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Gemma Bellincioni

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the following year. On the other hand, Bellincioni's histrionic manner, accentuated diction and arresting stage presence were to prove ideally suited to a melodramatic new style of Italian opera known as verismo, which became popular during the 1890s. She sang this type of music with great passion,
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firm in the early 1900s (decade). She was past her best when she made them and they disappoint artistically and musically; but they are considered to be of major historical interest because her career was so significant (see Scott cited below).
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Lanzona, Andrea, "Gemma Bellincioni si racconta" in Étude n° 33, January–February–March 2006, Association internationale de chant lyrique TITTA RUFFO. Site: titta-ruffo-international.jimdo.com.
303:. Evidently, however, he was not so impressed by her vocal technique because he did not elect to cast her to sing the part of Desdemona at the premiere of 370:. She announced her retirement from the stage in 1911 to teach singing, but re-emerged in 1916 to play the lead female part in a silent-film version of 270:
in 1880. She went on to sing extensively in Europe and South America during the next two decades, although she would appear only once in London—at the
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although her actual voice was not particularly large in size or ripe in tone, and marred by a distinct flutter. (See Scott, cited below.)
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Bellincioni's voice can still be heard on CD reissues (most notably on the Marston label) of a few recordings which she made for the
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Bellincioni had written an instructional manual for singers which was published in Berlin in 1912 and an autobiography,
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repertoire and was renowned more for her charismatic acting than for the quality of her voice.
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Gemma Bellincioni as Santuzza, and her partner on stage and in private life,
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singers of the late 19th century. She had a particular affinity with the
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As late as the early 1920s, she gave a few performances in The
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to perform the title role in another key verismo opera,
133:; 18 August 1864 – 23 April 1950) was an Italian 109:, as Turiddu, costumed for the 1890 Rome premiere of 313:
On 17 May 1890, she created the role of Santuzza in
323:when it premiered in Rome. Her common-law spouse 470: 46:but its sources remain unclear because it lacks 396:in 1920. She spent her final years living in 258:was Bellincioni's real name. She was born in 243:Learn how and when to remove this message 77:Learn how and when to remove this message 100: 90: 471: 454:Warrack, John and West, Ewan (1992), 404:husband, had died 53 years earlier.) 128: 181:adding citations to reliable sources 152: 18: 409:Gramophone & Typewriter Company 13: 494:19th-century Italian women singers 14: 525: 157: 23: 342:Bellincioni was also the first 168:needs additional citations for 456:The Oxford Dictionary of Opera 130:[ˈdʒɛmmabellinˈtʃoːni] 1: 419: 489:19th-century Italian singers 7: 10: 530: 499:20th-century Italian women 285:Italy's leading composer, 256:Matilda Cesira Bellincioni 137:and one of the best-known 122:Matilda Cesira Bellincioni 479:Italian operatic sopranos 444:, volume one, 243 pages, 392:, which was published in 317:'s landmark verismo work 148: 434:(Naples), 24 April 1950. 32:This article includes a 440:Scott, Michael (1977), 61:more precise citations. 126:Italian pronunciation: 114: 98: 442:The Record of Singing 374:that was directed by 104: 94: 390:Io e il palcoscenico 372:Cavalleria Rusticana 320:Cavalleria Rusticana 177:improve this article 111:Cavalleria rusticana 16:Italian opera singer 514:Women film pioneers 192:"Gemma Bellincioni" 280:Metropolitan Opera 115: 99: 34:list of references 509:People from Monza 272:Royal Opera House 253: 252: 245: 227: 118:Gemma Bellincioni 96:Gemma Bellincioni 87: 86: 79: 521: 348:Umberto Giordano 248: 241: 237: 234: 228: 226: 185: 161: 153: 135:dramatic soprano 132: 127: 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 529: 528: 524: 523: 522: 520: 519: 518: 469: 468: 422: 362:Richard Strauss 315:Pietro Mascagni 249: 238: 232: 229: 186: 184: 174: 162: 151: 125: 97: 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 527: 517: 516: 511: 506: 501: 496: 491: 486: 481: 467: 466: 458:, 782 pages, 452: 438: 435: 421: 418: 327:, a prominent 325:Roberto Stagno 287:Giuseppe Verdi 251: 250: 165: 163: 156: 150: 147: 107:Roberto Stagno 95: 85: 84: 42:external links 31: 29: 22: 15: 9: 6: 4: 3: 2: 526: 515: 512: 510: 507: 505: 502: 500: 497: 495: 492: 490: 487: 485: 482: 480: 477: 476: 474: 465: 464:0-19-869164-5 461: 457: 453: 451: 450:0-7156-1030-9 447: 443: 439: 436: 433: 429: 428: 427: 426: 417: 414: 410: 405: 403: 399: 395: 391: 386: 384: 379: 377: 373: 369: 368: 363: 359: 358:Enrico Caruso 355: 354: 349: 345: 340: 338: 334: 330: 326: 322: 321: 316: 311: 308: 307: 302: 298: 294: 293: 288: 283: 281: 277: 276:Covent Garden 273: 269: 265: 261: 257: 247: 244: 236: 225: 222: 218: 215: 211: 208: 204: 201: 197: 194: –  193: 189: 188:Find sources: 182: 178: 172: 171: 166:This section 164: 160: 155: 154: 146: 144: 140: 136: 131: 123: 119: 112: 108: 103: 93: 89: 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 455: 441: 431: 430:Obituary in 424: 423: 406: 401: 389: 387: 380: 371: 365: 351: 341: 318: 312: 304: 290: 284: 255: 254: 239: 230: 220: 213: 206: 199: 187: 175:Please help 170:verification 167: 121: 117: 116: 110: 88: 73: 64: 53:Please help 45: 504:1950 deaths 484:1864 births 383:Netherlands 292:La traviata 59:introducing 473:Categories 432:il Mattino 420:References 376:Ugo Falena 203:newspapers 339:in 1886. 337:Argentina 233:July 2023 67:July 2023 411:and the 402:de facto 297:La Scala 425:Sources 344:soprano 217:scholar 143:verismo 55:improve 462:  448:  398:Naples 367:Salome 353:Fedora 333:Sicily 306:Otello 268:Naples 219:  212:  205:  198:  190:  149:Career 120:(born 413:Pathé 394:Milan 331:from 329:tenor 301:Milan 264:Italy 260:Monza 224:JSTOR 210:books 139:opera 40:, or 460:ISBN 446:ISBN 196:news 350:'s 295:at 179:by 124:) ( 475:: 378:. 364:' 299:, 282:. 274:, 262:, 44:, 36:, 246:) 240:( 235:) 231:( 221:· 214:· 207:· 200:· 173:. 113:. 80:) 74:( 69:) 65:( 51:.

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Roberto Stagno
[ˈdʒɛmmabellinˈtʃoːni]
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