315:. Like with the first game, Coker âworked closely with the entire team over the course of the gamesâ development, studying the story beats, looking at art assets, and watching how people play the game to make sure everything fit perfectlyâ. Since the sequel is significantly larger in scale, with more characters and character arcs, Coker was able to further develop the musical identity. "obviously it's more work, but even though it's more work it actually kinda fleshed things out automatically for me because I had more themes to work with, so I actually felt less limited this time aroundâ.
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428:. For the Chinese Mythology expansion, Coker had personal experience with learning Chinese culture. âHaving lived in Japan, China was never far away for a quick trip, and Iâve always been fascinated by Asian music, so a lot of the research was already doneâ. To make this feel like a blend of both worlds, Coker focused on using solo instruments from the region, such as
715:. Coker focused on creating character themes and an intense musical style largely focusing on the cinematics and boss fights with his writing. He emphasizes the importance of thematic melodies for characters, particularly protagonists and antagonists. He highlights the unique blend of various musical elements in the game's soundtrack, including a combination of
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Coker utilized many ethnic instruments for his score. âEach biome has its own unique instruments and characteristics, for example, the swamp makes heavy use of the didgeridoo, the mountains make use of various ethnic wind instruments, but the orchestra can help unify things, and also give the âepicâ
613:. In contrast to previous work, âThe challenge was that Halo is the first time I'm stepping into someone else's creation, so it's been about learning the vocabulary and understanding why people like the original Halo music in particularâ.
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In 2011, Coker composed the accompanying music to the game's prototype after studio director Thomas Mahler had stumbled upon his work. Speaking about the game's musical approach, Coker was given free rein by
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to experiment with the music and scored the game mainly based on the visuals. He worked with the idea of using instruments that would represent the area. For example, using wood-based
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for the Ginso Tree area or winds in the
Forlorn Ruins. He also worked closely with the game's programmers to balance the pacing and timing of the music. Coker recorded the score at
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and electronic sensibilities to the game... Coker helped bring new colours and emotions to specific settings in the game as well as some boss fights, touching on styles including
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sound, and the esoteric, non-orchestral elements for the magical/mythological aspect. Additionally, Coker commissioned instruments that were handcrafted and shipped across the
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elements, but does not go for an authentic experience. Rather, it is made to feel like a unique experience that can be recognized as Coker's style in writing.
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arriving on the battlefield is in and of itself a prompt to let subtler music do heavier liftingâ. The score was nominated for a BAFTA in 2022.
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Expansion Packs: Chinese
Mythology, Egyptian Mythology, Greek Mythology, Norse Mythology, Battle & Tumble, Pirates of the Caribbean
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3086:"Two very different tracks, both of which you heard in the @survivetheark II trailer shown at @thegameawards . Presented here in full"
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As with the first game's music, Coker's score for Will of the Wisps gained wide praise and recognition from award bodies like the
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heralds the resultant work as â...one of the most ambitious video game soundtracks released in recent years, fusing elements of
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The musical score had a positive feedback from critics and fans, garnering nominations for several industry awards, including a
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2585:"Gareth Coker opens up on 'Halo Infinite': "Fans will be very interested to see how we use past material and expand upon it.""
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2409:"'Ori and the Will of the Wisps' Composer Gareth Coker Dives Deep on the Philosophy of Sound, Technique, and Snoring Bunnies"
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2991:"Ivor Novello Awards 2023 Winners List: Wet Leg Named Songwriters of the Year, Raye's 'Escapism' Takes Center Stage"
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as temporary music. I think it ended up working, and they were like, âMaybe we should contact the composerââ.
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2557:"In Immortals Fenyx Rising, Gareth Coker Finally Got the Chance to Score an 'Over-The-Top, Epic' Video Game"
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2640:"YOKO SHIMOMURA, GRANT KIRKHOPE AND GARETH COKER Mario + Rabbids Sparks of Hope (Original Soundtrack)"
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Coker pointed out the importance of silence and space in the soundtrack. âAs opposed to a game like
475:, I'd focus on making the track sound like it was âunderwaterâ, as Poseidon is the God of the Seaâ.
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for three years, where he taught
English and studied various ethnic instruments. He later moved to
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358:, who had essentially given me an open brief and also said that they didn't want it to sound like
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Across the mythologies, Coker had the opportunity to work with renowned musicians; among them is
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2437:"Dinosaurs, Orchestras and Indian Flutes - An Interview with Video Game Composer Gareth Coker"
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expansion, Coker referred to the limited records of ancient Greek instruments, such as the
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2933:"2021 Awards Category Details Outstanding Achievement in Original Music Composition"
2752:"Hollywood Music in Media Awards: Sam Smith, Lady Gaga, Brian Wilson Among Nominees"
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2215:"The Emotion Of Sound: Chatting With Ori And The Blind Forest Composer Gareth Coker"
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He also wrote the music for the Battle, Tumble, and Glide mini-games as well as the
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2613:"Gareth Coker On Ori, Halo Infinite, And What It Takes To Make "Great Game Music""
3016:""I am happy to announce that I'm scoring @Halo Infinite alongside @cschweitzer""
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2696:"Exploring Prince Of Persia: The Lost Crown's Music With An Exclusive New Track"
2381:"Gareth Coker on Creating Ori and the Will of the Wisps' Tear-jerker Soundtrack"
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2524:"Immortals Fenyx Rising Composer Gareth Coker Discusses the Game's Epic Score"
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Dorothy's Vision, Fire Within the Sand and Mizuki & Caerula Arbor events
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The IFMCA Award for Best
Original Score for a Video Game or Interactive Media
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2353:"Review: Beauty Meets the Beasts in Mesmerizing 'Ori and the Blind Forest'"
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appreciated the score's orchestral approach, comparing it to the works of
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2035:"404 - With Gareth Coker: Creating Music that Enhances Player Experience"
631:, where the Slayer moves at an intense pace mowing down demons to filthy
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2724:"Ori And The Blind Forest wins Best Audio at the Golden Joystick Awards"
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D.I.C.E. Award for
Outstanding Achievement in Original Music Composition
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D.I.C.E. Award for
Outstanding Achievement in Original Music Composition
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is a
British composer. He has composed work for video games, including
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2135:"How video game music is finally getting the appreciation it deserves"
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Coker learned the piano at a very early age. In school, he joined the
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and â90s film scores with the eccentricity you'd expect to hear in a
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through the
Minecraft Mythology Expansions, of which include that of
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2496:"Gareth Coker's Music Makes Norse And Egyptian Mythology Come Alive"
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IFMCA for Best
Original Score for a Video Game or Interactive Media
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IFMCA for Best
Original Score for a Video Game or Interactive Media
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Much of the score was recorded with the Philharmonia Orchestra in
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2668:"3 Music Legends Collaborated on One Nintendo Game. Sparks Flew"
2082:"Interview: Composer Gareth Coker Talks Minecraft, Ori and more"
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Jerry Goldsmith Award for Best Original Score for a Videogame
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498:, who plays iconic wind instruments from different cultures.
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209:, where he juggled between composing for video games and the
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2163:"Gareth Coker Is A Name You Should Know In Video Game Music"
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in general. The resultant soundtrack is a rich blend of
2241:"ORI AND THE BLIND FOREST REVIEW: THE PLACES YOU'LL GO"
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Recording Studios with the Nashville Studio Orchestra.
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Ivor Novello Award for Best Original Video Game Score
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Ivor Novello Award for Best Original Video Game Score
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Outstanding Achievement in Original Music Composition
467:. To further immerse the listener into the world of
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IFMCA International: Film Music Critics Association
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United Grand Lodge of Queensland Grand Installation
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GoldSpirit Award for Best original video game score
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385:feel that the majority of players are expectingâ.
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691:gameâ. Amongst many plaudits, the score won the
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784:HMMA Award for Best Original Score - Video Game
571:into the soundscape. He received guidance from
3072:"ć°´ćč桹čäšć¨š (Original Soundtrack) on Apple Music"
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299:Gareth Coker continued his collaboration with
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635:riffs, the reaction NPCs have when they see
3058:"ć˛ä¸äšçŤ (Original Soundtrack) on Apple Music"
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705:Coker was brought on with Iranian composer
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2941:Academy of Interactive Arts & Sciences
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2302:Academy of Interactive Arts & Sciences
2112:Academy of Interactive Arts & Sciences
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542:The soundtrack as a whole is a mix of the
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1468:The Mageseeker: A League of Legends Story
1059:HMMA for Best Original Score - Video Game
896:SXSW Gaming Award for Excellence in Score
823:SXSW Gaming Award for Excellence in Score
508:
406:Gareth Coker contributed to the music of
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229:as inspirations to becoming a composer.
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2435:Maniglia, Valentin (20 December 2017).
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1357:with Alessandro Clemente (a.k.a Aless)
1095:GANG Award for Best Original Soundtrack
845:The Game Award for Best Score and Music
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1367:Ruined King: A League of Legends Story
649:Coker was brought on to the score for
388:The score for Ark was nominated for a
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2466:Savery, Richard (21 September 2017).
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616:The original Halo score, composed by
213:'s film scoring program. Coker cites
3136:Alumni of the Royal Academy of Music
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2187:Dealessandri, Marie (17 July 2019).
1393:Composed with Curtis Schweitzer and
772:Golden Joystick Award for Best Audio
2750:Feinberg, Scott (10 October 2015).
2494:Remington, Katie (4 October 2018).
2325:"The Best Video Game Music Of 2015"
2267:"Ori and The Blind Forest - Review"
2032:
482:, who specializes in the Norwegian
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2694:McClure, Deven (10 January 2024).
2406:
2161:Brinkley, Vance (21 August 2017).
2107:"A Conversation with Gareth Coker"
695:for Best Game Soundtrack in 2023.
575:, who provided history lessons on
529:. â...they used my soundtrack for
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2963:"SXSW Gaming Awards 2021 Winners"
2834:"Best Score and Music I Nominees"
2807:"SXSW Gaming Awards 2016 winners"
2722:Blain, Louise (30 October 2015).
2323:Hamilton, Kirk (1 January 2016).
1214:The Mean Greens - Plastic Warfare
525:expansion pack caught the eye of
344:In 2015, Coker was brought on by
226:Star Wars: X-Wing vs. TIE Fighter
211:University of Southern California
2666:Ombler, Mat (26 December 2022).
2522:Corbett, Noelle (3 March 2021).
2379:Moyer, Phillip (16 March 2020).
2351:Silverman, Ben (12 March 2015).
2265:Reparaz, Mikel (10 March 2015).
2133:Butler, Mark (17 October 2017).
1499:Prince of Persia: The Lost Crown
1328:The International 10 music pack
1115:GANG Award for Music of the Year
712:Prince of Persia: The Lost Crown
700:Prince of Persia: The Lost Crown
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179:Prince of Persia: The Lost Crown
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2961:Ankers, Adele (21 March 2021).
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2213:Wingler, Matt (10 April 2020).
2080:Parkes, Cassie (26 July 2017).
1010:Mario + Rabbids: Sparks of Hope
908:BAFTA Game Award for Best Music
811:BAFTA Game Award for Best Music
257:BAFTA Game Award for Best Music
3151:21st-century British composers
2989:Garcia, Thania (18 May 2023).
2907:"IFMCA Award Nominations 2020"
2583:Grimshaw, Jack (9 June 2021).
2555:Chesler, Josh (16 June 2021).
2297:"2016 AWARDS CATEGORY DETAILS"
2026:
1406:Mario + Rabbids Sparks of Hope
651:Mario + Rabbids Sparks of Hope
644:Mario + Rabbids Sparks of Hope
1:
2239:Gies, Arthur (9 March 2015).
2189:"The sounds of⌠Gareth Coker"
2019:
1883:The Sweet Taste of Redemption
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1302:Ori and the Will of the Wisps
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836:Ori and the Will of the Wisps
312:Ori and the Will of the Wisps
294:Ori and the Will of the Wisps
155:Ori and the Will of the Wisps
3141:British video game composers
2784:British Academy Games Awards
2611:Maher, Cian (28 July 2021).
7:
265:19th Annual D.I.C.E. Awards
10:
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1075:NAVGTR for Song Collection
3044:"çś é嚝夢 OST on Apple Music"
2058:Cite uses generic title (
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2468:"Gareth Coker Interview"
2009:Ark: The Animated Series
1853:Thrilling Contradictions
1596:What to Bring to America
1199:Ori and the Blind Forest
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763:Ori and the Blind Forest
503:Pirates of the Caribbean
306:Ori and the Blind Forest
234:Ori and the Blind Forest
149:Ori and the Blind Forest
2779:"Games - Music in 2016"
673:to enrich the scoreâ.
653:, along with composers
601:Coker worked alongside
259:, as well as a win for
1632:George's 40th Birthday
1452:Ark: Survival Ascended
1335:Immortals Fenyx Rising
609:on the soundtrack for
560:Immortals Fenyx Rising
510:Immortals Fenyx Rising
246:percussion instruments
199:Royal Academy of Music
167:ARK: Survival Ascended
43:Background information
2880:"Gareth Coker Awards"
1841:Where the Sky Is Born
1796:The Plagiarist's Game
1689:The Silence Inside Us
1264:Ark: Survival Evolved
958:ARK: Genesis - Part 2
921:ARK: Survival Evolved
665:, bringing different
557:For the expansion of
490:, who specializes in
394:Jerry Goldsmith Award
377:, and his conductor,
351:ARK: Survival Evolved
339:ARK: Survival Evolved
161:ARK: Survival Evolved
2812:Entertainment Weekly
2805:Dornbush, Jonathan.
1698:I Am Rupert Caldwell
989:BAFTA for best music
671:French impressionism
401:Minecraft Expansions
286:Howl's Moving Castle
1505:Ubisoft Montpellier
740:
725:Persian instruments
577:Chinese instruments
569:Chinese instruments
267:. Kirk Hamilton of
250:Ocean Way Nashville
3094:. 11 December 2020
2645:Light in the Attic
1934:Resistance is Life
1283:Darksiders Genesis
1218:Code Headquarters
997:Curtis Schhweitzer
739:
693:Ivor Novello Award
565:Eastern Realms DLC
371:Abbey Road Studios
324:Ivor Novello Award
2913:. 4 February 2021
2414:Gerard Howard III
2086:Cultured Vultures
2033:Johnson, OdhrĂĄn.
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2016:
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607:Curtis Schweitzer
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1234:Insomniac Games
1187:Lukewarm Media
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537:Greek Mythology
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392:in 2017, and a
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37:Coker in 2022
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3117:Gareth Coker
3096:. Retrieved
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3026:. Retrieved
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2998:. Retrieved
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2889:. Retrieved
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2505:. Retrieved
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2390:. Retrieved
2386:The Escapist
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