work. 654: 9916: 9864: 9834: 9829: 9814: 9794: 7315: 7038:

Keynes, Milo (September 1982). "Handel and His Illnesses".

6713:

Buch 3: Zwanzig Jahre bei der italienischen Oper in London.

6641:. Translated by Lowe, James. London: Robert Cocks & Co. 6289:

Handel as Orpheus. Voice and Desire in the Chamber Cantatas

4969: 4967: 4520: 4238: 3935: 3933: 3918: 3853: 3851: 2798:. He is also the central character in the television films 2320: 2076: 1925: 1890:, to give concerts for the benefit of local hospitals. His 895:("the dear Saxon" – referring to Handel's German origins). 5635:"The Birth of British Music: Handel – The Conquering Hero" 3778: 3776: 3636: 3634: 3632: 2515:

wrote that Handel "seems to have been the champion of all

2154: 1619:

with a pipe organ built by Charles Clay; it was bought by

455:

Early in his life Handel is reported to have attended the

7100:

MacArdle, Donald (January 1960). "Beethoven and Handel".

5753:, Oxford University Press, 2005, vol. 2, ch. 26, p. 329, 4347: 3960: 3876:, pp. 5–6 (inscription on Georg Händel's tombstone). 3564: 3003:

William Brade, court musician to Augustus in Weissenfels.

2718:

for piano. In 1911, Australian-born composer and pianist

2310: 1794:

consists of little else but choruses, borrowing from the

1226:, he concentrated on opera and stopped writing cantatas. 805:, composed sacred music for the Roman clergy. His famous 377:, aged 63, and Dorothea Taust. His father was an eminent 221:; 23 February 1685 – 14 April 1759) was a German-British 168: 6140:. Berkeley, California: University of California Press. 4964: 4250: 4163: 3984: 3972: 3930: 3906: 3848: 3836: 3824: 3512: 2315:

The Birth of British Music: Handel – The Conquering Hero

2268:

Handel's works were collected and preserved by two men:

6114:: Jugendzeit und Lehrjahre in Deutschland (1685–1706); 5609:...he had a voluminous collection of Handel's scores... 5329: 5245: 4125: 4123: 3773: 3629: 3588: 3576: 3552: 2682:, Op. 24, one of his most successful works (praised by 2195:

in London, but some scores, such as the vocal score to

1662:

Portrait of Handel next to his harpsichord, painted by

819:

style for musical gatherings in the palaces of duchess

771:, were produced in 1705. He produced two other operas, 671:

Around this same time, Handel made the acquaintance of

257:. He was strongly influenced both by the middle-German 6500:

Memoirs of the Life of the Late George Frederic Handel

6293:. Cambridge, Massachusetts: Harvard University Press. 5622:

Handel, a celebration of his life and times, 1685–1759

4532: 4508: 4202: 4135: 3950: 3948: 3421: 2936:, Valentin Händel (1582–1636), who had emigrated from 1352:. After two commercially successful English oratorios 1232:, from which the regimental slow march of the British 10268: 6599:

Handel. A Celebration of his Life and Times 1685–1759

6596: 6529:

Händels Oratorien, Oden und Serenaten: Ein Kompendium

5275: 5155: 5078: 5076: 5074: 4490: 4450: 4310: 4274: 4214: 4190: 4180: 4178: 4092: 4040: 3884: 3882: 3812: 3714: 3607: 3605: 3603: 3450: 3448: 3433: 3411: 3409: 3407: 3311: 2134:; the latter incorporates an earlier organ concerto, 1685:

Handel's harpsichord made by William Smith (18th c.)

1590:, but its composition was interrupted by that of the 595: 373:, then part of Brandenburg-Prussia. His parents were 349:

Handel's baptismal registration (Marienbibliothek in

186: 171: 5531: 5513: 5137: 4120: 3484: 3392: 2486:

is reputed to have said of him, "Handel understands

1780:), to be sure "...it will be most excessive noisy". 174: 8189:

Agrippina condotta a morire or Dunque sarà pur vero

6859:(1976–1977). "Handel's Early Musical Development". 5999:'Music in the Baroque Era – From Monteverdi To Bach 5624:. p. 239. National Portrait Gallery (Great Britain) 5185: 4994:"Koninklijke speelklok van wereldklasse aangekocht" 3945: 3617: 3472: 3231: 3219: 2724:Variations on Handel's 'The Harmonious Blacksmith' 1439: 1113: 990:, Surrey. He received a yearly income of £200 from 865:, his first all-Italian opera, was produced in the 493:resulted in his receiving formal musical training. 165: 162: 7016: 6441: 6391: 6286: 6181: 6133: 6041: 5996: 5977:. Bloomington, Indiana: Indiana University Press. 5715: 5464:The Letters and Writings of George Frideric Handel 5071: 4262: 4175: 4052: 3879: 3800: 3788: 3600: 3445: 3404: 3323: 1734:, strongly coloured by the coronation anthems and 7234:White, Harry (1987). "Handel in Dublin: A Note". 5341: 4080: 3161:(published in 1740), he fixes the date as 9 July. 521:, and learned violin and organ, but according to 10548:German emigrants to the Kingdom of Great Britain 10424: 7365:, Handel's birthplace (archived 5 December 2008) 6726:. Vol. 3. Leipzig: Breitkopf & Härtel. 6699:. Vol. 2. Leipzig: Breitkopf & Härtel. 6089:. Vol. 1. Leipzig: Breitkopf & Härtel. 5009:"Georg Friedrich Händel and the Braamcamp clock" 2866: 2478:. (Handel was born in the same year as Bach and 576:, an "internationalist" also closely studied by 7237:Eighteenth-Century Ireland / Iris an Dá Chultúr 6268:. Vol. 2. Halle: Verlag des Waysenhauses. 2586:, Franz Johann Habermann, and numerous others. 6507: 5885: 5805:John H. Roberts, "Why Did Handel Borrow?", in 3530: 3466: 3382: 3370: 3353: 2846:Letters and writings of George Frideric Handel 2068:List of compositions by George Frideric Handel 539:in Halle where Handel was baptised, and where 9087: 8840: 7459: 7174:. Cambridge, UK: Cambridge University Press. 5840:Journal of the American Musicological Society 4440:on 22 February 2018 – via Google Books. 2965:(who also was organist at the Moritzkirche), 2923:style of counting the new year from 25 March. 2208:edition was first inaugurated in 1955 in the 2028:which was operated on by the great charlatan 1007:, a young and extremely wealthy member of an 859:and Ottoboni in 1709 and 1710, respectively. 30:"Handel" redirects here. For other uses, see 7392: 7198:(Second ed.). London: Methuen & Co. 6862:Proceedings of the Royal Musical Association 6474: 6052:(online ed.). Oxford University Press. 5600: 5094: 2746:Handel and Bach share the date 28 July with 1594:. On Boxing Day he began the composition of 287:remain steadfastly popular. One of his four 255:became a naturalised British subject in 1727 194: 5706: 5704: 4855:p. 1105 (Cambridge University Press, 1995) 4794:"George Frideric Handel – Zadok the Priest" 4765: 1633:, his last opera, a co-production with the 1495:, his last opera with a magic content, and 1041:was performed more than three times on the 1005:3rd Earl of Burlington and 4th Earl of Cork 790:. (Other sources say Handel was invited by 27:German-British Baroque composer (1685–1759) 9094: 9080: 8847: 8833: 7473: 7466: 7452: 7424:George Frideric Handel cylinder recordings 7390:(IMSLP): includes Complete Works Edition ( 6785:: CS1 maint: location missing publisher ( 6631: 6515:. In Stephen, Leslie; Lee, Sidney (eds.). 6493: 6465:. London: Adams and Charles Black Limited. 6079: 5507: 4353: 4244: 3966: 3939: 3924: 3869: 3857: 3842: 3830: 3782: 3760: 3708: 3680: 3668: 3652: 3640: 3594: 3582: 3570: 3558: 3546: 2768:Category:George Frideric Handel in fiction 2224:Between 1978 and 1986 the German academic 1003:One of his most important patrons was the 811:(1707) is from this era. He also composed 357:Handel was born in 1685 (the same year as 49: 10523:Members of the Royal Society of Musicians 7388:International Music Score Library Project 7172:The Politics of Opera in Handel's Britain 6545: 6531:. Göttingen: Vandenhoeck & Ruprecht. 6261: 6175: 5659:. Cambridge University Press. p. 82. 5088: 4550: 4502: 4409:on 6 October 2016 – via Wikisource. 4389: 4365: 4232: 4157: 4114: 3518: 2679:Variations and Fugue on a Theme by Handel 1059:In 1717, Handel became house composer at 855:, were produced in a private setting for 261:choral tradition and by composers of the 7394:Ausgabe der Deutschen Händelgesellschaft 7377: 7336:Works by or about George Frideric Handel 7134:Journal of the Royal Musical Association 6976:Journal of the Royal Musical Association 6743: 6503:. London: Printed for R. and J. Dodsley. 6262:Dreyhaupt, Johann Christoph von (1755). 6188:. Vol. 1. Oxford: Clarendon Press. 5991: 5701: 5562:Messiah: Oratorio in Three Parts, HWV 56 4883:GFHandel.org, Retrieved 21 December 2007 4526: 4332:, Cambridge University Press, 2009, p. 2 3743: 2961:Among the court musicians of Halle were 2686:). Several works by the French composer 2319: 2245: 2153: 2075: 2072:List of operas by George Frideric Handel 1970: 1747:about writing for instruments, and from 1607:A harp and organ concerto (HWV 294) and 1443: 1395:This is the day which the Lord hath made 1162:to attend the newly built opera. He saw 1123: 907: 715: 711: 653: 531: 443: 419: 344: 9017:It's Christmastime Again, Charlie Brown 8928:Handel's Messiah: A Soulful Celebration 7432:University of California, Santa Barbara 6605: 6386: 6362:(1998). "Handel, George Frederick". In 6331:10.1093/gmo/9781561592630.article.40060 6247: 6049:Oxford Dictionary of National Biography 6039: 6017: 5478: 5457: 5415: 5403: 5251: 4753: 4741: 4717: 4562: 4538: 4514: 4377: 4341: 4304: 4292: 4280: 4256: 4220: 4196: 4169: 4129: 4110: 4098: 4074: 4070: 4018: 3900: 3873: 3502: 3490: 3427: 3398: 3386: 3341: 3295: 3225: 3095: 3020: 2932:Georg Händel (senior) was the son of a 2761: 2408:has been performed at every subsequent 1979:, including the arms of the venue, the 1743:It is evident how much he learned from 1048: 210:[ˈɡeːɔʁk ˈfʁiːdʁɪçˈhɛndl̩] 14: 10425: 7992:L'Allegro, il Penseroso ed il Moderato 6730:from the original on 30 September 2017 6460: 6412: 6284: 5972: 5489:(4). Oxford University Press: 533–76. 5351:. The Handel Institute. Archived from 5299: 5287: 5263: 5239: 5227: 5215: 5203: 5179: 5167: 4596:"Handel and the Royal African Company" 4593: 4316: 4002: 3990: 3978: 3912: 3736: 3542: 3506: 3478: 3317: 3091: 3016: 2690:use Handel's themes; for example, his 2509:Substance of Several Lectures on Music 1918:Hark! hark! He strikes the golden lyre 1803:L'Allegro, il Penseroso ed il Moderato 480:: Handel "found means to get a little 9075: 8828: 7928:Il trionfo del Tempo e del Disinganno 7447: 7418:Digitized images of Old English Songs 7402:Free scores by George Frideric Handel 7384:Free scores by George Frideric Handel 6645: 6358: 6307: 6043:"Handel, George Frideric (1685–1759)" 5710: 5677:from the original on 27 November 2013 5651: 5451: 5427: 5323: 5122:from the original on 12 December 2022 5082: 5027: 4924:. Handel House Museum. Archived from 4642:from the original on 26 November 2021 4610:from the original on 26 November 2021 3306: 3237: 1920:, Handel wrote the accompaniment for 1705:Il trionfo del tempo e del disinganno 1364:, he was able to invest again in the 958:on his way to London. With his opera 694: 208: 10345: 8799: 6619:from the original on 3 December 2019 6523: 6436: 6347:from the original on 10 January 2022 6225: 6202: 6154: 6128: 5958: 5927: 5695: 5589:Handel collections and their history 5519: 5439: 5335: 5311: 5191: 5143: 4958: 4946: 4904: 4892: 4774:from the original on 5 December 2010 4729: 4268: 4208: 4184: 4153: 4141: 4086: 4058: 4046: 4034: 4030: 4014: 3954: 3888: 3818: 3806: 3794: 3767: 3732: 3720: 3704: 3700: 3688: 3684: 3656: 3623: 3611: 3454: 3439: 3415: 3329: 2851:Publications by Friedrich Chrysander 1932:. Another of his English oratorios, 1846:Arrival of the Queen of Sheba, from 727:in 1726, where Handel was a musician 628:Elector of Brandenburg Frederick III 496: 10468:Classical composers of church music 8666:Keyboard suite in D minor (HWV 437) 7932:Il trionfo del Tempo e della Verità 7439:George Frideric Handel – MIDI files 7363:Händel-Haus in Halle, Saxony-Anhalt 6797:The New England Journal of Medicine 6422:. London: Weidenfeld and Nicolson. 6272:from the original on 3 January 2017 6209:. The Boydell Press. Archived from 6093:from the original on 4 October 2009 5751:The Oxford History of Western Music 5534:"A short history of editing Handel" 5375:"The Arrival of the Queen of Sheba" 4467: 3289: 2612:The chorus, orchestra and organ in 24: 10538:People from the Duchy of Magdeburg 10458:18th-century German male musicians 8157:Ode for the Birthday of Queen Anne 6767:from the original on 21 March 2023 6659: 6559:from the original on 20 April 2017 6448:. New York: W.W. Norton & Co. 6161:. New York: W.W. Norton & Co. 6125:: Die große Wanderung (1707–1720). 5558: 5385:from the original on 1 August 2021 5068:by Eleanor Selfridge-Field, p. 492 4800:from the original on 16 April 2021 4480:from the original on 5 March 2016. 2441:Ode for the Birthday of Queen Anne 2371: 1869:Problems playing these files? See 1811: 1212:. Handel's operas are filled with 1128:The Chandos portrait of Händel by 596:After the death of Handel's father 525:his special affection was for the 439: 245:. Handel received his training in 25: 10584: 10134:historically informed performance 9101: 8322:Funeral Anthem for Queen Caroline 7274: 6703:from the original on 7 March 2016 6669:The Cambridge Companion to Handel 6369:The New Grove Dictionary of Opera 6257:. London: Adam and Charles Black. 5786:G. F. Handel: A Guide to Research 5641:from the original on 14 May 2017. 5569:from the original on 14 June 2022 5018:by Erma Hermens, 22 November 2018 4830:from the original on 13 June 2020 4768:"Guide to the Coronation Service" 4330:The Cambridge Handel Encyclopedia 4328:Annette Landgraf, David Vickers, 3750:. Leipzig: Breitkopf & Härte. 3180:In 2000, the upper stories of 25 2276:. The catalogue accompanying the 2228:catalogued Handel's works in his 1797:Funeral Anthem for Queen Caroline 1592:Funeral Anthem for Queen Caroline 1448:Engraving of the interior of the 1312:, London, with a close up of the 543:and Handel performed as organists 10405: 10388: 10371: 10354: 10326: 10314: 10302: 10290: 10278: 10252: 10243: 10242: 9056: 9055: 8808: 8798: 8788: 8787: 8343:Wedding anthem for Princess Anne 7550: 7352: 6653:. New York: David White Company. 6517:Dictionary of National Biography 5854: 5831: 5799: 5778: 5763: 5740: 5722:. J.M. Dent & Sons. p. 5689: 5663: 5645: 5627: 5614: 5594: 5581: 5552: 5525: 5445: 5433: 5421: 5409: 5397: 5367: 5317: 5305: 5293: 5281: 5269: 5257: 5233: 5221: 5209: 5197: 5173: 5161: 5149: 5059: 5021: 4987: 4952: 4940: 4910: 4898: 4865: 4842: 4812: 4786: 4759: 4747: 4735: 4723: 4711: 4654: 4622: 4587: 4568: 4556: 4544: 4496: 4484: 4456: 4444: 4413: 4395: 4383: 4371: 4359: 4335: 4322: 3273:. Parliament.uk. 14 April 2009. 3174: 2816:(2015). Handel was portrayed by 2625: 2605: 2419:Problems playing this file? See 2387: 1854: 1831: 1772:, Handel was collaborating with 1678: 1655: 1623:and was in 2016 acquired by the 1465:he started his third company at 1440:Opera at Covent Garden (1734–41) 1376:, who engaged musicians such as 1291: 1282: 1120:Royal Academy of Music (company) 1114:Royal Academy of Music (1719–34) 461:in Halle, where the headmaster, 308:Handel composed more than forty 158: 135: 7345:Works by George Frideric Handel 7327:Works by George Frideric Handel 7023:. New York: St Martin's Press. 6740:Buch 4: Übergang zum Oratorium. 6254:Handel: A Documentary Biography 5718:Handel (Master Musician series) 5007:, 14 November 2016 (in Dutch); 4470:"How Handel played the markets" 4298: 4286: 4147: 4104: 4064: 4024: 4008: 3894: 3863: 3754: 3726: 3694: 3674: 3662: 3646: 3536: 3496: 3376: 3335: 3300: 3277:from the original on 4 May 2012 3164: 3150: 3140: 3131: 3118: 3101: 3081: 3066: 3057: 3038: 3026: 3006: 2993: 2976: 2955: 2926: 2904:Marktkirche Unser Lieben Frauen 2716:Variations on a Theme by Handel 2698:. French composer and flautist 2667:Variations on a Theme by Handel 2398:Composed for the coronation of 1878:During the summer of 1741, the 1426:and my brother, Mrs. Donellan, 10448:18th-century British composers 8764:Handel & Hendrix in London 6675:. Cambridge University Press. 5673:. Bbc.co.uk. 13 January 2009. 4918:"Synopsis of Arianna in Creta" 4853:The Cambridge guide to theatre 4697:St Paul Chamber Orchestra Blog 4604:American Musicological Society 4594:Hunter, David (14 June 2015). 4426:. Cambridge University Press. 3263: 3243: 3201: 2913: 2896: 2877: 2820:as the antagonist in the film 2137:The Cuckoo and the Nightingale 1967:Will of George Frideric Handel 1960: 1182:. By 1723 he had moved into a 1178:, to become his secretary and 877:Teatro San Giovanni Grisostomo 875:was first produced in 1709 at 572:and imitated later by Handel, 335: 297:, has been performed at every 13: 1: 10453:18th-century German composers 9635: 9437: 9259: 9124: 8437:Music for the Royal Fireworks 7936:The Triumph of Time and Truth 7019:Handel: The Man and His Music 6673:Cambridge Companions to Music 6511:; Squire, W. Barclay (1890). 6398:. London: Thames and Hudson. 5807:Handel: Tercentary Collection 5349:"G. F. Handel's Compositions" 4113:, pp. 10–11 translating 3194: 2867:Notes, references and sources 2737: 2658:The Consecration of the House 2498: 2332:, London, created in 1738 by 2306:Music for the Royal Fireworks 2255: 2149: 2011:Gerald Coke Handel Collection 1990:Music for the Royal Fireworks 1667: 1546:The Triumph of Time and Truth 1133: 938:to German prince George, the 761:. Handel's first two operas, 749:. There he met the composers 617: 284:Music for the Royal Fireworks 55:Portrait of Handel, 1726–1728 10533:Musicians from Halle (Saale) 10528:Burials at Westminster Abbey 8368:Utrecht Te Deum and Jubilate 8252:Tra le fiamme (Il consiglio) 7507:Handel's lost Hamburg operas 7406:Choral Public Domain Library 7300:Resources in other libraries 7147:10.1080/02690403.2011.562718 6233:. R A Kessinger Publishing. 6073:UK public library membership 5892:Journal of Medical Biography 4685:76, no. 1 (Sept 2019): 27ff 4468:Day, Peter (12 April 2009). 3747:Denkmäler deutscher Tonkunst 2465: 2297:, and other works including 1273:Lincoln's Inn Fields Theatre 1082:, the owner of Cannons, was 997:Utrecht Te Deum and Jubilate 994:after composing for her the 932:In June 1710, Handel became 898: 666:Calvinist Cathedral in Halle 249:and worked as a composer in 225:composer well known for his 7: 10563:German expatriates in Italy 10543:German emigrants to England 7428:UCSB Cylinder Audio Archive 7351:(public domain audiobooks) 6810:10.1056/NEJM198909143211120 6597:National Portrait Gallery. 6555:. Hamburg: For the author. 6513:"Handel, George Friederick" 6025:. Oxford University Press. 4766:Imogen Levy (2 June 1953). 4005:, pp. 31 n.7 & 53. 2829: 2744:Lutheran Calendar of Saints 2238:is catalogued as "HWV 56". 2094: 1896:was first performed at the 1640: 1473:, for whom Handel composed 1000:, first performed in 1713. 952:Anna Maria Luisa de' Medici 634:who had been expelled from 10: 10589: 6576:The Art of Handel's Operas 6206:Handel's Operas, 1726–1741 6184:Handel's Operas, 1704–1726 6136:Handel and the Opera Seria 5975:A History of Baroque Music 5973:Buelow, George J. (2004). 5968:. London: Schott & Co. 5905:10.1177/096777200501300308 5878: 5637:. BBC. 24 September 2017. 5604:Memoirs of Granville Sharp 5601:Prince Hoare, ed. (1820). 5532:The Halle Handel Edition. 4403:"Handel, George Frederick" 3531:Maitland & Squire 1890 3467:Adams & Hofestädt 2005 3383:Adams & Hofestädt 2005 3371:Adams & Hofestädt 2005 3354:Adams & Hofestädt 2005 2889:Collins English Dictionary 2810:(1996) and the stage play 2765: 2692:March on a Theme by Handel 2596: 2330:Victoria and Albert Museum 2065: 1964: 1644: 1615:. He composed music for a 1611:were published in 1738 by 1390:Frederick, Prince of Wales 1117: 1052: 1030:Antoine Houdar de la Motte 1028:, based on the tragedy by 903: 387:Margraviate of Brandenburg 72:23 February] 1685 29: 10483:English Baroque composers 10473:Composers for harpsichord 10463:18th-century keyboardists 10222: 10179: 10089: 9909: 9888: 9753: 9630: 9432: 9257: 9118: 9112:List of Baroque composers 9109: 9051: 9006: 8987: 8947: 8903: 8869: 8782: 8731: 8705: 8682:Handel Reference Database 8674: 8660:The Harmonious Blacksmith 8630: 8599: 8445: 8424: 8398: 8359: 8350:Foundling Hospital Anthem 8299: 8268: 8238:O lucenti, o sereni occhi 8180: 8171:Ode For St. Cecilia's Day 8141: 7919: 7887: 7848: 7499: 7481: 7437:KunstDerFuge .mid files: 7393: 7371:, Handel's home in London 7310:Handel Reference Database 7295:Resources in your library 7206:The Journal of Musicology 6313:"Handel, George Frideric" 6285:Harris, Ellen T. (2001). 6003:. New York: W.W. Norton. 5819:Royal Musical Association 5775:, v. 125, 1984, pp. 93–94 5276:National Portrait Gallery 5156:National Portrait Gallery 5110:(February 1993): 99–110. 4983:10.1017/S1478570608001504 4491:National Portrait Gallery 4451:National Portrait Gallery 4156:, p. 22 translating 2841:Handel Reference Database 2431:Ode for St. Cecilia's Day 2278:National Portrait Gallery 2252:King's Theatre, Haymarket 2241: 2143:The Harmonious Blacksmith 1987:In 1749, Handel composed 1755:In 1736, Handel produced 1152:The 1st Duke of Newcastle 340: 195: 134: 129: 119: 109: 90: 60: 48: 41: 10558:Male classical organists 10503:German Baroque composers 10478:Composers for pipe organ 8697:Hallische Händel-Ausgabe 8687:Händel-Werke-Verzeichnis 8675:Catalogs and collections 7170:McGeary, Thomas (2013). 6667:Burrows, Donald (1997). 6110:15 December 2009 at the 6040:Burrows, Donald (2007). 5607:. Colburn. p. xii. 5565:. Leipzig: C.F. Peters. 5466:by Erich H. Müller, 1935 4975:Eighteenth Century Music 2871: 2801:God Rot Tunbridge Wells! 2688:Félix-Alexandre Guilmant 2507:raised the issue in his 2434:(1739) (set to texts by 2334:Louis-François Roubiliac 2231:Händel-Werke-Verzeichnis 2205:Hallische Händel-Ausgabe 2170:. Between 1787 and 1797 2061: 1823:Hallelujah Chorus, from 1510:Anna Maria Strada del Pò 1388:. The strong support by 1384:and the famous castrato 1176:Johann Christoph Schmidt 879:in Venice, owned by the 511:Friedrich Wilhelm Zachow 451:, copper engraving, 1686 381:who served the court of 10488:English opera composers 8196:Allor ch'io dissi addio 8150:Aci, Galatea e Polifemo 8055:Joseph and his Brethren 7369:The Handel House Museum 6323:Oxford University Press 4879:30 January 2009 at the 4705:1 December 2021 at the 4673:1 December 2021 at the 2756:United Methodist Church 2383:Zadok the Priest (1727) 2326:marble statue of Handel 2036:. Handel was buried in 2009:, which also holds the 1519:Early 1737 he produced 1502:based on John Dryden's 1145:University of Cambridge 1080:The 1st Duke of Chandos 976:Cara sposa, amante cara 967:La Gerusalemme Liberata 792:Gian Gastone de' Medici 32:Handel (disambiguation) 10573:Composers from Hamburg 10508:German opera composers 10493:British male organists 10433:George Frideric Handel 10341:George Frideric Handel 10187:Common practice period 8877:Structure of Handel's 8856:George Frideric Handel 8622:Concerti grossi, Op. 6 8617:Concerti grossi, Op. 3 8612:Organ concertos, Op. 7 8607:Organ concertos, Op. 4 8382:Queen Caroline Te Deum 8125:The Choice of Hercules 7475:George Frideric Handel 7286:George Frideric Handel 6475: 6444:George Frideric Handel 6058:10.1093/ref:odnb/12192 5657:Choral Music on Record 5097:"A Handel harpsichord" 3671:: Buch 1: 2. Kindheit. 3250:George Frederic Handel 2556:Francesco Antonio Urio 2540:Georg Philipp Telemann 2376: 2336: 2265: 2163: 2132:Opus 6 Concerti grossi 2091: 1984: 1880:3rd Duke of Devonshire 1816: 1453: 1437: 1368:. Handel reworked his 1346:and the "magic" opera 1265:. In 1728, John Gay's 1147: 1097:Royal Academy of Music 929: 728: 683:'s predecessor at the 661: 641:August Hermann Francke 574:Johann Jakob Froberger 544: 452: 428: 427:, birthplace of Handel 354: 320:composers, especially 65:Georg Friedrich Händel 43:George Frideric Handel 10568:Composers from London 10498:German male organists 10109:British Baroque music 8210:Clori, Tirsi e Fileno 7378:Scores and recordings 6875:10.1093/jrma/103.1.80 6828:The Musical Quarterly 6718:Chrysander, Friedrich 6691:Chrysander, Friedrich 6647:Young, Percy Marshall 6509:Maitland, J.A. Fuller 6461:Larsen, J.P. (1972). 6203:Dean, Winton (2006). 6155:Dean, Winton (1982). 6081:Chrysander, Friedrich 5712:Young, Percy Marshall 5095:Michael Cole (1993). 5014:1 August 2020 at the 4999:1 August 2020 at the 4873:Handel's Compositions 4770:. Westminster Abbey. 4691:21 March 2023 at the 4580:19 April 2014 at the 4551:Dean & Knapp 1987 4503:Dean & Knapp 1987 4390:Dean & Knapp 1987 4366:Dean & Knapp 1987 2472:Johann Sebastian Bach 2375: 2323: 2249: 2157: 2120:Organ concertos Op. 4 2079: 1974: 1965:Further information: 1928:, violin, viola, and 1815: 1645:Further information: 1576:Royal Tunbridge Wells 1560:The Dragon of Wantley 1535:, and continued with 1500:or the Power of Music 1467:Covent Garden Theatre 1450:Covent Garden Theatre 1447: 1420: 1374:Opera of the Nobility 1127: 1108:Royal African Company 911: 869:in Florence in 1707. 788:Ferdinando de' Medici 783:, performed in 1708. 719: 712:From Hamburg to Italy 657: 535: 447: 423: 359:Johann Sebastian Bach 348: 18:Georg Frideric Handel 9527:Jacquet de La Guerre 9457:Bodin de Boismortier 9025:Handel's Last Chance 9008:Story within a story 8744:Letters and writings 8217:Dalla guerra amorosa 7878:Va tacito e nascosto 7871:Svegliatevi nel core 7491:List of compositions 7316:"Discovering Handel" 6892:Fontes Artis Musicae 6419:Handel and his World 6414:Landon, H.C. Robbins 6388:Hogwood, Christopher 6213:on 26 September 2009 6158:The New Grove Handel 6121:6 March 2016 at the 5993:Bukofzer, Manfred F. 5620:Jacob Simon (1985). 5355:on 24 September 2013 5290:, pp. 16, 39–41 5031:Fontes Artis Musicae 4077:, pp. 8, 9, 10. 3260:. Westminster Abbey. 3047:Friedrich Chrysander 2807:Handel's Last Chance 2775:The Great Mr. Handel 2762:Fictional depictions 2728:Handel in the Strand 2649:Ludwig van Beethoven 2618:Handel Commemoration 2616:, London during the 2529:Alessandro Scarlatti 2521:Alessandro Stradella 2250:A Masquerade at the 2189:Friedrich Chrysander 2176:Sir George Macfarren 2126:, together with the 1749:Alessandro Scarlatti 1695:University of Oxford 1555:John Frederick Lampe 1537:Il Parnasso in Festa 1409:Anne, Princess Royal 1335:John James Heidegger 1219:Svegliatevi nel core 1049:At Cannons (1717–19) 970:by the Italian poet 883:. The opera, with a 852:Il trionfo del tempo 570:Girolamo Frescobaldi 124:List of compositions 104:, Middlesex, England 10119:early music revival 9690:Frederick the Great 8739:British citizenship 8692:Händel-Gesellschaft 8416:Oboe Concerto No. 2 8411:Oboe Concerto No. 1 8406:Oboe Concerto No. 3 8076:Occasional Oratorio 7857:Lascia ch'io pianga 7412:The Mutopia Project 7250:10.3828/eci.1987.14 7103:Music & Letters 7085:10.1093/ml/72.3.372 7072:Music & Letters 6989:10.1093/jrma/fkl013 6958:10.1093/ml/82.4.543 6945:Music & Letters 6927:10.1093/ml/67.4.347 6914:Music & Letters 6249:Deutsch, Otto Erich 6227:Dent, Edward Joseph 6178:Knapp, John Merrill 5944:10.1093/em/13.4.476 5849:Album for the Young 5821:, 1985, pp. 83–92, 5788:, Routledge, 2005, 5671:"BBC Press Release" 5587:Best, Terence, ed. 5116:10.1093/em/XXI.1.99 4849:theatrical monopoly 4824:www.stagebeauty.net 4699:(11 December 2020) 4575:"Handel's Finances" 4392:, pp. 173, 180 4235:, pp. 29, 191. 3256:29 May 2019 at the 3186:Handel House Museum 2906:, he used the form 2754:for the use of the 2752:Order of Saint Luke 2564:Francesco Gasparini 2544:Carl Heinrich Graun 2184:Händel-Gesellschaft 2158:Handel in 1733, by 1378:Johann Adolph Hasse 1302:Handel House Museum 1261:are taken from the 1192:Handel House Museum 980:Lascia ch'io pianga 954:and her husband in 924:, 17 July 1717, by 632:Christian Thomasius 624:University of Halle 566:Johann Caspar Kerll 507:Duke Johann Adolf I 84:Brandenburg-Prussia 10513:Oratorio composers 9419:Torrejón y Velasco 8269:Latin church music 8259:Un'alma innamorata 8224:Del bell'idolo mio 8203:Aure soavi e lieti 7190:Streatfeild, R. A. 7116:10.1093/ml/41.1.33 6841:10.1093/mq/74.1.31 6638:The Life of Handel 6633:Schoelcher, Victor 6584:Edwin Mellen Press 6580:Lewiston, New York 6525:Marx, Hans Joachim 6318:Grove Music Online 5510:, pp. 145–55. 5338:, pp. 142–44. 4851:in Banham, Martin 4681:Reconsidered," in 4529:, pp. 333–35. 4211:, pp. 486–89. 3770:, pp. 141–42. 3469:, pp. 144–45. 3356:, pp. 144–46. 2971:Michael Praetorius 2694:uses a theme from 2568:Giovanni Bononcini 2533:Domenico Scarlatti 2480:Domenico Scarlatti 2410:British coronation 2377: 2364:The Crystal Palace 2337: 2295:coronation anthems 2270:Sir Samuel Hellier 2266: 2199:, are incomplete. 2164: 2092: 1999:Foundling Hospital 1985: 1981:Foundling Hospital 1888:Kingdom of Ireland 1882:invited Handel to 1817: 1635:Earl of Holderness 1543:, and the revised 1454: 1268:The Beggar's Opera 1222:. After composing 1148: 1141:Fitzwilliam Museum 1026:damsel in distress 930: 833:Benedetto Pamphili 821:Aurora Sanseverino 755:Christoph Graupner 747:Oper am Gänsemarkt 729: 725:Oper am Gänsemarkt 695:Halle compositions 662: 649:Foundling Hospital 545: 453: 429: 371:Duchy of Magdeburg 363:Domenico Scarlatti 355: 299:British coronation 289:coronation anthems 80:Duchy of Magdeburg 68:5 March [ 10518:Organ improvisers 10266: 10265: 10228:Renaissance music 9896:Baroque orchestra 9069: 9068: 8969:The Young Messiah 8822: 8821: 8754:Handel at Cannons 8425:Orchestral suites 8375:Dettingen Te Deum 8308:As Pants the Hart 8164:Alexander's Feast 7811:Alessandro Severo 7748:Parnasso in festa 7331:Project Gutenberg 7281:Library resources 7181:978-1-107-00988-2 7041:The Musical Times 6547:Mattheson, Johann 6489:978-3-7618-1991-3 6476:Händel, Die Opern 6340:978-1-56159-263-0 6147:978-0-520-01438-1 6071:(Subscription or 5772:The Musical Times 5495:10.1093/em/cap107 5418:, pp. 297–98 5406:, pp. 354–55 4949:, pp. 274–84 4259:, pp. 11–13. 4247:, pp. 27–28. 4144:, p. 22 n.2. 4049:, pp. 20–21. 3993:, p. 31 n.7. 3981:, p. 31 n.8. 3927:, pp. 24–25. 3915:, p. 30 n.5. 3821:, pp. 13–16. 3723:, pp. 11–12. 3442:, pp. 25–26. 3098:, pp. 11–17. 3094:, pp. 9–19; 3023:, pp. 11–17. 3019:, pp. 9–19; 2950:Thirty Years' War 2792:Rank Organisation 2786:. It was made at 2732:Arnold Schoenberg 2614:Westminster Abbey 2584:Agostino Steffani 2536:Giacomo Carissimi 2503:Since 1831, when 2393: 2261:), attributed to 2038:Westminster Abbey 1886:, capital of the 1859: 1837: 1758:Alexander's Feast 1745:Arcangelo Corelli 1609:Alexander's Feast 1541:Alexander's Feast 1505:Alexander's Feast 1498:Alexander's Feast 1452:in London in 1808 1404:Parnasso in Festa 1366:South Sea Company 1055:Handel at Cannons 1024:" opera, about a 978:, and the famous 825:Kingdom of Naples 497:Musical education 463:Johann Praetorius 303:Westminster Abbey 143: 142: 114:Westminster Abbey 16:(Redirected from 10580: 10553:German duellists 10418: 10410: 10409: 10408: 10401: 10393: 10392: 10391: 10384: 10376: 10375: 10374: 10367: 10359: 10358: 10357: 10347: 10331: 10330: 10329: 10319: 10318: 10307: 10306: 10305: 10295: 10294: 10293: 10283: 10282: 10281: 10274: 10256: 10246: 10245: 10161:polychoral style 10076:sonata da chiesa 9637: 9439: 9261: 9126: 9096: 9089: 9082: 9073: 9072: 9059: 9058: 8849: 8842: 8835: 8826: 8825: 8812: 8802: 8801: 8791: 8790: 8732:Related articles 8389:Chandos Jubilate 8315:Zadok the Priest 8142:Odes and masques 8083:Judas Maccabaeus 7888:Incidental music 7741:Arianna in Creta 7692:Lotario (Handel) 7587:Acis and Galatea 7580:Amadigi di Gaula 7554: 7468: 7461: 7454: 7445: 7444: 7396: 7395: 7356: 7355: 7340:Internet Archive 7323: 7269: 7230: 7199: 7185: 7166: 7127: 7096: 7065: 7048:(1675): 613–14. 7034: 7022: 7013:Keates, Jonathan 7008: 6969: 6938: 6907: 6886: 6852: 6821: 6790: 6784: 6776: 6774: 6772: 6739: 6737: 6735: 6712: 6710: 6708: 6686: 6654: 6642: 6628: 6626: 6624: 6602: 6568: 6566: 6564: 6542: 6520: 6504: 6495:Mainwaring, John 6478: 6466: 6463:Handel's Messiah 6457: 6454:66011793/MN/r842 6447: 6438:Lang, Paul Henry 6433: 6409: 6397: 6383: 6355: 6354: 6352: 6304: 6292: 6281: 6279: 6277: 6258: 6244: 6222: 6220: 6218: 6199: 6187: 6172: 6151: 6139: 6102: 6100: 6098: 6076: 6068: 6066: 6064: 6045: 6036: 6014: 6002: 5988: 5969: 5955: 5924: 5887:Adams, Aileen K. 5872: 5858: 5852: 5835: 5829: 5803: 5797: 5782: 5776: 5767: 5761: 5747:Richard Taruskin 5744: 5738: 5737: 5721: 5708: 5699: 5693: 5687: 5686: 5684: 5682: 5667: 5661: 5660: 5649: 5643: 5642: 5631: 5625: 5618: 5612: 5611: 5598: 5592: 5585: 5579: 5578: 5576: 5574: 5556: 5550: 5549: 5547: 5545: 5536:. Archived from 5529: 5523: 5517: 5511: 5505: 5499: 5498: 5476: 5467: 5461: 5455: 5449: 5443: 5437: 5431: 5425: 5419: 5413: 5407: 5401: 5395: 5394: 5392: 5390: 5371: 5365: 5364: 5362: 5360: 5345: 5339: 5333: 5327: 5321: 5315: 5314:, pp. 40–41 5309: 5303: 5297: 5291: 5285: 5279: 5273: 5267: 5261: 5255: 5249: 5243: 5237: 5231: 5225: 5219: 5213: 5207: 5201: 5195: 5189: 5183: 5177: 5171: 5165: 5159: 5153: 5147: 5141: 5135: 5134: 5129: 5127: 5101: 5092: 5086: 5080: 5069: 5063: 5057: 5056: 5041: 5038: 5025: 5019: 5005:Museum Speelklok 4991: 4985: 4977:, 5(2), 237–44. 4971: 4962: 4956: 4950: 4944: 4938: 4937: 4935: 4933: 4914: 4908: 4902: 4896: 4890: 4884: 4869: 4863: 4846: 4840: 4839: 4837: 4835: 4816: 4810: 4809: 4807: 4805: 4790: 4784: 4783: 4781: 4779: 4763: 4757: 4751: 4745: 4739: 4733: 4727: 4721: 4715: 4709: 4658: 4652: 4651: 4649: 4647: 4626: 4620: 4619: 4617: 4615: 4591: 4585: 4572: 4566: 4565:, pp. 70–71 4560: 4554: 4548: 4542: 4536: 4530: 4524: 4518: 4512: 4506: 4500: 4494: 4488: 4482: 4481: 4460: 4454: 4448: 4442: 4441: 4436:. 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Archived from 4399: 4393: 4387: 4381: 4375: 4369: 4363: 4357: 4351: 4345: 4344:, pp. 29–30 4339: 4333: 4326: 4320: 4314: 4308: 4302: 4296: 4290: 4284: 4278: 4272: 4266: 4260: 4254: 4248: 4242: 4236: 4230: 4224: 4218: 4212: 4206: 4200: 4194: 4188: 4182: 4173: 4172:, p. 4 n.1. 4167: 4161: 4151: 4145: 4139: 4133: 4127: 4118: 4108: 4102: 4096: 4090: 4084: 4078: 4068: 4062: 4056: 4050: 4044: 4038: 4028: 4022: 4012: 4006: 4000: 3994: 3988: 3982: 3976: 3970: 3964: 3958: 3952: 3943: 3937: 3928: 3922: 3916: 3910: 3904: 3898: 3892: 3886: 3877: 3867: 3861: 3855: 3846: 3840: 3834: 3828: 3822: 3816: 3810: 3804: 3798: 3792: 3786: 3780: 3771: 3763:, pp. 5–6. 3758: 3752: 3751: 3730: 3724: 3718: 3712: 3698: 3692: 3683:, pp. 4–5; 3678: 3672: 3666: 3660: 3650: 3644: 3638: 3627: 3621: 3615: 3609: 3598: 3592: 3586: 3580: 3574: 3568: 3562: 3556: 3550: 3549:, p. 7 n.1. 3540: 3534: 3528: 3522: 3516: 3510: 3500: 3494: 3488: 3482: 3476: 3470: 3464: 3458: 3452: 3443: 3437: 3431: 3425: 3419: 3413: 3402: 3396: 3390: 3380: 3374: 3368: 3357: 3351: 3345: 3339: 3333: 3327: 3321: 3315: 3309: 3304: 3298: 3293: 3287: 3286: 3284: 3282: 3267: 3261: 3247: 3241: 3235: 3229: 3223: 3217: 3216: 3211:. Archived from 3205: 3189: 3178: 3172: 3168: 3162: 3154: 3148: 3144: 3138: 3135: 3129: 3126:Johann Mattheson 3122: 3116: 3105: 3099: 3085: 3079: 3070: 3064: 3061: 3055: 3042: 3036: 3030: 3024: 3010: 3004: 2997: 2991: 2980: 2974: 2959: 2953: 2930: 2924: 2917: 2911: 2900: 2894: 2881: 2700:Philippe Gaubert 2629: 2609: 2591:Johann Mattheson 2513:Richard Taruskin 2447:Acis and Galatea 2405:Zadok the Priest 2395: 2394: 2374: 2263:Giuseppe Grisoni 2260: 2257: 2160:Balthasar Denner 2110:in Prague holds 2108:Lobkowicz Palace 2054:Handel owned an 2030:Chevalier Taylor 2007:Foundling Museum 1902:Fishamble Street 1861: 1860: 1839: 1838: 1814: 1691:Faculty of Music 1682: 1672: 1669: 1659: 1625:Museum Speelklok 1621:Gerrit Braamcamp 1602:Elisabeth Duparc 1481:Gioacchino Conti 1432:Lord Shaftesbury 1424:Sir John Stanley 1370:Acis and Galatea 1314:English Heritage 1295: 1286: 1263:King James Bible 1259:Zadok the Priest 1254:Zadok the Priest 1251:. One of these, 1238:Faustina Bordoni 1234:Grenadier Guards 1156:Lord Chamberlain 1138: 1135: 1101:South Sea Bubble 1085:Acis and Galatea 1017:Amadigi di Gaula 889:Vincenzo Grimani 867:Cocomero theatre 827:, and cardinals 751:Johann Mattheson 541:Friedrich Zachow 471: 413:to his court in 394:Hanseatic League 383:Saxe-Weissenfels 294:Zadok the Priest 220: 219: 218: 212: 207: 203: 202: 189: 184: 183: 180: 179: 176: 173: 170: 167: 164: 139: 97: 53: 39: 38: 21: 10588: 10587: 10583: 10582: 10581: 10579: 10578: 10577: 10423: 10422: 10421: 10411: 10406: 10404: 10400:from Wikisource 10394: 10389: 10387: 10377: 10372: 10370: 10360: 10355: 10353: 10350: 10346:sister projects 10343:at Knowledge's 10337: 10327: 10325: 10313: 10303: 10301: 10297:Classical music 10291: 10289: 10279: 10277: 10269: 10267: 10262: 10239: 10235:Classical music 10231: 10218: 10175: 10171:Galant Schemata 10085: 9984:concerto grosso 9905: 9884: 9756: 9749: 9626: 9462:G. B. Bononcini 9428: 9253: 9122: 9114: 9105: 9100: 9070: 9065: 9047: 9002: 8996:Scheissmessiah! 8983: 8955:Scratch Messiah 8943: 8899: 8865: 8853: 8823: 8818: 8778: 8774:Händel-Jahrbuch 8727: 8701: 8670: 8626: 8595: 8441: 8420: 8394: 8355: 8336:Chandos Anthems 8295: 8264: 8176: 8137: 8097:Alexander Balus 8033:Scratch Messiah 7985:Israel in Egypt 7950:Brockes Passion 7943:La resurrezione 7915: 7883: 7844: 7495: 7477: 7472: 7380: 7359:Handel Houses: 7353: 7314: 7306: 7305: 7304: 7289: 7288: 7284: 7277: 7272: 7233: 7202: 7188: 7182: 7169: 7130: 7099: 7068: 7037: 7031: 7011: 6972: 6941: 6910: 6889: 6855: 6824: 6793: 6778: 6777: 6770: 6768: 6761: 6733: 6731: 6716: 6706: 6704: 6689: 6683: 6666: 6662: 6660:Further reading 6657: 6622: 6620: 6607:Rolland, Romain 6562: 6560: 6539: 6430: 6406: 6380: 6350: 6348: 6341: 6301: 6275: 6273: 6241: 6216: 6214: 6196: 6169: 6148: 6123:Wayback Machine 6112:Wayback Machine 6096: 6094: 6070: 6062: 6060: 6033: 6019:Burrows, Donald 6011: 5985: 5960:Bone, Philip J. 5881: 5876: 5875: 5859: 5855: 5845:Robert Schumann 5836: 5832: 5804: 5800: 5783: 5779: 5768: 5764: 5745: 5741: 5734: 5709: 5702: 5694: 5690: 5680: 5678: 5669: 5668: 5664: 5650: 5646: 5633: 5632: 5628: 5619: 5615: 5599: 5595: 5586: 5582: 5572: 5570: 5557: 5553: 5543: 5541: 5540:on 3 March 2012 5530: 5526: 5518: 5514: 5508:Mainwaring 1760 5506: 5502: 5477: 5470: 5462: 5458: 5450: 5446: 5438: 5434: 5426: 5422: 5414: 5410: 5402: 5398: 5388: 5386: 5373: 5372: 5368: 5358: 5356: 5347: 5346: 5342: 5334: 5330: 5322: 5318: 5310: 5306: 5298: 5294: 5286: 5282: 5274: 5270: 5262: 5258: 5250: 5246: 5238: 5234: 5226: 5222: 5214: 5210: 5202: 5198: 5190: 5186: 5178: 5174: 5166: 5162: 5154: 5150: 5142: 5138: 5125: 5123: 5099: 5093: 5089: 5081: 5072: 5064: 5060: 5033: 5026: 5022: 5016:Wayback Machine 5001:Wayback Machine 4992: 4988: 4972: 4965: 4957: 4953: 4945: 4941: 4931: 4929: 4928:on 26 July 2014 4922:Handelhouse.org 4916: 4915: 4911: 4903: 4899: 4891: 4887: 4881:Wayback Machine 4870: 4866: 4847: 4843: 4833: 4831: 4818: 4817: 4813: 4803: 4801: 4792: 4791: 4787: 4777: 4775: 4764: 4760: 4752: 4748: 4740: 4736: 4728: 4724: 4716: 4712: 4707:Wayback Machine 4693:Wayback Machine 4675:Wayback Machine 4667:(4 June 2015), 4659: 4655: 4645: 4643: 4628: 4627: 4623: 4613: 4611: 4592: 4588: 4582:Wayback Machine 4573: 4569: 4561: 4557: 4549: 4545: 4537: 4533: 4525: 4521: 4513: 4509: 4501: 4497: 4489: 4485: 4461: 4457: 4449: 4445: 4434: 4418: 4414: 4401: 4400: 4396: 4388: 4384: 4376: 4372: 4364: 4360: 4354:Mainwaring 1760 4352: 4348: 4340: 4336: 4327: 4323: 4315: 4311: 4303: 4299: 4291: 4287: 4279: 4275: 4267: 4263: 4255: 4251: 4245:Mainwaring 1760 4243: 4239: 4231: 4227: 4219: 4215: 4207: 4203: 4195: 4191: 4183: 4176: 4168: 4164: 4152: 4148: 4140: 4136: 4128: 4121: 4109: 4105: 4097: 4093: 4085: 4081: 4069: 4065: 4057: 4053: 4045: 4041: 4029: 4025: 4013: 4009: 4001: 3997: 3989: 3985: 3977: 3973: 3969:, pp. 6–7. 3967:Schoelcher 1857 3965: 3961: 3953: 3946: 3940:Mainwaring 1760 3938: 3931: 3925:Mainwaring 1760 3923: 3919: 3911: 3907: 3899: 3895: 3887: 3880: 3870:Schoelcher 1857 3868: 3864: 3858:Mainwaring 1760 3856: 3849: 3843:Mainwaring 1760 3841: 3837: 3831:Mainwaring 1760 3829: 3825: 3817: 3813: 3805: 3801: 3793: 3789: 3783:Schoelcher 1857 3781: 3774: 3761:Schoelcher 1857 3759: 3755: 3731: 3727: 3719: 3715: 3709:Schoelcher 1857 3707:, p. 141; 3699: 3695: 3687:, p. 141; 3681:Schoelcher 1857 3679: 3675: 3669:Chrysander 1858 3667: 3663: 3653:Schoelcher 1857 3651: 3647: 3641:Schoelcher 1857 3639: 3630: 3626:, pp. 3–4. 3622: 3618: 3610: 3601: 3595:Schoelcher 1857 3593: 3589: 3583:Mainwaring 1760 3581: 3577: 3573:, pp. 4–5. 3571:Mainwaring 1760 3569: 3565: 3559:Schoelcher 1857 3557: 3553: 3547:Schoelcher 1857 3541: 3537: 3529: 3525: 3517: 3513: 3501: 3497: 3489: 3485: 3477: 3473: 3465: 3461: 3453: 3446: 3438: 3434: 3430:, pp. 1–2. 3426: 3422: 3414: 3405: 3397: 3393: 3385:, p. 144; 3381: 3377: 3369: 3360: 3352: 3348: 3340: 3336: 3328: 3324: 3316: 3312: 3305: 3301: 3294: 3290: 3280: 3278: 3269: 3268: 3264: 3258:Wayback Machine 3248: 3244: 3236: 3232: 3224: 3220: 3215:on 19 May 2013. 3207: 3206: 3202: 3197: 3192: 3179: 3175: 3169: 3165: 3155: 3151: 3145: 3141: 3136: 3132: 3123: 3119: 3113:King in Prussia 3106: 3102: 3086: 3082: 3075:Israel in Egypt 3071: 3067: 3062: 3058: 3043: 3039: 3031: 3027: 3011: 3007: 2998: 2994: 2981: 2977: 2960: 2956: 2931: 2927: 2918: 2914: 2901: 2897: 2882: 2878: 2874: 2869: 2836:Gottlieb Muffat 2832: 2770: 2764: 2748:Heinrich Schütz 2740: 2674:Johannes Brahms 2637: 2636: 2635: 2634: 2633: 2630: 2622: 2621: 2610: 2599: 2560:Reinhard Keiser 2525:Gottlieb Muffat 2501: 2468: 2426: 2425: 2417: 2415: 2414: 2413: 2412: 2396: 2388: 2385: 2378: 2372: 2274:Granville Sharp 2258: 2244: 2202:The continuing 2181:The 105-volume 2152: 2097: 2074: 2066:Main articles: 2064: 1997:to benefit the 1969: 1963: 1914:Alexander Balus 1876: 1875: 1867: 1865: 1864: 1863: 1862: 1855: 1852: 1842: 1841: 1840: 1832: 1829: 1818: 1812: 1792:Israel in Egypt 1787:Israel in Egypt 1778:Tower of London 1774:Charles Jennens 1715:La resurrezione 1701: 1700: 1699: 1698: 1697: 1687:Bate Collection 1683: 1675: 1674: 1670: 1660: 1649: 1643: 1580:Aix-la-Chapelle 1551:rheumatic palsy 1442: 1327:Queen's Theatre 1323: 1322: 1321: 1320: 1298: 1297: 1296: 1288: 1287: 1136: 1130:James Thornhill 1122: 1116: 1070:Chandos Anthems 1057: 1051: 948:Charles Montagu 906: 901: 893:Il caro Sassone 846:La resurrezione 829:Pietro Ottoboni 759:Reinhard Keiser 714: 697: 659:Halle Cathedral 620: 611:Attilio Ariosti 598: 499: 474:John Mainwaring 465: 442: 440:Early education 343: 338: 263:Italian Baroque 243:organ concertos 239:concerti grossi 214: 213: 205: 187: 161: 157: 146:George Frideric 105: 99: 95: 86: 73: 67: 66: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 10586: 10576: 10575: 10570: 10565: 10560: 10555: 10550: 10545: 10540: 10535: 10530: 10525: 10520: 10515: 10510: 10505: 10500: 10495: 10490: 10485: 10480: 10475: 10470: 10465: 10460: 10455: 10450: 10445: 10440: 10435: 10420: 10419: 10402: 10385: 10383:from Wikiquote 10368: 10339: 10336: 10335: 10333:United Kingdom 10323: 10311: 10299: 10287: 10264: 10263: 10261: 10260: 10250: 10232: 10224: 10223: 10220: 10219: 10217: 10216: 10215: 10214: 10209: 10204: 10199: 10189: 10183: 10181: 10177: 10176: 10174: 10173: 10168: 10163: 10158: 10156:notes inégales 10153: 10148: 10143: 10138: 10137: 10136: 10131: 10126: 10116: 10111: 10106: 10105: 10104: 10093: 10091: 10087: 10086: 10084: 10083: 10078: 10073: 10068: 10063: 10058: 10053: 10048: 10043: 10038: 10033: 10028: 10023: 10022: 10021: 10016: 10011: 10006: 10001: 9996: 9986: 9981: 9976: 9971: 9966: 9965: 9964: 9959: 9949: 9944: 9939: 9934: 9929: 9924: 9919: 9913: 9911: 9907: 9906: 9904: 9903: 9901:Basso continuo 9898: 9892: 9890: 9886: 9885: 9883: 9882: 9877: 9872: 9867: 9862: 9857: 9852: 9847: 9842: 9837: 9832: 9827: 9822: 9817: 9812: 9807: 9802: 9797: 9792: 9787: 9782: 9777: 9772: 9767: 9761: 9759: 9751: 9750: 9748: 9747: 9742: 9737: 9732: 9727: 9722: 9717: 9712: 9707: 9702: 9697: 9692: 9687: 9682: 9677: 9672: 9667: 9662: 9657: 9652: 9647: 9641: 9639: 9628: 9627: 9625: 9624: 9619: 9614: 9609: 9604: 9599: 9594: 9589: 9584: 9579: 9574: 9569: 9564: 9559: 9554: 9549: 9544: 9539: 9534: 9532:Leclair l'aîné 9529: 9524: 9519: 9514: 9509: 9504: 9499: 9494: 9489: 9484: 9479: 9474: 9469: 9464: 9459: 9454: 9449: 9443: 9441: 9430: 9429: 9427: 9426: 9421: 9416: 9411: 9406: 9401: 9396: 9391: 9386: 9381: 9376: 9371: 9366: 9361: 9356: 9351: 9346: 9341: 9336: 9331: 9326: 9321: 9316: 9311: 9306: 9301: 9296: 9291: 9286: 9284:H. I. F. Biber 9281: 9276: 9271: 9265: 9263: 9255: 9254: 9252: 9251: 9246: 9241: 9236: 9231: 9226: 9221: 9216: 9211: 9206: 9201: 9196: 9191: 9186: 9181: 9176: 9171: 9166: 9161: 9156: 9151: 9146: 9141: 9136: 9130: 9128: 9116: 9115: 9110: 9107: 9106: 9099: 9098: 9091: 9084: 9076: 9067: 9066: 9064: 9063: 9052: 9049: 9048: 9046: 9045: 9041:All the Angels 9037: 9029: 9021: 9012: 9010: 9004: 9003: 9001: 9000: 8991: 8989: 8985: 8984: 8982: 8981: 8973: 8965: 8957: 8951: 8949: 8945: 8944: 8942: 8941: 8940: 8939: 8924: 8916: 8915:(Mozart, 1789) 8907: 8905: 8901: 8900: 8898: 8897: 8892: 8887: 8882: 8873: 8871: 8867: 8866: 8852: 8851: 8844: 8837: 8829: 8820: 8819: 8817: 8816: 8806: 8796: 8783: 8780: 8779: 8777: 8776: 8771: 8766: 8761: 8756: 8751: 8746: 8741: 8735: 8733: 8729: 8728: 8726: 8725: 8720: 8715: 8709: 8707: 8703: 8702: 8700: 8699: 8694: 8689: 8684: 8678: 8676: 8672: 8671: 8669: 8668: 8663: 8656: 8649: 8642: 8634: 8632: 8628: 8627: 8625: 8624: 8619: 8614: 8609: 8603: 8601: 8597: 8596: 8594: 8593: 8588: 8583: 8578: 8573: 8568: 8563: 8558: 8553: 8548: 8543: 8538: 8533: 8528: 8523: 8518: 8513: 8508: 8503: 8498: 8493: 8488: 8483: 8478: 8473: 8466: 8460: 8458: 8443: 8442: 8440: 8439: 8434: 8428: 8426: 8422: 8421: 8419: 8418: 8413: 8408: 8402: 8400: 8399:Oboe concertos 8396: 8395: 8393: 8392: 8385: 8378: 8371: 8363: 8361: 8357: 8356: 8354: 8353: 8346: 8339: 8332: 8325: 8318: 8311: 8303: 8301: 8297: 8296: 8294: 8293: 8288: 8283: 8278: 8272: 8270: 8266: 8265: 8263: 8262: 8255: 8248: 8241: 8234: 8231:Apollo e Dafne 8227: 8220: 8213: 8206: 8199: 8192: 8184: 8182: 8178: 8177: 8175: 8174: 8167: 8160: 8153: 8145: 8143: 8139: 8138: 8136: 8135: 8128: 8121: 8114: 8107: 8100: 8093: 8086: 8079: 8072: 8065: 8058: 8051: 8044: 8037: 8036: 8035: 8030: 8022: 8017: 8012: 8007: 7995: 7988: 7981: 7974: 7967: 7960: 7953: 7946: 7939: 7923: 7921: 7917: 7916: 7914: 7913: 7906: 7899: 7891: 7889: 7885: 7884: 7882: 7881: 7874: 7867: 7860: 7852: 7850: 7849:Opera excerpts 7846: 7845: 7843: 7842: 7835: 7828: 7821: 7814: 7807: 7800: 7793: 7786: 7779: 7772: 7765: 7758: 7751: 7744: 7737: 7730: 7723: 7716: 7709: 7702: 7695: 7688: 7681: 7674: 7671:Riccardo Primo 7667: 7660: 7653: 7646: 7639: 7632: 7625: 7618: 7611: 7604: 7597: 7590: 7583: 7576: 7569: 7562: 7559:Il pastor fido 7555: 7543: 7536: 7529: 7522: 7503: 7501: 7497: 7496: 7494: 7493: 7488: 7486:List of operas 7482: 7479: 7478: 7471: 7470: 7463: 7456: 7448: 7442: 7441: 7435: 7421: 7415: 7409: 7399: 7379: 7376: 7375: 7374: 7373: 7372: 7366: 7357: 7342: 7333: 7324: 7312: 7303: 7302: 7297: 7291: 7290: 7279: 7278: 7276: 7275:External links 7273: 7271: 7270: 7231: 7219:10.2307/764003 7200: 7186: 7180: 7167: 7128: 7097: 7066: 7054:10.2307/963285 7035: 7029: 7009: 6983:(2): 179–226. 6970: 6939: 6908: 6887: 6857:Hicks, Anthony 6853: 6822: 6804:(11): 765–69. 6791: 6759: 6741: 6714: 6687: 6681: 6663: 6661: 6658: 6656: 6655: 6643: 6629: 6603: 6594: 6569: 6543: 6537: 6521: 6505: 6491: 6470:Leopold, Silke 6467: 6458: 6434: 6428: 6410: 6404: 6384: 6378: 6364:Sadie, Stanley 6360:Hicks, Anthony 6356: 6339: 6309:Hicks, Anthony 6305: 6299: 6282: 6259: 6245: 6239: 6223: 6200: 6194: 6176:Dean, Winton; 6173: 6167: 6152: 6146: 6126: 6077: 6037: 6031: 6015: 6009: 5989: 5983: 5970: 5956: 5925: 5882: 5880: 5877: 5874: 5873: 5853: 5830: 5798: 5777: 5762: 5739: 5732: 5700: 5688: 5662: 5644: 5626: 5613: 5593: 5580: 5551: 5524: 5522:, p. 116. 5512: 5500: 5468: 5456: 5444: 5432: 5420: 5408: 5396: 5366: 5340: 5328: 5316: 5304: 5292: 5280: 5268: 5256: 5254:, p. 217. 5244: 5232: 5220: 5208: 5196: 5184: 5172: 5160: 5148: 5146:, p. 243. 5136: 5087: 5070: 5058: 5047:(3): 266–280. 5020: 4986: 4963: 4951: 4939: 4909: 4897: 4885: 4864: 4841: 4820:"Stage Beauty" 4811: 4785: 4758: 4746: 4734: 4722: 4710: 4661:Antonia Quirke 4653: 4621: 4600:Musicology Now 4586: 4584:, on bbc.co.uk 4567: 4555: 4543: 4531: 4519: 4507: 4495: 4483: 4455: 4443: 4432: 4412: 4394: 4382: 4370: 4358: 4346: 4334: 4321: 4309: 4297: 4285: 4273: 4261: 4249: 4237: 4233:Mattheson 1740 4225: 4213: 4201: 4189: 4174: 4162: 4158:Mattheson 1740 4146: 4134: 4119: 4117:, p. 359. 4115:Mattheson 1740 4103: 4091: 4079: 4073:, p. 10; 4063: 4051: 4039: 4033:, p. 20; 4023: 4007: 3995: 3983: 3971: 3959: 3957:, p. 166. 3944: 3929: 3917: 3905: 3893: 3878: 3862: 3847: 3835: 3823: 3811: 3799: 3787: 3772: 3753: 3739:, p. 15. 3735:, p. 12; 3725: 3713: 3703:, p. 11; 3693: 3673: 3661: 3659:, p. 141. 3645: 3628: 3616: 3599: 3587: 3575: 3563: 3551: 3545:, p. 10; 3535: 3533:, p. 277. 3523: 3521:, p. 625. 3519:Dreyhaupt 1755 3511: 3495: 3483: 3471: 3459: 3444: 3432: 3420: 3403: 3391: 3375: 3373:, p. 144. 3358: 3346: 3334: 3322: 3320:, p. 476. 3310: 3299: 3288: 3262: 3242: 3240:, p. 614. 3230: 3218: 3199: 3198: 3196: 3193: 3191: 3190: 3173: 3163: 3149: 3139: 3130: 3117: 3100: 3080: 3065: 3056: 3037: 3025: 3005: 2992: 2975: 2963:Samuel Scheidt 2954: 2925: 2912: 2895: 2875: 2873: 2870: 2868: 2865: 2864: 2863: 2858: 2856:Valentine Snow 2853: 2848: 2843: 2838: 2831: 2828: 2813:All the Angels 2794:, and shot in 2788:Denham Studios 2784:Wilfrid Lawson 2763: 2760: 2739: 2736: 2720:Percy Grainger 2684:Richard Wagner 2663:Mauro Giuliani 2651:published the 2631: 2624: 2623: 2611: 2604: 2603: 2602: 2601: 2600: 2598: 2595: 2552:Jacobus Gallus 2548:Leonardo Vinci 2505:William Crotch 2500: 2497: 2467: 2464: 2416: 2400:King George II 2397: 2386: 2381: 2380: 2379: 2370: 2369: 2368: 2243: 2240: 2151: 2148: 2096: 2093: 2063: 2060: 2056:art collection 1962: 1959: 1898:New Music Hall 1866: 1853: 1844: 1843: 1830: 1821: 1820: 1819: 1810: 1809: 1808: 1684: 1677: 1676: 1664:Philip Mercier 1661: 1654: 1653: 1652: 1651: 1650: 1642: 1639: 1441: 1438: 1430:and Mr. Coot. 1382:Nicolo Porpora 1300: 1299: 1290: 1289: 1281: 1280: 1279: 1278: 1277: 1249:King George II 1139:, held in the 1118:Main article: 1115: 1112: 1075:Romain Rolland 1053:Main article: 1050: 1047: 972:Torquato Tasso 926:Edouard Hamman 905: 902: 900: 897: 735:Donald Burrows 713: 710: 706:Corelli school 696: 693: 619: 616: 597: 594: 562:Johann Krieger 498: 495: 490:Charles Burney 441: 438: 407:Duke of Saxony 379:barber-surgeon 342: 339: 337: 334: 141: 140: 132: 131: 127: 126: 121: 117: 116: 111: 107: 106: 100: 98:(aged 74) 92: 88: 87: 74: 64: 62: 58: 57: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 10585: 10574: 10571: 10569: 10566: 10564: 10561: 10559: 10556: 10554: 10551: 10549: 10546: 10544: 10541: 10539: 10536: 10534: 10531: 10529: 10526: 10524: 10521: 10519: 10516: 10514: 10511: 10509: 10506: 10504: 10501: 10499: 10496: 10494: 10491: 10489: 10486: 10484: 10481: 10479: 10476: 10474: 10471: 10469: 10466: 10464: 10461: 10459: 10456: 10454: 10451: 10449: 10446: 10444: 10441: 10439: 10436: 10434: 10431: 10430: 10428: 10417:from Wikidata 10416: 10415: 10403: 10399: 10398: 10386: 10382: 10381: 10369: 10365: 10364: 10352: 10351: 10348: 10342: 10334: 10324: 10322: 10317: 10312: 10310: 10300: 10298: 10288: 10286: 10276: 10275: 10272: 10259: 10255: 10251: 10249: 10241: 10240: 10237: 10236: 10230: 10229: 10221: 10213: 10210: 10208: 10205: 10203: 10200: 10198: 10195: 10194: 10193: 10190: 10188: 10185: 10184: 10182: 10178: 10172: 10169: 10167: 10164: 10162: 10159: 10157: 10154: 10152: 10149: 10147: 10144: 10142: 10139: 10135: 10132: 10130: 10127: 10125: 10122: 10121: 10120: 10117: 10115: 10112: 10110: 10107: 10103: 10100: 10099: 10098: 10095: 10094: 10092: 10088: 10082: 10079: 10077: 10074: 10072: 10069: 10067: 10064: 10062: 10059: 10057: 10054: 10052: 10049: 10047: 10044: 10042: 10039: 10037: 10034: 10032: 10029: 10027: 10024: 10020: 10017: 10015: 10012: 10010: 10007: 10005: 10002: 10000: 9997: 9995: 9992: 9991: 9990: 9987: 9985: 9982: 9980: 9977: 9975: 9972: 9970: 9967: 9963: 9960: 9958: 9955: 9954: 9953: 9950: 9948: 9945: 9943: 9940: 9938: 9935: 9933: 9930: 9928: 9925: 9923: 9920: 9918: 9915: 9914: 9912: 9910:Musical forms 9908: 9902: 9899: 9897: 9894: 9893: 9891: 9887: 9881: 9878: 9876: 9873: 9871: 9868: 9866: 9863: 9861: 9858: 9856: 9853: 9851: 9848: 9846: 9843: 9841: 9838: 9836: 9833: 9831: 9828: 9826: 9823: 9821: 9818: 9816: 9813: 9811: 9808: 9806: 9803: 9801: 9798: 9796: 9793: 9791: 9788: 9786: 9783: 9781: 9778: 9776: 9773: 9771: 9768: 9766: 9763: 9762: 9760: 9758: 9752: 9746: 9743: 9741: 9738: 9736: 9733: 9731: 9728: 9726: 9723: 9721: 9718: 9716: 9713: 9711: 9708: 9706: 9705:Padre Martini 9703: 9701: 9698: 9696: 9693: 9691: 9688: 9686: 9683: 9681: 9678: 9676: 9673: 9671: 9668: 9666: 9663: 9661: 9658: 9656: 9653: 9651: 9650:C. P. E. Bach 9648: 9646: 9643: 9642: 9640: 9633: 9629: 9623: 9620: 9618: 9615: 9613: 9610: 9608: 9605: 9603: 9600: 9598: 9595: 9593: 9590: 9588: 9585: 9583: 9580: 9578: 9575: 9573: 9570: 9568: 9565: 9563: 9560: 9558: 9555: 9553: 9550: 9548: 9545: 9543: 9540: 9538: 9535: 9533: 9530: 9528: 9525: 9523: 9520: 9518: 9515: 9513: 9510: 9508: 9505: 9503: 9500: 9498: 9495: 9493: 9490: 9488: 9485: 9483: 9480: 9478: 9475: 9473: 9470: 9468: 9465: 9463: 9460: 9458: 9455: 9453: 9450: 9448: 9445: 9444: 9442: 9435: 9431: 9425: 9422: 9420: 9417: 9415: 9412: 9410: 9407: 9405: 9402: 9400: 9397: 9395: 9392: 9390: 9387: 9385: 9382: 9380: 9377: 9375: 9372: 9370: 9367: 9365: 9362: 9360: 9357: 9355: 9352: 9350: 9347: 9345: 9342: 9340: 9337: 9335: 9332: 9330: 9327: 9325: 9322: 9320: 9317: 9315: 9312: 9310: 9307: 9305: 9302: 9300: 9297: 9295: 9292: 9290: 9287: 9285: 9282: 9280: 9277: 9275: 9272: 9270: 9267: 9266: 9264: 9256: 9250: 9247: 9245: 9242: 9240: 9237: 9235: 9232: 9230: 9227: 9225: 9224:M. Praetorius 9222: 9220: 9217: 9215: 9212: 9210: 9207: 9205: 9202: 9200: 9197: 9195: 9192: 9190: 9187: 9185: 9182: 9180: 9177: 9175: 9172: 9170: 9167: 9165: 9162: 9160: 9157: 9155: 9152: 9150: 9147: 9145: 9142: 9140: 9137: 9135: 9132: 9131: 9129: 9121: 9117: 9113: 9108: 9104: 9103:Baroque music 9097: 9092: 9090: 9085: 9083: 9078: 9077: 9074: 9062: 9054: 9053: 9050: 9043: 9042: 9038: 9035: 9034: 9030: 9027: 9026: 9022: 9019: 9018: 9014: 9013: 9011: 9009: 9005: 8998: 8997: 8993: 8992: 8990: 8986: 8979: 8978: 8974: 8971: 8970: 8966: 8963: 8962: 8958: 8956: 8953: 8952: 8950: 8946: 8937: 8933: 8932: 8930: 8929: 8925: 8922: 8921: 8917: 8914: 8913: 8909: 8908: 8906: 8902: 8896: 8893: 8891: 8888: 8886: 8883: 8881: 8880: 8875: 8874: 8872: 8868: 8863: 8862: 8857: 8850: 8845: 8843: 8838: 8836: 8831: 8830: 8827: 8815: 8811: 8807: 8805: 8797: 8795: 8794: 8785: 8784: 8781: 8775: 8772: 8770: 8767: 8765: 8762: 8760: 8757: 8755: 8752: 8750: 8747: 8745: 8742: 8740: 8737: 8736: 8734: 8730: 8724: 8721: 8719: 8716: 8714: 8711: 8710: 8708: 8704: 8698: 8695: 8693: 8690: 8688: 8685: 8683: 8680: 8679: 8677: 8673: 8667: 8664: 8662: 8661: 8657: 8655: 8654: 8650: 8648: 8647: 8643: 8641: 8640: 8636: 8635: 8633: 8629: 8623: 8620: 8618: 8615: 8613: 8610: 8608: 8605: 8604: 8602: 8598: 8592: 8589: 8587: 8584: 8582: 8579: 8577: 8574: 8572: 8569: 8567: 8564: 8562: 8559: 8557: 8554: 8552: 8549: 8547: 8544: 8542: 8539: 8537: 8534: 8532: 8529: 8527: 8524: 8522: 8519: 8517: 8514: 8512: 8509: 8507: 8504: 8502: 8499: 8497: 8494: 8492: 8489: 8487: 8484: 8482: 8479: 8477: 8474: 8471: 8467: 8465: 8462: 8461: 8459: 8456: 8452: 8448: 8444: 8438: 8435: 8433: 8430: 8429: 8427: 8423: 8417: 8414: 8412: 8409: 8407: 8404: 8403: 8401: 8397: 8391: 8390: 8386: 8384: 8383: 8379: 8377: 8376: 8372: 8370: 8369: 8365: 8364: 8362: 8358: 8352: 8351: 8347: 8345: 8344: 8340: 8338: 8337: 8333: 8331: 8330: 8329:Sing Unto God 8326: 8324: 8323: 8319: 8317: 8316: 8312: 8310: 8309: 8305: 8304: 8302: 8298: 8292: 8289: 8287: 8284: 8282: 8279: 8277: 8276:Dixit Dominus 8274: 8273: 8271: 8267: 8261: 8260: 8256: 8254: 8253: 8249: 8247: 8246: 8245:Ero e Leandro 8242: 8240: 8239: 8235: 8233: 8232: 8228: 8226: 8225: 8221: 8219: 8218: 8214: 8212: 8211: 8207: 8205: 8204: 8200: 8198: 8197: 8193: 8191: 8190: 8186: 8185: 8183: 8179: 8173: 8172: 8168: 8166: 8165: 8161: 8159: 8158: 8154: 8152: 8151: 8147: 8146: 8144: 8140: 8134: 8133: 8129: 8127: 8126: 8122: 8120: 8119: 8115: 8113: 8112: 8108: 8106: 8105: 8101: 8099: 8098: 8094: 8092: 8091: 8087: 8085: 8084: 8080: 8078: 8077: 8073: 8071: 8070: 8066: 8064: 8063: 8059: 8057: 8056: 8052: 8050: 8049: 8045: 8043: 8042: 8038: 8034: 8031: 8029:(Mozart arr.) 8028: 8027: 8023: 8021: 8018: 8016: 8013: 8011: 8008: 8006: 8003: 8002: 8001: 8000: 7996: 7994: 7993: 7989: 7987: 7986: 7982: 7980: 7979: 7975: 7973: 7972: 7968: 7966: 7965: 7961: 7959: 7958: 7954: 7952: 7951: 7947: 7945: 7944: 7940: 7938: 7937: 7933: 7929: 7925: 7924: 7922: 7918: 7912: 7911: 7907: 7905: 7904: 7900: 7898: 7897: 7896:The Alchemist 7893: 7892: 7890: 7886: 7879: 7875: 7872: 7868: 7865: 7861: 7858: 7854: 7853: 7851: 7847: 7841: 7840: 7836: 7834: 7833: 7829: 7827: 7826: 7825:Giove in Argo 7822: 7820: 7819: 7815: 7813: 7812: 7808: 7806: 7805: 7801: 7799: 7798: 7794: 7792: 7791: 7787: 7785: 7784: 7780: 7778: 7777: 7773: 7771: 7770: 7766: 7764: 7763: 7759: 7757: 7756: 7752: 7750: 7749: 7745: 7743: 7742: 7738: 7736: 7735: 7731: 7729: 7728: 7724: 7722: 7721: 7717: 7715: 7714: 7710: 7708: 7707: 7703: 7701: 7700: 7696: 7694: 7693: 7689: 7687: 7686: 7682: 7680: 7679: 7675: 7673: 7672: 7668: 7666: 7665: 7661: 7659: 7658: 7654: 7652: 7651: 7647: 7645: 7644: 7640: 7638: 7637: 7633: 7631: 7630: 7629:Giulio Cesare 7626: 7624: 7623: 7619: 7617: 7616: 7612: 7610: 7609: 7605: 7603: 7602: 7601:Muzio Scevola 7598: 7596: 7595: 7591: 7589: 7588: 7584: 7582: 7581: 7577: 7575: 7574: 7570: 7568: 7567: 7563: 7561: 7560: 7556: 7553: 7549: 7548: 7544: 7542: 7541: 7537: 7535: 7534: 7530: 7528: 7527: 7523: 7520: 7519: 7514: 7513: 7508: 7505: 7504: 7502: 7498: 7492: 7489: 7487: 7484: 7483: 7480: 7476: 7469: 7464: 7462: 7457: 7455: 7450: 7449: 7446: 7440: 7436: 7433: 7429: 7425: 7422: 7419: 7416: 7413: 7410: 7407: 7403: 7400: 7397: 7389: 7385: 7382: 7381: 7370: 7367: 7364: 7361: 7360: 7358: 7350: 7346: 7343: 7341: 7337: 7334: 7332: 7328: 7325: 7321: 7317: 7313: 7311: 7308: 7307: 7301: 7298: 7296: 7293: 7292: 7287: 7282: 7267: 7263: 7259: 7255: 7251: 7247: 7243: 7239: 7238: 7232: 7228: 7224: 7220: 7216: 7213:(4): 444–70. 7212: 7208: 7207: 7201: 7197: 7196: 7191: 7187: 7183: 7177: 7173: 7168: 7164: 7160: 7156: 7152: 7148: 7144: 7140: 7136: 7135: 7129: 7125: 7121: 7117: 7113: 7109: 7105: 7104: 7098: 7094: 7090: 7086: 7082: 7079:(3): 372–86. 7078: 7074: 7073: 7067: 7063: 7059: 7055: 7051: 7047: 7043: 7042: 7036: 7032: 7030:0-312-35846-6 7026: 7021: 7020: 7014: 7010: 7006: 7002: 6998: 6994: 6990: 6986: 6982: 6978: 6977: 6971: 6967: 6963: 6959: 6955: 6952:(4): 543–56. 6951: 6947: 6946: 6940: 6936: 6932: 6928: 6924: 6921:(4): 347–62. 6920: 6916: 6915: 6909: 6905: 6901: 6898:(3): 435–47. 6897: 6893: 6888: 6884: 6880: 6876: 6872: 6868: 6864: 6863: 6858: 6854: 6850: 6846: 6842: 6838: 6834: 6830: 6829: 6823: 6819: 6815: 6811: 6807: 6803: 6799: 6798: 6792: 6788: 6782: 6766: 6762: 6760:9780208010681 6756: 6752: 6751: 6746: 6742: 6729: 6725: 6724: 6719: 6715: 6702: 6698: 6697: 6692: 6688: 6684: 6682:0-521-45613-4 6678: 6674: 6670: 6665: 6664: 6652: 6648: 6644: 6640: 6639: 6634: 6630: 6618: 6614: 6613: 6608: 6604: 6600: 6595: 6593: 6592:0-88946-425-1 6589: 6585: 6581: 6577: 6573: 6572:Meynell, Hugo 6570: 6558: 6554: 6553: 6548: 6544: 6540: 6538:3-525-27815-2 6534: 6530: 6526: 6522: 6518: 6514: 6510: 6506: 6502: 6501: 6496: 6492: 6490: 6486: 6482: 6479: 6477: 6471: 6468: 6464: 6459: 6455: 6451: 6446: 6445: 6439: 6435: 6431: 6429:0-297-78498-6 6425: 6421: 6420: 6415: 6411: 6407: 6405:0-500-01355-1 6401: 6396: 6395: 6389: 6385: 6381: 6379:1-56159-228-5 6375: 6371: 6370: 6365: 6361: 6357: 6346: 6342: 6336: 6332: 6328: 6324: 6320: 6319: 6314: 6310: 6306: 6302: 6300:0-674-00617-8 6296: 6291: 6290: 6283: 6271: 6267: 6266: 6260: 6256: 6255: 6250: 6246: 6242: 6240:1-4191-2275-4 6236: 6232: 6228: 6224: 6212: 6208: 6207: 6201: 6197: 6195:0-19-816441-6 6191: 6186: 6185: 6179: 6174: 6170: 6168:0-393-30086-2 6164: 6160: 6159: 6153: 6149: 6143: 6138: 6137: 6131: 6127: 6124: 6120: 6117: 6113: 6109: 6106: 6092: 6088: 6087: 6082: 6078: 6074: 6059: 6055: 6051: 6050: 6044: 6038: 6034: 6032:0-19-816470-X 6028: 6024: 6020: 6016: 6012: 6010:0-393-09745-5 6006: 6001: 6000: 5994: 5990: 5986: 5984:0-253-34365-8 5980: 5976: 5971: 5967: 5966: 5961: 5957: 5953: 5949: 5945: 5941: 5938:(4): 476–99. 5937: 5933: 5932: 5926: 5922: 5918: 5914: 5910: 5906: 5902: 5899:(3): 142–49. 5898: 5894: 5893: 5888: 5884: 5883: 5870: 5869:1-878009-25-7 5866: 5862: 5857: 5851:. 49: 264–313 5850: 5846: 5842: 5841: 5834: 5828: 5827:0-8357-1833-6 5824: 5820: 5816: 5815:Anthony Hicks 5812: 5811:Stanley Sadie 5808: 5802: 5796:, pp. 114–135 5795: 5794:1-136-78359-8 5791: 5787: 5781: 5774: 5773: 5766: 5760: 5759:0-19-522271-7 5756: 5752: 5748: 5743: 5735: 5733:0-460-03161-9 5729: 5725: 5720: 5719: 5713: 5707: 5705: 5697: 5692: 5676: 5672: 5666: 5658: 5654: 5648: 5640: 5636: 5630: 5623: 5617: 5610: 5606: 5605: 5597: 5590: 5584: 5568: 5564: 5563: 5555: 5539: 5535: 5528: 5521: 5516: 5509: 5504: 5496: 5492: 5488: 5484: 5483: 5475: 5473: 5465: 5460: 5453: 5448: 5441: 5436: 5429: 5424: 5417: 5412: 5405: 5400: 5384: 5380: 5376: 5370: 5354: 5350: 5344: 5337: 5332: 5325: 5320: 5313: 5308: 5301: 5296: 5289: 5284: 5278:, p. 165 5277: 5272: 5265: 5260: 5253: 5248: 5241: 5236: 5229: 5224: 5217: 5212: 5205: 5200: 5194:, p. 48. 5193: 5188: 5181: 5176: 5169: 5164: 5158:, p. 157 5157: 5152: 5145: 5140: 5133: 5121: 5117: 5113: 5109: 5105: 5098: 5091: 5084: 5079: 5077: 5075: 5067: 5062: 5054: 5050: 5046: 5042: 5039: 5032: 5024: 5017: 5013: 5010: 5006: 5002: 4998: 4995: 4990: 4984: 4980: 4976: 4970: 4968: 4961:, p. 288 4960: 4955: 4948: 4943: 4927: 4923: 4919: 4913: 4906: 4901: 4894: 4889: 4882: 4878: 4875: 4874: 4868: 4862: 4861:0-521-43437-8 4858: 4854: 4850: 4845: 4829: 4825: 4821: 4815: 4799: 4795: 4789: 4773: 4769: 4762: 4756:, p. 194 4755: 4750: 4744:, p. 387 4743: 4738: 4731: 4726: 4719: 4714: 4708: 4704: 4701: 4698: 4694: 4690: 4687: 4684: 4680: 4676: 4672: 4669: 4666: 4665:New Statesman 4662: 4657: 4641: 4637: 4636: 4631: 4625: 4609: 4605: 4601: 4597: 4590: 4583: 4579: 4576: 4571: 4564: 4559: 4553:, p. 209 4552: 4547: 4541:, p. 71. 4540: 4535: 4528: 4527:Bukofzer 1947 4523: 4517:, p. 77. 4516: 4511: 4505:, p. 286 4504: 4499: 4492: 4487: 4479: 4475: 4471: 4465: 4459: 4452: 4447: 4439: 4435: 4433:9781107470118 4429: 4425: 4424: 4416: 4408: 4404: 4398: 4391: 4386: 4379: 4374: 4368:, p. 129 4367: 4362: 4356:, p. 52. 4355: 4350: 4343: 4338: 4331: 4325: 4319:, p. 37. 4318: 4313: 4306: 4301: 4294: 4289: 4283:, p. 12. 4282: 4277: 4271:, p. 26. 4270: 4265: 4258: 4253: 4246: 4241: 4234: 4229: 4223:, p. 10. 4222: 4217: 4210: 4205: 4199:, p. 21. 4198: 4193: 4187:, p. 23. 4186: 4181: 4179: 4171: 4166: 4160:, p. 93. 4159: 4155: 4150: 4143: 4138: 4131: 4126: 4124: 4116: 4112: 4107: 4101:, p. 20. 4100: 4095: 4088: 4083: 4076: 4072: 4067: 4061:, p. 21. 4060: 4055: 4048: 4043: 4036: 4032: 4027: 4020: 4017:, p. 2; 4016: 4011: 4004: 3999: 3992: 3987: 3980: 3975: 3968: 3963: 3956: 3951: 3949: 3942:, p. 29. 3941: 3936: 3934: 3926: 3921: 3914: 3909: 3902: 3897: 3891:, p. 19. 3890: 3885: 3883: 3875: 3872:, p. 6; 3871: 3866: 3860:, p. 18. 3859: 3854: 3852: 3845:, p. 16. 3844: 3839: 3833:, p. 15. 3832: 3827: 3820: 3815: 3809:, p. 14. 3808: 3803: 3797:, p. 12. 3796: 3791: 3784: 3779: 3777: 3769: 3766: 3762: 3757: 3749: 3748: 3742: 3738: 3734: 3729: 3722: 3717: 3710: 3706: 3702: 3697: 3691:, p. 11. 3690: 3686: 3682: 3677: 3670: 3665: 3658: 3655:, p. 4; 3654: 3649: 3642: 3637: 3635: 3633: 3625: 3620: 3614:, p. 11. 3613: 3608: 3606: 3604: 3596: 3591: 3584: 3579: 3572: 3567: 3560: 3555: 3548: 3544: 3539: 3532: 3527: 3520: 3515: 3508: 3505:, p. 2; 3504: 3499: 3492: 3487: 3480: 3475: 3468: 3463: 3457:, p. 10. 3456: 3451: 3449: 3441: 3436: 3429: 3424: 3418:, p. 20. 3417: 3412: 3410: 3408: 3400: 3395: 3388: 3384: 3379: 3372: 3367: 3365: 3363: 3355: 3350: 3343: 3338: 3332:, p. 19. 3331: 3326: 3319: 3314: 3308: 3303: 3297: 3292: 3276: 3272: 3266: 3259: 3255: 3251: 3246: 3239: 3234: 3227: 3222: 3214: 3210: 3204: 3200: 3187: 3183: 3177: 3167: 3160: 3153: 3143: 3134: 3127: 3121: 3114: 3110: 3104: 3097: 3093: 3090: 3084: 3077: 3076: 3069: 3060: 3053: 3048: 3041: 3034: 3029: 3022: 3018: 3015: 3009: 3002: 2996: 2989: 2985: 2979: 2972: 2968: 2967:William Brade 2964: 2958: 2951: 2947: 2943: 2939: 2935: 2929: 2922: 2916: 2909: 2905: 2899: 2891: 2890: 2885: 2880: 2876: 2862: 2859: 2857: 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2837: 2834: 2833: 2827: 2825: 2824: 2819: 2818:Jeroen Krabbé 2815: 2814: 2809: 2808: 2803: 2802: 2797: 2793: 2789: 2785: 2782:and starring 2781: 2780:Norman Walker 2777: 2776: 2769: 2759: 2757: 2753: 2749: 2745: 2735: 2733: 2729: 2725: 2721: 2717: 2714:composed his 2713: 2709: 2705: 2704:Petite marche 2701: 2697: 2693: 2689: 2685: 2681: 2680: 2675: 2670: 2668: 2665:composed his 2664: 2660: 2659: 2654: 2650: 2646: 2642: 2628: 2619: 2615: 2608: 2594: 2592: 2587: 2585: 2581: 2577: 2573: 2572:William Boyce 2569: 2565: 2561: 2557: 2553: 2549: 2545: 2541: 2537: 2534: 2530: 2526: 2522: 2518: 2514: 2510: 2506: 2496: 2493: 2489: 2485: 2481: 2477: 2473: 2463: 2461: 2460: 2455: 2454: 2449: 2448: 2443: 2442: 2437: 2433: 2432: 2424: 2422: 2411: 2407: 2406: 2401: 2384: 2367: 2365: 2361: 2356: 2352: 2348: 2344: 2343: 2335: 2331: 2327: 2322: 2318: 2316: 2312: 2308: 2307: 2302: 2301: 2296: 2292: 2291: 2286: 2285: 2279: 2275: 2271: 2264: 2253: 2248: 2239: 2237: 2233: 2232: 2227: 2222: 2219: 2215: 2214:Saxony-Anhalt 2211: 2207: 2206: 2200: 2198: 2194: 2190: 2186: 2185: 2179: 2177: 2173: 2172:Samuel Arnold 2169: 2161: 2156: 2147: 2145: 2144: 2139: 2138: 2133: 2129: 2125: 2121: 2117: 2113: 2109: 2105: 2104: 2090: 2086: 2083:, the famous 2082: 2078: 2073: 2069: 2059: 2057: 2052: 2050: 2046: 2041: 2039: 2035: 2031: 2027: 2023: 2019: 2014: 2012: 2008: 2004: 2000: 1996: 1992: 1991: 1982: 1978: 1973: 1968: 1958: 1956: 1955: 1950: 1949: 1943: 1941: 1937: 1936: 1931: 1927: 1923: 1919: 1915: 1911: 1910:Christ Church 1907: 1903: 1899: 1895: 1894: 1889: 1885: 1881: 1874: 1872: 1851: 1849: 1828: 1826: 1807: 1805: 1804: 1799: 1798: 1793: 1789: 1788: 1783: 1779: 1775: 1771: 1770: 1764: 1760: 1759: 1753: 1750: 1746: 1741: 1739: 1738: 1733: 1732: 1727: 1723: 1722: 1717: 1716: 1711: 1707: 1706: 1696: 1692: 1688: 1681: 1665: 1658: 1648: 1638: 1636: 1632: 1631: 1626: 1622: 1618: 1617:musical clock 1614: 1610: 1605: 1603: 1599: 1598: 1593: 1589: 1585: 1581: 1577: 1573: 1568: 1566: 1562: 1561: 1556: 1552: 1548: 1547: 1542: 1538: 1534: 1530: 1526: 1522: 1517: 1515: 1511: 1507: 1506: 1501: 1499: 1494: 1493: 1488: 1487: 1482: 1478: 1477: 1472: 1468: 1464: 1459: 1458:Earl of Essex 1456:In 1733, the 1451: 1446: 1436: 1433: 1429: 1425: 1419: 1417: 1412: 1410: 1406: 1405: 1401: 1397: 1396: 1391: 1387: 1383: 1379: 1375: 1371: 1367: 1363: 1362: 1357: 1356: 1351: 1350: 1345: 1344: 1338: 1336: 1332: 1331:John Vanbrugh 1328: 1318: 1315: 1311: 1307: 1303: 1294: 1285: 1276: 1274: 1270: 1269: 1264: 1260: 1256: 1255: 1250: 1246: 1241: 1239: 1235: 1231: 1230: 1225: 1221: 1220: 1215: 1214:da capo arias 1211: 1210: 1205: 1204: 1199: 1198: 1197:Giulio Cesare 1193: 1189: 1185: 1181: 1177: 1173: 1169: 1168:Antonio Lotti 1165: 1161: 1157: 1153: 1150:In May 1719, 1146: 1142: 1131: 1126: 1121: 1111: 1109: 1106: 1105:slave-trading 1102: 1098: 1093: 1091: 1087: 1086: 1081: 1076: 1072: 1071: 1066: 1062: 1056: 1046: 1044: 1040: 1039: 1033: 1031: 1027: 1023: 1019: 1018: 1013: 1010: 1006: 1001: 999: 998: 993: 989: 983: 981: 977: 973: 969: 968: 963: 962: 957: 953: 949: 945: 941: 937: 936: 935:Kapellmeister 927: 923: 919: 918:King George I 915: 910: 896: 894: 890: 886: 882: 878: 874: 873: 868: 864: 863: 858: 854: 853: 848: 847: 842: 838: 837:Carlo Colonna 834: 830: 826: 822: 818: 814: 810: 809: 808:Dixit Dominus 804: 800: 799:Antonio Salvi 797: 793: 789: 784: 782: 781: 776: 775: 770: 766: 765: 760: 756: 752: 748: 743: 739: 736: 732: 726: 723: 718: 709: 707: 701: 692: 690: 686: 682: 678: 677:Johann Kuhnau 674: 669: 667: 660: 656: 652: 650: 646: 642: 637: 633: 629: 625: 615: 612: 608: 602: 593: 589: 587: 583: 579: 575: 571: 567: 563: 557: 554: 553:cantus firmus 550: 542: 538: 534: 530: 528: 524: 520: 514: 512: 508: 504: 494: 491: 487: 483: 479: 475: 469: 464: 460: 459: 450: 446: 437: 435: 426: 422: 418: 416: 412: 408: 403: 399: 395: 390: 388: 384: 380: 376: 372: 368: 364: 360: 352: 347: 333: 331: 327: 323: 319: 318:Classical-era 315: 311: 306: 304: 300: 296: 295: 290: 286: 285: 280: 279: 274: 273: 266: 264: 260: 256: 252: 248: 244: 240: 236: 232: 228: 224: 217: 211: 201: 198: 192: 191: 182: 155: 151: 147: 138: 133: 128: 125: 122: 118: 115: 112: 108: 103: 94:14 April 1759 93: 89: 85: 81: 77: 71: 63: 59: 52: 47: 40: 37: 33: 19: 10412: 10395: 10378: 10366:from Commons 10361: 10340: 10233: 10226: 10197:Architecture 10146:Folk baroque 10141:Figured bass 10114:counterpoint 10090:Other topics 9962:18th-century 9957:17th-century 9582:D. Scarlatti 9516: 9399:A. Scarlatti 9369:J. Pachelbel 9120:Transitional 9039: 9031: 9023: 9015: 8994: 8975: 8967: 8959: 8948:Performances 8926: 8920:Rock Messiah 8918: 8910: 8878: 8859: 8855: 8786: 8769:Georg Händel 8759:Handel House 8658: 8651: 8644: 8637: 8387: 8380: 8373: 8366: 8348: 8341: 8334: 8327: 8320: 8313: 8306: 8291:Salve Regina 8286:Nisi Dominus 8257: 8250: 8243: 8236: 8229: 8222: 8215: 8208: 8201: 8194: 8187: 8169: 8162: 8155: 8148: 8130: 8123: 8116: 8109: 8102: 8095: 8088: 8081: 8074: 8067: 8060: 8053: 8046: 8039: 8024: 7997: 7990: 7983: 7976: 7969: 7962: 7955: 7948: 7941: 7935: 7934: / 7931: 7930: / 7927: 7908: 7901: 7894: 7864:Ombra mai fu 7837: 7830: 7823: 7816: 7809: 7802: 7795: 7788: 7781: 7774: 7767: 7760: 7753: 7746: 7739: 7732: 7725: 7718: 7711: 7704: 7697: 7690: 7683: 7676: 7669: 7662: 7655: 7648: 7641: 7634: 7627: 7620: 7613: 7606: 7599: 7592: 7585: 7578: 7571: 7564: 7557: 7545: 7538: 7531: 7524: 7516: 7510: 7474: 7408:(ChoralWiki) 7391: 7285: 7241: 7235: 7210: 7204: 7194: 7171: 7141:(1): 33–71. 7138: 7132: 7110:(1): 33–37. 7107: 7101: 7076: 7070: 7045: 7039: 7018: 6980: 6974: 6949: 6943: 6918: 6912: 6895: 6891: 6866: 6860: 6835:(1): 31–56. 6832: 6826: 6801: 6795: 6769:. Retrieved 6749: 6745:Cudworth, C. 6732:. Retrieved 6723:G. F. Händel 6722: 6705:. Retrieved 6696:G. F. Händel 6695: 6668: 6650: 6637: 6621:. Retrieved 6611: 6598: 6575: 6561:. Retrieved 6551: 6528: 6516: 6499: 6473: 6462: 6443: 6418: 6393: 6368: 6349:, retrieved 6316: 6288: 6274:. Retrieved 6264: 6253: 6230: 6215:. Retrieved 6211:the original 6205: 6183: 6157: 6135: 6130:Dean, Winton 6095:. Retrieved 6085: 6061:. Retrieved 6047: 6022: 5998: 5974: 5964: 5935: 5929: 5896: 5890: 5860: 5856: 5838: 5833: 5809:, edited by 5806: 5801: 5785: 5780: 5770: 5765: 5750: 5742: 5717: 5698:, p. 23 5691: 5679:. Retrieved 5665: 5656: 5647: 5629: 5621: 5616: 5608: 5603: 5596: 5588: 5583: 5571:. Retrieved 5561: 5554: 5542:. Retrieved 5538:the original 5527: 5515: 5503: 5486: 5480: 5463: 5459: 5454:, p. 60 5447: 5442:, p. 63 5435: 5430:, p. 56 5423: 5416:Burrows 1994 5411: 5404:Burrows 1994 5399: 5387:. Retrieved 5378: 5369: 5359:28 September 5357:. 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Retrieved 4599: 4589: 4570: 4563:Deutsch 1955 4558: 4546: 4539:Rolland 1916 4534: 4522: 4515:Burrows 1994 4510: 4498: 4493:, p. 92 4486: 4473: 4458: 4453:, p. 88 4446: 4438:the original 4422: 4415: 4407:the original 4397: 4385: 4380:, p. 38 4378:Burrows 1994 4373: 4361: 4349: 4342:Burrows 1994 4337: 4329: 4324: 4312: 4307:, p. 19 4305:Burrows 1994 4300: 4295:, p. 18 4293:Burrows 1994 4288: 4281:Burrows 1994 4276: 4264: 4257:Burrows 1994 4252: 4240: 4228: 4221:Deutsch 1955 4216: 4204: 4197:Hogwood 1984 4192: 4170:Deutsch 1955 4165: 4149: 4137: 4132:, p. 9. 4130:Deutsch 1955 4111:Burrows 1994 4106: 4099:Burrows 1994 4094: 4089:, p. 2. 4082: 4075:Deutsch 1955 4071:Burrows 1994 4066: 4054: 4042: 4026: 4021:, p. 8. 4019:Deutsch 1955 4010: 3998: 3986: 3974: 3962: 3920: 3908: 3901:Deutsch 1955 3896: 3874:Deutsch 1955 3865: 3838: 3826: 3814: 3802: 3790: 3785:, p. 6. 3764: 3756: 3746: 3740: 3728: 3716: 3711:, p. 5. 3696: 3676: 3664: 3648: 3643:, p. 5. 3619: 3597:, p. 4. 3590: 3585:, p. 5. 3578: 3566: 3561:, p. 3. 3554: 3538: 3526: 3514: 3509:, p. 9. 3503:Deutsch 1955 3498: 3493:, p. 6. 3491:Deutsch 1955 3486: 3481:, p. 9. 3474: 3462: 3435: 3428:Burrows 1994 3423: 3401:, p. 1. 3399:Burrows 1994 3394: 3389:, p. 1. 3387:Burrows 1994 3378: 3349: 3342:Deutsch 1955 3337: 3325: 3313: 3302: 3296:Burrows 2007 3291: 3279:. Retrieved 3265: 3245: 3233: 3228:, p. 1. 3226:Hogwood 1984 3221: 3213:the original 3203: 3182:Brook Street 3176: 3166: 3158: 3152: 3142: 3133: 3120: 3111:, the first 3103: 3096:Hogwood 1984 3088: 3083: 3073: 3068: 3059: 3040: 3028: 3021:Hogwood 1984 3013: 3008: 3000: 2995: 2978: 2957: 2928: 2921:Annunciation 2915: 2907: 2898: 2893:citizenship. 2887: 2879: 2821: 2811: 2805: 2799: 2778:directed by 2773: 2771: 2741: 2727: 2723: 2715: 2712:Luis Gianneo 2703: 2695: 2691: 2677: 2671: 2666: 2656: 2652: 2644: 2638: 2588: 2580:Michael Wise 2508: 2502: 2469: 2457: 2451: 2445: 2439: 2429: 2427: 2418: 2403: 2359: 2350: 2347:Ombra mai fu 2340: 2338: 2314: 2304: 2298: 2288: 2282: 2267: 2235: 2229: 2226:Bernd Baselt 2223: 2217: 2203: 2201: 2196: 2182: 2180: 2167: 2165: 2141: 2135: 2115: 2101: 2098: 2053: 2042: 2033: 2015: 2010: 2002: 1994: 1988: 1986: 1976: 1952: 1946: 1944: 1939: 1933: 1917: 1913: 1906:St Patrick's 1891: 1877: 1868: 1847: 1824: 1801: 1795: 1791: 1785: 1781: 1767: 1756: 1754: 1742: 1735: 1729: 1725: 1719: 1713: 1703: 1702: 1628: 1627:in Utrecht. 1608: 1606: 1595: 1569: 1558: 1550: 1544: 1540: 1536: 1532: 1528: 1527:, completed 1524: 1520: 1518: 1503: 1496: 1490: 1484: 1474: 1455: 1421: 1413: 1402: 1393: 1369: 1359: 1353: 1347: 1341: 1339: 1324: 1306:Brook Street 1266: 1258: 1252: 1247:ceremony of 1242: 1227: 1224:Silete venti 1223: 1217: 1207: 1201: 1195: 1188:Brook Street 1186:house at 25 1163: 1149: 1094: 1083: 1068: 1058: 1043:River Thames 1036: 1034: 1015: 1012:aristocratic 1002: 995: 984: 975: 965: 959: 933: 931: 922:River Thames 913: 892: 887:by Cardinal 870: 860: 850: 844: 806: 803:Papal States 785: 778: 772: 768: 762: 744: 740: 733: 730: 702: 698: 688: 685:Thomaskirche 670: 663: 647:to London's 644: 621: 603: 599: 590: 586:Georg Muffat 558: 546: 526: 515: 500: 486:John Hawkins 456: 454: 430: 425:Handel House 400:, including 391: 375:Georg Händel 356: 307: 292: 282: 276: 270: 267: 199: 196: 153: 149: 145: 144: 110:Burial place 96:(1759-04-14) 36: 10443:1759 deaths 10438:1685 births 10166:Style brisé 10102:Chamber pop 10097:Baroque pop 10041:grand motet 10014:passacaglia 9825:lautenwerck 9820:harpsichord 9790:double bass 9757:Instruments 9715:Mondonville 9547:A. Marcello 9477:F. Couperin 9424:Vejvanovský 9374:J. Playford 9354:J.-B. Lully 9319:Charpentier 9274:d'Anglebert 9159:Frescobaldi 9123:and early ( 8936:Hallelujah! 8912:Der Messias 8470:Fitzwilliam 8432:Water Music 8026:Der Messias 7426:, from the 7320:BBC Radio 3 6771:17 November 6734:31 December 6707:31 December 6481:Bärenreiter 6217:13 November 6086:G.F. Händel 5931:Early Music 5843:, and also 5653:Blyth, Alan 5482:Early Music 5300:Larsen 1972 5288:Larsen 1972 5264:Larsen 1972 5240:Larsen 1972 5228:Larsen 1972 5216:Larsen 1972 5204:Larsen 1972 5180:Larsen 1972 5168:Larsen 1972 5104:Early Music 5034: [ 4895:, p. . 4804:18 February 4646:26 November 4614:26 November 4317:Harris 2001 4037:, p. 2 4003:Landon 1984 3991:Landon 1984 3979:Landon 1984 3913:Landon 1984 3737:Landon 1984 3543:Landon 1984 3507:Landon 1984 3479:Landon 1984 3344:, p. 1 3318:Buelow 2004 3128:and Burney. 3109:Frederick I 3092:Landon 1984 3017:Landon 1984 2934:coppersmith 2861:Drexel 5856 2804:(1985) and 2796:Technicolor 2766:Main page: 2647:. In 1797, 2641:Louis Spohr 2576:Henry Lawes 2456:(1745) and 2436:John Dryden 2300:Water Music 2259: 1724 2162:(1685–1749) 1961:Later years 1930:violoncello 1671: 1730 1565:opera seria 1471:Marie Sallé 1416:Mary Delany 1319:on the wall 1317:blue plaque 1172:opera seria 1137: 1720 1090:Winton Dean 1038:Water Music 1009:Anglo-Irish 964:, based on 537:Marktkirche 519:harpsichord 503:Weissenfels 466: [ 415:Weissenfels 336:Early years 314:Winton Dean 310:opere serie 278:Water Music 200:rich Händel 197:Georg Fried 193:; baptised 102:Westminster 10427:Categories 10380:Quotations 10180:Background 10066:recitative 9974:concertato 9942:canzonetta 9805:fortepiano 9780:clavichord 9730:Sammartini 9710:Mysliveček 9670:Boccherini 9660:W. F. Bach 9655:J. C. Bach 9452:J. S. Bach 9379:H. Purcell 9299:Cabanilles 9214:Monteverdi 9189:Kapsberger 9179:O. Gibbons 9174:C. Gibbons 9169:V. Galilei 9149:J. Dowland 9139:G. Caccini 8069:Belshazzar 7657:Alessandro 7608:Floridante 7244:: 182–86. 6753:. London. 6623:2 February 6563:1 February 6351:10 January 6097:24 January 6075:required.) 6063:10 January 5544:3 December 5452:Young 1966 5428:Young 1966 5379:Britannica 5324:Young 1966 5083:Hicks 2013 4834:26 January 4635:Classic FM 3307:Hicks 2013 3238:Hicks 1998 3195:References 3033:Schoelcher 2990:, however. 2738:Veneration 2702:wrote his 2676:wrote the 2499:Borrowings 2421:media help 2355:Anglophone 2212:region in 2150:Catalogues 1871:media help 1763:John Beard 1613:John Walsh 1584:Burtscheid 1531:, revived 1514:John Beard 1476:Terpsicore 1245:Coronation 1216:, such as 1180:amanuensis 992:Queen Anne 956:Düsseldorf 796:librettist 618:University 482:clavichord 259:polyphonic 10285:Biography 10212:Sculpture 10129:ensembles 10124:festivals 10019:sarabande 9947:capriccio 9889:Ensembles 9720:L. Mozart 9622:de Zumaya 9557:Pergolesi 9537:Locatelli 9522:Heinichen 9507:Gorczycki 9502:Geminiani 9482:Delalande 9404:Stradella 9359:M. Marais 9339:Froberger 9304:Carissimi 9294:Buxtehude 9249:Sweelinck 9033:Coram Boy 8713:Göttingen 8706:Festivals 8639:Germanico 8360:Canticles 8005:Structure 7920:Oratorios 7804:Faramondo 7762:Ariodante 7699:Partenope 7643:Rodelinda 7636:Tamerlano 7594:Radamisto 7540:Agrippina 7266:256131717 7163:161457448 7005:154560136 6869:: 80–89. 6781:cite book 6609:(1916) . 6276:3 January 5921:208323027 5871:) p. 161. 5714:(1975) . 5696:Dent 2004 5520:Dean 1982 5440:Dent 2004 5336:Bone 1914 5312:Dent 2004 5192:Marx 1998 5144:Marx 1998 4959:Dean 2006 4947:Dean 2006 4905:Dent 2004 4893:Dent 2004 4730:Dean 2006 4269:Lang 1966 4209:Best 1985 4185:Lang 1966 4154:Lang 1966 4142:Lang 1966 4087:Dent 2004 4059:Lang 1966 4047:Lang 1966 4035:Dent 2004 4031:Lang 1966 4015:Dean 1982 3955:Lang 1966 3889:Lang 1966 3819:Lang 1966 3807:Lang 1966 3795:Lang 1966 3768:Bone 1914 3733:Lang 1966 3721:Lang 1966 3705:Bone 1914 3701:Lang 1966 3689:Lang 1966 3685:Bone 1914 3657:Bone 1914 3624:Dent 2004 3612:Lang 1966 3455:Lang 1966 3440:Lang 1966 3416:Lang 1966 3330:Dean 1969 2908:Friedrich 2886:entry in 2823:Farinelli 2710:composer 2708:Argentine 2517:parodists 2492:Beethoven 2466:Reception 2402:in 1727, 2324:A carved 2018:The Hague 1983:in London 1588:Faramondo 1572:spa towns 1533:Partenope 1486:Ariodante 1463:John Rich 1386:Farinelli 1343:Partenope 1209:Rodelinda 1203:Tamerlano 1065:Middlesex 988:Barn Elms 928:(1819–88) 899:In London 872:Agrippina 841:oratorios 689:Grundlage 607:Bononcini 578:Buxtehude 458:Gymnasium 434:stillborn 402:Magdeburg 369:, in the 330:Beethoven 231:oratorios 150:Frederick 130:Signature 10248:Category 10225: ← 10207:Painting 10071:ricercar 10046:madrigal 10026:fantasia 9994:courante 9979:concerto 9952:chaconne 9845:recorder 9770:carillon 9740:Telemann 9685:Corrette 9680:F. Brixi 9665:F. 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